ABSTRACT A COMPUTER-ASSISTED APPROACH TO MICRO-ANALYSIS OF MELODIC LINES by David Alan Stech The purpose of this thesis was to explore one approach to micro-analysis of melodic lines through the development and use of a computer program which would help the analyst locate specific types of melodic patterns. The program also provided SUpplementary information about the frequency-of-Occurrence of each melodic interval from the unison through two octaves. Specifically, the Program designated the location of any of the following types of melodic patterns depending upon which of twenty-six Optional analyses were selected by the Program user: 1) intervallically exact Original (0), Inversion (I). Retrograde (R). and Retrograde-Inversion (RI) Pitch relationships; 2) tonal (i.e., direction 01111?) 0. I. R, and RI pitch relation- ships; 3) 0 or R rhythm regardless of pitch content (limited to analysis of rational rhythms only); and, 4) 0 or R rhythm appearing with any of the pitch relationships described in (1) or (2” David Alan Stech The program analyzed melodic excerpts by first assigning identifica- tion numbers to various notes of the melody. These numbers were then used to designate the location of related melodic events in pattern- statements which used the following format: "NOTES .1}. T0 5 RELATED TO NOTES 9 To a, TEST )_{_, LENGTH 3," where I}. and _B_, and _C_ and .12. , designated the beginning and end points of two melodic events contained in the music excerpt under analysis, 5 designated the relationship selected by the program user, and X desig- nated the number of notes contained in each event. The program was able to locate nearly all of the relationships fitting the criteria for each of twenty-six analyses regardless of length of pattern, and regard- less of notational differences which might have caused certain relation- ships to go unnoticed by a music analyst. The number of pattern- statements located for each analysis depended upon the length of the excerpt, the melodic construction of the excerpt itself, and the level of sophistication of the patterns selected by the program user. The results of each computer analysis were presented in two ways: first, in a series of lists which presented the pattern-statements in order of increasing length from three notes to as long as was necessary to accommodate the lengthiest pattern; and second, in a format which showed the subpatterns which appeared most frequently within the lengthiest pattern (0:: patterns) found in the analysis. Melodic pattern analysis was chosen as the subject for development of the program, because the importance of perception of melodic events to both the listener and the composer has been suggested by composers, music analysts, and other investigators. It seemed likely, therefore, ’9 l" C a" ,‘v 5' Q on. b David Alan Stech that the development of a computer program to assist in identifying certain types of melodic patterns might be of value to a number of areas of study. The program was written in the FORTRAN IV program language. Since none of the existing methods used for converting music to computer input data was found to be applicable to this project, another encoding pro— cedure was developed especially for use with this program. A source listing of the program, as adapted for use on an IBM 360 computer, was included with the thesis. The thesis was limited to this one approach of analyzing melodic lines. The program was limited in the following ways: 1) it was limited to the analysis of strictly linear music; i.e., music in which a fixed number of voices was defined; 2) no vertical or harmonic analysis was attempted; and 3) the program was not designed to read or analyze irrational rhythms. Music examples by Vasse, Hindemith, and Dunstable were encoded and analyzed in order to illustrate the type of information which the program provided and how the music of different stylistic periods could be analyzed with the program. 'v It COMPUTERFASSISTED APPROACH TO IfICRO-ANALYSIS OF MELODIC LINES by David Alan Stech A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Department of Music 1976 ACKNOWLEDGMENTS I wish to express my sincere appreciation to the following members of my Doctoral Committee: Dr. Theodore Johnson, Professor Richard E. Klausli, Dr. Merrell Sherburn, and the Chairman of the Committee (and Head of Music Theory), Dr. Russell E. Friedewald. I wish also to express my sincere appreciation to Dr. Paul 0. Harder, former Head of Music Theory, under whose guidance this project was originally begun. I gratefully acknowledge the Computer Institute for Social Science Research at Michigan State University, and its former Director, Dr. Charles 0. Wrigley, for providing financial support during the early stages of the research, and, Mr. Ivan Frohne, for providing me with a great deal of assistance during the latter stage of the computer program development at the University of Alaska, Fairbanks. ii TABLE OF CONTENTS Chapter II. III. IV. INTRODUCTION . . . . . . . . . . . . . . . Statement of the Problem . . . . . . . . . . . . . . . Limitations of Study . . . . . . . . . . . . . . . . . . . Definition of Terms . . . . . . . . . . . . . . . . . The Importance of Small Repeated Musical Patterns . . . Related Research . . . . . . . . . . . . . . . . . . . . . DESCRIPTION OF THE MUSIC ANALYSIS PROGRAM . . . . . . Preface . . . . . . . . . . . . . . . . . . . . . . . Preliminary Considerations . . . . . . . . . . . . . . . Description of the Program's Different Analyses . . . Selected Pattern Deletions . . . . . . . . . . . . . SUGGESTIONS FOR INTERPRETATION OF THE COMPUTER OUTPUT . Introduction . . . . . . . . . . . . . . . . . . . . . . List of Input Data and Computer—assigned Reference Numbers . Melodic Interval Tables . . . . . . . . . . . . . . . . . Type-I and Type-II Pattern Listings . . . . . . . . . . . Limitations on the Thoroughness of the Pattern Analyses . Analyses of the Dunstable and Hindemith Examples . . . SUMMARY, CONCLUSIONS, AND RECOMMENDATIONS . . . . . . . . Summary . . . . . . . . . . . . . . . . . . . . . . . . . Conclusions and Recommendations . . . . . . . . . . . . . iii Page . 10 . 29 . 29 . 29 . 33 . 57 . 64 66 . 69 . 82 .100 .100 .102 Chapter Page APPENDIX A. Computer Output for Analyses of Illustrative Music Examples . . . . . . . . 104 APPENDIX B. Computer Output for Analyses of Works by Varese, Dunstable, and Hindemith. . . . . . 195 APPENDIX C. Procedure for Converting the Musical Score to Computer Input Data. Source Listing of the Music Analysis Program. . . . . . . . . 765 SELECTED BIBLIOGRAPHY. . . . . . . . . . . . . . . 829 iv LIST OF TABLES Table Page 1. Pattern Deletions in Effect . . . . . . . . . . . . . . . . . 63 LIST OF FIGURES Figure Page 1. An Excerpt from.Density_21.5 by Edgard Varése with Pitch Representation Numbers shown, followed by those same Numbers placed on Punched Cards, followed by Computer Reference Number Assignment for the same data . . . . . . . . . . . . . 67 An Excerpt from Density 21.5 by Edgard Varése with Computer-Assigned Reference Numbers Shown . . . . . . . . . . 71 vi CHAPTER I INTRODUCTION Statement of the problem Analyzing and defining the factors which affect the succession of tonal events in a musical composition is a complex task. It requires the analyst to evaluate particular musical events within the context of the prevailing musical style and, as best he can, abstract those elements ‘which appear to affect significantly the aural logic of the composition. Through such a method, the analyst hopes to define more clearly, in his «man mind, how successfully the composer develops his musical material ‘without violating his own sense of musical logic or order. The depth of study required for a musical analysis is determined by the particular goals of the analyst. If the analyst wishes to draw a few general conclusions concerning a large number of compositions, then 'he may not need to analyze each work in.detail to complete his task. If, however, his task is to analyze a particular composition with re- spect to its formal structure as well as its harmonic and thematic con- tent, then a more detailed analytical approach will be required. The analyst who wishes to delve still further into the smaller determinations of musical style will probably draw his conclusions after examining still smaller harmonic and melodic usages. It is this most detailed form of analysis, or micro-analysis, with which this study is concerned. ‘Music micro-analysis brings with it a number of problems, some of which are so great a burden that this type of analysis is not frequently 1 2 employed. The most serious problem associated with such an approach is the extraordinary amount of time needed. Granted the fact that all detailed music analysis requires time, a music excerpt of moderate size can suddenly appear enormous when the analytical process requires the examination and labeling of many small bits of information. Another problem.associated with these time requirements is that such a minute and detailed examination of music is a physically tiring process. As a consequence, fatigue can affect the accuracy of the analysis. A third problem which must be considered has to do with the musical literacy of the analyst. If, for example, the analyst is attempting to tabulate some frequently-used rhythmic patterns from the Baroque era, his know— ledge of Baroque music can both help and hinder his ability to conduct the analysis. If he has examined a great deal of Baroque music, he may be able to tabulate relatively quickly the patterns which are most familiar to him. However, rhythmic patterns which are not so familiar may be harder for him to locate, or may possibly escape his notice altogether. With respect to the first two problems, it is clear that unless the analyst has an extraordinary amount of time and energy at his disposal, micro-analytical studies cannot be undertaken unless the amount of music to be studied is kept small. In addition, such analyses must have a great enough probability for obtaining usable results to warrant such projects; speculative or exploratory analysis, in which the outcome is less than certain, cannot be undertaken, if the likelihood of positive results appears too insignificant to justify the effort. many prominent authors commenting on music have pointed out the relative importance of smaller musical patterns and their structural .6. \ importance to the composition in which they are found. Some psychologists have also commented upon the importance of small musical patterns and their possible effect upon our perception of larger tonal groupings. Considering the potential importance of such patterns, it would seem likely that if some of the practical problems associated with locating such patterns could be reduced, further exploration in this area could be undertaken. The application of computer technology to this task can provide assistance with respect to some of the problems previously mentioned. The ability of a computer to process numeric or symbolic information quickly and accurately is well known. However, there are very few computer programs presently available to provide assistance to those who wish to explore the potential of music micro-analysis. The purpose of this thesis, then, is to provide the music analyst with a computer program.which will assist him in exploring one possible approach to the problem of abstracting information concerning certain types of melodic patterns in linear musical compositions. The computer program.designed for this thesis performs a number of different analytical tasks. Through his selection of twenty-six different options, the program user may call for lists of identical or similar repeated melodic patterns which show the following relationships to a prior statement of the pattern: original, inversion, retrograde, or retrograde inversion. The computer program not only lists the number of events for the specified category, but also indicates precisely where each of the patterns was found. The user may also determine the locations of patterns which exhibit (within limitation) the presence of exact rhythm or exact rhythm retrograde. It is also possible 4 for the analyst to request locations of combinations of rhythmic and tonal elements within one group if he suspects that such patterns may exist; e.g., call for a list of melodic patterns which exhibit both exact rhythms and exact melodic inversion with respect to a previously stated pattern. In addition to these options, each analysis provides tables which list the frequency-of-occurrence of melodic intervals from the unison through two octaves. The program.has been designed so that no computer programming experience is needed to use it. In addition, the process of translating the musical score into the form needed for computer input may be accomplished by anyone with a knowledge of the fundamentals of music. It is hoped that the availability of this program will, in part: 1) assist and encourage the music analyst to employ micro-analysis in his study of melody by reducing some of the time and accuracy limitations which have previously hindered such analysis; 2) provide the analyst with an analytical tool which has sufficient flexibility to justify the amount of time needed to prepare the musical score for computer input; and ID provide a tool which will locate musical patterns without requiring any prior analysis by the music analyst, so that a user's unfamiliarity with a particular musical style will not adversely affect the result of the pattern search. Limitations of study The thesis is limited in the following ways: 1) It explores only one possible approach to the task of analyzing S 'melodic lines; no Vertical or harmonic analysis is attempted. 2) The computer program is designed to analyze linear music only; i.e., music in which a precise number of voice parts is defined. 3) The computer program.is limited as to the complexity of the rhythms it can accept for analysis. These limitations are defined later in the thesis. 4) The computer program locates musical patterns only if they fit the exact category of physical construction specified by the program. No measurement or simulation of aural perception is attempted. 5) The computer program is limited with respect to the amount of data it can process, and also with respect to the thoroughness of the pattern analyses it performs. These limitations are described later in the thesis. Definition of terms Ehcoding refers to the process of translating the musical score into a form suitable for computer input. (bmputer refers to a high-speed electronic machine which processes numeric or symbolic data according to directions specified by a computer program. computer prqgggm is an ordered list of instructions which generate a sequence of machine instructions to achieve a specified result. Computer programs are sometimes referred to as alggrithms. Irrational rhythm.refers to rhythms which are not normal subdivisions I. pl. 6 of the prevailing meter; e.g., in simple meter, subdivisions of 3, 6, 7, or 13 are considered irrational subdivisions; similarly, in compound meter, 2, 4, 7, or 13 would also be considered irrational subdivisions. TLinear musical composition is defined, for purposes of this thesis, as a work in which a precise number of voice parts is present throughout the work. 'Music micro-analysis refers to the process of abstracting infor- mation about musical style by means of analysis of small musical occurrences . The importance of small repeated musical patterns It is not yet possible to define accurately the mental processes used by music analysts or to predict the precise outcome of their analytical studies. This is at least partly due to the fact that each analyst is influenced not only by his own perception of the music under currmu study but also by his perception of music literature which he has previously studied. When music analysts subject a given work to detailed examination, they frequently note what they perceive to be Shnlmities or contrasts in musical usage. Such an analytical approach wmddseem to be based on their experience that musical compositions whiclnsound logically organized consist, not of a great number of totally unrelated musical statements, but rather of a more limited num- bmrofideas which tend to reappear in reshaped forms. Again, given the uniqueness of each musical analyst, it is impos- sflfle to predict with precision which tonal relationships he will per- ceive as transformed, developed, or other modified versions of earlier {,3. u. .4 £132: :3 .2 I 1.3: "' ‘ {1.1. t'.'..; I. .7 {.2 .'. I“.‘.: :1 ;.- 7: at. a- .‘g' [.7 . I .h :,_d u 'c'. I- Q " 1‘ ... t v ‘3 v. .- “.‘ -u. . ’3 c N. O ‘ a: ... . . .~ . ‘- ‘I, u 1.. 5.. 5‘. \-' ‘ «I ‘~.‘ " 0" .2. .g 1 . . .. 1' ~. x r. . ‘ -t. 5;. x on 'K“ 0' . . .. ‘ 7 heard musical material. It is clear, however, that any perceived trans- formation, development, or other musical variant of some earlier musical fragment implies repetition of some similar musical element. In the case of melodic writing, Heinrich Schenker believed that such repetition must occur within close proximity to the first musical occur— rence of a pattern to be perceived as a motif: Any series of tones may become a motif. However, it can be recognized as such only where its repetition follows immed— iately. As long as there is no immediate repetition, the series in question must be considered as dependent part of a greater entity . . . . Only by repetition can a series of tones be characterized as something definite. Only repetition can demarcate a series of tones and its purpose. Repetition thus is the basis of music as art. It creates musical form, just as the association of ideas from a pattern in nature creates the other forms of art.1 The Hungarian composer Alois Haba consciously attempted to compose music in such a manner to avoid musical repetition of any type. Karl Eschman commented upon one such attempt: Let us consider . . . Alois Haba's claim that in his Second String Quartet he has arrived at a style distinguished by "free arrangement of the thoughts, by the complete lack of repetition or of transposition of shorter fractional parts." When we examine his Quartet we find, nevertheless, that repetition is present both in the use of rhythmic figures and of melodic fractions. In the sixty-two measures of this movement Haba uses quarter-tones throughout a range extending from E. to g" - perhaps in an effort to avoid repetition. The quarter-tones, however, merely double the material available and do not solve the formal problem of constructing a melody without some repetition in design. ‘ 1"Heinrich Schenker, Harmony, trans. by Elisabeth Mann Borgese (Chicago: University of Chicago Press, 1954), pp. 4-5. 2Karl Eschman, Changing Forms in Modern Music (Boston: E. C. Schirmer Music Company, 1945), pp. 19-20. 8 Esan later concluded: "There remain the two requirements for the production of any form: some differentiation of materials, and some relation of these differentiated materials by repetition."3 It is not the purpose of this thesis to suggest that composers of weljsuorganized music consciously attempt to construct their thematic or rhythmic variants, although such an approach would certainly be possible. It seems more likely that small musical patterns may frequently occur as a result of unconscious effort within a larger structure, such as a musical phrase. Rudolph Reti speculated upon how he believed a composer varied his materials: . . . [T]he composer, of course, does not produce such a feature "theoretically," first deciding, as it were, upon an "inversion" and then trying to find out how it should read. No, whenever a theme rises in the ear of a structurally trained composer, all kinds of possible transformations will at once flash across his mind. If among these, as in this individual instance, the inversion seems the most fitting, he would accept it as a basis but then shape the new theme as freely as his imagination requires, not caring, indeed, not wishing, that the deta 1 of the second theme should strictly correspond to the first. Psychologists Herbert Simon and Richard Sumner are conducting research into the development of a pattern-description language. They anticipate using such a language to acquire information useful for a number of areas of study. Their goals reflect a psychologist's view of the importance of musical patterns: One of the purposes of analyzing musical structure and form is to discover the patterns that are explicit or implicit in musical works. Pattern in music is generally described —'_—-. . 3Ibid. , p. 23. “Rudolph Reti, The Thematic Process in Music (London: Faber and Faber, 1961), p. 70. . '3 J. ' .12. a -- Pr .nu ‘ O u. 1‘ ' c. s. 9 in ordinary language, supplemented by technical musical term: for example, "the movement is in sonata form," . . . "the chord is a g seventh," "the slow movement is written in 3/4 time." The pattern description language . . . may prove useful both in psychology and in music theory. As a tool in psychology, it can be used to try to arrive at an understanding of the cognitive activity of the music listener. As a tool in music theory, it may be used to provide rigorous descriptions of musical pattern as a prerequisite for the characterization and comparison of style. There are several published comments which seem to support the need for analysis of small musical patterns. Bela Barték believed that such analysis was essential for a complete understanding of folk music: Only a systematically scientific examination of the morpho- logical aspects of folk music material (consisting first of grouping the material according to certain methods, and then, of describing the typical forms and structures which will appear in a material thus grouped) will enable us to determine clearly the types and to draw various conclusions concerning transformation, migration of melodies, their connection with foreign materials, etc. . . . Herbert Eimert has also recognized the need for such analysis in twelve- tone music: "It will be clear that the interval and row analysis does not say anything about the musical meaning of the piece. . . . [T]he row an313’818 must be supplemented by motivic and thematic analysis."7 Louis Milic has commented upon the importance of smller patterns to study in the arts and letters and how the computer may be useful in SW! Studies: k Herbert A. Simon and Richard K. Sumner, "Pattern in Music," in Mpresentation of Human Judgment, ed. by Benjamin Kleinmuntz (New York: John Wiley and Sons, Inc.: 1968), p. 219, p. 250. 6Bela Bartok, Rumanian Folk Music, ed. by Benjamin Suchoff (3 vols.: The Hague: Martinus Nijhoff, 1967), back portion of dust cover. 7Herbert Eimert, Lehrbuch der Zwoelftontechnik (Wiesbaden: Breitkoph and Haertel, 1952), as cited by Heinrich Lemacher and Hermann Schroeder, Musical Form, trans. by Robert Kolben (Cologne: Musikverlag Hans Gerig, 1967), p. 100. 4. .. . .0 A .e n .. .. 0-- .~ Q 10 . . . [Ulnderstanding in the arts and letters is based upon pnerception, identification, and recognition of patterns. But the patterns must be small and traditional enough to be per- cxeived by the human apparatus. . . . Unlike the human perceiver, however, the computer can be made to detect the longest and best-concealed pattern, no matter how random an appearance it presents to the human eye. Thus we must learn to ask it larger questions than we can answer and to detect what escapes our un-aided senses. This may involve not only proposing old questions in new ways but even thinking up new questions. The computer can be made an extension of man on§y if it Opens avenues we have not suspected the existence of. It seems logical to conclude that further research into the nature of small musical patterns may give us insight into the mental processes of both the listener and the composer. Related research Various pieces of related research have been examined in connection with this thesis. This research was studied for the following reasons: 1) to gain an overview of the current state of progress with respect to computer-assisted studies in micro-analysis; 2) to see how the musical data were prepared for use with such studies; and 3) to gain an insight into the problems and limitations of micro-analytical study and to determine some of the types of musical conclusions which may be drawn from such methods. Dissection will begin with a brief examination of some of the research mnedal considered relevant to this study. Conclusions and observations vultmen be made considering the points previously mentioned. It should betmmed that not all of the studies examined were computer-assisted, Louis T. Milic, "The Next Step," Computers and the Humanities, mud 1, No. 1 (September, 1966), pp. 4-5. .9. ‘ o: l" A a O .1 v. . . n C . a. . h l .o. o . \~ 3. L I q . . w r .0. u . . so \ ,\ \t : 11 and only a small part of the research examined will be discussed be low . In 1937, Otto Ortmann conducted a study which seems to have gone unnoticed by recent scholars.9 He examined the vocal melodies of Schumann, Brahms, and Richard Strauss to determine whether the frequency- of-occurrence for various melodic intervals was a determinant of their vocal melodic style (independent of rhythm and text considerations). He conducted his study on 48 songs of Schumann, 38 songs of Brahms, and 40 songs of Strauss. His conclusions were that a composer's style is partially reflected by the frequency with which various intervals were used. He noted that Schumann's melodies were characterized by a high frequency of unisons, an absence of wide intervals, an absence of chromatic inflection, and a frequency order (from most to least frequent) of unison, major second, and minor second; that Brahms' melodies employed a low frequency of unisons, a preference for thirds, a relatively high frequency of chromatic inflection, and a frequency order of major second, minor second, and unison; and that Strauss' melodies exhibited a high frequency of wide intervals and a lack of uniformity in any frequency order.10 This type of interval study has been repeated by later researchers Vith different types of music; however, Ortmann's insight into the Problem was impressive, considering the year in which the study was COnducted. He noted that, since an interval profile for any composer would be influenced by the type of instrumentation used, and since vocal melodies would be influenced by the text, it would be necessary to use Otto Ortmann, "Interval Frequency as a Determinant of Melodic Style," Peabody Bulletin (December, 1937). 10Ibid., p. 10. 12 large samples of music for such studies. He also stated that a high frequency-of-occurrence for a particular interval did not necessarily mean that the interval had the strongest musical effect. This, he believed, would be dependent upon the distribution of the prominent interval throughout the excerpt. He also noted that the high frequency- of-occurrence of smaller intervals over larger ones could not be attributed to any particular composer, but was instead a characteristic of the vocal style of the period. The strength of Ortmann's study lies in his realization of its limitations: The individuality or style of a composer is necessarily contained in the melodic, harmonic, and rhythmic elements of his works, although to these should be added any chars.- teristic tempi, phrasings and dynamics. Melody, harmony, and rhythm -- since they are simultaneously present - must be interactive, and for any adequate study of style all three must be analyzed. Any attempt, therefore, to trace style in a single element must remain a partial analysis, giving but an incomplete picture. Nevertheless, such an analysis will show to what extent the particular element studied contributes to the style.“- A much more familiar study appeared in 1947 as part of Allen McHose's text, The Contrapuntal Harmonic Technique of the 18th Century.12 Since this text is well known, the principles and conclusions contained in it need not be repeated here. It should be pointed out, however, that the research results upon which the book was based were obtained through methods which required the statistical tabulation of different was of root movements, harmonic inversions, chord doublings, and voice-leading as exhibited in the chorales of J. S. Bach and other ‘— llIbid. , p. 3. 1ZAllen Irvine McHose, The Contrapuntal Harmonic Technique of the 18th Century (New York: Appleton Century Crofts, Inc., 1947). , ,o o- I‘ V‘ I— t. L: .u r '“ its! .o.. u I _ .c . . I. I a I \. .. 9 ~ . .0 o . o & . w a . . u o . o I: o n i . loo ‘0. . s o o . . 0. d . . 0 . 1 D. ) .H‘ g u I . a v 0.. I o o ”J .Iv a c . .0. v o I .0. D w c.» .‘ § v.. . o 9 ~ ..~ .0} . c u o. o . . . a .6. e In. . n u . .. . J. 6.. I. . . u. . I . . I o . . . .n . 5 . t. . u. . a .. . . V . . . . 11.. r . 3‘- . F x 1 . o ‘ K . . I i H . .. . 4 1‘ .. a... . . . a .. a. .. ...\ \l M. # . s .. . . . a . . J. . 9‘ .A‘ .. . .7 u... ~ .\ .\ . — . . S s \ .. . . .nL .4 ,. u .‘s v a. ‘0 . p . w . n \\ . I .l- \n ’\ \‘Is \ l3 composers. On the basis of this analysis, which certainly took many man-hours to complete, McHose was able to formulate his principles and conclusions concerning Bach's contrapuntal-harmonic style. The pedagogical influence of this text and McHose's conclusions concerning Bach's chorale style are well established; the purpose of mentioning his work in this study is to remind the reader that his results were based upon one of the most successful micro-analytical studies every conducted. While the McHose study limited itself to the task of defining the most characteristic elements of Bach's harmonic style, it has since been shown that it is possible to measure changes within a harmonic style through the use of such procedures. Dean Wilson demonstrated this possibility in his study of the harmonic content of the six symphonies of Carl Nielsen. 13 The task, which required the detailed analysis of twenty-two separate movements, resulted in the labeling of more than 12,000 chords and 10,000 root movements as well as further subclassi- fication of these entities according to their construction and type of movement, respectively. By comparing the frequency with which various sonorities and root movements appeared in each symphony, Wilson was able to notice the gradual dissolution of some prominent characteristics of Nielsen's harmonic style as well as the simultaneous emergence of new harmonic characteristics in his style. He noted, for instance, the decrease in the use of major-minor and fully diminished seventh chords, and an increase in the use of the diminished-minor seventh chord from the 13Dean C. Wilson, "An Analytical and Statistical Study of the Harmony in Carl Nielsen's Six Symphonies" (Unpublished Ph.D. disser- tation, Michigan State University, 1967). v- Lb .. -eg.. '0 H‘ ‘ o. '6 .4 ;° .- u '- , . ‘,. .'§ 1 '4 .‘ k.\ 0 1‘:‘ p 'I ‘ 4 . L' .\ . 9 ‘4 u.. t... n, . , . .o o n" ‘n‘ to . .- ‘s ‘\ \‘ ’ g , . . o o, \ \‘t u T n .1 x" o \ . . ‘ ‘O \A ‘ o u . s .I : ‘-" . n as \ . . 9'. .c u \' ’ - \ . 14 first through the fourth symphonies.14 He further observed how certain non-harmonic tones in the early symphonies eventually emerged as part of a quartal harmonic usage,15 and how other non-harmonic tones involving cross—relations appeared as constituent parts of a more complex harmonic language in later symphonies.l6 While the process of labeling and categorizing specific chords and root movements must have been a lengthy one for this study, such an (organized and thorough approach provided the analyst with a strong statistical base from which a more objective and detailed measure of the composer‘s change in harmonic style could be measured. Studies such as this, which base their conclusions upon many specific observations, are more preferable to some scholars than analytical studies which base their conclusions upon a less rigorous and more cursory examination of the music. In contrast to the studies previously mentioned, from.which con- clusions concerning specific stylistic traits were derived, William Paisley, a communications specialist, conducted a study in which he attempted to distinguish between the styles of composers without attempting to define particular stylistic traits.17 The premise of his study was the belief, shared with other scholars, that clues to 14Ibid., p. 393. 151bid., p. 391. 16Ibid., p. 393. 17William J. Paisley, "Identifying the Unknown Communicator in Painting, Literature, and Music: The Significance of Minor Encoding Habits," Journal of Communication, vol. 14, No. 4 (December, 1964), pp. 219-237. If! B: 1' -. p ' 0 ~-"‘ o. .. O. . p o v o. o o c 15 identifying the style of a work are contained, not in the most prominent aspect of the'work, but rather in the Rmingr encoding habits which are inconspicuous in the work and do not carry any burden of meaning"18; e.g., an author's preference for using particular conjunctions more than others, or the way in which an artist sketches in the background or filler material. The purpose of his study was to see whether it would be possible to identify with probable certainty the composer of an "unknown" musical excerpt given the fact that the excerpt was written by one of seven com- posers. The identification method required that the statistical charac- teristics of the unknown excerpt be compared with that of the known ex- cerpt to see whether they had similarity to indicate probable authorship. Statistical tests (measuring pitch changes only) were conducted upon melodic excerpts of Bach, Handel, Haydn, Mozart, Beethoven, Mendelssohn, and Brahms which were randomly drawn from Barlow and Morgenstern's Dictionary of Musical Themes. In one of the analyses, unknown excerpts (actually written by Handel, Mozart, Beethoven, and Mendelssohn) were compared with known excerpts of Bach, Haydn, Mozart, Beethoven, and Brahms. The results showed that each composer was given at least a 50-50 chance of having written his own excerpt but that the odds that the same composer did not write the known sample of the other composers exceeded 1,000 to l. The strongest statistical distinctions occurred between Bach and Brahms, and Haydn and Beethoven. Distinctions between Haydn and Mozart could be determined at odds of success at no less than 13mm. , p. 220. C. 0 'I -§. " 0..-.. - - ‘i?’ l “ on , '. ‘T -. ‘ - '--...," m . . ‘ . . '2 ‘~-. _.~ . . ._‘ o. . .. ‘w s u... ' ‘ .u 1' ~4v . ~ I. l s '9‘. \.. s_-.'z ,. h 0...“ A ‘ a v. . -» .. I ‘ Q ‘ 1 ~." 0. \. -- m .‘ ..' W ' c." a M" II \ ‘ '- ‘9 . . . ‘3 \ \-' — . 0' ‘. . .5. I ._ .0 . '8 . ‘ \x'. ' \ . . '. . .\ m I . . h .A . .’\ § ‘I \ e 1 ‘ 1 | n ‘ l .-A .x, t -.... . 16 1,000 to 1.19 The success of this study was extraordinary, considering the many 'musical variables not measured and the source of the musical excerpts wused. Considering the limitations upon the study, Mendel commented upon the potential of future investigations: WOrking with data like this Isic], [Paisley] nevertheless succeeded in identifying with enormous probability the author of his samples. . . . [I]t must tell us something about the constituent style if you can tell the composers apart. It tells Haydn and Mozart apart with chances of more than 1,000 to one. It therefore must tell us something we didn't know. . . . This is a remarkable example of the naivete that afflicts these investigations and at the same time, of their remarkable possibilities.20 A computer—assisted study of some of Ockeghem's music was completed by Curry in 1969.21 The computer program used for this study was designed, in part, to measure the size of harmonic intervals which appeared above the lowest sounding voice, followed by an analysis of the types of melodic movement into and out of these intervals. It was also designed to provide information concerning the resolution of certain vertical sonorities found in the selected compositions. Since few music examples were provided to illustrate precisely how a musical event would be interpreted by the computer program, it was difficult to deter- mine how the computer results would reflect changes in the many variables which would affect such a two-dimensional analysis. It was also 19mm. , p. 234. 20Arthur Mendel, quoted in Barry S. Brook, ed., Musicology and the Computer (New York: City university of New York Press, 1970), p. 41. 21Jerry L. Curry, "A Computer—aided Analytical Study of Kyries in Selected Masses of Johannes Ockeghem" (unpublished Ph.D. dissertation, University of Iowa, 1969). 17 unfortunate that Curry chose not to discuss in more detail some of the musical considerations which prompted him to use his particular analytical approach; however, the study seemed successful in that he was able to Inake many observations with respect to Ockeghem’s use of vertical sonorities and the type of melodic movement related to these sonorities. The use of computer—assisted methods has also been applied to the .analysis of serial compositions. In 1969, Donald Pederson completed the development of a computer program which was designed to identify related ‘versions of a tone row after the original row was manually defined and submitted to the computer along with the music to be analyzed.22 The program, which was used to analyze some works of Webern, was also able to detect subsets related to the original row as well as subsets which were independent. It was also able to note the relationship between octave placement and use of the row. One of the computer-generated graphs used with the study "displays pitch patterns within each instrumental line and shows interaction of line patterns."23 This graph is especially important with respect to the present study. It was constructed so that all of the pitches found in the music under study were plotted over a time-line designated periodically by measure numbers, and might be further described as a computer-generated condensed score. In his interpretation of some of the graphic results, Pederson commented: "It should be apparent from [the 22Donald M; Pederson, "Some Techniques for Computer-aided Analysis of Musical Scores" (unpublished Ph.D. dissertation, University of Iowa, 1968). 231bid., p. 35. “f 3121:: ..’J.‘.'. :1: 1;“ .2: :.~:.'1 " u. .o o J 0o .... L,“ w-A '-.o " '0' b c p “h“ " 5-0.1. ‘ o. ' x o 4 | .- _~ .-. --.. .u I ‘ E - .4. ,‘o \ a' u‘ . ~ .... .u .I. .' v .‘ ‘ J o- . ...,. ._ g." ~-‘~ :0! .. I .I '. 7‘ ‘. 3‘s .. . I I. v. ." tiV.n r, .,'., "4,// my.-. 1 . o. . '4‘ 1‘, . Om ,_--.,—v. r ;.. ‘-g o_. “.1 F . ‘~'. \ .Q V . . ‘. L9. .\ ‘ o I i -- :. .. ~ '4 '; {S Q V t. 9. a! z .W \ Rf . .0 k or: .. o _ ‘ *8 g P 'u 'c x ' . . ‘ . .‘M '5‘ 2 NO ‘ ‘~ -. ‘ . '1 L . c g t. ‘ c \‘ a. 3‘ ’ u'. .5 I \\ '\ . A. ‘. . ‘) l “ ‘ -. \ . . . _. . O ‘ o n . 18 example shown] that each instrumental line has a distinct pattern or shape, and that each line contains subpatterns."24 While this graph did display the interaction of each voice part to a certain extent, it did not define or indicate specific melodic patterns as his state- 'ment implied. The reader was required to abstract these patterns for himself just as if he were analyzing a score. The type of graph previously described was useful in that it presumably provided a clearer representation of the interweaving of melodic lines than might be found in the original score; it was not, however, designed to abstract or define particular pitch patterns. This study was interesting because it showed some of the possibilities for applying computer-assisted methods to the analysis of serial music; unfortunately, it was written in such an uncompromising style of theoretical jargon that many scholars may be discouraged from reading it. Also in 1969, Jens Hanson attempted to determine the extent to which repeated rhythmic patterns corresponded to divisions of formal structure.25 The study was based upon the analysis of selected string quartets of Haydn, szart, and Beethoven. The analytical procedure used for the study required that the rhythmic content of each measure first be compressed into a composite rhythm representation which Hanson referred to as a "pattern of signals." The pattern of signals for each measure was then compared with the pattern of signals for the next adjacent measure to determine whether they were identical. Successive 2['Ibid., p. 63. 25Jens L. Hanson, "An Operational Approach to Theory of Rhythm" (unpubdished Ph.D. dissertation, Yale University, 1969). 19 measures with identical patterns of signals were noted and later compared with the manually conducted formal analysis to determine whether the ‘dhanges in the rate of repetition were related to the formal divisions as determined by the manual analysis. An examination of the results showed that the computer program mused for the study did not detect many instances where adjacent measures texhibited identical patterns of signals. Those instances where iden- tical patterns were located seemed to show a very slight consistency in the way they related to the formal analysis provided with the study. Possibly because so few patterns were discovered, Hanson described his results in terms of nonrepetition rather than repetition: From the graphs. . . it can be seen that there is a close agreement between the changes in rate of nonrepetition and formal structure. That is, without exception each formal division contains a rate which is different from the one that precedes or follows it. Since the rate of repetition is related to the rate of nonrepetition, we may say that changes in the rate of repetition of the measures in a pattern of signals correspond to changes in formal structure in these five examples. Since a change in the rate of repetition is effected by the introduction of new measures in the pattern of signals, we may generalize to say that the rate at which new patterns of signals are introduced is an indicator of the form.26 The relationship of repeated patterns of signals to formal structure was never clearly defined: 1. The rate of repetition is used primarily to indicate that a formal section is continuing even though the music may have changed considerably. A new rate of repetition is associated with any new formal section. 2. The rate of repetition is not used to define the precise boundary of a formal section. Changes in rate occur near a boundary of course, but the exact boundary is indicated 26Ibid., pp. 123-124. p ’. ‘ J ,_ cu- I w .‘ l ' ' :1 i a " - ‘ . \b O \, . ., e . .. :I 'I 0”"' 20 by a detail such as a change in harmony, a cadence, a silence, or the reappearance of a characteristic theme. A change in rate of repetition will not be interpreted as a formal boundary and this is the special importance of the rate of repetition as an indicator of formal struc- ture. Without sudh an indicator every change in harmony, every cadence, every silence, or every reappearance of a theme would be a new formal division. 7 There were, at least, two possible reasons why Hanson's computer program did not reveal some rhythmic patterns which were clearly visible to the eye.28 One reason may have been that the practice of compressing all of the attack.points within a measure to one composite represen- tation may have caused enough rhythmic information to be lost that, in some instances, obvious rhythmic similarities became unrecognizable to the computer. Such a possibility is illustrated in the following examples: Vow—c l m m 74PD VoiceZ m m 7? or} Voue§5 a[:Ij III] 17]) if) Vovce+ 7? 7J5 7(ny fi:::::f ‘j-chrj] fifl? cf] 2711331., p. 158. 28 v...‘ mm JD was; F557 7.”) mm M u....+ ,J‘ ,5 .33 mm: mm: For a discussion of some of these instances, see ibid., pp. 138-156. .Ln- ._ . .. .2 . -., '3‘ I..- ... o a . ~. . ‘Q ' "‘ e ,. § . I . ‘ _ . . . . a . ‘\ 'Q 1'- x ‘t \ 21 Note that, although the individual voice lines for each example are nearly identical with respect to rhythmic content, the composite attack-point representation for each example is different, and is there- fore totally dissimilar according to the definition used by the computer program. Another reason why some rhythmic patterns were not detected may liave been due to the fact that the barline was used to define pattern length. The reasons given for this approach were not clear. In his discussion of the problem, Hanson first implied that barline placement may have had structural importance in the music analyzed, but later suggested that convenience may have been the reason for this procedure: In order to examine repetitions in the pattern of signals, some segment of that pattern must be selected so that different segments can be compared. The segments should be comparable in size, and although completely arbitrary segments might be workable, segments which have the pos- sibility of being structurally important would be better. . . . Formal divisions tend to coincide with.measure divisions. Furthermore, the content and the boundaries of each measure can be defined. The measure, then, will give us a segment of the pattern which will meet all of our requirements. The use of measure segments is not meant to imply that the measures are heard as a unit by any listener. That may or may not be the case. The measure is used not because it is known to have any special significance but because it meets the requirements of definability, comparability, and con- venience for the operands in our study. The question of alleged structural importance of the barline aside, it seemed that the use of one arbitrary unit of pattern length limited the effectiveness of the computer program in that such a procedure prevented the recognition of any rhythmic pattern which did not rigidly correspond to placement of the barline. For instance, rhythmic patterns 29Ibid., p. 78. ‘- I .. .. $1.. ' ---' ' a“ 5...»: ,_\ I. .. ...~.- . --,...‘..- " . 0“ I---‘ w-. —‘-....... , . I_ I. I , --‘~ .19. o, .2'.’ ‘0 — 0 .. . - 'L“ .- . 1 - \.“~ a. 4‘ ’ . -h 0 u \ . _‘3 .9 r- ..._ . . \.. h‘ , “aw ' . “_ \ 9’- . n .'u .‘. . .‘ ..‘ ‘ a 'I '. tn.” 0. 5‘4 a . QI. . , . .. ‘ k .1 V ~lp u" \ -.. t‘- .‘4 .~ . , .N 22 which contained upbeats were not detected due to this reason.30 Despite these restrictions, however, Hanson's method of analysis apparently revealed enough information to support some of the assertions made in the study, and did demonstrate the possible use of computers for such analysis. In addition, it also demonstrated some of the problems and complexities associated with translating an analytical concept into an equivalent computer program. In 1969, Stephan Kostka completed a study of the Hindemith string quartets which illustrated how many types of stylistic information could 31 Because of be Obtained through the use of computer—assisted methods. the length of the study, only the procedures and conclusions most relevant to this thesis will be described. The study began with the usual interval analysis. The results were listed in tabular form.according to interval size and direction, and again grouped according to Hindemith's classification of intervals. Kostka noted, in part, that "in both early and late quartets seconds of all kinds form the most common group of intervals, followed by thirds and then per- fect fourths. Most seconds are minor with major seconds outranking the next most common group, the minor third. Sixths, sevenths, and tritones are uncommon throughout. . . ."32 Since the frequent use of the perfect fourth interval is associated with Hindemith's musical style, the study attempted to measure this 3°Ib1d., p. 78. ”Stephan M. Kostka, "The Hindemith String Quartets: A Computer- Assisted Study of Selected Aspects of Style" (unpublished Ph.D. disser— tation, university of Wisconsin, 1969). 321bid., p. 263. 23 characteristic in his melodic style by using the computer to measure the number of occurrences of the melodic pattern g —.F - Buflat and its inversion g - _(i - 2 in any transposition or octave disposition. These constructions occurred 123 times (mostly in the later quartets); how— ever, Kostka noted that their placement within the melodic line would also have to be considered in assessing their overall aural importance upon Hindemith's melodic style.33 Another analysis designed to determine whether Hindemith preferred to use intervals in root position or inversion34 showed that root- position intervals were used more frequently than their inverted forms. The perfect fifth, major third, minor seventh, and major seventh inter- vals were used more frequently than their inverted forms: perfect fourth, minor sixth, major second, and minor second, respectively.35 A number of analyses were conducted to gain insight into the nature of Hindemith's harmonic style. One analysis was used to determine which sonorities were most commonly used (assuming all tones to be harmonic and excluding octave duplication). This analysis yielded thirty-five different sonorities from which Kostka chose to report only those chords which occurred at least two percent of the time in at least one quartet. These sonorities were described as mildly dissonant, and many consonant intervals were frequently employed.36 It was also determined that, 33Ibid., pp. 264-265. 3“As described in Paul Hindemith, The Craft of Musical Composition, trans. by Otto Ortmann (New York: Associated Music Publishers, 1941), p. 87. 3SKostka, "Hindemith String Quartets," p. 274. 36Ibid., p. 280. .-\ Ym .( 24 according to the limitations specified by the computer program, the early quartets most frequently employed tertial harmony, the middle-period quartets used predominantly two-note and whole-tone sonorities, and the late quartets were characterized by the use of two—note sonorities as well.as tertial, whole-tone, and quartal harmony.37 The study further determined that Hindemith employed Class III harmonies38 more than any other harmonic classification, and that Class II and Class IV harmonies were used more frequently than Class I harmonies in the early quartets, but the reverse was true for the later quartets.39 Another analysis, which was conducted to determine the number of different pitches (ig- noring unison and octave doublings) contained in these sonorities, showed that the earlier quartets most frequently employed chords conw sisting of four, three, and two different pitches (listed in descending order of frequency), but later quartets consisted predominantly of chords with three, two, and four different pitches.40 Additional analyses were conducted for the purpose of gaining information about the frequency of root occurrences; however, these results were inconclusive. With the exception of these latter analyses, Kostka stated: "All of the remaining areas of inquiry seem from the results to have been successful in that definite stylistic consistencies, 37Ibid., p. 274-275. 38Hindemith, Craft, pp. 94-103. 39Kostka, "Hindemith String Quartets," p. 274. 401b1d., p. 285. "3' i‘.’ .. ‘ I . .. - .-.‘ - ' v 0. ~ . ,. .t.‘ I. l . 9 , O ‘t .I;. I ..; a . . .. .. .‘ a 07‘- . ,. \ -" .. C . *. t . \ n‘ .I ‘ Qt. N . . s. i_.‘ \ .. e O . ’,-. ( ."' I D. ..9 ‘ . O 25 trends, or discontinuities could be noted."l'1 The purpose of examining these (and other) research studies was previously described as an attempt to assess the progress of computer- assisted studies in music micro-analysis, to determine how the data were prepared for computer input, and to assess the problems and limitations of micro-analytical study. On the basis of the research examined for this study, the following conclusions and observations are made. An examination of some of the computer-assisted research related to music analysis showed that there are nearly as many areas of investiga- tion as there are investigators, and that the effectiveness of many of the most recently reported studies cannot be determined since they are still in progress. In addition, the studies examined varied widely with respect to the program languages used and the program methods employed. There are apparently several reasons why such diversity exists. First of all, while micro-analytical studies have been employed in other areas of the humanities for many years (linguistics studies of this type date from.1851),l'2 such applications to music research have been devel- oped only recently. Most computer-assisted approaches to this problem have also been developed within the last decade. The result has been that many researchers are still using the computer to help define some of their most basic analytical procedures with sufficient precision to allow them to develop more effective computer programs. Consequently, the answers to specific musical questions have not appeared as quickly as 4111mm, p. 286. 42Richard‘W. Bailey, "Statistics and Style: A Historical Survey," in Statistics and Style, ed. by Lubomir Dolezel and Richard W. Bailey (New York: American Elsevier Publishing Co., Inc., 1969), p. 217. tfjn’ 1‘." 'D t... u .. ‘ u“. ‘1 3' . . ‘-. " .‘.. i 'Q ’. o. ‘ . °. -‘ ‘ 2 .-. fin .‘ \ - . 7" I . H 'o . ‘E‘ :- . \ . ' . .._ ., ‘ . ‘\ a... .- ‘m 9. 'I 1‘ k ‘.-. ‘ x m; ’ o . ‘. ."‘ I O \ 3‘ \ \ . Q . .‘ '\ \ \ . . - b . m \\ - . ‘ .. . t t 26 researchers originally had hoped. Another prdblem which has slowed the progress of such study has been.that most music analysts have been forced to write their computer pnograms with program languages which are not designed for such purposes. This has caused many researchers to realize their analytical intentions by using rather circuitous program.techniques which, in turn, have caused delays in program development and inefficiency in program design. Al- though new program languages are currently being designed for musical applications, they are not yet generally available or as fully supported as the older, more scientifically-oriented languages. The problem of preparation of the musical score for computer input has yet to be satisfactorily solved. Currently, the most frequently used approach requires that the scores be encoded by means of various alpha-numeric systems and then punched onto cards or some similar device which can be used to transfer the data to the computer for processing."3 There are many encoding systems currently in use, each of them, in the words of Kostka, "conceived by a scholar whose appreciation of conven- tional notation has probably increased immensely from the experience." The encoding systems which seemed to appear most frequently were the Ford-Columbia system, also referred to as DARMS (Digital Analogue Representation of Musical Symbols) developed by Bauer-Mengelberg,45 43For a list of music already prepared for such use, see "Music in Machine-Readable Form," Computers and the Humanities, Vol. 6, No. 3 (January, 1972), pp. 176-178. 44Kostka, "Hindemith String Quartets," p. 112. 45A brief discussion of this system is found in Pederson, "TeChniques," pp. 4-15. 27 ALMA (Alphanumeric Language for Musical Analysis) by Gould and LOSemann,“ ANON by Jackson,"7 and CLML (Chicago Linear Music Language) by Bern- 48 stein and Olive. There would not yet seen to be any best or univer— sally accepted music encoding system, Hopefully, this time-consuming task will eventually be reduced or eliminated entirely with the develop— ment of optical readers,"9 which will be able to convert automatically the printed score to a form suitable for computer input. With the possible exception of interval analysis, there seemed to be few analytical techniques common to most micro-analytical studies, although many of these studies showed some similarities. They most frequently used linear music as the subject for their analyses (possibly to avoid the many encoding problems associated with music which con- tained an indefinite number of voice parts). Repetition appeared to be the most frequent indicator of importance as far as analytical procedure was concerned. Such an indicator can be misleading if it is assumed that the frequency of occurrence of an item is the only measure of its aural significance. It appeared, however, that the practice was used for lack of a better method, in the hope that it would prove to be a val- uable tool for providing the music analyst with the first fragmentary “Murray Gould and George W. Logemann, An Alphanumeric LangLage for Music Analysis (ALMA) (New York University Institute for Computer Research in the Humanities, 1966). “acacia, "Hindemith String Quartets," pp. 112-146. 48Lawrence F. Bernstein and Joseph P. Olive, "Computers and the l6th-Century Chanson: A.Pilot Project for the University of Chicago," Computers and the Humanities, vol. 3, No. 3 (January, 1969), pp. 153-160. 49R. S. Morgan, "Optical Readers," Computers and the Humanities, Vol. 3, No. 1 (September, 1968), pp. 61-62. 28 pieces of information needed to frame the more complex questions relating to musical style and the human listening process. .0. O. o I .. o. o o . o. 0 . . o n o w I . .Ia . x H w .. {K .x. L . t CHAPTER II DESCRIPTION OF THE MUSIC ANALYSIS PROGRAM Preface It was stated earlier that the purpose of this thesis was to provide the music analyst with a computer program which would assist him in locating certain types of melodic patterns which might be present in linear musical compositions. The purpose of this chapter is to show the musician the analytical capabilities of the program. Each of the programds analyses is individually described and illustrated so that the reader will not only be able to understand the type of information it provides, but also understand its limitations as well. The computer program was written in the FORTRAN IV language, a language which is found on nearly all of the computer installations in the United States; however, no attempt will be made to discuss the specific computer programming techniques used to achieve the different types of analytical results. Preliminary,considerations Computers can only assist music analysts by relieving them of the burden of identifying and tabulating objectively defined musical events; they cannot be used to measure subjectively described musical relationships. The approach used for this thesis was, therefore, to 29 30 design a computer program.which was capable of identifying a variety of objectively defined melodic relationships. This was done with the assumption that the results of these analyses would be subsequently evaluated with the musical score to determine their aural and/or struc- tural importance according to the broader and more subjective musical goals of the analyst. Three of the research studies described earlier in this thesis employed some type of computer-assisted musical pattern analysis as part of their studies. The scope of these methods was limited because they were designed to obtain highly specific information concerning music written by either one composer, or by a closely related group of com— posers. It became clear that if the program to be developed for this thesis were to be used to analyze linear music by more than one composer or stylistic period, some of the limitations shown in the previous studies would have to be reduced considerably, and a number of other analytical processes would have to be developed to provide the analyst with the flexibility needed to explore a more general approach to the problem. There were three major limitations found in the Curry, Hanson, and Kostka studies which required that alternative methods be explored. The first limitation had to do with the practice of arbitrarily estab- lishing one fixed length of musical pattern for an entire analysis. Such a procedure was far too limited to take into account the many different ways which melodies can be aurally interpreted. The following musical excerpt has been analyzed to show some of the many different sizes of repeated melodic patterns which some analysts might believe to be aurally or structurally significant. The brackets indicate 31 similar pitch and rhythm content; the numbers found beneath each bracket indicate the number of notes contained within each pattern. It can be seen that the patterns illustrated not only appear in many different sizes but sometimes overlap each other as well, and do not necessarily conform to the barline. The complexity of the pattern analysis problem, as partially reflected in this example, required that any procedure to be used for melodic analysis be able to detect patterns of many different sizes, regardless of their interaction with Other patterns, or their location within the measure. A second limitation (observed only in the Kostka study) had to do With the practice of specifying in advance the pitch or rhythm content of the pattern. While such a procedure may be sufficient for a highly specific type of analysis, it might not be satisfactory for a more 32 general type of analysis, because such a practice limits the thorough- ness of the computer analysis to the perceptual limitations of the analyst. As a result, a considerable amount of important information might remain undiscovered. It was decided that another approach should be implemented, whereby the computer program would be designed to conduct a number of different types of musical pattern analyses from which the user could select his choice depending upon his particular analytical goal. The advantages of such an approach were two-fold in that (l) the specific musical content of the patterns would be defined by the musical composition itself, and (2) there would be less chance of overlooking other similarly constructed patterns. The disadvantage was that such a method would generate a great deal of output, some of which might be of little value to the analyst. It was decided that it would be better for the music analyst to discard unnecessary information than for him to try to define the specific musical content of the pattern and thereby limit the potential of the computer-assistance. The third limitation observed in the previous studies had to do with the method used to report the results. The most frequently used approach was to list the total number of appearances for the particular event. By presenting the results only in such a manner, it was extremely difficult, if not impossible, for the analyst to compare Specific computer-derived patterns with their occurrence in the original score for the purpose of evaluating their aural importance with respect ’50 the surrounding musical context. It was therefore decided that it would be better to design the program so that it would list the precise musical location of each event cited in the course of the analysis. o. \ 0. -.