Performance Research: A Select Bibliography by Ian Steactaan Th» following select bibliography of information relevant to the d e v e l o p? if alternative performance In South Africa seeks to outline that research which Maintains a focus upon the relationstnp between perfowance and context. Hhe« some t i t l es indicate a Zambian or African experience rather than a specifically South African experience, t h is is merely because they represent useful parallels. Other t i t l es (notably the reprinted essays of H.I.E. Dtilono) are here indicated because they serve as useful reminders of past endeavours in the f i e l d. The l i s t, as with most bibliographies, is to be seen as a guide to the f i e l d. FmTORIALS AND UNKNOWN AUTHORSHIP (1973) "The Crisis of African Theatre", Business South Africa. ~" " 8, 1v, pp. 32-33. (1977) "A new wave of cultural energy : Black Theatre in South A f r i c a ", Theatre Quarterly, 28, pp. 57-63. (1971) "Afrikaner Humanist", Observer, 18 th July. (1961) "South Africa's play about things as they a r e ", Tiaes, ' London, 11 th Decenber, P 5. (1976) "Black Theatre in South A f r i c a ", London : ' Defence and Aid Fund 1975, (Fact paper on South A f r i c a ). International (1977) "Mayibue : Cultural Weapon of the A.N.C.", Sechaba (Official ' organ of the African National Congress) I I, i i i, pp 41-45. (1975) "South African Black theatre in New York", S'ketsh, pp. 15-ld " pp 25-26. " PERIODICAL ARTICLES Adewunmi, Bosun (1977) "Ip1-Tombi Dancers Confess : 'We're Financed by A p a r t h e i d ", Newbreed, Lagos. Akeman, Anthony (1978) "Prejudicial to the Safety of the State : Censorship and the Theatre in South A f r i c a ", Theatre Quarterly, 28, pp 54-57. ~~~ (1978) "Why «ust these shows go on? A c r i t i q ue of Black Musicals Biade f or White audiences", Theatre Quarterly, 28, pp. 67-69. Anankulor, Janes (1976) "The traditional Black African theatre : Problems of Critical Evaluation", Ufahanu : Journal of the African Activist Association. U.S.A. (Los Angeles), 6, i i, pp 27-46. 60 Baker, Donald (1976) "Anthony Graham-White, The Drama of Black Africa", Research in African Literatures, Austin (Texas), /, pp 89-94. Benson, Mary (1978) "Keeping an Appointment with the Future : The Theatre of Athol Fugard", Theatre Quarterly, 28, pp 77-83. (1973) "Athol Fugard and 'One l i t t le corner of the w o r l d ", Yale Theatre IV, i, pp 55-63. Bemer, Robert (1976) "Athol Fugard and the Theatre of Improvisation", B.A., 50, pp 81-84. Blecher, Hilary (1980) "Goal Oriented Theatre in the Winterveld", Critical Arts, I, i i i, pp Z3-39. Blumer, Arnold (1978) "R.I.P. the 'Deadly1 Theatre", Speak, Cape Town, I, i i i, pp 18-20. Coplan, David (1978) "'Sophiatown Ha-Windam1 : The African Performer and the Johannesburg Entertainment Indistry", Speak, I, v, pp3-6; I, v i, pp3-13. Dhlomo, H.I.E. (1977) REPRINT : "Drama and the African", English in Africa, IV, i i, pp 3-8. (1977) REPRINT : "Language and National Drama", English in Africa, IV, i i, pp 9-11. " (1977) REPRINT : "African Drama and Poetry", English in Africa, IV, i i, pp 13-17. (1977) REPRINT : "African Drama and Research", English in Africa, IV, i i, pp 19-22. (1977) REPRINT : "Nature and variety of tribal drama", English in Africa, IV, i i, pp 23-36. (1977) REPRINT : "Why study tribal dramatic forms?", English in Africa, IV, i i, pp 3 7-42. Ebrahim, Carter (1973) "A review of the South African Black Theatre Union's First National Festival", S'ketsh', 44. Edebiri, Unionmwan (1978) "Toward a Convention of Modern African Drama", World Literature Todfa.y (quarterly of the University or ukiahoma) bz, pp b6b-69. 