AN EVALUAUGK CF THE CU‘SHEQNENG ?§O?ERNES O? CQRRQGA'EEG FAPEMCARBE Tfiests for 1530 Degree of M. S. EMCEHGAN S'E‘A'E‘Ei ‘UXE‘IERS‘E‘E‘Y Gerald L Faimreuter 2968 LIBRARY Michigan State University ’ M“ \\\\\\\\ \\ \\ \\\\\\\\ \\\\\\\\\\\\\\\\\\\\\\\\\\\\\W 3 1293 10422 0573 ABSTRACT AN EVALUATION OF THE CUSHIONING PROPERTIES ‘ OF CORRUGATED PAPERBOARD by Gerald L. Palmreuter This study was undertaken in order to determine the shock absorbing characteristics of built up corrugated mate- rial. Test cushions varying in thickness, basis weight, and flute size were evaluated with a Vertical Dynamic Drop Test- er. The data obtained was used in evaluating cushioning prOpertics and predicting the shock experienced by an article packaged in corrugated. 0n the basis of the data, the following conclusions were drawn: 1) Unstressed corrugated is a very inconsistent mate- rial and its performance inside a package cannot be steadily predicted after the initial drop. 2) Prestressed corrugated cushioning is a relatively consistent cushioning material and it performs quite well inside a package. However, its cushioning ability cannot be predicted with the use of cushion curves. 3) The basis weight of the corrugated medium is a more important factor in determining cushion effective- ness than the basis weight of the liner. h) As the flute size increases, the first impact ef- fectiveness increases but the multidrop effectiveness decreases. AN EVALUATION OF THE CUSHIONING PROPERTIES OF CORRUGATED PAPERBOARD By Gerald L: Palmreuter A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of f MASTER OF SCIENCE School of Packaging 1968 ACKNOWLEDGEMENTS The author wishes to thank Dr. James w. Goff, Professor and Director, Michigan State University School of Packaging, for his guidance throughout the course of this study and Stephen R. Pierce, Instructor, School of Packaging, for his suggestions and assistance on technical problems. He would also like to thank Roger W. Esker, former Pack- aging Technologist, West Virginia Pulp and Paper, for both his ideas and his help in obtaining the test samples needed for this study and Mrs. Elizabeth Anderson for her assistance in preparing this paper. 11 TABLE OF CONTENTS ACKNONLEDGENENTS .................................. TABLE OF CONTENTS ................................. LIST OF TABLES .................................... LIST OF FIGURES ................................... LIST OF APPENDICES ................................ INTRODUCTION ...................................... BACKGROUND ........................................ TEST EQUIPMENT & INSTRUMENTATION .................. EXPERIMENTAL PROCEDURE ............................ RESULTS ........................................... DISCUSSION OF RESULTS ............................. CONCLUSIONS ....................................... BIBLIOGRAPHY ...................................... APPENDIX I ........................................ APPENDIX II ........................................ APPENDIX III ...................................... APPENDIX Iv ....................................... iii ' Page ii iii iv{ vii 10 17 22 80 86 87 88 89 91+ 99 LIST OF TABLES Table Page ' I. Shock Predicted Via Corrugated Cushion Curves Vs. Shock Actually EXperienced By An Article Packaged In.Corrugated cushioning .0....0.0000000000000000000COO 75 II. Dynamic DrOp Test Data .................. 100 . iv Figures (hm-rum Q)\" 9-12 13-16 17-22 23-26 27-30 31-36 37-h0 HI-Hé #7252 53f56 LIST OF FIGURES Unstressed, 2h", ZZ-A Flute Cushion Curve ... Hypothetical Cushion Curve .................. Hypothetical Cushion Curve .................. Vertical Dynamic DrOp Tester ................ Dummy-Load For The Package DrOp Test ........ L.A.B. Model 5D~lOO Package Drop Tester ..... Baldwin-Emery SR—h Compression Tester ....... A Typical Package Ready For The Package DrOp Test ................................... Unstressed, 2h", ZR-A Flute Cushion Curves .. Unstressed, 2h", AV-A Flute Cushion Curves .. Unstressed, 2h", RRHA Flute Cushion Curves .. Unstressed, 2h", FR-Q Flute Cushion Curves .. Unstressed, 2h", AR—Q Flute Cushion Curves .. Unstressed, 2h", AR—A Flute Cushion Curves .. Unstressed, 2h", ZZ-A Flute Cushion Curves .. Unstressed, 2%", AS-A Flute Cushion Curves .. UnstresSed, 2h", PLY PAC-A Flute Cushion Curves ...................................... Unstressed, 2h", PLY PAC-Q Flute Cushion Cllrves .0......OOOOOOOOOOOOOOOOOO0.00.0000... Page 12 1h 16 2o 23 27 31 37 #1 #5 55 61 67 Figures ' Page 57 Prestressed, 2%", ZRmA Flute Cushion Curve .. 71 58 Prestressed, 2h”, AV-A Flute Cushion Curve .. 72 59 Unstressed, 18", PLY PAC-A Flute Cushion . Curve ....................................... 73 60 Unstressed, 30", PLY PAC—A Flute Cushion Cul‘Vre ...O0."...00.0.0.0.........OOCOQOOOOOOO 71+ 61 Cushion Curve Comparing Cushioning PrOperties Of Corrugated ind Foamed Polyethylene ....... 82 62 Cushion Curve Used To Determine Effects Of Flute Size .................................. 83 63 Cushion Curve Used To Determine Effects Of Varying The Basis Height Of The Corrugated Liner ....................................... 8% 6h Cushion Curve Used To Determine Effects Of Varying The Basis Height Of The Corrugated Medium ...................................... 85 65 Foamed Polyethylene Cushion Curves .......... 92 66-68 Photographs Of Selected OscillOSCOpe Traces . 96 LIST OF APPENDICES Appendix Page I. A Key To West Virginia Pulp & Paper's Letter Designations ......................... 88. II. The Cushion Design Method And in Example .... 89- III. A Justification For The Electric Filter Setting ...................................... 9% IV. Dynamic Drop Test Data ...................... 99 . - D ' . - vii INTRODUCTION In our competitive society, the search for potential areas of cost reduction is a never ending battle. Consequently, many companies which previously regarded packaging as a "liability" are being forced into realizing that packaging is a frontier . which, if conquered, could give them the edge on their compet- itor. With this increased interest, a movement is beginning which is aimed at changing packaging from an-art into a science. In this respect, the cushion curve-gpggk.g_vs static