- was Q... n *0... a... 'v ‘ J 33 In summary, it was decided, after an examination of some other studies using pattern analysis, that the analytical approach to be used for this thesis would be such that: l) the computer program would be able to detect all possible sizes of melodic pattern regardless of their location within the measure; 2) the precise musical content of the patterns would not be specified; instead, a number of different categories of melodic patterns would be defined from which the music analyst could select one or more analyses which would retrieve the patterns most appropriate to his needs; and 3) with the exception of two-note patterns, the location of nearly all melodic patterns fitting the criteria for the specified analysis would be listed to facilitate evaluation of the results . D_escription of the program's different analyses The computer program consisted of twenty-six different melodic analyses or tests; each test was designed to locate a particular type 0f objectively defined melodic relationship. These relationships were Chosen because of their familiarity to music analysts, and also because they could be precisely defined to both the music analyst and the comPuter. They may be divided into three general categories: the “Tot category (as defined in Tests 1 through 8) consisted of tests that located melodic relationships defined by pitch alone; the second category (as defined in Tests 9 and 10) was designed to locate melodic relationships defined by rhythm alone; the last category (as defined .,, 5 \ 34 hnTests 11.through 26) consisted of tests that located melodic patterns containing combinations of those melodic patterns defined by the first two categories of tests. The pitch relationships selected mere based upon the following familiar melodic relationships: Original (0), Inversion (I), Retrograde (R), and Retrograde-Inversion (RI). The rhythmic relationships used were (1) repetition of an original rhythmic pattern, and (2) use of rhythm.retrograde. Since these melodic relationships cannot exist alone (they can only be described with reference to some other pattern) it was necessary to list the location of the first appearance of the original pattern along with subsequent locations of the appropriate 0, I, R, or RI pitch patterns or rhythmic patterns as the requirements of the analysis dictated. This reporting procedure is illustrated below: I 1 I! " 5' b 1 0 9 to a: ti o 54v ,5 ‘ . L—‘J '4 I L———.—————-1 I———-—-——-l L. .. .._._l I..._....._...._—l Pattern Notes Related to Notes Test Length 1 l to 3 4 to 6 2 3 2 1 to 3 8 to 10 2 3 3 1 to 3 13 to 15 2 3 The numbers placed over the note-heads were assigned by the computer Program so that precise identification of melodic excerpts would be “Refine. Three pattern—statements are shown beneath the music example. PITouleft to right, each statement consists of an identification number (fOund under "Pattern"), the beginning and ending notes of the two melodic excerpts which are related to each other, the nature of the ..O s. 35 relationship (found under "Test"), and the number of attack-points contained in each excerpt (found under "Length"). The program user must specify which test he wishes to use for each computer analysis; the program then supplies the rest of the information found in each pattern-statement. Each of the twenty-six different tests available to the program user is described individually below. Each description begins with a small music example which has been analyzed by the computer for purposes of illustration. Bach example is, in turn, followed by a partial listing of some of the melodic pattern-relationships found by the computer analysis. (A complete listing of all of the patterns located for each example, as well as listings for the input data submitted for each test, is found in Appendix A.) It is suggested that the reader compare the musical score with each of the sample patterns shown so it can be seen how the pattern-relationship specified as the criterion for each test was reported by the computer program. Tests 1 through 8 identified pitch relationships only. Since none of these tests analyzed rhythm content, no rhythm has been specified for the following music examples. (Any rhythmic information included with the input data is disregarded by the program when any of Tests 1 through 8 are specified for use.) Each of the pitch relationships is defined below: :5 .._ t ,. {\S 36 TEST 2 v- EXACT CONTOUR (ORIGINAL) I2395679410HI11314/5I611Isl? # Pattern Notes Related to Notes Test Length 6 3 to 6 8 to 11 2 4 7 3 to 6 15 to 18 2 4 9 3 to 7 15 to 19 2 5 TEST 4 -- EXACT INVERSION . 2 3 q 5 '7 a 4' u? I! ll :3 :4 If I! (7 M III: Pattern Notes Related to Notes Test Length 1 1 to 3 6 to 8 4 3 2 l to 3 9 to 11 4 3 3 l to 3 13 to 15 4 3 7 lto 4 9to 12 4 4 8 1 to 4 13 to 16 4 4 10 1 to 5 13 to 17 4 5 .l. :E .. <3 \‘x 37 TEST 6 - EXACT RETROGRADE , :1 3 q .5 b 7 8> 9 u> n ”.1314 As lb :7 18 1W . 5' :5 - O ' 3" Pattern .Notes Related to Notes Test Length 5 4 to 7 9 to 12 6 4 6 4 to 7 12 to 15 6 4 TEST 8 —- EXACT RETROGRADE INVERSION a 1 3 4 5 b 1 9 9 m u n 43 1+ 15 u. 17 I ».'— A 74% -f- I H Pattern Notes Related to Notes Test Length 2 2 to 4 14 to 16 8 3 5 6 to 8 9 to 11 8 3 6 6 to 8 13 to 15 8 3 9 5 to 8 9 to 12 8 4 10 4 to 8 9 to 13 8 5 The two melodic excerpts listed in each of the pattern—statements Shmfllabove displayed the exact intervallic relationship with respect to its mate. This is a very strict approach to melodic analysis; it mmrmnees that only excerpts which exhibit the specific intervallic “dadonship with respect to each other will be listed. Because this approach cannot be used to locate similar patterns which may contain 801nesmall variant in interval size (such as might be noticed if real amitonal statements of a fugue subject are closely compared) another .. SQ . , ; -\\\\\ 38 sudes of tests was provided which allowed for tonal modifications in Um 0, I, R, and RI patterns. The second set of tests (numbered 1, 3, i and 7) used intervallic direction as the only criteria for locating dmse pitch patterns. This modified approach was found to be very Lmeful for locating and grouping similar but not necessarily inter- vallically identical patterns. Tests 1, 3, 5, and 7 are illustrated below: TEST 1 -- TONAL CONTOUR (ORIGINAL) 3 4 5 b 7 6 41 u! [i ll (9 l4 15 (9 l7 4 fi‘ A v v 1 A7 fii:fg ' A V N —A:EF+LD N h \ W \ 9 Pattern Notes Related to Notes Test Length 1 1 to 3 5 to 7 1 3 2 l to 3 9 to 11 l 3 3 1 to 3 12 to 14 l 3 4 l to 3 14 to 16 1 3 8 l to 4 9 to 12 l 4 9 1 to 4 14 to 17 1 4 13 1 to 5 9 to 13 l 5 14 8 to 12 13 to 17 l 5 TEST 3 -- TONAL INVERSION I z 3 4» 5' 5 ‘7 O 9 A0 u' 11 13 A l 1 Ihttern Notes Related to Notes Test Length 2 2 to 4 9 to 11 3 3 6 2 to 5 9 to 12 3 4 10 1 to 6 8 to 13 3 6 g-.. I -. a... ' Q-e - I; K. ‘ . .11 I o '0 a ..I: . a ‘ ‘oo' "' .- Ow c.. ‘ ~. t .o‘ - \ "‘, .“1 ‘ §. . , a ‘. \ . u o o i 3 no ‘ I o .h o I. I 1 I. x . x ‘ o . . o o 1.. g . a ‘I ‘4 ‘ ~ \\ ..' . >. ' .-._. a \. .\ '0 ‘3 “M 3. u , . - o . . ’0 c ‘ h 0 ~‘ . V, .0 s - \ . ‘s 5 . \ IQ __.' ‘2. . . .u ‘ ' .Q t \ ’ I \ . \ ‘Q .- . 91" o. . “ . ,~-O - 39 TEST 5 -- TONAL RETROGRADE I33 4567 89/0 11121314516 nmmzozt M1 W1— . r ‘r Pattern Notes Related to Notes Test Length 21 2 to 6 17 to 21 5 5 28 5 to 11 14 to 20 S 7 TEST 7 -- TONAL RETROGRADE INVERSION I 2 3 4 5 b 78 410 ll 42. 11 th¢ , 4: :: Pattern Notes Related to Notes Test Length 3 3 to 5 7 to 9 7 3 6 2 to 5 7 to 10 7 4 10 l to 6 6 to 11 7 6 Tests 1, 3, 5, and 7 defined melodic patterns in terms of pitch cflrmnions only; therefore, specific interval sizes did not need to baidmudcal as were the cases with Tests 2, 4, 6, and 8. However, Tens], 3, 5, and 7 allowed only for expansion and contraction of immnml size; no further modifications of the original event could be deteeted by these analyses. Tests 9 and 10 identified rhythm relationships only. Since neither of these tests analyzed pitch content, pitch has not been specified fin'the following musical examples. (Any pitch information included .. T ‘§ 1" fr. 40 with the input data is disregarded by the computer program when either Test 9 or 10 is selected for use.) Rhythms consisting totally of one continually repeated duration were intentionally deleted from the computer output for Tests 9 and 10. The reasons for this omission are discussed later in this chapter in the section entitled "Selected pattern deletions." Tests 9 and 10 are illustrated below: TEST 9 -- EXACT RHYTHM , 34 5 7! 110:: "M u "I! .quzu 25112521182130): 3534353158an mmm Til—13.5] 17mm .omm Pattern Notes Related to Notes Test Length 1 l to 4 5 to 8 9 3 2 1 to 4 11 to 14 9 3 73 5 to 11 15 to 21 9 6 74 5 to 11 25 to 31 9 6 103 1 to 10 11 to 20 9 8 104 1 to 10 21 to 30 9 8 171 l to 20 21 to 40 9 16 41 TEST 10 -- EXACT RHYTHM RETROGRADE '34 5 u mus I1 :1 2:11 1517 273133 3556 3131 4546 {—51 bmmflrjrjr-am m o a a I' o 4': o a! o a'tv I a o ’4' . o J Pattern Notes Related to Notes Test Length 1 1 to 4 13 to 15 10 3 7 5 to 14 35 to 39 10 4 8 11 to 15 (SYM) 33 to 37 10 4 11 5 to 15 33 to 39 10 S 16 5 to 19 29 to 39 10 7 Pattern 8, shown above, includes the additional designation: "SYM." This indicates that the rhythm.identified in the pattern-statement was mmmetrically constructed, and therefore sounds the same whether performed flnward or backward. (Such a rhythm is frequently described as a "non- nnrogradable rhythms") The computer program added this designation to allsymmetrically constructed rhythms whenever retrograde rhythm was to betmed for all or part of the criteria for analysis, as was the case forTest 10, and Tests 19 through 26. The tests requiring rhythmic analysis were limited primarily bumuse the method used to encode music data was not designed to encode irnnional rhythms or other rhythmic information, such as barline place- nmm; meter signatures, or different types of accents. The program was «pane of identifying repeated rhythmic patterns (as defined by position M uIack-points) in passages containing rational rhythm only. These‘were necessary limitations, because expansion of the encoding Wmmss to allow encoding of most irrational rhythms and other data .n 99v“. -' '. II, ‘.-o 0‘ 0° .-_no.oa .9 o~ . u .. ’0'...‘ ... .. ‘ - l v 0 o ‘ t ,u.. .- . ‘1 . 6‘,’ -«_ ...: .. .- . o ’9 . H " as... - . ' . it n \‘ n . a... . d ,p ‘-..O c ~..-§ an. ' I .., ‘ . h o...‘ " . b t . D.‘ . . ‘ o. .‘ 3‘ a. 1. 4 . a .9 . u s Q . . a I ' | o ’. o o I v 42 associated.with rhythm notation, would have been an enormous task, and was beyond the scope of this study. In addition, there was little or no specific information about the effect of barline placement, meter signatures, or rhythmic accents upon our perception of rhythm. Consequently, there was no basis upon which to incorporate the effect of these variables into the study. The remaining tests found in the program were designed so that it would be possible to locate melodic patterns which contained combinations of rhythm relationships shown in Tests 9 and 10, and pitch relationships shown in Tests 1 through 8. These tests are illustrated below in the same manner as has been done previously: TEST 11 -- EXACT RHYTHMWWITH TONAL CONTOUR (ORIGINAL) 3 4 5 7' sin n (J H“ “"7 :7 :fl 2L 23 I Pattern Notes Related to Notes Test Length 1 l to 4 7 to 10 11 3 2 l to 4 19 to 22 11 3 3 3 to 5 9 to 11 11 3 4 3 to 5 21 to 23 11 3 9 1 to 5 7 to 11 ll 4 10 1 to 5 19 to 23 ll 4 . 4’ El“ kid : 43 TEST 12 -- EXACT RHYTHM WITH EXACT CONTOUR (ORIGINAL) I 345 79/011 HIT/6117212113 I Pattern Notes Related to Notes Test Length 1 1 to 4 19 to 22 12 3 2 3 to 5 21 to 23 12 3 3 l to 5 19 to 23 12 4 TEST 13 -- EXACT RHYTHM WITH TONAL INVERSION I 3 4 5 7 1 M' N I) u» “’17 H'.n 12 23 Pattern Notes Related to Notes Test Length 1 1 to 4 7 to 10 13 3 2 l to 4 19 to 22 13 3 3 3 to 5 9 to 11 13 3 4 3 to 5 21 to 23 13 3 6 l to 5 7 to 11 13 4 7 1 to 5 19 to 23 13 4 44 TEST 14 -- EXACT RHYTHM WITH EXACT INVERSION .345 7 1w" :3 (#1617 11271123 Pattern Notes Related to Notes Test Length 1 1 to 4 7 to 10 14 3 2 3 to 5 9 to ll 14 3 4 1 to 5 7 to ll 14 4 TEST 15 -- EXACT RHYTHMWWITH TONAL RETROGRADE I23579w111315a7MH1I131517 193131 " I’— 1 1’1 —— —‘ _II _- Pattern Notes Related to Notes Test Length 5 l to 7 9 to 15 15 5 6 1 to 7 17 to 23 15 5 u '- .oool n \ . 4‘ Da 45 TEST 16 -— EXACT RHYTHM WITH EXACT RETROGRADE v23 5 '1 91011135771017!!!) 1527 203731 (1 I...’ v.“ i T Pattern Notes Related to Notes Test Length 4 1 to 7 17 to 23 16 5 TEST 17 - EXACT RHYTHMWWITH TONAL RETROGRADE INVERSION I 34579412015 I710 1920 2123 2527252931 Pattern Notes Related to Notes Test Length 4 l to 7 9 to 15 17 5 5 1 to 7 25 to 31 17 5 TEST 18 -- EXACT RHYTHMTWITH EXACT RETROGRADE INVERSION 1345797112131511/6 1710 2(13 252725295! Pattern Notes Related to Notes Test Length 1 3 to 5 11 to 13 18 3 3 l to 7 9 to 15 18 5 . \\\\\ 46 'YEST l9 -- EXACT RHYTHM RETROGRADE WITH TONAL CONTOUR (ORIGINAL) ' 7 910:! 1315 lb 17 1.} 25252729 3431353936 37 314041-09 49505153555657 57 L I T‘ L w LfIL it: , ~ ,Jb—;+. 1+ 1: Pattern Notes Related to Notes Test Length 1 7 to 11 (SYN) 23 to 27 19 4 ll 1 to 16 33 to 43 19 8 12 l to 16 49 to 59 19 8 18 l to 32 33 to S9 l9 16 TEST 20 -- EXACT RHYTHM RETROGRADE WITH EXACT CONTOUR (ORIGINAL) I 7 9’001315 lb :7 13 25292729 mun-no 373140449 41505153535657 57 Pattern Notes Related to Notes Test Length 1 9 to 13 35 to 40 20 4 3 1 to 16 33 to 43 20 8 q—quuu - \\\\\- 47 TEST 21 -- EXACT RHYTHM RETROGRADE WITH TONAL INVERSION 4 5 2'5 emu 9315:. an 92422252732131)!!!“ 97 ”#4102 43 4546 Pattern Notes Related to Notes Test Length 1 4 to 7 18 to 21 21 3 2 4 to 7 42 to 45 21 3 8 1 to ll 13 to 22 21 8 9 1 to 11 37 to 46 21 8 TEST 22 -- EXACT RHYTHM RETROGRADE WITH EXACT INVERSION 4 5 " 5 4m” 13151617754 11222517331132)!“ 57 ”an”: 4) 45 #6 Pattern Notes Related to Notes Test Length 4 1 to 11 37 to 46 22 8 uLn—I- . .. \L\\§\ 48 TEST 23 -- EXACT RHYTHM RETROGRADE WITH TONAL RETROGRADE :5 5.7 v an» :mnuuzcuznflwaJanxatunusufl Pattern Notes Related to Notes Test Length 19 l to 6 (SYM) 19 to 24 23 5 20 l to 6 (SYM) 43 to 48 23 5 37 1 to 12 13 to 24 23 8 38 1 to 12 37 to 48 23 8 TEST 24 -- EXACT RHYTHMIRETROGRADE WITH EXACT RETROGRADE .' 3 5 . 7 a 12.344 771920212: 24 2517192150): 5354.17.16 414344454148 Pattern Notes Related to Notes Test Length 18 l to 7 41 to 48 24 6 23 l to 12 37 to 48 24 8 Jun—n” . H\\\‘ 49 TEST 25 -- EXACT RHYTHM RETROGRADE WITH TONAL RETROGRADE INVERSION ' 4 5 6 “I 1 I0 H woman’s 21 2526178110 3! u flflwfluflfiw 19+ Pattern Notes Related to Notes Test Length 45 1 to 11 13 to 22 25 8 46 1 to 11 37 to 46 25 8 TEST 26 -- EXACT RHYTHM RETROGRADE WITH EXACT RETROGRADE INVERSION ' 4 5 6 ‘7 9 a0 0! IJIJIHIHIIZI 21 3261721130 J! J! flflWfl43H'4546 bf Pattern Notes Related to Notes Test Length 26 1 to 11 37 to 46 26 8 The examples shown above were written specifically for the purpose °f ”1‘18 tration. In many cases, only a few of the musical patterns 1°C3t8d by the computer analyses were listed in this chapter. An examination of the complete listings (as found in Appendix A) “1113110“ that some of the analyses located many patterns which fit the “Clair-meats of the specified test, but seemed to show relatively little motivic importance. These patterns could not be automatically El“limited from the computer output because it would have been extremely difficult to invent any practical criteria which would have distinguished 50 without fail between relatively important melodic motives and relatively unimportant melodic motives. In fact, the development and adoption of Such procedures was never contenplated, not only for this reason, but because such methods could seriously impair the effectiveness of the analysis program by excluding patterns which other analysts might Consider musically important. Such a procedure would also have prohibited use of the program with music of different stylistic periods. However, the results of thorough testing of the program did reveal three very 11mited and specific types of melodic occurrence which caused the program t°118t relationships which were either too ambiguous with respect to 3048 of the other available tests, or too obvious, to justify their Inclusion as part of the pattern lists. A detailed discussion of each °f these situations as well as the procedures subsequently adopted ‘0 eliminate these undesirable pa: terns is found in the section titled "591ec ted pat tern deletions ." A3 has been previously shown, the computer program normally listed the l'ESuIting patterns in order of increasing pattern length. This arr‘amgexnent of patterns has been designated as a "Type-I Listing." “met arrangement of selected patterns was also created to isolate smaller patterns (or subpatterns) which were found within the lensthieat patterns. This form of output (designated 88 a "Type-11 Listing") presented individually each of the lengthiest patterns followed by the most frequently occurring subpatterns contained within them: Such a listing was found to be particularly valuable for analyung msic which contained lengthy patterns. The following example of such a list resulted from an analysis of the excerpt used previously to 11hlStrate Test 9: 51 ’34 5 18 11a u an a me “an 2314 25 2129 29903: 1534 35313811404! LOCATION OF TOTAL NUMBER LENGTH OF FIRST OCCURRENCE OF OCCURRENCES PATTERN ORIGINAL PATTERN NOTES 1 To 21 2 17 SUBPATTERN NOTES 1 To 11 4 9 SUBPATTERN NOTES 5 TO 11 4 6 SUBPATTERN NOTES 1 TO 5 4 4 7776 complete list may be found with Test 9 in Appendix A. The Type-II listing is much more limited in the type of information it Provides than is the Type-I listing. The purpose of the Type-I 118ting is to provide the user with a relatively complete listing of the Pattern relationships which fit the given criteria for the specified test- The purpose of the Type-II listing is to provide an analysis of the lengthiest pattern (or patterns) found in the Type—I listing by showing those subpatterns which appear relatively frequently within the large pattern. The Type-II listing was an experimental attempt to delete infrecluently appearing subpatterns on the premise that some significant smaller patterns were found more frequently than other less frequently appe‘mil-tig subpatterns. Obviously such a premise cannot apply to all musical compositions and may not be acceptable to some music analysts. However, the list was provided as an experimental tool which, it is hoped. "111 itlclicate in a clearer manner some of the more prevalent subpatterns 2E 52 present in linear music. The content of the Type—II listing varied considerably depending upon the content of the Type—I listing which preceded it. In addition to pattern analysis, the program was designed to provide information concerning melodic interval usage. This infor— mation was presented imediately prior to each pattern analysm. For example, the interval analysis for the following example: EL. v—WW gel _4 fizzan: + 7"" would appear as follows: MINOR MAJOR MINOR MAJOR PERF. TRITONE PERF. MINOR MAJOR MINOR J-‘LJOJNN 53 ASCENDING AND DESCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL OCCURRENCES PERCENTAGE OF OCCURRENCE HH cm 0-“ H 1 NNO‘O‘UI MAJOR OCTAVE MINOR 9 MAJOR 9 MINOR 10 MAJOR 10 PBRF. 11 0011?. TT PERT. 12 MINOR 13 MAJOR 13 MINOR 14 MAJOR 14 TWO OCT. UNISON INTERVALS EXCEEDING “‘0 OCTAVES CHOOOOOOCOI—‘HOOHHNI-‘NONl-‘ONNUD OUIOOCOOOOOUIUIOOWUIOUIOOOUIOO OOOOOOOCOOOOOOOOOOOOOOOOOO 20 INTERVALS COUNTED \___ JMis table also contains unisons. 54 ASCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE MINOR 2 10.0 MAJOR 2 MINOR 3 3 4 H O 0 0000000 20. MAJOR PERF. TRITONE PERF. 5 MINOR 6 MAJOR 6 MINOR 7 MAJOR 7 OCTAVE MINOR 9 MAJOR 9 MINOR 10 MAJOR 10 PERF. 11 COMP. T'r PERF. 12 MINOR 13 MAJOR l3 MINOR 14 MAJOR 14 TWO OCT, INTERVALS EXCEEDING OCTAVES TWO l-‘l-d I-‘I-‘ ooooooo H OOOOOOOOOOOOOOO OOOOOOOOOOOOOOOOO H COOOCOOCOHOOOOHOHI—‘OHHONHH 10 ASCENDING INTERVALS COUNTED MINOR WUOR MINOR MUOR PEN. TRITONE PHW. .5 anR 6 WOW! 6 MINOR 7 MAMR 7 OCMVE MINOR 9 MAmR 9 MINOR 10 WUORZU) PERF. 11 (OWL TT PERF. 12 MINOR 13 MAJOR 13 MINOR 14 wum114 TMOOCI. INMRWug ”LOWNN 55 DESCENDING INTERVALS (INCLUDING ENHARIDNIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE 2 22.2 1 11.1 0 0.0 O 0.0 O 0.0 1 11.1 0 0.0 1 11.1 0 0.0 2 22.2 0 0.0 1 11.1 0 0.0 0 0.0 1 11.1 0 0.0 O 0.0 O 0.0 O 0.0 O 0.0 O 0.0 0 0.0 O 0.0 O 0.0 0 0.0 EXCEEDING Two NHNHS 9 DESCENDING INTERVALS COUNTED. It 56 The type of interval analysis shown above automatically appeared with any use of Tests 1 through 26. However, the analyst could use the interval analysis portion of the program alone (without any further pattern analysis) by requesting that Test 0 be conducted. The purpose of this section of the thesis has been to describe and illustrate the different types of analytical information which may be obtained from the music analysis program. The program is capable of locating twenty—six different types of melodic relationship as well as information concerning melodic interval usage. These relationships are generally defined according to pitch content alone, rhythmic content alone, or a combination of both pitch and rhythmic relation- Ships. The program user selects the appropriate relationship according to his own analytical goals and then indicates his choice by submitting the appropriate test number with the computer input data. The different types of melodic relationships and their individual “St “Where are summarized below: T881: 0 - Interval analysis only Test 1 -- Tonal contour (original) T381: 2 -- Exact contour (original) Test 3 -- Tonal inversion T881; 4 -- Exact inversion Test 5 -- Tonal retrograde Test 6 -- Exact retrograde Test 7 -- Tonal retrograde inversion Test 8 -- Exact retrograde inversion Test 9 -- Exact rhythm Test 10 -- Exact rhythm retrograde Test 11 -- Exact rhythm with tonal contour (original) Test 12 -- Exact rhythm with exact contour (original) Test 13 -- Exact rhythm with tonal inversion Test 14 -- Exact rhythm with exact inversion Test 15 - Exact rhythm with tonal retrograde Test 16 -- Exact rhythm with exact retrograde 57 Test 17 -- Exact rhythm with tonal retrograde inversion Test 18 -- Exact rhythm with exact retrograde inversion Test 19 - Exact rhythm retrograde with tonal contour (original) Test 20 -- Exact rhythm retrograde with exact contour (original) Test 21 -- Exact rhythm retrograde with tonal inversion Test 22 -- Exact rhythm retrograde with exact inversion Test 23 -- Exact rhythm retrograde with tonal retrograde Test 24 - Exact rhythm retrograde with exact retrograde Test 25 -- Exact rhythm retrograde with tonal retrograde inversion Test 26 -- Exact rhythm retrograde with exact retrograde inversion The format used to report pattern relationships has been illustrated and remains the same for each of the available analyses. Two different types of pattern listings were provided with each pattern analysis. The number of patterns listed varied depending upon the amount of data submitted and the particular test specified. Type—I listings displayed all of the patterns found for the analysis specified, while Type-II listings displayed each of the largest patterns with their respective subpatterns which occurred more than two times within each statement Suggestions for interpretation and use of the Of the larger pattern. computer reaults are found in the next chapter of the thesis. We!“ deletions The commuter program was originally designed to list all of the Patterns located by the various tests; however, experimentation with the °riginal program revealed that there were three particular types of melodic construction which caused it to list patterns which were tech- nically accurate but either redundant, or ambiguous, with respect to other Because it was possible finalyses available within this program. to d ef1m; and exclude these undesirable pattern-statements, the program ‘33 Subsequently modified so that such statements would not appear in the 1 Stings . ‘ 58 The three types of melodic constructions which caused these unnecessary patterns to be listed were: 1) extended reiteration of pitches; 2) melodic contours exhibiting no change—of—direction; and 3) ambiguous rhythmic figures. Each of these melodic occurrences is described below. Examples of the types of pattern which were subsequently deleted from the computer analyses are also shown. Extended reiteration of pitches. A melodic line containing an extended series of notes which alternated between two pitches would normally cause the progran to include the following patterns (or similar type—8) to be listed as part of the output: 013656159107111 _fi Pattern Notes Related to Notes Test Length 1 1 to 3 3 to 5 3 2 1 to 3 5 to 7 3 3 1 to 3 7 to 9 3 4 1 to 3 9 to 11 3 5 2 to 4 a to 6 3 6 2 to a 6 to 8 3 7 2 to 4 8 to 10 3 3 2 to 4 10 to 12 3 9 1 to 4 5 to 8 4 1° 1 to a. 7 to 9 4 ll 1 to 4 9 to 12 4 12 2 to 5 6 to 9 4 13 2 to 5 8 to 11 4 1“ 1 to 5 5 to 9 5 15 l to 5 7 to 11 5 15 2 to 6 6 to 10 5 17 2 to 6 8 to 12 5 18 1 to 6 7 to 12 6 59 All of the patterns shown above are accurate, but they add little useful information to the analysis because they are redundant; i.e., they reflect the inner workings of a reiterated figure. To eliminate these pattern-statements, the program was altered so that those patterns which consisted entirely of an extended reiteration of pitches (i.e., longer than four notes) were not listed regardless of any accompanying rhythm. Pattern-statements caused by extended reiteration of any other interval, such as A A ‘— v v V were also deleted from the computer output. Mfilodic contours exhibiting no change-of—direction. Redundant pattern-statements also resulted when the data included a melodic contour which exhibited no change-of-direction. For example, any continually rising melodic contour, such as $22!: would normally cause the program to indicate that the example Show—d the following relationships with respect to each of the following c ontours : 6O 1) original contour -—-—1—O—1_'— 2) inverted contour ——‘1"_:: 3) retrograded contour #EI: 4) retrograded and ————-fi—-E: inverted contour After Considerable use of the program, it was decided that the first and second type of pattern statements were too obvious to add signif- icantly to their respective analyses. It was also determined that the third and fourth types of pattern statement were also of little value because they were indistinguishable from the contours identified in the second and first examples, respectively. Because of these charac- teristics, pattern-statements reflecting such relationships were not ”at“ with tests which analyzed contour as part or all of their criteria for analysis, regardless of accompanying rhythm. Those tests affected were numbers 19 3: 59 79 11! 13! 15! 17’ 19’ 21’ 23’ and 25. m rhythmic figures. Rhythmic figures in which the adjacent attack-Wilma were equidistant from adjacent attack-points (such as “mild be caused by a succession of notes of the same duration) would 61 normally caus undesirable pattern-statements to be listed, as can be seen in the following example: Pattern NH \OmN 29 i 5 4 9'61. 9107771 'Sv‘fl'l‘" 15 15' IT? 1775‘ TIT] Notes Related to 3to 5 3to S 3to 5 3to 6 Sta 6 3to 6 Sto ll (222.) (9.9.9:) 4'1 U “7‘" J- M Notes Test Length 5 to 7 9 3 6 to 8 9 3 7 to 9 9 3 6 to 9 9 4 7 to 10 9 4 8 to 11 9 4 11 to 17 9 7 Since the rhythms indicated by these statements have no identifying Chan8‘3‘01‘5-duration contained within them, they add little to the analysis Of rhythm. For this reason, listings of this type were deleted from Tests 9 and 10 (where rhythm was the only criterion for identification) . The general type of statement described above was permanently deleted from the computer output only after a thorough testing of the program whowed that such a practice did not otherwise limit the comPleteness of the computer analyses nor prohibit use of the program with music of different stylistic periods. Table 1 summarizes when the three types of undesirable statement are deleted from the different pattern analyses. A description of the types of pattern deleted from any analysis is 62 also printed on the computer output to remind the user which types of patterns were intentionally being deleted. 63 TABLE I PATTERN DELETIONS IN EFFECT Test Extended Reiteration Contours Lacking Ambiguous of Pitchesa Changgzv-oquirectiona Rhythmic Figures 1 X X 2 3 X X 4 X S X X 6 X 7 X X 8 X 9 X 10 x x 11 x x 12 x 13 x x 14 X 15 x x 16 X 17 x x 18 X 19 x x 20 X 21 x X 22 X 23 x x 24 X 25 X X 26 X R a 3383191988 of rhythm content. Pd"Winn-€88 of pitch content. .\ t .1- .5. . a" \fi .. b. 9‘. \“2" ' ‘6‘. 1- " more x t on v‘. .‘ CHAPTER III SUGGESTIONS FOR INTERPRETATION OF THE COMPUTER OUTPUT Introduction The purpose of this chapter is to demonstrate how the music pattern analysis programwwas used to locate structurally related melodic patterns in the following three musical compositions: Density 21.5 by Edgard varEse, "Fuga nona in B-flat" from Ludis Tonalis by Paul Hindemith, and the isorhythmic motet veni Sancte Spiritus by John Tmnstable. Each composition was encoded in its entirety, keypunched onto data cards, and then processed a number of times using various pattern analyses developed for this thesis. The specific analyses selected for use with each composition were chosen because they seemed appropriate to the style of the composition. A description of the different types of computer output generated from these analyses is presented in this chapter along with suggestions for the most effective use of these materials. Density 21.51 was chosen as the primary example to illustrate the use of the different types of computer output. It was chosen for analysis 1The‘work'was composed for solo flute by Edgard VarEse, the contem— porary French composer who died in 1965. A brief note on the first page of the score states that the work was written in January 1936 at the request of Georges Barriere for the inauguration of his platinum flute. 21.5 is the density of platinum. 64 p. ~~. .'. .. 3.x :.'.1 2.2:. "'C ‘0 .0 O 'D ‘0--. ..l gs TM. 0 "g '°“c 011:, I. ‘. . -~’l..( L“; 'a O. .a- ' ‘ . “L n.0,. ‘~‘.‘~"~;. 65 because the style seemed typical of much twentieth—century instrumental composition, in that it exhibited a wider range and a greater use of non-vocal melodic leaps than is characteristic of more vocally—oriented music. The work also demonstrated these characteristics while retaining fairly traditional notational methods. Further, the melodic patterns contained in the work were probably not so familier to most music analysts as were melodic patterns found in music chronologically closer to the common-practice period; therefore, computer—assistance in iden- tifying structurally similar melodic patterns seemed appropriate for this work. Other reasons why the work was chosen were that it was entirely linear in construction, and that it was small enough to be used for illustrative purposes. Tests 1 through 26 produced four types of printed output. These were: 1) a complete listing of the input data along with reference numbers which were assigned by the computer program to each pitch for purposes of pattern identification; 2) melodic interval tables; 3) Type-I pattern listings (where all patterns of the type requested were listed in order of increasing length); and 4) Type-II pattern listings (where the longest patterns were analyzed to reveal frequently-appearing subpatterns). The computer output for Test 0 consisted of only the first two types of output described above; the remaining tests consisted of all four types of output. 66 List of input data and computer-assigned reference numbers Measures 1 through 8 of Density 21.5 are shown in Figure l with the numeric pitch representations written above each note-head.2 This figure also shows how the numeric representations were consecutively punched on data cards, and the manner which the program listed these data and their respective sequence numbers: 2This and all other excerpts of Density 21.5 reproduced courtesy of Colfranc msic Publishing Corp., copyright owners. The trill in measure 20 was encoded as if performed in the following manner: 67 .oump memo was you usoasmammm “mason oudououou Housgaoo an nosoaaom .ousu ow .mvumo possess so mounds oneness mama omega ma posoaaom .ssoSm oneness sowumusomoumou songs sues omwum> summon ma m.a~ muamoon scum unknown s< .H ouswfim muosso unwwuhmoo ..muou wswnmuansm cams: odouwHou mo hmouusoo -szanuew nuuulv an "hEI-xlhflnfllfllllllnlllllll .hflluullllll.lllllll.sllllllhuo .l I, ”I'll“ ‘ 1 FIU 4 *L. d l! A Ilulul. . 9 a _ rI-IIIIIIIIL ( .. h _ \ as 3 the as a seeks k \\|/\? \ulufi \ )uh. h < . .. e... . I .4. . I.. I“..|..‘II|“.I .. a . 3.1.. . ..".I.“...'|“ ‘. I \I I I. I II 0. .lll 68 . possfiuooo . H shaman No no me 00 Tm 0.» pm a... .mm so 3. has ~m r. .u on Om IGDOtlr w. r1. uz ~m 0m hm a L." Nu om ¢.. .um has an an. Tu .um ¢u nu A..— 195 at; w .o .3 Q7 hzm—tz..;mm< mmmzza Luzmmmmum mthuzOu «awesome 883 on BBB.» em 3K _...__ _.__ ._. :I. 2:. Z: Z: 7* :- — ..:...3 .33” J.....$f...333$38133393333398 *888238? 288942733~ .,.e..~. ... m H.:9.:azeoz.-...a3......uo...o.._......9.....¢...:ace—.23....:2:... a? ND 0 uh uh . an .8 69 For example, Figure l illustrated how the third note-head in the second measure was assigned the number "56" for purposes of identification. All of the music examples shown in this chapter have the- computer- assigned reference numbers above the affected note-heads, so that the reader will be able to compare more quickly the computer output with these examples. These numeric designations remain the same for any data deck regardless of the test to be conducted.3 MC interval tables There were three types of interval tables provided; ascending and descending intervals (with unisons included), ascending intervals alone, and des cending intervals alone. Each table listed the frequency of occurrence for interval sizes from the unison or minor second through two OCtaves, and listed the percentage of occurrence for each interval Size with respect to other intervals listed upon the same table. These tables provided a basic source of information about a composer's use °fme1°dic intervals and can be useful when comparing styles of differaht works by the same composer, or when comparing works by different composers. The interval tables for the Varese, Dunstable, and Hindemith works analyzed may be found in Appendix B beginning on Pages 204, 479, and 587, respectively. \ 3During this phase of the program, each data card is also checked er simple keypunch errors. If any errors are found, appropriate I‘I'or messages are written and the computer run is terminated. urther details concerning the encoding system used for this program ‘hay be found in Appendix C, beginning on page 743. 70 type-I and Type-II pattern listings The Type-l pattern listings appeared immediately following the melodic interval tables on the computer output. "Type-I" is used here as a collective designation for a series of smaller lists which organize and present the individual pattern statements according to their length. An examination of any of the Type-I listings found in Appendix B shows that the first of the smaller lists contains three note patterns and that each subsequent list contains patterns of one note greater length than the preceding list. The program will produce as many lists as needed until no lengthier patterns are located. The individual state- ments contained on these lists have been illustrated in the previous than”; each statement consists of the exact location of two specific malodic excerpts which are related in the manner defined by the given cmPUtel‘ test. BecIzause such a list might contain hundreds of patterns (depending upon the length and the construction of the work under analysis), it ““1“ be- unrealistic to expect an analyst to compare each pattern listed with the score in the hope that he might uncover a melodically signif- icant e"ant. A more practical approach might be for the 811313’8‘: ‘10 ”mutt his analysis by first transferring the computer-assigned “tetanus numbers to the score (as has been done for these examples), and then use the musical score as the primary object of study. The 60mph“: output could then be used as reference material which would help h the analyst confirm or reject any ideas or suspicions he might ave concerning the melodic style of the work under study. An extended excerpt from Varése's Density 21.5 is found in Figure 2. (The complete work may be found in Appendix B.) 71 .58.? muons—no oodouomou coawamnsluounmaoo 5H? omwno> ~33va a3 ném Samson aoum unnouxo 5 .N snow: .muogo unwaumnoo . .980 wswnnuansm cans: unnumaoo no 533500 \. EU!» t 8.3.85: “VII: §AKUJ t - + J. a, 1|] 3 s H a. , .lluui m a . In.” .-...s.' ‘I I I r ..d .( I .. n a \ .¢ ”I. 3 up. an an on max an an _n on on on «a an .°\.§‘ b n P \I.’ II x ) “I, .32”. I..I..{rWL + CHIP. ‘ mex\\ 3 is an «a a a. 2 2 t 2 a t s a a s \ )I)- 4r t. . w Em /|||II\ I! K ||\ 3 u u a. o g e n u . swung 928m la »\ snow 33.: m AN NHHWZWAH [in fl 4141"““" >—.f>1’P P 1’ 10 6765 H 54 lfl'é‘ 63 72 as"! 91 41934146 8‘7 710$ IBOVII 97 #0 .4 p ’ ssba'to .l’L-===: 1é>tubihw s “pa/Kt m ”1 ((5 (I, no MO I“ m uuuvvnv’ 14/02 (kfiaqphyawfflndhwbd7"' ++ -A +«r 1_ \ .— .— '2- sun Figure 2, continued. 73 Using this example for reference, consider the following examples of how the computer results might be used: EXAMPLE 1: If, after conducting a Test—2 analysis of Density, the analyst examines the score and decides that the following intervallic Pattern (or enharmonic equivalent): 4 10 II 1” 4}. m may be significant to the structure of the composition, he can look up this Pattern in the Type-I listing to determine if other statements 0f the pattern were located, and if so, where. This is done by first deremining the length of the pattern-—in this case, the pattern “Mists of three notes—and then looking for the pattern in that ”"1011 of the list which contains events of that length. If the pattern was located in an intervallically exact form in some other part °f the Work, each of the locations will be listed. The following ”eel-Pt from the Test-2 analysisl' shows that there were three inter"allically-exact duplicates of the original pattern, of which the first two may be seen in Figure 2: Pattern Notes Related to Notes Test Length 13 9 to 11 21 to 23 2 3 14 9 to 11 27 to 29 2 3 15 9 to 11 241 to 243 2 3 \ See Appendix B, p. 254. 74 EXAMPLE 2: If the analyst wishes to locate the pitch pattern: 959+” + $222212: elsewhere in the composition, an examination of the same listing shows no other statement beginning with that specific location; however, the following cross-reference does appears: *** For 93 to 95 see 56 to 58 above *** This statement informs the user that the identical intervallic pattern "33 looated earlier in the composition and that he should look up the Pattern beginning with notes 56 to 58 for subsequent statements of the Pattern6 : Pat tern Notes Related to Notes Test Length 87 56 to 58 90 to 92 2 3 88 56 to 58 93 to 95 2 3 89 56 to 58 179 to 181 2 3 80 56 to 58 192 to 194 2 3 This eleample illustrates how cross-referencing of patterns 18 ind1¢8t8d~ c1088~referencing of patterns is provided for patterns of three-, four- £1"2‘. and six-note patterns. \ 5Appendix B, p. 257. 6Appendix B, p. 256. 75 EXAMPLE 3: If the user wishes to locate the intervallic pattern found from notes 48 through 51: +944 60 SAL: 4. the. #i 1: H4 ‘5 elsewhere in the composition, an examination of four-note patterns sham no reference or cross-reference to this pattern. This means that 0° rePetition of the pattern was located. Each of the previous examples used the Test-2 analysis for refer- ence. Other analyses may be used in the same manner, as the following examples illustrate: 31“ng 4: Tests 1, 3, 5, and 7 use melodic contour as the criter- ion f°r Pattern identification. If the analyst wishes to locate the inverted contour of the following melodic fragment, he can do so by examining the output for the Test-3 analysis. It indicates7: *** For 44 to 47, see 8 to 11 above *** \ 7Appendix B, p. 237- 76 Notes 8 through 11 have the same contour (one descending interval followed by two ascending intervals) as shown in notes 44 through 47. The inversion of this contour is shown in those patterns beginning at 337, the first five of which may be seen in Figure 28: Pattern Notes Related to Notes Test Length 337 8 to 11 14 to 17 3 4 338 8 to 11 39 to 42 3 4 339 8 to 11 50 to 53 3 4 340 8 to 11 61 to 64 3 4 341 8 to 11 86 to 89 3 4 EXAMPIE 5: To locate an exact retrograde of the following pitches: H! "2 NJ the analyst would look at the portion of the Test-6 analysis which shows three-note patterns. It indicates the following retrogrades of this patterng: Pattern Notes Related to Notes Test Length 99 111 to 113 226 to 228 6 3 100 111 to 113 229 to 231 6 3 101 111 to 113 232 to 234 6 3 These musical events (not shown in Figure 2) are: ‘1 8 Appendix B, p. 286. 9 AWendi: B, p. 385. -l...\\\\\ 77 '13 214 215 no 217 228 224 250 23‘ 232 133 .W 21.5 1% -. ,- , .__\. ’ '_':_'7 "—1 o '-"" , " ”r.“ —\ m Q ; ? ‘ pP sfp:=_—_-_—_ "9:”? ”D, ‘1“ Retrograde was not used extensively in the Var‘ese work. There were a few instances where the program located lengthier retrogrades; however, in those instances, VarEse was employing repetitive symmetrical formations such as can be seen in measures 32 through 34: :40 m :41. I43 I“ r45 :46 :07 I” In 152: 15' 152 ll: I54 I55 '5'5-“59 .137 m0 9 nnnnn \ ‘ a x I These figures and some other reiterated figures, such as those seen in measured 9 and 10 (shown in Figure 2), caused the program to designate these instances as retrograde. It was suggested earlier that the user examine the lengthiest patterns located by the computer analysis to see whether they might be significant. The lengthiest pattern found for the Test-2 analysis of the Varese work waslo: Pattern Notes Related to Notes Test Length 241 28 to 29 76 to 87 2 12 x; 1 0Appendix B, p. 370. _..~g‘ fix 78 These two fragments are shown below; they both consist of reiterations of a minor second interval, terminated by an ascending major second. 16 27 29 21305! 31 33 5? 3536 37 38 3‘7 9 7“": "‘ 4? > if “‘;' on; “his ‘7? 74 7’ ‘35 87 “x fatter? 15 q .. f fig—1:1”, The Type-II pattern listing was designed to provide additional information about the largest patterns by listing some of the frequently occurring subpatterns contained within them. For this listing, each one of the largest patterns was successively designated as an original pattern. The location of the first statement of the first pattern was printed, along with its length, and the number of tines it appeared. Beneath this pattern was a list of the first locations of each sub- pattern which was found more than three times within the location of the original pattern shown above it. Along with these locations were the total number of appearances of the subpatterns (including all other statements of the subpattern within the excerpt), and the length of the subpatterns. If any subpattern did not appear at least three or more times within the original pattern, it was not printed. After all qualifying subpatterns had been printed, the next of the largest patterns “3 Printed along with its subpatterns. The procedure was repeated until all of the lengthiest patterns were processed. 79 For the Type-II listings, only the first location of each pattern and subpattern was printed. If he desires, the user may find the locations of subsequent statements by referring to the Type-I listing for the same analysis. The Type-II listing was not intended to uncover any new patterns; it consists of a rearrangement of the previously discovered Type-I patterns in order to show frequently appearing sub- patterns. Fbr the large Vhrése pattern cited above, the Type-II listing did not reveal any significant subpatterns, perhaps because the large pattern consisted mostly of an extended reiteration of pitches. Limitations on the thoroughness of the pattern analyses11 There were two limitations on the thoroughness of the pattern analyses. The first limitation was that cross—referencing of patterns was only available for patterns having less than seven notes. This limitation was necessarily adopted to make the pattern analysis reasonably cost-efficient; further cross-referencing would have driven the cost of using the program higher than the amount of additional information would justify. The second limitation arose from the fact that the musical location listed on the right-hand side of each pattern-statement always appeared after the mmsical location given on the left-hand side of the statement, such as: 11Because these limitations can best be understood after the reader has Seen the suggestions on how the program might best be used, they have been placed here rather than at the end of the previous chapter. .f. t.‘ 80 "PATTERN 1, NOTES 25 TO 31 RELATED TO NOTES 46 T0 50" It was not possible for the program to locate patterns occurring before the location stated on the left-hand side of a pattern—statement, such as: "PATTERN 1, NOTES 25 T0 31 RELATED TO NOTES 7 T0 14" The reason for this was that the program only analyzed the data from the end of the left-hand location (note 31 in the example shown above) to the end of the data deck. For some of the most useful tests, such as l, 2, 9, 11, and 12, this was not a serious limitation, because both locations in any statement were always identical in content, and the left-hand location was always the first appearance of the stated melodic pattern; but for other tests where the right-hand location was a variant of the left- hand location (such as inversion, retrograde, or retrograde-inversion), there could be a significant number of variants found before the original pattern. In other words, a melodic variant would not be detected if it appeared before the original location indicated on the left-hand side of the pattern statement. The impact of this limitation varied depending upon where in the data deck the original event was found. If a one-hundred-measure excerpt was analyzed and the first location of a desired pattern was found in measure five, then only appropriate variants found in measured six through one hundred would be identified, but variants present in measures one through four would not be listed. The loss of information for such an instance would be 819511. However, if the first location of the same pattern was found “I 81 in measure fifty, the loss of information might be considerable, because variants present in measures one through forty—nine could not be identified. This potential loss of information was found to be substantially reduced by the user if he rearranged the data deck, so that the melodic materials of most interest to him appeared near the beginning of the data deck. For example, if the user wished to check an excerpt for variants of original material found in measures fifty through fifty-five, he could do so by rearranging the‘data deck, so that measures fifty through one hundred appeared at the beginning of the data deck followed by measures one through forty-nine. While such an arrangement of musical information may seem inconsistent with methods used in traditional analysis, it nearly eliminates the loss of information when used with this computer program. This practice of rearranging the data deck when necessary also considerably reduced the other limitation related to cross-referencing. Obviously, if the most interesting original patterns were placed near the beginning of the data deck, the need for cross-referencing to earlier pattern-statements would be reduced. In summary, there were two limitations on the thoroughness of the pattern analysis. The first limitation was the availability of cross— reference statements for patterns of less than seven notes only; the second limitation was the incapability of the program to locate variants of a melodic pattern which were present in the data deck before the ifldicated location of the original pattern. Neither of these limitations was found to affect seriously the thomllShness of the pattern analysis if the analyst rearranged his data 82 (when necessary) so that the melodic material most interesting to him appeared near the beginning of the data deck. Analysis of the Dunstable and Hindemith examples The music of Dunstable and Hindemith was chosen to show how the computer program was used to provide information about compositions written in two other musical styles. These particular examples were chosen because they contained patterns of extended length which made them ideal for demonstrating the more sophisticated pattern analyses available with the program. The procedure for encoding a polyphonic composition was nearly the same as that used for encoding the monophonic Varese work. Each voice was encoded separately and then submitted in succession as one data deck. The program then analyzed this succession of voices as if it were one extended monophonic excerpt. The program only identified patterns contained within a given melodic line; it could not identify patterns occurring vertically between voices of a contrapuntal composition. For the Dunstable example, all of the voice-parts were included for the pattern-analysis; while for the Hindemith example, only the bottom-sounding voice-part was analyzed for melodic patterns. All of the relationships listed by the program were identified without any prior analysis by the program user. Selected results from each analysis are presented as they were shown with the Varese analyses. The complete results for each analysis afe Shown in Appendix B along with the complete musical score for each excerpt. Computer-assigned reference numbers have been copied to these 3:12:12 :u ..‘. . \ ‘. ' . '~ \.Ill ‘ "‘ .e .. D I I ‘ a “ n". n. ‘, . ‘e. " a t. . ‘1 7‘. \ "a. a .'~ ‘c" u ._ ‘ .l \‘éx “ 0 O ‘x‘ ‘- e~ i ‘-.“-'. .‘K-. i ' O | \ . I. ‘ D\. u.. n 1 K \; . n. 'n g <. ,‘l . a II .0 s 0‘ ‘ . ‘e .‘u ~50 \ x u a. a n“; s . ’e e I.. I “. ... ‘h .. b u. . \h ‘9 ‘A o ‘§‘\ I Q i . C ‘ n . r 83 scores, so that the reader may examine any of the patterns shown in the appendix. Some of the results from these analyses are presented below. Selected results from analyses of Dunstable's isorhythmic motet, Veni Sancte Spiritus. The motet was written in three voices. Since the shortest duration used in the work was the sixteenth-note, this duration was adopted as the unit value for encoding purposes. The work was encoded, so that one measure of a voice-part would appear on a data card. Therefore, those passages written in 2 time were encoded so that a total of twelve sixteenth-durations appeared on each card, shile passages written in 2 time were encoded so that a total of eight sixteenth-durations appeared on each card. The interval analysis tables which preceded each pattern analysis12 showed that the major second was the most frequently used melodic interval, followed (in descending order of frequency) by the minor second, minor third, perfect fourth, unison, major third, perfect fifth, and octave. Tritones, sixths, and sevenths were never used as melodic intervals in any voice. The tables which listed the intervals separately according to their direction did not reveal many associations pf particular intervals with any specific direction. They did show, for instance, that the octave always occurred in an ascending direction. The purpose of the Test-5 analysis was to locate melodic fragments ghiCh contained identical retrograde contours (in other words, a (at: {Ogtade of the directional contour of the melody). One thousand W 12 Appendix B, pp. 479-481. 'leva 3..... C “a... ...__' I I. ' ."‘:'6 ’50 -'-~s<.o ,.. 45-15: at: .‘4' I I J e: W" ///// /////'. ///// 84 four hundred thirty-nine instances of this relationship were found in the Dunstable motet consisting of patterns from three to eleven notes. The lengthiest example of this relationship appeared in the isorhythmic tenorl3: Pattern Notes Related to Notes Test Length 1439 37 to 241 709 to 853 5 11 Tenor , one“. 13-3: 31 f'\ O ZQI Tenor, meas. 71 ~91 ufl 653 The passages shown above were related to each other by their tonal retrograde contour. This example also illustrates a situation, where the melodic contour was more useful as a criterion for pattern identification than would have been the more precise intervallic ”— 13 Appendix B, p. 533. -. I»... ‘ .- .§ 12:.‘s oft. -. '."‘.o no . It ‘ «0...... .“ . .: o ’ .8 0 In Pe‘ \A ”x \ a 8" ‘ e 4‘ 1 ‘u .l 85 retrograde relationship which is used as the criterion for Test 6. Had this same passage been analyzed using Test 6, only that portion of the passages containing the exact retrograde intervals (measures 13-28 and 80-91, respectively) would have been reported. The Test-5 analysis used pitch direction as the criterion for pattern identification only; it did not measure the rhythmic content of the motet. However, the example shown above can be used to illus- trate a limitation of those tests which locate rhythmic patterns. Had the analyst used the program to locate the retrograde isorhythm which can be seen in the latter passage, the program would not have detected it. The reason for this is that the retrograde isorhythm was presented using a different time signature; consequently, the durations were not exactly retrograded. Since the program identifies rhythm by measuring the distance between consecutive attack-points, this particular in- stance of rhythm retrograde would not have been detected. An examination of some of the slightly shorter patterns found in the Test-5 analysis showed some less obvious examples of tonal retro- grade contained in other voices of the motet1 : Pattern Notes Related to Notes Test Length 1436 37 to 217 1086 to 1134 5 10 /T‘_ l. Alil’endix B, p. 532. .. E 86 Tenor, meals. '3 ' 28 J7 AH’O, mas. H 23 1% ”34 Pattern Notes Related to Notes Test Length 1438 952 to 1014 2751 to 2775 5 10 Alimmeas. 8 45 452. 1014 bop, mess. 85"86 I 75' 2775 T T J I I r 1L:# 39E patterns show other instances of retrograde contour which might a undetected by the analyst. é TESt 13 located patterns which had identical rhythmic content and mirror 015 their pitch contours. This analysis of the Dunstable motet a § § .m...\\\\\ \\ . :31 : 7". . 87 yielded 369 such events of which the longest pattern contained twelve notes. Again the longest pattern was found in the tenor voicelS: Pattern Notes Related to Notes Test Length 256 1 to 241 373 to 613 13 12 Tenmgumeas.Ib-3o I 14' ‘Tenmv,1n¢as 94'-62 J73 6'3 Examples of some shorter and more obscure patterns are shown belowl6: 15Appendix B, p. 552. 16Appendix B, p. 546 and p. 545, respectively. 88 Pattern Notes Related to Notes Test Length 235 1314 to 1328 1915 to 1929 13 6 Ali's, mess. 38-39 late 1319 80;». sums. b '8 (9,5 lqu Pattern Notes Related to Notes Test Length 218 1626 to 1644 2715 to 2733 13 5 4!», "was. 64- 57 :be I644- SoP.’mens 78 - 8! 2715 2753 89 Pattern Notes Related to Notes Test Length 214 1082 to 1104 1686 to 1708 13 5 Alto, mas. [8-20 «81 “04 Alto, mess. 72.- 75 1090 was At first glance, it might appear that these computer-related passages are rhythmically unrelated; however, a closer examination shows that the distance between the adjacent attack-points for each of the related passages was the same regardless of the prevailing time signature, notational differences, or placement of pattern within the measure. Pattern 214 illustrates particularly well the abi1ity of the computer program to match visually dissimilar patterns. One other analysis of the Dunstable motet was included with this thesis, and that was Test 12. For this test, the input data was re- arranged so that the top voice was submitted first, followed by the middle and bottom voices, respectively. Such restructuring of the data deck caused patterns occurring later in the data deck to be listed in the order of their appearance in the top voice.17 17A score containing these new reference numbers is shown in Appendix B, pp. 556-560. 90 Test 12 located patterns which contained the same rhythm and interval content. The longest of these patterns consisted of six notes and are shown on the next page18: 18Appendix B, p. 583. 91 \ I .‘u l“. .‘u it 1‘. .‘ |\.lj ‘ i r Imus W m w rm? t: MW; amt 4 Shun .82.. seem a. I .IIIIJ 1.1.!!! il ll .. L \ t1) . - Illa] 'b I] F a H 1 n 3 at .0 .N _ a .. . .mdute .iom 9 NH mme on 53 .3 ou m.» MOH o «H nae ou man .3 R. an N3 summed umoe mouoz Ou vmumaom mouoz sumuumm LET Iffl .1 42:- .2»: {it -\\\.\\ 92 Smaller frequently used patterns were listed as well. For instance, the following cadence figure (first found in measures 5—6) was reported to have appeared again in measures 9-10, 36-37, and 40-41, respectivelylg: Pattern Notes Related to Notes Test Length 99 49 to 61 97 to 109 12 5 100 49 to 61 421 to 433 12 5 101 49 to 61 469 to 481 12 5 509., mm, (7‘10 M 61 Sop. ,meas. 9 -I0 47 we Sop, ma: “-3? Sop, mus. 40 ' H 19Appendix B, p. 582. 93 Selected results from analyses of Hindemith's "Fuga nona in B-flat" from Ludis Tonalis. Hindemith's Ludis Tonalis consists of twelve fugues for piano, with each fugue separated from each other fugue by an interlude. The entire collection is introduced and concluded with an elaborate prelude and postlude, respectively. The work is subtitled "Studies in Counterpoint, Tonal Organization and Piano Playing," and demonstrates Hindemith's ability to employ successfully many complex contrapuntal techniques with his quartal-harmonic style of composition. For this chapter, a portion of the "Fuga nona in B-flat" was chosen to illustrate how the program was able to locate original patterns as well as inversions, retrogrades, and retrograde inversions of pitch content. The program was also used to locate rhythm and retrograde rhythm patterns. The complete analyses and copy of the musical score for this fugue are contained in Appendix B. The fugue was encoded and analyzed in two ways. It was first encoded in its entirety and analyzed using Test 0. This produced an interval analysis for the entire fugue. The bottom-sounding voice of the fugue was then analyzed separately using tests selected to illustrate how the program was able to locate some of the complex relationships contained in this melodic line. The Test 0 analysis20 requires little explanation. Hindemith used mostly small melodic intervals (from the unison through the minor third) in his writing. 0f the remaining larger intervals, the ones which occurred most frequently were the perfect fourth, minor seventh, 20Appendix B, p. 587. 'J ‘4 ‘0‘ I. t ‘- 19 no - 5's... ‘0 +... a "‘ nos-o; llol.‘ .é ' on... If t] ;' ”Vow. .“ an '0.... ‘ o l I." 'e« i -e . . r < a - ’-. \.I' 'g. .'.' p-' .‘ .. .‘.: . l .u‘ Ia.’ 9.:.“ .-.O’ s “ ..‘ ' .V. a... .. ‘ i, R ' I 1 ' fl? "I a- 0'. ‘ l‘ -. /// ///7/ \ ‘....‘ 'o \ I \‘ . n, . ‘ .l ‘.‘- ’ 1 . a 't U . n , I . ‘0 .. _ x: . 94 octave, and perfect fifth. No particular interval size was associated with any particular ascending or descending direction. As might be expected, the lengthiest melodic patterns located by the computer programs were statements of the fugue subject or variants of it. The Test-2 analysis, which used exact interval contour as the criterion for pattern identification, located two statements of the original subject in the excerpt analyzed. The second appearance of the subject was transposed to E-flat with the duration of each pitch doubly augmented. The Test-2 analysis identified this event on the basis of transposed intervals only; it did not compare the rhythmic content of the two statements: Pattern Notes Related to Notes Test Length 643 l to 49 737 to 833 2 15 ”has. 9 '11 O Wins. 55 '61 737 O 953 21 Appendix B, p. 634. This, and all other excerpts from Ludis Tonalis, reproduced courtesy of Belwin Mills Publishing Corp., Nelville, New York, sole agents for the copyright owners. or" .Iu. . .0 A o I P — J.|.sou.‘-e o ' s “V "- "we 0- D a ~c at as... ... I. ' III ... v-g - D - 6....:. . .;- . \. _: .. as). .t \ ,;v"-e_ o . ., .: _. o. | (1‘ Q 2. o . “ fin ~\. . ‘ c M \ I u \I. 4 -: 's :-c -P 0 ‘~. , c a L-. :. I .. .\\-. “3 ‘u " u‘ 1 1 X l‘. 5‘.-‘ " ' 3 a. s ' 0 N ‘. n'.' n e *1 o " ‘ 95 The third statement of the original subject was only identified through the first fourteen notes in as much as the last pitch was tonally alteredzz: Pattern Notes Related to Notes Test Length 636 l to 45 1041 to 1085 2 14 m. 941 0 104! I” b This analysis also related two melodic events which, coincidentally, were statements of the subject in inversion23: Pattern Notes Related to Notes Test Length 644 121 to 169 833 to 881 2 15 fleas. ’6 '17 lo“! I 12! . . . r. 7flcas. 61'68' '1 855 am ./ I *. The data were also analyzed to locate patterns that were exact retrogrades of each other. Examples of retrograde statement of the subject beginning in measures 33 and 38 were identified by pattern 22Appendix B, p. 633. 23Appendix B, p. 634. a: ::: .L!‘.' 't: “'1 4 / k; \ 's 333: t: 96 statements 535 through 539. Because the last note of the original subject was altered when the subject was presented in retrograde, the beginning and concluding notes of the subject were sometimes not precisely identified by the computer program, as is illustrated below24: Pattern Notes Related to Notes Test Length 535 l to 45 401 to 445 6 14 Was. 9 ~17. () I 45 The Test-12 analysis was also used with this excerpt. This test required that patterns not only show the same intervallic relationship as was used for Test 2, but also have identical rhythmic content. Because of the additional criterion added to this latter test, only 488 such relationships were located, which is considerably less than the 642 patterns identified for the less stringent Test-2 analysis. Since the resulting Test-12 patterns look similar to those shown for Test 2, none of them. will be illustrated here. The Test-l4 analysis located patterns which were rhythmically identical and also showed exact inversion. One such statement of the subject, as located by the program, is shown below25: 24Appendix B, p. 666. 