An interdisciplinary study of one of the most overlooked and understudied movements in the history of jazz, this dissertation draws from the fields of New Jazz Studies, Popular Culture Studies, and Art History in order to reconstruct the cultural history of West Coast jazz. Focusing on the critical texts and institutions that allowed this movement to germinate and expand, I explore the ways in which the music was represented through various types of media: on record, on radio, on screen, in concert, and in print (i.e., record labels, radio stations, jazz periodicals, etc.). As a result, this study recontextualizes the West Coast jazz movement within the milieu of California modernism around the middle 20th century as a way to observe the broader jazz community; one which included musicians as well as photographers, painters, architects, sculptors, filmmakers, and other modernists.
Read