stress curve--has been a very useful tool. with_the help of such curves it is possible to compare the merits of various cush- ioning materials for a certain given application. The School of Packaging at Michigan State University has derived such curves for many materials. However, prior to the time of this study, no cushion curve work had been done with corrugated material. This study then is designed to use cushion curves to in- vestigate the effects of various variables associated with cor- rugated board--basis weight of liners, basis weight of corrugat- ed medium, flute size, cushion thickness, etc.--upon cushioning properties. In addition, a comparison between corrugated and other commercially available materials will also be included. BACKGROUND Until werld war II there was little interest in package cushion testing. However, during the war the Forest Products Laboratory in Madison, Wisconsin, began studies on cushions used in packages. These early studies were based on static tests and they were aimed at finding some way of predicting a cushion's performance inside a package. The static method involves placing a series of weights on the cushioning material and measuring the amount of compression of the material as each weight is added. The greatest drawback to this method lies in the fact that the forces are not applied to the cush- ioning material at the same rate as they are when the cushioned article is dropped. Because of this, dynamic testing, which more closely simulates the action of a cushion in an actual drop, became the accepted method for evaluating cushion per- formance.1 All dynamic tests in package cushioning operate on the same basic principle. A cushion of known thickness and area is impacted by a mass of known weight. The deceleration of the falling body as well as the deflection of the cushion and the drOp distance-~based on impact velocity-~can then be measur- ed. 'Several methods have been tried. Of these, the one making use of the Vertical Dynamic DrOp Tester is most common because, of the ease with which impact velocity is controlled. This method makes use of a variable weight platen that is dropped 2 on a sample cushion.2 The main purpose in using a dynamic tester is to derive a cushion curve. All such curves are of the basic form shown in Figure 1. They have g's deceleration plotted against static stress and are used to evaluate the merits of a particular pack- age cushioning material for certain given applications. Figure l is a first drOp -2h" free fall cushion curve for 2" ZZ-A Flute. The ZZ_indicates that the basis weight of both the corrugated medium and the liner is 17 lbs/1000 sq ft. (Appendix 1) The way in which a drop tester is used to derive the curves is the static stress, which is measured in lbs/sq", is varied by changing weights on the dynamic drOpping head which impacts a cushion 8 inches square. The g's experienced in the drOp for a certain static stress are measured by an accelerometer and ' recorded on an oscillOSCOpe. From Figure 1 it is easy to see that: . 