25Appendix B, p. 726. are 9%» .N 97 Pattern Notes Related to Notes Test Length 423 1 to 49 833 to 881 14 15 Meat. 6! '6? I as: a... 1r ' 3/ The Test-6 analysis, described earlier, located some complete statements of the subject presented in exact pitch retrograde; however, the Test-24 analysis was unable to locate any complete examples of the subject presented in exact pitch retrograde and with exact rhythm retrograde. The reason for this was that Hindemith slightly altered the rhythmic content of the subject, when he presented it in retrograde. In the following example from the Test-24 analysis, only a portion of the original subject and the retrograde version were related. The point where the rhythms differ between the two versions of the subject is indicated with an arrow26: Pattern Notes Related to Notes Test Length 170 393 to 420 1069 to 1089 24 9 mm. alt-Sb J ’3 593 137-,. .-- \ 0 ”as. 74-71 me we; 26Appendix lb p. 744. . - o..,.. a ' .. 4 .....£... - teal}...i.t’ ... -- .. :; 0.x..‘ .o u..‘_.. n «:31. ‘ 7‘ . a “-4 'e...‘, -ID...-l Q ‘. ’1', ‘4'- 0“' 0‘, .,. ... .: ' ‘v... ‘ .‘l “a.... .-‘ en'7 ‘ '- ». ’ 3:... ‘ \ p .. 3‘ 'i ‘C R: Zt' - . 1‘. s . N a. o .- _ n. ‘ . .1 ; W ,. _‘s. . . '. a. . x- _ a . . c . s . . IV t‘\. \.._ ._.. a a. \. -\ .p .. \'_ ..‘. \‘: \ . a I “ ‘ P. ‘5 ‘ n p ‘ I ,. ,D“ . a _ O ‘- 98 The rhythm alteration in the retrograde form, although slight, prevented the program from identifying the complete statements of the subject as being intervallically and rhythmically related in retrograde form. The program will not list any rhythmic deviations or modifications from the designated criterion. This excerpt did not contain a complete statement of the subject in retrograde inversion. The Test-26 analysis did locate one partial statement (as well as many smaller fragments)27: Pattern Notes Related to Notes Test Length 189 601 to 620 1069 to 1085 26 8 Mess. 46 48 RI «at 610 () 7nb¢s.7W*-T7 L-——~ ~ -- a.-,-. «we ’“5 The analysis was able to locate some additional instances of retrograde inversion by matching statements of the subject in retrograde with other statements of the subject in inversion. Such statements do show the retrograde inversion relationship with respect to each other28: 2’7Appendix B, p. 762. 28Appendix B, p. 762. 99 Pattern Notes Related to Notes Test Length 188 401 to 420 861 to 877 26 8 films. 33 ’ 3" R ”I 3% __.__\ I. ”has. 4‘ '6‘ a" ‘7’ The purpose of analyzing excerpts by varese, Dunstable, and Hindemith for this thesis was not to draw conclusions about the works themselves, but rather to illustrate the type of information available to the analyst through use of the music analysis program. The program was written with the assumption that the analyst would select the test most appropriate to his needs, and then use the results of the analyses to help determine the importance of specific melodic patterns to the work under study. The program draws no conclusions about the importance of the relationships it has located; all aspects of musical and analytical judgment must be supplied by the analyst. CHAPTER IV SUMMARY, CONCLUSIONS, AND RECOMNDATIONS Summagy A number of problems have been associated with microanalytical study of music. Some of the most difficult problems have been related to the task of gathering complete and accurate information concerning the presence of small, objectively-defined musical events. Such a task is necessary before an analyst can draw conclusions about the smaller elements of musical style of a composer. Prior to the introduction of computer-assistance to this task, the analyst was greatly limited by the slowness of the procedure, the ever-present problem of human error, and the possibility that familiarity with a musical style might influence his ability to collect impartially this information. The purpose of this thesis was to explore one possible approach to ‘micro-analysis of melodic lines by writing a computer program which would help the analyst locate specific types of melodic patterns. In addition, the program provided supplementary information about the frequency-of-occurrence of each melodic interval from the unison through two octaves. The program listed the precise location of any of the following types of melodic patterns depending upon which of twenty-six optional tests were chosen by the program user: 100 101 l) exact 0, I, R, and RI pitch relationships; 2) tonal (i.e., direction only) 0, I, R, and RI melodic relationships; 3) 0 or R rhythm regardless of pitch content (limited to analysis of rational rhythms only); and 4) 0 or R rhythm occurring with any of the pitch relationships described in (l) or (2). 0, I, R, and RI relationships were chosen because music analysts have shown interest in these relationships, and because such patterns can be clearly defined to analysts and the computer. The subject of melodic patterns was chosen for development of the program because the importance of perception of melodic patterns to both the composer and the listener has been suggested by composers, music analysts, and other investigators. It seemed likely, therefore, that the development of a computer program to assist in identifying certain types of melodic patterns might be of value to a number of areas of study. The results of each computer test were presented in two ways: first, in a series of lists (collectively designated as a "Type-I listing") which presented the patterns in order of increasing length from three notes in length to as long as was necessary to accommodate the lengthiest patterns; and second, in a format (designated as a "Type-II listing") which showed the subpatterns which occurred most frequently within the lengthiest pattern (or patterns) found in the analysis. It was originally intended that the program list all of the melodic patterns fitting the criterion for each test; however, testing of the program showed that certain musical passages caused the program to list on” -, ., . o n " ' ......__ .. or ‘ . ., _ . ,‘p o .‘, ‘q‘ o.|. s. ' 13'...’ . ‘ . ..- I‘ ‘..I I .... 'Il... .' . , . x." ' . 0 ‘ 04-. . ."u. . ~_ . ~o \ |.. . -.t :-- 0‘. 0 ‘0 U o '-.. ‘o, c ‘I. '0 . 0": .9 .i . s . I \ .,_ I: no. . o ,B .. .__' ‘.. ‘- I . ~. \'.‘.. . .\ ‘- ‘o '. v I.‘ . ) \ \ i— O ‘n : o . . \ ‘u 1 84. a ' ‘e : e ‘0- ., .~ ' D ..-‘: . a o o .‘ ‘ , o “. a . “ v- .\ u 0.. ‘v .i. \ V‘. .fi ‘ . ‘ u .l A» 7. 'Dh“ a .‘. .. . -. . ‘e I 'e \\ 102 some patterns which were ambiguous and relatively useless to the program user. After it had been determined that the elimination of these am- biguous patterns would not adversely affect the thoroughness of the pattern analyses, the program was subsequently modified so that they were eliminated from the computer listings. Further testing deter- mined that the program provided the most useful listing of patterns, when the melodic material of most interest to the analyst appeared near the beginning of the data deck. The program was written in the FORTRAN IV programming language. Since none of the existing systems used for converting music to computer input data was found to be applicable to this project, another encoding procedure was developed especially for use with this program. Music examples by varese, Hindemith, and Dunstable were encoded and analyzed in order to illustrate the type of information which the program provided and how the music of different stylistic periods could be analyzed with the program. The thesis was limited to this one approach of analyzing melodic lines. The computer program was limited in the following ways: 1) it was limited to the analysis of strictly linear music; i.e., music in which a specified number of voices was defined; 2) no vertical or harmonic analysis was attempted; and 3) the program.was not designed to read or analyze irrational rhythms. Conclusions and recommendations The strength of the computer lies in its ability to process large amounts of numeric or symbolic information quickly and accurately. 103 This computer program was written to save the music analyst time and improve the thoroughness and accuracy in gathering information about the presence of specific melodic patterns. In this respect, it has accomplished its purpose within its stated limitations. The strength of this program, however, is not its ability to shorten the overall amount of time needed to analyze a given work, but rather to shorten the amount of time needed to gather preliminary information, thereby making more time available for the analyst to draw conclusions, both objective and subjective, about the work under study. The many different types of patterns which may be located with this program should allow the user to investigate the importance of many more types of melodic relationships to a wider range of musical styles than has been possible with any previously reported computer program of this type. It is recommended that investigators interested in exploring the importance of the 0, I, R, and RI relationships to linear music implement this program and use its strengths to support their own studies. It is further recommended that a future study into the problem of pattern perception be directed towards the development of more effective criteria for identifying other structurally important relationships in linear music, and that future investigators determine the effectiveness of these new criteria with programs such as this. It is also recommended that an encoding system for translating the musical score to computer input data be developed which will bypass use of the punched card or the need for other preliminary encoding procedure. An inexpensive procedure of this type would encourage the development of effective approaches to the computer- assisted analysis of music. APPENDICES APPENDIX A Computer Output for Analyses of Illustrative Music Examples As was stated earlier in the thesis, each pattern-statement shown in this Appendix designates two specific melodic excerpts which display a previously defined musical relationship. The reader should refer to the indicated musical example when examining each illustration; the pattern lists cannot be used effectively without reference to the associated musical example. 104 sestsassssasa MUSIC MELODIC PATTERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 1 TEST REQUESTED 1 UNITS OF DATA PER CARD 15 COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 15 54 55 54 52 54 61 59 59 57 62 61 52 54 50 61 NOTES 16 THROUGH 18 59 54 ~99 THE FOLLOWING TYPES OF PATTERN dAVE BEEN DELETE) FROM THE LISTINGS HHICH FOLLOu '- PATTERNS WHICH ARE REITERATIONS LONGER THAN FOUR NOTES-IN-LENGTH PATTERNS WHICH LACK CHANGE-OF-DIRECTION I z 3 4 5' o '7 s 4 u, u IL 13 (4 w' “.17 LI 9 105 APPENDIX A ANALYSIS OF MUSIC EKCERPT ILLUSTRATING TEST 1 ASCENDING AND DESCETDING INTERVALS* (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE MINOR 2 3 18.75 MAJOR 2 6 37.50 MINOR 3 0 0.0 MAJOR 3 1 6.25 PERF. 4 2 12.50 TRITONE 0 0.0 PERF. 5 l 6.25 MINOR 6 0 0.0 MAJOR 6 1 6.25 MINOR 7 0 0.0 MAJOR 7 1 6.25 OCTAVE 0 0.0 MINOR 9 0 0.0 MAJOR 9 0 3.0 MINOR 10 0 0.0 MAJOR 10 0 0.0 PERF. 11 O 0.0 COMP. TT 0 0.0 PERF. 12 0 0.0 MINOR 13 O 0.0 MAJOR 13 0 0.0 MINOR 14 0 0.0 MAJOR 14 O 0.0 THU OCT. 0 0.0 UAISON 1 6.25 IhTERVALS O 0.0 EXCEEDING THO OCTAVES 16 INTERVALS COUNTED *INCLUDING UNISONS 105 APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST ASCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS! TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE MIMCR 2 1 16.67 MAJCR 2 2 33.33 MINCR 3 0 0.0 MAJOR 3 0 0.0 PERF. 4 1 16.67 TRITONE 0 0.0 PERF. 5 1 16.67 MIMCR 6 0 0.0 MAJOR 6 0 0.0 MINOR 7 O 0.0 MAJOR 7 1 16.67 CCTAVE 0 0.0 MIMOR 9 0 0.0 MAJOR 9 O 0.0 MINOR 10 0 0.0 MAJOR 10 0 0.0 PERF. 11 0 0.0 COMP. TT 0 0.0 PERF. 12 0 0.0 MINOR 13 O 0.0 MAJOR 13 O 0.0 MINOR 14 0 0.0 MAJOR 1‘ 0 0.0 ThC OCT. 0 0.0 INTERVALS 0 0.0 EXCEEDING THO PCTAVES 6 ASCENDING INTERVALS COUNTED l ‘4 I H . ’; ’ I '5 'I . I ' .. . I'I .\ . I I R .. , 1 ‘ q I . I ') N . . . 'u I .I . | . 9‘ , T V '\ I . I . AA . I _‘ I 'I \ l . 107 APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 1 DESCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE MIACR MAJOR MINOR MAJOR 22.22 44.44 0.0 11.11 11.11 0.0 éWWNN PERF. TRITCNE PERF. 5 MIMOR 6 MAJOR 6 MINOR 7 MAJOR 7 OCTAVE MIMCR 9 MAJOR 9 MIAGR 1C MAJOR 10 PERF. 11 CCMP. TT PERF. 12 MIMOR 13 MAJOR 13 MINOR 14 MAJOR 14 THU OCT. INTERVALS FXCEEDING THO OCTAVES p. OOOOOOOOOOOOOOOOHOOOHHOJ‘N OOOOOOOOOOOOOOOOHOO OOOOOOOOOOOOOOOOF‘OO 9 DESCENOING INTERVALS COUNTED 108 .t. TYPE 1 LISTING ttt APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 1 PATTERN NOTES RELATED TO NOTES TEST LENGTH 1 1 TO 3 5 TD 7 1 3 2 1.70 3 9 TD 11 1 3 3 1 TO 3 12 TD 14 1 3 4 1 TO 3 14 TD 16 1 3 5 3 TO 5 8 TD 10 1 3 6 3 TO 5 11 TO 13 1 3 7 3 TO 5 13 TO 15 1 3 04“ FOR 5 TO 7. SEE 1 TO 3 ABOVE **** “" FOR 8 TO 10. SEE 3 TO 5 ABOVE **** ’0‘! FOR 9 TO 11' SEE 1 TO 3 ABOVE ***t .999 FOR 11 TO 13. SEE 3 TO 5 ABOVE **** 9‘9‘ FOR 12 TO 14. SEE 1 TO 3 ABOVE **** 3’94 FOR 13 TO 15. SEE 3 TO 5 ABOVE **** 8 1 TO 4 9 TO 12 1 4 9 1 TO 4 14 TO 17 1 4 10 2 TO 5 10 TO 13 1 4 11 8 T0 11 11 TO 14 1 4 12 8 TO 11 13 TO 16 1 4 it“ FOR 9 TO 12. SEE 1 TO 4 ABOVE **** itt‘ FOR 10 TO 13. SEE 2 TO 5 ABOVE **** Ai.’ FOR 11 T0 14. SEE 8 TO 11 ABOVE $¥¥M 13 1 TO 5 9 TO 13 1 5 14 8 TO 12 13 TO 17 1 5 ‘**t FOR 8 TO 12. SEE 8 TO 12 ABOVE **** tttt FOR 9 TO 13. SEE 1 TO 5 ABOVE **’* EMD OF TYPE I LISTING. TOTAL OF 14 PATTERNS LOCATED. 109 **‘ TYPE II LISTING *M‘ APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 1 TONAL CCNTOUR (ORIGINAL) LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 8 TO 12 2 5 CRIGINAL PATTERN 1 TO 5 2 5 SUBPATTERN 3 TO 5 4 3 .494 TEST 1 COMPLETED AT 102 SECONDS INTO EXECUTION **** \\\\\ 110 tttt##******# MUSIC MELODIC PATTERN ANALYSIS t#******#**** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 2 TEST REQUESTED 2 UNITS OF DATA PER CARD 15 COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 15 57 59 55 57 6O 59 57 62 64 61 66 61 62 54 57 NOTES 16 THROUGH 20 59 62 61 59 -99 THE FOLLOHING TYPES OF PATTERN HAVE BEEN DELETE) FROM THE LISTINGS HHICH 1:01.10. -- pA'l"TERNS WHICH ARE REITERaTIONS LONGER THAN FCUR NOTES-IN-LENGTH '2 3456194101111131915/61719!? 111 RNEMKJIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 2 ASCENDING AND DESCENDING INTERVALS* (INCLUDING ENHARMJNIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE 22.22 33.33 22.22 5.56: 11.11 0.0 MINOR :2 MAJOR z MINOR 3 MAJOR 3 PERF. 4 TRITONE PERF. 5 MINOR 6 I‘MJDR 6 MINOR 7 MAJOR 7 OCTAVE MINOR 9 MAJOR 9 MINOR 10 MAJOR 10 PERF. 11 COMP. TT pERF- 12 "INOP 13 MAJOR 13 MINOR 14 MAJOR 14 7‘0 OCT. UNISON EXCEED OCTAVESI N G TWO 0‘ UOOOQOOOOOOOUOOOOOWO OOOOOOOOOOOOOOOOOOHOONHT‘O‘P OUQOOOOOOOOOOUOOOQWO 18 INTERVALS COUNTED TIN CLUDING UNISONS 112 APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 2 ASCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TCTAL PERCENTAGE OCCURRENCES OF OCCURRENCE 10.00 40.00 40.00 0.() 10.00 MINER 2 PAJCR z FINCR 3 FAJOR 3 PERF. 6 IRITCNE PERF. 5 MIACR 6 MAJOR 6 MINOR 7 FAJOR 7 CCTIve "IRCR 9 FAJOR 9 MINGR 10 "AJOR 10 PERF. 11 COMP. TI ”ERF. 12 ”IRCR l3 PAJOR 13 NINOR 7‘0 OCT. FXCEEDI I OOOOOOOOOOOOOOOOOOOO O OOOOOOOOOOOOOOOOOOOO C)C>C>C>C>CDCDC>C>C>C>C>C>C)C>C>C>C>CDCDP-C)$‘¥‘ho 10 ASCENDING INTERVALS COUNTED APPENDIX A EXCEE OCTAVE DESCENDING INTERVALS 113 ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST (INCLUDING ENHARMONIC EQUIVALENTS) DING THE 3 TOTAL OCCURRENCES 000000000OOOOOOOOP—OOHt-‘ONU B DESCENDING INTERVALS COUNTED PERCENTAGE OCCURRENCE OF 37.50 25.00 0.0 12.50 12.50 0.0 p— O OOOOOOOOOOOOOOOOONO OOOOOOOOOOOOOOOOOU‘O 0 O O C O O O O O O I O C O O O 2 APPEND IX A PATTERN mewmp- tilt FCR "W FUR "" FOR awo- un FOR UGPUUU‘IOGWJF-PUUJ 114 99* TYPE I LISTING ANALYSIS OF MUSIC EXCERPT NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO RELATED TO SEE SEF SEE SEE ”'3 OF TYPE I LISTING. TOTAL OF NOT T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 tit ILLUSTRATING TEST 2 ES TEST LENGTH 10 2 3 17 2 3 11 2 3 18 2 3 19 2 3 5 ABOVE **** 6 ABOVE “NW 5 ABOVE *‘NW 11 2 4 18 2 4 l9 2 4 6 ABOVE **** 19 2 5 9 PATTERNS LOCATED. 115 “I“ TYPE 11 LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 2 FXACT CCNTOUR (ORIGINALI LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURR ENCES PATTERN [RIGINAL PATTERN 3 TO 7 2 5 "N TEST 2 COMPLETED AT 93 SECONDS INTO EXECUTION **** 116 MUSIC MELODIC PATTERN ANALYSIS ********fi#*** ###t#***#**** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 3 TEST REQUESTED 3 UNITS OF DATA PER CARD 15 CCMPUTER REFERENCE NUMBER ASSIGNMENT 55 7O -99 NOTES 1 THROUGH 14 60 63 63 62 67 65 59 51 55 55 60 THE FOLLOHING TYPES OF PATTERN awe BEEN OELETEO FRCM THE LISTINGS HHICH POLLO. -- PATTERNS NHIEH ARE REITERAT IONS LJNGFR THAN FOUR NOTES-IN-LENGTH PATTERNS WHICH LACK CHANGé-OF-DIRECTION I 2345078910/11215 b9;- Th - e Interval tables appearing with Tests 3 through 26 omitted . 1 n c)‘li‘der to reduce the size of this appendix. *‘N‘ TYPE I LISTING *** 117 APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING PATTERN NOTES RELATEO TO NOTES 1 I TO 3 8 TO 2 2 TO 4 9 TO 3 3 TO 5 10 TO 6 4 TO 6 11 TO 5 I TO 4 8 TO 6 2 TO 5 9 TO 7 3 TO 6 10 TO 8 I To 5 8 TO 9 2 TO 6 9 TO 10 I TO 6 8 TO “‘0 OF TYPE I LISTING. 10 11 12 13 11 12 13 12 13 13 TEST WNWWWWWWWW TEST 3 LENGTH ommbkbwwww TOTAL OF 10 PATTERNS LOCATED. 118 *9: TYPE II LISTING *tt APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 3 TOAAL IAVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN rRIGINAL PATTERN 1 TO 6 2 6 “N TEST 3 COMPLETED AT 110 SECONDS INTO ExEcUTION nu 119 ttttiktdlttttakt MUSIC MELODIC PATTERN ANALYSIS ***********t# APPENDIX A ANALYSIS OF MUSIC ElCERPT ILLUSTRATING TEST 4 TEST REQUESTED 4 UNITS OF DATA PER CARD 15 COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 15 57 56 62 62 64 59 60 5+ 55 55 50 50 64 65 59 NOTES 16 THROUGH 18 59 57 -99 THE FULL OHING TYPES OF PATTERN 4AVE BEEN DELETED FROM THE LISTINGS HHICH FOLLO. -- PA TTERNS WHICH ARE REITERAI IONS LONGER THAN F: CUR NOTES-IN-LENGTH 12 345573910IIILIJI4I5/LI7 120 *‘* TYPE I LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 4 PATTERN NCTES RELATED TO NOTES TEST LENGTH I 1 To 3 6 T0 8 4 3 2 1 T0 3 9 To 11 4 3 3 1 T0 3 13 T0 15 4 3 4 2 To 4 10 To 12 4 3 5 2 To 4 14 To 16 4 3 6 3 T0 5 15 T0 17 4 3 7 1 TO 4 9 T0 12 4 4 a 1 To 4 13 T0 16 4 4 9 2 T0 5 14 To 17 4 4 lo I To 5 13 To 17 4 S Hm 0F 1’YPE I LISTING. TOTAL OF 10 PATTERNS LOCATED. 121 *‘* TYPE II LISTING MM‘ APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 4 EXACT INVERSION ' LOCATION TOTAL LENGTH OF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 1 TO 5 2 5 Nu TEST 4 COMPLETED AT 92 SECONDS INTO EXECUTION **** 122 tttttlfittttttt MUSIC MELODIC PATTERN ANALYSIS MMRMMMM APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 5 TEST REQUESTED 5 UNITS OF DATA PER CARD 15 CCMPUTER REFERENCE NUMBER ASSIGNMENT AwTES 1 THROUGH 15 59 55 55 57 52 53 52 50 57 62 58 58 64 62 64 'mTES 16 THROUGH 22 57 56 55 58 57 57 -99 THE FCLLONING TYPES OF PATTERN HAVE BEEN DELETE) FROM THE LISTINGS WHICH POLLOR -- PATTERNS WHICH ARE REITERAIIONS LONGER THAN FCUR NOTES-IN-LENGTH IDATTERNS HHICH LACK CHANGE-OF-DIRECTION ’ 23 456799/01111I3MISIL I1.814101I A _1 i 7 l :l 1 '___H.Ll VLW TI APPENDIX A PATTERN P—v- ponmdombwm... fl OHOOIm.k£~&L»uIULquan~ .— pa Hun-II— HI-Ih-‘F' Hut—H WNMNH"¢DNC>OHflUJNrihHVFHDODOLnPW»UJNAJHWQJ‘NAJ tit 123 TYPE I LISTING *** ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 5 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 a>~w O o 10. 11 14. 15¢ 16. 10 10. RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE wr- HPHF‘ F‘HF‘ -QUJOCD$~N~OUMOCDH OOPUPNMHWJ‘W NOTES TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TEST LENGTH 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 5 3 ABOVE **** ABOVE **** ABOVE **¢* ABOVE **** ABOVE **** ABOVE M*** ABOVE **** ABOVE **** ABOVE **** 5 4 5 4 5 4 5 4 5 4 5 4 ABOVE **** 5 4 5 4 ABOVE ¥*** ABOVE *#** ABOVE **** ABOVE **** 5 5 5 5 5 5 5 5 5 5 ABOVE **** 5 5 ABOVE **** ABOVE ***¥ ABOVE **¥* 5 6 ABOVE ***M 124 PATTERN NCTES RELATED TO NOTES TEST LENGTH 27 6 TO 11 14 TO 19 5 6 28 5 TO 11 14 TO 20 5 7 FAD OF TYPE I LISTING. TOTAL OF 28 PATTERNS LOCATED. 125 M** TYPE II LISTING *‘* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 5 TCNAL RETRCGRADE LOCATION TOTAL LENGTH OF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN CRIGIPUAL PATTERN 5 TC 11 2 7 Attt TEST 5 COMPLETED AT 128 SECONDS INTC EXECUTION ¥*** 126 t**#*****t*** MUSIC MELJDIC PATTERN ANALYSIS #*#*##**#**#* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 6 TEST REQUESTED 6 UNITS OF DATA PER CARD 15 COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 15 55 61 60 56 59 60 64 6.1 69 65 64 61 57 NOTES 16 THROUGH 20 52 58 57 53 -99 THE FIJLLOHING TYPES OF PATTERN RAVE BEEN DELETED FRCM THE LISTINGS wHICH POLLO. -- PATTERNS WHICH ARE REITERAIIONS LJNGER THAN FOUR NOTES-IN-LENGTH I 2345678910II1113I+I5 161718 56 53 m 127 tit TYPE I LISTING ‘** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 6 PATTERN NOTES RELATED TC NOTES TEST LENGTH 1 4 TO 6 10 TO 12 6 3 2 4 TO 6 13 TO 15 6 3 3 5 TO 7 9 TO 11 6 3 4 5 TO 7 12 TO 14 6 3 5 4 TO 7 9 TO 12 6 4 6 4 TO 7 12 TO 15 6 4 END (IF TYPE I LISTING. TOTAL OF 6 PATTERNS LOCATED. 128 It: TYPE II LISTING 4*: APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 6 EXACT RETRCGRADE LOCATION TOTAL LENGTH OF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 4 TO 7 3 4 int TEST 6 COMPLETED AT 75 SECONDS INTO EXECUTION ”MW" 311 129 ##tllnllttttttlkt MUSIC MELODIC PATTERN ANALYSIS ****##**#**** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 7 TEST REQUESTED 7 UNITS OF DATA PER CARD 15 COMPUTER REFERENCE NUMBER ASSIGNMENT NCTES 1 THROUGH 13 52 54 54 62 60 59 55 54 67 67 68 66 -99 THE FOLLOWING TYPES OF PATTERN 1AVE BEEN DELETED FROM THE LISTINGS NHICH FOLLOd -- PATTERNS WHICH ARE REITERAI IONS LONGER THAN FCUR NOTES-IN-LENGTH PATTERNS WHICH LACK CHANGE-OF-DIRECTION 1A ‘7 130 9"” TYPE I LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 7 PATTERN NCTES RELATED TO NOTES TEST LENGTH 1 I TO 3 9 TO 11 7 3 2 2 TO 4 8 TO 10 7 3 3 3 TO 5 7 TO 9 7 3 4 7 TO 9 10 TO 12 7 3 H” FOR 8 TO 10. SEE 1 TO 3 ABOVE **** 5 1 TO 4 8 TO 11 7 4 6 2 TO 5 7 TO 10 7 4 7 3 TO 6 6 TO 9 7 4 8 1 TO 5 7 TO 11 7 5 9 2 TO 6 6 TO 10 7 5 10 1 TO 6 6 TO 11 7 6 PAC OF TYPE I LISTING. TOTAL OF 10 PATTERNS LOCATED. 131 *1” TYPE II LISTING *‘H‘ APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 7 TONAL RET. INVERSION LOCATION TOTAL LENGTH CF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 1 TO 6 2 6 Int TEST 7 COMPLETED AT 105 SECONDS INTO EXECUTION **** 132 *****uuun MUSIC MELOOIC PATTERN ANALYSIS ##MRMMMM APPENDIX A ANALYSIS OF MUSIC E‘CERPT ILLUSTRATING TEST 8 TEST REQUESTED 8 UNITS OF DATA PER CARD 15 CCMPUTER REFERENCE NUMBER ASSIGNMENT NCTES 1 THROUGH 15 59 59 6G 60 7O 64 64 6! 59 62 62 56 66 69 69 NOTES 16 THROUGH 18 70 7O -99 THE FOLLONING TYPES OF PATTERN NAVE BEEN DELETE) FROM THE LISTINGS HHICH FOLLO. -~ PATTERNS WHICH ARE REITERAIIONS LONGER THAN FOUR NOTES-IN-LENGTH 459799101llll31415/b/7 I 1 3 N+ A 4417+ + g H'J—rzr 1 31E: *** TYPE I LISTING *** 133 APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING PATTERN NOTES TO TO T0 T0 TO TO T0 T0 TO TO ‘DNIW‘N0\APW»NJ~ #WéP-ROO‘UI-I‘NI- on END OF TYPE I LISTING. mmflnfimmfla‘bw RELATED TO 15 14 11 10 13 14 10 TOTAL OF NOTES T0 T0 TO T0 T0 T0 T0 T0 T0 T0 17 16 13 12 11 15 17 13 12 13 TEST mmmoomoooommcn TEST 8 LENGTH mJ‘P-I‘wwwwww 10 PATTERNS LOCATED. 134 it: TYPE I1 LISTING tit APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 8 EXACT RET. INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN TRIGINAL PATTERN 4 TO 8 2 5 “'* TEST 8 COMPLETED AT 93 SECONDS INTC EXECUTION *ttt 135 ##*********** MUSIC MELOOIC PATTERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 9 TEST REQUESTED 9 UNITS OF DATA PER CARD lb CCMPUTER REFERENCE NUMBER ASSIGNMENT NOTE S 1 THROUGH 16 5)05050500505350505035050500 NCTES 17 THROUGH 32 5050505050 0505JSJ 050505050500 NOTES 33 THROUGH 43 50 50 50 0 50 SC 50 50 5») 0-99 THE FOLLONING TYPES OF PATTERN «IVE BEEN DELETED FROM THE LISTINGS WHICH FOLLON -- PATTERNS WHICH CONTAIN AN UNDEFINED RHYTHVI '34 5 78 emu am It ms .uazu 25112521282130}: 1534; 39373831404! 5O m m Di STOUT W . film 136 *4: TYPE I LISTING #44 APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 9 DATTERN NOTES RELATED TO NOTES TEST LENGTH I I TO 4 5 TD B 9 3 2 I TO 4 11 TO 14 9 3 3 I TO 4 15 IO 18 9 3 4 I TO 4 21 TO 24 9 3 5 I TO 4 25 TO 28 9 3 6 I TO 4 31 TO 34 9 3 7 1 TO 4 35 TO 33 9 3 e 3 TO 5 9 TO II 9 3 9 3 TO 5 13 TO 15 9 3 Io 3 TO 5 19 TO 21 9 3 ll 3 TO 5 23 TO 25 9 3 12 3 TO 5 29 TO 31 9 3 13 3 TO 5 33 TO 35 9 3 14 3 TO 5 39 TO 41 9 3 15 4 TO T 10 TO 13 9 3 161 4 TO 1 14 TO 17 9 3 l7 fiITO T 20 n: 23 9 3 18 4 TO 7 24 TO 27 9 3 l9 4 TO 7 30 TO 33 9 3 ’ 20 4 TO 7 34 TO 37 9 3 "W FOR 5 TO 3. SEE 1 TO 4 ABOVE u" 3” FOR 9 TO 11. SEE 3 TO 5 ABOVE «u "“ FOR 10 TO 13. SEE 4 TO 7 ABOVE an "r FOR 11 TO 14. SEE I TO 4 ABOVE nu m. FOR 13 TO 15. SEE 3 TO 5 ABOVE "an 00“ FOR 1’0 T0 1?. SEE 4 TO 7 ABOVE nun m. Fan 15 TO 18. SEE 1 TO 4 ABOVE “n ”J FER 19 TO 21. SEE 3 TO 5 ABOVE Hun “u FCR 20 TO 23. SEE 4 TO 7 ABOVE Mn :1... FOR 21 T0 24. SEE 1 TO 4 ABOVE mt: u" FOR 23 TO 25. SEE 3 To 5 ABOVE nu u... FOR 24 TO 27. SEE 4 TO 1 ABOVE Mu 9.. OR 25 TO 28. SEE 1 TO 4 ABOVE «u 4.. OR 29 TO 31. SEE 3 TO 5 ABOVE an N... FOR 30 TO 33. SEE 4 TO 7 ABOVE an '9‘. F053 31 TO 34. SEE 1 TO 4 ABOVE an ‘94. FOR 33 To 35. SEE 3 TO 5 ABOVE m: "o. :09 34 TO 37. SEE 4 TO 1 ABOVE um 21 ‘3‘? 35 TO 38. SEE I To 4 ABOVE 44:. 22 1 TO 5 11 TO 15 9 4 23 I To 5 21 To 25 9 4 24 1 TO 5 31 TO 35 9 4 25 3 TO 7 9 TO 13 9 4 <6 3 TO 7 13 TO IT 9 4 3 TO 7 19 TO 23 9 4 137 p ATTERN NCTES RELATED TO NOTES TEST LENGTH 27 3 TO 7 23 TO 27 9 4 28 3 TO 7 29 TO 33 9 4 29 3 TO 7 33 TO 37 9 4 3o 4 TO 8 10 TO 14 9 4 31 4 TO B 14 TO 18 9 4 32 4 TO 8~ 20 TO 24 9 4 33 4 TO 8 24 TO 28 9 4 34 4 TO 8 38 TO 34 9 4 35 4 TO 8 34 TO 38 9 4 36 5 TO 9 15 TO 19 9 4 37 5 TD 9 25 TO 29 9 4 38 5 TD 9 35 TO 39 9 4 39 B TD 11 18 TO 21 9 4 4o 8 TO 11 28 TO 31 9 4 41 8 TO 11 38 TO 41 9 4 “wt FCR 9 TO 13. SEE 3 TO 7 ABOVE an 80‘! FOR 10 TO 14. SEE 4 TO 8 ABOVE aunt: “at FOR 11 TO 15. SEE I TO 5 ABOVE mu: us: FOR 13 TO 17. SEE 3 TO 7 ABOVE nu no: FOR 14 TO 18. SEE 4 TO 8 ABOVE nu nu FOR 15 TO 19. SEE 5 TO 9 ABOVE an 3": FOR 18 TO 21. SEE 8 TO 11 ABOVE it": "an: FOR 19 TO 23. SEE 3 TD 7 ABOVE nu tt" FOR 20 TO 24. SEE 4 TO 8 ABOVE ”rat: ":0 FOR 21 TO 25. SEE 1 TD 5 ABOVE Mn ".1. FOR 23 TO 27. SEE 3 TO 7 ABOVE nu 4".- FOR 24 TD 28. SEE 4 TO 8 ABOVE an my: FOR 25 TO 29. SEE 5 TO 9 ABOVE an 480: FOR 28 TO 31. SEE 8 TO 11 ABOVE firm: who FOR 29 TO 33. SEE 3 TO 7 ABOVE "at: «to FOR 30 TO 34. SEE 4 TO 8 ABOVE mu "no FOR 31 TO 35. SEE I TO 5 ABOVE «u mt ”R 33 TO 37. SEE 3 TO 7 ABOVE "n W" FOR 34 TO 38. SEE 4 TO 8 ABOVE nu ’12 I TO 7 11 TO 17 9 5 :2 I TO 7 21 TO 27 9 5 45 1 TO 7 31 TO 37 9 5 ‘6 3 TO 8 9 TO 14 9 5 ‘7 3 TO 8 13 TD 18 9 5 48 3 Tc 8 19 TO 24 9 5 49 23 TO 8 23 TO 28 9 5 so 3 TO 8 29 TO 34 9 5 51 3 TO 8 33 TD 38 9 5 52 4 TO 9 14 TO 19 9 5 53 4 To 9 24 TO 29 9 5 54 4 To 9 34 TO 39 9 5 55 5 To 10 15 To 20 9 5 56 5 To 10 25 TO 30 9 5 57 5 70 ID 35 TO 40 9 5 59 7 TO 11 17 To 21 9 5 7 TO 11 27 TO 31 9 5 138 PATTERN NOTES RELATED TO NOTES TFST LENGTH 59 7 TD 11 37 TO 41 9 5 60 8 TO 13 18 TO 23 9 5 61 8 TO 13 28 TO 33 9 5 3.9" EDR 9 TD 14. SEE 3 TO 8 ABOVE ms: 62 10 TO 15 20 TO 25 9 5 e3 10 TO 15 30 TO 35 9 5 out” FOR 11 TO 17. SEE 1 TO 7 ABOVE "HI .0“ FOR 13 TO 18. SEE 3 TO 8 ABOVE un- a-su FOR 14 TO 19. SEE 4 TO 9 ABOVE nu 2010'" FOR 15 TO 20. SEE 5 TO 10 ABOVE an own FOR 17 TO 21. SEE 7 TO 11 ABOVE urn no» FOR 18 TD 23. SEE 8 TO 13 ABOVE nu a." PER 19 TO 24. SEE 3 TD 8 ABOVE "u an" FOR 20 TO 25. SEE 10 TO 15 ABOVE nu tin” FOR 21 TO 27. SEE 1 TO 7 ABOVE “I" can: FOR 23 TD 28. SEE 3 TO 8 ABOVE nu 80“ FOR 24 TO 29. SEE 4 TO 9 ABOVE "a" “mo FOR 25 TO 30. SEE 5 TO 10 ABOVE MM .444 FOR 27 TO 31. SEE 7 TO 11 ABOVE MM ..44 FOR 28 TO 33. SEE 8 TO 13 ABOVE an “:4 FOR 29 TD 34. SEE 3 TD 8 ABOVE nu "an: FOR 30 TO 35. SEE 10 TO 15 ABOVE am: “.4 FOR 31 TO 37. SEE 1 TD 7 ABOVE an E4 1 TD 8 11 TD 18 9 6 65 1 TD 8 21 TO 28 9 6 ea 1 TO 8 31 TO 38 9 6 67 3 TO 9 13 TO 19 9 6 68 3 TD 9 23 TO 29 9 6 69 3 TO 9 33 TO 39 9 6 7o 4 TO 10 14 TO 20 9 6 71 4 TO 10 24 TO 30 9 6 72 4 TO- 10 34 TO 40 9 6 73 5 TD 11 15 TO 21 9 6 74 5 TO 11 25 TO 31 9 6 7‘5 5 TO 11 35 TO 41 9 6 :7? 7 TO 13 17 TD 23 9 6 78 7 TO 13 27 TO 33 9 6 79 8 TO 14 18 TO 24 9 6 80 8 TO 14 28 TO 34 9 6 81 9 TO 15 19 TO 25 9 6 82 9 TD 15 29 TD 35 9 6 a3 1 0 TO 17 20 TO 27 9 6 ”u Fan 1 0 TD 17 30 TO 37 9 6 “n Fan 1 1 ‘TO 18. SEE 1 TO 8 ABOVE nu “n Fan 13 TO 19. SEE 3 TD 9 ABOVE "u 3" FDA 14 TO 20. SEE 4 TO 10 ABOVE u" 44? FOR 15 To 21. SEE 5 TO 11 ABOVE «n #9.: FOR 17 To 23. SEE 7 TO 13 ABOVE nu u," FOR 113 TO 24. SEE 8 TO 14 ABOVE nu FOR To 25. SEE 9 TO 15 ABOVE MM 20 To 27. SEE 10 TO 17 ABOVE "M ,0! TTERN , ,. an FOR 21 ” ‘. FOR 23 ‘ngiitlFCR 24 “" FCR 28 ,..:o FOR 29 £347 £355 £3¢5 £377 EBEB £34? 93¢: ‘9 1 £72? 923 943 9E5 965 97 98 99 100 1C1 102 103 104 165 106 107 108 109 110 111 112 113 114 115 116 117 118 H9 120 121 12? 123 124 125 126 127 p...- v-n-n J‘J‘NUFT—HOO‘OODOQQU‘WOJ‘UNUHHFOOOOQGNNUTUIJ‘P-PUNNHPH NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 281 299 30' 319 33c 34. 350 10 10 10 11 11 11 13 13 14 14 15 15 17 17 18 18 10 10 10 11 11 11 13 13 14 14 15 15 17 17 18 18 19 19 11 11 11 13 l3 14 14 139 RELATED TO SEE SEE SEE SEE SEE SEE SEE NOTES T0 T0 T0 T0 TO T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 10 11 l3 14 15 19 29 39 20 30 40 21 31 41 23 33 24 34 25 35 27 37 28 38 20 30 40 21 31 41 23 33 24 34 25 35 27 37 28 38 29 39 21 31 41 23 33 24 34 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE OQOOOOOOOOOOOOOOOOOOOO00000OOOOOOOOOOOOOOOQO tttt 414* #444 8:48 tttt #44: 444* LENGTH cocoooommmmmmmmmmmmmmmmmmqququwuqqqdqqquuu 140 pAITERN NOTES RELATED 11: NOTES rssr LENGTH 128 5 TO 15 15 T0 25 9 9 129 5 10 15 25 T0 35 9 9 130 7 70 17 17 TD 27 9 9 121 7 to 17 27 m 37 9 9 132 8 70 18 18 10 28 9 9 133 8 10 18 28 1o 38 9 9 1 34 9 10 19 19 T0 29 9 9 135 9 70 19 29 10 39 9 9 1 36 1o 10 20 20 T0 30 9 9 1 3 7 1o 70 20 30 T0 40 9 9 1 38 1 m 13 21 TO 33 9 10 139 3 10 14 23 10 34 9 1o 1 40 4 TO 15 24 T0 35 9 10 141 5 70 17 25 T0 37 9 1o 14 2 7 TO 18 27 10 38 9 10 143 8 7o 19 28 10 39 9 10 164 9 TO 20 29 10 4o 9 10 145 10 7o 21 3o 10 41 9 10 146 1 10 14 21 10 34 9 11 14 7 3 70 15 23 T0 35 9 11 148 4 TO 17 24 T0 37 9 11 149 5 TO 18 25 T0 38 9 11 150 7 70 19 27 T0 39 9 11 151 8 TO 20 28 1'0 40 9 11 152 9 10 21 29 TO 41 9 11 153 1 10 15 21 m 35 9 12 15" 3 T0 17 23 T0 37 9 12 155 4 10 18 24 T0 38 9 12 :25” 5 1'0 19 25 T0 39 9 12 ”a 7 10 20 27 m 40 9 12 ‘59 8 10 21 28 10 41 9 12 ,60 1 10 17 21 10 37 9 13 161 3 10 18 23 10 38 9 13 ”,2 4 T0 19 24 T0 39 9 13 ‘63 5 10 20 25 T0 40 9 13 W, 7 10 21 27 T0 41 9 13 165 1 m 18 21 T0 38 9 14 ",6 3 10 19 23 T0 39 9 14 w, 4 m 20 24 70 4o 9 14 163 5 10 21 25 m 41 9 14 169 1 T0 19 21 T0 39 9 15 no 3 1‘0 20 23 to 40 9 15 111 4 10 21 24 10 41 9 15 112 1 10 20 21 T0 40 9 16 173 3 10 21 23 T0 41 9 16 1 10 21 21 T0 41 9 17 Ho 0F ‘r VPE 1 11571115. 1018:. OF 173 PATTERNS anneo. , ppENolx A p HYTHH CF? [6 INAL PATTERN 4444 SLBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUEPATTERN SUBPATTERN SUBPATTERN ESLBPATTERN S UEPATTERN S UBPATTERN E§thATTERN S UBPATTERN S UBPATTERN S UBPATTERN s UBPATTERN SUBPATTERN SUBPATTERN S Ueunenn S UBPATTERN S L e PATTERN S U BPATTERN 141 3'“ TYPE II LISTING 1"” ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 9 LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN 1 TO 21 2 17 1 TO 11 4 9 3 TO 11 4 8 1 TO 10 4 8 4 TO 11 4 7 3 TC 10 4 7 1 TO 9 4 7 5 TO 11 4 6 4 TO 10 4 6 3 TO 9 4 6 1 TO 8 4 6 7 TO 11 4 S 5 TO 10 4 5 4 TO 9 4 5 3 T0 8 7 5 I TO 7 4 5 8 TO 11 4 4 5 TO 9 4 4 4 TO 8 7 4 3 TO 7 7 4 1 TO 5 4 4 4 T0 7 7 3 3 TO 5 8 3 TEST 9 COMPLETED AT 313 SECONDS INTO EXECUTION tttt 142 ¥#*********** MUSIC MELODIC PATTERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 10 TEST REQUESTED 10 UNITS OF DATA PER CARD 16 COMPUTER REFERENCE NUMBER ASSIGNMEVT NOTE 3 1 THROUGH 16 50 0 50 50 50 0 0 0 a 0 50 0 50 50 50 0 NOTE 5 17 THROUGH 32 50 050050500050 0500500500 NOTE 5 33 THROUGH 48 500505050 05000000500050 NOTES 49 THROUGH 49 ——99 THE FOLLDRING TYPES OF PATTERN MVE BEEN DELETED FRCM THE LISTINGS HHICH FOLLOd -- pATTERNS NHICH CONTAIN AN JNDEFINED RHYTHM 'SVM' DESIGNATES NONRETROGRADABLE 11.E.. SYMMETRICAL) RHYTHM. 1 Pg 5 H 131415 1714 2121 2.517 293!» 35563737 4546 ' i ,’ =—1 r—T . ooo‘ ,g D m 1.; F1 17 1'11 F1, )5 rj call a: pl-Illta II J o 143 *** TYPE I LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 10 pAITERN NOTES RELATED TO NOTES TEST LENGTH 1 1 TO 4 13 TO 15 10 3 2 1 TO 4 35 TD 37 1o 3 3 5 TO 13 36 TO 39 10 3 . .244 FOR 11 TO 14. SEE 1 TO 4 ABOVE mm 4 13 TD 15 33 TD 36 10 3 5 14 TD 17 17 TO 21 10 3 6 14 TD 17 31 TD 35 10 3 con-nu- FOR 33 TO 36. SEE 1 TD 4 ABOVE Mn woo-act FOR 35 TO 37. SEE 13 TD 15 ABOVE an 7 5 TD 14 35 TO 39 10 4 8 11 TD 15 ($1181 33 TD 37 10 4 9 13 TD 17 31 TO 36 1D 4 1 o 14 TO 19 29 TD 35 10 4 14:... FOR 33 TO 37. SEE 11 TO 15 ABOVE «u 1 1. 5 TD 15 33 T0 39 1o 5 1 2 11 TO 17 31 TO 37 1O 5 1 :3 13 TO 19 29 TO 36 1o 5 1 4 5 TO 17 31 TD 39 10 6 l '5 11 TO 19 29 TO 37 10 6 1 6 5 TO 19 29 TO 39 10 7 ”0 OF TYPE 1 LISTING. TOTAL OF 16 PATTERNS LOCATED. 144 :4: TYPE 11 LISTING 44* fiFPENOIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 10 RHYTHM RETROGRADE LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CR IGINAL PATTERN 5 TO 19 2 7 41“!“ TEST 10 COMPLETED AT 124 SECONDS INTO EXECUTION **** 145 *#*#*t***#*** #************ MUSIC MELODIC PATTERN ANA-YSIS APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 1]. TEST REQUESTED 11 UNITS OF DATA PER CARD 12 CCMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 12 50 O 62 61 62 O 52 a 64 62 64 0 NOTE 5 13 THROUGH 24 54 66 O 65 66 C 55 u 67 66 67 0 NO T E S 25 THROUGH 25 '99 FOLLOWING TYPES OF PATTERN 1AVE BEEN DELETED THE FROM THE LISTINGS WHICH FOLLON PATTERNS WHICH ARE REITERATIONS LONGER THAN FCUR NOTES-IN-LENGTH PATTERNS WHICH LACK CHANGE-OF-DIREGTION 910 II I)" ’0” 1? 2‘ 71- 2’ 345 7 III: 111: 111 II; 146 444 TYPE 1 LISTING 49* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 11 IDATTERN NCTES RELATED TO NOTES TEST LENGTH 1 1 TO 4 7 TD 10 11 3 2 1 TO 4 19 TD 22 11 3 3 3 TO 5 9 TO 11 11 3 4 3 T0 5 21 TO 23 11 3 5 4 TD 7 16 TO 19 11 3 6 5 TO 9 17 TO 21 11 3 out" FOR 7 TO 10. SEE 1 TO 4 ABOVE nu 4:44 FCR 9 TO 11. SEE 3 TO 5 ABOVE an 7 10 TD 13 13 TO 16 11 8 11 TO 14 14 TO 17 11 3 won FOR 13 TO 16. SEE 10 TO 13 ABOVE “n won FOR 14 TO 17. SEE 11 TO 14 ABOVE an" tut FOR 16 TO 19. SEE 4 TO 7 ABOVE m: fit" FOR 17 TD 21. SEE 5 TO 9 ABOVE nu 9 1 TO 5 7 TO 11 11 4 1o 1 TO 5 19 TD 23 11 4 11 4 TD 9 16 TO 21 11 4 12 5 TO 10 17 TD 22 11 4 **" FOR 7 TO 11. SEE 1 TO 5 ABOVE "n 13 4 T0 10 16 TO 22 11 5 l4 5 TO 11 17 TO 23 11 5 15 4 TO 11 16 TO 23 11 6 580 OF TYPE I LISTING. TOTAL OF 15 PATTERNS LOCATED. 147 44* TYPE II LISTING ‘** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 11 EXACT RHYTHM HITH TONAL CONTOUR (ORIGINAL) LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN (TRIGINAL PATTERN 4 TO 11 2 6 0:04: TEST 11 COMPLETED AT 107 SECONDS INTO EXECUTION **** 111m '11. 148 44*****#***** MUSIC MELODIC PATTERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 12 TEST REQUESTED 12 UNITS OF DATA PER CARD 12 CCMPUTER REFERENCE NUMBER ASSIGNMENT hJCTES 1 THROUGH 12 SO 0 62 61 62 0 52 0 64 62 64 O PJOTES 13 THROUGH 24 54 66 O 65 66 O 55 G 67 66 67 O PJOTES 25 THROUGH 25 -99 T145 FOLLOWING TYPES OF PATTERN 14VE BEEN DELETED FROM THE LISTINGS HHICH POLLOA -- PATTERNS WHICH ARE REITERAIIONS LONGER THAN FOUR NOTES’IN-LENGTH 1 7 9 m H l) H M n 17 y n_23 3 4 5 149 *9“ TYPE I LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 12 pATTERA NCTES RELATED TO NOTES TEST LENGTH 1 1 TO 4 19 TO 22 12 3 2 3 TO 5 21 TO 23 12 3 3 1 TO 5 19 TO 23 12 4 E50 OF TYPE I LISTING. TOTAL OF 3 PATTERNS LOCATED. I‘L' “u I}; 150 *** TYPE II LISTING 3”"! APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 12 EXACT RHYTPM HITH EXACT CONTOUR (ORIGINAL) LOCATION TOTAL LENGTH OF EIRST NUMBER OF UP OCCURRENCE OCCURRENCES PATTERN GR IE; INAL PATTERN 1 TO 5 2 4 tutti! TEST 12 COMPLETED AT 74 SECCNDS INTO EXECUTION **** 151 *tttttttttttfir MUSIC MELODIC PATTERN ANALYSIS #****#**#**** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 13 TEST REQUESTED 13 UNITS OF DATA PER CARD 12 COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 12 57 O 61 S9 61 0 59 U 55 57 55 0 NOT ES 13 THROUGH 24 58 54 O 56 54 O 55 J 52 54 52 0 25 THROUGH 25 NOT ES -99 THE FOLLONING TYPES OF PATTERN 44VE BEEN DELETED FROM T1-E LISTINGS WHICH FOLLO. ~- PATTERNS WHICH ARE REITERATIONS LONGER THAN FOUR NOTES-’IN-LENGTH PATTERNS WHICH LACK CHANGE-OF-DIRECTION 345 7 910" 1314/617 1‘! 2112 23 ... .1 I" 1 1 ‘kv 152 tilt TYPE I LISTING 9*“ APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 13 pATTERN NCTES RELATED TO NOTES TEST LENGTH 1 1 TO 4 7 TO 10 13 3 2 1 TO 4 19 TO 22 13 3 3 3 TO 5 9 TO 11 13 3 4 3 TO 5 21 TO 23 13 3 5 4 TO 7 16 TO 19 13 3 6 1 TO 5 7 TO 11 13 4 7 1 TO 5 19 TO 23 13 4 END OF TYPE I LISTING. TOTAL OF 7 PATTERNS LOCATED. 3m 153 *1"! TYPE II LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST I3 ExACT RHYTHM WITH TONAL INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURR ENCES PATTERN GR [GINAL PATTERN 1 TO 5 3 4 Ottt TEST 13 COMPLETED AT 77 SECCNDS INTO EXECUTION **** 154 ************* MUSIC MELODIC PATTERN ANALYSIS 4444444444444 APPENDIX A ANALYSIS OF MUSIC ExCERPT ILLUSTRATING TEST 14 TEST REQUESTED 14 UNITS OF DATA PER CARD 1! CCMPUTER REFERENCE NUMBER ASSIGNMENT NQTE S 1 THROUGH 12 57 o 61 59 61 0 59 J 55 57 55 0 NOTES 13 THROUGH 24 58 54 O 56 54 O 55 J 52 54 52 O 25 THROUGH 25 NOTES -99 THE FOLLOWING TYPES OF PATTERN iAVE BEEN DELETED FROM THE LISTINGS WHICH FOLLON -- PATTERNS WHICH ARE REITERATIONS LONGER THAN FOUR NOTES-IN-LENGTH I 3 4 5 7 110 H '3” I617 I? 1111 23 155 *** TYPE I LISTING *1”! QPFENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 1‘. pA‘TTERN NCTES RELATED TO NOTES TEST LENGTH 1 1 TO 4 7 TO 10 I4 3 2 3 TO 5 9 TO 11 14 3 3 3 TO 5 21 TD 23 14 3 4 I. TO 5 7 TO 11 14 4 E NO OF TYPE I LISTING. TOTAL OF 4 PATTERNS LOCATED. xl1 156 “It TYPE II LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 14 EXACT RHYTHM HITH EXACT INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN (RIGINAL PATTERN I TO 5 2 4 #25103. TEST I4 COMPLETED AT 74 SECONDS INTO EXECUTION **** mum H .H‘I‘ ‘. III/I ~ 157 *atzkttatauauttt MUSIC MELODIC PATTERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 15 TEST REQUESTED 15 UNITS OF DATA PER CARD lb COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 16 60 59 57 o 59 o 57 a 57 59 57 o 59 0 61 0 NOTES 17 THROUGH 32 596159 061 062 057 059 057 05960 NOTES 33 THROUGH 33 —99 THE FOLLOWING TYPES OF PATTERN HAVE BEEN DELETED F=R0M The LISTINGS WHICH FOLLO. ~- PATTERNS WHICH ARE REITER-II IONS LONGER THAN FCUR NOTES-IN-—LENGTH PATTERNS WHICH LACK CHANGE-OF-DIRECTIDN LISTING MAY INCLUDE SOME CROSS-REFERENCES TO STATEMENTS NOT PREVIOUSLY SHOWN. IGNORE THESE CROSS-REFERENCE STATEMENTS. '13 5’ 7 9w” :5 15 .77979 2! 1527 29 3737. In m m m 158 99* TYPE I LISTING ttt APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 15 pp‘TTERN NCTES RELATED TO NOTES TEST LENGTH 1 2 TO 5 10 TO 13 15 3 2 2 TO 5 18 TO 21 15 3 3 3 TO 7 21 TO 25 15 3 4 3 TO 7 25 TO 29 15 3 *Qt’ FOR 10 TO 13. SEE 2 TO 5 ABOVE **** ..:# FOR 18 TO 21. SEE 2 TO 5 ABOVE **** “.231! FOR 21 TO 25. SEE 3 TO 7 ABOVE **** .‘t‘ FCR 25 TO 29. SEE 3 TO 7 ABOVE **** 1 TO 7 9 TO 15 15 5 6 1 TO 7 17 TD 23 15 5 END OF TYPE I LISTING. TOTAL OF 6 PATTERNS LOCATED. ‘_—,- 159 It" TYPE 11 LISTING ”‘91" APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 15 ExACT RHYTHM WITH TONAL RETROGRADE LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURR ENCES PATTERN (RIGINAL PATTERN 1 TO 7 3 5 17*“ TEST 15 COMPLETED AT 117 SECONDS INTO EXECUTION **** 160 itithttttwktt MUSIC MELODIC PATTERN ANALYSIS ************* apPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 16 TEST REQUESTED 16 UNITS OF DATA PER CARD 16 CCMPUTER REFERENCE NUMBER ASSIGNMENT ~cTE$ 1 THROUGH 16 60 59 57 o 59 o 57 o 57 59 57 o 59 o 61 o NUTES 17 THROUGH 32 596159 061 062 057 059 057 05960 NOTES 33 THROUGH 33 ‘99 THE FOLLOWING TYPES OF PATTERN 4AVE BEEN OELETEO FROM THE LISTINGS HHICH FOLLOd -- PATTERNS WHICH ARE REITERAIIONS LONGER THAN FCUR NOTES-IN-LENGTH LISTING MAY INCLUDE SOME CROSS-(EFERENCES TO STATEMENTS NOT PREVIOUSLY SHOWN. IGNORE THESE CROSS-REFERENCE STATEMENTS. 7.5 27 29 37 32 -—"- APPENDIX A pp TTERN HMO- .Q” FUR ’Q“ FCR .Q” FOR UNN 10 25 161 99* TYPE I LISTING ‘ti ANALYSIS OF MUSIC EXCERPT NCTES TO TO T0 T0 T0 TO TO ILLUSTRATING TEST 16 RELATED TO NOTES 5 10 TO 13 5 18 TO 21 7 25 TO 29 13. SEE 2 TO 5 21. SEE 2 TO 5 299 SEE 3 TO 7 7 17 TO 23 EfiD OF TYPE I LISTING. TOTAL OF TEST LENGTH 16 16 16 ABOVE **** ABOVE **** ABOVE **** 16 WWW 4 PATTERNS LOCATED. ‘W 162 tilt TYPE II LISTING 9‘" APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 16 ExACT RHYTHM WITH EXACT RETROGRADE LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN cRIGINAL PATTERN 1 TO 7 2 5 tatt’P TEST 16 COMPLETED AT 115 SECONDS INTO EXECUTION **** ‘l-I-Jl III! HI I 163 *:*****9***** MUSIC MELODIC PATTERN ANALYSIS tnnnnuu APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 17 TEST REQUESTED 17 UNITS OF DATA PER CARD 10 COMPUTER REFERENCE NUMBER ASSIGNMENT NcTES 1 THROUGH 16 55 o 57 57 62 o 61 J 51 o 56 61 61 O 63 0 NC T55 17 THROUGH 32 5958636365 066055 0545858 0590 NOTES 33 THROUGH 33 -99 THE FOLLOWING TYPES OF PATTERN HAVE BEEN DELETED FRCM THE LISTINGS WHICH FOLLOJ ~- PATTERNS WHICH ARE REITERalIONS LONGER THAN FOUR NOTES-IN-LENGTH PATTERNS WHICH LACK CHANGE-DF-DIRECTION LISTING MAY INCLUDE SOME CROSS-{EFERENCES TO STATEMENTS NOT PREVIOUSLY SHOWN. IGNORE THESE CROSS-REFERENCE STATEMENTS. 1345 7q,,,2,3,5 7,9 [720 2123 2527252957 1N APPENDI X A PATTERN 1 2 0:" FOR :0 t" FOR 3 4 5 N7— bur-INUHOUUJ 164 *** TYPE I LISTING *¥* ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 17 NCTES RELATED TO NOTES TEST LENGTH 5 11 TO 13 17 3 5 27 TO 29 17 3 21. SEE 3 TO 5 ABOVE **** 28. SEE 9 TO 12 ABOVE #*** 12 13 TO 18 17 4 7 9 TO 15 17 5 7 25 TO 31 17 5 END OF TYPE I LISTING. TOTAL OF 5 PATTERNS LOCATED. 165 *** TYPE 11 LISTING *1.“ APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 17 EXACT RHYTHM WITH TONAL RET. INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 1 TO 7 3 5 .*99 TEST 17 COMPLETED AT 139 SECCNDS INTO EXECUTION **** 166 tttntttttttt MUSIC MELODIC PATTERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 18 TEST REQUESTED 18 UNITS OF DATA PER CARD 16 CCMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 16 55 0575762 06105? 35661610630 NOTES 17 THROUGH 32 59 58636365 066 355 0545858 059 0 NOTES 33 THROUGH 33 ‘99 THE FOLLOHING TYPES OF PATTERN iAVE BEEN DELETED FROM THE LISTINGS WHICH FOLLOd -- PATTERNS WHICH ARE REITERAIIONS LONGER THAN FCUR NOTES-IN‘LENGTH LISTING MAY INCLUDE SOME CROSS-{EFERENCES TO STATEMENTS NOT PREVIOUSLY SHOWN. IGNORE THESE CROSS-REFERENCE STATEMENTS. ’3457 94,205,,” ,1ch 2723 3327252757 167 *‘P TYPE I LISTING *** lpPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 18 PATTERN NCTES RELATED TO NOTES TEST LENGTH 1 3 TO 5 11 TO 13 18 3 2 1 TD 7 9 TO 15 18 5 END OF TYPE I LISTING. TOTAL OF 2 PATTERNS LOCATED. 168 9*: TYPE II LISTING it: 4PPENOIx A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 18 EXACT RHYTHM WITH EXACT RET. INVERSION LOCATION TOTAL LENGTH CF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 1 TO 7 2 5 0*** TEST 18 COMPLETED AT 120 SECONDS INTO EXECUTION ***# \\\\N\ 169 “MA-nun“ MUSIC MELODIC PATTERN ANALYSIS "uni-"Mu APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 19 TEST REQUESTED 19 UNITS OF DATA PER CARD 16 COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 16 57 0 0 0 0 055 0545557 055 05452 NOTES 17 THROUGH 32 62 0 0 0 0 060 3596162 061 35957 NCTES 33 THROUGH 48 595756 057 0595755 05430000 NOTES 49 THROUGH 64 555352 054 0555352 053 3 0 9 0 0 NOTES 65 THROUGH 65 '99 THE FOLLOWING TYPES OF PATTERN NAVE BEEN DELETED FROM THE LISTINGS WHICH FOLLOa -- PATTERNS WHICH ARE REITERAI IONS LONGER THAN FOUR NOTES-IN’LENGTH PATTERNS WHICH LACK CHANGE’OF-DIRECTION 'SYM' DESIGNATES NONRETROGRADABLE (I.E.o SYMMETRICALI RHYTHM. LISTI NG MAY INCLUDE SOME CROSS-REFERENCES TO STATEMENTS NOT PREVIOUSLY SHOWN. IGNORE THESE CROSS-REFERENCE STATEMENTS. 7 910:! 73.4 lb '7 z} 25:5."27 373135)} 55 37 394047-75 41505153555657 57 I. L 1 I 1 1 1 1 1 ' F— ; l, J L] 11 L 1 —' ' I I T I I 4: L l I ‘1; \ V ‘1 "‘51 ‘lt‘l in: 1m Nu NIT 170 :9: TYPE I LISTING ttt APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 19 PATTERN NCTES RELATED TO NOTES TEST LENGTH 1 7 TO 11 ISYM) 23 TO 27 19 4 2 9 TO 13 35 TO 40 19 4 3 9 TO 13 51 TO 56 19 4 4 10 TO 15 ISYM) 26 TO 31 19 4 5 15 TO 23 41 TO 50 19 4 it'll FOR 23 TO 27. SEE 7 TO 11 ABOVE **** mum FOR 26 TO 31. SEE 10 TO 15 ABOVE AWN.“ 99“" FOR 35 TO 40. SEE 9 TO 13 ABOVE **** it!” FOR 41 TO 50. SEE 15 TO 23 ABOVE **** 6 7 TO 15 34 TO 41 19 6 7 7 TO 15 50 TO 57 19 6 8 9 TO 16 ISYM) 25 TO 32 19 6 9 13 TO 25 40 TO 51 19 6 10 13 TO 25 40 TO 51 19 6 #810”. FOR 25 TO 32. SEE 9 TO 16 ABOVE **** 0“”. FCR 34 TO 41. SEE 7 TO 15 ABOVE t*** ##1## FOR 40 TO 51. SEE 13 TO 25 ABOVE *‘NW 11 1 TO 16 33 TO 43 19 B 12 1 T0 16 49 TD 59 19 8 13 11 TO 26 39 TO 53 19 8 14 11 TO 26 39 TO 53 19 8 l 5 10 TO 27 37 TO 55 19 10 16 9 TO 29 35 TO 56 19 12 I 7 7 TO 31 34 TD 57 19 14 1 8 1 TO 32 33 TO 59 19 16 END OF TYPE I LISTING. TOTAL OF 18 PATTERNS LOCATED. 171 "'1' TYPE II LISTING 9‘“ APPENDIX A ANALYSIS OF MUSIC ExCERPT ILLUSTRATING TEST I9 RHYTHM RETROGRADE W.TONAL CONTOUR IORIGINALI LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 1 TO 32 2 16 it!!! TEST 19 COMPLETED AT 37? SECONDS INTO EXECUTION *ttt 172 Nuttttttnt MUSIC MELODIC PAIIERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 20 TEST REQUESTED 20 UNITS OF DATA PER CARD 16 CCMPUTER REFERENCE NUMBER ASSIGNMENT NCTES 1 THROUGH 16 57 0 0 0 0 055 0545557 055 05452 NOTES 17 THROUGH 32 62 0 0 0 0 060 0596162 36105957 NOTES 33 THROUGH 48 595756057 0595756 05400000 NOTES 49 THROUGH 64 555352054 0555352 05000000 NCTES 65 THROUGH 65 -99 THE FOLLOWING TYPES OF PATTERN iAVE BEEN DELETED FRCM THE LISTINGS WHICH FOLLOd -- PATTERNS WHICH ARE REITERaIIONS LONGER THAN FCUR NOTES-IN-LENGTH 'SYM' DESIGNATES NDNRETROGRADABLE (I.E.c SYMMETRICALI RHYTHM. LISTING MAY INCLUDE SOME CROSS-REFERENCES TO STATEMENTS NOT PREVIOUSLY SHOWN. IGNORE THESE CRJSS-REFERENCE STA T EMENTS. ’ 7 9101/7315 Io !7 z} 2335 2721 313175}? 55 37 394047-15 «r1505! 53555657 5‘7 4 LL :24 =5: 71— ) . F— LI ET I j _1 % ‘1 11 l U U ‘: Ha '7’: . III "I APPENDIX PATTERN l at." FOR 2 166:” FOR 3 A 173 #9: TYPE I LISTING ##t ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 20 NOTES T0 T0 T0 TC TO RELATED TO 13 35 409 SEE 9 15 34 41. SEE 7 16 33 END OF TYPE I LISTING. TOTAL OF NOT TO TO T0 T0 T0 ES TEST LENGTH 40 20 4 l3 ABOVE **** 41 20 6 15 ABOVE **** 43 20 8 3 PATTERNS LOCATED. u fr! 174 1H“? TYPE II LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 20 RHYTHM RETROGRADE HoEXACT CONTOUR (ORIGINAL! LOCATION TOTAL LENGTh OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN ORIGINAL PATTERN 1 TO 16 2 B It‘ll”! TEST 20 COMPLETED AT [72 SECONDS INTO EXECUTION **** 175 *ttuuuuu MUSIC MELODIC PATTERN ANALYSIS *HMMHMM APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 21 TEST REQUESTED 21 UNITS OF DATA PER CARD 16 CCMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 16 62 0 06267 06562646162 964 06455 NOTES 17 THROUGH 32 576059064620362 062575906260 NOTES 33 THROUGH 48 63 0 06260 06055 57 6058 06160 0 0 NOTES 49 THROUGH 49 -99 ‘T’fits FOLLOHING TYPES OF PATTERN 4AVE BEEN DELETED FROM Tl-E LISTINGS HHICH FOLLoc -- PATTERNS WHICH ARE REITER-LTIONS LONGER THAN FOUR NOTES-IN-LENGTH PATTERNS WHICH LACK CHANGE-OF-DIRECTION SVM' DESIGNATES NONReTRDGRAOABLE (1.5.. SYMMETRICAL) RHYTHM. L‘ 17:5TING MAY INCLUDE SOME CROSS-&EFERENCES T0 STATEMENTS 'NGT PREVIOUSLY SHONN. IGNORE THESE Gauss-REFERENCE :STATENENTS. I 4 5 76 410.1:J/5Toflra/9 2.2125 271821313233 36 57 3940411243 45 46 176 *‘N' TYPE I LISTING *** APPENDIX A ANALYSIS OF HUSIC EXCERPT ILLUSTRATING TEST 21 PATTERN NCTES RELATED TC NOTES TEST LENGTH 1 4 TO 7 (SYMT 18 TO 21 21 3 2 4 TO 7 (SYN) 42 TO 45 21 3 ###t FOR 15 TO 17. SEE 7 TO 9 ABOVE NH" tart: PCB 39 T0 41. SEE 7 T0 9 ABOVE WNW 3 4 TO 8 27 TO 31 21 4 4 5 T0 9 16 TO 19 21 4 5 5 TO 9 40 TO 43 21 4 6 4 TO 10 15 TO 21 21 6 7 4 T0 10 39 TO 45 21 6 8 1 TO 11 13 TO 22 21 8 9 1 T0 11 37 TO 46 21 8 EAD OF TYPE 1 LISTING. TOTAL OF 9 PATTERNS LOCATED. 177 *‘W TYPE II LISTING INN! APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 2]. RHYTHM RETROGRADE HoTONAL INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN ORIGINAL PATTERN 1 TC 11 3 8 101:!!! TEST 21 COMPLETED AT 223 SECONDS INTC EXECUTION **** 178 *******¢***** MUSIC MELODIC PATTERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 22 TEST REQUESTED 22 UAITS OF DATA PER CARD 16 CCMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 16 62 0 06267 06562 646162 364 06455 NOTES 17 THROUGH 32 576059 064620362 0625759 06260 NOTES 33 THROUGH 48 63 0 06260 06055 57 6058 06160 O 0 NOTES 49 THROUGH 49 -99 THE FOLLOWING TYPES OF PATTERN «we BEEN DELETED FROM THE LISTINGS WHICH FOLLOd -- PATTERNS WHICH ARE REITcRaTIONS LONGER THAN FCUR NOTES-IN-LENGTH SVM' DESIGNATES NONRETROGRADABLE (I.E.o SYMMETRICALI RHYTHM. k I STING MAY INCLUDE SOME CROSS-{:FERENCES TO STATEMENTS NOT PREVIOUSLY SHOWN. IGNORE THESE CSOSS-REFERENCE STATEMENTS. 4' 5 " 6' 'I/PII 1115:. .rm :7 2.2225 27282931123335 :7 59404112 43 45 46 179 ... TYPE I LISTING ... APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 22 PATTERN NOTES RELATED TO NOTES TEST LENGTH 1 4 TO 8 27 TO 31 22 4 2 5 TO 9 40 TD 43 22 4 3 4 TD 10 39 TO 45 22 6 4 I. TO 11 37 TO 46 22 8 END OF TYPE I LISTING. TOTAL OF 4 PATTERNS LOCATED. 180 ... TYPE II LISTING ... APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 22 Rl-YTHM RETRCGRADE W.EXACT INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN ORIGINAL PATTERN 1 TO 11 2 8 "WP TEST 22 COMPLETED AT 215 SECONDS INTO EXECUTION WNW KN . \\\\\ 181 twat-Hunt“ MUSIC MELODIC PATTERN ANALYSIS Mtuwwww AIPPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 23 TEST REQUESTED 23 UNITS OF DATA PER CARD 16 COMPUTER REFERENCE NUMBER ASSIGNMENT PVCTES 1 THROUGH 16 57 59 67 D 66 61 62 0 62 0 0 63 60 62 O 0 FJOTES 17 THROUGH 32 62 0 57 66 67 D 62 61 57 0 59 59 58 63 64 0 hUOTES 33 THROUGH 48 56 0 0 54 55 57 0 0 51 0 56 61 62 O 54 52 FUCJTES 49 THROUGH 49 -99 THE FOLLOWING TYPES OF PATTERN HAVE BEEN DELETED FROM THE LISTINGS WHICH FOLLOd -- PATTERNS WHICH ARE REITERATIONS LONGER THAN FCUR NOTES‘IN-LENGTH PATTERNS WHICH LACK CHANGE-OF-DIRECTION SVM' DESIGNATES NDNRETRDGRAJADLE (I.E.. SYMMETRICAL) RHYTHM. . 2 3 s . . 4 no» "1420213) 14 2517182450.“ 53.45738 4: IMAM-1148 - 1 mg? Hg r ' ' TITLE # .1 ‘ Y T y r T fi L 1 A 4 1 1 1| 4» _r I I 182 ... TYPE I LISTING ttt APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 23 TxATTERN NCTES RELATED TO NDTES TEST LENGTH 1 2 TO 5 ISYM) 20 TD 23 23 3 2 2 TO 5 ISYMI 44 TD 47 23 3 3 5 TO 7 17 TO 20 23 3 4 5 TO 7 41 TD 44 23 3 5 6 TO 9 14 TD 19 23 3 6 6 TO 9 38 TD 43 23 3 7 7 To 12 13 TD 17 23 3 8 7 TO 12 37 TD 41 23 3 .46.: FOR 20 TO 23. SEE 2 TO 5 ABOVE an 9 1 TO 5 20 TO 24 23 4 18 1 TO 5 44 TD 48 23 4 1.1 2 TO 6 19 TO 23 23 4 12 2 TD 6 43 TO 47 23 4 1 3 3 TO 7 ISYMI 17 TO 21 23 4 1.4 3 TO 7 ISYMI 41 TD 45 23 4 71.5 5 TO 9 14 TD 20 23 4 16 5 TO 9 38 TD 44 23 4 1 7 6 TD 12 13 TD 19 23 4 .1.Ea 6 TO 12 37 TD 43 23 4 *‘ttfl- FOR 19 TO 23. SEE 1 TD 5 ABOVE "u *‘Uht FOR 20 TO 24. SEE 2 TD 6 ABOVE nu 1 9 1 TO 6 (SYM) 19 TD 24 23 5 :2 <3 1 TO 6 ISYMI 43 TO 48 23 5 2? 11 2 TO 7 17 TO 23 23 5 22.;2 2 TO 7 41 TD 47 23 5 2 3 3 TO 9 14 TO 21 23 5 2 <- 3 TO 9 38 TO 45 23 s 2 s 5 TO 12 13 TD 20 23 s ".26. 5 TO 12 37 TO 44 23 5 " FOR 19 TO 24. SEE 1 TO 6 ABOVE nu E 7 1 TO 7 17 TO 24 23 6 ‘ {3' 1 TO 7 41 TO 48 23 6 29 2 TO 9 14 TO 23 23 6 13‘) 2 TO 9 38 TO 47 23 6 3;: 3 TO 12 13 TD 21 23 6 ,3; 3 TO 12 37 TO 45 23 6 3‘3 1 TO 9 14 TO 24 23 7 353 1 TO 9 38 TD 48 23 7 35. 2 TO 12 13 TO 23 23 7 37 2 TO 12 37 TD 47 23 7 38 1 TO 12 13 TO 24 23 8 1 TO 12 37 TD 48 23 8 183 PATTERN NCTES RELATED TO NOTES TEST LENGTH ENC OF TYPE I LISTING. TOTAL OF 38 PATTERNS LOCATED. Lav ” 184 ’1'" TYPE II LISTING *9”? APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 23 RHYTHM RETROGRADE W.TONAL RETROGRADE LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CPIGINAL PATTERN 1 TO 12 3 8 16:01.13: TEST 23 COMPLETED AT 146 SECONDS INTO EXECUTION **** 185 ##ttttttttttt MUSIC MELODIC PATTERN ANALYSIS ************* APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 24 TEST REQUESTED 24 UNITS OF DATA PER CARD Lb CCMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 16 575967 0666162 0620060606200 NOTES 17 THROUGH 32 62 05766676261057 059595863640 NOTES 33 THROUGH 48 56005455570057 056616205452 NCTE S 49 THROUGH 49 -99 THE FOLLOWING TYPES OF PATTERN «IVE BEEN DELETED FR OM THE LISTINGS WHICH FOLLOVI -- PATTERNS WHICH ARE REITER-ITIONS LONGER THAN FCUR NOTES-'IN-LENGTH 'SYH ' DESIGNATES NONRETROGRADABLE II.E.. SYMMETRICALI RHYTHM. ' 2 3 5 7 V I) 7.9M 171120112) 14 15 2718 2450.11.53 56.1758 “1 4.59445 4149 f I" 186 ‘4" TYPE I LISTING ‘NW APPENDIX A ANALYSIS OF NUSIC EXCERPT ILLUSTRATING TEST 24 PATTERN NCTES RELATED TO NOTES TEST LENGTH l 1 TO 3 45 TO 48 24 3 2 2 T0 5 (SYN) 44 TO 47 24 3 3 3 TO 6 29 TO 31 24 3 4 3 TO 6 43 TO 45 24 3 5 5 TO 7 41 TO 44 24 3 6 6 TO 9 38 TO 43 24 3 7 7 TO 12 13 TO 17 24 3 8 7 TO 12 37 TO 41 24 3 9 1 T0 5 44 TO 48 24 4 10 2 TO 6 43 TO 47 24 4 11 3 TO 7 (SYN) 41 TO 45 24 4 12 5 TO 9 38 TO 44 24 4 l3 6 T0 12 37 TO 43 24 4 l4 1 TO 6 (SYN) 43 TO 48 24 5 15 2 TO 7 41 TO 47 24 5 1 6 3 TD 9 38 TO 45 24 5 1 7 5 TO 12 37 TO 44 24 5 l 8 1 T0 7 41 TO 48 24 6 1 9 2 TO 9 38 T0 47 24 6 2 (J 3 TO 12 37 TO 45 24 6 2 l 1 TO 9 38 TO 48 24 7 22 2 TO 12 37 TO 47 24 7 2 3 1 TO 12 37 TO 48 24 8 no as TYPE I LISTING. TOTAL OF 23 PATTERNS LOCATED. " w... 187 ’0‘“? TYPE 11 LISTING ‘HNI APPENDIX A ANALYSIS OF NUSIC EXCERPT ILLUSTRATING TEST 24 RHYTHM RETROGRADE HoEXACT RETROGRADE LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 1 TO 12 2 8 tit! TEST 24 COMPLETED AT 140 SECONDS INTO EXECUTION **** 188 *tttutuuu MUSIC MELODIC PATTERN ANALYSIS *uuunnu APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 25 TEST REQUESTED 25 UNITS OF DATA PER CARD 12 COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 12 S4 0 0 59 57 57 55 J 64 62 62 0 NOTES 13 THROUGH 24 59 0 59 54 64 0 62 62 61 64 0 0 NOTES 25 THROUGH 36 62 62 60 69 67 67 65 J 0 70 0 0 NOTES 37 THROUGH 48 59 0 59 57 66 0 64 6% 62 67 0 9 NOTES 49 THROUGH 49 -—99 THE FOLLONING TYPES OF PATTERN HAVE BEEN DELETED I: R ON THE LISTINGS NHICH FOLLON -- PATTERNS WHICH ARE REITERAIIONS LJNGER THAN FOUR NOTES-IN-LENGTH PATTERNS HHICH LACK CHANGE'OF-DIRECTION 'SYM ' DESIGNATES NONRETROGRADABLE (1.5.. SYNMETRICAL) RHYTHM. ’ A 5 6 1 4 to u 13151511195212: 32‘1”!!!” J! u 37 31404109144546 bf 189 it. TYPE I LISTING ‘9'" APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 25 pATTERN NOTES RELATED TO NOTES TEST LENGTH 1 1 TO 5 20 TO 22 25 3 2 1 TO 5 44 TO 46 25 3 3 4 TO 6 (SYN) 19 TD 21 25 3 4 4 TO 6 (SYN) 25 TO 21 25 3 5 4 TO 6 (SYN) 43 TD 45 25 3 6 5 10A 1 11 TD 20 25 3 1 5 TO 1 41 TO 44 25 3 a 6 TO 9 (SYN) 16 TD 19 25 3 9 6 TD 9 (SYN) 40 To 43 25 3 10 1 TO 10 15 TD 11 25 3 11 1 TO 10 39 TO 41 25 3 12 9 TO 11 13 TO 16 25 3 13 9 TO 11 31 TD 40 25 3 14 19 TO 21 (SYN) 23 TO 30 25 3 15 22 TO 26 29 TD 31 25 3 ‘tt: FOR 25 TO 21. SEE 19 TO 21 ABOVE «4* .ton FOR 28 TO 30. SEE 4 To 6 ABOVE an 16 1 TO 6 19 TO 22 25 4 11 1 TO 6 43 TO 46 25 4 18 4 TO 1 11 TO 21 25 4 19 4 TO 1 41 TO 45 25 4 2 o 5 TO 9 16 To 20 25 4 2 1 5 TO 9 40 TD 44 25 4 2 2 6 TO 10 15 TO 19 25 4 23 6 TO 10 39 TO 43 25 4 24 1 TO 11 TSYHI 13 TO 11 25 4 2 s 1 TO 11 TSYHI 31 TO 41 25 4 26 22 TO 21 28 TD 31 25 4 2 7 1 TO 1 11 TO 22 25 5 2 a 1 TO 1 41 To 46 25 5 2 9 4 TO 9 16 TO 21 25 5 3 O 4 TO 9 40 TO 45 25 5 3 1 5 TO 10 TSYHT 15 TO 20 25 5 3 2 5 TO 10 TSYMI 39 TD 44 25 5 3 3 6 TO 11 13 TO 19 25 5 g ‘3 6 TO 11 31 TO 43 25 5 3 s 1 TO 9 16 TO 22 25 6 3 6 1 TO 9 40 TO 46 25 6 37 4 TO 10 15 TO 21 25 6 33 4 TO 10 39 TO 45 25 6 ‘ 5 TO 11 13 TO 20 25 6 ‘0 5 TO 11 31 To 44 25 6 2.; 1 TO 10 15 TO 22 25 1 «3 1 To 10 39 TD 46 25 1 4 TO 11 13 TD 21 25 7 190 PATTERN NOTES RELATED TO NOTES TEST LENGTH 44 4 TO 11 37 TO 45 25 7 45 1 T0 11 13 TO 22 25 8 46 1 TO 11 37 TO 46 25 8 END OF TYPE I LISTING. TOTAL OF 46 PATTERNS LOCATED. 191 4" TYPE II LISTING *‘u' APPENDIX A ANALYSIS OF NUSIC EXCERPT ILLUSTRATING TEST 25 RHYTHM RETROGRADE N.TONAL RET. INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN ORIGINAL PATTERN 1 TO 11 3 8 4.2: TEST 25 CONPLETED AT 148 SECONDS INTO EXECUTION #444 192 4444444444444 MUSIC MELODIC PATTERN ANALYSIS 4444444444444 APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 26 TEST REQUESTED 26 UNITS OF DATA PER CARD 12 COMPUTER REFERENCE NUMBER ASSIGNMENT NO TES 1 THROUGH 12 54 0 0 59 57 57 55 J 64 62 62 0 NOTES 13 THROUGH 24 59 0595464 062626164 0 0 NOTES 25 THROUGH 36 62 62 60 69 67 67 65 0 0 70 0 0 NOTES 31 THROUGH 48 59 0595166 064 64 6261 o 0 NOTES 49 THROUGH 49 ~99 THE POLLOHING TYPES OF PATTERN «AVE BEEN DELETED F ROM THE LISTINGS HHIcH FOLLDII -- PATTERNS WHICH ARE REITERdTIONS LONGER THAN FCUR NOTES-IN-LENGTH ' SYH' DESIGNATES NDNRETROGRADABLE (I.E.. SYMMETRIGALI RHYTHM. ' 4 5 6 ‘7 9 IO N IJIIIOHIYflZl 21 51617238” J! 30 37 31404193441546 bf 193 ##t TYPE I LISTING *** APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 26 PATTERN NOTES RELATED TO NDTES TEST LENGTH 1 1 TO 5 44 TO 46 26 3 2 4 TO 6 ISYHI 25 TO 21 26 3 3 4 TO 6 ISYHI 43 TO 45 26 3 4 5 TO 7 11 TO 20 26 3 5 5 TO 1 41 TO 44 26 3 6 6 TO 9 ISYMI 40 TO 43 26 3 1 1 TO 10 39 TD 41 26 3 8 9 TO 11 31 TO 40 26 3 9 22 TO 26 29 TO 31 26 3 10 25 TO 21 ISYHI 28 TO 30 26 3 4.... FOR 28 TO 30. SEE 4 TO 6 ABOVE 4444 11 1 TO 6 43 TO 46 26 4 12 4 TO 1 41 TO 45 26 4 13 5 TO 9 40 TO 44 26 4 14 6 TO 10 39 TO 43 26 4 15 1 TO 11 ISYHI 31 TO 41 26 4 16 22 TO 21 28 TO 31 26 4 11 1 TO 1 41 TO 46 26 5 18 4 TO 9 40 TO 45 26 5 .19 5 TO 10 (SYHI 39 TO 44 26 5 20 6 TO 11 31 TO 43 26 5 21 1 TO 9 40 TO 46 26 6 :22 4 TO 10 39 TO 45 26 6 :23 5 TO 11 31 TO 44 26 6 :24 1 TO 10 39 TO 46 26 1 :25 4 TO 11 31 TO 45 26 1 :26 1 TO 11 31 TO 46 26 8 '5 No OF TYPE 1 LISTING. TOTAL OF 26 PATTERNS LOCATED. 194 “It TYPE II LISTING 4“ APPENDIX A ANALYSIS OF MUSIC EXCERPT ILLUSTRATING TEST 26 RHYTHM RETROGRADE H.EXACT RET. INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN ORIGINAL PATTERN 1 TO 11 2 8 42:04 TEST 26 COMPLETED AT 142 SECONDS INTO EXECUTION 4444 APPENDIX B Computer Output for Analyses of Works by Varése, Dunstable, and Hindemith As was stated earlier in the thesis, each pattern-statement 8flown in this Appendix designates two specific melodic excerpts Each IWillem display a previously defined musical relationship. Sthatement describes a Specific musical relationship; the statements were not intended to provide the reader with any type of collective S‘J-‘lil'unary of the music excerpt under analysis. The reader must refer to the appropriate musical score anluded with this Appendix when using the different pattern L:Lsts; the lists cannot be used effectively without reference to the associated score. The reader may wish to review pp. 70 to 79 before examining this Appendix. APPENDIX B TABLE OF CONTENTS Page Anualyses of Density 21.5 for solo flute by Edgard Varése Musical score with computer-assigned reference numbers shown . . . . . . . . . . . . . . . . . . . . . 197 Test 1 . . . . . . . . . . . . . . . . . . . . . . . . . . 202 Test 2 . . . . . . . . . . . . . . . . . . . . . . . . . . 251 Test 3 . . . . . . . . . . . . . . . . . . . . . . . . . . 273 Test 4 . . . . . . . . . . . . . . . . . . . . . . . . . . 319 Test 5 . . . . . . . . . . . . . . . . . . . . . . . . . . 333 Test 6 . . . . . . . . . . . . . . . . . . . . . . . . . . 381 Test 7 . . . . . . . . . . . . . . . . . . . . . . . . . . 397 Test 8 O O O O O 0 O Q 0 O O O O O O O 0 O O I O O O O 0 O 442 A‘18»:'_)'ses of motet "Veni Sancte Spiritus" by John Dunstable Musical score with computer-assigned reference numbers used for Test 5 and 13. . . . . . . . . . . . . 458 TBSC 5 o o o o o o o o o o o o o o o . o o o o o o o o a o 463 Test 13. . . . . . . . . . . . . . . . . . . . . . . . . . 536 MUsical score with computer-assigned reference numbers used for Test 12. . . . . . . . . . . . . . . . 556 Test 12. . . . . . . . . . . . . . . . . . . . . . . . . . 561 Ana lyses of "Fuga nona in B-flat" from Ludis Tonalis by Paul Hindemith Test 0, complete. . . . . . . . . . . . . . . . . . . . . 587 Masical score with computer-assigned reference nmnbers for bottom-sounding voice only. . . . . . . . . 591 195 196 Appendix B, Table of Contents (continued). Page Test 2, bottom-sounding voice only . . . . . . . . . . . . . . 597 Test 6, bottom-sounding voice only . . . . . . . . . . . . . . 637 Test 12, bottom-sounding voice only. . . . . . . . . . . . . . 670 Test 14, bottom-sounding voice only. . . . . . . . . . . . . . 701 Test 24, bottom-sounding voice only. . . . . . . . . . . . . . 729 Test 26, bottom-sounding voice only. . . . . . . . . . . . . . 747 .mmeSO unwfiuxaou ..auoo wcfinmaanzm Dawns oamumaoo mo mmmuuaoo \ .8414. . 6...... 5. “HI... .6415.»H _ N J NH W a h u E 1‘ h ( (III‘ IE“ I\ rIHL 3 6n mash on .33 mm uh Roar.“ a.“ 2“ SN T . L N H Tnlm 4 anLflmwm w rulL... / _LflTrIIIL /T\Lf ..L.L FM.\ 1 mu 3 R «a a a 2 2 t e at 2 a. = 3 v Q s. 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A A 4 4 O. a fi .fls “fix 3‘ .d. a‘ i: O“ k: 0: fl: 9: \ «9 R. on. .2 n! «2.5 R 200 w w [H + H 1H u ufiAx..un\.HA/‘.W{I\I..A\.FIFL FINIIL 5 Ra an." in «nu «ma Bu o3 SN «aw h: «n “Nu Sn In.“ .& DIIIH‘ .. II n. «P a: u u at; ufiumwww 6°” ( (' ((- g a ll.‘ A y .mlmlLb 83 r ANN A~N 3N 3N SN .9.“ has in 2N tn - P .9. m» J‘ _n w w wtwrflfl _+ F ¢l\ u w u “tau " n¢(¢3.n o h. A AA ((A Armin—Q flu a.“ =« $333 +9" MQN NON .8 9.