61 Fiebach, J. (1975) "On the Social Function of Modem African Theatre and Brecht", Urania (Literary Magazine from the University of Dares Salaam), 5, pp 159-171. Ford, Christopher (1971) "Voortrekking to a Social Confusion", Guardian, London, 1 7 th July. Fourie, Lorraine (1979) "The early days of South African theatre", S. African Digest, 12 th October, pp 14-16. Francis, Benjy (1979) "Black writing : problems and prospects of a tradition writing f or the theatre today", S'ketsh', pp 10-11. (1979) "The other face of theatre in Africa", Proceedings of International Symposium on Theatre, Nico Ha I an Theatre, Cape lown. Gray, Stephen Green, Robert (1978) "Our forgotten drama", Speak, I . i i, pp 13-16 and 46-47. (1976) "Politics and literature in Africa : The drama of Athol Fugard", Festschrift a r t i c le in AN 76-2-000125. Groenewald, H.C. (1977) "Struktuu rbeskrywing van die historiese drama in Zulu", Limi, S.A. (Pretoria) 5, i - i i, pp48-66. QJSSOW, Mel (1974) "To Fugard, playwriting is 'Defiance'", New York Times, 1 7 th December, p 30. Hauptfleisch, Temple (1980) "Theatre Research in South Africa", Critical Arts, I, i i i, pp 11-22. Hough, Barrie (1978) "Fugard's "Boesman and Lena1 in Perspective", Inspan, Johannesburg, I no. 2. Jafta, D.N. (1973) "The development of Xhosa Drama". Africa Language Congress University of South Africa, Pretoria, pp 4U-bb. Kasoma, Kabwe (1978) "Trends in African Theatre with special emphasis on the Zambia experience", The New Classic, 5, pp72-73. Kidd, Ross (1977) "A Botswana Case Study : Popular Theatre and Development", Convergence (International Journal of Adilt Education), 10, i i, pp 20-30. Kleinschmidt, Peter; Bluraer, A (1978) "A v i s i t i ng German Director looks at Cape Town Theatre", Speak, I, i i, pp 5-7. 62 Lampley, James (1979) "The Unhappy Land of Camelot", Africa (Int. Business Economics Monthly), 93, pp 80-8*n Leshoai, B.L. (1978) "Black South African Theatre", Festschrift a r t i c l e, AN 78-1-000103. (1976) "Socialist Theatre", Afriscope, Lagos, 6,ix, pp 10, 12. (1975) "The African Theatre and African Actor : Political Dimension", Umma, Dar Es Salaam, V, pp 107-16. (1977) "The nature and use of oral l i t e r a t u r e ", New Classic, IV, pp 1-11. Lindfors, Bemth(1976) "Proceedings of the Symposium of Contemporary South African Literature and First African Literature Association Conference", Issue (A Quarterly Journal of Africanist Opinion), V I, 1, pp 3-62. (1979) "A 2J1U view of Victorian London", Series 48 in Hunger Africana Library Notes. Habaso, Connie (1975) "To go or not to go? A Dig at our Theatre Scene", S'tcetsh' , p 35. Hangwane, Sara (1977) "The Black Theatre", Bona (Johannesburg), June, pp 46-47, Merin, Jennifer (1975) "South Africa's Serpent", Canadian Theatre Re/iew, V I I, pp 138-141. Mitchell, Julian(1976) "Athol Fugard in London", in Jones, ed. African Literature Today v o l. 8, Heinemann, London"! Mohr, Robert (1977) Mshengu, Robert (1979) "No Homage unto the Sun : The Missed Opportunities of South African Theatre", University of Cape Town Inaugural Lecture. (No. 