1) Under a load of .19 lbs/sq" a shock of 50 g's was experienced. - 2) Under a load of .MO lbs/sq" a shock of 30 g's was eXperienced. V . 3) Under a load of .50 lbs/sq" a shock of 50 g's was eXperienced. Knowing that the area impacted wasi6h sq" and that static stress (53) = pounds loading of the drOp platen (lbs)/square inches impacted by the platen (sq"), it id easy to determine the num- ber of pounds which impacted the cushion-at each of the above static stresses. 2“” Free Fall Drop (First 07°F)“ ‘4'!“ 220 w. VA. PULP 5 PAPER H. IVISION (Sandusky) 223A FLUT ‘ OUJUUJJLU¢.. . .... u. «.0. Ole. ‘00..-. u. 4 . . . o. 00.0 fit 0—. u u 0. .0V0:..I.o‘ . . .500..us0 A...I|. .. . ....Or. ~ .rnuo'-l n . . .. no. .1. a... .....on 9.Aa.. .... ...¢.OvA-:L..Qoo vv .. o 0.5.1.00OII to... 0.01 udnou! o poqc.u90.c¢...a.ov .v. ... o... ...-no.0 0 I . ... b .. o..v. evo.ov..0‘ai I. no. A s. ...-.O-o.I-OOuO¢O¢I .vtoobp ..CIOOK 5000.9... «OO...O-.Q.t ontoivcctyn ootclo.~r~u I... '0. 1.900c' uncut. o‘c.’ ‘ 1.. 00:5 1"... ......U' '0‘..“.90..06fi.00-o . I.:-Oo .V.«coola.a0000§oai:fi.oot o..'n.'l.6..no, :4 . 10"... ....O ...?O'OOO‘X 003D,» 0.0.034o990:. 13 board. They had inside dimensions of 8 X.8 X 11 inches. 'All were regular slotted containers with the manufacturers' joint, the top, and bottom sealed with glass reinforced asphalt_ laminated kraft backed tape. The dummy load consisted of an 11% pound wooden block. Figure 5 illustrates the block. This block was constructed of maple dieboard. The layers were glued together. Addition- al rigidity was added by the use of 3/8" bolts running from the top to the bottom at all four corners. Steel plates were bolted to the t0p and bottom to increase the weight of the block to 13% pounds. A Kistler Model 818 accelerometer was mounted in the center of the block (see Figure 5). The output of this accelerometer was fed into a Tektronix Type 56% storage oscillosc0pe through a Kistler Model 5&8 B piezo- tron coupler. The package drOp tester used was a L.A.B. Model SD-lOO drOp tester. The base plate which held the drOp tester and which the packages impacted was one-half inch steel plate grouted onto an eight-inch concrete floor resting on tamped earth.' The package drOp tester is shown in Figure 6. Compression Tester A Baldwin-Emery SR-h compression testing machine was used to prestress the corrugated samples. This compression tester has a capacity of 50,000 lbs. It is shown in Figure 7. EULHL. Dcafr EMU/\VHMUJKnH Eh.» “OLH Q<0~H Ea 'lh . . w an a Lne.ma§x N< essnw amen anamoqmaz :m\a H . .x «an am. 1...! .3: L \WW\\\\ m .r: a aw Mk GHOm odHQ.z#N .Illll. Emma momn_mo2: In (sandusky) 27' STATIC STRESS - PSI Q) A :3 d In. 28 Pulp a Paper H a D olv. (sandusky) "- Va. AV-A Flute “acne vcouomv auto ..mu coin ::~ m. .ma I mmumhm o_h:z 3. 200 l80 I60 I20 I00 (Sandusky) 80 60 A3 20 STATIC STRESS '95! F1 ure 26 2h” Free Fall Drop (first drOp) W. Va. Pulp 5 Paper H 5 D DIV. (Sandusky) AR-Q Flute an a-moulamz2f as O O O O O Q \0 4' N O O 0 oo \0 O 42' 20 1+7 STATIC STRESS - PSI "F1 ure 33 1+8 V. Va. Pulp 5 Paper H 510 Div. (sandUSky) AR-A Flute agate economy note —_om ovum ::N m. .ma u mmmmkm u.h2: w. Va. Pulp 5 Paper H'e D Div. ZZ-A Flute 120 '9" ’- 200 l80 l6D lho l00 (Sandusky) 80 60 #0 20 52 STATIC STRESS ' PSI 2h" Free Fall Drop (First drop) 2&0 220 w. Va.Pqu 5 Paper H 5 D DIV. (Sandusky) ZZ-A Flute Ifl . - cmum4w¢2! In 0 O N #0 l20 IOO 80 60 #0 20 all STATIC STRESS ' PSI m Figure 50 .153..