“ HM; _ . 1 . L m . M Jr ‘ ‘ 9 [IL as » fl HA ( 5 8:2 at a! .9: a! «2 E 8. m! a? 8‘ «3 max *2 a: N9 201 A In so“ 11"“ A A W m m £2”me 111V 4. H 1‘ T4" ! m". m" In Q3 .G HJ miAL < 3N now .3.“ 3n 3;!“ Swhmuduhfl manna sun «rN hQN :N Mtfi N¢u :‘N 9% van can EN an wed crfl he." *****#**#**** EDGARD VARESE TEST REQUESTED UNITS OF COMPUTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 15 55 54 56 51 56 51 NOTES 16 THROUGH 30 56 54 51 57 51 57 NOTES 31 THROUGH 45 63 62 63 62 63 62 NOTES 46 THROUGH 60 59 65 71 59 72 7a NOTES 61 THROUGH 75 56 81 61 6o 61 61 NCTES 76 THROUGH 90 74 75 74 75 74 75 NOTES 91 THROUGH 105 59 6o 61 59 6o 74 NOTES 106 THROUGH 120 51 54 64 51 64 51 N0TES 121 THROUGH 135 67 81 so 68 61 so ”05155 136 THROUGH 150 9 54 6o 70 73 83 ”DES 151 THROUGH 165 80 33 80 73 83 NO {:55 1 66 THROUGH 180 74 65 74 65 NOT e55 l.£31 THROUGH 195 6‘3 65 63 65 61 202 DATA PER CARD 57 59 63 66 59 74 75 52 68 73 73 65 56 15 55 bu 62 65 61 75 74 58 67 Bu 8d 64 5'2 54 57 64 67 58 74 74 54 67 83 83 65 57 56 6D 70 65 61 75 74 58 57 80 80 63 56 MUSIC MELJDIC PATTERN ANALYSIS 57 57 64 67 75 74 54 52 68 73 83 65 55 ****#******** DENSITY 21.5 FOR SOL) FLUTE 51 60 58 65 74 76 51 65 69 83 80 64 57 57 62 64 66 75 61 54 81 56 73 83 63 55 56 63 7D 68 74 60 51 80 57 80 80 65 56 57 62 53 55 75 61 51 68 58 83 83 63 57 203 NOTES 196 THROUGH 210 56 55 57 52 58 59 66 72 75 9D 85 88 NOTES 211 THROUGH 225 85 88 85 85 88 85 88 85 88 88 58 58 NOTES 226 THROUGH 24D 74 68 67 74 68 67 74 6d 67 74 54 52 NOTES 241 THROUGH 255 54 56 57 54 57 71 6D 54 60 53 54 64 NOTES 256 THROUGH 265 50 54 6D 64 68 75 77 7d 85 -99 THE FOLLOhING TYPES OF PATTERN HAVE BEEN DELETED FROM TFE LISTINGS WHICH FOLLOH ~- PATTERNS WHICH ARE REITEPATIONS LONGER THAN FCUR NDTES-IN-LENGTH PATTERNS WHICH LACK CHANGE-DF-DIRECTION 85 58 51 54 88 59 54 50 88 57 51 64 204 EDGARD VARESE DENSITY 21.5 FOR SOL) FLUTE ASCENDING AND DESCENDING INTERVALS* (INCLUDING ENHARMDNIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OOGURRENGE MINOR 2 75 23.52 MAJOR 2 32 12.17 MINOR 3 42 15.97 MAJOR 3 a 3.04 PERF. 4 7 2.66 TRITONE 27 10.27 PERF. 5 12 4.56 MINOR 6 0 0.0 MAJOR 6 3 1.14 MINOR 7 13 4.94 MAJOR 7 2 0.76 OGTAVE 5 1.90 MINOR 9 a 3.04 MAJOR 9 6 2.28 MINOR 10 2 0.76 MAJOR 10 1 0.38 PERF. 11 2 0.76 CCMP. TT 0 0.0 PERF. 12 o 0.0 MINOR 13 3 1.14 MAJOR 13 0 0.0 MINOR 14 0 0.0 MANOR 14 o 0.0 THU OCT. 0 0.0 UNISON 13 4.94 INTERVALS 2 0.76 EXCEEOING THO OCTAVES 263 INTERVALS COUNTED * ”MUD I NG UNISONS 205 EDGARD VARESE DENSITY 21.5 FOR SOLD FLUTE ASCEADING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE IIIMZR 2 37 27.82 MAJOR 2 19 14.29 HNCR 3 23 17.29 MAJOR 3 S 3.76 PERF. 4 1 0.75 TRITONE 18 13.53 PERF. 5 9 6.77 MINOR 6 O 0.0 MAJOR 6 1 0.75 MINOR 7 6 4.51 MAJOR 7 1 0.75 CCIAVE 0 0.0 MINOR 9 4 3.01 MJOR 9 5 3.76 MINOR 10 1 0.75 MAJOR 1C 1 0.75 PERF. 11 1 0.75 CCMP. TT 0 0.0 PERF. 12 O 0.0 FINCR 13 0 0.0 HJOR 13 0 0.0 MINOR 14 0 0.0 MJCR 14 O 0.0 THC OCT. 0 0.0 INTERVALS 1 0.75 FXCEEDING THO OCTAvss 133 ASCENDING INTERVALS COUNTED 206 EDGARD VARESE DENSITY 21.5 FOR SOLD FLUTE DESCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE NINCR 2 38 37.48 RAJOR 2 13 11.11 MINOR 3 19 16.24 MAJOR 3 3 2.56 PERF. 4 6 5.13 TRITCNE 9 7.69 PERF. 5 3 2.56 MINOR 6 0 0.0 RAJOR 6 2 1.71 MINOR 7 7 5.98 RAJOR 7 1 0.85 OCTAVE 5 4.27 MINOR 9 4 3.42 MAJOR 9 1 0.85 MINOR 10 1 0.85 NJDR 10 0 0.0 PERF. 11 1 0.85 COMP. TT 0 0.0 PERF. 12 0 0.0 FINOR 13 3 2.56 "AJOR 13 0 0.0 FIACR 14 0 0.0 FAJOR 14 0 0.0 we OCT. 0 0.0 INTERVALS 1 0.85 FXCEECING THO OCTAves 117 DESCENDING INTERVALS COUNTED 207 ¥*¢ TYPE I LISTING #44 ECGARD VARESE DENSITY 21.5 FOR SOLO FLUTE SEARCH FOR PATTERNS OF 3 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINAL! HAS BEGUN AT 28 SECONDS INTO EXECUTION. RATTERN NOTES RELATED TO NOTES TEST LENGTH 1 1 TO 3 3 TO 5 1 3 2 1 TO 3 5 TO 7 1 3 3 1 TO 3 6 TO 10 1 3 4 1 TO 3 11 T0 13 1 3 5 1 TO 3 13 TO 15 1 3 6 1 TO 3 17 TO 19 1 3 7 1 TO 3 19 TO 21 1 3 6 1 T0 3 23 TO 25 1 3 9 1 TO 3 25 TO 27 1 3 10 1 T0 3 29 TO 31 1 3 11 1 IO 3 31 TO 33 1 3 12 1 TO 3 33 TO 35 1 3 13 1 TO 3 35 TO 37 1 3 I4 1 TO 3 37 TO 39 1 3 15 1 T0 3 41 TO 43 1 3 16 1 TO 3 44 TO 46 1 3 17 1 TO 3 48 TO 50 1 3 16 1 TO 3 52 TO 54 1 3 19 1 TO 3 54 TO 56 1 3 20 1 IO 3 56 TO 58 1 3 21 1 TO 3 59 T0 61 1 3 22 1 TO 3 63 TO 65 1 3 23 1 T0 3 66 TO 66 1 3 24 1 TO 3 66 To 70 1 3 25 1 To 3 71 IO 73 1 3 26 1 T0 3 73 TO 75 1 3 27 1 To 3 75 TO 77 1 3 28 1 TO 3 77 TO 79 1 3 29 1 TO 3 79 TO 61 1 3 3° 1 TO 3 61 TO 63 1 3 31 1 TO 3 63 TO 65 1 3 g; 1 TO 3 65 TO 67 1 3 1 TO 3 66 T0 90 1 3 g; 1 TO 3 90 TO 92 1 3 36 1 TO 3 93 TO 95 1 3 37 1 TO 3 101 I0 103 1 3 38 1 IO 3 106 T0 110 1 3 39 1 T0 3 110 TO 112 1 3 4o 1 I0 3 113 T0 115 1 3 41 1 TO 3 115 TO 117 1 3 42 1 TO 3 120 TO 122 1 3 1 TO 3 123 TO 125 1 3 PATTERN 43 44 45 46 47 46 49 50 51 52 53 54 55 56 57 56 59 60 61 62 63 64 65 66 67 66 69 70 71 72 73 74 75 76 77 78 79 80 61 62 63 84 65 66 67 88 69 50 91 92 93 NNNNNNNNNNNnr-R-I—I-h-I—HR—R-oI-HHMI—kuu-r—v—Hput-HHnI—R-r-HM-nI—I—HHHR— NCTES TD TO TO TO T0 T0 T0 TD TO TO TO TD TD TO T0 T0 T0 T0 T0 TO T0 T0 TD TO TO 70 TO TO TO 70 TO TO TO TO TO TO T0 T0 TO 70 TO TD TO TO TO TO TO TO TO TO TO J‘53‘3'4‘3‘3‘1‘95J‘UUUWWUUUUuUwWWWUNUUUWUNUUUUUUUUWWBDNWWWUN 208 RELATED TO 129 132 136 141 145 147 150 154 156 159 161 163 166 168 172 174 177 179 183 187 190 192 196 198 205 207 210 215 217 224 227 230 233 237 239 243 247 249 253 255 10 12 14 18 22 24 28 30 32 NOTES TO TO TO T0 T0 T0 TD TD T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO 70 T0 T0 TO TO TO T0 T0 TO TO TO T0 T0 TO TO T0 T0 131 134 138 143 147 149 152 156 158 161 163 165 168 170 174 176 179 181 185 189 192 194 198 200 207 209 212 217 219 226 229 232 235 239 241 245 249 251 255 257 12 14 16 20 24 26 30 32 34 TEST r-r-r-Hu-HI-I—v—r-o—R-R-v-r-R—r-I—Hr-t-I-r-I—r—HI—IR-r-r—r—r-I—I—HR-r-T-prwwr-r-h-p-R-I—o-Ir- LENGTH wwwuuwwwwwuwwwwwwuwwwwwwwwuwwwuwuwwuwwwwwwwwwwwwwwu PATTERN 94 95 96 97 98 99 1C0 101 102 103 104 105 186 107 168 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN NCTES T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO 70 T0 T0 T0 TO TO TD 70 TD TD TO T0 T0 TD TO TO TO TD TO T0 T0 TO TO TO TO T0 T0 TO T0 TO 70 T0 TO 70 &&¢é&&¢#¢¢&¢&§&§¢é¢éébbéééb¢éé颢é$vbk§¢¢¢é¢¢éé4‘4‘4‘4‘“ 209 RELATED TC 34 36 39 43 47 50 53 55 56 61 67 70 72 74 76 76 60 82 64 66 69 92 96 102 107 109 112 114 117 121 124 131 135 140 143 146 149 152 155 156 160 162 164 167 I69 173 175 178 182 164 188 NOTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO TO TO TO TD TO T0 T0 T0 TO TO TO TO TO TO T0 T0 TO T0 T0 TO 70 TO T0 T0 T0 TO T0 T0 TO TO TO TO 36 38 41 45 49 52 55 57 60 63 69 72 74 76 78 80 82 84 86 88 91 94 98 104 109 111 114 116 119 123 126 133 137 142 145 148 151 154 157 160 162 164 166 169 171 175 177 180 184 186 190 TEST wrap-Fu-r-v-T-r-Hr-Hr—HR-I—r-‘I—HI—I—Hhit-rd!-v—I—I—o—r-Ht—r—I—I—r—u—r—Fr—v—I—wl—HHHI-II—t— LENGTH UM»wwwuuwwuwwwwwwmwwwwwwwwwwuwwwwwuuuwuwuwwwwwwwwwwu PATTERN 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 4464 888. 0... A... 8.88 .888 .888 888. 8088 8.88 088‘ 0008 8.8. ‘88. 488‘ 88.. 0088 8.00 #88. $888 888. 899. .08. 88.. .088 880. 0400 88.0 08.8 8888 $00. 8088 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR OOU’UNNNNNNNNNNNNNNNNNNN NCTES TD TD TD 70 TO TD TD TD TD T0 T0 T0 T0 TO TD TO TO T0 T0 T0 TO TO TO TO TO TO TO TO TO TO TD TD TO T0 T0 TD TO TO TO TO TO TO TO TD TO TD TD TO TO TD TD pap-n NOGNOUI-D‘J‘&&&&&éb&&&b£~ééb&é O O O O O O 139 hih‘F O\n¢* 0“ 190 200 210 290 259 269 279 300 310 329 330 399 350 360 379 330 390 410 439 459 46' 490 210 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 191 194 197 204 206 211 214 216 223 225 228 231 234 238 242 245 248 251 N UT 3‘ TOR-NA—Wvu-naFHVM-h)FWVM-NIHHVF-Nanwur-N)kuM-NIFHVR-hun NOTES TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 TD TO T0 T0 T0 T0 T0 TO T0 TO 70 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO T0 TO 70 T0 T0 T0 TO 193 196 199 206 208 213 216 218 225 227 230 233 236 240 244 247 250 253 N UT 0 bWJ‘U-bUJ‘WJ‘UJ‘WJ‘UJ‘Unbw-bw“URUJ‘WDUJJ‘NJ‘U TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE h-HI-p-wr—h-wp-rvPr-r-wwarn-rip 888$ tit. ##48 $833 tit? ##38 88$! 88“ #883 **8* **#8 88‘! #8.. *t** #888 83“ 88“ 88** #888 #188 8.38 titi tilt #888 88“ 0“. 888* Vttt 883* ##tt ##8* #3.. LENGTH WWWWWUWWWWWWWWUNUWW PATTERN 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 164 165 166 167 168 169 170 171 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 172 173 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 174 175 176 8888 FOR 48 50 52 53 54 55 56 58 59 61 63 64 64 64 65 65 65 65 65 66 67 68 7O 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 88 89 90 92 93 96 97 97 97 97 97 99 NOTES TO TD TD T0 T0 TO TO TD T0 T0 T0 T0 T0 TD TD TD TD TO TD TD TO TD TO TO T0 T0 TO TO TO TO T0 T0 TO TO TO TO TO TO TO TD TD T0 TO 70 T0 T0 TD TO TD TD 70 509 529 549 559 569 579 589 609 619 639 659 66 66 66 67 67 67 67 67 689 699 709 729 739 749 759 769 779 789 79g 809 819 829 339 849 859 869 879 889 909 919 929 949 959 989 99 99 99 99 99 1019 211 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE p-NR—na—huh-NR—N3~ NIH cam QC) 218 O O 128 171 209 N1 p9 Nn—NJHHVM-NA—wu—nNr-haquh-NR-hJ—HvF-NIFWOFIO run 600 N1» 170 212 220 65 NOTES T0 T0 TD TO TO TO TO TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 TD T0 T0 T0 TO 005136‘U4FUL§UJ&LH &\»J~UM§UD&W»J>UDbflflJfiUtfitfltfiuh&tflJbulétflJ#UI ww- 690 04» 172 214 222 67 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE h-RHr-PI—r- F'Ft‘F-F 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 ABOVE **** LENGTH ULSUJWLHUJWLH WLHUJULH u 9'- ‘11: 212 PATTERN NCTES RELATED TO 9999 FOR 101 TO 103. SEE 9999 FOR 102 TO 104. SEE 9999 FOR 103 TO 105. SEE 177 105 TO 107 178 105 TO 107 179 105 TO 107 9999 FOR 167 TO 109. SEE 9999 FOR 108 TO 110. SEE 9999 FOR 109 TO 111. SEE 9999 FOR 110 TO 112. SEE 9999 FOR 112 TO 114. SEE 9999 FOR 113 TO 115. SEE 9999 FOR 114 TO 116. SEE 9999 FOR 115 To 117. SEE 9999 FOR 117 TO 119. SEE 9994 FOR 120 TO 122. SEE 9999 FOR 121 TO 123. SEE 9999 FOR 123 TO 125. SEE 9999 FOR 124 TO 126. SEE 9999 FOR 127 TO 129. SEE 9499 FOR 128 T0 130. SEE 9999 FOR 129 TO 131. SEE 9999 FOR 131 TO 133. SEE 999‘ FOR 132 T0 134. SEE 9999 FOR 135 TO 137. SEE 9999 FOR 136 To 138. SEE 9999 FOR 140 TO 142. SEE 4999 FOR 141 TO 143. SEE 9999 FOR 143 TO 145. SEE 9999 FOR 145 To 147. SEE 9999 FOR 146 To 148. SEE 990‘ FOR 147 TO 149. SEE #999 FOR 149 TO 151. SEE 9999 FOR 150 TO 152. SEE 9999 FOR 152 TO 154. SEE 9999 FOR 154 TO 156. SEE 9999 FOR 155 TO 157. SEE 9999 FOR 156 T0 158. SEE 9999 FOR 158 TO 160. SEE 499* FOR 159 TO 161. SEE 9999 FOR 160 TO 162. SEE 9999 FOR 161 TO 163. SEE 9999 FOR 162 To 164. SEE 9‘99 FOR 163 TO 165. SEE 9999 FOR 164 TO 166. SEE 9999 FOR 166 TO 168. SEE 0‘99 FOR 167 TO 169. SEE 999* FOR 168 TO 170. SEE 994* FOR 169 TO 171. SEE 999* FCR 170 TO 172. SEE 9999 FOR 171 TO 173. SEE 97 181 21 3 N N N 00 UINNHNF‘NF'NF‘NFNHNFNPNI—Nl—NF‘NFNF‘NHWde-NI-NI-NI-INr-NI—N 090 NOTES T0 T0 TO TO 70 T0 T0 T0 T0 TO T0 T0 TO TO T0 T0 T0 T0 TD T0 T0 TO TO TO TO TO TO TD TO TO T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO 99 18 21 N N ‘5 0‘0 00 3 5 #08600#WJ‘NéwJ‘Uval‘UOUJ‘UJ‘U-fiW8‘W8U5WNOJ‘UJ‘W8UJ‘LNJ‘WJ‘UJJ‘ TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 8888 8888 8888 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 8888 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 8888 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH PATTERN 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FCR FCR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FCR FOR FCR FOR FOR 172 173 174 175 177 178 179 180 181 182 183 184 187 188 190 191 192 194 196 197 198 204 205 206 2C7 208 209 210 211 212 213 214 215 216 217 218 219 220 222 223 224 225 227 228 230 231 233 234 237 238 239 NOTES TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 TO TO TO 1749 1759 1769 1779 1799 1309 1319 1329 1339 1349 1359 1369 1899 1909 1929 1939 1949 1969 1939 1999 2009 2069 2079 2039 2099 2109 2119 2129 2139 2149 2159 2169 2179 2139 2199 2209 2219 2229 2249 2259 2269 2279 2299 2309 2329 2339 2359 2369 2399 2409 2419 RELATED 213 SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE SEE SEE SEE SEE SEE SEE TO .-9 CO hawwn£-rur-Nr-kH—hawfor-NunhaHr0018r‘hJHWUFINh‘ 0‘09 90 .1 105 o #9dhonflv 9.9 (3130 01-901 I-NI-NHNI-NF-‘NI-N NOTES T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 pa C30 J‘LflflO‘WbUJ“UJ‘WéUJ‘WéwJ‘WJ‘NO‘La-IJ‘WOUJ‘U 00‘ O 90 107 00 #019991» 9.9 C30 ~10 Wt‘wéUJ-‘UbWéWJ‘ TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH 214 PAYTERN NCTES RELATED TO NOTES TEST LENGTH *‘4‘ FOR 242 TO 244. SEE 2 TO 4 ABOVE ***‘ ‘4’. FOR 243 TO 245. SEE 1 TO 3 ABOVE ‘*** Ottt FOR 245 TO 2470 SEE 2 TO 4 ABOVE **** titt FOR 247 TO 249. SEE 1 TO 3 ABOVE ‘*** ‘tti FOR 248 TO 2509 SEE 2 T0 4 ABOVE *‘** #ttt FOR 249 TO 2519 SEE 1 T0 3 ABOVE *‘** 44" FOR 251 TO 253. SEE 2 TO 4 ABOVE **‘* 444* FOR 253 TO 255. SEE 1 T0 3 ABOVE *‘** tttt FOR 254 TO 2569 SEE 2 T0 4 ABOVE **‘* ##‘1 FOR 255 TO 2579 SEE 1 TO 3 ABOVE **** PATTERN 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 tit TYPE I LISTING CONTINUED *** 215 SEARCH FOR PATTERNS OF TONAL CONTOUR HAS BEGUN AT wwwukuuv-HHT-h-r—Hu—I-v—pt—I-wv—r-lr-Hv-It-r-u—r-h—HkuHH—Hr-o—nt— NOTES TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD T0 T0 ##¢é¢&¢¢¢¢§¢éé¢é¢é§¥‘&®J‘J‘J‘J‘bJ‘J‘ééhJ‘J‘b-S‘4‘4‘k4‘J‘J‘J‘J‘ RELATED TO 4 NOTES 1N LENGTH -- CORTGINAL) 11 13 17 23 29 31 33 35 52 54 66 71 73 75 77 79 81 83 85 88 101 108 113 120 123 145 154 159 161 163 166 168 172 174 177 183 187 190 196 205 210 215 224 NOTES TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 14 16 20 26 32 34 36 38 55 57 69 74 76 78 80 82 84 86 88 91 104 111 116 123 126 148 157 162 164 166 169 171 175 177 180 186 190 193 199 208 213 218 227 146 SECONDS INTD EXECUTION. TEST v-r—t-Iv-H-IHHHHHHHw—Hr-r-r-Hr-HHFHHHHHI—HHHHHHHHHHHHr—HH LENGTH «b-t‘«Pbt‘¥‘&bb##ébébb4‘¢¢#¢b¢¢&béébk###bb¢&4‘4‘4‘«b¥‘4‘4‘ PATTERN 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNHI—HI‘HH NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 70 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TD 70 T0 T0 T0 T0 TD T0 T0 T0 T0 mmmmmmmuummmmmmmmmmmmmmmmmmmmmwmmmmmmmmmmmmmmmbkéékt~ 216 RELATED TO 227 230 233 237 247 253 10 12 1a 22 24 28 30 32 34 3e 43 47 53 55 58 67 7o 72 74 76 73 so 82 84 a9 92 107 109 112 114 131 135 140 146 149 155 158 160 162 167 173 178 182 191 197 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 230 233 236 240 250 256 13 15 21 25 27 31 33 35 37 39 46 50 56 58 61 70 73 75 77 79 81 83 85 87 92 95 110 112 115 117 134 138 143 149 152 158 161 163 165 170 176 181 185 194 200 TEST pray—Hprawn—wh-r-r—v-Ho-PHHI-u—r—F-Hv-vv—v-vv-Hr-‘r-r—r-r-wHwy-Ho-Hr-r—Hv-or-‘Hr—w-nu—v—v-o LENGTH 4‘4‘4‘“bk¢¢§é¢§¢¢é¢¢4‘4‘é-fi4‘bé4‘4‘4‘bk4‘h-Pk4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘J‘ 217 PATTERN NOTES RELATED to NOTES TEST LENGTH 275 2 70 5 204 T0 207 1 4 276 2 7o 5 206 70 209 1 4 277 2 70 5 214 T0 217 1 4 278 2 To 5 216 T0 219 1 4 279 2 1’0 5 223 TO 226 1 4 280 2 70 5 238 T0 241 1 4 281 2 70 5 242 T0 245 1 4 282 2 T0 5 248 T0 251 1 4 283 2 T0 5 254 70 257 1 4 "*4 FOR 3 T0 6. SEE 1 T0 4 ABOVE nu “*9 FOR 4 T0 7. see 2 TO 5 ABOVE nu ”*9 FOR 5 70 8. see 1 70 4 ABOVE «u 284 6 T0 9 14 70 17 1 4 285 6 to 9 39 70 42 1 4 286 6 70 9 50 m 53 1 4 287 6 To 9 61 TO 64 1 4 288 6 70 9 86 T0 89 1 4 289 6 70 9 117 m 120 1 4 29o 6 70 9 121 TO 124 1 4 2’91 6 to 9 124 T0 127 1 4 292 6 TO 9 143 70 146 1 4 293 6 70 9 152 70 155 1 4 294 6 1’0 9 164 70 167 1 4 295 6 70 9 175 TO 178 1 4 296 6 to 9 184 T0 187 1 4 297 6 70 9 188 70 191 1 4 298 6 to 9 194 TO 197 1 4 299 6 70 9 225 70 228 1 4 300 6 7o 9 228 TO 231 1 4 301 6 70 9 231 70 234 1 4 302 6 to 9 234 T0 237 1 4 303 6 T0 9 245 70 248 1 4 304 '6 1'0 9 251 70 254 1 4 305 7 TD 10 16 70 19 1 4 2306 7 70 10 40 T0 43 1 4 3307 7 70 1o 51 70 54 1 4 308 7 70 1o 62 to 65 1 4 3389 7 70 1o 87 TO 90 1 4 310 7 70 10 100 70 103 1 4 311 7 70 10 119 T0 122 1 4 312 7 70 10 122 TO 125 1 4 313 7 70 10 144 T0 147 1 4 314 7 70 10 153 T0 156 1 4 315 7 70 10 165 TO 168 1 4 316 7 70 10 176 70 179 1 4 317 7 70 10 186 m 189 1 4 318 7 to 10 189 70 192 1 4 319 7 70 10 195 70 198 1 4 320 7 T0 10 226 70 229 1 4 321 7 70 10 229 T0 232 1 4 322 7 70 10 232 T0 235 1 4 PATTERN 3233 3244 3215 3215 32'? 3218 32‘; 33(3 33‘! 332! 3333 334» 335 336 337 1M 3” 3m 341 3342 3343 1344 ‘345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 I” TH oooooooooooooooooooooocmmwmmmmmommmmmmmmaaommmmmaqq NCTES T0 T0 T0 TO T0 TO T0 T0 T0 TD T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD TD TO TD TO TO T0 T0 T0 T0 T0 TD TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO TD TO TD TD T0 T0 T0 10 10 10 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 218 RELATED TO 236 246 252 19 25 37 41 44 48 56 59 68 9o 93 110 115 129 132 136 141 147 150 156 192 198 239 243 249 255 21 27 38 42 46 49 57 6o 69 91 95 106 111 116 130 134 139 142 148 151 157 193 NOTES T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TD TD TO T0 T0 T0 239 249 255 22 28 4o 44 47 51 59 62 71 93 96 113 118 132 135 139 144 150 153 159 195 201 242 246 252 258 24 3o 41 45 49 52 60 63 72 94 98 109 114 119 133 137 142 145 151 154 160 196 TEST 1-7- rut—wwwr—r-r-HHv-dwr-p-u—r-v—r-v—Ho—wwap-nh-r-‘wr-v—v—r-r-P-r-v-Hr-r—prpapppp... LENGTH ¢b#&¢#¥‘&&4‘&¢bk4‘&¢b#¢####4‘4‘4‘4‘4‘J‘J‘4‘4‘4‘4‘4‘J‘b4‘4‘4‘4‘3‘4‘4‘4‘bkébb PATTE 3719 3755 3715 37'? #994 9999 9999 9999 9999 9999 9999 9999 9999 .Htt‘; “‘. .“‘ ‘t‘* ‘ fi.‘ ‘*.* ‘.*‘ 9‘99 ‘499 ’499 '"$99 ‘499 39‘99 ‘Ht99 ."3.199 “1999 "‘t99 ‘5‘h99 ‘E‘h99 "‘EM9 ‘5‘h99 “‘.M9 "‘h99 ‘9lh99 ‘k29M9 ‘haum ‘h9um ‘u999 't999 1.1999 #999 9999 9999 9999 RN FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FDR FOR FDR FOR FOR FOR FDR FDR FOR FOR FOR FOR HDR “99 FOR 9999 PCB #999 F0 9: #999 F0 3; NCTES T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO TD T0 T0 T0 T0 T0 T0 T0 TO TD TD TD TD TG T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD T0 TO TO TD T0 T0 12 12 12 12 139 149 159 169 179 199 209 219 229 249 259 269 279 289 309 319 329 339 349 359 369 379 389 399 409 419 429 439 449 459 469 479 499 509 519 529 539 549 559 569 579 589 599 609 619 629 639 219 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 203 241 244 N U1 0 OCDNJO<3KHHAJ~HHO~O¢DN90bxn9wm4>uLoLn9wm98m.6unbsn .— .— P‘F‘ rd fur-um» 105 172 214 106 223 10 99 100 224 12 TEST ABOVE **** ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE Hrdh'HrderH— r—p-ww-r- **** *tt* tiit #*#¥ 98*! *ttt tttt ##tt ***8 tttt tit? 98*! Oil. ¥*** ***8 *tt* ***i titt tit. 666* ***$ 89*. ***3 ##t* tttt 8“! ##16 888* #836 ABOVE **** ABOVE *‘99 ABOVE **** ABOVE **** 1 ABOVE **** ABOVE **** LENGTH $‘bwbt‘b-k9‘b Jfiéwk$‘# PATTERN titlfi 9999! 9994! 999‘! 09“: 999.: 999.- .96.! 9996- 6.9.! 6.663 9996 9Hh09 inm99 ‘Hlt9 “‘* 3392 ‘fi“ "“ a.‘9-9 1”0'99 *999 I".911: 9‘99 .‘99 ‘t99 ‘699 .‘Wfi “nu “uu “uu “Hn “hu .‘Mn “hu “Nu “uu *‘uu ‘fimm ‘tw9 ‘t99 #999 #999 9999 9.9. #69. #699 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR "99 FOR "99 FOR ‘999 Fall 7999 F0]? NOTES 108 109 110 111 112 113 114 115 116 117 119 120 121 122 123 129 127 128 129 130 131 132 136 135 136 139 140 141 142 193 149 195 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 TO TO TO T0 T0 TO TO TO TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO TO TO TO 1119 1129 1139 1149 1159 1169 1179 1189 1199 1209 1229 1239 1269 1259 1269 1279 130 1319 1329 1339 1349 1359 1379 1389 1399 1629 1439 1469 1659 1469 1679 1489 1699 1509 1519 1529 1539 1569 1559 1569 1579 1589 1599 1609 1619 1629 1639 1649 1659 1669 1679 221 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 0-4 09-NJ~WVr-h16cnh9uuda~0(DR)£NDAM~udO~0¢DNhO(DA:O¢DNJ¢>m\nC>OI-JOJ-HO~0CDfiJ—Ju¢)mflvhi 173 68 11 12 11 12 11 12 11 12 10 11 12 11 12 10 11 12 OJFUL§\JJNM TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 titt *ttt tit! #66. tit. 666* ##6# tit. ##66 ttti itit $666 #636 66*. #686 #66. #t** 616* ##66 ***# tttt #66. tttt ##tt #666 #66. 66*. #666 6*69 **#6 tit. *63* #*** ##tt LENGTH PATTEBN t... tit. vim. arm. ttut twat t4»: ammo otwt Mutt tttt .ttt tttt ttta ‘ttt FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR 1393 '394 ‘*tt “.t “*&1 ‘ttt ‘.#aw "*§w ‘Nttt ‘uttt ‘Httt ‘”.tt ‘”§tt ‘Nhtt .“.#t ‘i15.. ‘E‘hmt “‘§t0 "‘htt ‘.‘Itt “htt “hat .‘.#¢ ‘uttt ‘Ht¢¢ *ttt ‘tat tat: tttt #‘oo 6“. tit: FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FDR FOR FOR FOR FOR FOfl 7N" FUR Nu FOR "n FOR “u FOR 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 181 181 182 183 184 186 187 188 189 190 191 192 193 194 195 196 197 198 203 206 205 206 201 208 209 210 211 213 216 215 216 217 218 220 221 222 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 1680 1690 1700 1719 1729 173! 1749 1750 1769 1779 1780 1790 1800 1810 1820 184 184 1859 1869 1879 1890 1900 1919 192' 1930 19‘. 1950 1969 1970 1980 1990 2009 2019 2060 2079 2089 2099 2100 2110 2120 2139 21" 2169 2179 2180 2190 2200 2219 2230 2249 2250 222 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 181 104 181 NOTES T0 T0 T0 T0 T0 T0 TO 1 TO 2 TO 1 TO 6 TO 7 TO 1 TO 2 T0 T0 T0 T0 T0 TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 2 TO 1 TO 2 TO 63 TO 64 TO 97 T0 T0 TO NbNOQNF’dOOONF‘QOF‘NOv-‘N O 000 or-U!JL9 186 66 67 100 107 184 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE *ttt tttt #ttt *ttt *#*¥ ##tt tttt tttt #ttt tttt tttt tttt tit! tttt tttt #*t# t*#* tttt tttt *ttt tttt tttt tttt tttt tttt tttt tit! ttst tttt tttt tttt tttt *ttt tttt tt*t tit! :ttt t**# ##tt tttt tttt tttt tttt tttt tttt tttt tttt tttt #ttt LENGTH 223 pATTERN NCTES RELATED TO NOTES TEST LENGTH nu: FOR 223 TO 226. SEE 2 TO 5 ABOVE «u out FOR 224 TO 227. SEE 1 TO 4 ABOVE nu an FOR 225 TO 228. SEE A TO 9 ABOVE u” "u FOR 226 TO 229. SEE 7 To 10 ABOVE an an FOR 227 TO 230. SEE 1 TO 4 ABOVE «u an FOR 228 TO 231. SEE 6 TO 9 ABOVE nu mm FOR 229 TO 232. SEE 7 TO 10 ABOVE nu nu: FOR 230 TO 233. SEE 1 TO 4 ABOVE an 44.: FOR 231 TO 234. SEE 6 TO 9 ABOVE 44*: an FOR 232 TO 235. SEE T TO 10 ABOVE «u "u FOR 233 TO 236. SEE 1 TO 4 ABOVE nu "N‘- FOR 234 To 23?. SEE 6 T0 9 ABOVE In" "*9 FOR 236 TO 239. SEE 7 TO 10 ABOVE «u ““4 FOR 231 TO 240. SEE 1 TO 4 ABOVE «u 0“. FOR 238 TO 241. SEE 2 TO 5 ABOVE Mn “1“ FOR 239 TO 242. SEE B TO 11 ABOVE nu "*9 FOR 241 TO 244. SEE 9 To 12 ABOVE an :**4 FOR 242 TO 245. SEE 2 TO 5 ABOVE nu *‘19 FOR 243 TO 246. SEE 8 TO 11 ABOVE u" :**t FOR 244 TO 241. SEE 9 TO 12 ABOVE u" .mu. FOR 245 TO 2413. SEE A TO 9 ABOVE nu .2...” FOR 246 TO 249. SEE T TO 10 ABOVE nu W019 FOR 241 TO 250. SEE 1 TO 4 ABOVE nu r... FOR 243 TO 251. SEE 2 TO 5 ABOVE «u “-9: FOR 249 TO 252. SEE a To 11 ABOVE nu “Mu FOR 250 TO 253. SEE 9 TO 12 ABOVE an r. Tu FOR 251 TO 254. SEE 6 TO 9 ABOVE nu :‘nu FOR 252 TO 255. SEE 7 TO 10 ABOVE Mu . *3“ FOR 253 TO 256. SEE 1 TO 4 ABOVE «In . *m: FOR 254 TO 257. SEE 2 TO 5 ABOVE “u ‘3” FOR 255 TO 258. SEE B TO 11 ABOVE «u 224 it! TYPE I LISTING CONTINUED ‘** SEARCH FOR PATTERNS OF 5 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINAL) HAS BEGUN AT 286 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 395 1 TO 5 11 TO 15 1 5 3G6 1 TO 5 17 TO 21 1 5 3157 1 TO 5 23 TO 27 1 5 398 1 TO 5 29 TO 33 1 5 399 1 TO 5 31 TO 35 1 5 400 1 TO 5 33 TO 37 1 5 401 1 TO 5 35 TO 39 1 5 402 1 TO 5 52 TO 56 1 5 403 1 TO 5 54 TO 58 1 5 404 1 TO 5 66 TO 70 1 5 405 1 TO 5 71 TO 75 1 5 406 1 TO 5 73 To 77 1 5 407 1 TO 5 75 TO 79 1 5 408 1 TO 5 77 TO 81 1 5 409 1 TO 5 79 TO 83 1 5 410 1 TO 5 81 TO 85 1 5 411 1 TO 5 83 TO 87 1 5 412 1 TO 5 88 TO 92 1 5 413 1 TO 5 108 TO 112 1 5 414 1 TO 5 113 TO 117 1 5 415 1 TO 5 145 TO 149 1 5 416 1 TO 5 154 TO 158 1 5 417 1 TO 5 159 TO 163 1 5 418 1 TO 5 161 TO 165 1 5 419 1 TO 5 166 TO 170 1 5 420 1 TO 5 172 TO 176 1 5 421 1 TO 5 177 TO 181 1 5 422 1 TO 5 190 TO 194 1 5 423 1 TO 5 196 TO 200 1 5 424 1 TO 5 205 TO 209 1 5 425 1 TO 5 215 TO 219 1 5 426 1 TO 5 237 TO 241 1 5 427 1 TO 5 247 TO 251 1 5 428 1 TO 5 253 TO 257 1 5 429 2 TO 6 10 TO 14 1 5 430 2 TO 6 12 TO 16 1 5 431 2 TO 6 22 TO 26 1 5 432 2 TO 6 28 TO 32 1 5 433 2 TO 6 30 To 34 1 5 434 2 TO 6 32 TO 36 1 5 435 2 TO 6 34 TO 38 1 5 436 2 TO 6 53 TO 57 1 5 431 2 TO 6 70 TO 74 1 5 438 2 TO 6 72 TO 76 1 5 225 RATTERN NOTES RELATED TO NOTES TEST LENGTH 439 2 TO 6 74 TO 78 1 5 440 2 To 6 76 TO 80 1 5 4461 2 TO 6 78 TO 82 1 5 442 2 TO 6 80 TO 84 1 5 4433 2 TO 6 82 TO 86 1 5 444 2 TO 6 84 TO 88 1 5 445 2 TO 6 107 TO 111 1 5 446 2 TO 6 112 TO 116 1 5 4487 2 T0 6 158 TO 162 1 5 448 2 TO 6 160 TO 164 1 5 449 2 TO 6 162 TO 166 1 5 4450 2 TO 6 167 TO 171 1 5 451 2 TO 6 173 TO 177 1 5 452 2 To 6 182 TO 186 1 5 453 2 TO 6 204 TO 208 1 5 454 2 TO 6 214 TO 218 1 5 455 2 TO 6 223 TO 227 1 5 ‘04. FOR 3 TO 7. SEE 1 TO 5 ABOVE nu “In” FOR 4 TO 8. SEE 2 TO 6 ABOVE 4444 456 5 TO 9 13 TO 17 1 5 .457 5 TO 9 85 TO 89 1 5 458 5 TO 9 120 TO 124 1 5 459 5 TO 9 123 TO 127 1 5 460 5 TO 9 163 TO 167 1 5 461 5 TO 9 174 TO 178 1 5 462 5 TO 9 183 TO 187 1 5 463 5 TO 9 187 TO 191 1 5 464 5 TO 9 224 TO 228 1 5 465 5 TO 9 227 TO 231 1 5 466 5 TO 9 230 TO 234 1 5 467 5 TO 9 233 TO 237 1 5 468 6 TO 10 39 TO 43 1 5 469 6 T0 10 50 TO 54 1 5 470 6 TO 10 61 TO 65 1 5 471 6 TO 10 86 TO 90 1 5 472 6 TO 10 121 TO 125 1 5 473 6 TO 10 143 TO 147 1 5 474 6 TO 10 152 To 156 1 5 475 6 To 10 164 TO 168 1 5 476 6 TO 10 175 TO 179 1 5 477 6 TO 10 188 TO 192 1 5 478 6 TO 10 194 TO 198 1 5 479 6 TO 10 225 TO 229 1 5 480 6 TO 10 228 TO 232 1 5 481 6 TO 10 231 TO 235 1 5 482 6 TO 10 245 TO 249 1 5 483 6 TO 10 251 TO 255 1 5 Nu FOR 6 TO 10. SEE 6 TO 10 ABOVE an" 484 7 TO 11 40 T0 44 1 5 485 8 TO 12 37 TO 41 1 5 486 8 TO 12 41 TO 45 1 5 226 pATTERN NCTES RELATED TO NOTES TEST LENGTH 487 8 TO 12 48 TO 52 1 5 488 8 TO 12 56 TO 60 1 5 4139 8 TO 12 59 TO 63 1 5 490 8 TO 12 68 TO 72 1 5 491 8 TO 12 90 TO 94 1 5 492 8 TO 12 110 TO 114 1 5 493 8 TO 12 115 TO 119 1 5 494 8 TO 12 129 TO 133 1 5 495 8 TO 12 141 TO 145 1 5 496 8 TO 12 147 T0 151 1 5 497 8 TO 12 150 T0 154 1 5 49 8 8 TO 12 156 TO 160 1 5 499 8 TO 12 192 TO 196 1 5 500 8 TO 12 243 TO 247 1 5 so 1 8 TO 12 249 TO 253 1 5 418. FOR 8 TO 12. SEE 8 TO 12 ABOVE mm 502 9 TO 13 21 TO 25 1 5 so 3 9 TO 13 27 TO 31 1 5 504 9 To 13 42 TO 46 1 5 50 5 9 TO 13 46 TO 50 1 5 so 4. 9 TO 13 57 T0 61 1 5 so 7 9 TO 13 69 TO 73 1 5 so a 9 TO 13 91 TO 95 1 5 5c «9 9 TO 13 106 TO 110 1 5 51 <3 9 TO 13 111 TO 115 1 5 51 l 9 TO 13 130 TO 134 1 5 51 2 9 TO 13 134 TO 138 1 5 51 3 9 TO 13 139 TO 143 1 5 514 9 TO 13 148 TO 152 1 5 515 9 TO 13 157 TO 161 1 5 516 9 To 13 203 T0 207 1 5 “5 9 TO 13 241 TO 245 1 5 ‘3‘ FOR 10 TO 14. SEE 2 TO 6 ABOVE «an “3* FOR 11 TO 15. SEE 1 TO 5 ABOVE «u ‘ ‘* FOR 12 TO 16. SEE 2 TO 6 ABOVE nu “'1 FOR 13 T0 17. SEE 5 TO 9 ABOVE nu 518 14 TO 18 117 TO 121 1 5 519 14 TO 18 124 TO 128 1 5 520 14 TO 18 184 TO 188 1 5 521 14 TO 18 234 TO 238 1 5 522 15 T0 19 118 TO 122 1 5 523 15 T0 19 185 TO 189 1 5 114:2" 15 TO 19 235 TO 239 1 5 ‘ FOR 15 TO 19. SEE 15 TO 19 ABOVE an 525 16 TO 20 51 TO 55 1 5 526 16 TO 20 87 TO 91 1 5 52 7 16 TO 20 100 TO 104 1 5 :28 16 TO 20 119 To 123 1 5 529 16 TO 20 122 TO 126 1 5 3o 16 TO 20 144 TO 148 1 5 531. 16 TO 20 153 TO 157 1 5 227 RATTERN NGTES RELATED TO NOTES TEST LENGTH 532 16 TD 20 165 TO 169 1 5 533 16 TD 20 176 TO 180 1 5 534 16 TO 20 186 TO 190 1 5 535 16 TO 20 189 TO 193 1 5 5336 16 TO 20 195 TO 199 1 5 5237 16 TD 20 226 TO 230 1 5 5338 16 TO 20 229 TO 233 1 5 539 16 TD 20 232 TO 236 1 5 5‘50 16 TO 20 236 TO 240 1 5 5451. 16 TO 20 246 T0 250 1 5 54 2 16 TD 20 252 TO 256 1 5 4.... FOR 17 TO 21. SEE 1 TO 5 ABOVE an 543 18 TO 22 24 TD 28 1 5 544 18 TD 22 36 T0 40 1 5 54 5 18 T0 22 43 TO 47 1 5 546 18 TO 22 47 TD 51 1 5 54» 7 18 TO 22 55 TO 59 1 5 54 8 18 TD 22 58 TD 62 1 5 54 -9 18 TO 22 67 TO 71 1 5 55 (1 18 TD 22 89 TO 93 1 5 55 .1 18 TO 22 92 TO 96 1 5 55.;2 18 To 22 109 TO 113 1 5 55.23 18 TO 22 114 TO 118 1 5 55«¢s 18 TD 22 131 TO 135 1 5 55 :5 18 TD 22 135 TO 139 1 5 5545 18 TO 22 140 TO 144 1 5 55 7 18 TD 22 146 TO 150 1 5 55 a 18 TO 22 149 TO 153 1 5 559 18 TO 22 155 T0 159 1 5 56o 18 TO 22 191 TO 195 1 5 561 18 TO 22 197 TO 201 1 5 562 18 TD 22 238 To 242 1 5 563 18 TO 22 242 TO 246 1 5 564 18 TO 22 248 TO 252 1 5 565 18 TD 22 254 TO 258 1 5 566 19 TO 23 25 TD 29 1 5 567 19 TD 23 44 TO 48 1 5 568 19 TD 23 93 TO 97 1 5 569 19 TO 23 132 T0 136 1 5 57o 19 TO 23 136 TO 140 1 5 571 19 TO 23 198 TO 202 1 5 572 19 TO 23 239 HT 243 1 5 573 19 TD 23 255 TO 259 1 5 574 20 TD 24 26 TD 30 1 5 575 20 TD 24 45 TO 49 1 5 5576 20 TO 24 94 TO 98 1 5 77 20 TD 24 133 TO 137 1 5 57a 20 TO 24 138 TO 142 1 5 5579 20 TO 24 202 TO 206 1 5 8 o 20 TD 24 240 To 244 1 5 "‘ FOR 20 TO 24. SEE 20 TD 24 ABOVE an pATTE 89.9 8899 “at. 888m. tttno iti!’ 444:. 484:- 889‘s 5:31 5(32 5(33 5£34 5£35 5£36 SE37 5:38 RN FOR FOR FCR FOR FOR FOR FOR FOR FOR 1101’ Ottih Ottik ttt‘k .tt‘I Ottifl tttflb Ott‘: .tttk Otttt titfii .ttt: ‘tt‘t titan FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FDR FOR FOR FCR FOR FOR FOR FOR FOR FOR NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 228 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 207 217 63 208 171 209 p n-.oaamr- NOTES TO TO TO 211 221 213 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE b-Hv-h-Hr—r-M I 1 l l l ##t# *t*# 8888 8944 884* 4884 t*#* #444 4489 **** titi **** *ttt tit! *ttt ttt. tit! *tt# ##1# ti.’ tttt **t# *8.* *ttt tit. *ttt tttt *t#* fittt *ttt $¥Ot #833 *ttt ¥**# t**‘ ##tt **** *ttt LENGTH UTU'IUTU'TUTU'IUTUI U‘UTUT 229 RATTERN NOTES RELATED TO NOTES TEST LENGTH nan. FOR 84 TD 88. SEE 2 TO 6 ABOVE nn not FOR 85 TD 89. SEE 5 TO 9 ABOVE nn nata- FOR 86 TO 90. SEE 6 T0 10 ABOVE nn «.44- FOR 87 TD 91. SEE 16 TO 20 ABOVE nn nun- FOR 88 TO 92. SEE 1 TD 5 ABOVE nn 4444- FOR 89 T0 93. SEE 18 TD 22 ABOVE 4444 «4:.- FOR 90 TO 94. SEE 8 TO 12 ABOVE nn 3134' FOR 91 TO 95. SEE 9 TO 13 ABOVE 444* 08“ FOR 92 To 96. SEE 18 T0 22 ABOVE Mutt 444:0: FCR 93 TO 97. SEE 19 TO 23 ABOVE nn «4:.- FOR 94 TD 98. SEE 20 TO 24 ABOVE nn 5454 96 TO 100 102 TO 106 1 5 "*‘-FOR 96 TO 100. SEE 96 TO 100 ABOVE 4444 "ha- FOR 100 TO 104. SEE 16 TD 20 ABOVE nn 5435 101 TO 105 168 TO 172 1 5 5€361 101 TO 105 210 T0 214 1 5 «mo- FOR 102 T0 106. SEE 96 TO 100 ABOVE nn 597 103 TO 107 220 TO 224 1 5 "no: FOR 106 TO 110. SEE 9 TO 13 ABOVE nn «9:. FOR 107 TO 111. SEE 2 TO 6 ABOVE nn ".0: EDR 108 TO 112. SEE 1 TO 5 ABOVE nn "9.- FOR 109 TO 113. SEE 18 TO 22 ABOVE nn “#0: E08 110 TO 114. SEE 8 T0 12 ABOVE nn ”"- EOR 111 TO 115. SEE 9 TD 13 ABOVE nn ”3. FOR 112 TO 116. SEE 2 TO 6 ABOVE nn "fl- FOR 113 TO 117. SEE 1 T0 5 ABOVE nu ""5 E08 114 To 118. SEE 18 TO 22 ABOVE nn ”"5 FOR 115 TO 119. SEE 8 TO 12 ABOVE nn “*‘D FOR 116 TO 120. SEE 38 TD 42 ABOVE 4449 ““h EDR 117 TO 121. SEE 14 TO 18 ABOVE 4444 :“* PER 118 TO 122. SEE 15 TO 19 ABOVE nu :44. PCB 119 TO 123. SEE 16 TD 20 ABOVE nn J‘fi FOR 120 To 124. SEE 5 TD 9 ABOVE nn 4.“ EOR 121 T0 125. SEE 6 TD 10 ABOVE nn 1‘ ‘9 FOR 122 TO 126. SEE 16 TO 20 ABOVE nn “N FOR 123 T0 127. SEE 5 TD 9 ABOVE nn 44. FOR 124 TO 128. SEE 14 TD 18 ABOVE nn .. 598 127 TO 131 170 TO 174 1 5 “N FOR 127 T0 131. SEE 127 TO 131 ABOVE nn “*4 FOR 129 TO 133. SEE 8 TD 12 ABOVE nn ."9 FOR 130 TO 134. SEE 9 TD 13 ABOVE nn 4:" FOR 131 TO 135. SEE 18 TD 22 ABOVE nn "f9 FOR 132 TO 136. SEE 19 TO 23 ABOVE nn ,*:* FOR 133 TO 137. SEE 20 TD 24 ABOVE nn "I“. FOR 134 TO 138. SEE 9 TO 13 ABOVE nn "m" EOR 135 TO 139. SEE 18 TO 22 ABOVE nn ”I. * FOR 136 TO 140. SEE 19 TO 23 ABOVE nn 4...}. FOR 138 TO 142. SEE 20 TO 24 ABOVE nn “4‘ FOR 139 TO 143. SEE 9 TO 13 ABOVE nn ‘5 FOR 140 TO 144. SEE 18 TO 22 ABOVE “In B "'5 FOR 141 TO 145. SEE 8 TD 12 ABOVE nn “1‘ mi "N IN! MI 230 pATTERN NCTES RELATED TO NOTES TEST LENGTH 490‘ FOR 142 TO 146. SEE 38 TO 42 ABOVE nn n44 FOR 143 TO 147. SEE 6 TO 10 ABOVE nn n.”- FOR 144 T0 148. SEE 16 T0 20 ABOVE nn nu. FOR 145 TO 149. SEE 1 TD 5 ABOVE nn nu- EOR 146 T0 150. SEE 18 TD 22 ABOVE nn 1n- EOR 147 TO 151. SEE 8 TO 12 ABOVE nn "wo- EOR 148 TO 152. SEE 9 TD 13 ABOVE nn «8. FOR 149 TO 153. SEE 18 TD 22 ABOVE nn «4:.- FOR 150 TO 154. SEE 8 TD 12 ABOVE nn "#:0- FOR 151 TO 155. SEE 38 To 42 ABOVE nn 44910- FOR 152 TO 156. SEE 6 TO 10 ABOVE nn 8.1.. FOR 153 TO 157. SEE 16 TO 20 ABOVE nn «4:.- FOR 154 TO 158. SEE 1 TD 5 ABOVE nn 484:. FOR 155 TO 159. SEE 18 TD 22 ABOVE nn «4:. FOR 156 TO 160. SEE 8 TO 12 ABOVE nn "*9 FOR 157 TO 161. SEE 9 TO 13 ABOVE nn "4:. FOR 163 TO 167. SEE 5 TD 9 ABOVE nn ...... FOR 164 TO 168. SEE 6 TO 10 ABOVE nn "#9- FOR 165 TO 169. SEE 16 TO 20 ABOVE nn "*9: FOR 166 TO 170. SEE 1 TO 5 ABOVE nn "*0- EOR 167 TO 171. SEE 2 TO 6 ABOVE nn "TN-E FOR 168 TO 172. SEE 101 TO 105 ABOVE nn "*0- FOR 170 TO 174. SEE 127 TO 131 ABOVE nn "NE FOR 171 To 175. SEE 65 TO 69 ABOVE nn "*1- EDR 172 TO 176. SEE 1 TO 5 ABOVE nn ““5 FOR 173 TO 177. SEE 2 TO 6 ABOVE n“ ”fl- FOR 174 TO 178. SEE 5 TD 9 ABOVE nn ““4 FOR 175 TO 179. SEE 6 TD 10 ABOVE nn ”"5 E08 176 TO 180. SEE 16 TO 20 ABOVE nn ”“5 FOR 177 T0 181. SEE 1 TO 5 ABOVE nn 599 178 T0 182 206 TO 210 1 5 600 178 TO 182 216 TO 220 1 5 601 181 TO 185 213 TO 217 1 5 .‘602 181 TO 185 222 TO 226 1 5 .39 FOR 181 TO 185. SEE 181 TO 185 ABOVE nn “‘9 E08 182 TO 186. SEE 2 TO 6 ABOVE nn 44“ FOR 183 TO 187. SEE 5 TD 9 ABOVE nn 1. *9 FOR 184 TO 188. SEE 14 TO 18 ABOVE nn 1““ E08 185 TO 189. SEE 15 TD 19 ABOVE nn “:4. FOR 186 TO 190. SEE 16 TD 20 ABOVE nn 4..“ EOR 187 TO 191. SEE 5 TO 9 ABOVE nn .3. FOR 188 TO 192. SEE 6 TO 10 ABOVE nn ‘3'" FOR 189 TO 193. SEE 16 TD 20 ABOVE nn “:9. FOR 190 TO 194. SEE 1 TO 5 ABOVE nn 04.. FOR 191 TO 195. SEE 18 TD 22 ABOVE nn n.‘ FOR 192 TO 196. SEE 8 TO 12 ABOVE nn «.3. FOR 193 TO 197. SEE 38 TO 42 ABOVE nn 04.‘ FOR 194 TO 198. SEE 6 TO 10 ABOVE nn 14,." FOR 195 TO 199. SEE 16 TD 20 ABOVE nn “.‘fi FOR 196 TO 200. SEE 1 TO 5 ABOVE nn * £OR 197 T0 201. SEE 18 TO 22 ABOVE nn P ATTERN FOR FOR FGR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FCR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FCR FGR FOR FOR FOR 198 202 203 206 205 206 207 208 209 210 213 216 217 220 222 223 224 225 226 227 228 229 230 231 233 236 235 236 237 238 239 240 241 262 243 244 245 246 24? 24B 249 250 251 252 253 254 255 NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 2029 2069 2079 2089 2099 2109 2119 2129 2139 2149 2179 2209 2219 2249 2269 2279 2289 2299 2309 2319 2329 2339 2349 2359 2369 2319 2339 2399 2‘09 2419 2429 2439 2449 2459 2469 2479 2‘89 2499 2509 2519 2529 2539 2549 2559 2569 2579 2589 2599 231 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 19 20 9 2 1 178 63 64 65 101 181 178 63 103 181 2 5 6 I6 T0 T0 T0 T0 T0 T0 T0 T0 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ##tt ttti *ttt ##it **tt *t*# ##t# *it* #*** *ttt ##t# *tt* tit! tttt ##tt ##** *itt *ttt tilt **** tttt tit. tit. #t*# *tt* ##tt tit. ¥*** ##t* *tt* *tti $t¥¢ **** **8* *t** t#*# *tit ##tt fitfit titt tttt t*** ttt‘ *t.‘ tit. **¥¥ ***¥ *ttt LENGTH 232 *‘* TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINAL) HAS BEGUN AT 451 SECONDS INTO EXECUTION. PATTERN NDTES RELATED m NOTES 7557 LENGTH 603 1 70 6 11 T0 16 1 6 6C4 1 T0 6 29 70 34. 1 6 605 1 70 6 31 TO 36 1 6 606 1 70 6 33 m 38 1 6 607 1 T0 6 52 m 57 1 6 608 1 T0 6 71 T0 76 1 6 609 1 70 6 73 T0 78 1 6 610 1 T0 6 75 T0 80 1 6 611 1 70 6 77 70 82 1 6 612 1 to 6 79 to 8’9 1 6 613 1 T0 6 81 T0 86 1 6 616 1 T0 6 83 70 88 1 6 61 s 1 7o 6 159 T0 164 1 6 61 6 1 70 6 161 70 166 1 6 61 7 1 70 6 166 T0 171 1 6 61 8 1 TD 6 172 m 177 1 6 61 9 2 T0 7 10 T0 15 1 6 62 o 2 70 7 22 T0 27 1 6 62 1 2 7o 7 28 TO 33 1 6 62 2 2 T0 7 3o 70 35 1 6 62 3 2 TO 7 32 TD 37 1 6 624. 2 1'0 7 36 T0 39 1 6 625 2 70 7 53 to 58 1 6 626 2 m 7 7o 70 75 1 6 627 2 T0 7 72 T0 77 1 6 628 2 T0 7 74 to 79 1 6 629 2 7o 7 76 T0 81 1 6 630 2 70 7 78 T0 83 1 6 631 2 70 7 80 T0 85 1 6 632 2 70 7 82 T0 87 1 6 633 2 T0 7 107 To 112 1 6 634. 2 TO 7 112 TO 117 1 6 635 2 TO 7 158 T0 163 1 6 636 2 to 7 160 TO 165 1 6 637 , 2 T0 7 204 T0 209 1 6 "~38 2 m 7 216 70 219 1 6 * FOR 3 T0 8. SEE 1 T0 6 aaove an 639 4 T0 9 12 to 17 1 6 5‘0 I. 70 9 84 TO 89 1 6 5‘- 1 4 T0 9 162 T0 167 1 6 6‘92 4 TO 9 173 TO 178 1 6 6‘- 3 4 m 9 182 T0 187 1 6 564 4 70 9 223 m 228 1 6 ‘6 5 5 70 1o 85 TO 90 1 6 233 PATTERN NCTES RELATED To NOTES TEST LENGTH 646 5 To 10 120 To 125 1 6 647 5 To 10 163 To 168 1 6 648 5 To 10 174 To 179 1 6 649 5 T0 10 187 To 192 1 6 650 5 To 10 224 To 229 1 6 651 5 To 10 227 T0 232 1 6 652 5 T0 10 230 To 235 1 6 99920- FOR 5 To 10. SEE 5 To 10 ABOVE mt: 653 6 To 11 39 To 44 1 6 654 7 To 12 40 To 45 1 6 655 8 To 13 41 T0 46 1 6 656 8 To 13 56 T0 61 1 6 657 8 To 13 68 T0 73 1 6 658 8 T0 13 90 To 95 1 6 659 8 To 13 110 To 115 1 6 660 8 To 13 129 To 134 1 6 651 8 To 13 141 To 152 1 6 652 8 To 13 156 To 161 1 6 653 9 To 14 21 To 26 1 6 654 9 To 14 27 To 32 1 6 655 9 To 14 69 To 74 1 6 65 6 9 To 14 106 To 111 1 6 65 7 9 To 14 111 To 116 1 6 65 8 9 To 14 157 T0 162 1 6 65 9 9 To 14 203 To 208 1 6 “6.: FOR 10 To 15. SEE 2 To 7 ABOVE nu ““5 FCR 11 To 16. SEE 1 To 6 ABOVE an "N: FOR 12 To 17. SEE 4 To 9 ABOVE mm 67 o 13 To 18 123 To 128 1 6 671 13 To 18 183 To 188 1 6 672 13 To 18 233 To 238 1 6 673 14 To 19 117 To 122 1 6 674 14 To 19 '184 To 189 1 6 “675 14 To 19 234 To 239 1 6 ‘9 FOR 14 To 19. SEE 14 To 19 ABOVE mm: 676 15 To 20 118 To 123 1 6 677 15 To 20 185 To 190 1 6 678 15 To 20 235 To 240 1 6 679 16 To 21 51 To 56 1 6 680 16 To 21 87 To 92 1 6 681 16 To 21 144 To 149 1 6 682 16 TO 21 153 To 158 1 6 683 16 To 21 165 To 170 1 6 684 16 To 21 176 To 181 1 6 685 16 To 21 189 T0 194 1 6 686 16 To 21 195 To 200 1 6 587 16 T0 21 236 To 241 1 6 68a 16 To 21 246 To 251 1 6 “:89 16 To 21 252 T0 257 1 6 4. FOR 16 To 21. SEE 16 To 21 ABOVE an 69 a 17 To 22 23 To 28 1 6 234 PATTERN NCTES RELATED TD NOTES TEST LENGTH 691 17 TD 22 35 TD 40 1 6 692 17 TD 22 54 TD 59 1 6 693 17 TD 22 66 TD 71 1 6 694 17 TD 22 88 TD 93 1 6 695 17 TD 22 108 T0 113 1 6 696 17 TD 22 113 T0 118 1 6 657 17 TD 22 145 TD 150 1 6 658 17 To 22 154 T0 159 1 6 659 17 To 22 190 TD 195 1 6 “(CO 17 TD 22 196 m 201 1 6 701 17 TD 22 237 TD 242 1 6 702 17 TD 22 247 T0 252 1 6 703 17 TD 22 253 TD 258 1 6 704 18 TD 23 24 TD 29 1 6 705 18 To 23 43 TD 48 1 6 706 18 TD 23 92 TD 97 1 6 707 18 To 23 131 To 136 1 6 7C8 18 To 23 135 T8 140 1 6 709 18 TD 23 197 TD 202 1 6 71 D 18 TD 23 238 TD 243 1 6 71 1 18 TD 23 254 T0 259 1 6 "to: FDR 18 TD 23. SEE 18 To 23 ABOVE u" 71 2 19 TD 24 25 TD 30 1 6 71 3 19 TD 24 44 TD 49 1 6 71 4 19 TD 24 93 TD 98 1 6 7L 5 19 TD 24 132 T0 137 1 6 7L 6 19 To 24 239 TD 244 1 6 “'65 FOR 19 TD 24. SEE 19 TD 24 ADDVE mm 71 7 20 TD 25 26 TD 31 1 6 718 20 TD 25 45 TD 50 1 6 719 20 TD 25 133 T0 138 1 6 728 20 TD 25 138 T0 143 1 6 721 20 To 25 202 T0 207 1 6 “722 20 TD 25 240 TD 245 1 6 “‘9 FDR 21 TD 26. SEE 9 TD 14 ABOVE mm “94 FDR 22 TD 27. SEE 2 TD 7 ABOVE mu: ‘ 94 FOR 23 TD 28. SEE 17 TD 22 ABOVE an .“9 FDR 24 TD 29. SEE 18 To 23 ABOVE an “*6 FDR 25 TD 30. SEE 19 To 24 ARDVE mt =9?‘ FDR 26 TD 31. SEE 20 To 25 ABOVE nu I. 9:. FCR 27 To 32. SEE 9 TD 14 ABOVE nu 9:“ FDR 34 TD 39. SEE 2 To 7 ABOVE nu ‘6 FDR 35 TD 40. SEE 17 TD 22 ABOVE nu 723 36 TD 41 47 TD 52 1 6 724 36 TD 41 55 TD 60 1 6 725 36 To 41 58 TD 63 1 6 725 36 TD 41 67 TD 72 1 6 72 7 36 TD 41 89 To 94 1 6 72 a 36 TD 41 109 T0 114 1 6 729 36 TD 41 114 TD 119 1 6 73 o 36 TD 41 140 T0 145 1 6 pATTERN 731 732 733 ‘734 7'35 7736 ‘7337 ‘7138 7239 7'450 7'4fil 7«452 ‘74‘63 7«¢34 7<¢i§ 746 747 74.8 749 7€ESC 71551 ttt‘ FOR 9:99“.- FCR Qttfi-x FOR 9:991:06 FCR 7'552 753 734 'TESS '1556 757 7558 .“‘ “*‘ .“‘ “.‘ “‘t ““ FOR FOR FCR FCR FOR FOR FOR NOTES T0 T0 T0 TO TO 235 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 146 149 155 191 242 248 NOTES T0 T0 T0 T0 T0 T0 T0 T0 151 154 160 196 247 253 230 233 236 250 TEST ~9—Fir-wv-F-Hvur-Hr—Fiwr—F‘newt—ran ABOVE **** ABOVE **** ABOVE *ttt ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE wrap-Hr—F-H p-wrap-Hr—rn—de-wv— **¥t *ttt tttt *t** *tt# tttt tt** LENGTH 0‘0(>O‘OCTO‘O(>O‘OC>O‘0<>O‘O(>O‘O(> OCFO‘OCTO‘D O<>O‘0(>O‘0<>O‘0<}O‘ [3 ATTERN 771 26:99 FDR O1F*‘ FDR tat-#6 FDR sumo-9 FDR .Ikdtt FCR 6191*: FOR O‘H.I* FOR 0‘”. # FOR 0” d FOR 96:9”. FOR 7 ‘22 7 73 7 74 61016:. FOR 918:9: 9. FCR 99:192. FCR 91819:.- FCR "*3.- FDR 919193. FOR 9619:.- FOR 9:919- FOR 9:96.: FOR tint-C: FOR 99:16.: FOR "to: FDR “N.- FDR “Wk FDR “‘65 FOR 994- FDR “‘18 FDR ““t FDR “*9 FDR “"66 FDR ““1!- FDR “‘6 FDR "94 FDR “*9 FDR Tm" FDR :“‘* FDR ""** FDR *‘H FOR 7"“. FDR 3,75 76 J” 7a ‘. .:"’* FDR 6.. ‘315 FDR 50 51 52 53 54 55 57 58 59 6O 63 64 65 66 67 68 69 82 83 B4 85 86 88 89 90 91 92 93 106 107 108 169 110 111 112 113 114 115 117 118 119 119 119 119 120 121 122 123 NOTES 55 569 579 589 599 609 619 629 639 649 659 68 69 70 719 729 739 749 759 879 889 899 909 919 929 939 949 959 969 979 989 1119 1129 1139 1149 1159 1169 1179 1139 1199 1209 1229 1239 124 124 124 124 1259 1269 1279 1289 236 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 226 229 232 119 13 T0 T0 T0 T0 T0 256 21 22 41 13 47 41 42 43 212 213 176 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE pow Hvdr-H **¥# **t* *t‘# *tt* ###* **#¥ ##tt **t* t*## *tt* ##3# *t** ##tt *ttt tttt fittt titt tit. *¥*# #t** ***O t*## **** tttt ##tt titt *ttt tttt tttl *ttt #*** tit! Ottt ##tt *ttt *fitt ##tt tit. #ttt tttt *ttt tit! titt LENGTH 0.0404 0000' p ATTERN tutti :OIrtt tilt: Itintt thirt #‘utdl tautat '7'79 1'130 ‘7 tn ##Irat tit-a. tttle tiara-I 9.6::- tithi- tttuih tithing ‘Ott:0- ttt=np Oluta-n Otiufip titan: tttm-n ‘tttaoz 7.**I.: ‘*‘=.: #‘uh‘. FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR 129 130 131 132 133 134 135 136 136 137 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 162 163 164 165 166 171 172 173 174 175 176 177 177 181 181 182 183 184 185 186 NOTES T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO 1349 1359 1369 1379 1389 1399 1409 141 141 142 1429 1439 1449 1459 1469 1479 1489 1499 1509 1519 1529 1539 1549 1559 1569 1579 1589 1599 1609 1619 1629 1679 1689 1699 1709 1719 1769 1779 1789 1799 1809 1819 182 182 186 186 1879 1889 1899 1909 1919 237 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE prdr-w 4969 9999 946* 9999 999: 4599 9944 *ttt tttt tttt #¥** *3“ iii! tttt *#*8 *#*¥ *tt# ***4 ##t* t**# tttt *ttt ##** tttt *ttt tit. **** ##3* ##t* *iit *ttt 388* *ttt tttt *t** *tt# *ttt lit. *##t t*** titt tttt tit! **** LENGTH O‘O‘O‘ 0<>O‘O 238 p ATTERN NDTES RELATED TD NDTES TEST LENGTH sou FDR 187 TD 192. SEE 5 TD 10 ABOVE uu ass-u FDR 188 TD 193. SEE 50 TD 55 A80VE uu ammu- FDR 189 TD 194. SEE 16 TD 21 ABOVE uu 99-99 FDR 19o TD 195. SEE 17 TD 22 ABOVE uu 99mm FDR 191 T0 196. SEE 36 TD 41 ABOVE uu our: FDR 192 TD 197. SEE 37 TD 42 ABOVE uu 94am FCR 193 TD 198. SEE 38 TD 43 ABOVE uu uncut FDR 194 TD 199. SEE 50 TD 55 ARDVE uu uncut FDR 195 T0 200. SEE 16 TD 21 ABOVE uu um: FDR 196 T0 201. SEE 17 TD 22 ABOVE uu “an. FCR 197 T0 202. SEE 18 TD 23 ABOVE uu "a: a. FDR 198 70 203. SEE 136 TD 141 ABOVE uu "an”. FDR 281 TD 206. SEE 137 T0 142 ABOVE uu 9:99: .. FDR 202 TD 207. SEE 20 TD 25 ABOVE uu “#:— FDR 203 TD 208. SEE 9 TD 14 ABOVE uu 9:99: =- FDR 204 TD 209. SEE 2 TD 7 ABOVE uu 444 =- FCR 285 T0 210. SEE 177 TD 182 ABOVE uu 7 86 206 TD 211 216 T0 221 444 =. FDR 207 TD 212. SEE 63 TD 68 ABOVE uu “Wac- FDR 208 T0 213. SEE 64 TD 69 ABOVE uu "in. FDR 213 T0 218. SEE 181 To 186 ABOVE uu 994 :- FDR 215 TD 220. SEE 177 TD 182 ABOVE uu 944... FCR 216 T0 221. SEF 206 TD 211 ABOVE uu ““h- FDR 222 TD 227. SEE 181 T0 186 ABOVE uu 944:. FDR 223 TD 228. SEE 4 TD 9 ABOVE uu “'97- FDR 224 TD 229. SEE 5 TD 18 ABOVE uu “*3- FDR 225 TD 230. SEE 50 TD 55 ABOVE uu “"ht- FDR 226 TD 231. SEE 119 TD 124 ABOVE uu *"uo- FDR 227 TD 232. SEE 5 TD 10 ABOVE uu 994- FDR 228 T0 233. SEE so TD 55 ABOVE uu :“wo FDR 229 T0 234. SEE 119 TD 124 ABOVE uu 94:. FDR 230 TD 235. SEE 5 TD 10 ABOVE uu ‘99:. FDR 231 T0 236. SEE 50 TD 55 ABOVE uu run: FDR 232 T0 237. SEE 119 TD 124 ARDvE uu ‘94. FDR 233 TD 238. SEE 13 TD 18 ABOVE uu “M- FDR 234 T0 239. SEE 14 TD 19 ABOVE uu 7““ FDR 235 TD 24D. SEE 15 TD 20 ABOVE uu ‘94. FDR 236 TD 241. SEE 16 TD 21 ABOVE uu 2““ FOR 237 T0 242. SEE 17 TD 22 ABOVE uu 3“" FCR 238 TD 243. SEE 18 TD 23 ABOVE uu 3"“ FDR 239 TD 244. SEE 19 TD 24 ABOVE uu ‘:u FDR 240 T0 245. SEE 20 TD 25 ARDVE uu ‘3.“ FCR 241 TD 246. SEE 42 TD 47 ABOVE uu ,h.“ FDR 242 T0 247. SEE 36 TD 41 ABOVE uu “‘9 FDR 243 TD 248. SEE 37 TD 42 ABOVE uu -1. *9 FDR 244 TD 249. SEE 38 TD 43 ABOVE uu “ ‘9: PER 245 TD 250. SEE 50 TD 55 ABOVE uu 1.4. ‘9- FDR 246 T0 251. SEE 16 TD 21 ABOVE uu S.‘ *9: FDR 247 TD 252. SEE 17 TD 22 ABOVE uu 1.- *9: FDR 248 TD 253. SEE 36 TD 41 ABOVE uu ‘5 at FCR 249 TD 254. SEE 37 TD 42 ABOVE uu 239 PATTERN NOTES RELATED TO NOTES TEST LENGTH ’*** FOR 250 TO 2559 SEE 38 TO 43 ABOVE *‘Wi‘ ##tt FOR 251 TO 2569 SEE 50 TO 55 ABOVE WNW #‘ii FOR 252 TO 2579 SEE 16 TO 21 ABOVE **** ‘1‘!” FOR 253 TO 2589 SEE IT TO 22 ABOVE **** 0“# FOR 254 TO 2599 SEE 18 TO 23 ABOVE **** 240 tit TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINAL) HAS BEGUN AT 632 SECONDS INTO EXECUTION. FATTERN NDTES RELATED TD NDTES TEST LENGTH 787 1 TD 7 29 TD 35 1 7 788 1 TD 7 31 TD 37 1 7 789 1 TD 7 33 TD 39 1 7 798 1 TD 7 52 TD 58 1 7 791 1 TD 7 71 TD 77 1 7 792 1 TD 7 73 TD 79 1 7 753 1 TD 7 75 TD 81 1 7 794 1 TD 7 77 TD 83 1 7 795 1 TD 7 79 TD 85 1 7 796 1 TD 7 81 TD 87 1 7 797 1 TD 7 159 T0 165 1 7 798 2 TD 8 10 TD 16 1 7 799 2 TD 8 28 TD 34 1 7 a Do 2 TD 8 30 TD 36 1 7 8 c1 2 TD 8 32 TD 38 1 7 8 02 2 TD 8 70 To 76 1 7 R 83 2 TD 8 72 TD 78 1 7 E- 84 2 TD 8 74 TD 80 1 7 B 05 2 TD 8 76 TD 82 1 7 8 06 2 TD 8 78 TD 84 1 7 8 c7 2 TD 8 80 TD 86 1 7 308 2 TD 8 82 TD 88 1 7 889 2 TD 8 158 T0 164 1 7 8 1D 2 TD 8 160 TD 166 1 7 811 4 TD 10 84 To 90 1 7 812 4 TD 10 162 T0 168 1 7 813 4 TD 10 173 TD 179 1 7 814 4 TD 10 223 T0 229 1 7 815 6 TD 12 39 TD 45 1 7 816 7 To 13 40 TD 46 1 7 817 8 TD 14 68 TD 74 1 7 818 8 TD 14 110 T0 116 1 7 819 8 TD 14 156 T0 162 1 7 820 9 TD 15 21 TD 27 1 7 821 9 TD 15 27 TD 33 1 7 822 9 TD 15 69 TD 75 1 7 823 9 TD 15 106 TD 112 1 7 824 9 TD 15 111 T0 117 1 7 825 9 TD 15 157 T0 163 1 7 826 9 TD 15 203 T0 209 1 7 827 13 TD 19 183 To 189 1 7 828 13 TD 19 233 TD 239 1 7 829 14 TD 20 117 To 123 1 7 830 14 TD 20 184 T0 190 1 7 241 P ATTERN NOTES RELATED To NDTES TEST LENGTH 831 14 To 20 234 To 240 1 7 832 15 To 21 235 To 241 1 7 833 16 To 22 87 To 93 1 7 834 16 To 22 144 TD 150 1 7 835 16 To 22 153 To 159 1 7 836 16 TD 22 189 To 195 1 7 237 16 To 22 195 T0 201 1 7 838 16 To 22 236 To 242 1 7 839 16 To 22 246 To 252 1 7 8 4o 16 To 22 252 To 258 1 7 8191 17 To 23 23 T0 29 1 7 9 42 17 To 23 196 To 202 1 7 8 43 17 To 23 237 T0 243 1 7 a 44 17 TD 23 253 To 259 1 7 E- 45 18 To 24 24 To 30 1 7 a 46 18 To 24 43 To 49 1 7 1== 4.7 18 To 24 92 To 98 1 7 8 48 18 TD 24 131 To 137 1 7 84.9 18 To 24 238 To 244 1 7 9 so 19 TD 25 25 To 31 1 7 8 51 19 To 25 44 To so 1 7 B :52 19 To 25 132 To 138 1 7 8 53 19 To 25 239 To 245 1 7 8 54 20 TD 26 26 To 32 1 7 F- '55 20 To 26 202 To 208 1 7 R 56 36 TD 42 47 To 53 1 7 8 57 36 To 42 58 To 64 1 7 8 58 36 To 42 114 To 120 1 7 8 s9 36 To 42 140 To 146 1 7 360 36 To 42 149 To 155 1 7 861 36 To 42 191 To 197 1 7 862 36 To 42 242 To 248 1 7 863 36 To 42 248 To 254 1 7 864 37 To 43 48 TD 54 1 7 865 37 To 43 59 To 65 1 7 866 37 To 43 141 TD 147 1 7 E67 37 TD 43 150 TD 156 1 7 868 37 To 43 192 To 198 1 7 869 37 To 43 243 To 249 1 7 870 37 To 43 249 To 255 1 7 871 42 To 48 91 To 97 1 7 872 42 To 48 130 To 136 1 7 873 42 To 48 134 To 140 1 7 874 so To 56 86 TD 92 1 7 875 50 To 56 143 To 149 1 7 876 so To 56 152 To 158 1 7 877 so To 56 164 To 170 1 7 878 so To 56 175 To 181 1 7 879 so To 56 188 To 194 1 7 880 so To 56 194 To 200 1 7 881 50 To 56 245 To 251 1 7 P ATTERN 882 883 884 885 886 887 888 50 119 119 119 137 181 NCTES T0 T0 T0 T0 T0 T0 T0 56 125 125 125 143 187 242 RELATED TO 251 207 186 226 229 201 222 NOTES 257 192 232 235 207 228 TEST HP—F‘HP‘HF‘ LENGTH -1~1~1~1~1~1-1 243 ttt TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 8 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINAL) HAS BEGUN AT 656 SECONDS INTO EXECUTION. PATTERN NoTEs RELATED To NOTES TEST LENGTH £89 1 To 8 29 To 36 1 8 A90 1 To 8 31 To 38 1 8 891 1 To 8 71 To 78 1 8 892 1 To 8 73 To 80 1 8 893 1 To 8 75 To 82 1 8 894 1 To 8 77 To 84 1 8 895 1 To 8 79 To 86 1 8 896 1 To 8 81 To 88 1 8 897 1 To 8 159 To 166 1 8 898 2 To 9 10 To 17 1 8 B99 2 To 9 82 To 89 1 8 900 2 To 9 160 To 167 1 8 901 6 To 13 39 To 46 1 8 982 8 To 15 68 To 75 1 8 903 8 To 15 110 To 117 1 8 9 04 8 To 15 156 To 163 1 8 9 05 9 To 16 27 To 34 1 8 =3 06 9 To 16 69 To 76 1 8 9 c7 9 To 16 157 To 164 1 8 9 08 13 To 20 183 To 190 1 8 1:; 89 13 To 20 233 To 240 1 8 9 1o 14 To 21 234 To 241 1 8 <3 11 15 To 22 235 To 242 1 8 912 16 To 23 195 To 202 1 8 913 16 To 23 236 TD 243 1 8 914 16 To 23 252 To 259 1 8 915 17 To 24 237 To 244 1 8 916 18 To 25 43 To 50 1 8 917 18 To 25 131 To 138 1 8 518 18 To 25 238 To 245 1 8 919 20 To 27 202 To 209 1 8 920 36 To 43 47 To 54 1 8 921 36 To 43 58 To 65 1 8 922 36 To 43 140 To 147 1 8 923 36 To 43 149 To 156 1 8 924 36 To 43 191 To 198 1 8 925 36 To 43 242 To 249 1 8 926 36 To 43 248 To 255 1 8 927 42 To 49 91 To 98 1 8 928 42 To 49 130 To 137 1 8 S29 50 To 57 164 To 171 1 8 930 119 TD 126 186 To 193 1 8 931 119 To 126 226 To 233 1 8 9 32 119 To 126 229 To 236 1 8 p A TTERN 933 934 935 936 937 938 939 940 941 942 943 944 945 946 ##t TYPE I LISTING CONTINUED **t 244 SEARCH FOR PATTERNS OF TONAL CONTOUR AT 675 SECONDS INTO EXECUTION. HAS BEGUN NOTES 1 TO 9 I TO 9 2 TO 10 2 TO 10 8 TO 16 8 TO 16 13 TO 21 14 TO 22 15 TO 23 16 TO 24 17 TO 75 62 TO 50 119 T0 127 119 TO 127 RELATED TO 9 NOTES IN LENGTH -- (ORIGINAL) 229 NOTES TEST HF‘HP‘F’HF‘HHHFHF‘H LENGTH ~O~O~D~D~DQ~O~D~D~O~O~O~OJ5 245 it: TYPE I LISTING CONTINUED *‘W SEARCH FOR PATTERNS OF 10 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINALI HAS BEGUN AT 691 SECONDS INTO EXECbTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 947 I TO 10 81 TO 90 1 10 948 1 TO 10 159 TO 168 1 10 €49 13 TD 22 233 TO 2142 1 10 950 14 TO 23 23’. TO 243 1 10 951 15 TO 24 235 TO 244 1 10 952 16 TO 25 236 T0 245 1 10 €53 42 TO 51 130 TO 139 1 10 9514 119 TO 128 229 TO 238 1 10 246 8*: TYPE I LISTING CONTINUED *tt SEARCH FOR PATTERNS OF 11 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINAL) HAS BEGUN AT 70? SECONDS INTO EXECUTION. P A ‘TTERN NCTES RELATED TC NOTES TEST LENGTH (355 13 TO 23 233 TO 243 1 11 956 14 TO 24 234 TO 244 l 11 957 15 TO 25 235 TO 245 1 11 247 no TYPE I LISTING CONTINUED ‘W'I‘ SEARCH FOR PATTERNS OF 12 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINAL) HAS BEGUN AT 722 SECONDS INTO EXECUTION. P ATTERN NOTES RELATED TC NOTES TEST LENGTH <3558 13 TO 24 233 TO 244 1 12 959 14 TO 25 234 TO 245 1 12 248 "It TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 13 NOTES IN LENGTH -- TONAL CONTOUR (ORIGINAL) HAS BEGUN AT 737 SECONDS INTO EXECUTION. PA ‘ITERN NOTES RELATED TO NOTES TEST LENGTH 960 13 TO 25 233 TO 245 1 13 249 "t TYPE I LISTING CONTINUED **¥ SEARCH FOR PATTERNS OF )4 NOTES IN LENGTH ~- TONAL CONTOUR (ORIGINAL) HAS BEGUN AT 75’. SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH F M: CF TYPE I LISTING. TOTAL OF 960 PATTERNS LOCATED. EDGARD VARESE 'I'CBAL CCNTOUR (ORIGINAL) C‘FIIGINAL PATTERN "tt SLBPATTERN SLOPATTERN SUBPATTERN SUPPATTERN SUEPATTERN SUEPATTERN SUBPATTERN SUEPATTERN SCEPATTERN SLEPATTERN SUEPATTERN SUBPATTERN SUEPATTERN SUBPATTERN SUBPATTERN SUEPATTERN SCBPATTERN SUEPATTERN SUBPATTERN SUEPATTERN SUBPATTERN TEST 1 COHPLETED AT 250 *** TYPE II LISTING *** DENSITY 21.5 FOR SOLO FLUTE LOCATION OF FIRST OCCURRENCE 13 TO 25 18 TO 25 16 TO 23 19 TO 25 18 TC 24 17 TC 23 16 TO 22 14 TO 20 20 TO 25 19 TC 24 18 TC 23 17 TO 22 16 TC 21 15 TC 20 14 TO 19 13 TO 18 20 TO 24 19 TC 23 18 TO 22 16 TC 20 15 TD 19 14 TO 18 TOTAL NUMBER OF OCCURRENCES N v—N rd)- mkcb~0mék4-moo-180m0mbb LENGTH OF PATTERN t-fi DJ mmmmmmooooooooqduwumm 930 SECONDS INTO EXECUTION tttt i ii flittiitfiitt EEC3¢SAR ’\(TTES 55 h-(‘TES h~(ITES 63 '\l: TES 59 “\II‘TES 56 NC1ES 74 F~(:‘VES ‘59 DiCZ'TES €51 F9(Z‘TES £r7 NIT‘T'ES 559 AC 165 ‘733 AIT‘TEEIS (BC) ACTES 64 VARESE TEST REQUESTED UNITS OF DATA PER CARD CCFPLTER REFERENCE NUMBER ASSIGNMENT 1 THROUGH 15 54 56 51 56 51 3O 57 16 THRCUGH 54 51 57 51 45 62 31 THROUGH 62 63 62 63 60 78 THRCUGH 71 59 72 46 65 75 61 61 THROUGH 81 61 60 61 90 75 76 THROUGH 75 74 75 74 105 74 91 THROUGH 60 61 59 60 106 THROUGH 54 64 51 120 64 51 121 THROUGH 81 80 68 81 135 80 136 THROUGH 54 6O 70 150 73 83 151 THROUGH 8C 83 80 165 73 83 166 THROUGH 73 74 65 180 74 65 195 65 61 181 64 THROUGH 65 63 57 59 63 66 59 74 75 52 68 73 73 65 56 251 15 55 6D 62 65 61 75 74 58 67 8C 80 64 55 54 57 64 67 58 74 74 54 67 83 83 65 57 56 60 70 65 61 75 74 58 57 80 80 63 56 MUSIC MELODIC PATTERN ANALYSIS 57 57 64 67 75 74 54 52 68 73 83 65 55 ##4‘ttttttttit DENSITY 21.5 FOR SOLO FLUTE 51 57 56 57 60 62 63 62 58 64 70 53 65 66 68 55 74 75 74 75 76 61 60 61 51 54 51 51 65 31 80 68 69 56 57 58 83 73 80 83 80 83 80 83 64 63 65 63 57 55 56 57 f\(I'VES 556 rutz‘tes 95 AC 155 1:. F~IZTES 54 5|(TTES 50 196 THROUGH 210 55 57 52 58 59 211 THRCUGH 225 88 85 85 88 85 226 THROUGH 240 68 67 74 68 67 241 THROUGH 255 56 57 54 57 71 256 THROUGH 265 54 6C 64 68 75 66 88 74 60 77 252 72 85 68 54 79 75 9O 88 88 67 74 60 50 85 -99 85 58 54 54 88 58 52 64 '1'F4EIFCLLDNING TYPES OF PATTERN HAVE BEEN DELETED FRCN TEE LISTINGS PATTERNS WHICH ARE REITERAIIONS LDVGER THAN WHICH FCUR NOTES-IN-LENGTH FOLLOH - 85 58 51 54 88 59 54 50 88 57 51 e4 253 The interval tables appearing with Tests 2 through 8 of Densitz 21 .5 would be identical to the tables shown with Test 1. In order to reduce the size of this appendix, these interval tables have been omitted. 254 *¥* TYPE I LISTING *** EDGAR VARESE DENSITY 21.5 FOR SOLO FLUTE SEARCH FOR PATTERNS OF 3 NOTES IN LENGTH -- EXACT CONTOUR IORIGINAL1 HAS BEGUN AT 29 SECONDS INTO EXECUTION. pATTERN NDTES RELATED 713 NOTES TEST LENGTH 1 1 TO 3 e To 10 2 3 2 1 T0 3 37 T0 39 2 3 3 1 TD 3 52 To 54 2 3 4 1 To 3 85 To 87 2 3 5 1 T0 3 177 T0 179 2 3 6 1 Tc 3 137 T0 189 2 3 7 1 To 3 190 To 192 2 3 a 1 T0 3 196 To 198 2 3 9 2 To 4 197 To 199 2 3 10 5 To 7 136 T0 138 2 3 11 5 T0 7 198 T0 200 2 3 12 7 To 9 236 TO 238 2 3 "W0- E09 6 To 10. SEE 1 TO 3 ABOVE «u 13 9 To 11 21 T0 23 2 3 14 9 To 11 27 To 29 2 3 15 9 To 11 241 TO 243 2 3 16 11 T0 13 19 To 21 2 3 17 11 TO 13 41 TO 43 2 3 18 11 To 13 247 To 249 2 3 19 13 To 15 29 T0 31 2 3 2:: 13 To 15 31 To 33 2 3 21 13 To 15 33 TO 35 2 3 22 13 To 15 35 T0 37 2 3 23 13 To 15 63 T0 65 2 3 24 13 To 15 71 To 73 2 3 25 13 To 15 73 To 75 2 3 26 13 To 15 75 To 77 2 3 21 13 T0 15 77 T0 79 2 3 23 13 To 15 79 To 31 2 3 29 13 TO 15 61 To 83 2 3 30 13 T0 15 33 To 85 2 3 31 13 To 15 as T0 90 2 3 32 13 To 15 172 To 174 2 3 33 14 T0 16 28 T0 30 2 3 3“ 14 TU 16 30 To 32 2 3 35 14 To 16 32 T0 34 2 3 36 14 To 16 34 T0 36 2 3 37 14 To 16 36 T0 38 2 3 38 14 T0 16 72 T0 74 2 3 39 14 To 16 74 T0 76 2 3 40 14 To 16 76 T0 73 2 3 41 14 TO 16 78 To so 2 3 PATTERN 9444 4494 48 49 50 51 FOR FOR FOR FCR FOR FCR FOR FCR FOR FOR Ecn FOR FOR NCTES 255 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 262 18 11 45 46 NOTES 103 3 264 20 13 47 48 TEST LENGTH 2 3 2 3 2 3 2 3 2 3 2 3 ABOVE **** ABOVE **** 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 2 3 ABOVE **** 2 3 ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE ‘*** ABOVE ***‘ ABOVE ***# ABOVE **** 2 3 ABOVE **** ABOVE **** 2 3 2 3 PATTERA 49“ FOR ##6‘ FOR 444' FOR 93 490* FOR 46“ FOR 4444 FOR 4444 FOR 4444 FCR 4444 FCR 4444 FOR 4444 FOR 4444 FOR 4444 FOR 4444 FOR 4444 Fan 4444 FOR 4444 pop 4444 FOR 4444 FOR 4444 pop 4444 FCR NCTES 256 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES T0 T0 T0 T0 T0 T0 T0 T0 TEST LENGTH ABOVE **‘* ABOVE **** NN ABOVE **** NN ABOVE **** NNNNNN ABOVE **** NNNNNN ABOVE ‘*** N ABOVE **¥* ABOVE **** NN ABOVE *‘** ABOVE **** ABOVE ***t ABOVE **‘* ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE ‘*** NNNN ABOVE **** NNN b») WWWUJUJUJ NWUJWWW UH» U) UN WWWUJ WW1» 257 PATTERN NCTES RELATED TO NOTES TEST LENGTH 4444 FOR 92 TO 94. SEE 89 TO 91 ABOVE 4444 4444 FOR 93 TO 95. SEE 56 TO 58 ABOVE 4444 4444 FCR 96 TO 98. SEE 14 TO 16 ABOVE 4444 103 97 TO 99 127 TO 129 2 3 )C4 98 To 100 104 TO 106 2 3 185 98 TO 100 221 TO 223 2 3 4444 FCR 101 TO 103. SEE 23 TO 25 ABOVE 4444 4444 FCR 102 To 104. SEE 24 TO 26 ABOVE 4444 106 103 TO 105 212 TO 214 2 3 4444 FOR 104 TO 106. SEE 98 TO 100 ABOVE 4444 187 105 TO 107 213 TO 215 2 3 1ce 186 TO 108 139 TO 141 2 3 4444 FOR 110 TO 112. SEE 59 TO 61 ABOVE 4444 109 118 TO 120 122 TO 124 2 3 110 118 TO 120 125 TO 127 2 3 4444 FOR 119 TO 121. SEE 51 TO 53 ABOVE 4444 4444 FOR 121 TO 123. SEE 70 TO 72 ABOVE 4444 4444 FOR 122 TO 124. SEE 118 To 120 ABOVE 4444 4444 FOR 123 To 125. SEE 48 TO 50 ABOVE 4444 4444 PER 125 TO 127. SEE 118 TO 120 ABOVE 4444 4444 FOR 126 TO 128. SEE 51 TO 53 ABOVE 4444 4444 FOR 127 TO 129. SEE 97 TO 99 ABOVE 4444 4444 FOR 132 TO 134. SEE 59 TO 61 ABOVE 4444 4444 FOR 133 TO 135. SEE 91 TO 93 ABOVE 4444 4444 FOR 134 TO 136. SEE 91 TO 93 ABOVE 4444 4444 FOR 136 TO 138. SEE 5 TO 7 ABOVE 4444 4444 FCR 139 TO 141. SEE 106 TO 108 ABOVE 4444 111 140 TO 142 146 TO 148 2 3 112 140 TO 142 155 TO 157 2 3 113 140 TO 142 251 TO 253 2 3 114 141 TO 143 147 TO 149 2 3 115 141 TO 143 150 TO 152 2 3 116 141 TO 143 156 TO 158 2 3 117 142 TO 144 148 TO 150 2 3 118 142 TO 144 151 TO 153 2 3 119 142 TO 144 157 TO 159 2 3 #444 FCR 143 TO 145. SEE 24 TO 26 ABOVE 4444 120 144 TO 146 153 To 155 2 3 121 144 TO 146 165 TO 167 2 3 122 145 TO 147 154 TO 156 2 3 4444 FOR 146 TO 148. SEE 140 TO 142 ABOVE 4444 4444 FOR 147 TO 149. SEE 141 To 143 ABOVE 4444 4444 FCR 148 To 150. SEE 142 TO 144 ABOVE 4444 4444 FOR 150 TO 152. SEE 141 TO 143 ABOVE 4444 1*44 FOR 151 TO 153. SEE 142 TO 144 ABOVE 4444 '*¢4 FOR 152 TO 154. SEE 24 TO 26 ABOVE 4444 4444 FOR 153 TO 155. SEE 144 To 146 ABOVE 4444 ***4 FCR 154 TO 156. SEE 145 TO 147 ABOVE 4444 ***4 FOR 155 TO 157. SEE 140 T0 142 ABOVE 4444 ‘*‘* FOR 156 TO 158. SEE 141 TO 143 ABOVE 4444 ‘*14 FOR 157 TO 159. SEE 142 TO 144 ABOVE 4444 258 RATTERA NCTES RELATED TO NOTES TEST LENGTH 4444 FOR 158 TO 160. SEE 24 TO 26 ABOVE 4444 4444 FOR 159 TO 161. SEE 23 TO 25 ABOVE 4444 4444 FOR 160 TO 162. SEE 24 TO 26 ABOVE 4444 4444 FOR 161 TO 1634 SEE 23 TO 25 ABOVE 4444 4444 FOR 162 TO 164. SEE 24 TO 26 ABOVE 4444 4444 FOR 163 TO 165. SEE 23 TO 25 ABOVE 4444 4444 FOR 164 TO 166. SEE 24 TO 26 ABOVE 4444 4444 FOR 165 TO 167. SEE 144 TO 146 ABOVE 4444 4444 FOR 172 TO 174. SEE 13 TO 15 ABOVE 4444 4444 FOR 173 TO 175. SEE B9 TO 91 ABOVE 4444 4444 FOR 174 TO 176. SEE 54 TO 56 ABOVE 4444 123 175 TO 177 188 TO 190 2 3 124 176 TO 178 189 TO 191 2 3 125 176 TO 178 195 TO 197 2 3 4444 FOR 177 TO 179. SEE 1 TO 3 ABOVE 4444 4444 FOR 178 TO 180. SEE 53 TO 55 ABOVE 4444 4444 FOR 179 TO 181. SEE 56 TO 58 ABOVE 4444 4444 FOR 180 TO 182. SEE 64 TO 66 ABOVE 4444 126 181 TO 183 222 TO 224 2 3 4444 FOR 182 TO 184. SEE B9 TO 91 ABOVE 4444 4444 FOR 183 TO 185. SEE 54 TO 56 ABOVE 4444 4444 FOR 187 TO 189. SEE 1 TO 3 ABOVE 4444 4444 FOR 188 TO 190. SEE 175 TO 177 ABOVE 4444 4444 FOR 189 TO 191. SEE 176 TO 178 ABOVE 4444 4444 FOR 190 TO 192. SEE 1 TO 3 ABOVE 4444 4444 FOR 191 TO 193. SEE 53 TO 55 ABOVE 4444 4444 FOR 192 TO 194. SEE 56 TO 58 ABOVE 4444 4444 FOR 193 TO 195. SEE 91 To 93 ABOVE 4444 4444 FOR 194 TO 196. SEE 14 TO 16 ABOVE 4444 4444 FOR 195 TO 197. SEF 176 TO 178 ABOVE 4444 4444 FOR 196 TO 198. SFE 1 TO 3 ABOVE 4444 4444 FOR 197 TO 199. SEE 2 TO 4 ABOVE 4444 4444 FOR 198 TO 200. SEE 5 TO 7 ABOVE 4444 4444 FOR 206 TO 208. SEE 24 TO 26 ABOVE 4444 4444 FOR 207 TO 209. SEE 23 TO 25 ABOVE 4444 127 2ca TO 210 218 TO 220 2 3 4444 FOR 210 TO 212. SEE 23 TO 25 ABOVE 4444 4444 FOR 211 TO 213. SEE 24 TO 26 ABOVE 4444 4444 FOR 212 TO 214. SEE 103 TO 105 ABOVE 4444 4444 FOR 213 TO 215. SEE 105 TO 107 ABOVE 4444 4444 FOR 214 TO 216. SEF 24 TO 26 ABOVE 4444 4444 FOR 215 TO 217. SEE 23 TO 25 ABOVE 4444 4444 FCR 216 TO 218. SEE 24 TO 26 ABOVE 4444 4444 FOR 217 TO 219. SEE 23 TO 25 ABOVE 4444 #444 FOR 218 TO 220. SEE 208 TO 210 ABOVE 4444 *444 FOR 221 TO 223. SEE 98 TO 100 ABOVE 4444 4444 FOR 222 TO 224. SEE 181 TO 183 ABOVE 4444 ‘444 FOR 223 TO 225. SEE 89 TO 91 ABOVE 4444 128 226 TO 228 229 TO 231 2 3 129 226 TO 228 232 TO 234 2 3 13c 227 TO 229 230 TO 232 2 3 259 PAITERN NOTES RELATED TC NOTES FEST LENGTH I31 227 TO 229 233 TO 235 2 3 132 228 TO 230 231 TO 233 2 3 444* FOR 229 TO 2314 SEE 226 TO 228 ABOVE **** it" FOR 230 TO 2324 SEE 227 TO 229 ABOVE **** #444 FOR 231 TO 2334 SEE 228 TO 230 ABOVE **** tttt FOR 232 TO 2364 SEE 226 TO 228 ABOVE ***‘ fi*“ FCR 233 TO 2354 SEE 221 TO 229 ABOVE **** $*** FOR 236 TO 2384 SEE 7 TO 9 ABOVE ¥*** ‘*#‘ FOR 238 TO 2404 SEE 24 TO 26 ABOVE **** 'fit‘ FOR 239 TO 2414 SEE 23 TO 25 ABOVE **** it‘i FOR 240 TO 2424 SEE 26 TO 28 ABOVE **** i"‘ FOR 241 TO 2434 SEE 9 TO 11 ABOVE **** ‘*** FOR 242 70 2444 SEE 22 TO 24 ABOVE **** fi¢¢‘ FOR 243 TO 2454 SEE 23 TO 25 ABOVE **** 444* FOR 244 TO 2464 SEE 69 TO 71 ABOVE **** *O‘# FOR 237 TO 2494 SEE 11 TO 13 ABOVE **** **** FOR 251 TO 2534 SEE 140 TO 142 ABOVE **** LL 260 .