16 in series). "After Soweto : People's Theatre and the Political Struggle in South Africa", Theatre quarterly, x x x i i i, pp 31-38. IX, (1975) "Black Theatre in Loncbn", S'ketsh, pp 19-21. (1976) "Theatre in South Africa", Ch'indaba, I I, pp 38-43. (1977) "Third World Theatre", Snarl, V I, pp 5-7. (1978) "Tradition and Innovation in the Theatre of Workshop ' 7 1 ", Theatre Quarterly, 28, pp 63-66. Mutwa, Credo (1976) "On the theatre of Africa", S'ketsh', pp 38-39. (1976) "Umlinganiso : The living t r a d i t i o n ", S'ketsh', pp 30-32. 63 Weolas-Fanourakis, Dirritri (1978) "Learning from Theatre : An Account of Interpersonal Contact across the Racial Divide", Speak, 1,1, pp 46-49. Niven Alastair (1975) "The Commonwealth and Africa in the British Theatre", CoBWonwealth Newsletter, 7, pp 11-14. Nkosi, Lewis (1976) "The British Theatre and Africa", ff rica, 55, pp 63-65. (1976) "Post-War Drama in ff r i c a ", in A. N i c o l l, ed. World Drama from Aeschylus to Anouilh, Bames & Noble, N.Y. pp 895-898. (1968) "Athol Fugard : His work and u s ", South Africa : Irfor»- ation and Analysis, 63. — ~~ O'Sheel, Patrick (1978) "Athol Fugard's "Poor Theatre1", The Journal of Commonwealth Literature, X I I, i i i, pp 6 7/7 Parr, T; Hahn, C. (1977) "Some Thoughts on a Deadly Theatre", Speak, I, pp 22-25. Pearce, Daniel (1977) "Who is John Moyo? Thoughts on Black Theatre in Zimbabwe", Journal of Commonwealth Literature, 11, i i i, pp 54-58: Pendlebury, Shirley (1976) "Jailbird's Eyeview", Snarl, 5, pp 1-3. (Interview with cast of Survival, Workshop '71). Raymer, John David (1977) "Eight recent plays by South African Dramatist Athol Fugard : His Method, his Development as as playwright, his South African Context, and the Major influences upon him", Dissertation Abstracts International, Ann Arbor, Hichigan. Roberts, Sheila (1980) "South African Bilingual and Multilingual Drama of the Seventies", Canadian Drama, 6, i, pp 134-150. Robinson, A.M. Lewin (1975) "The Dangers of a Colonial Theatre, 1800), Quarterly Bulletin of the South African Library, 30, pp 36-4U. Sepamla, Sipho (19 79) "The Urban Cultural Scene - Theatre", S'ketsh', pp 17-19. (1976) "The Black Writer in Sooth A f r i c a ", New Classic. 3, pp 18-26. (1981) "Towards amflf rican Theatre", Rand Daily Mail, April 2 nd. 64 Steadman, Ian (1980) "Critical Responses to Contemporary South African Theatre", Critical Arts, I, i i i, pp 40-46. (1980) "Theatre of Commitment : The p o l i t i c al made theatrical in South African Theatre", Scenaria, 17, pp 3, 47. Tomaselli, K,G.(1981a) "Black Theatre : Text and Context". English in Africa, Vol. 8, no. 1, pp. 51-58. (1981b) "Ilanga Le So Phonela Abasebenzi : An Example of the Devolution of Theatre from the Laser to the Candle". South African Labour Bulletin. Vol. 6, no. 7 (Forthcoming). Vandenbroucke, Russel (1978) "A brief chronology of the theatre in South Africa", Theatre Quarterly, 28, pp 44-46. (1978) "Chiaroscuro : A Portrait of the South African Theatre", Theatre Quarterly, 28, pp 46-54. (1978) "A selected bibliography of the South African Theatre", Theatre Quarterly, 28, pp 94-95. (1976) "Introduction : African Theatre", Yale/Theatre, 8, i, pp 6-10. USEFUL COMPLETE ISSUES 1980 : Critical Arts vol 1 no. 3 1978 : Theatre Quarterly no. 28. 1977 : English in Africa vol. 4 no. 2. 1976 : Y.ale/Theatre vol. 8 no 1. 65