- llaJ QAO 220 200 ‘ I w. Va. Pulp 5 Paper H 5 D Div. (Gloucester) PLY PAC A-Flute p crulczu1_1u:a:<:h-—-c>2: O O O O O o co \0 J N 0 co 8 A0 20 65 STATIC STRESS - PSI Ffl4nxre jg; 2h" Free Fall Drop (Second Drop) 2&0 220 l 0 w. Va. Pulp 5 Paper H 5 D Div. (Gloucester) PLY PAC A-Flute QMUNJUC£2:}n N 71 STATIC STRESS - PSI 3“ Fie' West Virginia Pulp 5 Paper H 5 D Div. 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Opfiflh damn 2N opfifih 00mm :H Homeopmz 110 ....JN :JN =JN ...:N ::N ...:N ::N =+~N ::N ...:N ::N =JN =JN .....eN ...:N ......N pemeom noun mmwmwwfi noun m No mm ooe womm +omm +omm +omm +omm +omm +omm +omm +omm +Omm +omm ONN :m mmmm sum oo mm ome +omm +omm +omm +omm +omm +omm +omm +omm +omm +omm OON ome oe moan mp: mm om OmH +omm +omm +omm +omm +omm +omm +omm +omm OQN mmm omH :: oe mden ohm om OOH mmm +omm +omm +omm +omm +omm owm NmH oNH mm me ii :i %% mmmm deem om ome ome om me oe mo om mm om mm mm mm :m. i om noun pmH mmoepm oapmpm meme. omme. mmoo. ooo.e meme. omem. mmem. oome. memo. ommo. mmom. ooom. meme. omem. mmem. oome. opeeHm 00mm :m. Opflflh QIMh :N Hddhopwz 111 ::N ::m :JN ::N ::N =:N ::N ::m ::N :JN :JN =JN =JN ::N ...:N =JN enmeom noun emmeo>< gong m +omm ONH ome +omm +omm +omm +omm +omm _+0mm omm omm ome oom Ne mm moan npm oem mee ome ,+omm +omm +omm +omm +omm am... OON OON mee QJH m: m:. poem 2»: m:e OOH ooe +omm +omm +omm +omm +omm :Je NOH om mo :o :m :: mmwm cum me om ome m:e moe mme ome. ome em om mm mm om mm mm mm coma USN :m OOH 0mm 00 moan pmH meme. omme. mmoo. ooo.e meme. omem. mmem. oome. memo. ommo. mmom. ooom. meme. omem. mmem. oomm. mmoepm oepmpm upfiHm olm< :H ....-.CQ O 095.7% 01mm : m Hoeeopwz 112 zim ::N ::N ::N =Jm ::N ::N ::m =JN =JN ::N ...:N ::N =JN :JN zsm HEMHom none omaeo>4 moen.m +omm OOH OleH we we ome +Omm +omm +omm +omm +omm .+omm +omm +omm +omm +Omm moan sum 0mm NJH OOH mo mo ome +omm +omm +Omm +omm .+omm *omm +omm +omm +Omm +omm moan 2p: oeH :w :w J: o: N: on OmH +Omm .+Omm +omm +omm +omm +omm +Omm. omm mme ONH moan UGN mm om N: mm :m One +omm .omm ome ome oee oee mo om mm mm moan pmH omem. mmem. oomm. meme. omme. mmoo. oome. memo. ommo. mmot. ooom. meme. omem. mmem. memm. oomm. mmoepm oepwpm OpfiHh 00§< :N u v Q. - --. . Opfiflm Olfifi :H Homeopwz 113 ::N ::N :JN ...:N :JN :JN. :JN .::m aim =JN =JN ...:N :JN ...:N ...:N ...:N pemeum noun omweo>< noun m :NH 00 om oo OBH +omm +omm +Omm +omm +omm +omm +omm +Omm +omm +me moem npm mm 0: om mo mme +omm +omm _+Omm .