“ TYPE I LISTING CONTINUED tit SEARCH FOR PATTERNS OF 4 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 195 SECCNDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 133 1 TO 4 196 TO 199 2 4 134 13 To 16 29 TO 32 2 4 135 13 To 16 31 T0 34 2 4 136 13 TO 16 33 To 36 2 4 137 13 TO 16 35 TO 38 2 4 138 13 TO 16 71 T0 74 2 4 139 13 To 16 73 TO 76 2 4 140 13 TO 16 75 TO 78 2 4 141 13 TO 16 77 TO 80 2 4 142 13 To 16 79 To 82 2 4 143 13 TO 16 81 TO 84 2 4 144 13 To 16 83 TO 86 2 4 145 21 TO 24 241 TO 244 2 4 146 22 TO 25 242 TO 245 2 4 147 23 TO 26 101 T0 104 2 4 148 23 TO 26 159 To 162 2 4 149 23 To 26 161 TO 164 2 4 150 23 TO 26 163 T0 166 2 4 151 23 TO 26 210 TO 213 2 4 152 23 TO 26 215 TO 218 2 4 153 24 To 27 158 T0 161 2 4 154 24 TO 27 160 TO 163 2 4 155 24 TO 27 162 TO 165 2 4 156 24 TO 27 206 TO 209 2 4 157 24 TO 27 214 TO 217 2 4 158 24 TO 27 216 To 219 2 4 159 24 To 27 238 TO 241 2 4 160 25 TO 28 239 TO 242 2 4 161 26 TO 29 240 TO 243 2 4 162 28 TO 31 32 TO 35 2 4 163 28 TO 31 34 TO 37 2 4 164 28 TO 31 72 TO 75 2 4 165 28 TO 31 74 TO 77 2 4 166 28 TO 31 76 To 79 2 4 167 28 TO 31 78 TO 81 2 4 168 28 TO 31 80 To 83 2 4 169 28 To 31 82 TO 85 z 4 4444 FOR 29 To 32. SEE 13 TO 16 ABOVE #444 :44. FOR 30 TO 33. SEE 28 TO 31 ABOVE 4444 ‘*t* FOR 31 TO 34. SEE 13 TO 16 ABOVE 4444 444. FOR 32 TO 35. SEE 28 TO 31 ABOVE 4444 #444 FOR 33 TO 36. SEE 13 TO 16 ABOVE 4444 *‘tt FCR 34 TO 37. SEE 28 TO 31 ABOVE 4444 .444 FCR 35 To 38. SEE 13 TO 16 ABOVE 4:44 261 PATTERN NCTES RELATED TO NOTES TEST LENGTH 170 36 TO 39 84 TO 87 2 4 171 52 TO 55 177 TO 180 2 4 172 52 TO 55 190 TO 193 2 4 173 55 TO 58 178 TO 181 2 4 174 55 TO 58 191 To 194 2 4 175 68 TO 71 243 TO 246 2 4 4444 EUR 71 TO 74. SEE 13 TO 16 ABOVE 4444 4444 E08 72 TO 75. SEE 28 TO 31 ABOVE 4444 4444 EOB 73 TO 76. SEE 13 TO 16 ABOVE 4444 4444 FOR 74 TO 77. SEE 28 TO 31 ABOVE 444* 4444 FOR 75 TO 78. SEE 13 TO 16 ABOVE 444* 4444 FOR 76 TO 79. SEE 28 TO 31 ABOVE 4444 4444 EOB 77 TO 80. SEE 13 TO 16 ABOVE 4444 4444 FOR 78 To 81. SEE 28 To 31 ABOVE 4444 4444 E08 79 TO 82. SEE 13 TO 16 ABOVE 4444 4444 E08 80 TO 83. SEE 28 TO 31 ABOVE 4444 4444 FCR 81 TO 84. SEE 13 TO 16 ABOVE 4444 4444 E08 82 TO 854 SEE 28 TO 31 ABOVE 4444 4444 FOR 83 TO 86. SEE 13 TO 16 ABOVE 4444 4444 FOR 84 TO 87. SEE 36 TO 39 ABOVE 4444 176 88 TO 91 172 TO 175 2 4 177 89 TO 92 92 TO 95 2 4 178 90 TO 93 192 TO 195 2 4 4444 FCR 92 TO 95. SEE 89 TO 92 ABOVE 4444 4444 FOR 101 To 104. SEE 23 To 26 ABOVE 4444 179 102 TO 105 211 TO 214 2 4 180 118 TO 121 125 TO 128 2 4 4444 FOR 125 TO 128. SEE 118 TO 121 ABOVE 4444 181 140 To 143 146 TO 149 2 4 182 140 TO 143 155 TO 158 2 4 183 141 TO 144 147 TO 150 2 4 184 141 TO 144 150 TO 153 2 4 185 141 TO 144 156 TO 159 z 4 186 142 TO 145 151 To 154 2 4 187 142 TO 145 157 TO 160 2 4 188 143 TO 146 152 To 155 2 4 189 143 TO 146 164 TO 167 2 4 190 144 TO 147 153 TO 156 2 4 191 145 TO 148 154 TO 157 2 4 4444 FOR 146 TO 149. SEE 140 TO 143 ABOVE 444* 4444 EOB 147 TO 150. SEE 141 TO 144 ABOVE 4444 4444 FOR 150 TO 153. SEE 141 TO 144 ABOVE 4444 4444 EOB 151 TO 154. SEE 142 TO 145 ABOVE 4444 4444 FCR 152 TO 155. SEE 143 TO 146 ABOVE 4444 4444 FOR 153 TO 156. SEE 144 TO 147 ABOVE 4444 ‘*44 FOR 154 TO 157. SEE 145 TO 148 ABOVE 4444 '444 EOB 155 TO 158. SEE 140 TO 143 ABOVE 4444 ‘444 FOR 156 TO 159. SEE 141 TO 144 ABOVE 4444 '344 PER 157 TO 160. SEE 142 TO 145 ABOVE 4444 ‘**4 EOB 158 To 161. SEE 24 TO 27 ABOVE 4444 '044 FOR 159 TO 162. SEE 23 TO 26 ABOVE 4444 PATTERN ###$ 61" ttit ##0’ $### iii. 192 193 194 195 4444 FCR Otit FOR 196 4444 4444 4444 4444 4444 4444 4444 4444 4444 197 4444 4444 4444 4444 4444 4444 4444 198 199 200 201 4444 ‘t.’ .QO‘ tit. tit! i*‘# 0". tit. ‘t.’ ‘O!’ FOR FOB FOR FOR FOR FOR FOR FOR FOR FOR FCR FOP FOR FOP FCR FOR FOR FOR FOP FOR FOP FOR FCR FOR FOP FCR FOR FOR FOR FOR FOR FOR 160 161 I62 163 164 172 173 175 176 176 177 178 181 182 188 189 190 191 192 195 196 206 207 210 211 216 215 216 217 222 226 226 227 228 229 230 231 232 238 239 240 241 242 243 NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 10 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 1634 16‘. 1654 1669 1670 1754 176 178 179 179 1804 1319 184 1854 1914 1924 1939 1949 1954 1984 1990 2094 210 2134 2144 2179 2189 2194 2209 2254 229 229 230 231 2324 2334 2344 2354 2414 2424 2434 2444 2454 2464 262 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 24 23 26 23 143 88 182 188 189 195 52 55 222 173 175 176 52 55 90 176 24 217 23 102 24 23 26 207 181 229 232 230 231 226 227 228 226 24 25 26 21 22 68 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 27 26 27 26 166 91 185 191 192 198 55 58 225 176 178 179 55 58 93 179 27 220 26 105 27 26 27 210 186 232 235 233 234 229 230 231 229 27 28 29 24 25 71 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE NNNN NNNN *ttt **t# ##tt *ttt ¥*** #$*# ##t# #*** ***# **** *t*# #38! **#* tttt *ttt **t* tit. *ttt *tt* ***1 ##t# tit. ##t* **#t ***S tit! ##tt *ttt *tit ***¥ tilt ti¥$ ttti tit. LENGTH 4n44~¢ b4>$‘& 263 it: TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 5 NOTES IN LENGTH -- EXACT CONTOUR lORIGINALI HAS BEGUN AT 270 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH ?02 21 TO 25 241 TO 245 2 5 t*‘* FOR 21 TD 25. SEE 21 TO 25 ABOVE **** 203 24 TO 28 238 T0 242 2 5 ?04 25 TO 29 239 TO 243 2 5 *“* FOR 25 TO 29. SEE 25 TO 29 ABOVE ***‘ 205 35 TO 39 83 TO 87 2 5 tttt FOR 83 TO 879 SEE 35 TD 39 ABOVE **‘* 206 101 TO 105 210 TO 214 2 5 PC? 140 TO 144 146 TO 150 2 5 7GB 140 TO 144 155 TO 159 2 5 209 141 TO 145 150 TO 154 2 5 210 141 TO 145 156 TO 160 2 5 211 142 TO 146 151 TO 155 Z 5 212 143 TO 147 152 TO 156 2 5 Ottt FOR 143 TO 1479 SEE 143 TO 147 ABOVE ***‘ 213 144 TO 148 153 TO 157 2 5 214 145 TO 149 154 TO 158 2 5 00¢: FOR 146 TO 1500 SEE 140 TO 144 ABOVE *‘** t‘fii FOR 150 TO 156. SEE 161 TO 145 ABOVE ***‘ tttt FOR 151 TO 155. SEE 142 TO 146 ABOVE ***t tit! FOR 152 TO 1560 SEE 1&3 TO 147 ABOVE ***‘ tttt FOR 153 TO 157. SEE 144 TO 148 ABOVE **** Ottt FOR 15‘ TO 158. SEE 145 T0 149 ABOVE **** fittt FOR 155 TO 159. SEE 140 TO 144 ABOVE **** “" FOR 156 TO 160. SEE 141 TO 145 ABOVE **** 215 175 TO 179 188 TO 192 2 5 216 176 TO 180 189 TO 193 2 5 ?17 177 TO 181 190 TO 194 2 5 tit: FOR 188 TO 192. SEE 175 TO 179 ABOVE **‘* tttt FOR 189 TO 1939 SEE 176 TO 180 ABOVE **** tttt FOR 190 TO I94. SEE 177 TO 181 ABOVE **** 218 206 TO 210 216 TO 220 Z 5 ”** FOR 210 TO 2140 SEE 101 TO 105 ABOVE **¢* “’* FOR 216 TO 220. SEE 206 TO 210 ABOVE **‘* ittt FOR 238 TO 2420 SEE 24 TO 28 ABOVE *‘** “** FOR 239 TO 243. SEE 25 TO 29 ABOVE **** “** FOR 241 TO 245. SEE 21 TO 25 ABOVE **** 264 ‘** TYPE I LISTING CONTINUED #** SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 360 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 719 24 TC 79 238 T0 243 2 6 220 34 TO 39 82 TO 87 2 6 tfit‘ FOR 82 TO 87. SEE 34 TO 39 ABOVE *#** 221 140 TO 145 155 TO 160 2 6 222 141 TO 146 150 T0 155 Z 6 223 142 TO 147 151 TO 156 2 6 226 143 TO 148 152 TO 157 2 6 225 144 TO 149 153 TO 158 2 6 226 145 TO 150 154 TO 159 2 6 *#¥* FOR 150 TO 155, SEE 141 TO 146 ABOVE **** *ttfi FOR 151 TO 156. SEE 142 TO 147 ABOVE **** ‘*.* FOR 152 TO 157. SEE 143 TO 148 ABOVE **** *¢** FOR 153 TO 1580 SEE 144 TO 149 ABOVE **** fi*** FOR 156 TO 159. SEE 145 TO 15C ABOVE **** tit. FOR 155 TO 160. SEE 140 TO [45 ABOVE **#* 227 175 TO 180 188 TO 193 2 6 228 176 TO 181 189 TO 194 2 6 #ttt FOR 188 TO 1939 SEE 175 TO 180 ABOVE **** tit‘ FCR 189 TO 196. SEE 176 TO 181 ABOVE **** tit! FOR 238 T0 243. SEE 24 T0 29 ABOVE *::* 265 it. TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 403 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TC NOTES TEST LENGTH 229 141 TO 147 150 TO 156 2 7 230 142 TO 148 151 TO 157 2 7 231 143 TO 149 152 TO 158 2 7 232 144 TO 150 153 TO 159 2 7 233 175 TO 181 188 TO 194 2 7 PATTERN 234 735 236 266 ‘9‘ TYPE I LISTING CONTINUED ‘*3 SEARCH FOR PATTERNS OF 8 NOTES IN LENGTH *~ EXACT CONTOUR (ORIGINAL) hAS BEGUN AT 419 SECONDS INTO EXECUTION. NOTES RELATED TC NOTES TEST LENGTH I41 TO 148 150 TO 157 2 8 142 TO 149 151 TO 158 2 B 143 TO 15C 152 TO 159 2 8 267 9" TYPE I LISTING CONTINUED 4** SEARCH FOR PATTERNS OF 9 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) kAS BEGUN AT 434 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 237 141 TO 149 150 T0 158 2 9 238 142 TO 150 151 TO 159 2 9 268 *** TYPE I LISTING CONTINUED ¥¥* SEARCH FOR PATTERNS DE 10 NDTES IN LENGTH —- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 450 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 739 141 TO 150 150 TO 159 2 ID 269 tit TYPE I LISTING CONTINUED #** SEARCH FOR PATTERNS DE 11 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 465 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TC NOTES TEST LENGTH 240 29 TO 39 77 TO 87 2 II 270 *’* TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 12 NDTES IN LENGTH -* EXACT CONTOUR (ORIGINAL) bAS BEGUN AT 480 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 241 28 TO 39 76 TO 87 2 12 271 *3“ TYPE I LISTING CONTINUED 4" SEARCH FOR PATTERNS OF I3 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 495 SECOADS INTO EXECUTION. PATTERN NOTES RELATED TO NDTES TEST LENGTH EAC OF TYPE I LISTING. TOTAL OF 241 PATTERNS LOCATED. 272 *** TYPE II LISTING *1”? EDGAR VARESE DENSITY 21.5 FOR SOLO FLUTE EXACT CCNTOUR (ORIGINAL) LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CPIGINAL PATTERN 28 TO 39 2 12 SLBPATTERN 28 TO 31 9 4 2.3:.- i" TEST 2 CCMPLETEC AT 549 SECONDS INTO EXECUTION **** Otfiittiiittfit EDGARD VARESE NOTES 55 NOTES 56 ACTES 63 NCTES 59 AOTES 56 «c755 74 ACTES 59 NCTES 51 ACTES 67 NCTES 59 NCTES 73 NCTES 80 acres (4 TEST REQUESTED 273 UAITS OF DATA PER CARD MUSIC MELODIC PATTERN ANALYSIS 15 CCMPUTER REFERENCE NUMBER ASSIGNMENT 1 THRCUGH 15 54 56 51 56 51 16 THROUGH 30 54 51 57 51 57 31 THROUGH 45 62 63 62 63 62 46 THROUGH 60 65 71 59 72 78 61 THRCUGH 75 81 61 6O 61 61 76 THROUGH 90 75 74 75 74 75 105 60 74 91 THRCUGH 6C 61 59 106 THRCUGH 120 54 64 51 64 51 121 THRCUGH 135 81 8C 68 81 80 136 THROUGH 150 54 6C 70 73 83 151 THROUGH 165 BC 83 80 73 83 166 THRCUGH 180 73 74 65 74 65 195 65 61 181 THRCUGH 64 65 63 57 59 63 66 59 74 75 52 68 73 73 65 56 55 54 56 57 60 57 60 57 62 64 7O 64 65 67 65 67 61 58 61 75 75 74 75 74 74 74 74 54 58 54 58 52 67 67 57 68 80 83 80 73 80 83 80 83 64 65 63 65 55 57 56 55 *ttttttttt*#* DENSITY 21.5 FOR SOLD FLUTE 51 60 58 65 74 76 51 65 69 83 80 64 57 57 62 64 66 75 61 54 81 56 73 83 63 55 56 63 7D 68 74 60 51 80 57 80 80 65 56 57 62 53 55 75 61 51 68 58 83 83 63 57 274 D 59 66 5 85 88 J 57 74 5 '1 60 i '5 77 72 85 68 54 79 75 88 67 6C 90 88 74 50 85 '99 85 58 54 54 88 58 52 64 PATTERN HAVE BEEN DELETED CH FOLLOH -- LE REITERAIIONS LONGER THAV .ENGTH CK CHANGE-OF-DIRECTION 85 58 51 54 BB 59 54 50 88 57 51 e4 ECGARD VARESE PATTERN omuounbwmv- 275 *‘* TYPE I LISTING *‘* DENSITY 21.5 FOR SOLO FLUTE SEARCH FOR hAS BEGUN prp-HpmnHHHHHH—ph-v-o-t—n—HHr-Hr-v-or-v—I-o-n-HI-ot-r-Hu—wr-v—t- NCTES T0 T0 TO T0 T0 TO TO TD WNWUNUUUUNU’WUWWUNWNUWWWWNUU’UWUWU’UUWUNWUWWW PATTERNS CF TONAL INVERSION AT 29 SECONDS INTO EXECUTICN. RELATED TC 3 NOTES IN LENGTH -- NOTES 124 T0 T0 T0 T0 T0 126 TEST wwwwwwwwwwwuwwwwwwuwwwwwwwwwuwwwwwwwwwwuuw LENGTH wwuwwwwwwuuuwwwwwwwwuwwwuwwwuwuwwwuwwwwwww PATTERN 4.3 44 45 46 47 48 49 so 51 52 $3 54 55 56 57 58 59 60 61 62 63 at. as 66 57 ea 69 7o 71 72 73 74 75 76 77 7a 79 so 21 e2 83 84 as 36 37 ea 89 9o 91 92 93 NNNNNNNNNNNNHD—r-HHH—Hwnpwunr—r—Hpuv—u—out—HHMHr-er-Hu—v—Hun—~7- NCTES TO T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO TO T0 T0 TO TO TO TO TD .6a»4M»##6##ééuwuwwuwwuwwuwwwwuwwwwwwwwwuuwwwwuuwuwuu 276 RELATED TO 131 135 140 143 I46 149 152 155 158 160 162 164 167 169 173 175 178 182 184 188 191 194 197 204 206 211 214 216 223 225 228 231 234 238 242 245 248 251 254 11 13 17 19 23 25 29 31 33 35 NOTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TD TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 133 137 142 145 148 151 154 157 160 162 164 166 169 171 175 177 180 184 186 190 193 196 199 206 208 213 216 218 225 227 23C 233 236 240 244 247 250 253 256 ID 13 15 19 21 25 27 31 33 35 37 TEST WWWWWWWWWUWWUWWNWWWWUWUUUWWNWWUWWWWWUUNWWLSWWNWWWWWU LENGTH waJU-TUUUUJUJWNWWUJUNUU’WUUWUUWWNWWUNUUWWUINWUWUWWLUWUJWWWWW PATTERN 94 95 96 97 98 99 100 101 1C2 103 104 105 106 107 108 IC9 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 I30 131 132 133 134 135 136 137 138 139 I40 I41 142 143 144 NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN NCTES TO TO T0 T0 T0 T0 TO TO TO TO T0 T0 TO TO TO TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO TO TD T0 T0 T0 T0 TD TD TO T0 T0 TO T0 T0 T0 TO TD TO ID ID 54‘3‘4‘4‘4‘6‘6‘656‘##5##4‘3‘4‘6‘163‘6‘6‘4‘4‘6‘99J‘J‘J‘J‘ébJ-‘4‘ub4‘4‘b'b4‘ééafibJ‘J-‘bé45“ 277 RELATED TO 37 41 49 4e 52 54 56 59 63 66 68 71 73 7s 77 79 an 83 as 88 9o 93 101 108 110 113 115 120 123 129 132 136 141 145 147 150 154 156 159 161 163 166 168 172 179 177 179 183 137 190 192 NOTES TO TO TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TD T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 39 43 46 50 54 56 58 61 65 68 70 73 75 77 79 81 83 85 87 9O 92 95 103 110 112 115 117 122 125 131 134 138 143 147 149 152 156 158 161 163 165 168 17C 174 176 179 181 185 189 192 194 TEST wwwwwwwwwwwuwwwwwwwuwwuwwwwwwwwwwwwwwwwwwwwwwwwwuww LENGTH wwwwwwwuwwuwuuwwuuwwwuwuuuuwwwuwwwwwwwwwmwwuwwwwuww PATTE 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 9999 8449 3‘89 9". 919* 498‘ 489* 41‘. .899 .888 998* $499 8899 049$ 498$ 481$ 9". 8899 084‘ #089 #999 #999 $899 889* 89.9 #098 9994 8‘98 498‘ 999$ 49“ 904. #9.. RN FOR FOR FOR FOR FCR FOR FOR FCR FOR FCR FOR FCR FOR FOR FOR FOR FOR FCR FOR FCR FOR FCR FOR FOR FOR FCR FOR FCR FCR FOR FCR FOR FOR NFUNHVNJNFHhOuw-huflhlh OQUIJUJNOQNOwNI-OQO‘UIJ‘UNNNNNNNNNNNNNNNNNN 0 tot IMF-o II 1 UkfluHOUAU O‘UONJJAU bubl~& ~1¢kflpfi b (D NCTES TO TO TO TD T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO TO TO TO TO TD T0 T0 TO T0 T0 T0 T0 T0 TO TO TD TO T0 T0 T0 T0 T0 T0 TO TO TO TO T0 T0 £‘&«§J>£-&-h4>3~&-§J#&HFJ>£'é«b 278 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 196 198 205 207 210 215 217 224 227 230 233 237 239 243 247 249 253 N W 01 -----u-$----~N--~N-~ NOTES TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 TO TO TO T0 T0 TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TD T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 198 200 207 209 212 217 219 226 229 232 235 239 241 245 249 251 255 N U 74 U)&(flJfihlkkflJ~Wh§UI&WHJ‘U-§LH&WflJFUD#(HJfihLbLHJSUh909318 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ULHUAWLHUJW\flUJdKflUJW\HUJW\NUJ *t*# *tt* **** **** ##t* #*** **#* tit. tttt *ttt tit? ##tt ##t* ##t* *tt* t$$t **#t ##tt #*** ##$# #.#3 8*** ##it #*t* ##t* 39*! tit! tttt tttt #918 tit? ***# tttt LENGTH UJWLHUJWLHUJWhflUJW\flUJULSUJNLH PATTE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 163 164 165 166 167 168 169 I70 I11 172 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 173 174 175 9999 9999 RN FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FCR FOR FOR FDR FOR FOR FCR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FCR FOR FOR FCR FCR FCR 50 52 53 54 55 56 58 59 61 63 64 64 64 64 64 64 65 65 65 65 66 67 68 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 88 89 9O 92 93 96 97 97 97 99 101 NCTES TO T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 TO TO TO TO T0 T0 TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TD TO T0 T0 TO TO TO T0 T0 T0 T0 T0 TO TO 529 549 559 569 579 589 609 619 639 659 66 66 66 66 66 66 67 67 67 67 689 699 709 729 739 749 759 769 779 789 799 809 819 829 839 849 859 869 879 889 909 919 929 949 959 989 99 99 99 1019 1039 279 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE HNl-INt-NHNt-‘N '— O~O N“ 127 170 212 220 105 181 213 N) A) Nw-AJNWVF'NWdNI~tVF-Nr-Nu—AJ~W6r-Nr-N7~¢U~9N .— an O’ 208 218 65 NOTES T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 TO 0 \ObfiétflJ%uL$(nJ>U’& ~9— NO Osn 172 214 222 107 183 ADM hJ~ #xn 3184F01&LHJ‘NH§UD#WflJBUIkhflJ‘UMFUfléflfllfib)&xfl TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE wwuwwuwuuw 3 3 3 tttt **** ##tt *ttt ##fit ###t #966 966* ##¥¥ #*** tit. #96? tilt 9‘36 *¢** 169* tilt tit. 661* #99? *it# *tti tit. #199 **t. $.96 ***¥ **** #366 tttt *##3 iii? *ttt tttt 316* 614* ABOVE **** ABOVE **** LENGTH WWWWUUUWNN U) 280 PATTERN NCTES RELATED TO NOTES TEST LENGTH 990’ FOR 102 TO 104. SEE 2 TO 4 ABOVE *ttt 9999 FOR 103 To 105. SEE 91 TO 99 ABOVE *t** 176 105 TO 107 128 TO 130 3 3 177 105 TO 107 171 TO 173 3 3 178 1C5 T0 107 209 TO 211 3 3 179 105 T0 107 219 TO 221 3 3 99.! FOR 107 TO 109. SEE 2 TO 4 ABOVE *$** 9999 FOR 108 TO 110. SEE 1 TO 3 ABOVE *ttt 9999 FOR 109 TO 111. SEE 2 TO A ABOVE #**t 9999 FOR 110 TO 112. SEE 1 TO 3 ABOVE tttt #999 PCB 112 TO 114. SEE 2 TO A ABOVE #999 *ttt FOR 113 TO 115. SEE 1 TO 3 ABOVE tttt 9999 FOR 114 TO 116. SEE 2 TO 4 ABOVE ***# 9999 FOR 115 TO 11?. SEE 1 TO 3 ABOVE *t*# 9999 FOR 117 TO 119. SEE 2 To 4 ABOVE *ttt tttt FOR 120 TO 122. SEE 1 T0 3 ABOVE ***t 9999 FCR 121 TO 123. SEE 2 TO 4 ABOVE #999 0999 FOR 123 TO 125. SEE 1 TO 3 ABOVE **** 9999 FOR 124 T0 126. SEE 2 T0 4 ABOVE tttt 999* FOR 121 TO 129. SEE 97 TO 99 ABOVE ttt¥ 9999 FOR 128 TO 130. SEE 65 TO 67 ABOVE #999 #999 FOR 129 TO 131. SEE 1 TO 3 ABOVE tttt 999‘ FCR 131 T0 133. SEE 2 TO 4 ABOVE 99*! 99.0 FOR 132 TO 134. SEE 1 TO 3 ABOVE **** 9999 FOR 135 TO 137. SEE 2 TO 4 ABOVE #**# 9999 FCR 136 TO 138. SEE 1 TO 3 ABOVE ***t 9999 FOR 140 TO 142. SEE 2 TO 4 ABOVE 989* 9999 FOR 141 T0 143. SEE 1 T0 3 ABOVE ***t 9999 FOR 143 TO 145. SEE 2 TO 4 ABOVE tttt 9999 FCR 145 TO 14?. SEE 1 TO 3 ABOVE **** 9999 FOR 166 TO 148. SEE 2 TO 4 ABOVE 9999 **0¢ FOR 147 TO 149. SEE 1 TO 3 ABOVE *ttt 9999 FOR 149 T0 151. SEE 2 TO 4 ABOVE *ttt 9999 FOR 150 TO 152. SEE I TO 3 ABOVE ***t 9999 FOR 152 TO [54. SEE 2 TO 4 ABOVE *ttt ‘iit FOR 154 TO 156. SEE 1 TO 3 ABOVE tttt 99*. FCR 155 TO 157. SEE 2 TO A ABOVE **** 9999 FOR 156 T0 158. SEE 1 TO 3 ABOVE #999 999* FOR 158 T0 160. SEE 2 To 4 ABOVE #999 $ttt FOR 159 TO 161. SEE 1 TO 3 ABOVE 999* 9999 FOR 160 TO 162. SEE 2 TO 6 ABOVE t*** 9909 FOR 161 TO 163. SEE 1 T0 3 ABOVE *tt# 999' FOR 162 T0 1649 SEE 2 TO 4 ABOVE **** tttt FOR 163 TO 165. SEE 1 TO 3 ABOVE #999 999* FOR 164 TO 166. SEE 2 T0 4 ABOVE #*** 9999 FCR 166 T0 168. SEE 1 TO 3 ABOVE 999* 9999 FOR 167 To 169. SEE 2 TO 4 ABOVE #999 9999 FOR 168 TO 170. SEE 1 TO 3 ABOVE *ttt 9999 FOR 169 T0 171. SEE 2 TO 4 ABOVE *ttt 999* FOR 170 To 172. SEE 97 TO 99 ABOVE *ttt 9999 FOR 171 TO 173. SEE 65 TO 67 ABOVE #999 281 PATTERN NOTES RELATED TO NOTES TEST LENGTH 9999 FOR 172 TO 174. SEE 1 TO 3 ABOVE tttt 9999 FOR 113 TO 175. SEE 2 TO 4 ABOVE **** 9999 FOR 174 TO 116. SEE 1 TO 3 ABOVE ***9 9999 FOR 115 TO 11?. SEE 2 TO 4 ABOVE **** 999* FOR 117 TO 179. SEE 1 TO 3 ABOVE 99*. 999* FCR 178 TO 180. SEE 2 TO 4 ABOVE **** 999* FOR 119 TO 181. SEE 1 TO 3 ABOVE 999* 9999 FOR 180 TO 182. SEE 64 TO 66 ABOVE tttt tttt FOR 181 TO -183. SEE 105 TO 107 ABOVE tttt 9999 FCR 182 TO 184. SEE 2 TO 4 ABOVE ***t 9999 FCR 183 TO 185. SEE 1 TO 3 ABOVE **** 9999 FOR 184 TO 186. SEE 2 TO 4 ABOVE #999 9999 FOR 187 TO 189. SEE 1 TO 3 ABOVE t*** 9999 FOR 188 TO 190. SEE 2 TO 4 ABOVE **** 0999 FOR T90 TO 192. SEE 1 TO 3 ABOVE *ttt 9999 FOR 191 TO 193. SEE 2 TO 4 ABOVE **** 9999 FOR 192 TO 194. SEE 1 TO 3 ABOVE **** 9999 FOR 194 TO 196. SEE 2 TO 4 ABOVE *ttt 999* FOR 196 TO 198. SEE 1 TO 3 ABOVE **** #499 FOR 197 TO 199. SEE 2 TO 4 ABOVE tttt 99“ FCR 198 TO 200. SEE 1 TO 3 ABOVE *t** 9999 FOR 204 TO 206. SEE 2 TO 4 ABOVE **** 9999 FOR 205 T0 20?. SEE 1 TO 3 ABOVE *ttt 9999 FOR 206 TO 208. SEE 2 TO 4 ABOVE ***t ‘9‘! FOR 207 TO 209. SEE 1 TO 3 ABOVE t*** 9999 FOR 208 TO 210. SEE 64 TO 66 ABOVE #999 9999 FOR 209 TO 211. SEE 65 TO 67 ABOVE **** .999 FOR 210 TO 212. SEE 1 TO 3 ABOVE #999 9999 FOR 211 TO 2139 SEE 2 TO 4 ABOVE t*** 9999 FOR 212 TO 214. SEE 97 TO 99 ABOVE **** #999 FOR 213 TO 215. SEE 105 TO 107 ABOVE #999 9999 FOR 214 TO 216. SEE 2 TO 4 ABOVE 9*99 "tt FOR 215 TO 217. SEE 1 TO 3 ABOVE **** .909 FOR 216 T0 218. SEE 2 TO 4 ABOVE *ttt 9"! FOR 217 TO 219. SEE 1 TO 3 ABOVE *ttt 099* FOR 218 TO 220. SEE 64 TO 66 ABOVE *ttt *ttt FOR 219 TO 221. SEE 65 TO 67 ABOVE **** 9999 FOR 220 TO 222. SEE 91 TO 99 ABOVE *ttt 9999 FOR 222 TO 224. SEE 105 TO 101 ABOVE *ttt 9999 FOR 223 TO 225. SEE 2 TO 4 ABOVE ***t tttt FOR 224 TO 226. SEE 1 TO 3 ABOVE ***t #999 FOR 225 TO 227. SEE 2 TO 4 ABOVE t*** 9999 FOR 227 TO 229. SEE 1 TO 3 ABOVE *ttt 9999 FOR 228 TO 230. SEE 2 TO 4 ABOVE *ttt fittt FOR 230 TO 232. SEE 1 TO 3 ABOVE **** 9999 FOR 231 TO 233. SEE 2 TO 4 ABOVE *tt# 0999 FOR 233 TO 235. SEE 1 TO 3 ABOVE *ttt 999* FOR 234 TO 236. SEE 2 TO 4 ABOVE *ttt 999‘ FOR 237 TO 239. SEE 1 TO 3 ABOVE ##99 9909 FCR 238 TO 240. SEE 2 TO 4 ABOVE ***t 9999 FCR 239 TO 241. SEE 1 TO 3 ABOVE *ttt 282 PATTERN NCTES RELATED TO NOTES TEST LENGTH 9999 FOR 242 TO 244. SEE 2 TO 4 ABOVE 99*9 999* FOR 243 TO 245. SEE 1 TD 3 ABOVE ***t 9999 FOR 245 TO 247. SEE 2 TO 4 ABOVE **#* 9999 FCR 247 TO 249. SEE 1 TO 3 ABOVE ***t 9999 FOR 248 TO 250. SEE 2 TO 4 ABOVE **** 9999 FOR 249 TO 25!. SEE 1 TO 3 ABOVE #999 '9‘* FOR 251 TO 253. SEE 2 TO 4 ABOVE **** 9999 FOR 253 TO 255. SEE 1 TO 3 ABOVE **** 0999 FOR 254 TO 256. SEE 2 TO 4 ABOVE *#** 9999 FOR 255 TO 25?. SEE 1 TO 3 ABOVE #999 PATTERB 180 181 182 183 184 185 186 187 188 189 I90 I91 I92 I93 I94 l95 196 191 I98 I99 200 201 202 203 206 205 706 207 268 209 210 211 212 213 214 215 216 217 218 219 220 221 222 ?23 *#* TYPE I LISTING CONTINUED #99 283 SEARCH FOR PATTERNS OF TONAL INVERSION AT 149 SECONDS INTO EXECUTION. kAS BEGUN Pvt-99-unwrap-Huntsv-HHHHHHF-F-t-wr-F-F-HHHr-t—un—t—r-Ht—r—u—u—Hr—v—u— NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 99»999999999999999999999999»9999999999999999 RELATED TO 4 NOTES IN LENGTH -- 10 12 13 22 24 23 3o 32 34 36 43 97 53 55 53 67 7o 72 74 76 78 so 32 a4 89 92 107 109 112 114 131 135 190 146 149 155 use 160 162 167 173 178 182 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 13 15 21 25 27 31 33 35 37 39 46 50 56 58 61 70 73 75 77 79 81 83 85 87 92 95 110 112 115 117 134 138 143 149 152 158 161 163 165 170 176 181 185 TEST WWUJWWUWWWWWWWUUWWQJWWUUWNNNWWWUUJUUUNWWWWWWLHNW LENGTH 9‘bkbé¢b¢¢¢b§¢4‘4‘9‘4‘9‘99b9‘53‘9‘4‘4‘3‘4‘颢¢¢éékébbEbb¢b MT \9 N D N N \n \J N \J N .0 " “ ‘3 7‘. .9 . I N 2&1 3e? 2}) PATTERN 224 225 226 227 728 229 230 231 232 233 234 235 236 237 238 239 740 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 771 277 773 274 NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNI‘I—HF‘HHHI—l—Hw NOTES T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmunmuunmm9~9~9~4~9~9~9~6&6» 284 RELATED TO NOTES 191 197 204 206 214 216 223 238 242 248 254 5 ll 13 17 23 29 31 33 35 52 54 66 71 73 75 77 79 81 83 85 88 101 108 113 120 123 145 154 159 161 163 166 168 I72 174 177 183 187 190 196 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 TD T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 194 200 207 209 217 219 226 241 245 251 257 l4 16 20 26 32 34 36 38 55 57 69 74 76 78 80 82 84 86 88 91 104 111 116 123 126 148 157 162 164 166 169 171 175 177 180 186 190 193 199 TEST WNWWWWWWUWUWNWUWWWWWUWUUUWWWWWUWUUUUWUWWWWUWUWWWUWW LENGTH #3‘4‘Pb¢¢bbékb¢b駢béb$J‘é-PJ‘J‘b-E‘ébéPbbbéJ‘PPP-L‘J‘PJ‘Pké-P‘J‘éb 917' 285 PATTERN NOTES RELATED TO NOTES TEST LENGTH 275 2 TO 5 205 TO 208 3 4 276 2 TO 5 210 TO 213 3 4 277 2 TO 5 215 TO 218 3 4 278 2 TO 5 224 TO 227 3 4 279 2 TO 5 227 T0 230 3 4 280 2 TO 5 230 TO 233 3 4 281 2 TO 5 233 TO 236 3 4 282 2 TO 5 237 TO 240 3 4 283 2 TO 5 247 TO 250 3 4 284 2 TO 5 253 TO 256 3 4 #494 FOR 3 TO 69 SEE 1 TO 4 ABOVE **** #934 FOR 4 TO 79 SEE 2 TO 5 ABOVE **‘* .99. FOR 5 TO 89 SEE 1 TO 4 ABOVE 999‘ 285 6 TO 9 19 TO 22 3 4 286 6 TO 9 25 TO 28 3 4 287 6 TO 9 37 T0 40 3 4 288 6 TO 9 41 TO 44 3 4 289 6 TO 9 44 TO 47 3 4 290 6 TO 9 48 TO 51 3 4 291 6 TO 9 56 TO 59 3 4 292 6 TO 9 59 TO 62 3 4 293 6 TO 9 68 TO 71 3 4 294 6 TO 9 90 TO 93 3 4 295 6 TO 9 93 TO 96 3 4 796 6 TO 9 110 T0 113 3 4 297 6 TO 9 115 TO 118 3 4 29B 6 TO 9 129 TO 132 3 4 299 6 TO 9 132 TO 135 3 4 300 6 TO 9 136 TO 139 3 4 301 6 TO 9 141 TO 144 3 4 302 6 TO 9 147 TO 150 3 4 303 6 TO 9 150 TO 153 3 4 304 6 TO 9 156 TO 159 3 4 305 6 TO 9 192 TO 195 3 4 306 6 TO 9 198 TO 201 3 4 307 6 TO 9 239 TO 242 3 4 308 6 TO 9 243 TO 246 3 4 309 6 TO 9 249 TO 252 3 4 310 6 TO 9 255 TO 258 3 4 311 7 TO 10 21 TO 24 3 4 312 7 T0 10 27 TO 30 3 4 313 7 TO 10 38 TO 41 3 4 314 7 TO 10 42 TO 45 3 4 315 7 TO 10 46 TO 49 3 4 316 7 TO 10 49 TO 52 3 4 317 7 TO 10 57 TO 60 3 4 318 7 TO 10 60 TO 63 3 4 319 7 TO 10 69 TO 72 3 4 320 7 TO 10 91 TO 94 3 4 321 7 TO 10 95 TO 98 3 4 322 7 TC 10 106 TO 109 3 4 91778 323 324 325 326 227 329 1,29 333 321 332 333 339 '35 an 337 m 339 34: 371 342 313 m 345 PATTERN 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 coon000000006000mooaaamommommonommmmquuqauqu444444 NCTES T0 T0 TO T0 T0 TO TO TO TO T0 T0 TO TO TO TO T0 T0 T0 T0 TO TO T0 T0 TO TO TO TO TO TO TO TO TO TO TO TO TO 70 TO T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 10 10 10 10 10 10 10 10 10 10 10 10 10 10 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 286 RELATED TO NOTES 111 116 130 134 139 142 148 151 157 193 203 241 244 250 14 39 50 61 86 117 121 124 143 152 164 175 184 188 194 225 228 231 234 245 251 16 40 51 62 87 100 119 122 144 153 165 176 186 189 195 226 TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO 70 T0 T0 TO TO TO TO T0 T0 TO TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO 114 119 133 137 142 145 151 154 160 196 206 244 247 253 17 42 53 64 89 120 124 127 146 155 167 178 187 191 197 228 231 234 237 248 254 19 43 54 65 90 103 122 125 147 156 168 179 189 192 198 229 TEST wuuuwwwwwwuuuwwwwwwwwwwwuwwuwwwuwwuwuuwuuwuwuwuuuww LENGTH ##1####9‘4‘4‘4‘8‘8‘3‘3‘4‘4‘é’ééék'F-b-F9‘4‘cfi-b4‘bk-S‘J‘J‘J‘J‘J‘J‘J‘4‘3‘4‘9‘4‘4‘9‘4‘4‘4‘4‘ PATTE 374 375 376 377 378 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 RN FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR .FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FCR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR NOTES TO TO TO TO TO TO TO TO T0 T0 TO TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 TO TO TO TO TO TO T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 12 12 12 12 12 139 149 159 169 179 199 209 219 229 249 259 269 279 289 309 319 329 339 349 359 369 379 389 399 409 419 429 439 449 459 469 479 499 509 519 529 539 549 559 569 579 589 599 609 619 629 287 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 229 232 236 246 252 mhu¢imfu~wNnualo9DGHV¢DDIU¢AGHHOAO(Duo—wur-anhuuBJOCDhawwullmBu—MMOAHduh-N T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO TO T0 T0 T0 T0 TO TO TO T0 T0 T0 232 235 239 249 N U! U! hiH w ~99 \n9~mJFUL6LBAwnBann9WMA9~LnJ~OJDéwns~m hawun turn ufUFM090hr~ hr- run- ‘OBOHWMAHH 10 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE UUJUJUJW ##tt #*** tit$ *t*# #991 tttt tilt *ttt *tt# #9.. t#*# #83. 3969 9‘93 69*. tttt *t** 996* tilt ¢*#¥ #336 *#*O 699* #99. #999 #999 #19. t#** Ottt 69“ ##3‘ titt $**# #99. *OO. ##9* 99*. #999 titt $96. 699* .99. 3". #9.! ##tt 999* LENGTH 4‘9‘4-‘4‘4‘ ‘g ... 9n \ 8'") (1‘ (I, T A. (Y) 288 PATTERN NCTES RELATED TO 9999 FOR 60 TD 63. SEE 9999 FOR 61 TO 64. SEE 9999 FCR 62 TO 65. SEE 379 63 TO 66 380 63 TO 66 381 63 TO 66 382 63 TO 66 383 64 TO 67 3B4 65 TO 68 385 65 TO 68 386 65 TD 68 9999 FOR 66 TO 69. SEE 9999 FOR 67 TO 70. SEE 9999 FOR 68 TO 71. SEE 9999 FOR 69 TD 72. SEE 9999 FOR 70 TO 73. SEE 9999 FOR 71 TO 74. SEE 9999 FOR 72 TO 75. SEE 9999 FOR 73 TO 76. SEE 9999 FOR 74 TD 77. SEE 999* FOR 75 TO 78. SEE 9999 FOR 76 TO 79. SEE 9999 FOR 77 TO 80. SEE 9999 FOR 78 TO 81. SEE 999‘ FCR 79 TO 82. SEE 9999 FOR 80 TO 83. SEE 9999 FOR 81 TO 84. SEE 9999 FOR 82 TO 85. SEE #099 FOR 83 TO 86. SEE 9999 FOR 84 TO 87. SEE 9999 FCR 85 TO 88. SEE 9999 FOR 86 TD 89. SEE 9’99 FOR 87 TD 90. SEE 9999 FCR 88 TO 91. SEE 9999 FOR 89 TO 92. SEE 9999 FOR 90 TD 93. SEE 993* FOR 91 TD 94. SEE 9999 FOR 92 TO 95. SEE 9999 FOR 93 TO 96. SEE 9999 FOR 95 TD 98. SEE 387 56 TD 99 388 96 TD 99 389 96 TO 99 390 98 TO 101 391 98 TO 101 392 99 TC 102 999* FOR 100 T0 103. SEE 9999 FOR 101 TO 104. SEE 999' FOR 102 TO 105. SEE~ 9999 FOR 106 TO 109. SEE 991* FDR 1C7 TO 110. SEE 96 102 169 211 212 181 213 M N OQNOQNI-dOHN—DNHNF‘NHNF'NF‘NI-NOONO-N N)— ON d~O 217 104 221 105 NOTES TO T0 T0 TO T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 12 9 10 99 105 172 214 215 184 216 225 4 5 9.. put you w H m-m8009m6m9m6m9m9~m4~mbmru h-H RAM 182 210 220 107 224 108 10 99 12 TEST LENGTH ABOVE 9*9* ABOVE **** ABOVE ***# ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE WWUWUJUJWU WUU’UWU *#*t t*** #969 #9.? tttt t*¥¥ ##it lttt ##99 999* tttt fittt tttt tttfi tit! #99. ##OO tit. ##99 .099 9‘9. #693 tttt 999* *ttt 89“ Ottt tit! *999 *##t 99*. #*#¢ titt tttt A‘J‘J‘J‘PJ‘J‘Q‘ J‘&-F#‘#‘§ PITTEQF :03. F( n!!! F( 1083 F{ 1180 F[ sac: ;{ 11:1 ;( 8010 f: atto F: Tax: pg :33: FE atto Ff :18: FC :tt. FC "a Ft .18: PC can: pg 393 '3" FE '18: FE a” Ft m. ‘U "" FC. ”" Fm “N Fm "" PEI Tm FU "" Fe: m. Fm "" Fm PATTERN 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 393 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FCR 9999 F09 9999 FOR 9999 FOR FCR FOR FOR FCR FOR FCR FOR FOR FCR FOR FOR FOR FOR FCR FOR FOR FOR FOR FCR FOR FOR FOR FCR FCR FOR FOR FOR FOR FOR FOR FCR FOR FOR FCR FOR FOR FOR FOR 108 109 110 111 112 113 11:. 115 116 117 119 120 121 122 123 124. 127 128 129 130 131 132 131. 135 139 139 190 141 142 143 191. 145 146 141 148 149 150 151 152 153 15¢. 155 156 157 158 159 160 161 162 163 164 NCTES TO TO TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO 1119 1129 1139 1149 1159 1169 1179 1189 1199 1209 1229 1239 1249 1259 1269 1279 130 1319 1329 1339 1369 1359 1379 1389 1399 1929 1439 1449 1659 1469 1479 1689 1499 1509 1519 1529 1539 1549 1559 1569 1579 1589 1599 1609 1619 1629 1639 1649 1659 1669 1679 289 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE OuuhaHHv-uhrOIDhJHHda\Oflbhafltbhlwwda\OCDNJOCDRJJMOF0¢3O\MC)Ord-JOFH~JOHDGDNHdno0CDNMH NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 183 68 11 12 11 12 11 12 11 12 10 11 12 11 12 10 11 p9 cubun61n9wmru TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH :m .90. 1830 099‘ 00.0 tit. {080 09‘! 0.01 0.88 1.3! .030 .003 333! PATTERN 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 394 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 395 9999 9999 9999 9999 9999 9999 9999 9999 9999 FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FCR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FCR 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 181 182 183 184 186 187 188 189 190 191 192 193 194 195 196 197 198 203 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 222 223 224 NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 1689 1699 1709 1719 1729 1739 1749 1759‘ 1769 1779 1789 1799 1809 1819 1829 184 1859 1869 1879 1899 1909 1919 1929 1939 1949 1959 1969 1979 1989 1999 2009 2019 2069 2079 2089 2099 2109 2119 2129 2139 2149 215 2169 2179 2189 2199 2209 2219 2259 2269 2279 290 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE N OO‘ 181 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 10 99 130 0‘ m —~ F'FI no n9 hi0 h- nnémN—UléOONHm-FOOJ‘OO-kmlvfiméOvOJ‘U'Ié H9— 184 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH fl ' lamp-M w‘. ' 7‘. '_- :m O!!! 99!! 09‘! 3933 8’30 .030 M“ .89. 8839 7.99 tttt ‘38! 0800 9‘99 ‘39. ‘1‘. g 0m 5 $839 5 .313 ‘ 0m 5 H” F {.09 F $89. F am ; 1‘33 F "t. F "‘t F1 ‘109 p t... F PATTERN 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR 225 226 227 228 229 230 231 232 233 234 236 237 238 239 241 242 293 244 245 246 247 248 249 250 251 252 253 254 255 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO 2289 2299 2309 2319 2329 2339 2349 2359 2369 2379 2399 2409 2419 2429 2949 2459 2469 2479 2489 2499 2509 2519 2529 2539 2549 2559 2569 2579 2589 291 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES ONPQOOONHQO~OONOQNl—QO‘F‘NOH‘IO‘HdO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH g HTTEK 1% 397 393- 399 1c:- 6C1 ‘32 1:3 ‘26 ‘CS 606 ‘27 ‘CE 1C9 ‘12 111 112 ‘13 116 115 116 ‘11 118 119 £23 121 ‘22 ‘23 121 125 ‘26 127 125 H: 631 £32 133 ‘3‘ ‘36 ‘3? Up ‘39 PATTERN 396 397 398 399 400 401 402 403 404 405 406 407 408 409 410 411 412 413 414 415 416 417 418 419 420 421 422 423 424 425 426 427 428 429 430 431 432 433 434 435 436 437 438 439 *** TYPE I LISTING CONTINUED ‘99 292 SEARCH FOR PATTERNS OF TONAL INVERSION AT 294 SECONDS INTO EXECUTION. HAS BEGUN huNanohHUNaNWUNJNHUhoNHVfioNW‘F‘Hw—r-nu-r-nw—r-hn—ponu-r-uwdh-ww-rnwwuh-p NOTES T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD T0 T0 T0 T0 T0 TO T0 T0 ocra~o<>o~ocra~o¢>0~0<10~oc>unmsnuvmxnUHm\nurmxnunm\nuwm\nuwm\nunmsnxnuvm RELATED TO 5 NOTES IN LENGTH -- 10 12 22 23 3o 32 34 53 7o 72 74 76 73 so 82 84 107 112 153 160 162 167 173 132 204 214 223 u 17 23 29 31 33 3s 52 54 66 71 73 15 17 19 81 233 NOTES T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO 14 I6 26 32 34 36 38 57 74 76 78 80 82 84 86 88 III 116 162 164 166 I71 177 186 208 218 227 15 21 27 33 35 37 39 56 58 7O 75 77 79 81 83 85 87 TEST wwwuwwuuuwwwuwuwwuuuuwwwwuwuwwwwwwwwuwuwuwww LENGTH mmmmmmmwmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm :mm 640 “l 662 M M “S 1.45 m W3 ‘43 450 ‘51 652 £53 £56 655 456 "I! FEF Nu Ff; ‘5? ‘3! 459 ‘62 ‘61 fit; ‘63 “64 ‘6 ‘66 ‘5? #53 £73 9 £79 293 PATTERN NCTES RELATED TO NOTES TEST LENGTH 440 2 TO 6 88 TO 92 3 5 441 2 TO 6 108 TO 112 3 5 442 2 TO 6 113 TO 117 3 5 443 2 TO 6 145 TO 149 3 5 444 2 TO 6 154 TO 158 3 5 445 2 TO 6 159 TO 163 3 5 446 2 TD 6 161 TO 165 3 5 447 2 TD 6 166 TO 170 3 5 448 2 TO 6 172 TO 176 3 5 449 2 TO 6 177 TO 181 3 5 450 2 TD 6 190 TO 194 3 5 451 2 TO 6 196 TO 200 3 5 452 2 TD 6 205 TO 209 3 5 453 2 TD 6 215 TO 219 3 5 454 2 TD 6 237 TO 241 3 5 455 2 TD 6 247 TO 251 3 5 456 2 T0 6 253 TO 257 3 5 4“! FOR 3 TD 79 SEE 1 TD 5 ABOVE **** 443* FOR 4 TO 8. SEE 2 T0 6 ABOVE 44“ 457 5 TD 9 18 TD 22 3 5 458 5 T0 9 24 TO 28 3 5 459 5 TO 9 36 TO 40 3 5 460 5 TO 9 43 TD 47 3 5 461 5 TO 9 47 TO 51 3 5 462 5 TD 9 55 TO 59 3 5 463 5 TO 9 58 TO 62 3 5 464 5 TD 9 67 TO 71 3 5 465 5 TD 9 89 TO 93 3 5 466 5 TO 9 92 TO 96 3 5 467 5 TD 9 109 TO 113 3 5 468 5 TD 9 114 TO 118 3 5 469 5 TO 9 131 TO 135 3 5 470 5 TO 9 135 TO 139 3 5 471 5 TO 9 140 TO 144 3 5 472 5 TO 9 146 TO 150 3 5 473 5 TO 9 149 TO 153 3 5 474 5 TO 9 155 TO 159 3 5 475 5 TO 9 191 TO 195 3 5 476 5 TO 9 197 TO 201 3 5 477 5 TO 9 238 TO 242 3 5 478 5 TO 9 242 TO 246 3 5 479 5 TO 9 248 T0 252 3 5 480 5 TO 9 254 TO 258 3 5 481 6 TO 10 37 TD 41 3 5 482 6 TO 10 41 TO 45 3 5 483 6 TD 10 48 TD 52 3 5 484 6 TD 10 56 TO 60 3 5 485 6 TO 10 59 T0 63 3 5 486 6 TO 10 68 TO 72 3 5 487 6 TO 10 90 T0 94 3 5 488 6 TO 10 110 T0 114 3 5 :m H” 69‘. 294 PATTERN NOTES RELATED TO NOTES TEST LENGTH 489 6 TO 10 115 TO 119 3 5 490 6 TO 10 129 TO 133 3 5 491 6 T0 10 141 TO 145 3 5 492 6 TO 10 147 TO 151 3 5 493 6 TD 10 150 T0 154 3 5 494 6 TO 10 156 TO 160 3 5 495 6 TO 10 192 TO 196 3 5 496 6 TO 10 243 TO 247 3 5 497 6 TD 10 249 TO 253 3 5 4‘44 FCR 6 TO 10. SEE 6 TO 10 ABOVE ***4 498 7 TO 11 38 T0 42 3 5 499 7 TD 11 49 TO 53 3 5 500 7 TO 11 60 TO 64 3 5 501 7 TD 11 116 TO 120 3 5 502 7 TO 11 142 TO 146 3 5 503 7 TO 11 151 TO 155 3 5 504 7 TO 11 193 TO 197 3 5 505 7 TD 11 244 TO 248 3 5 506 7 TO 11 250 TO 254 3 5 507 8 TD 12 39 TD 43 3 5 508 8 TO 12 50 TO 54 3 5 509 8 TO 12 61 TD 65 3 5 510 8 TD 12 86 T0 90 3 5 511 8 TO 12 121 TO 125 3 5 512 8 TD 12 143 T0 147 3 5 513 8 TO 12 152 TO 156 3 5 514 8 TO 12 164 TO 168 3 5 515 8 TD 12 175 TO 179 3 5 516 8 TD 12 188 TO 192 3 5 517 8 TO 12 194 T0 198 3 5 518 8 TO 12 225 TO 229 3 5 519 8 TO 12 228 TO 232 3 5 520 8 TO 12 231 TO 235 3 5 521 8 TO 12 245 TO 249 3 5 522 8 TD 12 251 TO 255 3 5 #31! FOR 8 TO 12. SEE 8 TD 12 ABOVE **** 523 9 TO 13 16 TO 20 3 5 524 9 TD 13 51 TO 55 3 5 525 9 TO 13 87 TO 91 3 5 526 9 TO 13 100 TO 104 3 5 527 9 T0 13 119 TO 123 3 5 528 9 TO 13 122 TO 126 3 5 529 9 TO 13 144 TO 148 3 5 530 9 TO 13 153 T0 157 3 5 531 9 TO 13 165 TO 169 3 5 532 9 TD 13 176 TO 180 3 5 533 9 TO 13 186 T0 190 3 5 534 9 TO 13 189 TO 193 3 5 535 9 TD 13 195 TO 199 3 5 536 9 TO 13 226 TO 230 3 5 537 9 TO 13 229 TO 233 3 5 295 PATTERN NCTES RELATED TO NOTES TEST LENGTH 538 9 TO 13 232 TO 236 3 5 539 9 TO 13 236 TO 240 3 5 540 9 TO 13 246 TO 250 3 5 541 9 TO 13 252 T0 256 3 5 tttt FOR 10 TO 14. SEE 2 TD 6 ABOVE **** #444 FOR 11 TD 15. SEE 1 TO 5 ABOVE **** 44*4 FOR 12 TD 16. SEE 2 TO 6 ABOVE **** 4*** FOR 13 TO 17. SEE 5 TO 9 ABOVE **** 542 14 TO 18 19 TD 23 3 5 543 14 TO 18 25 TO 29 3 5 544 14 TO 18 44 TO 48 3 5 545 14 TD 18 93 TO 97 3 5 546 14 TO 18 132 TO 136 3 5 547 14 TO 18 136 TO 140 3 5 548 14 TO 18 198 TO 202 3 5 549 14 TO 18 239 TO 243 3 5 550 14 TO 18 255 TO 259 3 5 551 15 TO 19 20 TO 24 3 5 552 15 TD 19 26 TO 30 3 5 553 15 TD 19 45 TD 49 3 5 554 15 TO 19 94 TO 98 3 5 555 15 TO 19 133 TO 137 3 5 556 15 TO 19 138 T0 142 3 5 557 15 TO 19 202 TO 206 3 5 558 15 TO 19 240 TO 244 3 5 449* FOR 15 TO 19. SEE 15 TO 19 ABOVE *‘** 559 16 TO 20 21 TO 25 3 5 560 16 TO 20 27 TO 31 3 5 561 16 TO 20 42 TO 46 3 5 562 16 T0 20 46 TD 50 3 5 563 16 TD 20 57 TD 61 3 5 564 16 TO 20 69 TO 73 3 5 565 16 TO 20 91 TO 95 3 5 566 16 TD 20 106 TO 110 3 5 567 16 T0 20 111 TO 115 3 5 568 16 TO 20 130 TO 134 3 5 569 16 TO 20 134 TO 138 3 5 570 16 TD 20 139 TO 143 3 5 571 16 TO 20 148 TO 152 3 5 572 16 TO 20 157 TO 161 3 5 573 16 TO 20 203 TO 207 3 5 574 16 TO 20 241 T0 245 3 5 4*44 FOR 17 TO 21. SEE 1 TO 5 ABOVE 4*** 575 18 TO 22 85 TO 89 3 5 576 18 TD 22 120 TO 124 3 5 577 18 T0 22 123 TO 127 3 5 578 18 TO 22 163 TO 167 3 5 579 18 TD 22 174 TO 178 3 5 580 18 TO 22 183 T0 187 3 5 581 18 TO 22 187 TO 191 3 5 582 18 TO 22 224 TO 228 3 5 PATTE 583 584 585 586 587 588 589 590 591 592 #006 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 593 594 9939 595 596 597 598 3399 3999 9999 9.99 RN FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FCR FOR FOR FOR FCR FOR FDR FDR FOR FOR FOR FCR FOR FOR FOR FOR FCR FOR FOR FOR FOR FCR FOR 18 1a 1a 19 19 19 19 20 20 20 20 21 22 24 25 26 27 35 36 37 39 4O 41 42 43 44 45 45 47 «a so 51 52 55 56 57 58 59 61 62 63 63 64 65 65 65 66 67 68 69 NOTES T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO TD TO TO TD TO T0 T0 22 22 22 23 23 23 23 24 24 24 290 259 269 280 299 309 310 399 409 419 439 449 45v 469 479 480 499 500 510 520 549 550 569 589 590 609 619 620 639 659 66 67 679 68 69 69 69 700 710 720 739 296 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 227 230 233 117 124 184 234 118 185 235 211 63 212 181 213 222 18 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TD T0 T0 T0 T0 T0 T0 TD T0 T0 T0 TD TO 231 234 237 121 128 188 238 122 189 239 24 13 22 23 24 13 22 12 10 11 12 13 22 23 24 13 22 12 10 20 22 12 13 22 12 10 99 215 67 216 185 217 226 22 12 13 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABDVE ABOVE ABOVE ABOVE ABOVE ABOVE ABDVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABDVE ABOVE WUUUWU’UWUW WW 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 ABOVE **** UWUU ABOVE **** ABOVE 6*** ABOVE **** ABOVE **** LENGTH UTUTUIU'IU'IUIU‘UIU'IUT UTUT U‘TU'IUTUT PATTERN 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 599 600 6666 FOR 6666 FOR 601 682 663 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 604 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR son ma FCR FOR FOR FCR FOR FCR FOR 70 83 B4 85 86 87 88 89 90 91 92 93 94 98 99 99 100 101 101 101 106 107 108 109 110 111 112 113 114 115 117 118 119 120 121 122 123 124 127 127 129 130 131 132 133 134 135 136 138 139 140 NOTES T0 T0 TO TO TO TO T0 T0 TD TO TO TO TO TO TO TO TO TO TD T0 T0 T0 TD TD TO TO T0 T0 T0 TO TD TO T0 T0 T0 T0 T0 T0 T0 TD TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 749 879 889 899 909 919 929 939 949 959 969 979 989 102 103 1039 1049 105 105 105 1109 1119 1129 1139 1149 1159 1169 1179 1189 1199 1219 1229 1239 1249 1259 1269 1279 1289 131 1319 1339 1349 1359 1369 1379 1389 1399 1409 1429 1439 1449 RELATED 297 SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE TO p9 .— OQQHOOWNHN Nuan- C30!» 104 105 99 16 17B 206 180 127 18 19 20 18 19 20 18 NOTES TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TD TD T0 T0 T0 T0 T0 T0 TD T0 T0 T0 TO T0 T0 TD T0 T0 TO TO TO TO TO TD TO 108 109 103 20 182 210 220 13 22 12 13 22 12 18 19 20 10 20 18 184 131 12 13 22 23 24 13 22 23 24 13 22 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 LENGTH U'IUIU'i PATTERN 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 605 6666 6666 6666 6666 6666 6666 6666 6666 606 687 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FCR FOR 141 143 144 145 146 147 168 149 150 152 153 156 155 156 157 163 166 165 166 167 168 169 170 171 172 173 174 175 176 117 178 181 181 182 183 184 185 186 187 188 189 190 191 192 194 195 196 197 198 202 203 NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 1459 1479 1489 1499 1509 1519 1529 1539 1549 1569 1579 1589 1599 1609 1619 1679 1689 1699 1709 1719 1729 173 1749 1759 1769 1779 1789 1799 1809 1819 182 185 1859 1869 1879 1889 1899 1909 1919 1929 1939 1949 1959 1969 1989 1999 2009 2019 2029 2069 2079 298 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE r- u— rn - Bur-avoxn¢>munr-o~¢cnaacwmcnuuo~ocn 9.: p9 ~.. ~40 Or- 127 210 209 181 14 15 16 16 18 16 18 19 20 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 12 10 20 22 12 13 22 12 10 ' 20 22 12 13 10 20 105 183 131 69 10 20 214 213 185 18 19 20 10 20 22 12 10 20 22 23 24 13 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 6666 LENGTH 299 PATTERN NOTES RELATED TO NOTES TEST LENGTH 999* FOR 206 TO 208. SEE 2 T0 6 ABOVE #*** ottt FOR 205 TO 209. SEE 1 TO 5 ABOVE **** 999* FOR 206 TO 210. SEE 178 TO 182 ABOVE ***# fittt FCR ZCT TO 211. SEE 63 TO 67 ABOVE t*** tttt FOR 208 TO 212. SEE 64 TO 68 ABOVE *ttt tttt FOR 209 TO 213. SEE 65 TO 69 ABOVE *ttt #999 FOR 210 TO 216. SEE 101 TO 105 ABOVE ***t 688 211 TO 215 217 TO 221 3 5 tt.‘ FOR 213 TO 217. SEE 181 TO 185 ABOVE *ttt tit! FOR 216 TO 220. SEE 178 TO 182 ABOVE ***F 6:66 FOR 217 TO 221. SEE 63 TO 67 ABOVE tttt ttoo FOR 222 TO 226. SEE 181 TO 185 ABOVE ttt¢ tttt FOR 223 TO 22?. SEE 2 TO 6 ABOVE t*t* ttot FOR 224 TO 228. SEE 5 TO 9 ABOVE tttt .66: FOR 225 TO 229. SEE 6 TO 10 ABOVE *ttt tttt FOR 226 TO 230. SEE 16 TO 20 ABOVE tttt Ottt FOR 227 TO 231. SEE 5 TO 9 ABOVE tttt tttt FOR 228 TO 232. SEE 6 TO 10 ABOVE *ttt tttt FOR 229 TO 233. SEE 16 TO 20 ABOVE **t* ##tt FOR 230 TO 234. SEE 5 TO 9 ABOVE tit# #99. FOR 231 TO 235. SEE 6 TO 10 ABOVE tit! #11. FOR 232 TO 236. SEE 16 TO 20 ABOVE #ttt :66: FOR 233 TO 23?. SEE 5 TO 9 ABOVE tttt tttt FOR 234 TO 238. SEE 14 TO 18 ABOVE *ttt tt.’ FOR 235 TO 239. SEE 15 TO 19 ABOVE **** 9... FOR 236 TO 260. SEE 16 TO 20 ABOVE *ttt :88: FOR 231 TO 241. SEE 1 TO 5 ABOVE #ttt 990* FOR 238 TO 242. SEE 18 TO 22 ABOVE *ttt 09" FOR 239 TO 243. SEE 19 TO 23 ABOVE tttt cttt FOR 240 TO 244. SEE 20 TO 24 ABOVE *t** sttt FOR 241 TO 245. SEE 9 TO 13 ABOVE *ttt tttt FOR 242 TO 246. SEE 18 TO 22 ABOVE *ttt tttt FOR 243 TO 24?. SEE 8 TO 12 ABOVE tit. 06.: FOR 245 TO 249. SEE 6 TO 10 ABOVE *ttt ittt FOR 246 TO 250. SEE 16 TO 20 ABOVE tttt 0### FOR 247 TO 251. SEE 1 TO 5 ABOVE ***# 9"* FCR 248 TO 252. SEE 18 TO 22 ABOVE *t*¢ 08" FOR 249 TO 253. SEE 8 TO 12 ABOVE **#* tttt FOR 251 TO 255. SEE 6 TO 10 ABOVE *ttt titt FOR 252 TO 256. SEE 16 TO 20 ABOVE tttt #999 FOR 253 TO 257. SEE 1 TO 5 ABOVE ***t #89. FOR 256 TO 258. SEE 18 TO 22 ABOVE tit! Oti‘ FOR 255 T0 259. SEE 19 T0 23 ABOVE ***‘ 300 tit TYPE I LISTING CONTINUED 9" SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH -- TONAL INVERSION hAS BEGUN AT 477 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 6C9 1 TO 6 10 TO 15 3 6 610 1 TD 6 22 TO 27 3 6 611 1 TO 6 28 TO 33 3 6 612 1 TO 6 30 TO 35 3 6 613 1 TO 6 32 TO 37 3 6 614 1 TO 6 34 TO 39 3 6 615 1 TO 6 53 TD 58 3 6 616 1 TO 6 70 TO 75 3 6 617 1 TO 6 72 TD 77 3 6 618 1 TD 6 74 TD 79 3 6 619 1 TD 6 76 TO 81 3 6 620 1 TO 6 78 TO 83 3 6 621 1 TO 6 80 TO 85 3 6 622 1 TD 6 82 TO 87 3 6 623 1 TO 6 107 TO 112 3 6 624 1 TO 6 112 TO 117 3 6 625 1 TO 6 158 TO 163 3 6 626 1 TO 6 160 TO 165 3 6 627 1 TD 6 204 TO 209 3 6 628 1 TO 6 214 TO 219 3 6 629 2 TO 7 11 TO 16 3 6 630 2 TO 7 29 TD 34 3 6 631 2 TO 7 31 TO 36 3 6 632 2 TO 7 33 TO 38 3 6 633 2 TD 7 52 TO 57 3 6 634 2 TO 7 71 TO 76 3 6 635 2 TO 7 73 TO 78 3 6 636 2 TO 7 75 TO 80 3 6 637 2 TO 7 77 TO 82 3 6 638 2 TO 7 79 TO 84 3 6 639 2 TO 7 81 TO 86 3 6 640 2 TO 7 83 TO 88 3 6 641 2 TO 7 159 TO 164 3 6 642 2 TO 7 161 TO 166 3 6 643 2 TO 7 166 TO 171 3 6 644 2 TO 7 172 TO 177 3 6 #444 FOR 3 TO 8. SEE 1 TO 6 ABOVE **** 645 4 TO 9 17 TO 22 3 6 646 4 TO 9 23 TO 28 3 6 647 4 TO 9 35 TO 40 3 6 648 4 TO 9 54 TO 59 3 6 649 4 TD 9 66 TO 71 3 6 650 4 TO 9 88 TO 93 3 6 651 4 TD 9 108 TO 113 3 6 301 PATTERN NCTES RELATED TC NOTES TEST LENGTH 652 4 TO 9 113 TO 118 3 6 653 4 TO 9 145 TO 150 3 6 654 4 TO 9 154 TO 159 3 6 655 4 TO 9 190 TO 195 3 6 656 4 TO 9 196 TO 201 3 6 657 4 TO 9 237 TO 242 3 6 658 4 TO 9 247 TO 252 3 6 659 4 TO 9 253 TO 258 3 6 660 5 TO 10 36 TO 41 3 6 661 5 TD 10 47 TO 52 3 6 662 5 TO 10 55 TO 60 3 6 663 5 TO 10 58 TO 63 3 6 664 5 TO 10 67 TO 72 3 6 665 5 TO 10 89 TO 94 3 6 666 5 TO 10 109 TO 114 3 6 667 5 TO 10 114 TO 119 3 6 668 5 TO 10 140 TO 145 3 6 669 5 TO 10 146 TO 151 3 6 670 5 TD 10 149 TO 154 3 6 671 5 TO 10 155 TO 160 3 6 672 5 TO 10 191 TO 196 3 6 673 5 TO 10 242 TO 247 3 6 674 5 TO 10 248 TO 253 3 6 49" FOR 5 TO 10. SEE 5 TD 10 ABOVE **#* 675 6 TD 11 37 TO 42 3 6 676 6 TO 11 48 TO 53 3 6 677 6 TO 11 59 TO 64 3 6 678 6 TO 11 115 TO 120 3 6 679 6 TO 11 141 TO 146 3 6 680 6 TO 11 150 TO 155 3 6 681 6 TD 11 192 TO 197 3 6 682 6 TO 11 243 TO 248 3 6 683 6 TO 11 249 TO 254 3 6 684 7 TO 12 38 TO 43 3 6 685 7 TO 12 49 TO 54 3 6 686 7 TO 12 60 TO 65 3 6 687 7 TO 12 142 TO 147 3 6 688 7 TO 12 151 TO 156 3 6 689 7 TO 12 193 TO 198 3 6 690 7 TO 12 244 TO 249 3 6 691 7 TO 12 250 TO 255 3 6 692 8 TD 13 50 TO 55 3 6 693 8 TO 13 86 TD 91 3 6 694 8 TO 13 121 TO 126 3 6 695 8 TO 13 143 TO 148 3 6 696 8 TD 13 152 TO 157 3 6 697 8 TO 13 164 TO 169 3 6 698 8 TO 13 175 TO 180 3 6 699 8 TO 13 188 TO 193 3 6 700 8 TO 13 194 TO 199 3 6 701 8 TO 13 225 TO 230 3 6 302 PATTERN NCTES RELATED TC NOTES TEST LENGTH 702 8 TO 13 228 TO 233 3 6 703 8 TO 13 231 TO 236 3 6 7C4 8 TO 13 245 TO 250 3 6 705 8 TO 13 251 TO 256 3 6 706 9 TO 14 16 TO 21 3 6 707 9 TO 14 51 TO 56 3 6 708 9 TO 14 87 TO 92 3 6 709 9 TO 14 144 TO 149 3 6 710 9 TO 14 153 TO 158 3 6 711 9 TO 14 165 TO 170 3 6 712 9 TO 14 176 TO 181 3 6 713 9 TO 14 189 TO 194 3 6 714 9 TO 14 195 TO 200 3 6 715 9 TO 14 236 TO 241 3 6 716 9 TO 14 246 TO 251 3 6 717 9 TO 14 252 TO 257 3 6 0*“ FCR 10 TO 15. SEE 2 TO 7 ABOVE **** tit. FOR 11 TO Ibo SEE 1 TD 6 ABOVE **** .**‘ FOR 12 TO 17. SEE 4 TO 9 ABOVE **** 718 13 TO 18 18 TO 23 3 6 719 13 TO 18 24 TO 29 3 6 720 13 TO 18 43 TO 48 3 6 721 13 TO 18 92 TO 97 3 6 722 13 TO 18 131 TO 136 3 6 723 13 TD 18 135 TO 140 3 6 724 13 TO 18 197 TO 202 3 6 725 13 TD 18 238 TO 243 3 6 726 13 TD 18 254 TO 259 3 6 727 14 TO 19 19 TO 24 3 6 728 14 TO 19 25 TO 30 3 6 729 14 TO 19 44 TO 49 3 6 73C 14 TO 19 93 TO 98 3 6 731 14 TO 19 132 TO 137 3 6 732 14 TO 19 239 TO 244 3 6 iii. FOR 14 TD 19. SEE 14 TO 19 ABOVE ‘**’ 733 15 TO 20 20 TO 25 3 6 734 15 TO 20 26 TO 31 3 6 735 15 TO 20 45 TO 50 3 6 736 15 TO 20 133 TO 138 3 6 737 15 TO 20 138 TO 143 3 6 738 15 TO 20 202 TO 207 3 6 739 15 TO 20 240 TO 245 3 6 740 16 TD 21 21 TO 26 3 6 741 16 TO 21 27 TO 32 3 6 742 16 TO 21 69 TD 74 3 6 743 16 TO 21 106 TO 111 3 6 744 16 TO 21 111 TO 116 3 6 745 16 TO 21 157 TO 162 3 6 746 16 TO 21 203 T0 208 3 6 4“. FOR 16 TO 21. SEE 16 TO 21 ABOVE **** 0‘ 747 17 TO 22 84 TO 89 3 303 PATTERN NCTES RELATED TO NOTES TEST LENGTH 748 17 TO 22 162 TO 167 3 6 749 17 TO 22 173 TO 178 3 6 75C 17 TO 22 182 TO 187 3 6 751 17 TD 22 223 TO 228 3 6 752 18 TO 23 123 TO 128 3 6 753 18 TO 73 183 TO 188 3 6 754 18 TO 23 233 TO 238 3 6 0686 FOR 18 TO 23. SEE 18 TD 23 ABOVE ***‘ 755 19 TO 24 117 T0 122 3 6 756 19 TO 24 184 TO 189 3 6 757 19 TO 24 234 TO 239 3 6 .444 FCR 19 TO 24. SEE 19 TO 24 ABOVE **** 758 20 TO 25 118 TO 123 3 6 759 20 TO 25 185 TO 190 3 6 760 20 TO 25 235 TO 240 3 6 0“. FOR 21 TO 26. SEE 9 TO 14 ABOVE **** 864$ FCR 22 TO 27! SEE 2 TO 7 ABOVE **** 888* FOR 23 TO 28. SEE 17 TO 22 ABOVE **** 4444 FOR 24 TO 29. SEE 18 TO 23 ABOVE **** 99“ FOR 25 TD 30. SEE 19 TO 24 ABOVE **** 44“ FOR 26 TO 31. SEE 20 TO 25 ABOVE **** 39“ FOR 27 TO 32. SEE 9 TO 14 ABOVE **** Ottt FCR 34 TO 39. SEE 2 TO 7 ABOVE **99 81“ FOR 35 TO 40. SEE 17 TO 22 ABOVE **** 761 36 TO 41 85 TO 90 3 6 762 36 TD 41 120 TO 125 3 6 763 36 TO 41 163 TO 168 3 6 764 36 TO 41 174 TO 179 3 6 765 36 TO 41 187 TO 192 3 6 766 36 TO 41 224 TO 229 3 6 767 36 TO 41 227 TO 232 3 6 768 36 TO 41 230 TO 235 3 6 $4.9 FOR 39 TO 44. SEE 6 TO 11 ABOVE ***# 86’. FOR 40 TO 45' SEE 7 TO 12 ABOVE **** tttt PER 41 TO 46. SEE 8 TO 13 ABOVE **** 769 42 TD 47 119 TO 124 3 6 770 42 TO 47 122 TO 127 3 6 771 42 TO 47 186 TO 191 3 6 772 42 TO 47 226 TO 231 3 6 773 42 TO 47 229 TO 234 3 6 774 42 TO 47 232 TO 237 3 6 9494 FOR 43 TO 48. SEE 18 TO 23 ABOVE **** 09" FOR 44 TO 49. SEE 19 TO 24 ABOVE **** 34“ FOR 45 TO 50. SEE 20 TO 25 ABOVE **** .994 FOR 46 TO 51. SEE 42 TO 47 ABOVE ***# 99” FOR 47 TD 52. SEE 36 TO 41 ABOVE **** 775 50 TO 55 56 TO 61 3 6 776 50 TO 55 68 TO 73 3 6 777 50 TO 55 90 TO 95 3 6 778 50 TO 55 110 TO 115 3 6 779 50 TO 55 129 TO 134 3 6 304 PATTERN NOTES RELATED TO NOTES TEST LENGTH 780 50 TO 55 147 TO 152 3 6 781 50 TO 55 156 TO 161 3 6 #044 FOR 51 TO 56. SEE 16 TO 21 ABOVE ‘9‘"? ‘6‘. FOR 52 TO 57. SEE 1 TO 6 ABOVE WNW tttt FOR 53 TO 58. SEE 2 TO 7 ABOVE WNW tttt FOR 54 TO 59. SEE 17 TO 22 ABOVE **** 9‘99 FOR 55 TO 60. SEE 36 T0 41 ABOVE WNW 9"" FOR 56 TO 61. SEE 8 TO 13 ABOVE #49“ 04" FOR 57 T0 62. SEE 42 TO 47 ABOVE **** 9"" FOR 58 TO 63. SEE 36 TO 41 ABOVE **** 782 63 TO 68 211 TO 216 3 6 783 64 TO 69 212 TO 217 3 6 784 65 TO 70 181 TO 186 3 6 785 65 TO 70 213 TO 218 3 6 786 65 TO 70 222 TO 227 3 6 04.. FOR 66 TD 71. SEE 17 TO 22 ABOVE *‘NW 4“" FCR 67 TO 72. SEE 36 TO 41 ABOVE *‘Wi‘ 6006‘ FOR 68 TO 73. SEE 8 TO 13 ABOVE 94*“ 00:04 FOR 69 TO 74. SEE 9 TO 14 ABOVE ##1## ’0‘" FCR 70 TO 75. SEE 2 TO 7 ABOVE “NW ‘60! FCR 82 TO 87. SEE 2 TO 7 ABOVE flu" 94" FOR 83 TO 88. SEE 1 TO 6 ABOVE “NW 1"“! FCR 84 TD 89. SEE 4 TD 9 ABOVE *NN‘ 9"“ FOR 85 TO 90. SEE 5 TO 10 ABOVE **** $0.! FOR 86 TO 91. SEE 50 TO 55 ABOVE 9"“ 01mm FCR 87 TD 92. SEE 16 TO 21 ABOVE 93¢" $6.. FOR 88 TO 93. SEE 17 TO 22 ABOVE ##1## 10‘" FOR 89 TO 94. SEE 36 TD 41 ABOVE WNW tilt! FOR 90 TO 95. SEE 8 TO 13 ABOVE **** 44" FOR 91 TD 96. SEE 42 TO 47 ABOVE “*9 :0... FOR 92 TO 97. SEE 18 TO 23 ABOVE ‘9'"! 04“ FOR 93 TO 98. SEE 19 TO 24 ABOVE **** 787 98 TO 103 104 TO 109 3 6 788 99 TO 104 105 TO 110 3 6 Qttt FOR 106 TO 111. SEE 9 TO 14 ABOVE *‘Nfl' tttt FOR 107 TO 1120 SEE 2 TO 7 ABOVE **¥* 018104 FOR 108 TO 1130 SEE 17 T0 22 ABOVE WIN". 06“ FOR 109 TO 1140 SEE 36 TD 41 ABOVE “NW it!" FCR 110 TO 115. SEE 8 TD 13 ABOVE 1'1"“! 44“ FOR 111 TO 116. SEE 9 TO 14 ABOVE *F'N‘ 0666 FOR 112 TO 117. SEE 2 TO 7 ABOVE WNW In“ FOR 113 TO 1180 SEE 17 TO 22 ABOVE INN“ ##44 FOR 114 TO 119. SEE 36 TD 41 ABOVE WNW 01"“ FOR 117 TO 1220 SEE 14 TO 19 ABOVE *‘NW it!!! FCR 118 TO 123. SEE 15 TO 20 ABOVE *1." 789 119 TO 124 130 TO 135 3 6 790 119 TO 124 134 TO 139 3 6 791 119 TO 124 139 TO 144 3 6 792 119 TO 124 148 TO 153 3 6 793 119 TO 124 241 TO 246 3 6 tall" FOR 120 TO 1259 SEE 5 TD 10 ABOVE 9“” 305 FATTERA NCTES RELATED TO NOTES TEST LENGTH a... FCR 121 TO 126. SEE 50 TO 55 ABOVE ”I" 08:: FOR 122 TO 127. SEE 119 TO 124 ABOVE "In nun FCR 123 TO 128. SEE 13 TO 18 ABOVE an out“ FOR 129 TO 134. SEE 8 TO 13 ABOVE "M 9*“! FOR 130 TO 135. SEE 42 TO 41 ABOVE In" “H” FOR 131 TO 136. SEE 18 TO 23 ABOVE N"! a" FOR 132 TO . 13?. SEE 19 TO 24 ABOVE "I“ tot. FOR 133 TO 138. SEE 20 TO 25 ABOVE "H INN"! FOR 134 TO 139. SEE 42 TO 47 ABOVE “I" own FOR 135 TO 140. SEE 18 T0 23 ABOVE "In “an. FOR 138 TO 143. SEE 20 TO 25 ABOVE MN "I" FOR 139 TO 144. SEE 42 TO 47 ABOVE "*4 #9" FOR 140 TO 145. SEE 36 TO 41 ABOVE “I“ 09" FOR 143 TO 148. SEE 50 TO 55 ABOVE fl" «mt FOR 144 TO 149. SEE 16 TO 21 ABOVE "*9 tttt FOR 145 TO 150. SEE 17 TO 22 ABOVE MM Ont FOR 146 TO 151. SEE 36 TO 41 ABOVE “wt 4”. FOR 147 TO 152. SEE 8 TO 13 ABOVE “*0 :2... FOR 148 TO 153. SEE 42 TO 47 ABOVE ”M uncut FOR 149 TO 154. SEE 36 TO 41 ABOVE "I" 9.1"! FOR 152 TO 157. SEE 50 TO 55 ABOVE tut unto FOR 153 TO 158. SEE 16 TO 21 ABOVE nu taunt FOR 154 TO 159. SEE 17 TO 22 ABOVE «a: aunt FOR 155 TO 160. SEE 36 TO 41 ABOVE N" 44" FOR 156 TO 161. SEE 8 TO 13 ABOVE "It"! “1” FOR 157 TO 162. SEE 9 TO 14 ABOVE "In urn: FOR 162 TO 167. SEE 4 TO 9 ABOVE “4* tun: FOR 163 TO 168. SEE 5 TO 10 ABOVE "in mm": FOR 164 TO 169. SEE 50 TO 55 ABOVE "I" mum FOR 165 TO 170. SEE 16 TO 21 ABOVE "#1! 4000 FOR 166 TO 111. SEE 1 TO 6 ABOVE tut 794 167 TO 172 177 TO 182 3 6 795 167 TO 172 205 TO 210 3 6 196 167 TO 112 215 TO 220 3 6 197 168 TO 173 178 TO 183 3 6 19B 169 TO 174 119 TO 184 3 6 3.6: FOR 169 TO 174. SEE 169 TO 174 ABOVE "I“ 199 110 TO 175 180 TO 185 3 6 an” FOR 111 TO 116. SEE 65 TO 70 ABOVE in!" auto- FOR 172 TO 17". SEE 1 TO 6 ABOVE "a" “I" FOR 173 TO 178. SEE 4 TO 9 ABOVE tut taut FOR 114 TO 179. SEE 5 TO 10 ABOVE "I": 66“ FOR 115 TO 180. SEE 50 TO 55 ABOVE “u out” FOR 176 TO 181. SEE 16 TO 21 ABOVE "I" an” FOR 182 TO 18?. SEE 4 TO 9 ABOVE it" tot: FOR 183 TO 188. SEE 13 TO 18 ABOVE MM :0... FOR 184 TO 189. SEE 14 TO 19 ABOVE "1" 8.66 FOR 185 TO 190. SEE 15 TO 20 ABOVE "*4 an": FOR 186 TO 191. SEE 119 TO 124 ABOVE an “In FOR 187 TO 192. SEE 5 TO 10 ABOVE “an "an: FOR 188 TO 193. SEE 50 TO 55 ABOVE In" 306 PATTERN NOTES RELATED TO NOTES TEST LENGTH 4:”. FOR 189 TO 194. SEE 16 TO 21 ABOVE “it 94'“ FOR 190 TO 195. SEE 17 TO 22 ABOVE “H“ 49.: FOR 191 TO 196. SEE 36 TO 41 ABOVE "NI 99" FOR 194 TO 199. SEE 50 TO 55 ABOVE tut WNW FOR 195 TO 200. SEE 16 TO 21 ABOVE it": It“. FOR 196 TO 201. SEE 17 TO 22 ABOVE 4*“ Qttt FOR 197 TO 202. SEE 18 TO 23 ABOVE "M NH"! FOR 202 TO 207. SEE 20 TO 25 ABOVE “I” tut FOR 203 TO 208. SEE 9 TO 14 ABOVE *“t it“ FOR 204 TO 209. SEE 2 TO 7 ABOVE "*4! #9” FCR 207 TO 212. SEE 63 TO 68 ABOVE *Mt 9‘“ FOR 208 TO 213. SEE 64 TO 69 ABOVE ##1## 800 210 TO 215 216 TO 221 3 6 two: FOR 223 TO 228. SEE 4 TO 9 ABOVE H" 449* FOR 224 TO 229. SEE 5 TO 10 ABOVE "I" mun. FCR 225 TO 230. SEE 50 TO 55 ABOVE “In Mitt FOR 226 TO 231. SEE 119 TO 124 ABOVE MUN taunt FOR 227 TO 2312. SEE 5 TO 10 ABOVE "it INN-t FOR 228 TO 233. SEE 50 TO 55 ABOVE "it mum FOR 229 TO 234. SEE 119 TO 124 ABOVE 1"" it“ FOR 230 TO 235. SEE 5 TO 10 ABOVE “*9 496* FOR 231 TO 236. SEE 50 TO 55 ABOVE “Mt aunt: FOR 232 TO 23?. SEE 119 TO 124 ABOVE *ttt #4" FOR 233 TO 238. SEE 13 TO 18 ABOVE "I": 9!!” FOR 234 TO 239. SEE 14 TO 19 ABOVE "tit tum FOR 235 TO 240. SEE 15 TO 20 ABOVE "H" tat" FOR 236 TO 241. SEE 16 TO 21 ABOVE "*t taut: FOR 237 TO 242. SEE 17 TO 22 ABOVE it"!!! an FOR 238 TO 243. SEE 18 TO 23 ABOVE 4:". tttt FOR 239 TO 244. SEE 19 TO 24 ABOVE “fit #4:” FOR 240 TO 245. SEE 20 TO 25 ABOVE “it tanta- FOR 241 TO 246. SEE 42 TO 47 ABOVE “Wt aunt. FOR 242 TO 247. SEE 36 TO 41 ABOVE MK": #6:: FOR 245 TO 250. SEE 50 TO 55 ABOVE In“: own FOR 246 TO 251. SEE 16 TO 21 ABOVE “HM ans“ FOR 247 TO 252. SEE 17 TO 22 ABOVE "mt stat FOR 248 TO 253. SEE 36 TO 41 ABOVE *“4 mum FOR 251 TO 256. SEE 50 TO 55 ABOVE ##1## tarta- FOR 252 T0 257. SEE 16 TO 21 ABOVE “I“! 464* FOR 253 TO 258. SEE 17 TO 22 ABOVE “4* #4:: FOR 254 TO 259. SEE 18 TO 23 ABOVE "MI 307 tit TYPE I LISTING CONTINUED ##* SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- - TONAL INVERSION NAS BEGUN AT 692 SECONDS INTO EXECUTION. pa TTERN wares RELATED TO NOTES 7557 LENGTH an 1 70 7 10 TO 18 3 7 302 1 TO 7 28 TO 34 3 7 8 c3 1 TO 7 30 T0 38 3 7 a C4 1 7o 7 32 TO 38 3 7 8 cs 1 70 7 70 TO 78 3 7 a Cb 1 7o 7 72 m 78 3 7 e (:7 1 70 7 74 TO 80 3 7 8 88 1 70 7 76 TO 82 3 7 a (19 1 70 7 78 TO 84 3 7 a 10 1 70 7 80 70 86 3 7 8 11 1 TO 7 82 TO 88 3 7 8 :12 1 70 7 158 70 184 3 7 8 13 1 TO 7 18a 70 188 3 7 8 14 2 TO 8 29 m 35 3 7 8 15 2 70 8 31 m 37 3 7 8 18 2 7o 8 33 TO 39 3 7 F :l. 7 2 70 8 52 m 58 3 7 9 1 a 2 TO 8 71 TO 77 3 7 81 9 2 TO 8 73 70 79 3 7 82 o 2 TO 8 75 m 81 3 7 92 1 2 70 8 77 70 83 3 7 322 2 70 8 79 TO 85 3 7 82 3 2 m 8 81 TO 87 3 7 82 c. 2 TO 8 159 TO 185 3 7 82 5 4 T0 10 35 TO 41 3 7 82 6 4 TO 10 54 T0 60 3 7 82 7 4 TO 10 88 TO 72 3 7 82 8 4 T0 10 88 TO 94 3 7 82 9 4 70 10 108 TO 114 3 7 83o 4 TO 10 113 TO 119 3 7 1'3 1 4 T0 10 145 TO 151 3 7 83 2 4 70 10 154 TO 180 3 7 933 4 70 10 190 70 196 3 7 93‘- 4 70 10 247 TO 253 3 7 ’3 5 5 T0 11 36 T0 42 3 7 g; 4'5 5 TO 11 47 70 53 3 7 83" 5 70 11 58 TO 64 3 7 838 5 70 11 114 TO 120 3 7 M9 5 70 11 140 T0 146 3 7 “0 5 70 11 149 TO 155 3 7 M1 5 TO 11 191 TO 197 3 7 942 5 70 11 242 70 248 3 7 “3 5 TO 11 248 70 254 3 7 ’9 8 T0 12 37 T0 43 3 7 A4 1TERN ea 3“ an a“ an an: en :52 353 954 I \A m Dmmmmmmm 0000 NNHOOQQO 0000 300 000 MA 86517 :33: 00m 871 °"°°“”°33333333 33:35:38848888~ on!)UIUIUID§NH--HHHH-HH~w~H mawooovvwoooowoamma-aabwwuuuoommmmmmmmwmuudqq410000000 NOTES TO TD TD TO TO T0 T0 T0 308 RELATED TC 48 59 Ml no 1% n3 a9 49 “2 U1 NOTES TO 54 TO 65 TO 147 TO 156 TO 198 TO 249 TO 255 TO 55 TO 148 TO 157 TO 199 TO 250 TO 256 TO 56 TO 92 TO 149 TO 158 TO 170 TO 181 TO 194 TO 200 TO 251 TO 257 TO 57 TO 171 TO 30 TO 49 TO 98 TO 137 TO 244 TO 31 TO 50 TO 138 TO 245 TO 32 TO 208 TO 188 TO 189 TO 239 TO 123 TO 190 TO 240 TO 241 TO 128 TO 238 TO 74 TO 116 TO 162 TO 217 TO 218 TO 187 TEST LENGTH uwwuwwwwwwuwuwwwwwwwuwwuwwwwuwwwwwuwwwwwwwwwwwwwuuu NfldflNNQddfldflfldflfl4flflNNNNNNNfldflddfldflflflqflfldflflflNNNNNNNN PATTERN 896 8‘37 898 899 900 9C]. 902 903 904 65 98 119 119 119 167 168 170 NCTES 71 104 125 125 125 173 174 175 176 309 RELATED TC NOTES 222 139 148 241 177 178 I79 180 TEST WWWWUWNUN LENGTH ~1~1~1~1~1~1~1~J~1 310 49* TYPE I LISTING CONTINUED 9*. SEARCH FOR PATTERNS OF 8 NOTES IN LENGTH -- TONAL INVERSION HAS BEGUN AT 716 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TC NOTES TEST LENGTH 905 1 m 8 28 TO 35 3 8 we 1 7o 8 30 T0 37 3 8 907 1 TO 8 32 m 39 3 8 968 1 TO 8 7o 70 77 3 8 909 1 TO 8 72 70 79 3 8 910 1 TO 8 74 T0 81 3 8 91 1 1 TO 8 78 TO 83 3 8 912 1 TO 8 78 TO 85 3 8 913 1 TO 8 80 70 87 3 8 91:. 1 7o 8 158 TO 185 3 8 915 2 TO 9 33 TO 48 3 8 915 2 70 9 52 T0 59 3 8 917 4 TO 11 35 T0 42 3 8 918 4 TO 11 113 T0 120 3 8 919 4 7o 11 190 TO 197 3 8 920 4 T0 11 247 70 254 3 8 921 5 70 12 38 T0 43 3 8 922 5 TO 12 47 T0 54 3 8 923 5 7o 12 58 TO 85 3 8 924 5 70 12 140 TO 147 3 8 925 5 70 12 149 70 158 3 8 926 5 70 12 191 70 198 3 8 927 5 TO 12 242 TO 249 3 8 928 5 T0 12 248 70 255 3 8 929 8 70 13 48 70 55 3 8 93° 8 70 13 141 70 148 3 8 931 8 70 13 150 TO 157 3 8 932 8 TO 13 192 TO 199 3 8 933 8 70 13 243 70 250 3 8 32" 8 7o 13 249 TO 256 3 8 5 7 m 14 49 70 58 3 8 :35; 7 TO 14 142 T0 149 3 8 938 7 7o 14 151 TO 158 3 8 939 7 70 14 193 70 200 3 8 9‘ 7 70 14 244 TO 251 3 8 “2 7 TO 14 250 TO 257 3 8 942 8 TO 15 so 70 57 3 8 “3 8 TO 15 184 70 171 3 8 9“. 9 70 18 51 m 58 3 8 94s 13 TO 20 24 TO 31 3 8 946 13 70 20 43 70 so 3 8 94‘: 13 70 20 131 70 138 3 8 94a 13 70 20 238 TO 245 3 8 14 70 21 25 70 32 3 8 PATTERN 9459’ ‘9550 ‘9251 9552’ ‘9553 ‘92547 ‘9555 95561 925‘? 95513 95563 94543 94531 NCTES 17 TO 18 TO 18 TO 19 TO 42 TO 50 TO 50 TO 50 TO 63 TD 65 TO 167 TO 168 TO 169 TO 311 RELATED TO 182 183 233 234 232 68 110 156 211 222 177 178 179 NOTES 189 190 240 241 239 75 117 163 218 229 184 185 186 TEST wWWUUUWWUWWWW LENGTH OGOQQOQGQGDQG ' 312 4*4 TYPE I LISTING CONTINUED ttt SEARCH FOR PATTERNS OF 9 NOTES IN LENGTH -- TONAL INVERSION HAS BEGUN AT 736 SECCNDS INTO EXECUTION. PATTERN NOTES RELATED TD NOTES TEST LENGTH 962 1 TD 9 32 TD 40 3 9 963 2 To 10 33 TD 41 3 9 964 2 To 10 52 TD 80 3 9 96 5 4 To 12 35 TD 43 3 9 966 4 To 12 190 TD 198 3 9 967 4 TD 12 247 TD 255 3 9 96a 5 To 13 47 To 55 3 9 969 5 To 13 140 T0 148 3 9 970 5 TD 13 149 TD 157 3 9 971 5 TD 13 191 TD 199 3 9 972 5 TD 13 242 TD 250 3 9 973 5 TD 13 248 TD 258 3 9 97:. 8 TD 14 48 To 58 3 9 975 8 TD 14 141 TD 149 3 9 9785 8 TD 14 150 T8 158 3 9 977 8 TO 14 192 TD zoo 3 9 973 8 TD 14 243 TD 251 3 9 979 8 TD 14 249 To 257 3 9 980 7 TD 15 49 TD 57 3 9 981 8 TD 16 so TD 58 3 9 982 9 To 17 51 To 59 3 9 983 13 To 21 24 TD 32 3 9 984 17 TD 25 182 TD 19D 3 9 985 18 TD 28 233 TD 241 3 9 988 42 TD so 232 To 240 3 9 987 so To 58 88 TD 78 3 9 988 so TD 58 158 TD 184 3 9 989 65 To 73 222 T0 230 3 9 990 187 To 175 177 To 185 3 9 991 188 To 178 178 TD 188 3 9 313 “'3' TYPE I LISTING CONTINUED 1"" SEARCH FOR PATTERNS OF 10 NOTES IN LENGTH - TONAL INVERSION HAS BEGUN AT 754 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 992 1 T0 10 32 TD 41 3 10 993 2 TO 11 33 TO 42 3 10 9919 4 TO 13 190 TO 199 3 10 995 4 TD 13 247 TO 256 3 10 996 5 TO 14 47 TO 56 3 10 9‘5 7 5 TO 14 140 TO 149 3 10 998 5 TO 14 149 TO 158 3 10 999 5 TO 14 191 TO 200 3 10 1000 5 TO 14 242 TO 251 3 10 ICC l 5 TO 14 248 TO 257 3 10 100 2 6 TO 15 48 TD 57 3 10 1003 7 TO 16 49 TO 58 3 10 1004 8 TD 17 50 TO 59 3 10 1005 167 TO 176 177 TO 186 3 10 314 it! TYPE I LISTING CONTINUED "t SEARCH FOR PATTERNS OF 11 NOTES IN LENGTH -- TONAL INVERSION HAS BEGUN AT 770 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TC NOTES TEST LENGTH 1006 1 TO 11 32 TO 42 3 11 ICC? 2 TD 12 33 TO 43 3 11 ICC 8 4 TO 14 190 TO 200 3 11 “709 4 TO 14 247 TO 257 3 11 101 O 5 TO 15 47 TO 57 3 11 101 1 6 TO 16 48 TO 58 3 11 I01 2 7 TO 17 49 TO 59 3 11 315 ttt TYPE I LISTING CONTINUED 3“” SEARCH FOR PATTERNS OF 12 NOTES IN LENGTH -- TONAL INVERSION HAS BEGUN AT 786 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 1013 1 TO 12 32 TO 43 3 12 IO 14 5 TO 16 47 TO 58 3 12 1C1 5 6 TO 17 48 TD 59 3 12 316 it! TYPE I LISTING CONTINUED ‘*4 SEARCH FOR PATTERNS OF 13 NOTES IN LENGTH -- TONAL INVERSION HAS BEGUN AT 801 SECONDS INTO EXECUTION. F’llTTERN NCTES RELATED TO NDTES TEST LENGTH 1.016 5 TO 17 47 TO 59 3 13 .317 “"3 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 14 NOTES IN LENGTH -- TONAL INVERSION UAS BEGUN AT 816 SECONDS INTO EXECUTION. PA TTERN NOTES RELATED TO NOTES TEST LENGTH EEO OF TYPE I LISTING. TOTAL OF 1016 PATTERNS LOCATED. EDGARD VARESE ‘I’CRAL IAVEPSION C R IGINAL PATTERN #46:. SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SLBPATTERN SUBPATTERN SUBPATTERN SCBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SLBPATTERN SUEPATTERN SUEPATTERN SUEPATTERN SUBPATTERN LOCATION OF FIRST OCCURRENCE 5 TO 17 5 TO 14 6 TO 14 5 TO 13 7 TO 14 6 TO 13 5 TO 12 8 TO 14 7 TO 13 6 TO 12 5 TO 11 9 TO 14 8 TO 13 7 TO 12 6 TO 11 5 TO 10 9 TO 13 8 TO 12 7 TO 11 6 TO 10 5 TO 9 9 TO 12 8 TO 11 7 TO 10 6 TO 9 ‘4‘ TYPE II LISTING 3** DENSITY 21.5 FDR SOLO FLUTF TOTAL NUMBER OF OCCURRENCES N oq~oauaqu LENGTH OF PATTERN 13 l ##PJ‘WWWU‘U‘O‘O‘O‘O‘O‘QNNNQGWOOO TEST 3 COMPLETED AT 1000 SECONDS INTO EXECUTION #ttt a sauna": HUS [C E DGARD VAR ESE usut3‘TES 55 a.‘: 165 d ‘53 p.(:"ES .49 79(31WES 556 “(153 74 sues BCTEEE; 51 NCTEEs; 6" NCTES 59 was 13 HRS 80 acres at. TEST REQUESTED 319 UBITS OF DATA PER CARD CCHPLTER REFERENCE NUMBER ASSIGNMENT 1 THROUGH 15 54 56 51 56 51 16 THRCUGH 3O 54 51 57 51 57 31 THROUGH 45 62 63 62 63 62 46 THROUGH 60 65 71 59 72 78 61 THROUGH 75 81 61 60 61 61 76 THROUGH 90 75 74 75 74 75 91 THROUGH 105 60 61 59 60 74 106 THROUGH 120 54 64 51 64 51 121 THROUGH 135 81 80 68 81 80 136 THROUGH 150 54 6C 70 73 83 151 THROUGH 165 80 83 80 73 83 I66 THROUGH 180 73 74 65 74 65 181 THROUGH 195 64 65 63 65 61 57 59 63 66 59 74 75 52 68 73 73 65 56 15 55 60 62 65 61 75 74 58 67 80 80 64 55 54 57 64 67 58 74 74 54 67 83 83 65 57 56 60 70 65 61 75 74 58 57 80 80 63 56 HELODIC PATTERN ANALYSIS 57 57 64 67 75 14 54 52 68 73 83 65 55 tit’tttttttfit DENSITY 21.5 FOR SOLO FLUTE 51 60 58 65 74 76 51 65 69 83 80 64 57 57 62 64 66 75 61 54 81 56 73 83 63 55 56 63 70 68 74 60 51 80 57 80 80 65 56 57 62 53 55 75 61 51 68 58 83 83 63 57 320 IKCTES 196 THROUGH 210 56 55 57 52 58 59 66 72 75 90 85 88 BITES 211 THROUGH 225 85 88 85 E5 88 85 88 85 88 88 58 58 BCTES 226 THROUGH 240 74 68 67 74 68 67 74 68 67 74 54 52 hCTES 241 THROUGH 255 54 56 57 54 57 71 6O 54 60 50 54 64 [\CTES 256 THROUGH 265 50 54 6C 64 68 75 77 79 85 -99 1' .45 FOLLCHING TYPES OF PATTERN HAVE BEEN DELETED FRCM TPE LISTINGS HHICH FOLLOH ~- PATTERNS WHICH ARE REITERAIIONS LONGER THAN FOUR NOTES-IN-LENGTH 85 58 51 54 88 59 54 50 88 57 51 64 321 #** TYPE I LISTING **¥ EDGARD VARESE DENSITY 21.5 FOR SOLO FLUTE SEARCH FOR PATTERNS OF 3 NOTES IN LENGTH -- EXACT INVERSION HAS BEGUN AT 28 SECONDS INTO EXECUTION. F’ADTTERN NCTES RELATED 7c NOTES 7557 LENGTH 1 1 70 3 89 T0 91 4 3 2 1 70 3 92 7o 94 4 3 3 1 70 3 173 70 175 4 3 4 1 70 3 182 70 184 4 3 5 1 70 3 223 70 225 4 3 6 7 70 9 9 70 11 4 3 7 7 7o 9 21 70 23 4 3 8 7 7o 9 27 70 29 4 3 9 7 70 9 241 70 243 4 3 25:01“ ma 8 70 10. see 1 7o 3 ABOVE an 10 9 70 11 236 70 238 4 3 11 11 70 13 18 70 20 4 3 12 11 70 13 39 to 41 4 3 13 13 70 15 28 T0 30 4 3 14 13 70 15 3o 70 32 4 3 .15 13 7o 15 32 70 34 4 3 16 13 T0 15 34 70 36 4 3 1‘7 13 70 15 36 70 38 4 3 18 13 70 15 72 70 74 4 3 19 13 70 15 74 70 76 4 3 20 13 TO 15 76 70 78 4 3 2 1 13 70 15 78 T0 80 4 3 22 13 m 15 80 70 82 4 3 23 13 7o 15 82 70 84 4 3 2‘. 13 70 15 84 70 86 4 3 25 13 70 15 96 70 98 4 3 26 13 70 15 194 70 196 4 3 2‘7 14 to 16 29 70 31 4 3 28 14 7o 16 31 70 33 4 3 29 14 7o 16 33 7o 35 4 3 3o 14 70 16 35 T0 37 4 3 31 14 70 16 63 TO 65 4 3 32 14 70 16 71 to 73 4 3 33 14 70 16 73 70 75 4 3 34 14 to 16 75 TO 77 4 3 35 14 70 16 77 70 79 4 3 36 14 70 16 79 70 81 4 3 37 14 70 16 81 70 83 4 3 38 14 70 16 83 70 85 4 3 39 14 70 16 88 70 9o 4 3 4o 14 70 16 172 70 174 4 3 41 15 7o 17 57 10 59 4 3 B’lfTTE 42 43 1.1.94 ‘Fdl‘t 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 6O 61 62 163 (54 £55 6&6 617 "was tiau. Ottuu it‘d. ttiut #46:; titqp Ottu. 4441. 444‘ $99!: 864‘; 496‘. 68 69 70 444‘ 71 0094 72 73 74 75 RN FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR 18 18 I9 21 22 23 23 23 23 23 23 23 23 23 23 23 24 24 24 24 24 24 24 24 24 24 25 27 28 29 30 31 32 33 34 35 37 39 4o 40 4o 41 44 52 53 53 53 54 NCTES TO TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 TO 399 418 42 42 42 439 46 549 55 55 56 322 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 41 247 11 237 102 143 152 158 160 162 164 206 211 214 216 238 68 101 159 161 163 207 210 215 217 239 243 23 14 I3 13 14 I3 14 I3 14 18 42 45 46 11 225 66 174 183 178 NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO 43 249 13 11 239 104 145 154 160 162 164 166 208 213 216 218 240 70 103 161 163 165 209 212 217 219 241 245 25 11 16 15 16 15 16 15 16 15 16 3 20 44 47 48 13 227 3 68 176 185 180 TEST LENGTH ABOVE 4‘6 #498 ABOVE ‘*** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ##é&&k&éééb&¢k¢é¢b颢&ék -§J‘& tttt tit! #98! #198 *9‘* ***9 ##3. 989‘ iii. #999 8.39 *8t# 9*?! ABOVE **** & ABOVE **** P-F8‘5 ULUUJ UJWINUJWLHUJWIflUJUkflbJW\flUJULDUJN\NUJWLfl him 0) UJUJUU 323 PATTERN NOTES RELATED TO NOTES TEST LENGTH 76 54 TO 56 191 To 193 4 3 so” FOR 55 TO 57. SEE 53 TO 55 ABOVE «n 77 56 TO 58 175 TO 177 4 3 78 56 TO 58 188 TO 190 4 3 79 59 TO 61 124 TO 126 4 3 an... FCR 63 To 65. SEE 13 TO 15 ABOVE «an 80 64 TO 66 97 TO 99 4 3 81 64 TO 66 127 TO 129 4 3 9:044 FOR 66 TO 68. SEE 54 TO 56 ABOVE «In .1.” FOR 68 TO 70. SEE 23 TO 25 ABOVE u" as-“ FOR 71 TO 73. SEE 13 TO 15 ABOVE «u not": FOR 72 TO 74. SEE 14 TO 16 ABOVE an -5... FOR 73 TO 75. SEE 13 TO 15 ABOVE «an ,1. 44 FOR 74 TO 76. SEE 14 To 16 ABOVE «u ,a. an FOR 75 TO 77. SEE 13 TO 15 ABOVE «u ' ,. so :44 FOR 76 TO 78. SEE 14 TO 16 ABOVE nu ,. ‘ an FOR 77 TO 79. SEE 13 TO 15 ABOVE «u .. 7.. 144 FOR 78 TO 80. SEE 14 TO 16 ABOVE an -8: an FOR 79 TO 81. SEE 13 To 15 ABOVE mm 1.10:2” FOR 80 TO 82. SEE 14 TO 16 ABOVE m": tau” FOR 81 TO 83. SEE 13 TO 15 ABOVE an 10:01.”. FOR 82 TO 84. SEE 14 TO 16 ABOVE mt moat. FCR 83 TO 85. SEE 13 TO 15 ABOVE «an 10.0! FOR 84 TO 86. SEE 14 TO 16 ABOVE «n cos-m FOR 85 To 87. SEE 1 TO 3 ABOVE nu mum FOR 88 TO 90. SEE 13 TO 15 ABOVE «In 82 89 TO 91 177 TO 179 4 3 33 89 TO 91 187 TO 189 4 3 a4 89 TO 91 190 TO 192 4 3 as 89 TO 91 196 TO 198 4 3 “*1. FOR 90 TO 92. SEE 56 TO 58 ABOVE u" 845 91 TO 93 176 TO 178 4 3 81 91 TO 93 189 TO 191 4 3 “*‘a 91 TO 93 195 TO 197 4 3 FOR 92 TO 94. SEE 89 TO 91 ABOVE 4444 ‘1“ FOR 93 TO 95. SEE 56 TO 58 ABOVE mm ‘ “ FOR 96 TO 98. ' SEE 14 TO 16 ABOVE «44 B9 57 TO 99 180 To 182 4 3 9o 58 To 100 104 To 106 4 3 . 91 58 TO 100 221 TO 223 4 3 W“ FOR 101 TO 103. SEE 23 TO 25 ABOVE u" *“5 FOR 102 TO 104. SEE 24 TO 26 ABOVE 4444 92 163 TO 105 208 TO 210 4 3 93 103 TO 105 218 TO 220 4 3 5*54 FOR 104 TO 106. SEE 98 TO 100 ABOVE 4444 94 185 TO 107 209 TO 211 4 3 .444 FOR 110 TO 112. SEE 59 TO 61 ABOVE 4444 95 124 TO 126 132 TO 134 4 3 4414 FOR 127 TO 129. SEE 97 TO 99 ABOVE 4444 .444 FOR 132 TO 134. SEE 59 TO 61 ABOVE 4444 4.4. FCR 133 TO 135. SEE 91 TO 93 ABOVE #444 PATTERN ##tt FOR 2.088 FOR 10:88 FOR $1.88 FOR 18:888- FOR 028888 FOR stat": FOR tau-:88 FOR otzu FOR 10:0: IN FOR 96 97 .3041” FOR ‘80-‘18 FOR -1.- ‘8 FOR 98 99 :I00 taut. FOR 38-!" FOR ‘ttt FOR 180!!! FCR 8:88:81 FOR 88418 FOR 88828 FOR 88828 FOR 8888: FCR 888:8: Fog “'5"- EOE 886* pop "** EOE ”‘* FOR W“ EOE ““ EOE *‘*5 EOE *‘38 EOE 55*8 EOE 8888 FOR 8888 FOR 8888 FOR 8888 FOR 888$ FOR 8888 FCR 134 143 152 158 159 160 161 162 I63 I64 171 171 172 173 174 I75 I75 176 177 178 179 180 182 183 187 188 189 190 191 192 193 I94 I95 I96 199 199 I99 206 207 208 209 210 211 212 213 214 215 216 217 218 221 NOTES TO TD TO TO TO T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 TO TD TO TO TO T0 T0 TO T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 TO T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO 1368 1458 1548 1608 1618 1628 1638 1648 1658 1668 173 173 1748 1758 1768 177 177 178 1798 1808 1818 1828 1848 1858 1898 1908 1918 1928 1938 1948 1958 1968 1978 1988 201 201 201 2088 2098 210 211 2128 2138 2148 2158 2168 2178 2188 2198 2208 2238 324 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 91 24 24 24 23 24 23 24 23 24 181 222 89 54 I79 192 193 53 56 64 89 54 175 176 53 56 91 14 I76 226 229 232 24 23 212 213 23 24 103 105 24 23 24 23 208 98 NOTES T0 T0 T0 T0 T0 T0 TD TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 93 26 26 26 25 26 25 26 25 26 183 224 15 91 56 181 194 I95 55 58 66 91 56 177 178 55 58 93 I6 178 228 231 234 26 25 214 215 25 26 105 107 26 25 26 25 210 100 TEST LENGTH ABOVE **** A BOVE ##tt ABOVE #*** ABOVE **** ABOVE **** ABOVE *‘** ABOVE **** ABOVE **** ABOVE 4*4* ABOVE **** 4 4 ABOVE **** ABOVE **** ABOVE **** 4 4 4 A BOVE #669 ABOVE 444* ABOVE **#* ABOVE '4tt ABOVE #444 ABOVE *ttt ABOVE **** ABOVE **** ABOVE 499* ABOVE t*** ABOVE **** ABOVE ***# ABOVE **** ABOVE 444* ABOVE **** ABOVE 9*‘* 4 4 4 ABOVE ***4 ABOVE ‘*** 4 4 ABOVE **** ABOVE *4** ABOVE **** ABOVE **** ABOVE ***‘ ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE ‘*** UUU b.1040) LOU 325 PATTERN NOTES RELATED TO NOTES TEST LENGTH 0‘89 FOR 223 TO 2258 SEE 89 TO 91 ABOVE 9*t* 9899 FOR 236 TO 2388 SEE 7 TO 9 ABOVE **** 106 237 TO 239 242 TO 244 4 3 $999 FOR 238 TO 2408 SEE 24 TO 26 ABOVE **** tit! FCR 239 TO 2418 SEE 23 TO 25 ABOVE **** 9*.* FOR 241 TO 2438 SEE 9 TO 11 ABOVE **** 999* FOR 242 TO 2448 SEE 22 TO 24 ABOVE **¥* 9"! FOR 243 TO 2458 SEE 23 TO 25 ABOVE **** ##9* FOR 247 TO 2498 SEE 11 TO 13 ABOVE 99** 326 0" TYPE I LISTING CONTINUED iit SEARCH FOR PATTERNS OF 4 NOTES IN LENGTH -- EXACT INVERSION HAS BEGUN AT 195 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 1C7 13 TO 16 28 TO 31 4 4 1C8 13 TO 16 30 T0 33 4 4 189 13 TO 16 32 TO 35 4 4 110 13 TO 16 34 TO 37 4 4 111 13 TO 16 72 TO 75 4 4 112 13 TO 16 74 TO 77 4 4 113 13 TO 16 76 TO 79 4 4 114 13 TO 16 78 TO 81 4 4 115 13 TO 16 80 To 83 4 4 116 13 TO 16 82 TO 85 4 4 117 21 TO 24 236 To 239 4 4 118 22 TO 25 237 T0 240 4 4 119 23 TO 26 158 TO 161 4 4 120 23 TO 26 160 TO 163 4 4 121 23 TO 26 162 To 165 4 4 122 23 TO 26 206 TO 209 4 4 123 23 TO 26 214 To 217 4 4 124 23 TO 26 216 TO 219 4 4 125 23 TO 26 238 TO 241 4 4 126 24 TO 27 101 TO 104 4 4 127 24 TO 27 159 To 162 4 4 128 24 TO 27 161 TO 164 4 4 129 24 TO 27 163 TO 166 4 4 130 24 To 27 210 TO 213 4 4 131 24 TO 27 215 TO 218 4 4 132 28 TO 31 31 TO 34 4 4 133 28 TO 31 33 TO 36 4 4 134 28 TO 31 35 TO 38 4 4 135 28 TO 31 71 TO 74 4 4 136 28 TO 31 73 TO 76 4 4 137 28 TO 31 75 TO 78 4 4 138 28 To 31 77 TO 80 4 4 139 28 TO 31 79 TO 82 4 4 140 28 TO 31 81 TO 84 4 4 141 28 TO 31 83 To 86 4 4 8888 FOR 29 TO 32. SEE 13 TO 16 ABOVE #884 8888 FOR 30 TO 33. SEE 28 TO 31 ABOVE #184 888* FOR 31 TO 34. SEE 13 TO 16 ABOVE #888 8888 FOR 32 TO 35. SEE 28 TO 31 ABOVE 444* 8888 FOR 33 TO 36. SEE 13 TO 16 ABOVE t*#* 8888 FOR 34 TO 37. SEE 28 TO 31 ABOVE #888 8888 FOR 35 TO 38. SEE 13 T0 16 ABOVE **** 142 36 TO 39 88 TO 91 4 4 143 36 TO 39 172 TO 175 4 4 PATTE :44 us 146 147 .869 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 148 149 150 151 152 153 8888 8888 154 155 8888 8888 8888 8888 8888 8888 156 157 158 159 160 8888 8888 8888 8888 8888 8888 8888 8888 161 162 163 88.6 RN FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR EOE FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FCR 52 52 55 63 71 72 73 74 75 77 78 79 80 81 82 83 84 B9 90 90 91 91 91 92 101 102 102 158 159 160 161 162 163 173 173 174 174 175 177 178 182 188 190 191 192 206 2C7 288 2C9 210 NCTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TD T0 T0 T0 T0 T0 T0 TO TD TD TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 55 55 58 66 748 758 768 778 788 798 808 818 828 838 848 858 868 878 92 93 93 94 94 94 958 1048 105 105 1618 1628 1638 1648 1658 1668 176 176 177 177 178 1808 1818 1858 1918 1938 1948 1958 2098 210 211 212 2138 327 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE I73 182 174 NOTES T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 176 185 177 99 16 31 16 31 16 31 16 31 16 31 16 31 16 39 190 178 191 179 192 198 92 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 8~88>8 ##89 #888 **#6 #*** tilt *ttt tttt titt 6869 9’88 ##tt fittt #689 68" #«h3‘fiifi4‘ #689 886* 8‘8 tit! lit. **#8 #868 98*. **## 88888 8888 8888 8888 8888 8888 8888 8888 8888 -PJ‘¢ **t# OWE8‘& é-6458‘bak £~¢ @«fi“¢4§ «bt~& PATTERN 8.88 .886 86.6 8868 8889 FOR FOR EOR FOR FCR 164 165 .98. 8‘88 FOR FOR #606 FCR 211 214 215 216 217 236 237 238 241 242 NCTES T0 T0 TD T0 T0 T0 TO TO TO TO 2148 2178 2188 2198 2208 239 240 2418 2448 2458 328 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE 102 24 23 24 207 241 242 24 21 22 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 105 27 26 27 210 244 245 27 24 25 TEST ABOVE ABOVE ABOVE ABOVE ABOVE 88*. ¥*#* #8?! 68“ #886 LENGTH 4 4 ABOVE ABOVE ABOVE **** $8.6 fittt 329 *** TYPE I LISTING CONTINUED 9*. SEARCH FOR PATTERNS OF 5 NOTES IN LENGTH —- EXACT INVERSION HAS BEGUN AT 255 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 166 21 TO 25 236 TO 240 4 5 99“ FOR 21 TO 25. SEE 21 TO 25 ABOVE **** 167 22 TO 26 237 TO 241 4 5 168 89 TO 93 187 TO 191 4 5 169 90 TO 94 175 TO 179 4 5 170 90 TO 94 188 TO 192 4 5 9". FOR 90 TO 94. SEE 90 TO 94 ABOVE **** 171 101 TO 105 206 TO 210 4 5 172 101 TO 105 216 TO 220 4 5 173 173 TO 177 177 TO 181 4 5 174 173 TO 177 190 TO 194 4 5 49*! FOR 173 TO 1778 SEE 173 TO 177 ABOVE **** 175 174 TO 178 191 TO 195 4 5 8888 FOR 174 TO 1788 SEE 174 TO 178 ABOVE **** 176 206 TO 210 210 TO 214 4 5 I77 207 TO 211 211 TO 215 4 5 999* FOR 207 TO 211. SEE 207 TO 211 ABOVE 444* I78 2C8 TO 212 212 TO 216 4 5 179 209 TO 213 213 TO 217 4 5 888* FOR 210 TO 214. SEE 101 TO 105 ABOVE **** 999* FOR 216 TO 220. SEE 206 TO 210 ABOVE **** 180 236 TO 240 241 TO 245 4 5 888* FOR 236 TO 2408 SEE 236 TO 240 ABOVE **** 8888 FOR 241 TO 245. SEE 21 TO 25 ABOVE 8888 PATTERN 181 182 183 330 888 TYPE I LISTING CONTINUED 9“ SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH -- EXACT INVERSION HAS BEGUN AT 311 SECONDS INTO EXECUTION. NOTES RELATED TO NOTES TEST LENGTH 21 TO 26 236 TO 241 4 6 89 TO 94 187 TO 192 4 6 173 TO 178 190 TO 195 4 6 331 888 TYPE I LISTING CONTINUED **’ SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- EXACT INVERSION HAS BEGUN AT 361 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH EAC OF TYPE I LISTING. TOTAL OF 183 PATTERNS LOCATED. EDGARD VARESE EXACT INVERSION ORIGINAL PATTERN ORIGINAL PATTERN SEEPATTERN SUBPATTERN SUBPATTERN ORIGINAL PATTERN SUBPATTERN SUEPATTERN SUBPATTERN 332 99* TYPE II LISTING 9*. DENSITY 21.5 FOR SOLD FLUTE LOCATION OF FIRST OCCURRENCE 173 TO 178 89 TD 94 91 TO 94 91 TO 93 89 TO 91 21 TO 26 23 TO 26 24 TO 26 23 TO 25 TOTAL NUMBER OF OCCURRENCES TIT-8‘“ N 12 13 LENGTH OF PATTERN 9300“ 0* O UAUJ‘ 9‘99 TEST 4 COMPLETED AT 493 SECONDS INTO EXECUTION *fi‘* 333 464454669944: MUSIC MELODIC PATYERN ANALYSIS #tttttttttttt EDGARD VARESE DENSITY 21.5 FOR SOLO FLUTE TEST REQUESTED 5 BAITS OF DATA PER CARD 15 CCMPLTER REFERENCE NUMBER ASSIGNMENT «C755 1 THRCUGH 15 55 54 56 51 56 51 57 55 54 56 57 51 57 56 57 «C755 16 THRCUGH 30 56 54 51 57 51 57 59 so 57 so 57 so 62 63 62 «C755 31 THROUGH 45 63 62 63 62 63 62 63 62 64 7o 64 ss 64 7o 53 «c755 46 THRCUGH 6o 59 65 71 59 72 7s 66 65 67 65 67 65 66 68 55 «C755 61 THROUGH 75 56 61 61 60 61 61 59 61 so 61 75 74 75 74 75 «C755 76 THRCUGH 9o 74 75 74 75 74 75 74 75 74 75 74 76 61 6o 61 «C755 91 THRCUGH 105 59 6c 61 59 6o 74 75 74 74 74 54 51 54 51 51 «C755 106 THRCUGH 120 51 54 64 51 64 51 52 5s 54 58 52 65 s1 so 63 «c755 121 THRCUGH 135 67 51 60 6s s1 so 68 67 67 57 6s 69 56 57 58 «5755 136 THRCUGH 1so , 59 54 6c 70 73 ea 73 so 83 so 73 83 73 so 83 ~5755 151 THRCUGH 165 73 so 63 so 73 83 73 so 63 so 83 so 83 so 83 «C755 166 THRCUGH 1so so 73 74 65 74 65 65 64 65 63 65 64 63 65 63 «5755 181 THRCUGH 195 64 64 65 63 65 61 56 55 57 56 55 57 55 56 57 334 NOTES 196 THRCUGH 210 56 55 57 52 58 59 66 72 75 9D 85 88 NOTES 211 THRCUGH 225 E5 88 £5 £5 88 85 88 85 88 88 58 58 NCTES 226 THRCUGH 240 74 68 67 74 68 67 74 68 67 74 54 52 NCTES 241 THROUGH 255 54 56 57 56 57 71 60 54 6O 5O 54 64 NCTES 256 THRCUGH 265 5C 54 60 66 68 75 77 79 85 -99 THE' FOLLOhING TYPES OF PATTERN HAVE BEEN DELETED FRCM THE LISTINGS HHICH FOLLOH -- PATTERNS WHICH ARE REITERaIIONS LONGER THAN FCUR NOTES-IN-LENGTH PATTERNS HHICH LACK CHANGE-OF-DIRECTION 85 58 51 54 88 59 54 50 BB 57 51 64 335 :44 7vp5 1 LISTING 444 EDGARD vnasse DENSITY 21.5 FOR 5010 51u75 SEARCH FOR PATTERNS OF 3 NOTES 1N LENGTH ~- TONAL RETROGRADE HAS BEGUN AT 31 SECONDS INTO EXECUTION. PATTERN NCTES RELATED 7C NOTES 7557 LENGTH 1 1 7o 3 3 7o 5 5 3 2 1 7o 3 5 7o 7 5 3 3 1 7o 3 8 7o 10 5 3 4 1 7o 3 11 70 13 5 3 5 1 7o 3 13 7o 15 5 3 6 1 7o 3 17 7o 19 5 3 7 1 to 3 19 7o 21 5 3 a 1 7o 3 23 T0 25 5 3 9 1 7o 3 25 70 27 5 3 lo 1 7o 3 29 T0 31 5 3 1 1 1 7o 3 31 TO 33 5 3 l 2 1 7o 3 33 T0 35 5 3 l 3 1 7o 3 35 T0 37 5 3 l4 1 7o 3 37 7o 39 5 3 1 s 1 7o 3 41 7o 43 5 3 16 1 7o 3 44 70 46 5 3 l 7 1 7o 3 48 70 so 5 3 1.53 1 7o 3 52 7o 54 5 3 1 <3 1 7o 3 54 T0 56 5 3 22¢: 1 7o 3 56 7o 58 5 3 i? 1. 1 7o 3 59 70 61. 5 3 2 2 1 7o 3 63 T0 65 5 3 23 1 7o 3 66 m 68 5 3 2‘. 1 7o 3 68 T0 70 5 3 23 1 TO 3 71 70 73 5 3 5245 1 7o 3 73 T0 75 5 3 2 7 1 7o 3 75 T0 77 5 3 28 1 7o 3 77 7o 79 5 3 EPSS 1 7o 3 79 7o 81 5 3 30 1 7o 3 81 7o 83 5 3 3 1 1 7o 3 83 T0 85 5 3 32 1 7o 3 85 7o 87 5 3 ~o5s 1 7o 3 88 7o 90 5 3 3!. 1 70 3 90 T0 92 5 3 3S 1 7o 3 93 7o 95 5 3 36 1 7o 3 101 70 103 5 3 3T 1 7o 3 108 70 110 5 3 38 1 7o 3 110 70 112 5 3 3'9 1 7o 3 113 T0 115 5 3 “<> 1 7o 3 115 70 117 5 3 ‘1 1 7o 3 120 70 122 5 3 5 2 1 7o 3 123 70 125 5 3 PATTERN 43 44 45 46 47 48 49 so 558 ”mmmawmmmm0000¢d¥ddddddfio000008668” w-owmeWAwNfiooodomAw-oomaombwmuos erkaNIUNFuhHVAonrduu—h-Hunpu—h-Hr-pu—ropp-puuh-wr-pu—A-Hr-nu—h-pr-pr-wuuhuwr—Hw— NCTES TC TC TO TD TO TO TO T0 T0 TO TO TO TO TO TO T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO 70 T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 Jfifiwfi£5PJ’fiwa‘bJFUHflUAULUUHSUAwLHuHflUJUINUJUUBN\NUJWLHUHNUAULDU’UCDUH»UAWLUUH»UJW 336 RELATED TC NOTES 129 132 136 141 145 147 150 154 156 159 161 163 166 168 172 174 177 179 183 187 190 192 196 198 205 207 210 215 217 224 227 230 233 237 239 243 247 249 253 255 4 6 10 12 14 18 22 24 28 30 32 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 131 134 138 143 147 149 152 156 158 161 163 165 168 170 174 176 179 181 185 189 192 194 198 200 207 209 212 217 219 226 229 232 235 239 241 245 249 251 255 257 12 14 16 20 24 26 30 32 34 TEST LENGTH 07mmmmmmmmmwmmmmmmmwmmmums!mmmmmmmmmmmmmmmmmmwmmmmmmmm NWWNWWUUUULHWNUUU’UWUUWUUUUWWWUUUUUWNWUUUWWUNUwU-‘WWUNUJ 337 PAT 15974 775755 RELATED 70 «10755 7557 LENGTH 9 4 2 7o 4 34 7o 36 5 3 <3 5 2 7o 4 36 7o 38 5 3 96 2 7o 4 39 7o 41 5 3 <3 7 2 7o 4 43 7o 45 5 3 s e 2 7o 4 47 7o 49 5 3 99 2 7o 4 50 7o 52 5 3 100 2 7o 4 53 7o 55 5 3 1 o 1 2 7o 4 55 70 57 5 3 1 0? 2 7o 4 58 70 6o 5 3 103 2 7o 4 61 7o 63 5 3 1 1:4 2 7o 4 67 7o 69 5 3 3 05 2 7o 4 7o 70 72 5 3 1C6 2 7o 4 72 7o 74 5 3 10.7 2 7o 4 74 7o 76 5 3 1 cs 2 70 4 76 7o 78 5 3 l 09 2 To 4 78 70 8o 5 3 l 10 2 7o 4 so 70 82 5 3 l 11 2 7o 4 82 7o 84 5 3 1 12 2 7o 4 84 70 86 5 3 l 13 2 7C 4 86 7o 88 5 3 l 1 4 2 7o 4 89 7o 91 5 3 l 1 5 2 7o 4 92 7o 94 5 3 l 1 6 2 7o 4 96 T0 98 5 3 1 1 7 2 7o 4 102 70 1o4 5 3 1 1 8 2 7o 4 107 70 109 5 3 1 1 9 2 7o 4 1o9 70 111 5 3 12 o 2 7o 4 112 70 114 5 3 1 2 1 2 7o 4 114 70 116 5 3 l 2 2 2 7o 4 117 70 119 5 3 i 2 3 2 70 4 121 70 123 5 3 ’2 4. 2 7o 4 124 70 126 5 3 l 2 s 2 7o 4 131 70 133 5 3 1 26 2 7o 4 135 T0 137 5 3 1 2 7 2 7o 4 140 70 142 5 3 ‘ 28 2 7o 4 143 70 145 . 5 3 129 2 7o 4 146 70 14s 5 3 130 2 7o 4 149 70 151 5 3 ‘31 2 7o 4 152 70 154 5 3 I32 2 7o 4 155 70 157 5 3 ’33 2 7o 4 158 70 160 5 3 ‘ 34 2 7o 4 160 70 162 5 3 1 35 2 7o 4 162 70 164 5 3 ' 36. 2 7o 4 164 70 166 5 3 :37 2 7o 4 167 70 169 5 3 38 2 7o 4 169 70 171 5 3 ‘ 39 2 7o 4 173 70 175 5 3 ‘90 2 7o 4 175 70 177 5 3 ‘41 2 7o 4 178 70 180 5 3 1‘42 2 7o 4 182 70 184 5 3 ‘ 43 2 7o 4 184 70 186 5 3 ‘94. 2 7o 4 188 70 190 5 3 PAT T ERN PV-~“- GummmbAAAé ”UHHHuH’u mmm OOOOMm Nnoomdhm domAU UJN9—C>OCD FOR FOR FOR FOR FOP FOR FOR FOR FOR FCR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FCR FCR FOR FOR FOR FOR FCR m¢>UM§UANFONHUhANFONJNAUKHMNJNAONHVRON NCTES TO TO TO TO TO TO TO T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 TO TO T0 T0 TO TO TO TO TO T0 T0 T0 TO T0 T0 T0 TO TO TD TO ¥‘&HFJ*&w§J*&«PAM5458M549b4>J#& 329 349 359 369 379 389 399 419 439 459 469 499 338 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 191 194 197 204 206 211 214 216 223 225 228 231 234 238 242 245 248 251 N m ; NF‘NI‘RJFBOFHUF‘Nr‘hH-fiAFFUFHVF’NI-HJHWUF‘Nl-NHHNAF NOTES T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 193 196 199 206 208 213 216 218 225 227 230 233 236 240 244 247 250 253 N m 0 #1fl3~UMbhoékflJ‘wHRUflédflJ5u1$LHJbUM§LDJ’UL’LH“U4FUJ&1H TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE \MU7mxnu7m\nu7m\nvnm\nunm\nu7msn ##tt *tt# #¥** ##*8 ##39 ##8‘ #3‘* #*$* tttt 883$ tit! ¥**# 3". ttt’ *tit tit! ##t‘ ***¥ tit! tit. #88! tit: #1.. 8‘8. #338 iii! titt tit! *tt‘ tttt #ttt fitt$ NQMUAULNUJUIUUJULHUJW\flUJU1HUAW on 1 ERN 999:.- FCR 999:.- FOR 999:. 5017 999:. FOR 999‘: FOR 999:.- FCR 994:9: FOR 8" ‘ FOR 99“ FOR 999:9: 5077 997629: FOR 1 64 1 e 5 166 167 1 e 8 16m 1 7 o 1‘7'1 "’ ’. =0- 505 " =0 3! FOR 99 a. :0: FOR I” '0' =05 FOR gfi‘. ‘ FOR 9‘ 4:. FOR “"0- FOR 999:0: FOR 199‘: FOR 099‘ FOR "“5 FCR "“ FOR "‘ "‘ 501: "‘ ‘ FOR “‘ ‘ FOR 99“, FCR ”“ 505 77“ ma 7"“ FOR 7"“ FOR . ‘ FOR 7“ FCR Aa.,.‘. 9 Km 7 7' "‘ FOR 61.1... Itag‘.‘. F08 FOR 172 173 l 7‘ ‘ngl‘7!5 NCTES TO TO TO TO TO T0 T0 TD TO TO T0 T0 TO TO TO TO TO TO TO TO TO T0 T0 T0 TO TO TO TO TO TD TO TO TO TO TO TO TO T0 T0 T0 T0 TO TO TO TO TO TO TO T0 T0 T0 509 529 549 559 569 579 589 609 619 639 659 66 66 66 66 66 67 67 67 689 699 709 729 739 749 759 769 779 789 799 809 819 829 839 849 859 869 879 889 909 919 929 949 959 989 99 99 99 99 1019 1039 339 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 0 Ovufiafiflvh-Nnnhahuvu- 9.9 A) O 171 209 219 180 208 '0 p9 harHVh-Nu-hn—hou56hiNn—h3—WUh-Nn-h1—ru—HUF-o ri— QC) HUT 213 222 65 NOTES T0 T0 TO T0 T0 T0 TO T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 TO Ifl£~w4§blétfléNflfihw han-rop n1-4uao -uo~ 182 210 R: h) o. bANJFWM609518JFWM§UJétfllka§ulitfl&~thhob1fl TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE WUTUiUIUiUiUIUI U'IUIU'IUI ##6‘ ##t* *ttt **## tit! ¥*** tit. #669 ##8* ##OO tit. 386* 386$ ##tt ##tt #836 t#*# tit. ##36 ##86 ##66 636* 66" 363* fittt #386 $636 #666 16*! tttt ##t* 386* #663 68*. ##3# #*** #6.. ABOVE **** ABOVE **** UJUTNUJU1NUJw WUWW PATT ERN FOR FCR .Otfll OOO‘F 117169 17"?' IWFJEB ITI‘GD 888‘! 81.1.! tfi‘lll ‘9‘}‘5 86‘!!! 99‘I‘B #8191. VOI‘F‘I H.101. .‘I‘F1fi 8"“ 8'L‘pg- .t“ 8*:‘h‘.; [ta-1‘. Oil-51.: O"'>=Ik 4H9- 'r69:‘p 89.8.. 89.2.: 9.93.! 8881-! 9962.: 8‘.:.; 89‘1‘. 89“ tt‘l1. 88“ ‘.“ ““ ‘H.‘H. FOR 508 508 508 508 508 508 508 508 508 508 508 FOR 508 FCR 508 508 508 508 508 508 508 508 FCR 508 508 508 508 508 508 508 508 508 508 FOR 508 508 508 508 508 FOR 508 FOR 508 508 102 103 105 ICS 105 165 107 188 109 110 112 113 114 115 117 120 121 123 124 127 128 129 131 132 135 136 140 141 143 145 146 147 149 150 152 154 155 156 158 159 160 161 162 163 164 166 167 168 169 170 171 NCTES T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO TO TO T0 T0 T0 T0 TO TO TO T0 T0 TO 1049 1059 107 107 107 107 1099 1109 1119 1129 1149 1159 1169 1179 1199 1229 1239 1259 1269 1299 1309 1319 1339 1369 1379 1389 1429 1439 1659 1479 1489 1699 1519 1529 1569 1569 1579 1589 1609 1619 1629 1639 1649 1659 1669 1689 1699 1709 1719 1729 1739 340 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 2 97 127 170 212 N N 0 0‘0 \n.dhanuvu-na—H69-505-h1—Hv-druh-n1nH65-NJHHVI—hurihauun-dhoh-haunvr-hanuvu-hahwu O~O NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 99 129 172 NM N5- N1» 090 N‘DJ‘UMbblétflJ‘U4§Ufl#tfl8‘whfibl&\»J~waUA§Lfl£~UM§UAN908‘UH§UA&\»J‘wHFUL§Ulb 0‘0 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE U’IUTU'OU' #689 #6.! 38*! **#* *ttt tit! *ttt #833 ##36 *t*# 666* 8333 6‘66 ##61 tit! #363 $6.. ##66 *ttt $6.3 *ttt 386* tttt #6.. 868* it.‘ tttt *tt. #638 $666 666* 666‘ *ttt ##t# *##C 666* iii. #66. tttt tit! ##‘O #666 ##88 tit! ##68 #638 t### LENGTH DAD-1WD) PAT TERN FOR FOR FOR FCR FOR FCR FCR FOR FOR FDR FOP FCR FDR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FDR FOR FOR FDR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR 172 173 174 175 177 178 179 180 181 182 183 184 187 188 190 191 192 194 196 197 198 204 205 206 207 208 209 210 211 212 213 214 215 216 217 218 219 220 222 223 224 225 227 228 230 231 233 234 237 238 239 NOTES TO TO TO TO T0 T0 TO TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 TO TO TO TO T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO TO TO TO TO TO TO TO TO TO TO TO 1749 1759 1769 1779 1799 1809 1819 1829 1839 1849 1859 1869 1899 1909 1929 1939 1949 1969 1989 1999 2009 2069 2079 2089 2099 2109 2119 2129 2139 2149 2159 2169 2179 2189 2199 2209 2219 2229 2249 2259 2769 2279 2299 2309 2329 2339 2359 2369 2399 2409 2419 341 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE .— CiO th-ULb9-ADHH09-AAHHVI-h3~H0h-K1uwuunéh-hawwu-INW- 0‘0 0 1N 105 who—HQFONI-NAfiWQP-N NOTES TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 C10 '— 8Lfl~10198HNJ>HA8W9£~UHFUA§LHJ~WM§-JO\»£‘WJFU’&L» 0‘0 p.- CDO hL&th¥~IO .- ONOO‘O ~10-dO~ Lus~wn§uo&\»6~un§uub TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 LENGTH PAI’T ERN 999 :0- FOR 999:.- FOR 999 :0 FOR 999 3- FOR 999:9: FOR 999:.- FCR 99629: FOR ”at 2.: FOP 991829: FOR 991.20 FOR 242 243 245 247 248 249 251 253 254 255 NOTES TO TO TO TO TO T0 T0 T0 T0 TO 2449 2459 2479 2499 2509 2519 2539 2559 2569 2579 342 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE ~NHNHN~N~N NOTES UJ‘U“U’J‘W&U“ TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 343 988 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 4 NOTES 1N LENGTH -- TCNAL RETROGRADE hAS BEGUN AT 165 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 180 1 TO 4 4 TO 7 5 4 181 1 TO 4 10 TO 13 5 4 182 1 TO 4 12 TO 15 5 4 183 1 TO 4 18 TD 21 5 4 184 1 TO 4 22 TO 25 5 4 185 1 TO 4 24 TO 27 5 4 186 1 TD 4 28 TO 31 5 4 187 1 TO 4 30 TD 33 5 4 188 1 TO 4 32 TO 35 5 4 189 1 TO 4 34 TD 37 5 4 190 1 TO 4 36 TO 39 5 4 191 1 TO 4 43 TO 46 5 4 192 1 TO 4 47 TO 50 5 4 193 1 TO 4 53 TO 56 5 4 194 1 TO 4 55 TO 58 5 4 195 1 TO 4 58 TO 61 5 4 196 1 TO 4 67 TO 70 5 4 197 1 TO 4 70 TO 73 5 4 198 1 TO 4 72 TO 75 5 4 199 1 TO 4 74 TO 77 5 4 200 1 TO 4 76 TO 79 5 4 201 1 TO 4 78 TO 81 5 4 202 1 TD 4 80 TD 83 5 4 203 1 TO 4 82 TO 85 5 4 204 1 TO 4 84 TO 87 5 4 205 1 TO 4 89 TO 92 5 4 206 1 TO 4 92 TO 95 5 4 2C? 1 TO 4 107 TO 110 5 4 PCB 1 TO 4 109 TO 112 5 4 209 1 TO 4 112 TO 115 5 4 210 1 TO 4 114 TO 117 5 4 211 1 TO 4 131 TO 134 5 4 212 1 TO 4 135 TO 138 5 4 213 1 TO 4 140 TO 143 5 4 214 1 TO 4 146 TO 149 5 4 215 1 TO 4 149 TO 152 5 4 216 1 TO 4 155 TO 158 5 4 217 1 TO 4 158 TO 161 5 4 218 1 TO 4 160 TO 163 5 4 219 1 TO 4 162 TO 165 5 ‘ 4 220 1 TO 4 167 TO 170 5 4 221 1 TO 4 173 TO 176 5 4 222 1 TO 4 178 TO 181 5 4 223 1 TO 4 182 TO 185 5 4 344 PATTERN NOTES RELATED TO NOTES TEST LENGTH 224 1 TO 4 191 TO 194 5 4 225 1 TO 4 197 TO 200 5 4 226 1 TO 4 204 TO 207 5 4 227 1 TO 4 206 TO 209 5 4 228 1 TO 4 214 TO 217 5 4 229 1 TO 4 216 TO 219 5 4 230 1 TO 4 223 TO 226 5 4 231 1 TO 4 238 TO 241 5 4 232 1 TO 4 242 TO 245 5 4 233 1 TO 4 248 TO 251 5 4 234 1 TO 4 254 TO 257 5 4 235 2 TO 5 5 TO 8 5 4 236 2 TO 5 11 TO 14 5 4 237' 2 TO 5 13 TO 16 5 4 238 2 TO 5 17 TD 20 5 4 239 2 TO 5 23 TO 26 5 4 240 2 TO 5 29 TD 32 5 4 241 2 TO 5 31 TO 34 5 4 242 2 TD 5 33 TO 36 5 4 243 2 TO 5 35 TO 38 5 4 244 2 TO 5 52 TO 55 5 4 245 2 TO 5 54 TO 57 5 4 246 2 TO 5 66 TO 69 5 4 247 2 TD 5 71 TO 74 5 4 248 2 TO 5 73 TO 76 5 4 249 2 TO 5 75 TO 78 5 4 250 2 TO 5 77 TO 80 5 4 251 2 TO 5 79 TO 82 5 4 252 2 TD 5 81 TO 84 5 4 253 2 TO 5 83 TO 86 5 4 254 2 TO 5 85 TO 88 5 4 255 2 TD 5 88 TO 91 5 4 256 2 TO 5 101 TO 104 5 4 257 2 TO 5 108 TO 111 5 4 258 2 TO 5 113 TO 116 5 4 259 2 TO 5 120 TO 123 5 4 260 2 TO 5 123 TO 126 5 4 261 2 TO 5 145 TO 148 5 4 262 2 TO 5 154 TO 157 5 4 263 2 TO 5 159 TO 162 5 4 264 2 TO 5 161 TO 164 5 4 265 2 TO 5 163 TO 166 5 4 266 2 TO 5 166 TO 169 5 4 267 2 TO 5 168 TO 171 5 4 268 2 TO 5 172 TO 175 5 4 269 2 TO 5 174 TO 177 5 4 270 2 TO 5 177 TO 180 5 4 271 2 TO 5 183 TO 186 5 4 272 2 TO 5 187 TO 190 5 4 273 2 TO 5 190 TO 193 5 4 274 2 TO 5 196 TO 199 5 4 345 PATTERN NOTES RELATED TO NOTES 7557 LENGTH 275 2 7o 5 205 70 208 5 4 276 2 70 5 210 to 213 5 4 277 2 70 5 215 TO 216 5 4 27a 2 TO 5 224 TO 227 5 4 279 2 70 5 227 to 230 5 4 780 2 70 5 230 70 233 5 4 261 2 70 5 233 T0 236 5 4 262 2 70 5 237 to 240 5 4 283 2 7o 5 247 T0 250 5 4 784 2 70 5 253 TO 256 5 4 4444 FOR 3 T0 6. $55 1 to 4 ABOVE 4444 4544 son 4 TO 7. see 2 to 5 ABOVE 9499 9994 FOR 5 70 a. see 1 TO 4 aaove 9494 285 6 70 9 9 TO 12 5 4 286 6 7o 9 21 TO 24 5 4 267 6 to 9 27 70 30 5 4 788 6 70 9 38 T0 41 5 4 269 6 To 9 42 to 45 5 4 290 6 T0 9 46 70 49 5 4 291 6 70 9 49 70 52 5 4 292 6 70 9 57 70 6o 5 4 293 6 70 9 6o 70 63 5 4 294 6 70 9 69 to 12 5 4 295 6 TO 9 91 to 94 5 4 296 6 70 9 95 70 9a 5 4 297 6 to 9 106 to 109 5 4 29a 6 To 9 111 70 114 5 4 299 6 TO 9 116 TO 119 5 4 200 6 7o 9 130 70 133 5 4 901 6 70 9 134 70 137 5 4 302 6 TO 9 139 70 142 5 4 303 6 7o 9 142 TO 145 5 4 904 6 10 9 146 T0 151 5 4 305 6 TO 9 -151 T0 154 5 4 906 6 70 9 157 70 160 5 4 367 6 7o 9 193 70 196 5 4 ace 6 70 9 203 70 206 5 4 369 6 TO 9 241 to 244 5 4 910 6 70 9 244 T0 247 5 4 311 6 to 9 250 70 253 5 4 312 7 10 1o 19 to 22 5 4 213 7 70 1o 25 TO 28 5 4 914 7 70 1o 37 70 4o 5 4 315 7 to 10 41 to 44 5 4 316 7 70 1o 44 70 47 5 4 317 7 TO 10 4a to 51 5 4 21a 7 70 1o 56 to 59 5 4 319 7 70 10 59 to 62 5 4 ago 7 70 1o 68 to 71 5 4 221 7 70 10 9o 70 93 5 4 322 7 70 1o 93 T0 96 5 4 346 9117666 NOTES RELATED TO NOTES TEST LENGTH 323 7 70 10 110 70 113 5 4 324 7 70 1a 115 70 116 5 4 325 7 70 10 129 70 132 5 4 326 7 70 10 132 70 135 5 4 327 7 7o 10 136 To 139 5 4 326 7 70 16 141 T0 144 5 4 329 7 70 10 147 to 150 5 4 330 7 T0 10 150 TO 153 5 4 331 7 70 16 156 to 159 5 4 332 7 76 10 192 70 195 5 4 333 7 70 10 196 TO 201 5 4 334 7 T0 10 239 70 242 5 4 335 7 7o 10 243 70 246 5 4 336 7 70 10 249 70 252 5 4 337 7 7o 16 255 T0 256 5 4 336 6 to 11 16 TO 19 5 4 339 6 70 11 4o 70 43 5 4 340 6 70 11 51 7o 54 5 4 341 6 7o 11 62 70 65 5 4 342 6 TO 11 67 to 90 5 4 343 6 70 11 100 to 103 5 4 344 6 70 11 119 70 122 5 4 345 6 7o 11 122 70 125 5 4 346 6 70 11 144 to 147 5 4 347 6 70 11 153 to 156 5 4 346 6 70 11 165 TO 166 5 4 349 6 10 11 176 to 179 5 4 356 6 7o 11 166 to 169 5 4 351 6 to 11 169 to 192 5 4 352 6 70 11 195 70 196 5 4 353 6 7o 11 226 to 229 5 4 354 6 to 11 229 70 232 5 4 355 6 70 11 232 to 235 5 4 356 6 70 11 236 to 239 5 4 357 6 70 11 246 to 249 5 4 356 6 to 11 252 70 255 5 4 359 9 70 12 14 to 17 5 4 36a 9 7o 12 39 70 42 5 4 361 9 to 12 so 70 53 5 4 362 9 to 12 61 to 64 5 4 363 9 70 12 66 70 69 5 4 364 9 7o 12 117 to 120 5 4 365 9 70 12 121 70 124 5 4 366 9 T0 12 124 to 127 5 4 367 9 TO 12 143 70 146 5 4 366 9 70 12 152 70 155 5 4 369 9 TO 12 164 TO 167 5 4 370 9 to 12 175 70 176 5 4 371 9 70 12 164 70 167 5 4 372 9 to 12 166 T0 191 5 4 313 9 7o 12 194 T0 197 5 4 PATTERN 374 375 376 377 31!! 379 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 FOR FOR FOR F06 FCR FCR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FCR FOR NOTES TO 619 347 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 225 228 231 NNN 01“” F‘Ulb NOmNn—NH-JooONOGNOOQOOONU-NHN—NI-Nomw—uOuwndo—NHN TO 228 231 234 NNN U'IJ‘N J‘O-J ~9— UIJ‘UI&UIJ‘UO&UINFUI&UINFMJ‘OOJ‘UI#UT ~9- nvdh- r9— \nNDHCDOh6F TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE UTUIUIUOUTU'T **** 46$. tit! ##34 ##tt tttt tttt #ttt tit! *ttt tttt tit. *ttt tttt ##tt tttt 8*?! iii. ttit ttt‘ #6.. ti.‘ ’3’! *t.‘ .tt‘ .‘tt tttt *ttt tit? *ttt tilt ttt. ##tt **3# 46“ #34! fittt *ttt tit! *ttt tit‘ 0“. 481* tttt *ttfi -§J‘&193*b PATTERN 9999 1:011 9999 FOR 9999 FOR 9999 FOR 360 361 382 383 384 385 366 387 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 388 389 390 391 392 9999 FOR 9999 FOR 9999 FOR 9999 FOR 393 FOR FOR FCR FOR FOR FCR NOTES TO TO T0 T0 T0 T0 TO TO TO TO TO TO 348 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SFE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE .1006: 128 171 209 208 218 179 207 217 oCDh3manu—a9m-9NI-kn—ugnfiuhiNr-Muuhnnhaocnnuu ~9an ONO-‘0 #7699— 221 96 220 11 12 10 131 174 NNv-NNN HH Nt-va-to-I m-m9~ooro-~ 9.9..- 9-99- DI- hawwnno~199>o~69~64>un9199wn9-m46un6u19 NF‘NNF‘ NONt-O GQWOJ‘ OH 04") ha— N30 U00 TEST LENGTH ABOVE 999* ABOVE 9999 ABOVE **** ABOVE tttt WWWUTUIUTUTUT tttt t*## #4.. tit. tttt tttt #683 ##t# ##tt tttfi *‘tt *ttt tttt tit. t*## .tt. tttt 6". *#¢. 63*. ***t ##Qt ittt tttt 88*! *ttt t$4¥ ##3‘ ttit ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE UIUIUIUIUT ABOVE .**‘ ABOVE #ttt ABOVE **** ABOVE 4*“ 5 k<§#‘#-FJ*b-§ #‘fi-filfifi 349 PATTERN NOTES RELATED TO NOTES TEST LENGTH 394 105 TO 108 126 TO 129 5 4 9999 FOR 106 TO 109. SEE 9 TO 12 ABOVE *ttt 9999 FOR 107 TO 110. SEE 2 TO 5 ABOVE ***9 9999 FOR 108 TO 111. SEE 1 TO 4 ABOVE *t** 9999 FOR 109 TO 112. SEE 2 TO 5 ABOVE *ttt 999' ECE 110 T0 113. SEE 8 TO 11 ABOVE *ttt 9999 FOR 111 TO 114. SEE 9 TO 12 ABOVE *ttt 9999 FOR 112 TO 115. SEE 2 TO 5 ABOVE *ttt 9999 FOB 113 TO 116. SEE 1 To 4 ABOVE ***t 9999 FOR 114 T0 117. SEE 2 TO 5 ABOVE 999* 9999 FOR 115 TO 118. SEE 8 TO 11 ABOVE tttt 999* FOB 116 TO 119. SEE 9 TO 12 ABOVE #999 999* FOR 111 T0 120. SEE 6 To 9 ABOVE #999 #999 FOR 119 To 122. SEE 1 TO 10 ABOVE **#t #999 FOR 120 TO 123. SEE 1 TO 4 ABOVE *t*3 9999 FOR 121 TO 124. SEE 6 TO 9 ABOVE 999* tttt FOR 122 TO 125. SEE 1 TO 10 ABOVE #999 9'99 FOR 123 TO 126. SEE 1 TO 4 ABOVE #999 9999 FOR 124 TO 12?. SEE 6 TO 9 ABOVE *ttt 395 127 TO 130 180 TO 183 5 4 9999 FOR 128 TO 131. SEE 65 TO 68 ABOVE #934 9999 FOR 129 To 132. SEE 8 TO 11 ABOVE #999 9999 FOR 130 TO 133. SEE 9 TO 12 ABOVE #949 9909 FOR 131 TO 134. SEE 2 TO 5 ABOVE *t** 9909 FOR 132 TO 135. SEE 8 TO 11 ABOVE 99*! 9“! FOR 134 TO 137. SEE 9 TO 12 ABOVE 999* 9999 FCR 135 TO 138. SEE 2 TO 5 ABOVE *ttt 9999 FOR 136 TO 139. SEE B TO 11 ABOVE **** 9999 FEB 139 TO 142. SEE 9 TO 12 ABOVE *ttt 999* FOR 140 TO 143. SEE 2 TO 5 ABOVE *t** 9999 FOR 141 TO 1449 SEE 8 TO 11 ABOVE ##tt 9999 FOR 142 T0 145. SEE 9 TO 12 ABOVE **** 9999 FOR 143 TO 146. SEE 6 To 9 ABOVE 9999 9999 FOR 144 TO 147. SEE 7 TO 10 ABOVE tttt 9999 FOR 145 TO 148. SEE 1 TO 4 ABOVE #494 9999 FOR 146 TO 149. SEE 2 TO 5 ABOVE *¢** 999* FCR 147 TO 150. SEE 6 TO 11 ABOVE 9999 999* FOR 148 TO 151. SEE 9 TO 12 ABOVE #999 9999 FOR 149 TO 152. SEE 2 T0 5 ABOVE fittt 9999 FOR 150 TO 153. SEE 8 TO 11 ABOVE 999* 9999 FOR 151 TO 154. SEE 9 TO 12 ABOVE ¢*** 099* FOR 152 TO 155. SEE 6 TO 9 ABOVE 9999 9999 FOR 153 TO 156. SEE 7 TO 10 ABOVE #99! 9999 F06 154 TO 15?. SEE 1 TO 4 ABOVE *##$ 9999 FOR 155 TO 158. SEE 2 TO 5 ABOVE 9999 999* FCR 156 TO 1594 SEE B To 11 ABOVE *ttt 9999 FOR 157 TO 160. SEE 9 To 12 ABOVE *ttt 9999 FOR 158 TO 161. SEE 2 TO 5 ABOVE *ttt 9999 FOR 159 TO 162. SEE 1 TO 4 ABOVE "In 9999 PER 160 TO 163. SEE 2 TO 5 ABOVE **** 9999 FOR 161 TO 164. SEE 1 TO 4 ABOVE *ttt PATTERN 9999 FOR 9999 FOR 9999 FCR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 pop 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 F09 9999 FCR 9999 FOR 396 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FCR 9999 Fan 9999 FOR 9999 FOR 9999 FOR 9999 son 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FOR 9999 FCR 9999 FOR 9999 FOR 9999 FOR 9999 ECR 9999 FOR 162 163 1E4 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 181 182 183 184 186 187 188 189 ISO 191 I92 193 194 195 196 197 198 203 204 205 206 207 2GB 209 210 211 213 214 216 217 218 220 NCTES [659 1669 1679 1689 1699 1709 1719 1729 1739 174. 1759 1769 1779 1789 1799 1809 1819 1829 184 1859 1869 1909 350 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SFE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES N-HNAOIDNA—uda\0(DhguudatuwdaunTow-UHU9-ulor-N9— o 0.0:! 09-01519 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 p9 é1fi£EO~DJ‘m p9 ONO GCDO p9 F'O .— \flJ‘MflUI-OMEC)0IVF‘UN&<3¢D&WD¢3&\JJ~O\IO~OHDJ‘UI& F'F H n9~> u .- O<> 050 0‘04? NCFU|&\B&HOJ*Q'QO‘ [00 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ##3‘ iii. Bit! ‘3‘! *#*Q ***Q iii! **.3 t!!! tilt *t** ##3# *38‘ fittt titl tttt *ttt tit. tttt tfitt *ttt t’tt tttt fittt *ttt tttt *#*t tit. ##9. #8.! fittt titt #tlt *tt. ##1# ##t* ##tt $.91 titt ill. ##BO *t.‘ tlt$ iii. 0‘0! 63" #3.! tit. ##tt tttt PATTERN 0“! 0’00 0". 090‘ 00" 0’19 0... tt.‘ 9.0! O... Q09. 00‘? 00“ ‘9‘. 0“! "t# .t‘t BOOB O'Ot .fi.‘ BOO. .t.‘ .t’t 9“. 0.1. 0“! t... 0“. t’.’ ‘t‘# ‘0‘. 9"! Oil‘ FOR FOP FOP ECB FOB FCR FOB FOR FCR EOP FOR FOB FOR FOB FOP FOB FCR FOB FOB FOB FOB FOB ECB FOB FOR FOB ECP FOB FCR EfB FOR FOB FOR 221 222 223 224 225 226 221 223 229 230 231 232 233 234 236 231 238 239 241 242 243 244 245 246 247 249 249 250 251 252 253 254 255 NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 2249 2259 2269 2279 2289 2299 2309 2319 2329 2339 23‘9 2359 2369 2379 2399 2409 2419 2429 24§9 2459 2469 2479 2489 2‘99 2509 2519 2529 2539 25‘9 2559 2569 2579 2589 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 104 181 O'v9-Ja~0¢bhaqua~0EDNAOIDBu—Mdfr-9~109-Jmwdqla NOTES T0 T0 T0 T0 T0 T0 TO TO 107 184 5 4 9 10 4 9 10 4 9 10 4 9 10 4 5 11 12 5 11 12 9 10 4 5 11 12 9 10 4 S 11 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 **#* 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 titt 9999 9999 9999 9999 9999 9999 9999 9999 352 999 TYPE I LISTING COATINUED *** SEARCH FOR PATTERNS OF 5 NOTES IN LENGTH -- TONAL RETROGRADE kAS BEGUN AT 326 SECCNDS INTO EXECUTION. PATTERN NOTES RELATED Tc NOTES TEST LENGTH ,97 1 To 5 11 To 15 5 5 398 1 To 5 17 To 21 5 5 399 1 To 5 23 To 27 5 5 900 1 To 5 29 To 33 5 5 90 1 1 To 5 31 To 35 5 5 902 1 To 5 33 To 37 5 5 903 1 To 5 35 To 39 5 5 904 1 To 5 52 To 56 5 5 905 1 To 5 59 To 53 5 5 906 1 To 5 66 To 70 5 5 907 1 To 5 71 T0 75 5 5 «ca 1 To 5 73 To 77 5 5 9:9 1 To 5 75 To 79 5 5 410 1 To 5 77 To 81 5 5 9 11 1 To 5 79 To 83 5 5 412 1 To 5 81 To as 5 5 913 1 To 5 33 Tn 117 5 5 419 1 To 5 so To 92 5 5 915 1 To 5 me To 112 5 5 916 1 To 5 113 T0 117 5 5 917 1 To 5 145 To 169 5 5 418 1 To 5 156 To 158 5 5 519 1 To 5 159 To 163 5 5 420 1 To 5 161 To 165 5 5 ‘21 1 TO 5 166 To 170 5 5 ‘22 1 To 5 172 To 176 5 5 ‘23 1 To 5 177 To 131 5 5 ‘24 1 To 5 190 To 196 5 5 ‘25 1 To 5 196 To 200 5 5 ‘26 1 To 5 205 To 209 5 5 427 1 To 5 215 To 219 5 5 ‘28 1 To 5 237 To 261 5 5 529 1 To 5 267 To 251 5 5 ‘30 1 To 5 253 To 257 5 5 ‘31 2 To 6 10 To 19 5 5 ‘32 2 To 6 12 To 16 5 5 ‘33 2 To 6 22 To 26 5 5 ‘39 2 To 6 23 To 32 5 5 ‘35 2 To 6 30 To 36 5 5 ‘36 2 To 6 32 To 36 5 5 ‘37 2 To 6 39 To 38 5 5 ‘38 2 To 6 53 To 57 5 5 ‘39 2 To 6 70 To 76 5 5 ‘90 2 To 6 72 To 76 5 5 353 M1TERN NOTES RELATED TO NOTES TEST LENGTH (.91 2 TO 6 79 TO 73 5 5 492 2 TO 6 76 TO so 5 5 493 2 TO 6 76 TO 62 5 5 499 2 TO 6 so TO 69 5 5 495 2 TO 6 82 TO 86 5 5 996 2 TO 6 89 TO ea 5 5 997 2 TO 6 107 TO 111 5 5 99a 2 TO 6 112 TO 116 5 5 999 2 TO 6 158 TO 162 5 5 950 2 TO 6 160 TO 169 5 5 95 1 2 TO 6 162 TO 166 5 5 95 2 2 TO 6 167 TO 171 5 5 95 3 2 TO 6 173 TO 177 5 5 954 2 TO 6 182 TO 186 5 5 955 2 TO 6 209 TO 206 5 5 956 2 TO 6 219 TO 213 5 5 957 2 TO 6 223 TO 227 5 5 "9:9 FOR 3 TO 7. SEE 1 TO 5 ABOVE 9999 99929 FOR 9 TO 6. SEE 2 TO 6 ABOVE 9999 9513 5 TO 9 9 TO 13 5 5 959 5 TO 9 21 TO 25 5 5 960 5 TO 9 27 TO 31 5 5 961 5 TO 9 92 TO 96 5 5 962 5 TO 9 96 TO so 5 5 963 5 TO 9 57 TO 61 5 5 469 5 TO 9 69 TO 73 5 5 965 5 TO 9 91 TO 95 5 5 966 5 TO 9 106 To 110 5 5 967 5 TO 9 111 TO 115 5 5 ‘68 5 TO 9 130 TO 139 5 5 959 5 TO 9 139 TO 138 5 5 #70 5 TO 9 139 TO 193 5 5 ‘71 5 TO 9 193 TO 152 5 5 ‘72 5 TO 9 157 To 161 5 5 ‘73 5 TO 9 203 TO 207 5 5 W9 5 TO 9 291 TO 295 5 5 ‘75 6 TO 10 37 TO 91 5 5 ’976 6 TO 10 91 TO 95 5 5 ‘77 6 TO 10 96 TO 52 5 5 We 6 TO 10 56 TO 60 5 5 ‘79 6 To 10 59 TO 63 5 5 ‘80 6 TO 10 69 TO 72 5 5 “81 6 TO 10 90 TO 99 5 5 ‘82 6 TO 10 110 TO 119 5 5 ‘8 3 6 TO 10 115 TO 119 5 5 ‘89 6 TO 10 129 TO 133 5 5 ‘85 6 TO 10 191 TO 195 5 5 ‘86 6 TO 10 197 TO 151 5 5 ‘87 6 TO 10 150 TO 159 5 5 "8 a 6 TO 10 156 TO 160 5 5 ‘89 6 TO 10 192 TO 196 5 5 PATTERN 690 A91 9999 FOR ‘92 993 494 495 996 497 698 699 560 501 502 503 504 565 506 507 5C8 9999 FOR 509 510 511 512 513 514 515 516 517 518 519 520 9999 E09 9999 Fan 9999 Ecn 9999 FOR 521 522 523 524 525 526 527 528 529 530 531 532’ 533 534’ 0~0¢>0~O¢3010¢)ONOIDOWDGIG{DODOCIGDG{DGTO¢903GCD~HDO‘O NCTES 354 RELATED TC SEE SEE SEE SEE SEE SEE NOTES 24? TEST LENGTH WUI ABOVE *‘i‘ UIUIUTUIWUIUIUTUIU'UIUOUIUIUIUIUI ABOVE **’* VOWUIUIUWUIUUWUIUIUI ABOVE *ttt 9999 ABOVE tilt ABOVE ABOVE UIWUIU’OUTUIUTUIWUUUIU‘UIUI lit. U'UIUIU'WUIU'UIU'IUIUTUI UIUIUIUIU‘UIUOUIUIU'UIUIUIUTUIUIUT UIUI WWWWUIUIWWWUTWUIUIUI 355 PATTERN NCTES RELATED TO NOTES TEST LENGTH 535 15 TO 19 198 TO 202 5 5 536 15 TO 19 239 TO 243 5 5 537 15 TO 19 255 TO 259 5 5 9999 FOR 15 TO 199 SEE 15 TO 19 ABOVE **** 538 16 TO 20 24 TO 28 5 5 539 16 TO 20 36 TD 60 5 5 540 16 TO 20 43 TO 67 5 5 541 16 TO 20 47 TO 51 5 5 562 16 TO 20 55 TO 59 5 5 543 16 TD 20 58 TO 62 5 5 544 16 TD 20 67 TD 71 5 5 545 16 TO 20 89 TD 93 5 5 566 16 TO 20 92 TD 96 5 5 567 16 TD 20 109 TO 113 5 5 548 16 TO 20 116 TO 118 5 5 549 16 TO 20 131 TO 135 5 5 550 16 TO 20 135 TO 139 5 5 551 16 TO 20 140 TO 144 5 5 552 16 TO 20 166 TO 150 5 5 553 16 TD 20 169 TO 153 5 5 554 16 TO 20 155 TO 159 5 5 555 16 TD 20 191 TO 195 5 5 556 16 TO 20 197 TO 201 5 5 557 16 TD 20 238 TO 262 5 5 558 16 TO 20 262 TO 246 5 5 559 16 TO 20 248 TO 252 5 5 560 16 TO 20 254 TO 258 5 5 *¢*¢ FOR 17 TO 219 SEE 1 TO 5 ABOVE 9‘99 561 18 TO 22 51 TO 55 5 5 562 18 TO 22 87 TD 91 5 5 563 18 TO 22 100 TO 104 5 5 564 18 TO 22 119 TO 123 5 5 565 18 TO 22 122 TO 126 5 5 566 18 TO 22 146 TO 148 5 5 567 18 TO 22 153 TO 157 5 5 568 18 TO 22 165 TO 169 5 5 569 18 TO 22 176 TO 180 5 5 570 18 TD 22 186 TO 190 5 5 571 18 TO 22 189 TO 193 5 5 572 18 TO 22 195 TO 199 5 5 573 18 TD 22 226 TO 230 5 5 574 18 TD 22 229 TO 233 5 5 575 18 TD 22 232 TO 236 5 5 576 18 TD 22 236 TO 240 5 5 577 18 TO 22 266 TO 250 5 5 578 18 TO 22 252 TO 256 5 S 579 19 TO 23 118 TO 122 5 5 580 19 TD 23 185 TO 189 5 5 581 19 TD 23 235 TO 239 5 5 582 20 TD 24 117 TO 121 5 5 583 20 TD 24 126 TO 128 5 5 PATTE 539 585 66.6 0.86 86.. 6‘66 804’ 6.06 6966 4.64 866. 616‘ 586 567 588 559 590 591 592 593 ’64. 66.6 864* 944* 8.48 66.8 4... 49.9 6.6. 06.6 6... 849* 6.66 666. 6.66 48.6 66.6 #668 6‘4. .664 66.6 46‘. 599 555 9.44 596 597 598 599 600 96*. FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FCR FOR FCR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR NOTES TO TO T0 T0 T0 TD TO TO TO 70 T0 T0 TD T0 T0 TO TO TO TO TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 24 24 249 259 269 289 299 309 319 399 409 419 42 42 42 42 42 42 42 42 439 449 459 469 479 489 499 509 519 529 539 549 559 569 589 599 609 619 629 639 649 659 66 67 679 68 66 69 69 69 709 356 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 184 234 20 9 2 18 19 20 9 1 18 8 49 60 116 142 151 193 244 250 6 7 8 9 18 19 20 9 18 8 38 6 16 1 1 18 8 9 18 8 38 6 128 208 63 207 217 178 206 216 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 188 238 24 13 6 22 23 24 13 5 22 12 53 64 120 146 155 197 248 254 10 11 12 13 22 23 24 13 22 12 42 10 20 5 5 22 12 13 22 12 42 10 132 212 67 211 221 182 210 220 5 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE WWWWWU‘U‘U‘ WUI .666 66.. 6’96 #666 $46. #366 *4.‘ #66. $668 666* #6.. .68. #666 .686 6.64 666$ 6.66 .866 #66. .666 $66. $366 9999, #966 ‘6'. #6.. 6’6. ##‘6 .666 #6.. #669 66.6 ABOVE #684 “WWW“! ABOVE **** UTUIU'IUIUIUIUIUI UIUTU'IU'IU'O UIUI PATTERA 9969 9999 9699 9999 9999 9669 9696 9969 9969 9696 6699 9969 9996 9969 9699 9699 661 9699 FOR 9999 FOR ecz £03 604 9969 FOR ecs 9999 9999 9669 9969 9999 9696 9999 9999 6999 9999 9696 9999 9696 9666 9696 9666 9699 9699 9669 606 6666 6669 6669 9999 9996 6696 9696 FOR FOR FOR FOR FOR FCR FCR FOR FOR FOR FCR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FCR FCR 67 68 69 70 83 84 85 86 87 88 89 9O 91 92 93 94 96 96 100 101 101 101 102 103 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 127 127 129 130 131 132 133 134 NCTES T0 T0 T0 T0 T0 T0 TO TO 70 70 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO 70 TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO TO TO TO TO 70 TO TO T0 T0 T0 T0 T0 719 729 739 749 879 889 899 909 919 929 939 949 959 969 979 989 100 1009 1049 105 105 105 1069 107 1109 1119 1129 1139 1149 1159 1169 1179 1189 1199 1209 1219 1229 1239 1249 1259 1269 1279 1289 131 1319 1339 1349 1359 1369 1379 1389 357 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES '- o— u fiwncnr-O~mehu-hr0cna9 Muir- C>O¢l 221 O O 16 181 213 222 96 220 GDOIiNhDODOIiNhO 38 14 15 16 16 14 179 127 18 19 20 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 225 100 20 185 217 226 100 224 13 22 12 13 22 12 42 18 19 20 10 20 18 183 131 12 13 22 23 24 13 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE W mxnm 9966 6666 6666 6996 6696 6666 9666 9666 6666 9666 6669 6666 6666 6666 6666 9666 6666 6666 6696 6666 6696 9666 6666 6966 6666 6669 6666 6666 6666 6696 6666 6666 9666 6666 9669 9666 6666 6969 6666 9666 6666 6696 6666 6696 6666 W W UHflUI PATTERN 9666 9696 9696 9699 9999 6696 9996 9999 9999 9696 9969 9699 9999 9999 9966 9996 9966 9666 6699 9669 9999 9969 9696 9999 9999 9999 9996 9996 607 9999 9999 6996 9699 9699 9669 9696 9999 608 669 9966 9966 9999 6966 6996 9966 9996 6966 9999 9999 9696 9996 FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 135 136 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 163 164 165 166 167 168 169 170 171 172 173 174 175 176 177 178 181 181 182 183 184 185 186 187 188 189 190 191 192 NCTES T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO 70 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 1399 1409 1429 1439 1449 1459 1469 1479 1489 1499 1509 1519 1529 1539 1549 1559 1569 1579 1589 1599 1609 1619 1679 1689 1699 1709 1719 1729 173 1749 1759 1769 1779 1789 1799 1809 1819 182 185 1859 1869 1879 1889 1899 I 1909 1919 1929 1939 1949 1959 1969 358 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 209 210 181 14 15 16 16 18 NOTES TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 TD T0 T0 T0 T0 T0 22 23 24 13 22 12 42 10 2O 22 12 13 22 12 42 10 20 22 12 10 20 105 184 131 69 10 20 213 214 185 18 19 20 10 20 22 12 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 6669 9666 6666 6966 6666 6666 6666 9666 6966 6666 9666 6666 6966 6666 6966 9666 9666 6969 6666 6966 6666 6666 6666 6666 6666 6666 6696 6666 9966 6669 6666 9666 6666 6666 6666 9669 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 PATTERN 9996 9999 9999 9999 9696 9969 9996 9699 6969 6696 6699 9999 9969 9966 6996 9699 9666 9999 9966 6966 9996 9999 9696 9696 9996 9999 9966 9666 9666 9999 9999 6996 9666 9699 9999 9999 9999 9969 9696 9699 6966 9996 9696 9699 6696 9996 9669 9999 9999 9699 9699 FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 193 194 195 196 197 198 202 203 204 205 206 207 208 209 210 213 216 217 220 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 NOTES T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD T0 T0 T0 T0 T0 T0 TO 1979 1989 1999 2009 2019 2029 2069 2079 2089 2099 2109 2119 2129 2139 2149 2179 2209 2219 2249 2269 2279 2289 2299 2309 2319 2329 2339 2349 2359 2369 2379 2389 2399 2409 2419 2429 2439 2449 2459 2469 2479 2489 2499 2509 2519 2529 2539 2549 2559 2569 2579 359 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 38 16 18 19 20 178 63 64 65 101 181 178 63 103 181 NOTES T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TD T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 42 10 20 22 23 24 13 182 67 68 69 105 185 182 67 107 185 10 20 10 20 10 20 18 19 20 22 23 24 13 12 42 10 20 22 12 42 10 20 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 6669 6666 6696 6966 6699 6666 6666 6669 9999 6666 6666 6666 6699 6666 6666 6666 6666 6666 9666 6666 6666 6666 6666 6666 6996 6696 6669 6669 6669 6696 6666 6666 9969 6666 6966 6666 6669 6966 6666 6666 6966 6666 6966 6966 6666 9966 6666 6666 6669 6696 6666 360 PATTERN NCTES RELATED TO NOTES TEST LENGTH 9‘99 FOR 254 TO 2589 SEE 18 TO 22 ABOVE *999 999* FOR 255 TO 2599 SEE 19 TO 23 ABOVE 6996 361 999 TYPE I LISTING CONTINUED 96* SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH -- TONAL RETROGRADE hAS BEGUN AT 518 SECONDS INTO EXECUTION. PATTERN NCTES RELATED to NOTES TEST LENGTH 610 1 70 6 10 T0 15 5 6 611 1 to 6 22 TO 27 5 6 612 1 TO 6 23 T0 33 5 6 613 1 70 6 30 to 35 5 6 614 1 T0 6 32 T0 37 5 6 615 1 TO 6 34 T0 39 5 6 616 1 70 6 53 70 58 5 6 617 1 TO 6 7o 70 75 5 6 61a 1 70 6 72 TO 77 5 6 619 1 to 6 74 T0 79 5 6 62C 1 70 6 76 T0 61 5 6 621 1 T0 6 18 T0 83 5 6 622 1 TO 6 60 T0 85 5 6 623 1 TO 6 82 TO 67 5 6 624 1 70 6 107 T0 112 5 6 625 1 TO 6 112 TO 117 5 6 626 1 to 6 158 T0 163 5 6 627 1 To 6 160 70 165 5 6 628 1 TO 6 204 TO 209 5 6 629 1 TO 6 214 T0 219 5 6 630 z 70 7 11 70 16 5 6 631 2 To 7 29 T0 34 5 6 632 2 T0 7 31 T0 36 5 6 633 2 TO 7 33 TO 38 5 6 634 2 70 7 52 TO 57 5 6 635 2 TO 7 71 TO 76 5 6 636 2 70 7 73 70 7a 5 6 637 2 70 7 75 70 so 5 6 638 2 70 7 77 T0 82 5 6 639 2 T0 7 79 TO 64 5 6 640 2 TO 7 61 TO 86 5 6 641 2 T0 7 a3 70 as 5 6 642 2 TO 7 159 70 164 5 6 643 2 70 7 161 70 166 5 6 644 2 7n 7 166 T0 171 5 6 645 2 70 7 172 T0 177 5 6 9994 FOR 3 T0 8. see 1 TO 6 ABOVE 9999 646 4 7o 9 9 TO 14 5 6 647 4 to 9 21 TO 26 5 6 64a 4 70 9 27 T0 32 5 6 649 4 TO 9 69 TO 74 5 6 650 4 T0 9 106 to 111 5 6 651 4 70 9 111 T0 116 5 6 652 4 to 9 157 to 162 5 6 362 PATTERN NCTES RELATED TC NDTES TEST LENGTH 653 4 TO 9 203 TO 208 5 6 654 5 TO 10 41 TO 46 5 6 655 5 TO 10 56 TO 61 5 6 656 5 TD 10 68 TD 73 5 6 657 5 TO 10 90 TO 95 5 6 658 5 TD 10 110 T0 115 5 6 659 5 TO 10 129 TO 134 5 6 660 5 TO 10 147 TO 152 5 6 661 5 TO 10 156 TO 161 5 6 444* FOR 5 TO 109 SEE 5 TD 10 ABOVE ¥¥** 66? 6 TO 11 40 TO 45 5 6 663 7 TO 12 39 TO 44 5 6 664 8 TO 13 85 TO 90 5 6 665 8 TO 13 120 TO 125 5 6 666 8 TO 13 163 TO 168 5 6 667 8 TO 13 174 TO 179 5 6 668 8 TD 13 187 TO 192 5 6 669 8 TD 13 224 TO 229 5 6 670 8 TO 13 227 TO 232 5 6 671 8 TD 13 230 TO 235 5 6 672 9 TD 14 84 TO 89 5 6 673 9 TO 14 162 TO 167 5 6 674 9 TO 14 173 TO 178 5 6 675 9 TO 14 182 TO 187 5 6 676 9 TO 14 223 TO 228 5 6 ‘4‘. FOR 10 TO 159 SEE 2 TO 7 ABOVE ***‘ 49" FOR 11 TO 169 SEE 1 TD 6 ABOVE *‘** 60¢! EC? 12 TO 17- SEE 4 T0 9 ABOVE **** 677 13 TD 18 20 TO 25 5 6 678 13 TO 18 26 TD 31 5 6 679 13 TD 18 45 TD 50 5 6 680 13 TO 18 133 TO 138 5 6 681 13 TO 18 138 TO 143 5 6 682 13 TO 18 202 TO 207 5 6 683 13 TO 18 240 TO 245 5 6 684 14 TO 19 19 TO 24 5 6 685 14 TO 19 25 TD 30 5 6 686 14 TD 19 44 TO 49 5 6 687 14 TO 19 93 TO 98 5 6 68B 14 TD 19 132 TO 137 5 6 689 14 TO 19 239 T0 244 5 6 ’4‘. FOR 14 TO 19. SEE 14 TD 19 ABOVE *999 69D 15 TO 20 24 TD 29 5 6 691 15 TD 20 43 TO 48 5 6 652 15 TO 20 92 TO 97 5 6 693 15 TO 20 131 T0 136 5 6 694 15 TO 20 135 T0 140 5 6 655 15 TO 20 197 TO 202 5 6 696 15 TO 20 238 TO 243 5 6 697 15 TD 20 254 TO 259 5 6 698 16 TO 21 23 T0 28 5 6 363 PATTERN NCTES RELATED TC NOTES TEST LENGTH 699 16 TO 21 35 TO 40 5 6 700 16 TO 21 54 TO 59 5 6 701 16 TO 21 66 TO 71 5 6 TC? 16 TO 21 88 TO 93 5 6 70‘ 16 TO 21 108 TO 113 5 6 764 16 TO 21 113 TO 118 5 6 7C5 16 TO 21 145 TO 150 5 6 706 16 TO 21 154 TO 159 5 6 7C7 16 TO 21 190 TO 195 5 6 7C8 16 TO 21 196 TO 201 5 6 709 16 TO 21 237 TO 242 5 6 710 16 TD 21 247 TO 252 5 6 711 16 TO 21 253 TO 258 5 6 444* FOR 16 TO 219 SEE 16 TO 21 ABOVE #444 712 17 TO 22 51 TD 56 5 6 713 17 TO 22 87 TO 92 5 6 714 17 TO 22 144 TO 149 5 6 715 17 TO 22 153 TO 158 5 6 716 17 TO 22 165 TO 170 5 6 717 17 TO 22 176 TO 181 5 6 718 17 TO 22 189 TO 194 5 6 719 17 TO 22 195 TO 200 5 6 720 17 TO 22 236 TO 241 5 6 721 17 TD 22 246 TO 251 5 6 722 17 TO 22 252 TO 257 5 6 723 18 TO 23 118 TO 123 5 6 724 18 TO 23 185 TO 190 5 6 725 18 TO 23 235 TO 240 5 6 #4.. FOR 18 TO 239 SEE 18 TO 23 ABOVE 49*9 726 19 TO 24 117 TO 122 5 6 727 19 TO 24 184 TO 189 5 6 728 19 TO 24 234 TO 239 5 6 16" FOR 19 TO 249 SEE 19 TO 24 ABOVE #444 729 20 TO 25 123 TO 128 5 6 730 20 TO 25 183 TO 188 5 6 731 20 TO 25 233 TO 238 5 6 tit! FOR 21 TO 269 SEE 9 TO 14 ABOVE **** 4’44 FOR 22 TO 279 SEE 2 TO 7 ABOVE 9"! .444 FOR 23 TO 28. SEE 17 TO 22 ABOVE **** 444* FOR 24 TO 299 SEE 18 TO 23 ABOVE 444* 444* FOR 25 TO 30. SEE 19 TD 24 ABOVE 404‘ 0699 FOR 26 TO 31. SEE 20 TD 25 ABOVE 44“ tit! FOR 27 TO 329 SEE 9 TO 14 ABOVE #444 99" FCR 34 TO 39. SEE 2 TD 7 ABOVE 9“. 4444 FOR 35 TO 40. SEE 17 TO 22 ABOVE 44*4 732 36 TO 41 50 TD 55 5 6 733 36 TO 41 86 TO 91 5 6 734 36 TO 41 121 TO 126 5 6 735 36 TO 41 143 TO 148 5 6 736 36 TO 41 152 TO 157 5 6 737 36 TO 41 164 TO 169 5 6 364 PATTERN NCTES RELATED TO NOTES TEST LENGTH 738 36 TO 41 175 TO 180 5 6 739 36 TD 41 188 TO 193 5 6 740 36 TO 41 194 TO 199 5 6 741 36 TO 41 225 TO 230 5 6 742 36 TO 41 228 TO 233 5 6 743 36 TO 41 231 TO 236 5 6 744 36 TO 41 245 TO 250 5 6 745 36 TO 41 251 TO 256 5 6 746 37 TO 42 49 T0 54 5 6 747 37 TO 42 60 TO 65 5 6 748 37 TO 42 142 TO 147 5 6 749 37 TO 42 151 TO 156 5 6 750 37 TO 42 193 TO 198 5 6 751 37 TO 42 244 TO 249 5 6 752 37 TO 42 250 TO 255 5 6 753 38 TO 43 48 TO 53 5 6 754 38 TO 43 59 TO 64 5 6 755 38 TO 43 115 TO 120 5 6 756 38 TO 43 141 TO 146 5 6 757 38 TO 43 150 TO 155 5 6 758 38 TO 43 192 TO 197 5 6 759 38 TO 43 243 TO 248 5 6 760 38 TO 43 249 TO 254 5 6 iii. FOR 38 TO 43. SEE 38 TO 43 ABOVE #444 tit! FOR 39 TO 449 SEE 6 TO 11 ABOVE *944 49“ FOR 40 TO 45. SEE 7 TO 12 ABOVE 944‘ 44*. FOR 41 TO 46. SEE 8 TD 13 ABOVE *444 761 42 TO 47 119 TO 124 5 6 762 42 TO 47 122 TO 127 5 6 763 42 TD 47 186 TO 191 5 6 764 42 TO 47 226 TO 231 5 6 765 42 TO 47 229 TO 234 5 6 766 42 TO 47 232 TO 237 5 6 #444 FCR 43 TO 48. SEE 18 TO 23 ABOVE 9‘99 .944 FOR 44 TO 49. SEE 19 TO 24 ABOVE **** .494 FOR 45 TO 50. SEE 20 TO 25 ABOVE 44*. 4444 FOR 46 TO 519 SEE 42 TO 47 ABOVE 9*49 4... FOR 47 TO 529 SEE 36 TO 41 ABOVE 444* #464 FOR 48 TD 53. SEE 37 TO 42 ABOVE **** 999* FOR 49 TO 54. SEE 38 TO 43 ABOVE 44*. ,767 50 TO 55 55 TO 60 5 6 768 50 TO 55 58 TO 63 5 6 769 50 TO 55 67 TO 72 5 6 770 50 TO 55 89 TO 94 5 6 771 50 TO 55 109 TO 114 5 6 772 50 TD 55 114 TO 119 5 6 773 50 TO 55 140 TO 145 5 6 774 50 TO 55 146 TO 151 5 6 775 50 TO 55 149 TO 154 5 6 776 50 TO 55 155 TO 160 5 6 777 50 TO 55 191 TO 196 5 6 PATTE 778 779 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 780 781 782 783 784 785 786 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 787 9999 788 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 RN FOR FOR FOR FOR FCR FOR EOR FOR FCR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR 110 111 112 113 114 115 117 118 NOTES 365 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 242 248 16 220 TO 247 253 21 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE UTUIUIUIUIUIUI 5 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 ##3‘ t##* #888 tttt ##tt tttt *ttt *#¥* 66*! **#t tttt tit. $*** *¥#* ##** 9". #888 ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 5 89*. ##t* *t** titt ##t* #989 ***# *tit **** ##tt ##tt *¥** O¢>O‘OC>O‘0 366 PATTERN NCTES RELATED TO NOTES TEST LENGTH 789 119 TO 124 130 TO 135 5 6 790 119 TO 124 134 TO 139 5 6 791 119 TO 124 139 TO 144 5 6 792 119 TO 124 148 TO 153 5 6 793 119 TO 124 241 TO 246 5 6 9999 FOR 120 TO 125. SEE 5 TO 10 ABOVE #999 9999 FOR 121 T0 126. SEE 50 TO 55 ABOVE **** tit! FOR 122 TO 127. SEE 119 TO 124 ABOVE tttt 9999 FOR 123 TO 128. SEE 13 TO 18 ABOVE *ttt 9999 FOR 129 TO 134. SEE 8 TO 13 ABOVE *ttt 9999 FOR 130 TO 135. SEE 42 TO 47 ABOVE #999 4'49 FOR 131 TO 136. SEE 18 TO 23 ABOVE *ttt 999* FOR 132 TO 1379 SEE 19 TO 24 ABOVE #999 9999 FOR 133 TO 138. SEE 20 TO 25 ABOVE #999 9999 FOR 134 TO 139. SEE 42 TO 47 ABOVE ***t ##*t FOR 135 TO 140. SEE 18 TO 23 ABOVE 94*! 9999 FOR 138 TO 143. SEE 20 TO 25 ABOVE *ttt #099 FOR 139 TO 144. SEE 42 TO 47 ABOVE #999 9999 FOR 140 TO 145. SEE 36 TO 41 ABOVE #999 394’ FOR 141 TO 146. SEE 37 TO 42 ABOVE *ttt 9999 FOR 142 TO 147. SEE 38 TO 43 ABOVE **** #949 FOR 143 TO 148. SEE 50 T0 55 ABOVE **** 9999 FOR 144 TO 149. SEE 16 TO 21 ABOVE #999 *#** FOR 145 TO 150. SEE 17 TO 22 ABOVE #999 9999 FOR 146 TO 151. SEE 36 TO 41 ABOVE #999 9999 FOR 147 TO 152. SEE 8 TO 13 ABOVE *ttt 9999 FOR 148 TO 153. SEE 42 TO 47 ABOVE *ttt 9“! FOR 149 TO 154. SEE 36 TO 41 ABOVE 999* 9999 FOR 150 TO 155. SEE 37 TO 42 ABOVE ***t 99.9 FCR 151 TO 156. SEE 38 TO 43 ABOVE 9999 99*! FOR 152 TO 157. SEE 50 TO 55 ABOVE 9999 '0‘. FOR 153 TO 158. SEE 16 TO 21 ABOVE **** 9999 FOR 154 TO 159. SEE 17 TO 22 ABOVE **** 999* FOR 155 TO 160. SEE 36 TO 41 ABOVE 49** 9999 FOR 156 TO 161. SEE 8 TO 13 ABOVF 9999 44*. FOR 157 TO 162. SEE 9 TO 14 ABOVE *ttt 9999 FOR 162 TO 167. SEE 4 TO 9 ABOVE ***¢ 9999 FOR 163 TO 168. SEE 5 TO 10 ABOVE *ttt 994* FOR 164 TO 169. SEE 50 TO 55 ABOVE #499 **** FOR 165 TO 170. SEE 16 TO 21 ABOVE *4t# 9999 FOR 166 TO 171. SEE 1 TO 6 ABOVE #999 794 167 TO 172 181 TO 186 5 6 795 167 TO 172 213 TO 218 5 6 796 167 TO 172 222 TO 227 5 6 757 168 TO 173 180 TO 185 5 6 798 169 TO 174 179 TO 184 5 6 99** FOR 169 TO 174. SEE 169 TO 174 ABOVE *¥** 799 170 TO 175 178 TO 183 5 6 999* FOR 171 TO 176. SEE 65 TO 70 ABOVE *ttt 9999 FOR 172 TO 177. SEE 1 TO 6 ABOVE **** 19999 FOR 173 TO 178. SEE 4 TO 9 ABOVE #949 PATTERN 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999. 9999 9999 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR 174 176 182 184 185 186 187 188 189 190 191 192 193 194 195 196 197 202 203 204 207 208 NOTES T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO TD 1799 1809 1819 1879 1889 1899 1909 1919 1929 1939 1949 1959 1969 1979 1989 1999 2009 2019 2029 2079 2089 2099 2129 2139 2289 2299 2309 2319 2329 2339 2349 2359 2369 2379 2389 2399 2409 2419 2429 2439 2499 2459 2469 2479 2989 2499 2509 2519 2529 2539 2549 367 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE Ottt #*** ##6* ***¥ *48* ***8 **** ##48 ##8* *¥** **¢* ##98 *#** t*¥# tit! #68! *tti tttt tit. *ttt *#** ##88 #*#t ¥$*# ##84 tit. 988* tit* ##48 #**t $6.8 69*! **¥* ##93 #**3 #*#$ ***9 *.*t #989 ttflt 48*8 ***4 ##98 tttt *ttt tiit 3’9. #983 *¥** 8*** ##t* 368 9911595 notes RELATED TO NOTES TEST LENGTH 9999 sca 250 TO 255. see 33 to 43 ABOVE #999 9999 FCR 251 TO 2569 see so to 55 ABOVE 9999 9999 $09 252 TO 257. see 16 TO 21 ABOVE 9999 9999 FOR 253 T0 258. SEE 11 TO 22 ABOVE 9999 9999 FOR 254 TO 2599 SEE 18 TO 23 ABOVE **** PATTERN 800 801 8C2 803 804 805 8C6 807 8C8 8C9 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 840 841 842 843 369 *‘8 TYPE I LISTING CONTINUED **4 SEARCH FOR PATTERNS OF TONAL RETROGRADE hAS BEGUN AT 728 SECONDS INTO EXECUTION. OOQDOOOOO‘MJ‘J‘J‘NNNNNNNNNNNNNHMFflflp—ppp—p NCTES mmmommmommammqqaddqqunQ RELATED TO 7 NOTES IN LENGTH -- NOTES 29 31 33 52 71 T0 T0 T0 T0 T0 TEST U'IUTU'IUTUTUTU'!WWWU‘UIUIU‘U'UTUTU'IU‘UIWUIUTUTUIU‘UTUTUTUTU'UIU'U'UIUIUIUIU‘UTU‘UTU'UI LENGTH u-q~44-4~4-4-94-4~94-9~9u-u~9<-9~94-4~94-4~94-4-44-4~94-u~94-4~¢u-4~94~4 370 PATTERN NCTES RELATED To NOTES TEST LENGTH 844 14 To 20 131 To 137 5 7 845 14 To 20 238 To 244 5 7 846 15 To 21 23 To 29 5 7 847 15 To 21 196 T0 202 5 7 848 15 To 21 237 To 243 5 7 849 15 To 21 253 T0 259 5 7 850 16 To 22 87 To 93 5 7 851 16 To 22 144 To 158 5 7 852 16 To 22 153 T0 159 5 7 853 16 To 22 189 T0 195 5 7 854 16 To 22 195 To 201 5 7 855 16 To 22 236 TO 242 5 7 856 16 TO 22 246 T0 252 5 7 857 16 To 22 252 To 258 5 7 858 17 To 23 235 To 241 5 7 859 18 To 24 117 To 123 5 7 860 18 To 24 184 To 190 5 7 861 18 To 24 234 T0 240 5 7 E62 19 To 25 183 To 189 5 7 863 19 To 25 233 To 239 5 7 864 20 To 26 182 T0 188 5 7 865 36 To 42 49 T0 55 5 7 866 36 To 42 142 T0 148 5 7 867 36 To 42 151 To 157 5 7 868 36 To 42 193 T0 199 5 7 869 36 To 42 244 T0 250 5 7 870 36 To 42 250 To 256 5 7 871 37 To 43 48 To 54 5 7 872 37 To 43 59 To 65 5 7 873 37 To 43 141 To 147 5 7 874 37 To 43 150 To 156 5 7 875 37 To 43 192 T0 198 5 7 876 37 To 43 243 T0 249 5 7 877 37 T0 43 249 To 255 5 7 878 42 To 48 118 To 124 5 7 879 42 T0 48 185 To 191 5 7 880 50 To 56 66 To 72 5 7 881 50 To 56 88 T0 94 5 7 882 50 T0 56 108 T0 114 5 7 883 50 T0 56 113 To 119 5 7 884 50 T0 56 145 To 151 5 7 885 50 To 56 154 To 160 5 7 886 50 To 56 190 To 196 5 7 887 50 To 56 247 TO 253 5 7 888 63 To 69 206 To 212 5 7 889 64 To 70 205 To 211 5 7 890 64 T0 70 215 T0 221 5 7 891 65 To 71 176 To 182 5 7 892 101 To 107 220 To 226 5 7 893 119 To 125 129 To 135 5 7 894 119 To 125 147 To 153 5 7 PAYTERN 895 896 897 898 NOTES 167 TO 168 TO 169 T0 170 T0 173 174 175 176 371 RELATED TO NOTES 180 TO 179 TO 178 T0 177 T0 186 185 184 183 TEST \flU’U‘UI LENGTH q-4~1q PATTERN 899 9C0 951 9C2 963 904 9C5 906 9C? 908 9C9 910 911 912 913 914 915 916 917 918 919 920 921 922 923 924 925 926 927 928 929 930 931 932 933 934 935 936 937 938 939 940 941 942 372 99* TYPE 1 LISTING CONTINUED *** SEARCH FOR PATTERNS OF TONAL RETROGRADE hAS BEGUN AT OOGOQWNNNNHr-vmwv-r-HHHH NOTES OOOOQGQQGQQQGQ RELATED TO 8 NOTES 249 117 184 107 112 NOTES IN 199 250 256 124 191 114 119 LENGTH - 754 SECONDS INTO EXECUTION. TEST mun»mmmwwmmmwmwmmmmmmmmmmmmmmmmmmmmmmmmmmmumm LENGTH mmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm PATTERN 943 944 945 946 947 948 63 65 119 167 168 169 NCTES T0 T0 T0 T0 T0 TO 70 126 174 175 176 373 RELATED TO 205 175 146 179 178 177 NOTES 212 182 153 186 185 184 TEST UTUIWUTWUI LENGTH moommmoo PATTERN 949 950 951 952 953 954 955 956 957 958 959 960 961 962 963 964 965 966 374 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 9 NOTES IN TONAL RETROGRADE HAS BEGUN AT NDTES RELATED TO 27 69 157 156 82 160 23 237 236 235 234 233 182 183 174 178 177 NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 35 165 76 164 90 168 245 244 243 242 241 190 191 182 186 185 LENGTH -- 775 SECONDS INTO EXECUTION. TEST mmmmmmmmmmmmmmmmmm LENGTH OOOOOOOOOOOOOOOOOO 375 *** TYPE I LISTING CONTINUED 09‘ SEARCH FOR PATTERNS OF 10 NOTES IN LENGTH -- TONAL RETROGRADE HAS BEGUN AT 793 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NDTES TEST LENGTH 967 1 TO 10 68 TO 77 5 10 968 1 TO 10 156 TO 165 5 10 969 13 TO 22 236 TO 245 5 10 970 14 TO 23 235 TO 244 5 10 971 15 TO 24 234 TO 243 5 10 972 16 TO 25 233 TO 242 5 10 973 65 TO 74 173 TO 182 5 10 974 167 TO 176 177 TO 186 5 10 376 9“ TYPE I LISTING CONTINUED **‘ SEARCH FOR PATTERNS OF 11 NOTES IN LENGTH -- TONAL RETROGRADE HAS BEGUN AT 810 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 975 13 TO 23 235 TO 245 5 11 976 14 TO 24 234 TO 244 5 11 977 15 TO 25 233 TO 243 5 11 978 65 TO 75 172 TO 182 5 11 377 9** TYPE I LISTING CONTINUED 9** SEARCH FOR PATTERNS OF 12 NOTES IN LENGTH ~- TCNAL RETROGRADE HAS BEGUN AT 827 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 979 13 TO 24 234 TO 245 5 12 980 14 TO 25 233 TO 244 5 12 378 99* TYPE I LISTING CONTINUED **¢ SEARCH FOR PATTERNS OF 13 NOTES IN LENGTH -- TONAL RETROGRADE hAS BEGUN AT 843 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 981 13 TO 25 233 TO 245 5 13 379 #tt TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 14 NOTES IN LENGTH ~- TONAL RETROGRADE hAS BEGUN AT 860 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH EBB OF TYPE 1 LISTING. TOTAL OF 981 PATTERNS LOCATED. EDGARD VARESE TONAL RETRCGRADE ORIGINAL PATTERN 9‘98 SLEPATTERN SUBPATTERN SUEPATTERN SUOPATTERN SLEPATTERN SUEPATTERN SUEPATTERN SUEPATTERN SUBPATTERN SUEPATTERN SUEPATTERN SUBPATTERN SUEPATTERN SUEPATTERN SUBPATTERN SUBPATTERN SUOPATTERN SUEPATTERN SUBPATTERN SUBPATTERN SLBPATTERN TEST 5 COMPLETED 380 LOCATION OF FIRST OCCURRENCE 13 TO 25 15 TO 22 13 TO 20 18 TO 24 16 TO 22 15 TC 21 14 TO 20 13 TO 19 20 TO 25 19 TO 24 18 TO 23 17 TO 22 16 TO 21 15 TO 20 14 TO 19 13 TO 18 20 TO 24 19 TO 23 18 TO 22 16 TO 20 15 TO 19 14 TD 18 AT 1047 SECONDS 949 TYPE 11 LISTING #99 DENSITY 21.5 FOR SOLO FLUTE TOTAL NUMBER OF OCCURRENCES N H'— 6mm~a~omN4~bkoo~m~o¢m¢ 19 LENGTH OF PATTERN H U.) UIUTU‘IUTU’IUIO‘O‘O‘OO‘O‘O‘O‘NNNNNQQ INTO EXECUTION ##tt 381 999999994499* MUSIC MELODIC PATTERN ANALYSIS **9*******‘.