+Omm +omm +omm +omm +omm +omm +omm moec fie mme +omm +omm +Omm +Omm +Omm +omm +omm com com ONN poem cum om :m mm we so mme +omm +omm +omm +omm omm OHN mmm oeH +eHH om moan HEN om :m om oo oo ome mm mm :o mm :m m: m: mm mm mm mono pmH omem. mmem. oomm. meme. omme. mmoo. ooo.e meme. omem. mmem. oome. memo. ommo. mmom. ooom. mem:. mmoepm oepmpm apnea 01m< zm oude 0.42 ..N Homeopwz 111l- :+.N :JN zjm aim :JN =+~N :JN :tm =JN ::N ...:N ...:N =JN :JN ::N ::N psmfiem moan mmmwmwe noun m +omm OJN omH ONH mme +omm +omm +omm +omm +0mm +omm +omm +Omm mmm mom OOH .mdem gem +omm owH :HH :OH ome +omm +omm +omm +omm +Omm +omm +omm mJN mew OHH om moan fi: 1 poem ohm mm oe om oee ome omm ome ooH ooe oee om mme Om mm mm moan gem me oe moe mme omm omm :m mm :m oe me em mm me me om moan pmH omem. mmem. oomm. meme. omme. mmoo. ooo.e memo. omem. mmem. oome. memo. ommo. mmom. ooom. meme. mmoepm oeeapm oveeHm 4.42 :H opoee mime =m Homeopmz 115 ..iN :iN =iN :iN :iN :iN ...:N :iN :iN :iN :iN :iN :iN =iN =iN =iN Ema... ...m noun ummeo>< noun m we me me mm ome +omm +Omm +omm +omm +0mm +Omm +omm +Omm +omm +omm +omm moan sum mm NO iw we omH +Omm +Omm +omm +Omm +omm .+Omm +omm +omm +omm +Omm +omm and a3 OO ow Ow OOH +omm +omm +omm +omm +Omm +Omm +omm +omm +Omm omm oem mom omm mm mo mm mm mee +omm +omm +omm .+omm +Omm +omm +omm .oom ooe NHH Om moan HEN me im we ooe oom omm mee mme ooe mo oo oo oo me. mo 0e moan pmH omem. mmem. oomm. meme. omme. mmoo. ooo.e memo. omem. mmem. oome. memo. ommo. mmom. ooom. meme. mmoepm Odpwpm oufiHm dime. : N 03.9% < moan m 5? mo mee oom +omm +omm +Omm +Omm oow oww OiN mme mee oeH moan gem 53 E? :i om OON oom +Omm +omm .+Omm +omm mme oow oow ome wee ONH mono Sui 3? f3 om oow mew .+omm oom oow oww mie ioe wee mm moan omm em mo moe oew oom mie ome :ee ooe om mm om mm moan OGN iO 0O im oee mew omm em om mm mw em im mm o: . mm im moan pmH omem. mwem. oomw. meme. omwe. mwoo. ooo.e mem.e. omem. mwem. oome. memo. omwo. mwom. ooom. memi. mmoepm oepapm ”Pagan ¢ noun m .+omm +omm +omm +Omm +omm oom OiN one ioe. mm wm No .+Omm +Omm +Omm +omm noun npm +Omm .+Omm +omm omm owm OON mee ome mm mm OOH .+omm +omm +omm +omm wwun fii +Omm +omm ONm omm OJN mee iNH iO om mm OOH +omm +omm +omm +omm noun Uum omw omw mee moe owe we mw mm mm wm OOH +omm +omm +0mm +omm mmmm USN mi mm iw me ee me me mw im wi mm owe oww mee mee moe moun pmH oome. memo. omwo. mwom . ooom. memi. omem. mwem. oomw. meme. omwe. mwoo. ooo.e meme. omem. mwem. mmoupw oepwpw. Opflfih < noun m +omm +Omm +omm +omm +omm +omm mow one OOH OHH mee +Omm +omm +omm +Omm .+Omm moun gem +Omm +Omm +omm +Omm .+Omm +Omm OON. OOH +omm +omm +omm +Omm mwm miw ime om a iHH mee +omm +omm +omm +omm +omm noun Uum +omm mew OON mee ome mo oe ie mm mwe mee +omm +omm +omm omm omw noun USN mm oo mm oe me ioe moe moe mee ome OHN +omm mm om we mm . noun an oome. memo. omwo. mwom. ooom. memi. omem. mwem. oomw. meme. omwe. mwoo. ooo.e memo. omem. mwem. mmmupm Oprum GPSHnw < noun m +Omm +Omm +omm +omm +omm +omm mow one OOH OHH mee +omm +omm +omm +Omm +omm noun gem +omm +omm +omm +omm +Omm +omm OON . OOH +Omm +omm +omm +Omm mwm min iNH on a iHH mee +omm +Omm ,+omm +omm +Omm noun Uum +omm mew oow mee ome mo oe ie mm mwe mee +omm 40mm +omm omm omw noun USN mm oo mm oe me ioe moe moe mee ome .oew +omm mm on me mm . noun pmH oome. memo. omwo. mwom. ooom. memi. omem. mwem. oomw. meme. omwe. mwoo. ooo.e meme. omem. mwem. mmoupm oepapm oanh ¢Im< :H opSHh <[NN am HwHuopoz 121 ...:N :JN =iN =iN =iN =iN =iN =iN =iN =iN :JN =iN :JN =iN =iN =iN wimmme noun mmnmnmfi noun m can OON OiN ome OOH. Ne oe mo om NOH OmH omm +omm +Omm +omm +Omm noun gem oiw ome ome ioe oo oo mm we no one omm +omm +Omm +Omm +omm ooun Sui ime in im Om mm mm mm we we iOH ONN omw +omm +Omm +omm +omm noun Uum 0i om Om mm ii wm mm we on ONH OON omw +omm +omm +omm +omm noun USN ooe ime oew omw oee om Om OO noun pmH oome. memo. omwo. mwom. ooom. memi. omem. mwem. oomw. meme. omwe. mwoo. ooo.e meme. omem. mwem. mmoupm OHuwpm ovSHuH dim/H :N opseu erme =e Hoeuopoz 122 =iN =iN =iN =iN :iN :iN =iN .:iN =iN =iN =iN =iN =iN =iN =iN =iN unmeem noun wmwuv>4 noun m wee we NO oi mi om om mm oe me moe mmw +omm omm owm oem noun ipm 0O oo oe ooe ooe mmw owm oew oew mmw wwnn ipi Om mm Om ii .33 i? io oe ooe mme mmw omw oow ome moe nonm Uum om mw wm om wm mm oo oe moe ooe mmw ooe mo om mi Mfiwnw USN im om E? 5? mm oe im mme mme mmw om om im wi noun umH oome. memo. omNO. mwom. ooom. memi. omem. mwem. oomw. meme. omwe. mwoo. ooo.e meme. omem. mwem. mmoupm oepmpm OpfiHh noun m< .+Omm +Omm +Omm +Omm +Omm OOH OO ON +Omm +Omm +Omm +omm +Omm +Omm mmw omm nnmn sum +omm +Omm +Omm +Omm mow OiH ie eN +Omm .+omm +Omm +omm +omm +Omm mew oeH noun ipi +Omm +Omm +omm OeN mON OHH mi ON +Omm _+Omm +Omm +Omm +omm +Omm OiN OOH nnmm Uum +Omm OON OON moe oiH mO ON Nm +Omm +omm +omm +Omm +Omm miw OON mm noun USN oie ooe oe mm mm OH Nm +omm mow OiN mie OiH OO mm. om nnnn va ooom. memi. omem. mwem. oomw. omme. omwe. mwoo. mwom. ooom. memi. omem. mwem. oomw. omme. wome. mmoupm oepapm Engage 0 pSHm ¢ noun m cam omm mmH oom o:H ONH me mm mm +omm .+omm +Omm +Omm +omm +omm moan npm owm OMN 05H mmH omH mmfl on em No +Omm +omm +omm +Omm +Omm o:m moon :9: mmw can cma 00H ONH can we :0 .+omm +omm +Omm +Omm +omm omm moan chm m: omH mmH ONH mmn ooa oom oe :0 +omm +Omm +omm +Omm owm 05H moan cam :: OHH OOH om mm mm :m we :m ow +omm OHN omH o:fl. OOH mm moan umH mmonpm OHpmpm Hmanopwz commonpmoun * mwoo. .opsam 41>< gm mmmm. ooom. mem:. omem. mmam. oomw. memH. omma. mwoo. ooom. mem:. omem. mmnm. oomw. memH. *odeh élmN.=m opsam oumm em Hanopaz 129 Hammond: commonpmoun * =mH oom mem:. =mH omm omem. gma . o:m mmnm. w=mH megmmmz men oomw. ..ma 9:5 4...: mmw. mm 03 mema. ..mH omw: gm mww. mind. “and mm omNH. =mH e: mmmo. .=mH . 4mm mmmo. opsam <.em =H =:m omm omm omm cam omH ONH mmmm. =:m .oma cam . .oom mmH men omm ooom. ::m men mma omm oem omH omH mem:. =:m mofl omH mea own mma moH omem. .=:m mma men men mmH o:H OHH mmam. a:~ mma omm o:H m:H omm oom. oomw. : ::~ mm con oom OOH mm me memH. =:m mm om om om ‘ _ mm om ommH. *opsam 41>< =m g g 3.3. and. mam mama. mama. 33% 320%: noun g95 m sum a»: mum mum and . oauapm 130 =mH gmH =mH =mH =mH gmH =mH =mH amH =mH =mH .:wH ,=mH =mH =wH =mH pnMHom noun HoHnopmz upsfim «rmm «ma mm. OUOE GHQ .QH vfio m NH Hno 0 who >< onn can con .Jfi!|:.. m __ m m noun noun_m a pm a»: mum cam :H om 0: omm omm mmH ooH omH mmH om oe mm mm mH om. +omm noun pmH memH. ommH. mwoo. oome. mem omwo. mwom . ooom . mem:. omem. mmHm. oomw. memH. ommH. mwoo. ooom. mmonpm 0pr9m 0 pflHh diam :m 0 Pfiflh < noun m ocmz oww: HmHuopwz vdeh