* EDGAR VARESE DENSITY 21.5 FOR SOLO FLUTE TEST REQUESTED 6 UAITS OF DATA PER CARD 15 CCMPLTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 15 55 54 56 51 56 51 57 55 54 56 57 51 57 56 57 NOTES 16 THROUGH 30 56 54 51 57 51 57 59 60 57 6O 57 6O 62 63 62 NCTES 31 THRCUGH 45 63 62 63 62 63 62 63 62 64 70 64 58 64 70 53 NOTES 46 THRCUGH 60 59 65 71 59 72 78 66 65 67 65 67 65 66 68 55 NOTES 61 THROUGH 75 56 81 61 6O 61 61 59 61 58 61 75 74 75 74 75 NOTES 76 THROUGH 90 74 75 74 75 74 75 74 75 74 75 74 76 61 6O 61 NCTES 91 THROUGH 105 59 60 61 59 60 74 75 74 74 74 54 51 54 51 51 NCTES 106 THRCUGH 120 51 54 64 51 64 51 52 58 54 58 52 65 81 80 68 NDTES 121 THROUGH 135 67 61 80 68 81 80 68 67 67 57 68 69 56 57 58 NCTES 136 THROUGH 15D 59 54 6C 70 73 83 73 80 83 80 73 83 73 80 83 NCTES 151 THRCUGH 165 73 80 E3 80 73 83 73 8O 83 80 83 8O 83 80 83 ACTES 166 THRCUGH 180 80 73 74 65 74 65 65 64 65 63 65 64 63 65 63 NCTES 181 THRCUGH 195 64 64 65 63 65 61 56 55 57 56 55 57 55 56 57 382 NCTES 196 THRCUGH 210 56 55 57 52 58 59 66 72 75 9O 85 88 NCTES 211 THRCUGH 225 85 88 65 65 88 65 88 85 88 88 58 58 ACTES 226 THRCUGH 240 74 68 67 74 68 67 74 68 67 74 54 52 ACTES 241 THROUGH 255 54 56 57 54 57 71 60 54 6O 50 54 64 NCTES 256 THRCUGH 265 50 54 60 64 68 75 77 79 85 -99 THE FCLLCNIAG TYPES OF PATTERN HAVE BEEN DELETED FROM THE LISTINGS HHICH FOLLOH -- PATTERNS NHICH ARE REITERaIIONS LOVGER THAN FCUR NOTES-IN-LENGTH 85 58 51 54 88 59 54 50 88 57 51 64 383 **4 TYPE I LISTING *** EDGAR VARESE DENSITY 21.5 FOR SOLO FLUTE SEARCH FOR PATTERNS OF 3 NOTES IN LENGTH -- EXACT RETROGRADE HAS BEGUN AT 27 SECOADS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 1 1 TO 3 56 TO 58 6 3 2 1 TO 3 90 TO 92 6 3 3 1 TO 3 93 TO 95 6 3 4 1 TO 3 179 TO 181 6 3 5 1 TO 3 192 TO 194 6 3 6 7 TO 9 57 TO 59 6 3 49.4 FOR 8 TO 10. SEE 1 TO 3 ABOVE **** 7 9 TO 11 15 TO 17 6 3 8 10 TO 12 12 TO 14 6 3 9 11 TO 13 19 TO 21 6 3 10 11 TO 13 41 TO 43 6 3 11 11 TO 13 247 TO 249 6 3 12 13 TO 15 29 TO 31 6 3 13 13 TO 15 31 TO 33 6 3 14 13 TO 15 33 TO 35 6 3 15 13 TO 15 35 TO 37 6 3 16 13 TO 15 63 TO 65 6 3 17 13 TO 15 71 TO 73 6 3 18 13 TO 15 73 TO 75 6 3 19 13 TO 15 75 TO 77 6 3 20 13 TO 15 77 TO 79 6 3 21 13 TO 15 79 TO 81 6 3 22 13 TO 15 81 TO 83 6 3 23 13 TO 15 83 TO 85 6 3 24 13 TO 15 88 TO 90 6 3 25 13 TO 15 172 TO 174 6 3 26 14 TO 16 28 TO 30 6 3 27 14 TO 16 30 TO 32 6 3 28 14 TO 16 32 TO 34 6 3 29 14 TO 16 34 TO 36 6 3 3O 14 TO 16 36 TO 38 6 3 31 14 TO 16 72 TO 74 6 3 32 14 TO 16 74 TO 76 6 3 33 14 TO 16 76 TO 78 6 3 34 14 TO 16 78 TO 80 6 3 35 14 TO 16 80 TO 82 6 3 36 14 TO 16 82 TO 84 6 3 37 14 TO 16 84 TO 86 6 3 38 14 TO 16 96 TO 98 6 3 39 14 TO 16 194 TO 196 6 3 4O 15 TO 17 21 TO 23 6 3 41 15 TO 17 27 TO 29 6 3 PATTE 42 43 44 45 #698 8988 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 $996 98*. 6966 #866 689$ 099$ 668$ 898$ 66*! 0.89 #689 6696 #666 70 71 72 66“ 73 9949 74 75 RN FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 15 16 16 18 19 21 23 23 23 23 23 23 23 23 23 23 23 23 24 24 24 24 24 24 24 24 24 24 24 24 25 27 28 29 3O 31 32 33 34 35 36 37 39 40 4O 40 41 43 52 53 53 NCTES TO TO TO TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 TO TO 70 T0 T0 TO TO 70 TO TO TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 TO TO TO TO 17 18 18 20 219 239 25 25 25 25 25 25 25 25 25 25 25 25 26 26 26 26 26 26 26 26 26 26 26 26 279 299 309 319 329 339 349 359 369 379 339 399 419 42 42 42 439 45 549 55 55 384 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 241 26 240 39 11 25 68 101 159 161 163 207 210 215 217 239 243 102 143 152 158 160 162 164 206 211 214 216 238 23 14 13 14 13 14 13 14 13' 14 18 42 45 46 11 225 55 178 TO TO T0 T0 TD 70 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO TO T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 243 28 242 41 13 11 27 70 103 161 163 165 209 212 217 219 241 245 104 145 154 160 162 164 166 208 213 216 218 240 25 11 16 15 16 15 16 15 16 15 16 20 44 47 48 13 227 57 180 TEST LENGTH 6 3 6 3 6 3 6 3 ABOVE **** ABOVE **** 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 ABOVE **** ABOVE **** ABOVE **** ABOVE 99*4 ABOVE ¥*** ABOVE **** ABOVE **** ABOVE **** ABOVE ***’ ABOVE 9*** ABOVE **** ABOVE ***9 ABOVE ‘*’* 6 3 6 3 6 3 ABOVE **** 6 3 ABOVE **** 6 3 6 3 PATTERN 76 77 78 79 9999 FOR 80 81 82 E3 E4 65 9999 FOR 86 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 87 88 9999 FOR 89 9O 91 9999 Pop 49*! FOR #348 FOR 92 93 94 95 9994 Pop 9999 FOR 96 97 9499 FOR 98 99 FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR 53 54 54 54 55 56 56 56 56 56 57 63 64 66 68 71 72 73 74 76 77 78 79 80 81 82 83 84 85 88 89 89 9O 91 91 91 92 93 96 97 97 98 9B 101 102 103 103 104 105 111 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO 70 TO TO TO TO TO T0 T0 TO TO T0 T0 TO TO TO TO TO TO TD TO T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO TO T0 T0 TO 70 55 56 56 56 579 58 58 58 58 58 59 659 66 689 709 739 749 759 769 779 789 799 809 819 829 839 849 859 869 879 909 91 91 929 93 93 93 949 959 989 99 99 100 100 1039 1049 105 105 1069 107 113 385 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 191 66 174 183 53 85 177 187 190 I96 236 13 171 54 23 13 14 13 14 13 14 13 14 13 14 13 14 13 14 13 175 188 56 176 189 195 89 56 14 181 222 104 221 23 24 105 213 98 212 226 NOTES TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO TO TO TO T0 T0 T0 T0 TO TO T0 T0 TO T0 T0 T0 TO TO TO T0 T0 TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 TO 193 68 176 185 55 87 179 189 192 198 238 15 173 56 25 15 16 15 16 15 16 15 16 15 16 15 16 15 16 15 177 190 58 178 191 197 91 58 16 183 224 106 223 25 26 107 215 100 214 228 TEST 0000 ABOVE **** 000000 ABOVE **** 6 ABOVE **** ABOVE **** ABOVE **** ABOVE ***¢ ABOVE **** ABOVE **** ABOVE **** ABOVE ***‘ ABOVE **** ABOVE ***¢ ABOVE **** ABOVE **** ABOVE *‘** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE ***’ 00 ABOVE **** 000 ABOVE **** ABOVE **** ABOVE ’*** 0000 ABOVE ***‘ ABOVE **** 00 ABOVE **** 00 LENGTH UUNN VANUATU-DUN W Wt» 1.01.903 LOUD-DU UN PATTE 100 101 102 103 .836 ##t# t### 104 1C5 106 107 108 109 110 111 6*49 112 113 114 115 116 117 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 118 119 120 121 9999 9999 9999 12? 123 124 RN FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FCR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR 111 111 112 124 127 133 134 140 140 140 141 141 142 142 142 143 144 144 144 145 145 145 146 147 148 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 166 166 171 172 173 174 175 175 176 NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO 70 T0 T0 TO T0 T0 T0 113 113 114 126 1299 1359 1369 142 142 142 143 143 144 144 144 1459 146 146 146 147 147 147 1489 1499 1509 1529 1539 1549 1559 1569 1579 1589 1599 1609 1619 1629 1639 1649 1659 1669 1679 168 168 168 173 1749 1759 1769 177 177 178 386 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 229 232 114 131 97 91 91 146 155 251 145 154 144 153 165 24 148 151 157 147 150 156 140 141 142 141 142 24 144 145 140 141 142 24 23 24 23 24 23 24 144 227 230 233 180 13 89 54 182 223 193 NOTES TO TO TO T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 231 234 116 133 99 93 93 148 157 253 147 156 146 155 167 26 150 153 159 149 152 158 142 143 144 143 144 26 146 147 142 143 144 26 25 26 25 26 25 26 146 229 232 235 182 15 91 56 184 225 195 TEST 0¢f0h0 ABOVE **** ABOVE ‘#** ABOVE **** O‘0¢>O‘0<>O‘0 ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 0(20‘0Ch0‘ O‘0¢>O‘ 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 ABOVE **** ABOVE titt ABOVE 4’33 6 6 6 LENGTH NWNUUNUW wwuw WUJUJUJWUJ UUU’UJ WNW PATTERN 99.9 .69. 899$ 949. 088* 44$. $669 .999 08.. #996 66*. 894’ 9.44 t#** 996$ 896$ 09*! .998 125 8499 06.. .999 849* 8999 09.6 88.4 0... #6.. .949 09$. 09.6 999. 869* 0090 9988 FOR FOR FOR FCR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR 126 9999 FOR 127 177 178 179 180 182 183 187 188 189 190 191 192 193 194 195 196 206 207 209 210 211 212 213 214 215 216 217 221 223 236 238 239 241 243 247 250 251 253 NCTES T0 T0 T0 TO TO TD T0 T0 T0 T0 T0 T0 TD T0 T0 TO TO TO TO TO TO TO T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 TO 1799 1809 1819 1829 1849 1859 1899 1909 1919 1929 1939 1949 1959 1969 1979 1989 2089 2099 211 2129 2139 2149 2159 2169 2179 2189 2199 2239 2259 2389 2409 2419 2439 2459 2499 252 2539 255 387 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 53 56 64 89 54 175 176 53 56 91 14 176 24 23 218 23 24 103 105 24 23 24 23 98 89 24 23 23 11 252 140 255 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 T0 T0 TO T0 T0 TO TO TO T0 T0 T0 T0 55 58 66 91 56 177 178 55 93 16 178 26 25 220 25 26 105 107 26 25 26 25 100 91 26 25 11 25 13 254 142 257 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 69*. **** 66*. #686 ##69 #4.! #**$ 81“ fittt *ttt .**# *ttt titt 9‘4? 436* tttt 6 3 9.96 6 3 ABOVE PATTE 128 129 130 131 132 133 134 135 136 137 I38 139 140 141 142 143 I44 145 146 147 148 149 150 151 152 153 154 155 156 157 I58 159 160 161 162 163 164 9999 16*! 6‘4. 094* $844 08.9 9184 RN FOR FOR FOR FOR FOR FCR FOR 388 999 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF EXACT RETROGRADE HAS BEGUN AT NOTES RELATED TO 7 TO 10 13 TO 16 13 TO 16 13 TO 16 13 TO 16 13 TO 16 13 TO 16 13 TO 16 13 TO 16 13 TO 16 13 TO 16 14 TD 17 15 TD 18 15 TO 18 23 TO 26 23 TO 26 23 TO 26 23 TO 26 23 TO 26 23 TO 26 23 TO 26 24 TO 27 24 TO 27 24 TO 27 24 TO 27 24 TO 27 24 TO 27 28 TO 31 28 TO 31 28 TO 31 28 TO 31 28 TO 31 28 TO 31 28 TO 31 28 TO 31 28 TO 31 28 TO 31 29 TO 329 SEE 30 TO 339 SEE 31 TO 349 SEE 32 TO 359 SEE 33 TO 369 SEE 34 TO 379 SEE 35 TO 389 SEE 4 NOTES IN LENGTH -- 56 28 3O 32 34 72 74 76 78 80 82 27 26 240 158 160 162 206 214 216 238 101 159 161 163 210 215 31 33 35 71 73 75 77 79 81 83 13 28 13 28 13 28 13 NOTES T0 T0 T0 TO T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TD T0 T0 TD T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 TO TO 59 31 33 35 37 75 77 79 81 83 85 30 29 243 161 163 165 209 217 219 241 104 162 164 166 213 218 34 36 38 74 76 78 80 82 84 86 16 31 16 31 16 31 16 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 0000000000000000000000000000000000000 207 SECONDS INTO EXECUTION. *ttt *ttt tttt 163* ***# *ttt titt LENGTH <§£‘¢-§4>#‘b4>¢M§4‘RWPJ‘¢9b9‘bw54‘&WRJ>é-§$‘&4>$H§J>&~§#Fb4>9‘ PATTERN 165 I66 167 168 169 170 :33: 33:: 33:: 33:3 #ttt 33¢: 43:: 33¢: 33:: 3333 3:33 33*: 0:33 171 172 173 174 175 176 33:: FOR 177 33:: pop 178 I79 180 181 182 183 184 185 186 187 188 189 190 33¢: 33.: 3333 a... 33.3 33¢: 33¢: :33: 303* 33*: FOR FCR FCR FOR FOR FOR FOR FOR FCR FOR FOR FCR FCR FCR FOR FCR FOR FOR FOR FOR FOR FOR FOR 52 52 52 55 55 63 71 72 73 74 75 76 77 78 79 80 81 82 83 89 90 90 9O 91 91 92 97 101 102 140 140 141 141 142 142 143 143 144 144 144 145 146 147 150 151 152 153 154 155 156 157 NOTES T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO 55 55 55 58 58 66 740 750 760 779 78' 79v 809 81. 820 830 840 850 869 92 93 93 93 94 94 950 100 1049 105 143 143 144 144 145 145 146 146 147 147 147 143 149. 150' 1530 1540 1559 1569 1570 1580 159. 1600 389 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 55 173 191 177 190 171 13 23 13 23 13 23 13 23 13 23 13 23 13 131 113 139 195 175 133 39 221 23 213 145 154. 144 153 152 134 151 151 147 150 153 155 140 141 141 142 143 144 145 140 141 142 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 58 181 194 180 193 174 16 31 16 31 16 31 16 31 16 31 16 31 16 190 179 192 198 178 191 92 224 26 216 148 157 147 156 155 167 154 160 150 153 159 158 143 144 144 145 146 147 148 143 144 145 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE O‘OCFO‘O" **** ##tt ***# *ttt *ttt **#* *tlt tttt tit? ##tt **#* **** ttt* (’O‘OCFO‘O ABOVE **** O ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE O¢>O‘O¢>O‘0Cfi0h0¢>0‘0 *ttt tttt *$*$ tit! tttt **#O #338 ***t ittt tttt ¢.§;~&4§£~ b $‘#-##‘é-b ¢w#£‘b4>$m§$‘¢4§£~¢-§ PATTERN **** **** **** **** **** **** **** 191 I92 **** **** **** **** **** **** **** **** I93 **** **** **** **** **** **** FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FCR FCR FOR FOR FOR FCR FOR 158 159 160 161 162 163 164 174 176 177 178 189 190 191 192 195 206 209 210 211 214 215 216 238 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 TO T0 TO 1619 1620 1630 1649 165' 1669 167. 177 179 1809 1819 1929 1939 1949 1950 1989 2090 212 213. 2149 2170 2180 2190 2410 390 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 24 23 24 23 24 23 143 182 192 52 55 176 52 55 90 176 24 217 23 102 24 23 24 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 27 26 27 26 27 26 146 185 195 55 58 179 55 58 93 179 27 220 26 105 27 26 27 27 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** LENGTH PATTERN I94 195 196 197 9999 Fcp 198 199 700 201 202 203 204 265 9999 FOR 206 207 9999 9999 9999 9999 9999 9999 9999 9999 2C3 709 210 9999 F09 9999 FOR 211 9999 FOR FOR FOR FOR FOR FOR FOR FOR FOR *** 391 TYPE I LISTING CONTINUED #19 SEARCH FOR PATTERNS OF EXACT RETROGRADE HAS BEGUN AT 13 14 9O 90 9O 91 101 140 140 141 142 143 143 143 144 145 146 150 151 152 153 154 155 156 157 176 177 189 190 209 210 NCTES TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 17 18 94 94 949 95 105 144 144 145 146 147 147 1479 148 149 1509 1549 1559 1569 1579 1589 1599 1609 161 180 181 1939 1949 213 2149 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 5 NOTES IN LENGTH -- 27 26 175 188 90 187 213 144 153 152 151 150 156 143 155 154 140 141 142 143 144 145 140 141 163 I91 190 176 177 216 101 NOTES T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 31 30 179 192 94 191 217 148 157 156 155 154 160 147 159 158 144 145 146 147 148 149 144 145 167 195 194 180 181 220 105 273 SECONDS INTO EXECUTION. TEST LENGTH 6 5 6 5 6 5 6 5 ABOVE **** 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 ABOVE **** 6 5 6 5 ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** 6 5 6 5 6 5 ABOVE #*** ABOVE **** 6 5 ABOVE **** 392 999 TYPE I LISTING CONTINUED 999 SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH ~- EXACT RETROGRADE HAS BEGUN AT 335 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 212 13 TO 18 26 TO 31 6 6 213 90 TO 95 187 TO 192 6 6 214 140 TO 145 152 TO 157 6 6 215 141 TO 146 151 TO 156 6 6 716 142 TO 147 150 TO 155 6 6 .17 143 TO 148 155 T0 160 6 6 218 144 TO 149 154 TO 159 6 6 219 145 TO 150 153 TO 158 6 6 **** FOR 150 TO 1559 SEE 141 TO 146 ABOVE **** ‘*** FOR 151 TO 1569 SEE 142 TO 147 ABOVE **** 0‘99 FOR 152 TO 1579 SEE 143 TO 148 ABOVE **** 9*‘* FOR 153 TO 1589 SEE 144 TO 149 ABOVE **¥* 999* FOR 154 TO 1599 SEE 145 TO 150 ABOVE **** 999* FOR 155 TO 1609 SEE 140 TO 145 ABOVE ***’ 220 157 TO 162 162 TO 167 6 6 **** FOR 157 TO 1629 SEE 157 TO 162 ABOVE **** 221 176 TO 181 190 TO 195 6 6 9999 FOR 189 TO 1949 SEE 176 TO 181 ABOVE **** 393 999 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- EXACT RETROGRADE hAS BEGUN AT 395 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 222 140 TO 146 151 TO 157 6 7 223 141 TO 147 150 TO 156 6 7 224 143 TO 149 154 TO 160 6 7 225 144 TO 150 153 TO 159 6 7 PATTERN 226 227 394 999 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 8 NOTES IN LENGTH -- EXACT RETROGRADE HAS BEGUN AT 412 SECONDS INTO EXECUTION. NOTES RELATED TC NOTES TEST LENGTH 140 10 147 15c T0 157 6 3 143 T0 150 153 T0 130 3 3 395 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 9 NOTES IN LENGTH -- EXACT RETROGRADE HAS BEGUN AT 429 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH FAD OF TYPE I LISTING. TOTAL OF 227 PATTERNS LOCATED. EDGAR VARESE EXACT RETRCGRACE CRIGINAL PATTERN SUBPATTERN SUBPATTERN SLBPATTERN CRIGINAL PATTERN SLBPATTERN SUBPATTERN SCBPATTERN SLBPATTERN SUBPATTERN 396 **¢ TYPE II LISTING *** DENSITY 21.5 FOR SOLO FLUTE LOCATION OF FIRST OCCURRENCE 143 TO 15C 144 TO 147 145 TO 147 144 TO 146 140 TO 147 144 TO 147 145 TO 147 144 TO 146 142 TO 144 140 TO 142 9999 TEST 6 COMPLETED AT TOTAL NUMBER OF OCCURRENCES N 4‘54‘ #‘J‘J‘J‘b LENGTH OF PATTERN CD UJUJP wwwwb 535 SECCNDS INTO EXECUTION 9999 397 9999999999999 HUSIG HELDDTG PATTERN ANALYSIS 9999999999999 EDGARD VARESE DENSITY 21.5 FOR SOLD FLUTE TEST REQUESTED 7 UATTS OF DATA PER CARD 15 CCPPUTER REFERENCE NUH3ER ASSIGNMENT 3373s 1 THROUGH 15 55 54 53 51 53 51 57 55 54 53 57 51 57 53 57 NCTES 13 THRCUGH 3o 53 54 51 57 51 57 59 3o 57 3o 57 3o 32 33 32 NCTES 31 THROUGH 45 33 32 33 32 33 32 33 32 34 7o 34 53 34 7o 53 NCTES 43 THRCUGH 3c 59 35 71 59 72 73 33 35 37 35 37 35 33 33 55 NCTES 31 THROUGH 75 53 31 31 30 31 31 59 31 53 31 75 74 75 74 75 NCTES 73 THROUGH 93 74 75 74 75 74 75 74 75 74 75 74 73 31 3o 31 NCTES 91 THROUGH 105 59 33 31 59 3o 74 75 74 74 74 54 51 54 51 51 NCTES 133 THRCUGH 120 51 54 34 51 34 51 52 53 54 53 52 35 31 30 33 NDTES 121 THROUGH 135 37 31 30 33 31 30 33 37 37 57 33 39 53 57 53 NCTES 133 THROUGH 150 59 54 33 7o 73 33 73 33 33 30 73 33 73 30 33 NCTES 151 THROUGH 135 73 3c 33 30 73 33 73 30 33 30 33 30 33 30 33 NCTES 133 THROUGH 130 30 73 74 35 74 35 35 34 35 33 35 34 33 35 33 NCTES 131 THROUGH 195 34 34 35 33 35 31 53 55 57 53 55 57 55 53 57 398 NOTES 196 THROUGH 210 56 55 57 52 58 59 66 72 75 90 85 88 NCTES 211 THRCUGH 225 85 88 £5 E5 88 £5 88 85 88 88 58 58 NCTES 226 THROUGH 240 74 68 67 74 68 67 74 68 67 74 54 52 NOTES 241 THROUGH 255 54 56 57 54 57 71 60 54 6O 50 54 64 NOTES 256 THROUGH 265 50 54 6O 64 68 75 77 79 85 -99 TFE FOLLOhING TYPES OF PATTERN FAVE BEEN DELETED FROM THE LISTINGS HHICH FOLLOH -- PATTERNS WHICH ARE REITERHIIONS LJVGER THAN FOUR NOTES-IN-LENGTH PATTERNS HHICH LACK CHANGE-OF-DIRECTION 85 58 51 54 88 59 54 50 88 57 51 64 399 99* TYPE I LISTING 99* EDGARD VARESE DENSITY 21.5 FOR SOLO FLUTE SEARCH FOR PATTERNS OF 3 NOTES IN LENGTH -- TONAL RET. INVERSION HAS BEGUN AT 29 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TC NOTES TEST LENGTH 1 1 TO 3 4 TO 6 7 3 2 1 TO 3 6 TO 8 7 3 3 1 TO 3 10 TO 12 7 3 4 1 TO 3 12 TO 14 7 3 5 1 TO 3 14 TO 16 7 3 6 1 TO 3 18 TO 20 7 3 7 1 TO 3 22 TO 24 7 3 8 1 TO 3 24 TO 26 7 3 9 1 TO 3 28 TO 30 7 3 10 1 TO 3 30 TO 32 7 3 11 1 TO 3 32 TO 34 7 3 12 1 TO 3 34 TO 36 7 3 13 1 TO 3 36 TO 38 7 3 14 1 TO 3 39 TO 41 7 3 15 1 TO 3 43 TO 45 7 3 l6 1 TO 3 47 T0 49 '7 3 17 1 TO 3 50 TO 52 7 3 18 1 TO 3 53 TO 55 7 3 19 1 TO 3 55 TO 57 7 3 20 1 TO 3 58 TO 60 7 3 21 1 TO 3 61 TO 63 7 3 22 1 TO 3 67 TO 69 7 3 23 1 TO 3 70 TO 72 7 3 24 1 TO 3 72 TO 74 7 3 25 1 TO 3 74 TO 76 7 3 26 1 TO 3 76 TO 78 7 3 27 1 TO 3 78 TO 80 7 3 28 1 TO 3 80 TO 82 7 3 29 1 TO 3 82 TO 84 7 3 30 1 TO 3 84 TO 86 7 3 31 1 TO 3 86 TO 88 7 3 32 1 TD 3 89 TO 91 7 3 33 1 TO 3 92 TO 94 7 3 34 1 TO 3 96 TO 98 7 3 35 1 TO 3 102 TO 104 7 3 36 1 TO 3 107 TO 109 7 3 37 1 TO 3 109 TO 111 7 3 38 1 TO 3 112 TO 114 7 3 39 1 TO 3 114 TO 116 7 3 4O 1 TO 3 117 TO 119 7 3 41 1 TO 3 121 TO 123 7 3 42 1 TO 3 124 TO 126 7 3 PATTERN 43 44 45 43 47 43 49 50 51 52 53 54 55 53 57 53 59 3o 31 32 33 34 35 33 37 33 39 To 71 72 73 74 75 73 77 73 79 30 31 32 33 34 35 33 37 33 39 9o 91 92 93 NNNNNNNNNNNNHHHH—u—nr—HT—9-pHr-HH-HT—HH-nv-u-v—r-MT—I—n—t—r-v-r-v-HHut-9— NCTES T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO TO TO TO TO TO TO TO TO TO TO TO TO TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 babbaéa4~s~J~bauuuwwwuwwUTwuwwwwuwwuuwwuwuuwwuwuwwwuwuu 400 RELATED TO 131 135 140 143 146 149 152 155 158 160 162 164 167 169 173 175 I78 182 184 188 191 194 197 204 206 211 214 216 223 225 228 231 234 238 242 245 248 251 254 11 13 17 19 23 25 29 31 33 35 NOTES TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 133 137 142 145 148 151 154 157 160 162 164 166 169 171 175 177 180 184 186 190 193 196 199 206 208 213 216 218 225 227 230 233 236 240 244 247 250 253 256 10 13 15 19 21 25 27 31 33 35 37 TEST -9~1-4-a-u~4-9~h-44-u~4-9-4-4~aq-q~4q-u~a-u~au-e-+-H~JN-<-4-9~14-9-3N-q~14 LENGTH DJUJwwwwwNWWWUWUWWLDWWWWWWUWUNWWUWWWWNUWUWNUWUUUNUWUUN 401 PATTERN NCTES RELATED TC NOTES TEST LENGTH 94 2 TO 4 37 TO 39 '7 3 95 2 TO 4 41 TO 43 7 3 96 2 TO 4 44 TO 46 7 3 97 2 TO 4 48 TO 50 7 3 98 2 TO 4 52 TO 54 7 3 99 2 TO 4 54 TO 56 7 3 100 2 TO 4 56 TO 58 7 3 101 2 TO 4 59 TO 61 7 3 102 2 TO 4 63 TO 65 7 3 103 2 TO 4 66 TO 68 7 3 104 2 TO 4 68 TO 70 7 3 105 2 TO 4 71 TO 73 7 3 106 2 TO 4 73 TO 75 7 3 1C7 2 TO 4 75 TO 77 7 3 1C8 2 TO 4 77 TO 79 7 3 1C9 2 TO 4 79 TO 81 7 3 110 2 TO 4 81 TO 83 7 3 111 2 TO 4 83 TO 85 7 3 112 2 TO 4 85 TO 87 7 3 113 2 TO 4 88 TO 90 7 3 114 2 TO 4 90 TO 92 7 3 115 2 TO 4 93 TO 95 7 3 116 2 TO 4 101 TO 103 7 3 117 2 TO 4 108 TO 110 7 3 118 2 TO 4 110 TO 112 7 3 119 2 TO 4 113 TO 115 7 3 120 2 TO 4 115 TO 117 7 3 121 2 TO 4 120 TO 122 7 3 122 2 TO 4 123 TO 125 7 3 123 2 TO 4 129 TO 131 7 3 124 2 TO 4 132 TO 134 7 3 125 2 TO 4 136 TO 138 7 3 126 2 TO 4 141 TO 143 7 3 127 2 TO 4 145 TO 147 7 3 128 2 TO 4 147 TO 149 7 3 129 2 TO 4 150 TO 152 7 3 130 2 TO 4 154 TO 156 7 3 I31 2 TO 4 156 TO 158 7 3 I32 2 TO 4 159 TO 161 7 3 133 2 TO 4 161 TO 163 7 3 134 2 TO 4 163 TO 165 7 3 135 2 TO 4 166 TO 168 7 3 136 2 TO 4 168 TO 170 7 3 137 2 TO 4 172 TO 174 7 3 I38 2 TO 4 174 TO 176 7 3 I39 2 TO 4 177 TO 179 7 3 140 2 TO 4 179 TO 181 7 3 141 2 TO 4 183 TO 185 7 3 I42 2 TO 4 187 TO 189 7 3 143 2 TO 4 190 TO 192 7 3 I44 2 TO 4 192 TO 194 7 3 PATTE I45 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 9999 **89 ***0 O*O* **$* *OOO 9999 0‘99 0*.# 8*99 **9* **4* **0* .*$* *9** **** 8*** O*** .t** 099* O*** O*** 9*** **9* 09*. O*** O*** O*** $#** 19.4 **$* **** *9** RB FDR FOR FCR FOR FCR FDR FOR FOR FDR FOR FOR FDR FOR FOR FOR FOR FOR FDR FDR FOR FDR FOR FDR FDR FOR FOR FOR FCR FOR FOR FOR FOR FCR GOUIJ‘UNNNNNNNNNNNNNNNNNN NCTES T0 T0 TO TO TO TO 70 T0 T0 T0 TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 TO TO TO TO TO TO T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 &WFJ‘¢W§JE&-b3‘#d§¥‘kHR4*&«§J® 402 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 196 198 205 207 210 215 217 224 227 230 233 237 239 243 247 249 253 N U W nuvr-hauwvr-NM—hohuvmafia—Hvr-houug.-hlunwr-na—HVH-Nawwvwn NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 TO 70 TO 198 200 207 209 212 217 219 226 229 232 235 239 241 245 249 251 255 257 Wi‘waJ‘WA‘wJ‘WO‘UJ‘WJ‘vaIADéW-BUJ‘WJ‘NJ‘UJ‘WJ‘N TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE -d~rfl-4~JN‘Q~tfl-d~9d-d~rfl~d~lfl **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** WUUUWWLHWWUWUUNLHUWW PATTE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 163 164 165 166 161 168 169 170 171 172 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 113 I74 175 I76 177 RN FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FDR FOR FOR FOR FCR FOR FOR FDR FOR FCR FCR FOR FOR FDR FDR FOR FOR FDR FOR FOR FOR FOR FOR 50 52 53 54 55 56 58 59 61 63 64 64 64 64 65 65 65 65 65 66 67 68 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 88 89 9O 92 93 96 97 97 97 97 97 NCTES TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO 70 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO TO TO TO T0 T0 529 549 559 569 579 589 609 619 639 659 66 66 66 67 67 67 67 67 67 689 699 709 729 739 749 759 769 779 789 799 809 819 829 839 849 859 879 889 909 919 929 949 959 989 99 99 99 99 403 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE F‘--Nhflhafllu-HV Hr- QC) ~\fl 213 222 97 103 127 170 212 K! N» O NF-Nh—ho—Hv—HVh-NFnhnuhdpIUFHVF-NF-NH-Nau .— N10 990 171 209 219 NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 UA&W»4‘wJ§UJ&LH&' NJHF- -m<3 th~9 224 99 105 129 172 214 h) N) «fiULbUAétfl&flfl$‘NJ§UJ&LDJWflJFUL§UJGLHOWNJTNIU ~9— 610 O9- 173 211 221 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE d-u~1-u~1q-<~aq w-4474-u **** **** **** **** **** **** **** **** *t** #*** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** LENGTH wLQUJULHUJULNUJW WLHUJNIN 404 PATTERN NCTES RELATED TO NOTES TEST LENGTH 9999 FOR 99 TO 1019 SEE 65 TO 67 ABOVE *ttt 049. FOR 101 TO 103. SEE I TO 3 ABOVE *ttt 9409 FOR 102 TO 104. SEE 2 TO 4 ABOVE tttt 499* FOR 103 TO 105. SEE 91 TO 99 ABOVE 949* 178 105 TO 107 180 TO 182 7 3 l79 105 TO 107 208 TO 210 7 3 180 1C5 TO 107 218 TO 220 7 3 9999 FOR TC? TO 109. SEE 2 TO 4 ABOVE 9999 9999 FOR 108 TO 110. SEE 1 TO 3 ABOVE #999 9999 FCR 109 TO 111. SEE 2 TO 4 ABOVE **** 9999 FOR 110 TO 112. SEE 1 TO 3 ABOVE #999 9999 FOR 112 TO 114. SEE 2 TO 4 ABOVE *ttt 999* FOR 113 TO 115. SEE 1 TO 3 ABOVE 344* 9999 FOR 114 TO 116. SEE 2 TO 4 ABOVE *ttt #994 FOR 115 TO 117. SEE 1 TO 3 ABOVE t*** 9999 FOR 117 TO 119. SEE 2 TO 4 ABOVE **** 99“ FOR 120 TO 122. SEE I TO 3 ABOVE **t* 9999 FOR 121 TO 123. SEE 2 TO 4 ABOVE *ttt #999 FOR 123 TO 125. SEE 1 TO 3 ABOVE **#t 9444 FOR 124 TO 126. SEE 2 TO 4 ABOVE tttt 4‘99 FOR 127 TO 129. SEE 91 TO 99 ABOVE *ttt 9999 FOR 128 TO 130. SEE 65 TO 61 ABOVE **** 0999 FOR 129 TO 13]. SEE 1 TO 3 ABOVE **** 9999 FOR 131 TO 133. SEE 2 TO 4 ABOVE 499* 0‘99 FOR 132 TO 134. SEE 1 TO 3 ABOVE **** 9999 FOR 135 TO 137. SEE 2 TO 4 ABOVE 349* 9999 FOR 136 TO 138. SEE 1 TO 3 ABOVE t*** 9999 FOR 140 TO 142. SEE 2 TO 4 ABOVE #994 9999 FOR 141 TO 143. SEE 1 TO 3 ABOVE **** 9909 FOR 143 TO 145. SEE 2 TO 4 ABOVE 494* 9999 FOR 145 TO 141. SEE 1 TO 3 ABOVE ***t 9999 FOR 146 TO 148. SEE 2 TO 4 ABOVE *ttt 999* FER 147 TO 149. SEE 1 TO 3 ABOVE *ttt 999* FOR 149 TO 151. SEE 2 TO 4 ABOVE *ttt 9999 FOR 150 TO 1529 SEE I TO 3 ABOVE *ttt 9.99 FCR 152 TO 154. SEE 2 TO 4 ABOVE *ttt #999 FOR 154 TO 156. SEE 1 T0 3 ABOVE **** 9999 FOR 155 TO 1519 SEE 2 TO 4 ABOVE ***¢ 444* FOR 156 TO 158. SEE T TO 3 ABOVE *t** 9499 FOR 158 TO 160. SEE 2 TO 4 ABOVE 9499 #444 FOR 159 TO 161. SEE 1 TO 3 ABOVE #999 9999 FOR 160 TO 162. SEE 2 TO 4 ABOVE #994 9999 FOR 161 TO 163. SEE I TO 3 ABOVE 49** 9999 FOR 162 TO [64. SEE 2 TO 4 ABOVE **t* t*** FOR 163 TO 165. SEE 1 TO 3 ABOVE *ttt 9999 FOR 164 TO 166. SEE 2 TO 4 ABOVE tttt 9944 FOR 166 TO 168. SEE 1 TO 3 ABOVE ***t 9949 FOR 167 TO 169. SEE 2 TO 4 ABOVE *ttt 949* FOR 168 TO 170. SEE 1 TO 3 ABOVE *ttt 9999 FOR 169 TO 171. SEE 2 TO 4 ABOVE ¥*** 999* FOR 170 TO 172. SEF 97 TO 99 ABOVE 999* 405 PATTERN NOTES RELATED TO NOTES TEST LENGTH #949 FOR 171 TO 173. SEE 65 TO 67 ABOVE *ttt 9999 FOR 172 TO 174. SEE 1 TO 3 ABOVE **** 9999 FOR 173 TO 175. SEE 2 TO 4 ABOVE **** 0909 FOR 174 TO 176. SEE 1 TO 3 ABOVE **** 9999 FOR 175 TO 177. SEE 2 TO 4 ABOVE *ttt 0*99 FOR 177 TO 179. SEE I TO 3 ABOVE 999* 9999 FOR 178 TO 180. SEE 2 TO 4 ABOVE **** 9999 FOR 179 TO 18!. SEE 1 TO 3 ABOVE tttt 9999 FOR 180 TO 182. SEE 64 TO 66 ABOVE **** tttt FOR 181 TO 183. SEE 105 TO 107 ABOVE ***# 999* FOR 182 TO 184. SEE 2 TO 4 ABOVE **t* 9999 FOR 183 TO 185. SEE 1 TO 3 ABOVE #499 9999 FOR 184 TO 186. SEE 2 TO 4 ABOVE **** 9499 FOR 187 T0 189. SEE 1 TO 3 ABOVE **** 9999 FOR 188 TO 190. SEE 2 TO 4 ABOVE *ttt 99.4 FCR 190 TO 1929 SEE 1 TO 3 ABOVE **** #999 FCR 191 TO 193. SEE 2 TO 4 ABOVE ***# 999* FOR 192 TO 194. SEE 1 TO 3 ABOVE **** 9999 FCR 194 TO 196. SEE 2 TO 4 ABOVE 9999 #999 FOR 196 TO 198. SEE 1 TO 3 ABOVE ***R 9999 FOR 197 TO 199. SEE 2 TO 4 ABOVE **** 999* FOR 198 TO 200. SEE 1 TO 3 ABOVE *ttt 999* FOR 204 TO 206. SEE 2 TO 4 ABOVE *9t9 9999 FOR 205 TO 207. SEE 1 TO 3 ABOVE 9999 9999 FOR 206 TO 208. SEE 2 TO 4 ABOVE 9*99 99" FOR 207 TO 209. SEE 1 TO 3 ABOVE tttt 9999 FOR 208 TO 210. SEE 64 TO 66 ABOVE 9999 999* FOR 209 TO 2119 SEE 65 TO 67 ABOVE ***t 9999 FOR 210 TO 212. SEE 1 TO 3 ABOVE 999* 0999 FOR 211 TO 213. SEF 2 TO 4 ABOVE 99*! 9999 FOR 212 TO 214. SEE 97 TO 99 ABOVE 994* 999* FOR 213 TO 215. SEE 105 TO 107 ABOVE *ttt 999* FOR 214 TO 216. SEE 2 TO 4 ABOVE 9*49 0499 FOR 215 TO 217. SEE 1 TO 3 ABOVE #999 4999 FOR 216 TO 218. SEE 2 TO 4 ABOVE #999 0990 FOR 217 TO 219. SEE 1 TO 3 ABOVE tit! 9999 FOR 218 T0 220. SEE 64 TO 66 ABOVE *ttt 099‘ FOR 219 TO 221. SEE 65 TO 67 ABOVE #498 9999 FCR 220 TO 222. SEE 97 TO 99 ABOVE 999* 9999 FOR 222 TO 224. SEE 105 TO 107 ABOVE #999 9999 FOR 223 TO 2259 SEE 2 TO 4 ABOVE 999* 9999 FOR 224 TO 226. SEE 1 TO 3 ABOVE 999* 9999 FOR 225 TO 227. SEE 2 TO 4 ABOVE tttt 9999 FCR 227 TO 229. SEE 1 TO 3 ABOVE **** 9999 FOR 228 TO 230. SEE 2 TO 4 ABOVE #999 #999 FCR 230 TO 232. SEE I TO 3 ABOVE #999 99*9 FOR 231 TO 233. SEE 2 TO 4 ABOVE 9*99 9999 FOR 233 TO 235. SEE 1 TO 3 ABOVE 999* 9999 FCR 234 TO 236. SEE 2 TO 4 ABOVE #999 9999 FOR 237 TO 239. SEE 1 TO 3 ABOVE *ttt 99“ FOR 238 TO 240. SEE 2 TO 4 ABOVE **** 406 PATTERN NCTES RELATED TO NOTES TEST LENGTH 9". FOR 239 TO 2419 SEE 1 TO 3 ABOVE **** Otit FOB 242 TO 2449 SEE 2 TO 4 ABOVE **‘* 9999 FOR 243 TO 2459 SEE 1 TO 3 ABOVE **** 9999 FOR 245 TO 2479 SEE 2 TO 4 ABOVE **** 999* FCR 247 TO 2499 SEE 1 TO 3 ABOVE ***¥ 9999 FOR 248 TO 2509 SEE 2 TO 4 ABOVE **** 99“ FOR 249 TO 2519 SEE 1 TO 3 ABOVE **** 99“ FOR 251 TO 2539 SEE 2 TO 4 ABOVE **** 9“. FOR 253 TO 2559 SEE 1 TO 3 ABOVE **** 949* FCR 254 TO 2569 SEE 2 TO 4 ABOVE **** "** FOR 255 TO 257. SEE 1 TO 3 ABOVE **** PATTERN 181 18? 183 184 I85 IE6 187 188 189 I90 I91 192 I93 I94 I95 I96 I97 I98 I99 700 201 262 203 204 205 266 2C7 PCB 709 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 SEARCH FOR PATTERNS OF 4 NOTES TONAL RET. INVERSION UAS BEGUN AT NOTES RELATED TC NOTES 1 TO 4 5 TO 1 TO 4 11 TO 1 TO 4 13 TO 1 TO 4 17 TO 1 TO 4 23 TO 1 TO 4 29 TO 1 TO 4 31 TO 1 T0 4 33 TO 1 TO 4 35 TO 1 TO 4 52 TO 1 TO 4 54 TD 1 TO 4 66 TO 1 TO 4 71 TO 1 TO 4 73 TO 1 TO 4 75 TD 1 TO 4 77 TD 1 TO 4 79 TO 1 TO 4 81 TO 1 TO 4 83 TO 1 TO 4 85 TO 1 TO 4 88 TO 1 TO 4 101 TO I TO 4 108 TO 1 TO 4 113 TO 1 TO 4 120 TO 1 TO 4 123 T0 1 TO 4 145 TO 1 TO 4 154 TO 1 TO 4 159 TO 1 TO 4 161 TO 1 TO 4 163 TO 1 TO 4 166 TO 1 TO 4 168 TO 1 TO 4 I72 TD 1 TO 4 174 TO 1 TO 4 177 TO 1 TO 4 183 TO 1 TO 4 187 T0 1 TO 4 190 TO 1 TO 4 196 TO 1 TD 4 205 TO 1 TO 4 210 TO 1 TD 4 215 TO I TO 4 224 TO **' TYPE I LISTING CONTINUED 999 407 IN LENGTH -- 14 16 20 26 32 34 36 38 55 57 69 74 76 78 80 82 84 86 88 91 104 111 116 123 126 148 157 162 164 166 169 171 175 177 180 186 190 193 I99 208 213 218 227 148 SECONDS INTO EXECUTION. TEST N-4~4-u~uu-4-u-4-9~a-4~94-4~94-4~J-q~r-q~9-q~9q-u-4<-4~94-9~uu-e< LENGTH 4‘4‘4‘4‘9‘4‘4‘4‘4‘4‘9‘J‘4‘J‘J‘4‘4‘3‘4‘4‘4‘9‘9‘954‘1‘4‘4‘1‘4‘4‘4‘4‘9‘4‘4‘559‘9‘9‘4‘4‘3‘ PATTERN 225 226 227 228 229 230 231 232 233 734 235 236 237 238 239 240 241 242 243 244 745 246 247 248 249 250 251 252 253 254 255 256 257 758 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 775 NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNBJNNHo—HF-Hr- NCTES TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 munnuammmmwmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmboéb9‘6 408 RELATED TO NOTES 227 230 233 237 247 253 10 12 18 22 24 28 30 32 34 36 43 47 53 55 58 67 70 72 74 76 78 80 82 84 89 92 107 109 112 114 131 135 I40 I46 149 155 158 160 162 167 173 178 182 I91 197 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO 230 233 236 240 250 256 13 15 21 25 27 31 33 35 37 39 46 50 56 58 61 70 73 75 77 79 81 83 85 87 92 95 110 112 115 117 134 138 143 149 152 158 161 163 165 170 176 181 185 194 200 TEST q-q~aq-4~+-9~aq-u~4q-9~wq-9q-4~4-q«aq-9~aq-4~9<-9~44~9~9<~9~a-9~+-9~44~9~9<~9~9~ LENGTH ##4####éééééufiRéékJ-‘RS‘RJ‘J‘ékbé-FJ‘J‘ék-bhkvkééRbRééb-fivI-‘J‘étb‘b‘lr‘dt‘fi‘ 409 PATTERN NCTES RELATED TO NOTES TEST LENGTH 276 2 TO 5 204 TO 207 7 4 277 2 TO 5 206 TO 209 7 4 278 2 TO 5 214 TO 217 7 4 279 2 TO 5 216 TO 219 7 4 280 2 TO 5 223 TO 226 7 4 281 2 TO 5 238 TO 241 7 4 282 2 TO 5 242 TO 245 7 4 283 2 TO 5 248 TO 251 7 4 284 2 TO 5 254 TO 257 7 4 **** FOR 3 TO 69 SEE 1 TO 4 ABOVE **** 9‘99 FOR 4 TO 79 SEE 2 TO 5 ABOVE ***F 99“ FOR 5 TO 89 SEE 1 TO 4 ABOVE **** 285 6 TO 9 16 TO 19 7 4 786 6 TO 9 40 TO 43 7 4 287 6 TO 9 51 TO 54 7 4 288 6 TO 9 62 TO 65 7 4 289 6 TO 9 87 TO 90 7 4 29C 6 TO 9 100 TO 103 7 4 291 6 TO 9 119 TO 122 7 4 292 6 TO 9 122 TO 125 7 4 293 6 TO 9 144 TO 147 7 4 294 6 TO 9 153 TO 156 7 4 295 6 TO 9 165 TO 168 7 4 296 6 TO 9 176 TO 179 7 4 297 6 TO 9 186 TO 189 7 4 298 6 TO 9 189 TO 192 7 4 299 6 TO 9 195 TO 198 7 4 300 6 TO 9 226 TO 229 7 4 301 6 TO 9 229 TO 232 7 4 302 6 TO 9 232 TO 235 7 4 303 6 TO 9 236 TO 239 7 4 304 6 TO 9 246 TO 249 7 4 305 6 TO 9 252 TO 255 7 4 306 7 TO 10 14 TO 17 7 4 3C7 7 TO 10 39 TO 42 7 4 308 7 TO 10 50 TD 53 7 4 309 7 TO 10 61 TO 64 7 4 310 7 TO 10 86 TO 89 7 4 311 7 TO 10 117 TO 120 7 4 312 7 TO 10 121 TO 124 7 4 313 7 TO 10 124 TO 127 7 4 314 7 TO 10 143 TO 146 7 4 315 7 TO 10 152 TO 155 7 4 316 7 TO 10 164 TO 167 7 4 317 7 TO 10 175 TO 178 7 4 318 7 TO 10 184 TO 187 7 4 319 7 TO 10 188 TO 191 7 4 320 7 TO 10 194 T0 197 7 4 321 7 TO 10 225 TO 228 7 4 322 7 TO 10 228 TO 231 7 4 323 7 TO 10 231 TO 234 7 4 PATTERN 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 00100000000000OOOOOOOOOOGOOGGO@OQDOQQOOGOGOQOQDQQQNNN NOTES TO TO TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO TO TO TO 70 T0 T0 T0 T0 TO TO TO TO TO TO TO T0 T0 TO TO 70 TO T0 T0 TO T0 TO 70 TO T0 T0 T0 TO TO 10 10 10 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 410 RELATED TC NOTES 234 245 251 21 27 38 42 46 49 57 6o 69 91 95 106 111 116 130 134 139 142 148 151 157 193 203 241 244 250 19 25 37 41 44 48 56 59 68 9o 93 110 115 129 132 136 141 147 150 156 192 198 TO T0 T0 TO T0 T0 TO T0 T0 T0 T0 TO TO TO 70 TO TO TO TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO T0 T0 TO TO T0 T0 T0 TO T0 T0 TO 237 246 254 24 30 41 45 49 52 6o 63 72 94 9a 109 114 119 133 137 142 145 151 154 160 196 206 244 247 253 22 28 4o 44 47 51 59 62 71 93 96 113 118 132 135 139 144 150 153 159 195 201 TEST LENGTH -Q~JN‘U~JN'4-JN-d~rd-4~JN-4~JN-d~tN-4~JN-d~tN-d~44-d~hfl~dfirfl-d~td-4‘Jd-Q~JN-d~JN-d~id 4‘4‘4‘4‘4‘3‘4‘4‘4‘4‘4‘4‘vbJ‘J‘J‘J‘Jn‘é-T‘J‘J‘J‘J‘J‘J‘4‘é##5##4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘4‘7‘4‘b PATTE 375 376 377 378 94*! 9969 94.3 996* .$** 9‘49 94“ 9‘19 994* 944$ 999$ 41*. 94“ 06“ 84*. 9‘04 41“ $94! Otfifi ‘6‘. itfit 16*! 84“ 49*, 0". 064‘ 9“. ‘fitt 99" 8‘94 99" 99" 9‘99 98“ 9‘46 04‘. #639 9“. 4.99 898‘ 948* 6.4. #999 39*. 91“ 8.99 0“. RN FOR FCR FOR FCR FCR FCR FOP FOR FCR FCR FOR FOR FOR son FOR FOR FOR FOR FOR FOR FOR FUR FOR FOR FCR FCR FCR ma FCR FOR FOR FUR FCR FOR FCR FOR FOP FCR FCR FOR FOR FOR FUR FOP FCR FOR FOR NOTES TO TD TO TO TO TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO TD TO TO TO TO TO TD TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 12 12 12 12 139 149 159 169 179 199 209 219 229 249 259 269 279 289 309 319 329 339 349 359 369 379 389 399 409 419 429 439 449 459 469 479 499 509 519 529 539 549 559 569 579 589 599 609 619 629 639 411 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 239 243 249 255 «SmFU¢DQFuFINun-JO~OCDN3O¢DNQQ¢D~JOMO(DhJHWUh-h)~WVr-hafichJ~WU¢DQPvrv~IOU-NaFWD TD TO 70 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO T0 T0 TO TD TO T0 T0 TO T0 T0 TO 70 TD TD TO TO TO T0 T0 T0 T0 T0 TD T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 TO 242 246 252 N UT 0 .- HF‘ ~9- ~nhor-UhaanSUL6xna~unvr-ULb\nBu~ou1awD~DJ>U1b\n .._ Pr— NH~\thFWfiJ#UL& pop-9 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 4444 ***8 **#* t*** **t* 69“ *t*# #**Q t*#* *t.’ ttit 83*. *ttt *tti tttt **** tttt ttt‘ ##33 *#*# t3t$ ##tt ##3* $*** *#** It.‘ **¥¥ *ttt *tt* ##it ##t* ##tt *it* *88# *it* *tt* ##3* tit. t0$$ ##t* ##tt it¥t #93. ##t# tttt 133* ***t *ttt #wfil‘é PATTE 464’ 944‘ 379 380 381 382 383 384 385 386 .846 06.6 ‘69. 996$ 86“ 0.86 6‘38 860‘ 6.6. 8.6. 9.9! 8104 83.8 04.0 969‘ 609$ 909‘ 8.43 688$ 9‘86 .496 09.. 86‘. 0960 9408 0‘94 88“ 964‘ 48“ 387 388 389 390 391 392 9999 8.86 96*. 0“. 9.4. 066. RA FCR FOR FOR FCR ECR FCR EOR FOR FOR FOR FOR FCR FOR FDR FOR FOR FCR FDR EOR FOR FOR FOR FDR FCR FOR FDR FOR EOR FCR FDR FDR FDR FOR EGR FCR FOR FOR 61 62 63 63 63 64 65 65 65 65 66 67 66 69 7o 71 72 73 74 75 76 77 76 79 60 81 62 63 64 65 66 67 66 69 9o 91 92 93 95 96 96 96 96 96 99 100 161 102 106 167 1C8 NCTES TO TO TO TO TO TO TO TO TO T0 T0 TD T0 T0 T0 T0 T0 TD TO TO T0 T0 TO T0 T0 T0 T0 T0 TO 70 TD TD TO TD 70 TD T0 T0 T0 T0 T0 TO TD TD TO T0 T0 T0 T0 T0 TO 649 659 66 66 66 67 68 68 68 68 699 709 719 729 739 749 759 769 779 789 799 809 819 829 839 849 859 869 879 889 899 909 919 929 939 949 959 969 989 99 99 99 101 101 102 1039 1049 1059 1099 1109 1119 412 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 181 213 222 212 96 102 169 NJ 9.9 9.9 ocnnsocnn:~uua~uwvh-Nn—nauwu—HM-unaunur-n1ocnnup NOTES TO TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 TD TD TO TO TO TO TO TO TO TO TO T0 T0 T0 T0 TO T0 T0 TD TO T0 T0 T0 T0 TO TO TD TO TO TO TO TO TO TO TO TO TO TO TO 9 10 184 216 225 215 99 105 172 214 4 5 11 9.9 h} n- how UHVF‘Uh6CD¢!J\nJFwHEUNO\RJHMJFUMbuné\n un— N99 131 174 212 106 223 129 10 99 12 TEST LENGTH ABOVE tit. ABOVE ***’ ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE Nflflflflfl aqquuqq 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 #639 699* 666‘ tit! #99. #664 £‘#-§J‘bw§£‘& u§¢~$ufi£~§ PAT‘I" ERN 990- FOR 9$*’ FOR 9991-: FOR 999.- FOR 999.: FOR 999.: FOR 999.: FOR 09*.- FOR 998' FCR tt**3 FOR 999.: FOR 999’ FOR 9999- Fan 9999: FOR 9999-: Fan 39".3 99": FOB 0*.‘8’ FOR 099*: FOR 09*“ FOR 9999: F09 9999- Fog 999* FOR 999- FOR “fit FOR ”“0: FOR ““5 FOR “"05 FOR 89** FOR 89*‘ FOR .9.‘ FOR 99“ FOR 999‘ FOR ”"“ FOR "“ FOR 9992.. FOR 999‘ FOB 999‘ FOR 99" FOR 9.91.. ..... :3: "“ FCR "“ FCR ““ FOR ”h" FOR 109 110 111 112 113 114 115 116 117 119 120 121 122 123 124 127 128 129 130 131 132 134 135 136 139 140 141 162 143 144 145 196 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 166 165 NCTES TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO 1129 1139 1149 1159 1169 1179 1189 1199 1209 1229 1239 1249 1259 1269 1279 130 1319 1329 1339 1349 1359 1379 1389 1399 1429 1439 1449 1459 1469 1479 1489 1499 1509 1519 1529 1539 1549 1559 1569 1579 1589 1599 1609 1619 1629 1639 1649 1659 1669 1679 1689 413 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE‘ SEE SEE SEE SEE SEE SEE 0'9 «IOwN—NHNODNHQIOOGNOONFQIOODNOQNOON‘DWOOhum-IQOOONHNOON NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 173 009-1119919191 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** PAY‘I" ERN A..- PC": ##0- FOR 0“- FCR $6.- FCR it“- FOR tan.— FCF "to: FOR ‘tt’ FCR fitt- FOR O‘i’ FDR no- FOR an": pop "to: son “#0: FOR 39 4 as 5 “no: pun "was FOR tttaz FCR ttta: pep unu- pop “uh FCR tuna: pop «to: 5:59 «no: FUR tut pop W".- FCR "" Fm: "“ FOR ”"0 FOR ““0: FCR W" FOR ""‘= FOR ”“ FCR W" FOR "‘"* r-oa "" FDR "“ FOR “*‘ FOR fitt‘ FOR 196 ”“ FOR ”“ FCR ""‘* FOR ”“ FOR ttt‘. FOR 166 167 168 169 170 171 172 173 174 115 176 177 178 119 181 181 182 183 184 186 187 188 189 190 191 192 193 194 195 196 197 198 203 204 205 2C6 207 208 209 210 211 212 213 214 215 216 217 218 222 223 224 NOTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO 70 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO TO TO 10 TO TO T0 T0 TO TO TO T0 TO 1699 1700 1710 1720 173. 1740 1759 176. I779 178' 179. 1800 1810 182. 184 184 1850 1860 1879 1390 190. 1919 1929 1930 1940 1950 1960 197. 1989 1990 2009 2019 2060 2070 2080 2090 2109 lec 2129 2130 2140 215 2169 2170 2180 2190 2209 2210 2259 2260 2279 RELATED 414 SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE TC 00 étuha—Wulbmwur-uaowoaiwnu~aoI-Jo-ha \D O (ht—m 218 181 63 66 181 NOTES TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 221 184 66 67 184 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE tttt *itt ttt. ##tt tttt *tti ti" ***8 **#* *3*# ##3t **#3 fit?! **$# #3:: tttt tttt tttt #ttt tttt tttt tttt tttt tttt tttt tttt tttt #ttt tttt tit: tttt tttt tttt tttt tttt tttt tttt tttt tttt *t#* ##tt 3‘1. **** ttit tttt #*** ##tt *ttt LENGTH PATTERN #‘OO O#.* *fi‘i ##O‘ ##‘O ttfit tt$t #OOO tttt ##t# .t.‘ OOOO ##OO tit‘ ##3‘ $.‘# t#.# 1“. ti.‘ iii! ##0‘ QOOO 6“! O... it‘. fittt OOOQ ##t# #i.’ FCR FOR FCR FOR FOR FOR FCR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FCR FCR FOR FOR FOR FOR FCR FOR FOR FOR FOR 225 226 227 228 229 230 231 232 233 236 236 237 238 239 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 2280 2290 2300 2319 2320 2339 23" 2350 2369 2379 2390 2409 241. 2429 24‘. 2‘59 246. 2470 2‘89 249. 2500 2510 2520 2530 25‘. 2550 2560 2579 2589 415 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE SEE SEE SEE SEE SEE SEF SEE SEE SEE SEE SEE SEE SEE ¢DN¢~H¢O~O¢DNJFHN€>(Dmfiv13GHVIi«IOJ-JOJ-aou—-Jm NOTES T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ##tt *ttt tttt *ttt tttt tit: #ttt tttt tttt tttt titt *ttt tttt tttt *ttt tttt tttt *ttt tttt tttt tttt titt tttt tttt *ttt tttt tttt tttt tttt LENGTH PATTERN 397 398 399 «cc 401 402 403 404 «cs 606 1.01 «ca 1.09 no 411 412 413 414 415 no 417 418 1.19 420 4.21 422 423 424 £25 426 1.27 428 429 430 431 432 433 434 435 435 437 438 439 «a tit TYPE I LISTING CONTINUED *** 416 SEARCH FOR PATTERNS OF TONAL RET. HA NNNNNNNNNNNNNNNNNHHHPFFHHHHfiHflprHwHFp-npu—lflr—pp S BEGUN NOTES T0 T0 TO T0 T0 T0 TD TD TD T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TD O‘O‘OOO‘OOO‘O‘000000O‘OU‘U‘U‘U’U‘U‘WUIUTU‘WU'V'UIUIUIU'WUIU!U'IUIUTUIWWUI RELATED 5 NOTES IN LENGTH -- INVERSION AT 291 SECONDS INTO EXECUTION. TO 10 12 22 28 30 32 34 53 7O 72 74 76 78 80 82 84 107 112 158 160 162 167 I73 182 206 216 223 ll 17 23 29 31 33 35 52 54 66 71 73 75 77 79 81 83 NOTES T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TD TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 14 16 26 32 34 36 38 57 76 76 78 80 82 84 86 88 111 116 162 164 166 171 177 186 208 218 227 15 21 27 33 35 37 39 56 58 7O 75 77 79 BI 83 85 87 TEST ~JN-4~ifl-d~hfl~4~JN'QNIN-d-Jshd-JN-d~JN-4~JN-d~lN-dfild-4~JN-d~lN-4~JN-4~Jfl LENGTH UVJTV‘U'UUIU'U‘U‘U'WWWUIU‘UTUTUIUIU'IUIUIWWWWUIUIWWUFUIWUTWU'UIU‘UIUIWU'UIWUT 417 PATTERN NOTES RELATED TO NDTES TEST LENGTH 441 2 TD 6 88 TD 92 7 5 442 2 TO 6 108 TO 112 7 5 443 2 TD 6 113 TO 117 7 5 444 2 TD 6 145 TO 149 7 5 445 2 TO 6 154 TO 158 7 5 446 2 TD 6 159 TO 163 7 5 447 2 TO 6 161 TO 165 7 5 448 2 TO 6 166 TO 170 7 5 449 2 TO 6 172 TO 176 7 5 450 2 TD 6 177 TO 181 7 5 451 2 TD 6 190 TO 194 7 5 452 2 TD 6 196 TO 200 7 5 453 2 TC 6 205 TO 209 7 5 454 2 TO 6 215 TO 219 7 5 455 2 TO 6 237 TO 241 7 5 456 2 TD 6 247 TO 251 7 5 457 2 TD 6 253 TO 257 7 5 t### FOR 3 TO 70 SEE 1 TD 5 ABOVE ‘*** fittt FOR 4 TO 89 SEE 2 TO ~ 6 ABOVE **** 458 5 TO 9 16 TD 20 7 5 459 5 TO 9 51 TD 55 7 5 460 5 TD 9 87 TO 91 7 5 461 5 TD 9 100 TO 104 7 5 462 5 TO 9 119 TO 123 7 5 463 5 TD 9 122 TO 126 7 5 464 5 TD 9 144 TO 148 7 5 465 5 TO 9 153 TO 157 7 5 466 5 TD 9 165 TO 169 7 5 467 5 TD 9 176 TO 180 7 5 468 5 TO 9 186 TO 190 7 5 469 5 TD 9 189 TO 193 7 5 470 5 TO 9 195 TO 199 7 5 471 5 TD 9 226 TO 230 7 5 472 5 TD 9 229 TO 233 7 5 473 5 TD 9 232 TO 236 7 5 474 5 TD 9 236 TO 240 7 5 475 5 TD 9 246 TO 250 7 5 476 5 TD 9 252 TO 256 7 5 477 6 TD 10 39 TO 43 7 5 478 6 TD 10 50 TD 54 7 5 479 6 TO 10 61 TO 65 7 5 480 6 TO 10 86 TO 90 7 5 481 6 TD 10 121 TO 125 7 5 482 6 TD 10 143 TO 147 7 5 483 6 TO 10 152 TO 156 7 5 484 6 TO 10 164 TO 168 7 5 485 6 TO 10 175 TO 179 7 5 486 6 TO 10 188 TO 192 7 5 487 6 TO 10 194 TO 198 7 5 488 6 TD 10 225 TO 229 7 5 489 6 TO 10 228 TO 232 7 5 418 PATTERN NCTES RELATED 70 NOTES TEST LENGTH 490 6 70 10 231 TO 235 7 5 491 6 70 10 245 TO 249 7 5 492 6 70 10 251 70 255 7 5 4444 FOR 6 T0 10. SEE 6 70 10 ABOVE 44*: 493 7 70 11 38 70 42 7 5 494 7 T0 11 49 T0 53 7 5 495 7 70 11 60 70 64 7 5 496 7 70 11 116 T0 120 7 5 497 7 TO 11 142 70 146 7 5 498 7 70 11 151 T0 155 7 5 499 7 70 11 193 T0 197 7 5 500 7 TO 11 244 70 248 7 5 501 7 T0 11 250 T0 254 7 5 502 8 TD 12 37 70 41 7 5 503 8 10 12 41 T0 45 7 5 504 8 70 12 48 70 52 7 5 505 8 TO 12 56 70 60 7 5 506 8 70 12 59 T0 63 7 5 507 8 70 12 68 70 72 7 5 508 8 70 12 90 70 94 7 5 509 8 70 12 110 70 114 7 5 510 8 70 12 115 70 119 7 5 511 8 70 12 129 T0 133 7 5 512 8 70 12 141 T0 145 7 5 513 8 70 12 147 TO 151 7 5 514 8 70 12 150 TO 154 7 5 515 8 70 12 156 TO 160 7 5 516 8 TO 12 192 70 196 7 5 517 8 70 12 243 70 '247 7 5 518 8 70 12 249 TO 253 7 5 444* FOR 8 70 12. SEE 8 70 12 ABOVE 455* 519 9 70 13 18 70 22 7 5 520 9 T0 13 24 70 28 7 5 521 9 70 13 36 T0 40 7 5 522 9 70 13 43 T0 47 7 5 523 9 70 13 47 70 51 7 5 524 9 70 13 55 T0 59 7 5 525 9 70 13 58 70 62 7 5 526 9 70 13 67 TO 71 7 5 527 9 70 13 89 70 93 7 5 528 9 TO 13 92 70 96 7 5 529 9 70 13 109 70 113 7 5 530 9 70 13 114 TO 118 7 5 531 9 70 13 131 TO 135 7 5 532 9 70 13 135 70 139 7 5 533 9 10 13 140 T0 144 7 5 534 9 70 13 146 70 150 7 5 535 9 70 13 149 70 153 7 5 536 9 70 13 155 70 159 7 5 537 9 7O 13 191 70 195 7 5 538 9 70 13 197 70 201 7 5 419 PATTERN NOTES RELATED TC NDTES TEST LENGTH 539 9 TD 13 238 TO 242 7 5 540 9 TD 13 242 TO 246 7 5 541 9 TD 13 248 TO 252 7 5 542 9 TD 13 254 TO 258 7 5 444* FOR 10 TD 14. SEE 2 TO 6 ABOVE **** fittt FOR 11 TD 15. SEE 1 TD 5 ABOVE **** 44*. FCR 12 TO 16. SEE 2 TO 6 ABOVE ***$ 44.4 FCR 13 TO 170 SEE 5 TD 9 ABOVE **** 543 14 TD 18 118 TO 122 7 5 544 14 TO 18 185 TO 189 7 5 545 14 TD 18 235 TO 239 7 5 546 15 TO 19 117 TO 121 7 5 547 15 TO 19 124 TO 128 7 5 548 » 15 TD 19 184 TO 188 7 5 549 15 TD 19 234 TO 238 7 5 404* FOR 15 TO 190 SEE IS TO 19 ABOVE ¢*** 550 16 TD 20 85 T0 89 7 5 551 16 TO 20 120 T0 124 7 5 552 16 TD 20 123 TO 127 7 5 553 16 TO 20 163 TO 167 7 5 554 16 TO 20 174 TO 178 7 5 555 16 TD 20 183 TO 187 7 5 556 16 TD 20 187 TO 191 7 5 557 16 TO 20 224 TO 228 7 5 558 16 TD 20 227 TO 231 7 5 559 16 TD 20 230 TO 234 7 5 560 16 TD 20 233 TO 237 7 5 4“. FOR 17 T0 21. SEE 1 TO 5 ABOVE ***9 561 18 TD 22 27 TD 31 7 5 562 18 TO 22 42 TO 46 7 5 563 18 TO 22 46 TO 50 7 5 564 18 TD 22 57 TO 61 7 5 565 18 TO 22 69 TO 73 7 5 566 18 TD 22 91 TO 95 7 5 567 18 TO 22 106 TO 110 7 5 568 18 TD 22 111 TO 115 7 5 569 18 TD 22 130 TO 134 7 5 570 18 TD 22 134 TO 138 7 5 571 18 TO 22 139 TO 143 7 5 572 18 TD 22 148 TO 152 7 5 573 18 TO 22 157 TO 161 7 5 574 18 TO 22 203 TO 207 7 5 575 18 TD 22 241 TO 245 7 5 576 19 TD 23 26 TD 30 7 5 577 19 TD 23 45 TO 49 7 5 578 19 TD 23 94 TO 98 7 5 579 19 TO 23 133 TO 137 7 5 580 19 TD 23 138 TO 142 7 5 581 19 TD 23 202 TO 206 7 5 582 19 TO 23 240 TO 244 7 5 583 20 TO 24 25 TO 29 7 5 420 PATTERN NOTES RELATED TC NOTES TEST LENGTH 584 20 TO 24 44 TO 48 7 5 585 20 TO 24 93 TO 97 7 5 586 20 TO 24 132 T0 136 7 5 587 20 TO 24 136 TO 140 7 5 588 20 TO 24 198 TO 202 7 5 589 20 TO 24 239 TO 243 7 5 590 20 TO 24 255 TO 259 7 5 448* FOR 20 TO 24. SEE 20 TO 24 ABOVE tttt #499 FCR 21 TO 25. SEE 9 TO 13 ABOVE *ttt 44:: FOR 22 TO 26. SEE 2 TO 6 ABOVE 44*! #999 FOR 24 TO 28. SEE 18 TO 22 ABOVE *ttt 9454 FOR 25 TO 29. SEE 19 TO 23 ABOVE **** 4994 FOR 26 TO 30. SEE 20 TO 24 ABOVE *ttt 4940 FOR 27 TO 31. SEE 9 TO 13 ABOVE #994 #999 FOR 35 TO 39.’ SEE 1 TO 5 ABOVE ***t 9344 FOR 36 TO 40. SEE 18 TO 22 ABOVE **** 6844 FOR 37 TO 41. SEE 8 TO 12 ABOVE *ttt *ttt PCB 39 TO 43. SEE 6 TO 10 ABOVE #449 fittt FOR 40 TO 44. SEE 7 TO 11 ABOVE 959* 0450 FOR 41 TO 45. SEE 8 TO 12 ABOVE **** 0744 FOR 42 TO 46. SEE 9 TO 13 ABOVE *ttt 0494 FCR 43 TO 47. SEE 18 TO 22 ABOVE *ttt 944* E08 44 TO 48. SEE 19 TO 23 ABOVE #449 9945 FOR 45 TO 49. SEE 20 TO 24 ABOVE tt¥t 444* FOR 46 TO 50. SEE 9 TO 13 ABOVE #494 #444 FOR 47 TO 51. SEE 18 TO 22 ABOVE **#* #999 FOR 48 TO 52. SEE 8 TO 12 ABOVE 449* 444* FOR 50 TO 54. SEE 6 TO 10 ABOVE 44*! 099. FOR 51 TO 55. SEE 16 TO 20 ABOVE 944* 0449 FOR 52 TO 56. SEE 1 TO 5 ABOVE #444 494* FOR 54 TO 58. SEE 1 TO 5 ABOVE *ttt 0490 FOR 55 TO 59. SEE 18 TO 22 ABOVE **t# 9999 FOR 56 To 60. SEE 8 TO 12 ABOVE $449 049* FOR 57 TO 61. SEE 9 T0 13 ABOVE tit. 394* FOR 58 TO 62. SEE 18 TO 22 ABOVE 994* 444* FOR 59 TO 63. SEE 8 TO 12 ABOVE #34! 444* FOR 61 TO 65. SEE 6 TO 10 ABOVE t*** 591 63 TO 67 212 TO 216 7 5 499* FOR 63 TO 67. SEE 63 TO 67 ABOVE #494 592 64 TO 68 211 TO 215 7 5 593 65 TO 69 101 TO 105 7 5 594 65 TO 69 168 TO 172 7 5 595 65 TO 69 210 TO 214 7 5 4090 FOR 66 TO 70. SEE 1 TO 5 ABOVE **** #088 E08 67 TO 71. SEE 18 TO 22 ABOVE tttt 3949 FCR 68 TO 72. SEE 8 TO 12 ABOVE *ttt an"! FCR 69 TO 73. SEE 9 TO 13 ABOVE ##1## 499* FOR 70 TO 74. SEE 2 TO 6 ABOVE *ttt 4944 FOR 83 TO 87. SEE 1 TO 5 ABOVE tit. 945* PCB 84 TO 88. SEE 2 TO 6 ABOVE 455* 8908 FCR 85 TO 89. SEE 5 TO 9 ABOVE tttt PATTERN NOTES RELATED TO NOTES TEST LENGTH 0944 FCR 86 To 90. SEE 6 TO 10 ABOVE *ttt 9900 FOR 87 To 91. SEE 16 TO 20 ABOVE *ttt 999* FOR 88 TO 92. SEE 1 TO 5 ABOVE #499 454* FOR 89 TO 93. SEE 18 TO 22 ABOVE *ttt #999 FOR 90 TO 94. SEE 8 TO 12 ABOVE 4*tt #999 FOR 91 TO 95. SEE 9 TO 13 ABOVE *ttt #049 FCR 92 TO 96. SEE 18 T0 22 ABOVE #944 4440 FOR 93 TO 97. SEE 19 TO 23 ABOVE tit! 3490 FOR 94 TO 98. SEE 20 TO 24 ABOVE **$* 596 95 TO 99 128 TO 132 7 5 4844 FOR 100 TO 104. SEE 16 TO 20 ABOVE ***R 597 101 TO 105 171 TO 175 7 5 598 101 TO 105 209 TO 213 7 5 8484 FOR 106 TO 110. SEE 9 TO 13 ABOVE *ttt #954 FOR 107 TO 111. SEE 2 TO 6 ABOVE *ttt 997' FCR 188 TO 112. SEE 1 TO 5 ABOVE #449 88*4 FOR 109 TO 113. SEE 18 TO 22 ABOVE #949 tttt FCR 110 TO 114. SEE 8 TO 12 ABOVE 944* 949* FOR 111 TO 115. SEE 9 To 13 ABOVE #449 999* FOR 112 TO 116. SEE 2 TO 6 ABOVE #999 4445 FOR 113 TO 117. SEE 1 TO 5 ABOVE #499 #944 FOR 114 TO 118. SEE 18 TO 22 ABOVE 994* 849* FOR 115 TO 119. SEE 8 TO 12 ABOVE #949 994* FOR 117 TO 121. SEE 14 TO 18 ABOVE 99*9 #944 FOR 118 TO 122. SEE 15 TO 19 ABOVE #444 0908 FOR 119 TO 123. SEE 16 TO 20 ABOVE #999 8944 FOR 120 TO 124. SEE 5 TO 9 ABOVE #444 tttt FOR 121 TO 125. SEE 6 TO 10 ABOVE **** 4449 FOR 122 TO 126. SEE 16 TO 20 ABOVE **¥* #9.: FOR 123 TO 127. SEE 5 TO 9 ABOVE 994* 0944 FOR 124 TO 128. SEE 14 TO 18 ABOVE #944 599 127 TO 131 169 TO 173 0080 FOR 127 TO 131. SEE 127 TO 131 ABOVE 049* 9408 FOR 129 TO 133. SEE 8 TO 12 ABOVE tttt 494* FOR 130 TO 134. SEE 9 TO 13 ABOVE tit! 999* FOR 131 T0 135. SEE 18 TO 22 ABOVE #499 #044 FOR 132 TO 136. SEE 19 TO 23 ABOVE ***t #54. FOR 133 TO 137. SEE 20 TO 24 ABOVE 43*! 544* FCR 134 TO 138. SEE 9 TO 13 ABOVE 444* 6989 FOR 135 TO 139. SEE 18 TO 22 ABOVE 494* 4499 FOR 136 TO 140. SEE 19 TO 23 ABOVE 99*. 944: FCR 138 TO 142. SEE 20 TO 24 ABOVE 95*! 0594 FOR 139 TO 143. SEE 9 TO 13 ABOVE 94** 9499 FOR 140 TO 144. SEE 18 TO 22 ABOVE **** 0444 FOR 141 TO 145. SEE 8 TO 12 ABOVE #499 946* FOR 143 TO 147. SEE 6 TO 10 ABOVE #444 994* FOR 144 TO 148. SEE 16 TO 20 ABOVE 599* 999* FOR 145 TO 149. SEE 1 TO 5 ABOVE #444 0438 FOR 146 TO 150. SEE 18 TO 22 ABOVE **** 9049 FCR 147 To 151. SEE 8 TO 12 ABOVE #949 945* FOR 148 TO 152. SEE 9 TO 13 ABOVE *ttt 421 PATTERN 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 680 681 602 603 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 FOR FOR FOR FOR FOR FCR FOR FOR FOR FCR FOR FOR FOR FDR FOR FOR FOR FDR FOR FOR FOR FDR FOR FOR FCR FOR FDR FOR FOR FOR FOR FOR FOR FDR FOR FOR FOR FDR FDR FCR FOR FCR FOR FOR FOR FOR FCR 149 150 152 153 154 155 156 157 163 164 165 166 167 168 170 171 172 173 174 175 176 177 178 178 181 181 181 182 183 184 185 186 187 188 189 190 191 192 194 195 196 197 198 202 203 204 205 206 207 288 209 NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD TD TD T0 T0 TO TO TD T0 T0 T0 T0 T0 TD TD TD T0 T0 T0 TD TD TD T0 T0 T0 TD TD TO TD TO TD TD T0 T0 TD TO TO TO 1530 1580 1560 1570 1580 1590 1600 1610 1670 1680 1690 1700 1710 1720 1740 1750 1760 1770 1780 1790 1800 1810 182 182 185 185 1850 1860 1870 1880 1890 1900 1910 1920 1930 1940 1950 1960 1980 1990 2000 2010 2020 2060 2070 2080 2090 2100 2110 2120 2130 422 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE p0 _- hon-ow>\n¢)mHDF-O\OWD¢D .— .— un— OfuC) unau- 0.0 I~O~O\nh6n- 213 222 206 216 181 14 15 16 16 18 16 18 19 20 178 63 64 65 NOTES TO TD TD T0 T0 T0 T0 T0 T0 TD TD TD T0 T0 T0 T0 TD TO TD T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO 70 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 22 12 10 20 22 12 13 10 20 105 131 69 10 20 217 226 210 220 185 18 19 20 10 20 22 12 10 2O 22 23 24 13 182 67 68 69 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 4444 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 UIU'IUIU'I PATTERN 8888 664 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 FOR FCR FOR FOR FCR FOR FUR FOR FOR FOR FOR FOR FCR FOR FOR FCR ma FOR FOR FCR FDR FCR FDR FOR FOR FOR FOR FCR FDR FOR FOR FCR FCR FOR FOR FOR FOR 210 212 212 213 216 217 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 245 246 247 248 249 251 252 253 254 255 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 2140 216 2160 2170 2200 2210 2260 2270 2280 2290 2300 2310 2320 2330 2340 2350 2360 2370 2380 2390 2400 2410 2420 2630 2440 2450 2460 2470 2490 2500 2510 2520 2530 2550 2560 2570 2580 2590 423 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 101 217 212 181 178 63 181 2 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 105 221 216 185 182 67 185 10 20 10 20 10 20 18 19 20 22 23 24 13 22 12 10 20 22 12 10 20 '22 23 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 424 tit TYPE I LISTING CONTINUED *tt SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH -- TONAL RET. INVERSION HAS BEGUN AT 479 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 6C5 1 TO 6 11 TO 16 7 6 606 1 TO 6 29 TO 34 7 6 687 1 TO 6 31 TO 36 7 6 608 1 TO 6 33 TO 38 7 6 6C9 1 TO 6 52 TO 57 7 6 610 1 TO 6 71 TO 76 7 6 611 1 TO 6 73 TO 78 7 6 612 1 TO 6 75 TO 80 7 6 613 1 TO 6 77 TO 82 7 6 614 1 TO 6 79 TO 84 7 6 615 1 TO 6 81 TO 86 7 6 616 1 TO 6 83 TO 88 7 6 617 1 TO 6 159 TO 164 7 6 618 1 TO 6 161 TO 166 7 6 619 1 TO 6 166 TO 171 7 6 620 1 TO 6 172 TO 177 7 6 621 2 TO 7 10 TO 15 7 6 622 2 TO 7 22 TO 27 7 6 623 2 TO 7 28 TO 33 7 6 624 2 TO 7 30 TO 35 7 6 625 2 TO 7 32 TO 37 7 6 626 2 TO 7 34 TO 39 7 6 627 2 TO 7 53 TO 58 7 6 628 2 TO 7 70 TO 75 7 6 629 2 TO 7 72 TO 77 7 6 630 2 TO 7 74 TO 79 7 6 631 2 TO 7 76 TO 81 7 6 632 2 TO 7 78 TO 83 7 6 633 2 TO 7 80 TO 85 7 6 634 2 TO 7 82 TO 87 7 6 635 2 TO 7 107 TO 112 7 6 636 2 TO 7 112 TO 117 7 6 637 2 TO 7 158 TO 163 7 6 638 2 TO 7 160 TO 165 7 6 639 2 TO 7 204 TO 209 7 6 640 2 TO 7 214 TO 219 7 6 tit! FOR 3 TO 8. SEE 1 TO 6 ABOVE **** (41 4 TO 9 16 TO 21 7 6 642 4 TO 9 51 TO 56 7 6 643 4 TO 9 87 TO 92 '7 6 644 4 TO 9 144 TO 149 7 6 645 4 TO 9 153 TO 158 7 6 646 4 TO 9 165 TO 170 7 6 647 4 TO 9 176 TO 181 7 6 425 PATTERN NCTES RELATED TC NOTES TEST LENGTH 648 4 TO 9 189 TO 194 7 6 649 4 TO 9 195 TO 200 7 6 650 4 TO 9 236 TO 241 7 6 651 4 TO 9 246 TO 251 7 6 652 4 TO 9 252 TO 257 7 6 653 5 TO 10 50 TO 55 7 6 654 5 TO 10 86 TO 91 7 6 655 5 TO 10 121 TO 126 7 6 656 5 TO 10 143 TO 148 7 6 657 5 TO 10 152 TO 157 7 6 658 5 TO 10 164 TO 169 7 6 659 5 TO 10 175 TO 180 7 6 660 5 TO 10 188 T0 193 7 6 661 5 TO 10 194 TO 199 7 6 662 5 TO 10 225 TO 230 7 6 663 5 TO 10 228 TO 233 7 6 664 5 TO 10 231 TO 236 7 6 665 5 TO 10 245 TO 250 7 6 666 5 TO . 10 251 TO 256 7 6 4444 FOR 5 TO 10. SEE 5 TO 10 ABOVE **** 667 6 TO 11 38 TO 43 7 6 668 6 TO 11 49 TO 54 7 6 669 6 TO 11 60 TO 65 7 6 670 6 TO 11 142 TO 147 7 6 671 6 TO 11 151 TO 156 7 6 672 6 TO 11 193 TO 198 7 6 673 6 TO 11 244 TO 249 7 6 674 6 TO 11 250 TO 255 7 6 675 7 TO 12 37 TO 42 7 6 676 7 TO 12 48 TO 53 7 6 677 7 TO 12 59 TO 64 7 6 678 7 TO 12 115 TO 120 7 6 679 7 TO 12 141 TO 146 7 6 680 7 TO 12 150 TO 155 7 6 681 7 TO 12 192 TO 197 7 6 682 7 TO 12 243 T0 248 7 6 683 7 TO 12 249 TO 254 7 6 684 8 TO 13 36 TO 41 7 6 685 8 TO 13 47 TO 52 7 6 686 8 TO 13 55 TO 60 7 6 687 8 TO 13 58 TO 63 7 6 688 8 TO 13 67 TO 72 7 6 689 8 TO 13 89 TO 94 7 6 698 8 TO 13 109 TO 114 7 6 691 8 TO 13 114 TO 119 7 6 692 8 TO 13 140 TO 145 7 6 693 8 TO 13 146 TO 151 7 6 694 8 TO 13 149 TO 154 7 6 695 8 TO 13 155 TO 160 7 6 696 8 TO 13 191 TO 196 7 6 697 8 TO 13 242 TO 247 7 6 426 PATTERN NCTES RELATED TC NOTES TEST LENGTH 698 8 TO 13 248 TO 253 7 6 699 9 TO 14 17 TO 22 7 6 700 9 TO 14 73 TO 28 7 6 701 9 TO 14 35 TO 40 7 6 782 9 TO 14 54 TO 59 7 6 783 9 T0 14 66 TO 71 7 6 704 9 TO 14 I 88 TO 93 7 6 705 9 TO 14 108 TO 113 7 6 706 9 TO 14 113 TO 118 7 6 767 9 TO 14 145 TO 150 7 6 708 9 TO 14 154 TO 159 7 6 7C9 9 TO 14 190 TO 195 7 6 710 9 TO 14 196 TO 201 7 6 711 9 TO 14 237 TO 242 7 6 712 9 TO 14 247 TO 252 7 6 713 9 TO 14 253 TO 258 7 6 44*. FOR 10 TO 15. SEE 2 TO 7 ABOVE **** 44" FOR 11 TO 16. SEE 1 TO 6 ABOVE **** ‘444 FCR 12 TO 17. SEE 4 TO 9 ABOVE 4*** 714 13 TO 18 118 TO 123 7 6 715 13 TO 18 185 TO 190 7 6 716 13 TO 18 235 TO 240 7 6 717 14 TO 19 117 TO 122 7 6 718 14 TO 19 184 TO 189 7 6 719 14 TO 19 234 TO 239 7 6 tit: FOR 14 TO 19. SEE 14 TO 19 ABOVE **** 720 15 TO 20 123 TO 128 7 6 721 15 TO 20 183 TO 188 7 6 722 15 TO 20 233 TO 238 7 6 723 16 TO 21 84 TO 89 7 6 724 16 TO 21 162 T0 167 7 6 725 16 TO 21 173 TO 178 7 6 726 16 TO 21 182 TO 187 7 6 727 16 TO 21 223 TO 228 7 6 Ottt FOR 16 TO 21. SEE 16 TO 21 ABOVE 4*** 728 17 TO 22 27 TO 32 7 6 729 17 TO 22 69 TO 74 7 6 730 17 TO 22 106 TO 111 7 6 731 17 TO 22 111 TO 116 7 6 732 17 TO 22 157 TO 162 7 6 733 17 TO 22 203 TO 208 7 6 734 18 TO 23 26 TO 31 7 6 735 18 TO 23 45 TO 50 7 6 736 18 TO 23 133 TO 138 7 6 737 18 TO 23 138 TO 143 7 6 738 18 TO 23 202 TO 207 7 6 739 18 TO 23 240 TO 245 7 6 464* FOR 18 TO 23. SEE 18 TO 23 ABOVE **‘* 740 19 TO 24 25 TO 30 7 6 741 19 TO 24 44 TO 49 7 6 742 19 TO 24 93 TO 98 7 6 PATTE 743 744 444* 745 746 747 743 749 750 751 .430 0444 644* 44¢: #44: 0444 4644 44:4 444: 152 753 754 755 756 757 758 759 RN FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR tttt FOR 4*** ##6* 760 761 762 763 764 765 766 FOR FOR 4944 FOR 644* FOR 44*. FCR 6666 FOR .864 767 768 769 770 771 772 773 774 4466 FOR FCR 19 19 19 20 20 20 20 20 20 20 21 22 23 24 25 26 27 34 35 36 36 36 36 36 36 36 36 39 4o 41 42 42 42 42 42 42 42 43 44 45 46 47 so 50 so so so so 50 so 51 NCTES TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO 24 24 249 25 25 25 25 25 25 25 260 279 280 29c 30. 319 320 399 40. 41 41 41 41 41 41 41 41 440 459 469 47 47 47 47 47 47 47 480 490 50. 519 529 55 55 55 55 55 55 55 55 560 427 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 132 239 19 43 92 131 135 197 238 254 17 18 19 20 17 41 56 68 90 110 129 147 156 57 91 130 134 139 148 241 18 19 20 42 36 85 120 163 174 187 224 227 230 16 NOTES TO T0 T0 TO T0 T0 T0 T0 TO TO TO TO T0 T0 TO T0 T0 TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 137 244 24 48 97 136 140 202 243 259 14 22 23 24 25 14 22 46 61 73 95 115 134 152 161 11 12 13 62 96 135 139 144 153 246 23 24 25 47 41 90 125 168 179 192 229 232 235 21 TEST LENGTH 7 6 7 6 ABOVE ##tt 7 6 7 6 7 6 7 6 7 6 7 6 7 6 ABOVE **** ABOVE **‘* ABOVE **¢* ABOVE **** ABOVE **** ABOVE 44“ ABOVE *¢** ABOVE *444 ABOVE ***# 7 6 7 6 7 6 7 6 7 6 7 6 7 6 7 6 ABOVE **** ABOVE **** ABOVE **** 7 6 7 6 7 6 7 6 7 6 7 6 7 6 ABOVE 44** ABOVE **44 ABOVE ***¢ ABOVE **** ABOVE **** 7 6 7 6 7 6 7 6 7 6 7 6 7 6 7 6 ABOVE #*** PATTERN 4444 4444 4444 4444 3444 4444 4:4: 775 776 777 4444 4444 4444 44:4 44:9 4444 4444 04¢: 44*: 4444 4440 4:44 4444 #4:: 44¢: 4444 9444 44.4 4444 4444 0444 4444 0440 4044 4:44 4444 4444 0:46 778 779 780 781 0444 0444 4444 4444 4444 4444 4444 4444 4444 FCR FOR FOR FOR FOR FOR FCR FOR FCR FCR FOR FOR FOR FOR FCR FOR FOR FOR FOR FCR FCR FCR FOR FOR FOR FCR FCR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FCR 52 53 54 55 56 57 58 63 64 65 66 67 68 69 70 82 83 84 85 86 87 88 89 90 91 92 93 186 107 108 109 110 111 112 113 114 117 118 119 119 119 119 120 121 122 123 129 130 131 132 133 NCTES TO TO TO TO TO T0 T0 TO T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO TO T0 T0 TO TO TO TO TO TO TO TO TO TO T0 T0 TO TO TO TO TO TO 579 589 599 607 610 629 630 68 69 70 719 729 739 749 75v 870 880 899 909 910 920 939 940 959 960 979 980 1119 1120 1130 1140 115. 1169 1170 1130 119' 1220 1230 124 124 124 124 1250 1260 1270 1289 1340 1350 1360 1370 1380 428 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 186 226 229 232 50 119 13 42 18 19 20 NOTES TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO TO 22 41 13 47 41 216 215 172 191 231 234 237 10 55 124 18 13 47 23 24 25 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE -4~4 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 dfldd 4444 4444 4444 4444 4444 4444 4444 4444 4444 LENGTH o~o<> O¢>O‘O PATTERN 4444 Fcp 4444 FOR 782 783 784 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 785 786 787 788 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 FOR FCR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FCR FCR FOR FOR FOR 134 135 136 137 137 137 138 139 140 143 144 145 146 147 148 149 152 153 154 155 156 157 162 163 164 165 166 171 172 173 174 175 176 177 177 181 181 182 183 184 185 186 187 188 189 190 191 194 195 196 197 NCTES TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 TO TO T0 T0 T0 TO 1394 1404 141 142 142 1424 1434 1444 1454 1484 149. 1504 1514 1524 1534 1544 1574 1584 1594 1604 1614 1624 1674 1684 1694 1704 1714 1764 1774 1784 1794 1804 1814 182 182 186 186 1874 1884 1894 1904 1914 1924 1934 1944 1954 1964 1994 2004 2014 2024 429 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 42 18 201 198 255 137 20 42 36 50 16 17 36 8 42 36 50 16 17 36 8 9 4 5 50 16 1 65 1 4 5 50 16 213 222 205 215 13 14 15 119 50 16 17 36 5O 16 17 1B NOTES TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 47 23 206 203 260 142 25 47 41 55 21 22 41 13 47 41 55 21 22 41 13 14 10 55 21 7O 10 55 21 218 227 210 220 18 19 20 124 10 55 21 22 41 55 21 22 23 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ~4- 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 LENGTH O‘O‘O‘ O<>O‘O PATTERN it.‘ ‘*3* fifit‘ fittt ittt fittt 789 Otfit fit’# ‘31. tttt ##** Ofiti fifitt ‘0‘! fi### tttt #*** ttit Ottt t##* 01“ ##tt tt’t Bit! fittt 0". ##t* 4“! 0“! t#.# ttti Otii t*#* ##t‘ iti‘ 4“! 0"! 0". Oltt titi FOR FOR FOP FOR FOR FCR FOR FOB FCR FOP FOP FOR FOR FOP FOP FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOB FOR FOR FCR FCR FOR FOP FCR FOR FOR FOR FOB FOR FOR 198 201 202 203 204 205 206 2C7 208 213 215 216 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 245 246 247 248 251 252 253 254 NOTES T0 T0 TO TO TO T0 T0 TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO 2030 2060 2079 2080 2090 2100 211 2120 2139 2180 2200 2219 2279 2289 2299 230! 2319 2329 2330 2340 2350 2360 2379 2389 2390 2409 2419 2420 2430 2440 2450 2460 2479 2509 2519 252. 2530 2560 2570 258' 2599 430 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 136 137 20 177 212 63 64 181 177 206 181 50 119 50 119 50 119 13 14 15 16 17 18 19 20 42 36 50 16 17 36 50 16 17 18 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 141 142 25 14 7 182 217 68 69 186 182 211 186 9 10 55 124 10 55 124 10 55 124 18 19 20 21 22 23 24 25 47 41 55 21 22 41 55 21 22 23 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE t*#* *it* *ttt *tit tit? tttt ***# tttt titt *ttt **** tit. tilt *ttt *iit ¥**¥ *#*t *t*# *tit tttt tit! ##tt *tit tit! **** fittt tttt *ttt ##tt **** t*#* ttti tttt *ttt **#* ##3‘ $*## ##t* ##tt tilt LENGTH PATTERN 79C 791 792 793 794 795 796 797 798 799 8C0 801 802 8C3 804 805 806 807 8C8 809 810 811 812 813 814 815 816 817 818 819 820 821 822 823 824 825 826 827 828 829 83C 831 832 833 *4. TYPE I LISTING CONTINUED **¢ 431 SEARCH FOR PATTERNS OF NAL RET. INVERSION AT 699 SECONDS HA 090°U‘U‘U’lU‘WU‘##5‘4‘4‘4“J‘J‘J‘J‘NNNNNNNNNNNHo—HMV-‘nHHHv-or-II-IH TO 5 BEGUN NOTES TO 7 TO 7 TO 7 TO 7 TO 7 TO 7 TO 7 TO 7 TO 7 TO 7 TO 7 TO 7 TO 7 TO 8 TO 8 TO 8 TO 8 TO 8 TO 8 TO 8 TO 8 TO 8 TO 8 TO 8 TO 10 TO 10 TO 10 TO 10 TO 10 TO 10 TO 10 TO 10 TO 10 TO 10 TO 11 TO 11 TO 11 TO 11 TO 11 TO 11 TO 12 TO 12 TO 12 TO 12 RELATED TC 7 NOTES IN LENGTH -- 10 28 3O 32 7O 72 74 76 78 80 82 158 160 29 31 33 52 71 73 75 77 79 81 159 50 86 143 152 164 175 188 194 245 251 49 142 151 193 244 250 37 48 59 141 INTO EXECUTION. NOTES T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 16 34 36 38 76 78 80 82 84 86 88 164 166 35 37 39 58 77 79 81 83 85 87 165 56 92 149 158 170 181 194 200 251 257 55 148 157 199 250 256 43 54 65 147 TEST fl'dqdw‘d~JN-d-JN-d~rN-d~dfl‘H~JN-d~JN-4~VN~JN-4~Jfl-H~JN.H~dfl‘d~JN-d~h4.dfl LENGTH N-<~JN-d-JN-4~Jd-d~JN~4~JN-4-Jd'fl-JNPQ-4~Jd-d~ld‘d~lN-JNJN-d~lN-Q~JN-4~JN 432 PATTERN NCTES RELATED TC NOTES TEST LENGTH 834 6 TO 12 150 TO 156 7 7 835 6 TO 12 192 TO 198 7 7 836 6 TO 12 243 TO 249 7 7 837 6 TO 12 249 TO 255 7 7 838 7 TO 13 36 TO 42 7 7 839 7 TO 13 47 TO 53 7 7 840 7 TO 13 58 T0 64 7 7 P41 7 TO 13 114 TO 120 7 7 842 7 TO 13 140 TO 146 7 7 843 7 TO 13 149 TO 155 7 7 844 7 TO 13 191 TO 197 7 7 845 7 TO 13 242 TO 248 7 7 846 7 TO 13 248 TO 254 7 7 F47 8 TO 14 35 TO 41 7 7 848 8 TO 14 54 TO 60 7 7 849 8 TO 14 66 TO 72 7 7 850 8 TO 14 88 TO 94 7 7 851 8 TO 14 108 TO 114 7 7 852 8 TO 14 113 TO 119 7 7 853 8 TO 14 145 TO 151 7 7 854 8 TO 14 154 TO 160 7 7 855 8 TO 14 190 TO 196 7 7 856 8 TO 14 247 TO 253 7 7 857 9 TO 15 22 TO 28 7 7 858 9 TO 15 34 TO 40 7 7 859 9 TO 15 53 TO 59 7 7 860 9 TO 15 107 TO 113 7 7 861 9 TO 15 112 TO 118 7 7 862 13 TO 19 117 TO 123 7 7 863 13 TO 19 184 TO 190 7 7 864 13 TO 19 234 TO 240 7 7 $65 14 TO 20 183 TO 189 7 7 866 14 TO 20 233 TO 239 7 7 867 15 TO 21 182 TO 188 7 7 868 17 TO 23 26 TO 32 7 7 869 17 TO 23 202 TO 258 7 7 87C 18 TO 24 25 TO 31 7 7 871 18 TO 24 44 TO 50 7 7 872 18 TO 24 132 TO 138 7 7 873 18 TO 24 239 TO 245 7 7 874 19 TO 25 43 TO 49 7 7 875 19 TO 25 92 TO 98 7 7 876 19 TO 25 131 TO 137 7 7 877 19 TO 25 238 TO 244 7 7 878 20 TO 26 196 TO 202 7 7 879 20 TO 26 237 TO 243 7 7 880 20 TO 26 253 TO 259 7 7 881 42 TO 48 133 TO 139 7 7 882 42 TO 48 138 TO 144 7 7 883 42 TO 48 240 TO 246 7 7 884 50 TO 56 84 TO 90 7 7 433 PATTERN NOTES RELATED TO NOTES TEST LENGTH 885 50 TO 56 162 TO 168 7 7 886 50 TO 56 173 TO 179 7 7 887 50 TO 56 223 TO 229 7 7 888 63 TO 69 210 TO 216 7 7 889 119 TO 125 225 TO 231 7 7 890 119 TO 125 228 TO 234 7 7 891 119 TO 125 231 TO 237 7 7 892 137 TO 143 197 TO 203 7 7 893 137 TO 143 254 TO 260 7 7 434 *tt TYPE I LISTING CONTINUED *4* SEARCH FOR PATTERNS OF 8 NOTES IN LENGTH -— TONAL RET. INVERSION HAS BEGUN AT' 724 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 894 1 TO 8 29 TO 36 7 8 895 1 TO 8 31 TO 38 7 8 896 1 TO 8 71 TO 78 7 8 897 1 TO 8 73 TO 80 7 8 898 1 TO 8 75 TO 82 7 8 899 1 TO 8 77 TO 84 7 8 900 1 TO 8 79 TO 86 7 8 901 1 TO 8 81 TO 88 7 8 902 1 TO 8 159 TO 166 7 8 903 2 TO 9 51 TO 58 7 8 904 4 TO 11 49 TO 56 7 8 905 4 TO 11 142 TO 149 7 8 906 4 TO 11 151 TO 158 7 8 9C7 4 TO 11 193 TO 200 7 8 9C8 4 TO 11 244 TO 251 7 8 909 4 TO 11 250 TO 257 7 8 910 5 TO 12 48 TO 55 7 8 911 5 TO 12 141 TO 148 7 8 912 5 TO 12 150 TO 157 7 8 913 5 TO 12 192 TO 199 7 8 914 5 TO 12 243 TO 250 7 8 915 5 TO 12 249 TO 256 7 8 916 6 TO 13 36 TO 43 7 8 917 6 TO 13 47 TO 54 7 8 918 6 TO 13 58 TO 65 7 8 919 6 TO 13 140 TO 147 7 8 920 6 TO 13 149 TO 156 7 8 921 6 TO 13 191 TO 198 7 8 922 6 TO 13 242 TO 249 7 8 923 6 TO 13 248 TO 255 7 8 924 7 TO 14 35 TO 42 7 8 925 7 TO 14 113 TO 120 7 8 926 7 TO 14 190 TO 197 7 8 927 7 TO 14 247 TO 254 7 8 928 8 TO 15 34 TO 41 7 8 929 8 TO 15 53 TO 60 7 8 930 8 TO 15 107 TO 114 7 8 931 8 TO 15 112 TO 119 7 8 932 9 TO 16 33 TO 40 7 8 933 9 TO 16 52 TO 59 7 8 934 13 TO 20 183 TO 190 7 8 935 13 TO 20 233 TO 240 7 8 936 14 TO 21 182 TO 189 7 8 937 17 TO 24 25 TO 32 7 8 435 PATTERN NCTES RELATED TC NOTES TEST LENGTH 938 18 TO 25 43 TO 50 7 8 939 18 TO 25 131 TO 138 7 8 940 18 TO 25 238 TO 245 7 8 941 19 TO 26 237 TO 244 7 8 942 42 TO 49 132 TO 139 7 8 943 42 TO 49 239 TO 246 7 8 944 50 TO 57 83 TO 90 7 8 945 50 TO 57 161 TO 168 7 8 946 50 TO 57 172 TO 179 7 8 947 119 TO 126 224 TO 231 7 8 948 119 TO 126 227 TO 234 7 8 949 119 TO 126 230 TO 237 7 8 950 199 TO 206 255 TO 262 7 8 436 *‘* TYPE I LISTING CONTINUED *‘* SEARCH FOR PATTERNS CF 9 NOTES IN LENGTH -- TONAL RET. INVERSION HAS BEGUN AT 745 SECCNDS INTO EXECUTION. PATTERN NOTES RELATED TC NOTES TEST LENGTH 951 2 TO 10 50 TO 58 7 9 952 4 TO 12 48 TD 56 7 9 953 4 TO 12 141 TO 149 7 9 954 4 TO 12 150 TO 158 7 9 955 4 TO 12 192 TO 200 7 9 956 4 TO 12 243 TO 251 7 9 957 4 TO 12 249 TO 257 7 9 958 5 TO 13 47 TO 55 7 9 959 5 TO 13 140 TO 148 7 9 960 5 TO 13 149 TO 157 7 9 961 5 TO 13 191 TO 199 7 9 96? 5 TO 13 242 TO 250 7 9 963 5 TO 13 248 TO 256 7 9 964 6 TO 14 35 TO 43 7 9 965 6 TO 14 190 TO 198 7 9 966 6 TO 14 247 TO 255 7 9 967 7 TO 15 34 TO 42 7 9 968 7 TO 15 112 TO 120 7 9 969 8 TO 16 33 TO 41 7 9 970 8 TO 16 52 TO 60 7 9 971 9 TO 17 51 TO 59 7 9 972 13 TO 21 182 TO 190 7 9 973 18 TO 26 237 TO 245 7 9 974 42 TO 50 131 TO 139 7 9 975 42 TO 50 238 TO 246 7 9 976 5 TO 58 82 TO 90 7 9 977 50 TO 58 160 TO 168 7 9 978 119 TO 127 226 TO 234 7 9 979 119 TO 127 229 TO 237 7 9 980 199 TO 207 254 TO 262 7 9 PATTERN 981 982 983 984 985 986 987 988 989 990 991 992 993 994 SEARCH FOR PATTERNS OF 10 NOTES IN LENGTH ~- TONAL RET. HAS BEGUN AT m-donmun¢4>anb4*bhu no sflh OhJ 99* TYPE I LISTING CONTINUED *‘* NCTES T0 T0 TO TD TO TO TO T0 T0 T0 T0 T0 T0 T0 11 13 13 13 13 13 13 14 14 15 16 17 51 208 437 RELATED TO 49 47 140 149 191 242 248 190 247 34 33 51 130 253 INVERSION 764 SECCNDS INTO EXECUTION. NOTES T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 58 56 149 158 200 251 257 199 256 43 42 60 139 262 TEST ~1-4~a-¢~a-4~au-u~au LENGTH 10 10 10 10 10 10 10 10 10 10 10 10 10 10 438 ttt TYPE I LISTING CONTINUED 8** SEARCH FOR PATTERNS OF 11 NOTES IN LENGTH -- TONAL RET. INVERSION hAS BEGUN AT 781 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 995 2 TO 12 48 TO 58 7 11 996 4 TO 14 190 TO 200 7 11 997 4 TO 14 247 TO 257 7 11 998 6 TO 16 33 TO 43 7 11 999 42 TO 52 129 TO 139 7 11 439 tit TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 12 NOTES 1N LENGTH -- TONAL RET. INVERSION HAS BEGUN AT 797 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH IOCO 2 TO 13 47 TO 58 7 12 440 9" TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 13 NOTES IN LENGTH -- TONAL RET. INVERSION was BEGUN AT 813 secouos INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH EAD CF TYPE I LISTING. TOTAL OF 1000 PATTERNS LOCATED. 441 ... vae 11 LISTING ... EDGARD VARESE DENSITY 21.5 FOR SOLO FLUTE TCAAL RET. INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF OF OCCURRENCE OCCURRENCES PATTERN CRIGINAL PATTERN 2 TO 13 2 12 SUBPATTERN 4 TO 13 7 10 SUBPATTERN 5 TO 13 7 9 SUBPATTERN 4 TO 12 7 9 SUBPATTERN 6 TO 13 9 8 SUBPATTERN 5 TO 12 7 8 SLBPATTERN 4 TO 11 7 8 SUBPATTERN 7 TO 13 10 7 SUBPATTERN 6 TO 12 9 7 SUBPATTERN 5 TO 11 7 7 SUBPATTERN 4 TO 10 11 7 SLEPATTERN 2 TO 8 12 7 SUBPATTERN 8 TO 13 16 6 SBBPATTERN 7 TO 12 10 6 SbBPATTERN 6 TO 11 9 6 SUBPATTERN 5 TO 10 15 6 SUBPATTERN 4 TO 9 13 6 SUBPATTERN 2 TO 7 21 6 SUBPATTERN 9 TO 13 25 5 SUBPATTERN 8 TO 12 18 5 SUBPATTERN 7 TO 11 10 5 SUBPATTERN 6 TO 10 17 5 SUBPATTERN 5 TO 9 20 5 SUBPATTERN 2 TO 6 35 5 SUBPATTERN 9 TO 12 27 4 SUBPATTERN 8 TO 11 27 4 SUBPATTERN 7 TO 10 22 4 SUBPATTERN 6 TC 9 22 4 SUBPATTERN 2 TO 5 55 4 SUBPATTERN 2 TO 4 82 3 tit: TEST 7 COMPLETED AT 1000 SECONDS INTO EXECUTION **** 8888888888888 EDGARD VARESE ACTES 55 NOTES 56 NCTES 63 ACTES 59 NCTES 56 NCTES 74 ACTES 59 NCTES 51 AETES 67 NCTES 59 NCTES 73 NCTES 80 «c755 64 TEST REQUESTED 442 UAITS OF DATA PER CARD CCHPLTER REFERENCE NUMBER ASSIGNMENT 1 THROUGH 54 56 51 56 16 THRCUGH 54 51 57 51 31 THROUGH 62 63 62 63 46 THRCUGH 65 71 59 72 61 THRCUGH 81 61 60 61 76 THRCUGH 75 74 75 74 91 THROUGH 60 61 59 60 106 THROUGH 54 64 51 64 121 THROUGH 81 80 68 81 136 THROUGH 54 6C 70 73 151 THROUGH 80 83 80 73 166 THRCUGH 73 74 65 74 181 THRCUGH 64 65 63 65 15 51 30 57 45 62 60 78 75 61 90 75 105 74 120 51 135 80 150 83 165 83 180 65 195 61 57 59 63 66 59 74 75 68 73 73 56 15 55 60 62 65 61 75 74 58 67 80 80 64 55 54 57 64 67 58 74 74 54 67 83 83 65 57 56 60 70 65 61 75 74 58 57 80 80 63 56 NUSIC MELODIC PATTERN ANALYSIS 57 57 64 67 75 74 54 52 68 73 83 65 55 tittitttttttt DENSITY 21.5 FOR SOLO FLUTE 51 60 58 65 74 76 51 65 69 83 80 64 57 57 62 64 66 75 61 54 81 56 73 83 63 55 56 63 70 68 74 6O 51 80 57 80 80 65 56 57 62 53 55 75 61 51 68 58 83 83 63 57 443 NCTES 196 THROUGH 210 56 55 57 52 58 59 66 72 75 9O 85 88 NCTES 211 THRCUGH 225 85 88 65 £5 88 85 88 85 88 88 58 58 NCTES 226 THROUGH 240 74 68 67 74 68 67 74 68 67 74 54 52 NOTES 241 THROUGH 255 54 56 57 54 57 71 60 54 60 50 54 64 NCTES 256 THRCUGH 265 50 54 60 64 68 75 77 79 85 ~99 TBE FOLLOHING TYPES OF PATTERN HAVE BEEN DELETED FRCH TFE LISTINGS HHICH FOLLOH - PATTERNS WHICH ARE REITERAIIONS LOVGER THAN FCUR NOTES-IN-LENGTH 85 58 51 54 59 54 50 57 51 64 Fl Ft N 444 *** TYPE I LISTING *** FDFARD VARESE DENSITY 21.5 FCR SOLO FLUTE SEARCH FOR PATTERNS OF 3 NOTES IN LENGTH -- EXACT RET. INVERSION HAS BEGUN AT 27 SECCNDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 1 1 TO 3 175 TO 177 8 3 2 1 TO 3 188 TO 190 8 3 3 7 TO 9 15 TO 17 8 3 #994 FOR 8 TO 10. SEE 1 TO 3 ABOVE **** 4 9 TO 11 57 TO 59 8 3 5 11 TO 13 18 TO 20 8 3 6 11 TO 13 39 TO 41 8 3 7 13 TO 15 28 TO 30 8 3 8 13 TO 15 30 TO 32 8 3 9 13 TO 15 32 TO 34 8 3 10 13 TO 15 34 TO 36 8 3 11 13 TO 15 36 TO 38 8 3 12 13 TO 15 72 TO 74 8 3 13 13 TO 15 74 TO 76 8 3 14 13 TD 15 76 TO 78 8 3 15 13 TO 15 78 TO 80 8 3 16 13 TO 15 80 TO 82 8 3 17 13 TO 15 82 TO 84 8 3 18 13 TO 15 84 T0 86 8 3 19 13 TO 15 96 TO 98 8 3 20 13 TO 15 194 TO 196 8 3 21 - 14 TO 16 29 TO 31 8 3 22 14 TO 16 31 TO 33 8 3 23 14 TO 16 33 TO 35 8 3 24 14 TO 16 35 TO 37 8 3 25 14 TO 16 63 TO 65 8 3 26 14 TO 16 71 TO 73 8 3 27 14 TO 16 73 TO 75 8 3 28 14 TO 16 75 TO 77 8 3 29 14 TO 16 77 TO 79 8 3 30 14 TO 16 79 TO 81 8 3 31 14 TO 16 81 TO 83 8 3 32 14 TO 16 83 TO 85 8 3 33 14 TO 16 88 TO 90 8 3 34 14 TO 16 172 TO 174 8 3 35 15 TO 17 236 TO 238 8 3 36 18 TD 20 41 TO 43 8 3 37 18 TO 20 247 TO 249 8 3 464* FOR 19 TO 21. SEE 11 TO 13 ABOVE **** 38 20 TO 22 38 TO 40 8 3 39 20 TO 22 262 TO 264 8 3 4444 FOR 21 To 23. SEE 9 TD 11 ABOVE tttt __———... -.-_—— PA' I“ T" In N; 386 I” I“ I“ It; I“ 3" I“ I” I" PATTERN 4o 41 42 43 44 45 46 47 4a 49 50 51 52 53 54 55 56 57 58 59 so 61 62 8888 8988 88.. 8888 968* 8888 8‘98 88“ 8818 8888 9888 806. 888. 4899 63 e4 8888 FOR 014* FOR (.5 ea 67 8888 FOR 68 69 7o 71 72 88#* FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 23 23 23 23 23 23 23 23 23 23 23 23 24 24 24 24 24 24 24 24 24 24 24 25 27 28 29 3O 31 32 33 34 35 36 37 39 41 42 42 45 46 51 51 51 52 53 53 53 54 54 55 NCTES TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 25 25 25 25 25 25 25 25 25 25 25 25 26 26 26 26 26 26 26 26 26 26 26 270 299 300 310 320 33v 390 350 369 370 380 390 410 430 44 44 479 480 53 53 53 540 55 55 55 56 56 579 445 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 102 143 152 158 160 162 164 206 211 214 216 238 68 101 159 161 163 207 210 215 217 239 243 23 9 14 13 14 13 14 13 14 13 14 1 18 11 45 46 42 42 118 122 125 1 66 174 183 178 191 53 NOTES TO TO TO TO TO TO TO TO TO T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 104 145 154 160 162 164 166 208 213 216 218 240 70 103 161 163 165 209 212 217 219 241 245 25 11 16 15 16 15 16 15 16 15 16 20 13 47 4a 44 44 120 124 127 68 176 185 180 193 55 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE mammmmmmmmmmmmmmmmmmmmm 8 8 t*** ***# #868 98*. 4’68 #886 #368 t*## #888 838* #883 #886 688* tit. ABOVE 99" ABOVE **#* DGG ABOVE *P** mmmmm ABOVE **** WWUWUUNUNUUUUWUUWWWWUWU WWW UN wuuww 446 PATTERN NCTES RELATED TO NOTES TEST LENGTH 73 56 TO 58 89 TO 91 8 3 74 56 TO 58 92 TO 94 8 3 75 56 TO 58 173 TO 175 8 3 76 56 TO 58 182 TO 184 8 3 77 56 TO 58 223 TO 225 8 3 78 57 TO 59 241 TO 243 B 3 79 59 TO 61 131 TO 133 8 3 .444 FOR 63 TO 65. SEE 13 To 15 ABOVE ***R 80 64 To 66 ‘ 181 TO 183 8 3 81 64 TO 66 222 TO 224 8 3 444* FOR 66 TO 68. SEE 54 TO 56 ABOVE *ttt 999* FOR 68 TO 70. SEE 23 TO 25 ABOVE tit! 82 70 TO 72 120 TO 122 8 3 99*! FOR 71 TO 73. SEE 13 TO 15 ABOVE tttt tit! FCR 72 TO 74. SEE 14 TO 16 ABOVE ##09 0444 FOR 73 TO 75. SEE 13 TO 15 ABOVE *ttt 999‘ FOR 74 TO 76. SEE 14 TO 16 ABOVE *ttt #99! FOR. 75 TO 77. SEE 13 TO 15 ABOVE ##tt Otto FOR 76 TO 78. ‘ SEE 14 TO 16 ABOVE 99¢. tit! FOR 77 TO 79. SEE 13 TO 15 ABOVE *ttt 9‘04 FOR 78 TO 80. SEE 14 TO 16 ABOVE tttt tit! FOR 79 TO 81. SEE 13 TO 15 ABOVE tttt 4644 FOR 80 TO 82. SEE 14 TO 16 ABOVE tttt 999‘ FOR 81 TO 83. SEE 13 TO 15 ABOVE 999* 99" FOR 82 TO 84. SEE 14 TO 16 ABOVE 999* #999 FOR 83 TO 85. SEE 13 TO 15 ABOVE tttt tttt FOR 84 TO 86. SEE 14 TO 16 ABOVE tit! Ottt FOR 85 TO 87. SEE 1 TO 3 ABOVE *ttt 090‘ FOR 88 TO 90. SEE 13 TO 15 ABOVE *#*¢ 83 89 TO 91 93 TO 95 8 3 84 89 TO 91 179 TO 181 8 3 85 89 TO 91 192 TO 194 8 3 999* FOR 90 TO 92. SEE 56 TO 58 ABOVE 999* 86 91 TO 93 133 TO 135 8 3 87 91 TO 93 134 TO 136 8 3 88 91 TO 93 193 To 195 B 3 #994 FOR 92 TO 94. SEE 89 TO 91 ABOVE #949 0664 FCR 93 TO 95. SEE 56 TO 58 ABOVE *t*# 996* FOR 96 TO 98. SEE 14 TO 16 ABOVE #999 B9 97 TO 99 171 TO 173 8 3 90 98 TO 100 104 TO 106 B 3 91 98 TO 100 221 TO 223 8 3 4646 FCR 101 TO 103. SEE 23 TO 25 ABOVE *ttt 446* FCR 102 TO 104. SEE 24 TO 26 ABOVE tttt 92 103 TO 105 209 TO 211 8 3 4464 FOR 104 TO 106. SEF 98 TO 100 ABOVE *ttt 93 105 TO 107 208 TO 210 B 3 94 105 TO 107 218 TO 220 B 3 95 106 TO 108 138 TO 140 8 3 999* FCR 110 TO 112. SEE 59 TO 61 ABOVE tttt Q U 96 111 TO 113 199 TO 201 .49 .61 J- 61 ‘ A! I. a! A! A! A9 1‘ ‘l‘ 1 1. .I‘. N N N N N N N ‘1 *1 N N N H N H N h N H PATTERN 97 Ottt :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: 98 99 100 101 102 103 :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: 104 105 :::: FOR :::: FOR FCR FCR FOB FOR FOR FOR FOR FOR FOB FOR FOR FOP FOR FOB FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOB FOR FOR FOR FOR FOR FOR FOB FCR FOR FOR FOR 118 119 121 122 125 126 127 132 133 134 139 143 152 158 159 160 161 162 163 164 172 173 174 115 175 115 175 176 176 177 178 179 180 182 183 1B? 188 189 190 191 192 193 196 195 196 206 207 2C8 209 210 211 NCTES T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 TO TO 120 121: 123: 129: 127: 128: 129: 139: 135: 136: 141: 145: 154: 160: 161: 162: 163: 166: 165: 166: 174: 175: 176: 177 177 177 177 178 178 179: 180: 151: 182: 134: 135: 189: 190: 191: 192: 193: 194: 195: 196: 197: 198: 208: 209: 210 211 212: 213: 447 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 126 51 70 118 118 51 97 59 91 91 106 24 24 24 23 24 23 29 23 26 13 89 54 177 187 190 196 189 195 1 53 56 66 B9 54 1 175 176 53 56 91 14 176 24 23 213 212 23 24 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0‘ T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 128 53 72 120 120 53 99 61 93 93 108 26 26 26 25 26 25 26 25 26 15 91 56 179' 189 192 198 191 197 55 58 66 91 56 177 178 55 58 93 16 178 26 25 215 214 25 26 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE. ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE OOQI *ttt Ottt #**t ##tt #*** *ttt *ttt *ttt tit? ittt ##tt tttt t**# 89*! ##it $.31 tttt Bit! tttt 83$. t‘t. amommm *ttt tit. *it# ###t tit? **t* #98? tttt ##t‘ tttt *tit titt ##it titt tttt tttt ##tt ***¥ 8 :::: :::: UUUUUU H N H H n N u N #8 N N H A. N H. PATTERN 09“ ##¢* tttt #80. 999$ 988$ ‘99! 8‘99 9.8! O!!! 99‘. 9088 8“. 89.9 titt FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 212 213 214 215 216 217 218 221 223 236 238 239 241 243 247 NCTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 214: 215: 216: 217: 218: 219: 220: 223: 225: 238: 240: 241: 243: 245: 249: 448 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 103 105 24 23 24 23 208 98 89 24 23 23 11 NOTES TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 105 107 26 25 26 25 210 100 91 9 26 25 11 25 13 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **$* **** *ttt tttt *ttt titt ##tt ##1# ¥##¢ **** ##fit *ttt tttt #*** Itti LENGTH I1“.““ PATTERN 106 107 108 1C9 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 I33 134 135 136 137 138 :::: :::: :::: :::: :::: :::: :::: I39 140 141 6‘66 FOR FCR FDR FCR FOR FOR FOR FOR 449 ¢** TYPE I LISTING CONTINUED ¢** SEARCH FOR PATTERNS OF EXACT RET. HAS BEGUN AT NOTES RELATED TO 13 TU 16 13 TO 16 13 TD 16 13 TU 16 13 TO 16 13 TO 16 13 TO 16 13 70 16 13 TO 16 13 TU 16 13 TO 16 19 TU 22 23 70 26 23 TO 26 23 TO 26 23 TO 26 23 T0 26 23 TO 26 24 TO 27 24 TO 27 24 T0 27 24 TU 27 24 T0 27 24 TO 27 24 TO 27 28 TO 31 28 TO 31 28 TU 31 28 70 31 28 70 31 28 TO 31 28 TO 31 28 TO 31 29 TO 32: SEE 30 TO 33: SEE 31 70 34: SEE 32 TO 35: SEE 33 TO 36: SEE 34 TO 37: SEE 35 TO 38: SEE 52 TU 55 55 TU 58 55 TO 58 71 TO 74: SEE 4 NOTES IN LENGTH -- 29 31 33 35 71 73 75 77 79 81 83 38 101 159 161 163 210 215 158 160 162 206 214 216 238 32 34 72 74 76 78 80 82 13 28 13 28 13 28 13 174 173 18? 13 INVERSION 205 SECONDS INTO EXECUTION. NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 32 34 36 38 74 76 78 80 82 84 86 41 104 162 164 166 213 218 161 163 165 209 217 219 241 35 37 75 77 79 81 83 85 16 31 16 31 16 31 16 177 176 185 16 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE mommmmmmmmmmmmmmwmmmmmmmmmmmmmmmm 8 B 8 ***¥ #666 666$ *ttt tttt 66" ##t# #663 LENGTH «#J‘SWRJ‘&4>#HE“&ufiJ‘5-fi“®w§J¥&WFJEAH§J‘¢«§J‘54>J~édh' «6“? PATTERA 666‘ 668* it.‘ 3"! it!’ 18“ 061* I‘.‘ fittt Ottt 3“! 6’3! 142 143 :tte FCR 144 8“. FOR 14.5 146 661$ 01“ ‘6‘? Q*** ’ttfi flit! #‘*# 147 I48 149 150 151 152 153 A :t:: FOR :tat FOR 154 Q### 86.. Qitt fitti ‘61. 9‘68 ‘8‘. 155 156 8‘68 FOR 066‘ FOR 157 #16! FCR ttti FOR :::t FCR FOR FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR 176 177 178 179 182 188 189 190 191 195 206 287 208 210 211 213 214 215 216 NCTES 181. 135: 191: 192: 193: 194: 198: 209: 210 211 213: 214: 216 217: 218: 219: 450 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES TEST *6‘? tttt *3‘. #**$ .#$# **** t¥tt #ttt tit! *ttt ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** ABOVE #*** 8 8 ABOVE **** 8 ABOVE *### 8 8 ABOVE **** ABOVE ‘*** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** mmmmmcom ABOVE **** ABOVE **** 8 ABOVE *t¥* ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** 8 8 ABOVE tttt ABOVE **** 8 ABOVE **** ABOVE **** ABOVE **** LENGTH #«F ¢ J‘& bH§$*&J>#~& b 451 PATTERN NCTES RELATED TO NOTES TEST LENGYH “** FOR 217 T0 220. SEE 207 T0 210 ABOVE **** Ottt FOR 238 TO 241. SEE 24 TO 27 ABOVE **** 452 tit TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 5 NOTES IN LENGTH -- EXACT RET. INVERSION hAS BEGUN AT 275 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 158 101 TO 105 209 T0 213 8 5 159 173 TO 177 177 TO [81 8 5 160 173 TO 177 190 T0 194 8 S t#*# FOR 173 TO 177. SEE 173 T0 177 ABOVE **** 161 174 TO 178 189 TO 193 8 5 ii“ FOR 174 TO 1789 SEE 174 TO 178 ABOVE **** 162 175 T0 179 188 TO 192 8 5 ‘*** FOR 188 TO 192. SEE 175 TO 179 ABOVE **** 163 206 T0 210 213 TO 217 8 S 164 207 TO 211 212 TO 216 8 5 *‘** FOR 207 TO 211. SEE 207 TO 211 ABOVE **** "tt FOR 210 TO 214. SEE 101 TO 105 ABOVE ***¥ “*’ FOR 216 TO 220. SEE 206 TO 210 ABOVE *¢¢* PATTERN I65 166 167 O." FOR 453 **¥ TYPE I LISTING CONTINUED #** SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH -- EXACT RET. INVERSION hAS BEGUN AT 361 SECCNDS INTO EXECUTION. NCTES RELATED TO NOTES TEST LENGTH I73 T0 178 189 TO 194 8 6 174 TO 179 188 TO 193 8 6 2C6 TO 211 212 TO 217 8 6 206 TO 211. SEE 206 TO 211 ABOVE *tt. 454 ttt TYPE I LISTING CONTINUED *#* SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- EXACT RET. INVERSION HAS BEGUN AT 401 SECONDS INTO EXECUTION. PATTERN NDTES RELATED TO NOTES TEST LENGTH 168 173 TO 179 188 TO 194 8 7 455 *** TYPE I LISTING CONTINUED **’ SEARCH FOR PATTERNS 0F 8 NOTES IN LENGTH -- ‘ EXACT RET. INVERSION uAs BEGUN AT 417 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TC NOTES TEST LENGTH EAC OF TYPE I LISTING. TOTAL OF 168 PATTERNS LOCATED. 456 *“ TYPE II LISTING ‘*‘ EDGARD VARESE DENSITY 21.5 FOR SOLO FLUTE EXACT RET. INVERSION LOCATION TOTAL LENGTH OF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN ORIGINAL PATTERN I73 TO 179 2 7 SLEPATTERN I75 TC 177 S 3 it" TEST 8 COMPLETED AT 522 SECONDS INTO EXECUTION **#‘ 457 For Tests 5 and 13 of the Dunstable motet, the three voices were submitted in the following order: tenor, alto, and soprano. For Test 12, the three voices were submitted in the following order: soprano, alto, and tenor. (The number 22222_was inserted in the input data deck to separate each successive voice entry.) The computer program assigned a reference number to each sixteenth-duration contained in each measure. (Twelve numbers were assigned to each 2 measure; eight numbers were assigned to each 2 measure.) The numbers shown in the scores refer to the location of the fi£§£_sixteenth-duration of the measure for each voice part. The numbers assigned to notes found later in the measure are not shown, but may be calculated by adding the appropriate number of sixteenth-durations to the number shown at the beginning of the measure for each individual part. The following score shows the computer-assigned reference numbers used for Tests 5 and 13 of the Dunstable motet. 458 Veni Sancte Spiritus cum“. 1941 may :81! I.) I!" mu 5919 193! :9” I955 1961 :m (94! 2003 20:5 1017 459 205! 1055 2075 2091 20" 2 m 2013 2'35 7347 205'? ZI‘II 2133 2:95 am 213: 2143 2155 12.7 460 21.70 2 1m 2503 2515 2327 1359 2551 2353 2375 2397 2399 24!! 2423 2455 2447 245‘? 247! 2485 50 461 1495 1507 2519 253! 2543 55 2555 25.1 257: 2579 2.07 2515 J. u-n II-k—llhg. MM Mu nu [as 2‘15 265 I 2‘39 2641 2655 2“ 5 462 2‘" 2681 2693' 2 70.3 17" 11:4 2127 2755 2143 2751 2759 2167 as tun. luvfi‘ e: - 5 I711 DISC [7'0 2115 7795 17?] 1m 2907 463 ............. MUSIC MELODIC PATTERN ANALYSIS ***tt*t***t** JCHN DUNSTABLE ISORHYTHMIC MOTET VENI SANCTE SPIRITUS TEST REQUESTED 5 UNITS OF DATA PER CARD 12 COMPUTER REFERENCE NUMBER ASSIGNHEVT NOTES 1 THROUGH 12 45 C 0 0 0 0 NOTES 13 THROUGH 24 O O 0 O O 0 NOTES 25 THROUGH 36 -I 0 O O O 0 NOTES 37 THROUGH 48 45 C 0 O O 0 NOTES 49 THROUGH 60 47 O O O O 0 NOTES 61 THROUGH 72 O 0 O O O 0 NOTES 73 THROUGH 84 45 0 0 O 0 0 NOTES 85 THROUGH 96 0 O O 0 0 0 NOTES 97 THROUGH 108 '1 O O O O O NCTES 109 THROUGH 120 50 0 O O 0 0 NOTES 121 THROUGH 132 49 O O O 0 O NCTES I33 THROUGH 144 SC 0 O O O 0 NOTES 145 THROUGH 156 47 O O O 0 O NDTES 45 NOTES 43 NOTES NOTES NOTES NOTES 45 NOTES NOTES 45 NOTES NOTES -1 NCTES NOTES NCTES NCTES NOTES NOTES NCTES NOTES 0 157 169 181 193 205 217 229 241 253 265 277 289 301 313 325 337 349 361 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH 0 0 0 I68 180 192 204 216 228 240 252 264 276 288 300 312 324 336 348 360 372 464 NOTES 45 NOTES NCTES -1 NOTES 45 NCTES 43 NOTES NCTES 45 NOTES NCTES -1 NOTES 4O NOTES 42 NOTES 4O NOTES 43 NOTES 45 NCTES NCTES -1 NOTES NOTES 0 373 385 397 409 421 433 445 457 469 481 493 505 517 529 541 553 565 577 0 THROUGH O 0 THROUGH 0 0 THROUGH 0 0 THROUGH O 0 THROUGH 0 0 THROUGH G 0 THROUGH O 0 THROUGH 0 0 THROUGH O 0 THROUGH 0 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH 0 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O O O O O O O O O O O O D 0 O O O 0 O O 384 396 408 420 432 444 456 468 480 492 504 516 528 540 552 564 576 588 O 0 O 0 O O O O O O O O O O O 0 O 0 465 466 589 THROUGH 600 0 O O 0 O D J O O 0 601 THROUGH 612 C O O D 0 0 d O O O 613 THROUGH 624 C O O O O O J O 9 O 625 THROUGH 636 0 O O O C D J O 0 D UNITS OF DATA PER CARD CHANGED TO 637 THROUGH 644 O O O D C 0 u 645 THROUGH 652 0 O O O O O J 653 THROUGH 660 C O O O C O 0 661 THROUGH 668 0 O O O O 0 J 669 THROUGH 676 0 O O O O O J 677 THROUGH 684 O O 0 O C O J 685 THROUGH 692 0 O O O C 0 0 693 THROUGH 700 D O O O O O O 701 THROUGH 708 J O O O 0 0 u 709 THROUGH 716 3 D O O O O J '17 THROUGH 724 I O O O O J J 525 THROUGH 732 I O O O 0 D J '33 THROUGH 740 O O O O O J 741 0 749 757 765 773 781 789 797 805 813 821 829 837 845 853 861 O 869 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH 0 0 THROUGH 0 0 THROUGH O 0 THROUGH 0 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH O 0 THROUGH 0 0 THROUGH O 0 THROUGH O O O 748 756 764 772 780 788 796 804 812 820 828 836 844 852 860 868 O 467 UNITS OF DATA PER 99999 C420 CHANGED TO 870 0 882 0 894 O 906 0 918 0 930 C 942 0 954 468 UNITS OF DATA PER CARD CHANGED TO THROUGH 881 O 0 0 0 0 THROUGH 893 0 0 0 0 0 THROUGH 905 O 0 45 0 0 THROUGH 917 0 0 50 0 0 THROUGH 929 0 0 47 0 0 THROUGH 941 0 0 38 0 0 THROUGH 953 0 0 40 0 45 THROUGH 965 0 42 O 43 0 0 966 0 978 0 990 0 1002 0 1014 0 1026 0 1038 0 1050 0 1062 0 THROUGH 977 0 0 40 0 0 THROUGH 989 0 0 0 0 0 THROUGH 1001 0 0 0 0 0 THROUGH 1013 0 0 0 0 0 THROUGH 1025 0 0 0 O 0 THROUGH 1037 0 0 0 0 0 THROUGH 1049 O 0 40 0 0 THROUGH 1061 0 0 0 0 0 THROUGH 1073 0 0 0 0 0 48 4a 38 42 43 48 42 12 1074 1086 1098 1110 1122 1134 1146 1158 1170 1182 1194 1206 1218 1230 1242 1254 1266 1278 O 469 THROUGH 1085 0 0 0 0 0 THROUGH 1097 0 0 0 0 0 THROUGH 1109 0 0 42 0 43 THROUGH 1121 O O 0 0 0 THROUGH 1133 0 0 40 0 0 THROUGH 1145 0 0 '1 0 50 THROUGH 1157 0 0 0 0 0 THROUGH 1169 0 0 0 0 0 THROUGH 1181 0 0 0 0 0 THROUGH 1193 0 0 0 0 0 THROUGH 1205 0 0 45 0 0 THROUGH 1217 0 0 40 0 0 THROUGH 1229 0 0 0 0 0 THROUGH 1241 0 0 O 0 0 THROUGH 1253 0 0 0 0 0 THROUGH 1265 0 O 0 0 0 THROUGH 1277 0 0 48 0 0 THROUGH 1289 0 0 45 0 O 48 38 45 43 43 49 45 47 45 38 43 47 470 1290 THROUGH 1301 0 0 0 45 O O 1302 THROUGH 1313 0 0 0 43 0 O 1314 THROUGH 1325 0 0 0 42 0 40 1326 THROUGH 1337 0 48 0 50 0 0 1338 THROUGH 1349 0 O 0 47 0 O 1350 THROUGH 1361 0 0 0 52 0 0 1362 THROUGH 1373 0 0 0 0 0 J 1374 THROUGH 1385 0 0 0 48 0 0 1386 THROUGH 1397 0 52 0 0 0 50 1398 THROUGH 1409 0 C 0 0 O 0 1410 THROUGH 1421 0 0 0 0 0 0 1422 THROUGH 1433 0 0 0 0 0 O 1434 THROUGH 1445 0 0 0 48 0 O 1446 THROUGH 1457 0 0 O 0 0 O 1458 THROUGH 1469 C 0 0 -1 0 0 1470 THROUGH 1481 0 50 0 49 0 47 1482 THROUGH 1493 0 0 0 52 O O 1494 THROUGH 1505 0 0 O 47 0 O 45 52 47 49 52 45 47 45 45 471 S 1506 THROUGH 1517 O 0 0 42 0 O O 0 0 0 0 S 1518 THROUGH 1529 r 0 0 0 O 0 D 0 43 0 0 O :S 1530 THROUGH 1541 | 0 O 0 43 0 0 J 0 J 0 0 FS 1542 THROUGH 1553 I 0 0 0 42 0 D 0 0 0 0 0 ES 1554 THROUGH 1565 3 O 0 0 0 0 0 D 0 0 0 0 ES 1566 THROUGH 1577 l O 0- 0 0 O O 0 O O 0 0 ES 1578 THROUGH 1589 5 0 43 0 42 0 0 0 40 J 0 0 ES 1590 THROUGH 1601 B 0 0 0 O 0 0 J 0 0 O 0 ES 1602 THROUGH 1613 0 O 0 0 0 0 0 0 O 3 0 0 UNITS OF DATA PER CARD CHANGED TO 8 ES 1614 THROUGH 1621 O 0 O 0 0 0 0 0 ES 1622 THROUGH 1629 0 O 0 0 52 0 O 0 'ES 1630 THROUGH 1637 .8 O O 0 0 0 O 0 'ES 1638 THROUGH 1645 r7 0 52 D 0 0 5D 0 {ES 1646 THROUGH 1653 r7 0 48 0 50 0 0 J [ES 1654 THROUGH 1661 0 0 0 0 -1 0 0 J rES 1662 THROUGH 1669 $7 0 O O 43 0 O u TES 1670 THROUGH 1677 O 0 0 0 45 0 O u IE5 IE5 38 IE5 IE5 [ES 95 [ES 53 [ES r0 FES r5 FES r0 'ES 'ES r7 472 1678 THROUGH 1685 0 0 O 40 0 0 1686 THROUGH 1693 O 0 0 45 0 O 1694 THROUGH 1701 0 O 0 50 0 0 1702 THROUGH 1709 0 O O 48 0 47 1710 THROUGH 1717 O 0 0 0 0 0 1718 THROUGH 1725 0 0 0 45 0 O 1726 THROUGH 1733 0 42 0 0 0 43 1734 THROUGH 1741 O 0 0 42 0 0 1742 THROUGH 1749 0 0 0 0 0 O 1750 THROUGH 1757 0 45 C 50 0 48 1758 THROUGH 1765 0 0 0 48 0 0 1766 THROUGH 1773 0 47 0 47 0 45 1774 THROUGH 1781 0 0 0 54 0 0 1782 THROUGH 1789 O 50 0 0 0 48 1790 THROUGH 1797 0 0 0 0 0 0 1798 THROUGH 1805 0 0 0 0 0 0 1806 THROUGH 1813 0 O 0 42 0 0 1814 THROUGH 1821 0 O 0 45 44 45 ES 1822 THROUGH 1829 UNITS OF DATA PER CARD CHANGED TO UNITS OF DATA PER CARD CHANGED TO 473 r 0 44 o 0 42 44 ES 1830 THROUGH 1837 s 0 o 0 0 0 0 as 1838 THROUGH 1845 : 0 o o 0 0 o E 1846 99999 ES 1847 THROUGH 1858 0 0 0 0 0 o 0 ES 1859 THROUGH 1870 0 0 o o 57 0 0 ES 1871 THROUGH 1882 0 0 0 0 57 0 0 ES 1883 THROUGH 1894 2 o 55 0 54 0 0 ES 1895 THROUGH 1906 7 0 0 0 0 0 57 ES 1907 THROUGH 1918 7 0 - 0 0 -1 o 0 ES 1919 THROUGH 1930 0 0 55 0 0 0 54 ES 1931 THROUGH 1942 9 0 50 0 52 o 0 ES 1943 THROUGH 1954 0 0 o 0 o o 50 ES 1955 THROUGH 1966 o c o 0 -1 o 0 Es 1967 THROUGH 1978 4 0 o 0 0 o 52 Es 1979 THROUGH 1990 2 o 0 0 0 0 0 O 59 52 56 54 52 54 49 50 54 55 54 50 47 1 12 1991 THROUGH 2002 0 57 0 2003 THROUGH 2014 2015 THROUGH 2026 2099 THROUGH 2110 2111 THROUGH 2122 THROUGH 2038 THROUGH 2050 THROUGH 2062 THROUGH 2074 THROUGH 2086 THROUGH 2098 THROUGH 2134 THROUGH 2146 THROUGH 2158 THROUGH 2170 THROUGH 2182 THROUGH 2194 0 0 57 59 57 59 2027 0 0 2039 0 0 2051 0 0 2063 0 0 2075 0 0 2087 0 54 0 0 0 57 2123 0 0 2135 0 O 2147 O 0 2159 0 0 2171 0 0 2183 0 50 0 60 0 0 57 55 0 O O O 0 O O 0 0 O 0 O O O O 0 59 *1 0 O 57 O -1 57 50 0 49 52 0 0 0 O 0 0 0 0 0 0 0 0 O 0 2195 THROUGH 2206 O 0 0 0 0 474 55 50 55 50 55 56 57 54 52 50 54 57 54 49 49 57 54 57 54 55 52 55 55 50 50 47 49 2207 THROUGH 2218 0 0 0 0 0 2219 THROUGH 2230 0 0 O 0 0 2231 THROUGH 2242 C O 0 57 0 2243 THROUGH 2254 0 0 0 52 0 2255 THROUGH 2266 0 50 0 49 0 2267 THROUGH 2278 0 0 0 0 0 2279 THROUGH 2290 0 0 0 -1 0 2291 THROUGH 2302 0 54 0 0 0 ‘ 2303 THROUGH 2314 0 57 0 59 0 2315 THROUGH 2326 0 0 0 0 0 ‘ 2327 THROUGH 2338 O 0 0 -1 0 2339 THROUGH 2350 0 0 0 57 0 2351 THROUGH 2362 O 0 O 52 0 2363 THROUGH 2374 0 55 0 57 0 2375 THROUGH 2386 C 0 0 0 0 2387 THROUGH 2398 0 0 0 55 0 2399 THROUGH 2410 0 0 0 57 0 2411 THROUGH 2422 0 0 O 52 0 475 55 55 57 57 54 50 54 59 52 60 56 57 54 54 50 52 54 54 55 50 55 55 476 2423 THROUGH 2434 0 0 0 0 0 54 0 54 0 0 52 2435 THROUGH 2446 0 0 0 50 0 47 J 0 3 52 O 2447 THROUGH 2458 52 54 0 0 52 52 J 51 3 52 49 ‘ 2459 THROUGH 2470 0 0 0 -1 0 0 J 59 O O O 2471 THROUGH 2482 0 C 0 59 0 57 J 55 O 0 0 2483 THROUGH 2494 0 0 0 54 0 57 J O J 54 0 2495 THROUGH 2506 0 57 0 59 0 O J 55 0 0 O ' 2507 THROUGH 2518 0 52 0 0 0 55 0 54 55 52 0 2519 THROUGH 2530 0 0 0 -1 0 0 J 50 O 0 0 2531 THROUGH 2542 0 49 0 47 0 52 J 0 O 50 9 ‘ 2543 THROUGH 2554 0 0 0 52 0 54 J 0 0 55 0 ‘ 2555 THROUGH 2566 0 52 0 57 0 57 0 56 0 57 54 ' 2567 THROUGH 2578 0 0 0 0 0 0 J O 0 0 0 ‘ 2579 THROUGH 2590 VI 0 0 0 0 0 0 J O 3 0 0 UNITS OF DATA PER CARD CHANGED TO 8 2591 THROUGH 2598 0 0 0 0 O O 0 2599 THROUGH 2606 0 0 0 52 0 0 J 2607 THROUGH 2614 C 0 0 57 0 57 a 477 'ES 2615 THROUGH 2622 35 O O 0 59 0 59 ES 2623 THROUGH 2630 0 O 57 0 57 0 54 ES 2631 THROUGH 2638 5 0 57 0 54 0 0 ES 2639 THROUGH 2646 I 0 0 0 -1 0 55 S 2647 THROUGH 2654 O O 0 54 0 52 S 2655 THROUGH 2662 0 50 0 49 0 50 5 2663 THROUGH 2670 0 0 0 0 0 O ’. 2671 THROUGH 2678 0 0 0 0 0 0 2679 THROUGH 2686 C 0 0 52 C 0 2687 THROUGH 2694 O 0 O 0 0 50 2695 THROUGH 2702 0 57 0 54 0 52 2703 THROUGH 2710 0 5C 0 49 0 47 3711 THROUGH 2718 C- O 0 50 0 0 71 9 THROUGH 2726 C C 0 0 0 0 727 THROUGH 2734 3 50 0 0 0 54 '35 THROUGH 2742 3 O 0 52 0 0 43 THROUGH 2750 C 0 -1 C- 0 51 THROUGH 2758 O 0 57 0 0 478 DIES 2759 THROUGH 2766 55 0 57 0 59 0 55 0 JTES 2767 THROUGH 2774 57 0 56 0 0 0 54 u 755 2775 THROUGH 2782 57 0 O 0 -1 0 54 O T55 2783 THROUGH 2790 54 0 50 0 O 0 47 J 'ES 2791 THROUGH 2798 .9 O 50 0 52 C 49 0 ES 2799 THROUGH 2806 7 0 50 0 49 C 50 47 ES 2807 THROUGH 2814 7 0 O 0 0 0 O 0 'S 2815 THROUGH 2822 0 O 0 0 0 0 O S 2823 THROUGH 2824 ~99 =OLLOHING TYPES OF PATTERN HAVE BEE‘I DELETED M Tl-E LISTINGS HHICH FOLLOu -- PATTERNS WHICH ARE REITERATIONS LOVGER THA‘I FOUR NOTES-IN-LENGTH PATTERNS WHICH LACK CHANGE-OFVDIRECTION 479 JHN DUNSTABLE ISORHYTHHIC HOTET VENI SANCTE SPIRITUS ASCENDING AND DESCENDING INTERVALS* (INCLUDING ENHARHONIS EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE TOR 2 88 18.72 JOR 2 173 38.81 «on 3 71 15.11 IOR 3 41 8.72 :E. 4 44 9.36 TONE F. 5 OR 8 OR 8 OR 7 OR 7 AVE JR 9 JR 9 JR 10 JR 10 =. 11 1. TT 12 13 13 14 14 JCT. JN zVALS :EEOING THO ’AVES O H p .F U'I UOOOOOOOOOOOOOGOOOOWO ”litre .000 NO 0.1 OQOOOOOOOOUOOO-E‘OOOO OQOOOOOOOOOOOOODOOONO 470 INTE RVALS COUVTED IDING UNISONS 480 JCFA DUNSTABLE ISORHYTFMIC HOTET VENI SANCTE SPIRITUS ASCENDING INTERVALS IIACLUDING ENHARHONIC ECUIVALENTSI TCTAL PERCENTAGE OCCURRENCES CF OCCURRENCE PIACF 2 42 20.79 PAJCR 2 76 37.62 PINCR 3 29 14.36 PAJCR 3 20 9.90 FEFF. 4 27 13.37 TRITCAE 0 0.0 PERF. 5 4 1.98 RIACE 6 0 0.0 FAJCF 6 0 0.0 FINOF 7 0 0.0 PAJCR 7 O 0.0 CCTAVE 4 1.98 PIACF 9 0 0.0 PAJOR 9 0 0.0 PINCF 1C 0 0.0 MAJOR 1C 0 0.0 PERF. II 0 0.0 (CPR. TT 0 0.0 PERF. 12 O 0.0 NIRCF 13 0 0.0 NAJCF 13 0 0.0 RINCF 14 0 0.0 FAJCR l4 0 0.0 Thr OCT. 0 0.0 INTERVALS 0 0.0 FXCEECIAC ThC OCTAVES 2C2 ASCENDING INTERVALS COUNTED 481 JCHA DUASTABLE ISORHYTFHIC HOTET VENT SANCTE SPIRITUS DESCENDING INTERVALS (INCLUDING ENHARHONIC EQUIVALENTSI TCTAL PERCENTAGE OCCURRENCES OF OCCURRENCE 46 20.00 97 42.17 42 18.26 21 9.13 17 7.39 NINCF DAJCR PIACF NAJCR PERF. TRITON PERF. VINCE FAJCR FIACF NAJOR FCTAVE FIACF 9 RAJCR 9 PIACF 1C PAJCR 1C PERF. 11 (CPF. TT PERF. I2 PIACF 13 FAJCR I3 PIACF 14 RAJCR 14 75C CCT. IATERVALS FXCEECING ThC CCTAVES 4“ d‘lO‘thIfi'l‘meN 000000000000 OOOOOOOOOOOOOOOOOOOO OOOOOOOOOOOOOOOOOOQO OOOOOOOOOCSOOOOOOOOUO 230 DESCENDING INTERVALS COUNTED JOFB DUASTARLE PATTERN #89 482 ISORHYTPHIC HOTET SEARCH FOR PATTERNS OF mun» dq-JHHHHuh-I-r-HT—HHHH ”In! d-J w1»u1w1»u1u1»1 d-J~Iq-J~Jd-J I» d 1.1me Ndfld U tut N-Jd 9 1 umwmu ddddfl L911) 4‘1 NCTES TC TO TO T0 TO TC TC T0 T0 TC TO TO TO T0 T0 TO TO TC T0 T0 TO TO TO TO TC TC T0 T0 T0 T0 TD TO TO TO TCNAL hAS BEGUN AT RETROGR RELATED TO 3 NOTES IN LFNGTH -- ADE 541 613 1146 1182 1294 1762 1939 2C89 2311 2423 2431 2449 2621 2775 73 121 421 481 529 781 797 821 902 934 946 956 962 978 1014 1026 1842 1C74 1104 1110 1126 1134 1142 1202 1218 1266 1282 1314 TYPE I LISTING *** NOTES TO T0 T0 TO T0 T0 TD T0 T0 613 733 1166 1198 1306 1770 1949 2095 2321 2431 2435 2453 2627 2783 121 145 481 505 589 797 821 853 914 946 952 962 970 1014 1026 1042 107C 1086 111C 1126 1134 1142 1158 1210 1266 1274 1294 1320 55 SECCRDS INTO EXECLTION. TEST mmmmmwmmmmmmmmmmmmu‘mmmmmmmmmmmmmmmmmmwmuumm VENI SANCTE SPIRITUS LENGTH UAWwwwwwaWNUNUNUWU-DUUWWUUUWWUNHUUNUNUUUUWWWUJ PATTFRA 43 44 45 48 47 48 49 50 51 52 53 54 55 58 57 58 59 8c 81 82 83 84 85 88 87 88 89 7c 71 12 73 74 75 78 77 78 79 80 81 82 83 84 85 88 87 88 89 90 91 92 93 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 ‘37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 37 NCTES TC T0 T0 T0 TO TO TC T0 T0 TO T0 T0 T0 TO TC TC TO TO T0 T0 T0 TC T0 T0 T0 T0 TO TO TO TC TO TO TO T0 T0 T0 T0 TC T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO TC TO 483 RELATED TC NOTES 1328 1334 1386 1394 1422 1470 1482 1542 1554 1614 1638 1(48 1666 1690 1718 1732 1752 1758 1774 1814 182C 1863 1883 1905 1919 1935 1955 1987 2C05 2013 2016 2020 2023 2C71 2083 2103 7111 2155 2169 2177 2185 2255 7279 2293 2307 2345 2355 2365 2373 7399 74C9 T0 T0 TO TO TD TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO TO TO TO TO TD T0 T0 TO TO TO T0 T0 T0 TD T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TD 1334 1342 1392 1422 1438 1474 1494 1554 1580 163C 1644 1662 1682 1706 1726 1738 1756 1768 1782 1819 1824 1875 1887 1915 1925 1943 1973 2001 2009 2016 2019 2023 2025 7081 2093 7109 2117 2159 2175 2183 2189 2259 2291 2299 2315 2349 2361 2373 2391 7409 2415 TEST mmmwwmmmmmutmmmmmmmuunuunmmuunmmmmuvmmmmmmmmwmmmuam011110101014! LENGTH WUWUUWUUUddUUL-JUWWWU’WUWUNUWU’NNWWWUWNNWUUWULOWUWUNNNUU 484 PATTERN ACTES RELATED Tf NOTES TEST LENGTH 94 37 TO 73 2419 TO 2429 5 3 95 37 TO 73 2441 TO 2447 5 3 96 37 TO 73 2448 TO 2452 5 3 97 37 TC 73 2455 TO 2458 5 3 98 37 TO 73 2487 TD 2493 5 3 99 37 TO 73 2497 TO 2503 5 3 TCC 37 TC 73 2509 TC 7515 5 3 101 37 TO 73 2515 TO 2517 5 3 102 37 TO 73 2517 TO 2527 5 3 103 37 TC 73 2527 TO 2533 5 3 1C4 37 TO 73 2535 TO 2541 5 3 1C5 37 TO 73 2553 TO 2557 5 3 106 37 TO 73 2563 TO 2566 5 3 ICT 37 TD 73 2566 TO 2591 5 3 108 37 TC 73 2591 TO 2603 5 3 1C9 37 TO 73 2631 TO 2635 5 3 110 37 TO 73 2659 TO 2662 5 3 111 37 TO 73 2662 TO 2679 5 3 112 37 TO 73 2683 TO 2693 5 3 113 37 TO 73 2695 TO 2699 5 3 114 37 TO 73 2719 TO 2779 5 3 115 37 TO 73 2733 TO 2739 5 3 116 37 TO 73 2751 TO 2759 5 3 117 37 TO 73 2761 TO 2765 5 3 118 37 TO 73 2765 TO 2769 5 3 119 37 TO 73 2773 TO 2781 5 3 120 37 TC 73 2793 TO 7797 5 3 121 37 TO 73 2799 TO 2803 5 3 122 37 TO 73 2803 TO 2806 5 3 123 49 TO 109 109 TO 133 5 3 124 49 TC 1C9 157 TO 217 5 3 125 49 TO 109 409 TO 445 5 3 126 49 TO 109 445 TO 493 5 3 127 49 TO 109 493 TO 517 5 3 128 49 T0 109 733 TO 773 5 3 129 49 TO 109 789 TO 805 5 3 130 49 TO 109 805 TO 837 5 3 131 49 TO 109 870 TO 898 5 3 132 49 TO 109 930 TO 942 5 3 133 49 TO 109 942 TO 948 5 3 134 49 TO 109 952 TO 956 5 3 135 49 TO 109 958 TO 966 5 3 136 49 TO 109 970 TO 1002 5 3 137 49 TO 109 1C0? TO 1022 5 3 138 49 TO 109 1C72 TO 1034 5 3 139 49 TO 109 1034 TO 1050 5 3 140 49 TO 109 1070 TO 1082 5 3 141 49 TO 109 1C86 TO 1102 5 3 142 49 TO 109 1106 TO 1118 5 3 143 49 TO 109 1116 TO 1130 5 3 144 49 TC 109 113C TO 1140 5 3 485 PATTERN NCTES RELATED TC NCTES TEST LENGTH 145 49 TO 109 1140 TD 1146 5 3 146 49 T0 109 1198 TO 1206 5 3 147 49 TO 109 1210 TO 1242 5 3 148 49 TC 109 1242 TD 1270 5 3 149 49 T0 109 1270 TO 1282 5 3 15C 49 T0 109 1306 TO 1318 5 3 151 49 T0 109 1318 TO 1324 5 3 152 49 TO 109 1330 TD 1338 5 3 153 49 T0 109 1342 TO 1354 5 3 154 49 T0 109 1378 TO 1386 5 3 155 49 TO 109 1392 TO 1398 5 3 156 49 TB 109 1396 TO 1430 5 3 157 49 T0 109 1438 TO 1454 5 3 158 49 T0 109 1466 TO 1472 5 3 159 49 TC 109 1476 TO 1482 5 3 160 49 TC 109 1510 TO 1526 5 3 161 49 T0 109 1534 TO 1546 5 3 162 49 T0 109 1546 TO 1578 5 3 163 49 TO 109 1586 TO 1614 5 3 164 49 TC 109 1630 TD 1640 5 3 165 49 TO 109 1644 10 1648 5 3 166 49 TO 109 1662 TO 1674 5 3 167 49 T0 109 1(82 TO 1690 5 3 168 49 TO 109 1710 TO 1722 5 3 169 49 TO 109 1722 TO 1728 5 3 170 49 TO 109 1738 TD 1752 5 3 171 49 TO 109 1756 TO 1762 5 3 172 49 TO 109 1770 TD 1774 5 3 173 49 TO 109 1798 TO 1814 5 3 174 49 T0 109 1818 TO 1820 5 3 175 49 TO 109 1824 TD 1828 5 3 176 49 T0 109 1881 TO 1885 5 3 177 49 T0 109 1887 TO 1895 5 3 178 49 TO 109 1903 TO 1907 5 3 179 49 TO 109 1915 TO 1921 5 3 180 49 TC 109 1929 TO 1933 5 3 181 49 TO 109 1951 TO 1955 5 3 182 49 TO 109 1973 TO 1979 5 3 183 49 TO 109 1995 TO 2003 5 3 184 49 T0 109 2C09 TO 2013 5 3 185 49 T0 109 2015 TO 2017 5 3 186 49 TO 109 2019 TO 2021 5 3 187 49 T0 109 2021 TO 2024 5 3 188 49 T0 109 2024 TO 2027 5 3 189 49 TO 109 2(63 TO 2075 5 3 190 49 T0 109 2081 TO 2089 5 3 191 49 TO 109 2109 TO 2113 5 3 192 49 T0 109 2119 TO 2123 5 3 193 49 T0 109 2147 TO 2155 5 3 194 49 TO 109 2165 TO 2169 5 3 195 49 T0 109 2175 TO 2181 5 3 PATTERN 196 49 197 49 198 49 199 49 2C0 49 201 49 202 49 203 49 204 49 205 49 206 49 2C7 49 208 49 2C9 49 210 49 211 49 212 49 213 49 214 49 215 49 216 49 217 49 218 49 219 49 220 49 221 49 222 49 223 49 224 49 225 49 226 49 227 49 228 49 229 49 230 49 231 49 232 49 233 49 234 49 235 49 236 49 237 49 238 49 239 49 24C 49 241 49 242 49 243 49 244 49 4‘4. FFR 73 34“ FOR 1C9 NCTES TU TD TD TD T0 T0 T0 TD TC TD TC TD T0 T0 T0 T0 T0 T0 TD T0 TD T0 T0 T0 T0 T0 TD 70 T0 T0 T0 T0 T0 T0 TD T0 T0 T0 TD T0 TD TD T0 T0 T0 T0 T0 T0 TD TG T0 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 121. 133. 486 RELATED TC SEE SEE 2181 2191 2253 2257 2275 2291 2297 2323 2343 2351 2359 2367 2391 2403 2411 2439 2445 2453 2457 2479 2489 2503 2513 2516 2519 2533 2537 2555 2561 2565 2567 2599 2613 2627 2635 2657 2661 2663 2687 2707 2727 2739 2755 2763 2769 2785 2797 2801 2805 37 49 NOTES TO TD T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD T0 T0 T0 T0 T0 T0 TO 2185 2194 2257 2263 2279 2297 2301 2327 2347 2359 2363 2375 2403 2411 2419 2445 2448 2457 2459 2487 2495 2513 2516 2519 2531 2537 2543 2559 2565 2567 2599 2607 2619 2631 2645 2661 2663 2683 2695 2711 2733 2751 2761 2767 2775 2791 2801 2805 2807 73 TEST \JTUIUTUIUIUTUTU'UTUIUTUIMUTU'IUTUTWUIU‘UTU'UTUTUTUTUIUIUTUTUTUTUTUIUTUIUTUTUTUTUTUTUTUTUTUTUTU‘UI LENGTH NWUUWWUNLHUNu!WWNUUNUUNUUUWWWWWWWUWUUNNWUUNNWUUUUNU ABOVE *“* 109 AHDVE **** FATTE 4894 19“ 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 266 267 288 80## 944* 8“! 4909 89“ RN FCR FCR FCR FER FER F(R FCR 121 157 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 169 373 373 373 373 373 373 373 373 373 373 373 373 409 421 445 481 493 NCTES T0 T0 TD 10 T0 TO T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 TD TD T0 T0 TC TO TD T0 T0 TD 1450 2179 241 241 241 241 241 241 291 241 291 241 241 241 241 291 291 291 241 241 241 241 241 241 241 241 241 241 241 291 471 421 421 421 421 421 471 421 421 421 421 421 421 421 421 421 4450 481. 4930 5050 5170 487 RELATED 1r SEE SEE SEE SEE SEE SEE SEE 37 49 373 589 709 1178 1190 1302 1354 1458 1526 1768 1895 1943 2051 2139 2227 2267 2315 2339 2429 2434 2452 2467 2559 2611 2619 2625 2645 2781 1166 1350 1454 1518 1891 2027 2123 2219 2263 2325 2459 2541 2557 2603 2615 2639 49 37 49 37 49 NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TD T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TD TO TD TO TO TO TO T0 TO T0 T0 TEST 73 ABOVE **** 109 421 709 765 1190 1202 1314 1374 1470 1542 1772 1903 1951 2059 2145 2237 2275 2323 2345 2434 2439 2455 2477 2563 2615 2625 2629 2651 2785 1178 1370 1466 1534 1901 2055 2139 2235 2273 2339 2475 2547 2561 2611 2621 2647 109 73 109 73 109 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE mmmwmmmwmmmmmmmmmmmmmmmmmwmmmmmmmmmmmmmmmmwm 993* $.93 tttt tttt ##tt **** LENGTH umwwwwuwwuwuuwuwuuwwuwwuwwwwuuwwuwwwwuwwwuww 488 DATTERA NCTES RELATED TC NOTES TEST LENGTH 4434 E09 529 TO 589. SEE 37 TO 73 ABOVE **** 789 541 TO 613 1158 TO 1170 5 3 790 541 T0 613 7093 TO 2099 5 3 291 541 TO 613 2543 TO 2549 5 3 tttt FCR 589 TO 709. SEE 373 TO 421 ABOVE #ttt 04¢. PCB 613 TO 733. SEE 541 TO 613 ABOVE **** 149* FCR 709 T0 765. SEE 373 TO 421 ABOVE tttt :43: FCR 733 TO 773. SEE 49 T0 109 ABOVE tttt 33" ECB 781 T0 797. SEE 37 TO 73 ABOVE tttt ittt FOR 789 TO 805. SEE 49 T0 109 ABOVE **#t 94.4 EC? 797 T0 821. SEE 37 TO 73 ABOVE **** 98“ EOR ECS T0 837. SEE 49 TO 109 ABOVE *ttt 33" FCR 821 T0 £53. SEE 37 TO 73 ABOVE ***¢ 4444 PCB 837 T0 869. SEE 49 TO 109 ABOVE #**t 9“! FEB £53 70 870. SEE 37 T0 73 ABOVE *ttt ##tt FOB 870 TO 898. SEE 49 TO 109 ABOVE *ttt 999* FOR 902 TO 914. SEE 37 T0 73 ABOVE ***t 04*! E09 930 TO 942. SEE 49 T0 109 ABOVE tttt ittt ECB 934 TO 946. SEE 37 TO 73 ABOVE tttt 3940 FEB 942 TO 948. SEE 49 TO 109 ABOVE t¥tt 339* FCR 946 TO 952. SEE 37 TO 73 ABOVE *ttfi 999$ FCR 952 TO 956. SEE 49 T0 109 ABOVE *ttt 79*: FEB 956 TO 962. SEE 37 TO 73 ABOVE tttt 49*! FEB 958 T0 966. SEE 49 T0 109 ABOVE *ttt ittt PCB 962 TO 970. SEE 37 TO 73 ABOVE tttt 9999 FOR 970 TO 1002. SEE 49 TO 109 ABOVE tttt tttt FCR 978 70 1014. SEE 37 TO 73 ABOVE t**# 034: ECR 1002 TO 1022. SEE 49 TO 109 ABOVE tttt 39‘! FEB 1014 TO 1026. SEE 37 TO 73 ABOVE tttt 9999 FEB 1022 TO 1034. SEE 49 TO 109 ABOVE **t* 4444 PCB 1026 TO 1042. SEE 37 TO 73 ABOVE #ttt 3444 FOR 1034 TO 1050. SEE 49 TO 109 ABOVE tttt 1490 FOR 1042 TO 1070. SEE 37 TO 73 ABOVE tttt 4430 ECR 1070 TO 1082. SEE 49 TO 109 ABOVE tttt 34:: FOR 1074 TO 1086. SEE 37 TO 73 ABOVE tttt tttt EBB 1C86 TO 1102. SEE 49 To 109 ABOVE ##tt tttt E09 1104 TC 1110. SEE 37 T0 73 ABOVE tttt 4144 FEB 1106 TO 1118. SEE 49 TO 109 ABOVE *ttt 44*: FOR 1110 TO 1126. SEE 37 T0 73 ABOVE **¢# :44: FOR 1118 70 1130. SEE 49 TO 109 ABOVE tttt 499* FOR 1126 TO 1134. SEE 37 TO 73 ABOVE **tt 43¢: FOR 1130 TO 1140. SEE 49 To 109 ABOVE tttt 3:4. FEB 1134 Tc 1142. SEE 37 TO 73 ABOVE tttt 4444 FEB 1140 TO 1146. SEE 49 T0 109 ABOVE 4:44 1994 FOB 1142 TO 1158. SEE 37 To 73 ABOVE ***$ 09*: FEB 1146 TO 1166. SEE 541 TO 613 ABOVE t*** 44:: ErB 1158 TO 1170. SEE 1 TO 49 ABOVE #994 3394 FEB 1166 TO 1178. SEE 169 T0 241 ABOVE #3:: 4949 FOR 1178 TO 1190. SEE 373 TO 421 ABOVE **** Ottt FOR 1182 TO 1198. SEE 541 TO 613 ABOVE *ttt 444. FOR 1190 TO 1202. SEE 373 TC 421 ABOVE *ttt FATTERB 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 4999 9999 9999 FCR FCR FCR FOR FOR EOR FCR ECR FOR FOR FCR EOR FCR ECR FCR FOR FCR ECR FCR FCR ECR FOR EOR FOR FCR FOR FOR EOR FOR ECR FCR ECR FOR ECR FCR FCR FCR FCR FCR FCR FCR FCR EOR FCR EOR FCR ECR FCR EOR FCR ECR 1198 1202 1210 1218 1242 1266 1270 1282 1294 1302 1306 1314 1318 1328 1330 1334 1342 1350 1354 1378 1386 1392 1394 1398 1422 1438 1454 1458 1466 1470 1476 1482 1510 1518 1526 1534 1542 1546 1554 1586 1614 1630 1638 1644 1648 1662 1666 1682 1690 1710 1718 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TC T0 T0 T0 TO TO TO TO TC T0 T0 T0 T0 T0 TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 NCTES 12060 12100 12420 12660 12700 12740 12820 12940 13060 13140 1318- 1320. 13240 13340 13380 13420 13540 13700 13740 13360 13920 13989 14229 14300 14380 14540 14660 14700 14720 14740 14820 14940 15260 15340 15420 1546. 15540 15780 15800 161‘. 163C. 1640. 16440 16480 16620 16740 16820 169C. 1706. 17229 17760 489 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES TO TO 10 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TP TC 109 109 109 109 109 241 421 109 73 109 73 109 109 73 109 73 109 73 109 73 109 73 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE' ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 PATTERN 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 FCR FCR FCR FOR FCR FOR FCR FCR FER FOR FCR FCR FCR FCR FCR FCR FCR FrR FCR FCR FCR FCR FCF FOR ECF FOR FCR FCR EFF FCF FCR FER FCR FCR FCR FCR FCR FCR FCR FOR FCR FCR FCR FOR FCR FCR FCR FCR FOR FOR FOR 1722 1732 1738 1752 1756 1758 1762 1768 1770 1774 1798 1814 1818 1820 1824 1830 1846 1863 1881 1883 1687 1891 1895 1903 1905 1915 1919 1929 1935 1939 1943 1951 1955 1973 1987 1995 2C05 2CC9 2013 2C15 2016 2C19 2020 2C21 2023 2C24 2027 2C51 2063 2871 2C81 TC TO TO T0 T0 T0 TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO 70 TO TO TO T0 T0 TO TO TO TO T0 T0 T0 T0 TO T0 T0 TC TO TO AETES 17280 17380 17520 17560 17620 17680 17700 17720 17740 17820 18140 18190 18200 18240 18280 18470 18550 18750 18850 18870 18950 19010 19030 19070 19150 19210 19250 19330 19430 19490 19510 19550 19730 19790 20010 20030 20090 20130 20160 20170 20190 20210 20230 20240 20250 20270 20550 20590 20750 20810 20890 490 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES T0 T0 T0 TO TO TO TO TO TO TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO T0 TO 70 TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO TO TO TO 109 73 109 73 109 613 421 109 109 73 109 109 73 109 73 109 73 109 241 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 LENGTH PATTERN 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 i999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 FCR ma FOR 909 rcn FCR FCR FCR FOR son H39 FDR Fcn PCP ma son in: Ftp FCR rm: FCR ma Ftp FCR FCR FOP son FCR m: FCR FCR FCR FCR rcs FOP FCR FCF FCR sea son FIR FCF 9m: rm: FEF FOP FCR r-ca FCR FCR row 2C83 2CB9 2C93 2103 2109 2111 2119 2123 2139 2147 2155 21t5 21E9 2175 2177 2181 2185 2191 2219 2227 2253 2255 2257 22£3 2267 2275 2279 2291 2293 2297 23C7 2311 2315 2323 2325 2339 2343 2345 2351 2355 2359 2365 2367 2373 2391 2399 2‘03 2409 2411 2419 2423 70 TO TO TO 70 TO 70 TO 70 TO TO TO TO TO TO TO TC TO TO TO TO TO TO TO T0 T0 T0 TO TO TO TO TO T0 T0 TO TO TO TO TO TO TO TO NCTES 20939 2C959 20999 21099 21139 21179 21239 21399 21959 21559 21599 21699 21759 21319 21839 21859 21899 21949 22359 22379 22579 22599 22639 22739 22759 22799 22919 22979 22999 23019 23159 23219 23239 23279 23399 23459 23479 23499 23599 23619 23639 23739 23759 23919 24039 24099 24119 24159 24199 24299 24319 491 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 37 541 1 37 49 37 49 169 373 49 37 49 37 49 37 49 37 49 169 373 49 37 49 169 373 49 37 49 37 49 37 E41 373 49 169 373 49 37 49 37 49 37 49 37 49 37 49 37 49 37 541 TO T0 T0 TO 70 TO 70 73 109 241 421 109 613 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 FATTEBA 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 FEE FOB EOE FCB EOE FCR FEE FEB FCR FCR FCR ECE FCR FCR ECB FOB FCR FCB FCB ECB FOP ECP FOE ECE ECE EOE EOE ECE ECP FCB FEB FEB FCR FEE ECE ECP EOE ECR FOB FOB EOE ECB FOR FOP FCR FEE EFF ECP FOR ECB EOE 2429 2431 2434 2439 2441 2445 2448 2449 2452 2453 2455 2457 2459 2467 2479 2487 2489 2497 2503 2509 2513 2515 2516 2517 2519 2527 2533 2535 2537 2541 2543 2553 2555 2557 2559 2561 2563 2565 2566 2567 2591 2599 2603 2611 2613 2615 2619 2621 2625 2627 2631 T0 T0 T0 TO T0 T0 TO T0 T0 TO 70 TO TO TO TO TO TO T0 T0 T0 T0 TO TO TO TO TC T0 T0 TO TO TO TO TO TO TO TO T0 T0 T0 TO TO T0 T0 TO 70 TO TO TO TO T0 T0 NCTES 24349 24359 24399 24459 24479 24489 24529 24539 24559 24579 24589 24599 24759 24779 24879 24939 24959 25039 25139 25159 25169 25179 25199 25279 25319 25339 25379 25419 25439 25479 25499 25579 25599 25619 25639 25659 25669 25679 25919 25999 26039 26079 26119 26159 26199 26219 26259 26279 26299 26319 26359 492 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 373 541 373 49 37 49 37 541 373 49 37 49 169 373 49 37 49 37 49 37 49 37 37 49 37 49 37 49 169 37 169 373 49 37 37 49 37 49 169 373 169 373 541 373 49 37 NOTES T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 TO 70 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 TO TO TO TO TO TO TO TO TO TO TO TO 421 613 421 109 109 73 613 421 109 73 109 241 421 109 73 109 73 109 73 109 73 109 73 109 73 109 73 109 241 49 73 109 241 421 109 73 109 109 73 109 241 421 109 241 421 613 421 109 73 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 999* 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH PATTERN 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 FCR ECB EOE EOB ECF FOP ECE ECF FCR FOR FEE ECB FCF FOE FOR FOB ECF ECB ECB FOB FOP ECP ECB ECP FCR FCR FCR EOE ECB FCR 2635 2639 2645 2657 2659 2661 2662 2663 2683 2667 2695 2767 2719 2727 2733 2739 2751 2755 2761 2763 2765 2769 2773 2775 2781 2785 2793 2797 2759 2801 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO TO TO TO TO T0 T0 TO T0 T0 TO T0 T0 TO TO TO T0 T0 T0 NCTES 26454 26474 26514 26614 26624 26634 26794 26834 26934 26954 26994 27114 27294 27334 27394 27514 27594 27614 27654 27674 27694 27754 27814 27834 27854 27914 27974 28014 28034 28054 493 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE SEE 49 169 273 49 37 49 37 49 37 49 37 49 37 49 37 1.9 37 49 37 49 37 49 37 541 373 49 37 49 37 49 NOTES T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 TO T0 T0 TO T0 T0 TO T0 TO T0 T0 T0 109 241 421 109 73 109 73 109 73 1C9 73 109 73 109 73 1C9 73 109 73 109 73 109 613 421 109 73 109 73 109 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABCVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 4444 LENGTH PATTFRB 792 293 294 295 796 297 298 299 300 301 302 3C3 304 305 306 307 108 3C9 310 311 312 313 314 316 317 319 319 320 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 4" TYPE I LISTING CONTINUFD tit 494 SEARCH FCR PATTERNS OF TONAL RETROGRADE bAS BEGUN AT 1128 SECCIDS INTO EXECUTICN. «IMHHO—FI—I—H—I NCTES 10 10 TO TO 10 10 T0 TO 70 TO TO 70 TO 70 70 T0 70 T0 70 T0 TO T0 70 TO 10 TC 10 TD TO 10 T0 10 TO TC TO 70 T0 TO TO T0 TD 70 70 10 73 73 73 73 73 73 73 73 73 1C9 109 109 109 109 109 109 109 109 109 109 1C9 109 109 109 109 109 169 109 109 109 109 109 109 109 109 109 109 109 109 109 109 109 1C9 1C9 RELATFD T0 4 NOTES 1N LENGTH -- 529 1142 1758 1935 2C83 2307 2419 2448 2773 109 409 445 789 805 930 942 958 970 1002 1022 1034 1070 1106 1118 1130 1140 1198 1210 1242 1306 1330 1392 1398 1466 1534 1546 1630 1662 1710 1756 1881 1903 1915 2015 NOTES T0 T0 T0 T0 T0 T0 T0 TO T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TU T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 Tn T0 10 T0 613 1166 1770 1949 2095 2321 2431 2453 2783 145 481 505 821 853 946 952 970 1014 1026 1042 1070 1086 1126 1134 1142 1158 1210 1266 1274 1320 1342 1422 1438 1474 1554 1580 1644 1682 1726 1768 1887 1915 1925 2019 TEST mmammmwmwmmmmmmmmmwmmwwmmmmmmmwmmmwmmmmmmmmm LENGTH bb駧#bbbb-L‘J‘J‘bbéébJ‘J‘##4‘41‘ébbbt‘éh534‘é-1‘ébbbbbéé PATTFRN 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 351 352 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 38C 381 352 383 384 385 386 NCIES 70 70 70 TO 70 TC 70 70 70 70 TO 70 70 TC 70 10 70 70 70 70 10 TO 70 70 70 70 10 TO TO 70 TO 10 10 TO TO 70 TO 70 70 70 70 70 TO TO TO 70 70 70 70 10 T0 109 109 109 109 109 109 109 109 109 1C9 109 109 109 109 109 109 109 109 109 1C9 109 109 109 109 109 109 109 109 109 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 495 RELATFD TO 2C19 2021 2C63 2081 2109 2175 2253 2291 2343 2351 2367 2391 2403 2439 2453 2503 2513 2516 2519 2533 2561 2565 2567 2657 2661 2763 2769 2797 2801 421 481 781 797 934 956 978 1€14 1026 1104 1110 1126 1134 1218 1266 1314 1328 1394 1542 1718 1814 1987 NOTES TO TC TC TC T0 70 TO T0 TO TO T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 TO T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO T0 TO TO T0 T0 TO TU T0 T0 TO T0 T0 T0 T0 TO T0 TO 2023 2025 2081 2093 2117 2183 2259 2299 2349 2361 2391 2409 2415 2447 2458 2515 2517 2527 2533 2541 2566 2591 2603 2662 2679 2769 2781 2803 7806 493 517 805 837 948 966 1022 1034 1050 1118 1130 1140 1146 1270 1282 1324 1338 1430 1578 1728 1820 2003 TFST U101J'U'IUI'JIJIWUIUIUIUVU‘UIWUlU‘U‘U'U‘UlU‘U‘mUIU‘mWWWWU'WU‘WWWU‘WU‘WWU‘WUJ‘J‘WU‘UIW LENGTH ##J‘J‘J‘3‘3‘4‘53‘J‘4‘éé§ééé$ébbb§é§é#bc94‘bbat‘é4‘ébbb4‘él‘4‘4‘4‘4‘4‘bbb 496 PATTERA NCTES RELATED TC NOTES TEST LENGTH 387 49 TO 121 2013 TO 2017 5 4 388 49 TO 121 2020 TO 2024 5 4 389 49 TO 121 2023 TO 2027 5 4 390 49 T0 121 2177 TO 2185 5 4 391 49 TO 121 2255 TO 2263 5 4 392 49 TO 121 2293 TO 2301 5 4 393 49 TC 121 2355 TO 2363 5 4 394 49 T0 121 2365 TO 2375 5 4 395 49 TO 121 2399 TO 2411 5 4 396 49 TO 121 2409 TO 2419 5 4 397 49 TC 121 2441 TO 2448 5 4 398 49 T0 121 2455 TO 2459 5 4 399 49 TO 121 2487 TO 2495 5 4 4C0 49 TO 121 2509 TO 2516 5 4 401 49 TO 121 2515 TO 2519 5 4 402 49 TO 121 2517 TO 2531 5 4 403 49 TO 121 2535 TO 2543 5 4 404 49 TO 121 2553 TO 2559 5 4 405 49 TO 121 2563 TO 2567 5 4 4C6 49 TO 121 2566 TO 2599 5 4 407 49 TO 121 2591 TO 2607 5 4 4C5 49 TO 121 2659 TO 2663 5 4 4C9 49 TC 121 2662 TO 2683 5 4 410 49 T0 121 2683 TO 2695 5 4 411 49 TO 121 2719 TO 2733 5 4 412 49 TO 121 2751 TO 2761 5 4 413 49 T0 121 2761 TO 2767 5 4 414 49 TO 121 2799 TO 2805 5 4 415 49 T0 121 2803 TO 2807 5 4 444* FOR 73 T0 133. SEE 37 TO 109 ABOVE **** 344* FPP 109 TO 145. SEE 49 TO 121 ABOVE **** 416 121 TO 157 517 TO 589 5 4 417 121 TO 157 773 TO 797 5 4 418 121 T0 157 898 TO 914 5 4 419 121 TO 157 954 TO 962 5 4 420 121 TO 157 1102 TO 1110 5 4 421 121 TO 157 1274 TO 1294 5 4 422 121 T0 157 1326 TO 1334 5 4 423 121 TO 157 1382 TO 1392 5 4 424 121 TO 157 1480 TO 1494 5 4 425 121 TO 157 1590 TO 1630 5 4 426 121 TO 157 1646 TO 1662 5 4 427 121 T0 157 1686 TO 1706 5 4 428 121 T0 157 1728 TO 1738 5 4 429 121 TO 157 1742 TO 1756 5 4 430 121 TO 157 1772 TO 1782 5 4 431 121 TO 157 1810 TO 1819 5 4 432 121 TO 157 1819 TO 1824 5 4 433 121 TO 157 1855 TO 1875 5 4 434 121 TO 157 1933 TO 1943 5 4 435 121 TO 157 1953 TO 1973 5 4 PATTFFB 436 437 438 439 440 4.41 442 1.43 44:. 445 1.1.5 447 “a 449 4.50 451 1.52 453 454 455 456 451 458 459 46C an «e: 463 «u. 465 ace 4“ «8 «cs 1.70 ‘71 02 413 41:. 475 an 417 418 419 «ea 421 457 453 484 485 as: 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 NETES TO TO T0 T0 TO 70 TO TO T0 T0 TO T0 TO TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO TO TO T0 T0 T0 T0 TO T0 T0 T0 TO TO TO TO T0 TO TO T0 T0 T0 TO T0 T0 T0 T0 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 157 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 497 RELATED TO 1979 2004 2011 2099 2151 2167 2183 2277 2305 2363 2415 2447 2483 2495 2549 2629 2679 2693 2715 2729 2743 2759 2791 493 733 870 952 1086 1270 1318 1378 1438 1476 1586 1644 1682 1722 1738 1770 1798 1818 1824 1929 1951 1973 1995 2009 2024 2119 2147 2165 NOTES TO TO T0 TO 70 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO 70 T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO 2001 2009 2016 2109 2159 2175 2189 2291 2315 2373 2429 2452 2493 2503 2557 2635 2693 2699 2729 2739 2759 2765 2797 529 781 902 958 1104 1286 1326 1388 1458 1486 1626 1650 1698 1732 1754 1778 1818 1822 1830 1935 1967 1987 2004 2015 2051 2135 2157 2171 TEST LENGTH JIJTJ“UTUIUTU'JTUTUTUTUTU‘IUIU‘TUTUTUTU'IUTUTUTUTUTUTUIU'U‘UTU‘UTUIUTUIUIU’U'IUTUTU'IUTUTUTUIWU'IUIUTUIWW éééJ‘béébl‘l‘é#3‘4‘3‘5bkébl‘l‘ébbbbbbbl‘bvhfi-l‘bJ‘bkt‘bfil‘é-K‘J‘J‘J‘béb PATTERN 487 488 489 490 491 492 493 494 495 496 497 498 499 500 501 502 503 504 505 506 5C7 5C8 5C9 514 617 518 519 620 521 522 ‘23 E24 525 526 521 528 £29 530 531 932 533 £34 #44. FCR tttt FCR tit: FCR 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 145 157 157 157 157 157 157 15 157 157 157 157 157 169 169 169 169 241 241 241 241 373 373 373 373 373 373 373 373 373 409 421 445 NCTES TO T0 TO 70 T0 TO T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 TO TO TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 217 241 241 241 241 241 241 241 241 241 241 241 241 373 373 373 373 421 421 421 421 445 445 445 445 445 445 445 445 445 4810 493. 505. 498 RELATED TO SEE SEE SEE 2181 2191 2257 2275 2297 2359 2411 2445 2457 2479 2489 2627 2663 2687 2707 2727 2739 2755 2785 373 709 1190 1302 1458 1526 1768 2339 2452 2559 2611 2625 1170 2135 2327 2607' 1166 2123 2325 2603 1342 1510 1887 2323 2537 2555 2599 2613 2635 49 37 49 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 2187 2195 2267 2287 2303 2365 2423 2449 2467 2489 2497 2633 2687 2697 2715 2735 2755 2763 2793 445 773 1206 1318 1472 1546 1774 2347 2457 2565 2619 2631 1190 2145 2345 2615 1182 2143 2343 2613 1370 1534 1901 2339 2547 2561 2611 2621 2647 TEST UIUIUTJIU'IUTUTUTUIUTUTUTUTUTUIOTUIUIUIUTWUIUTUTUIU'IUTUTUTUTUTUIUIUIUTUTUTUIUIU‘V’IU'IUTU'IUIUTUTUT LENGTH &&&bbéé§&&béééb$‘5§&é¢5¢bJ‘bbl‘é&bb¥‘¥‘l‘éb§é¢bb§bbbbé 121 ABOVE **** 109 ABOVE **‘¢ 121 ABOVE **" PATTERB 888$ FfR 535 536 537 538 539 540 541 542 543 544 545 546 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 578 579 580 581 582 583 584 481 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 493 NCTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 TC T0 T0 T0 TO T0 T0 TO T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 517. 529 529 529 529 529 529 529 529 499 RELATED TO SEE 37 922 948 966 1050 1082 1206 1338 1374 1388 1430 1474 1506 1582 1826 1640 1450 1674 1708 1734 1754 1790 1822 1575 1885 1901 1907 1927 1949 1967 2007 2017 2059 2075 2105 2117 2145 2159 2171 2189 2247 2273 2287 2321 2349 2375 2435 2477 2499 2531 2633 NOTES TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 70 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 109 ABOVE 942 956 1002 1082 1102 1242 1354 1386 1398 1454 1482 1526 1614 1640 1648 1674 1690 1722 1752 1762 1814 1828 1885 1895 1907 1921 1933 1955 1979 2013 2021 2075 2089 2113 2123 2155 2169 2181 2194 2257 2279 7297 2327 2359 2403 2445 2487 2513 2537 2645 TEST mmmmmwmwmmmmmmmmmmmwmmmmmmmmwmmmmmmmmmmmmmmmmmmmmm LENGTH *ttt 5&«1‘3‘4‘3‘#ébJ‘J‘J‘ébbl‘ét‘t‘J-‘ébbbéJ‘J‘J‘éél‘ébbbééé-fi#4‘3‘3‘4‘4‘4‘bJ‘J‘3‘ PATTERN 585 566 567 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 603 604 6(5 606 607 6C8 6C9 610 611 612 613 614 615 616 617 618 619 620 621 622 623 624 625 626 627 628 629 630 631 632 633 634 635 493 493 493 493 493 493 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 517 NCTES TO TD T0 T0 TO TC T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO TC TO TC T0 T0 70 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 529 529 529 529 529 529 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 589 500 RELATED TC 2653 2705 2735 2767 2783 2795 902 946 962 1042 1074 1202 1282 1334 1386 1422 1470 1482 1554 1614 1638 1648 1666 1690 1732 1752 1774 1820 1863 1883 1905 1919 1955 2005 2016 2071 2103 2111 2155 2169 2185 2279 2345 2373 2497 2527 2631 2695 2733 2765 2793 NOTES T0 T0 T0 TO TO TO TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 TO 1n T0 T0 TO TO TO T0 T0 T0 TO TO TO TO TO TO T0 TO 2661 2711 2751 2775 2791 2801 922 954 978 1074 1094 1218 1302 1350 1394 1446 1476 1498 1582 1638 1646 1666 1686 1708 1742 1758 1784 1827 1881 1891 1919 1927 1975 2011 2020 2083 2111 2119 2165 2177 2191 2293 2351 2399 2509 2535 2639 2701 2743 2773 2799 TEST wmmmmmmwmmwmmmmmmwmmmmwmwmmmmmmwwmmmmmmwmmmmmwmmmmm LENGTH 4‘3‘3‘3‘3‘94‘3‘4‘6‘93‘bbébbéb-6‘3‘4‘4‘bb9bébb¢bbb§§vb§bébé91‘6‘454‘3‘41‘91‘ 501 PATTEBA NCTES RELATED TE NOTES TEST LENGTH 636 541 TO 7C9 2541 TO 2549 5 4 (27 SE9 TO 733 1158 TO 1178 5 4 11¢: FEB 613 TO 765. SEE 541 TO 709 ABOVE **** ##tt FCR 7C9 TO 773. SEE 373 TO 445 ABOVE **** ##tt FCR 733 TC 781. SEE 493 TO 529 ABOVE **#* ttt: FCR 773 To 797. SEE 517 TO 589 ABOVE #*## tttt ECE 781 TO 805. SEE 37 TO 109 ABOVE **** #444 EFF 789 TO 821. SEE 49 TO 121 ABOVE **¢* #44: FEB 797 TO 837. SEE 37 TO 109 ABOVE **#* 444* FEB ECS T0 853. SEE 49 TO 121 ABOVE **#* tttt FEB 821 T0 £69. SEE 37 TO 109 ABOVE **** :44: FOR 837 TO 870. SEE 49 TO 121 ABOVE #*** .44. FEB 853 TO 894. SEE 171 TO 157 ABOVE **** tttt PER 869 T0 898. SEE 145 TC 217 ABOVE **** **#* ECB £70 TO 902. SEE 493 TO 529 ABOVE **** tit: ECF 898 TO 914. SEE 517 TO 589 ABOVE **** 44:: FOR 902 TO 972. SEE 121 TO 157 ABOVE **** :ttt FCR 922 TO 94?. SEE 145 TO 217 ABOVE ***4 #t#* PCB 930 To 946. SEE 49 TO 121 ABOVE **** 4499 PER 934 TO 948. SEE 37 TO 109 ABOVE t*#* ###* FCR 942 TO 952. SEE 49 TO 121 ABOVE tit* 444‘ FCR 946 TO 954. SEE 121 TO 157 ABOVE ***t tttt FCR 948 TO 956. SEE 145 TO 217 ABOVE #ttt tttt FCR 952 TO 958. SEE 493 TO 529 ABOVE **** tttt PCB 954 TC 962. SEE 517 TO 589 ABOVE ¢t** 40¢: FEB 956 TO 966. SEE 37 TO 109 ABOVE ##tt *‘** PCB 958 TO S70.- SEE 49 TO 121 ABOVE #*#* tttt FCB 962 TC 978. SEE 121 TO 157 ABOVE #*#* 4:44 PER 966 TC lCOZ. SEE 145 T0 217 ABOVE **** ttfit EEF 970 TO 1014. SEE 49 TO 121 ABOVE *t*# t’*‘ EFF 978 TO 1022. SEE 37 TO 109 ABOVE #*** .444 FEB 1002 TO 1026. SEE 49 TO 121 ABOVE **** 441* FEB 1014 TO 1C34. SEE 37 TO 109 ABOVE **** 044* FOR 1C22 TO 1042. SEE 49 TO 121 ABOVE #**t 44.9 FEB 1626 TO 1050. SEE 37 TO 109 ABOVE **** 04¢. ECP 1C34 TO 1C70. SEE 49 TO 121 ABOVE **** tttfi ECG 1042 TO 1074. SEE 121 T0 157 ABOVE **** #444 FOR 1050 TO ICBZ. SEE 145 TO 217 ABOVE t*** tttt FEB 1070 TO 1C86. SEE 49 TO 121 ABOVE **** 44:: FOB 1C74 TC 1C94. SEE 121 TO 157 ABOVE ***t #949 ECB 1C82 TO 1102. SEE 145 TO 217 ABOVE **** tttt ECF 1(86 TO 1104. SEE 493 TO 529 ABOVE *ttt tttt FEE 110? TO 1110. SEE 517 TO 589 ABOVE **** 4904 FEB 11C4 TO 1118. SEE 37 TO 1C9 ABOVE **** ##tt FEB 1106 TO 1176. SEE 49 TO 121 ABOVE **t* :44: FEB 1110 TO 1130. SEE 37 TO 109 ABOVE #4:: tttt ECP 1118 TO 1134. SEE 49 TO 121 ABOVE **** 449* EFF 1126 TO 1140. SEE 37 TO 1C9 ABOVE **** 4444 FEB 1130 TO 1142. SEE 49 TO 121 ABOVE tttt Attt ECB 1134 TO 1146. SEE 37 TO 109 ABOVE **t* u" FEB 1140 TC- 1158. SEE 49 m 121 move nu FATTEBA 638 639 640 641 44*: 434* 4444 0:4: 444* 49*! 1:4: 444* 4444 44¢: :44: tttt #444 41:: #444 642 (43 4446 444* :40: 4444 :at: 4444 4044 4044 4:4: 44*! 0‘44 644 645 646 647 648 649 650 651 652 653 654 655 656 657 e59 659 1146 1158 1158 1158 1166 1170 1178 1182 1190 1198 1202 1206 1210 1218 1242 1266 1270 1274 1282 1286 1286 1294 1302 1306 1314 1318 1326 1328 1330 1334 1338 1342 1350 1350 1350 1350 1350 1350 1350 1350 1350 1350 1354 1354 1354 1354 1354 1354 :41: FOR 1374 4449 FCR 1378 044* FEB 1382 TO TO TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 TC T0 T0 TO T0 TO T0 T0 TO T0 T0 T0 T0 T0 TO TO TO T0 T0 TO TC TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 NCTES 1170 1178 1178 1178 11820 1190' 11980 12020 12060 1210' 12180 12420 12660 12700 12749 1282. 12860 12940 1302' 1306 13C6 13199 13180 13200 13240 1376. 13340 13380 13420 13500 13540 13700 1374 1374 1374 1374 1374 1374 1379 1374 1374 1374 1378 1378 1378 1378 1378 1378 13860 1388. 13920 502 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 2(89 1178 2429 2619 169 241 589 541 373 49 121 145 49 37 49 37 493 517 121 2093 2543 541 373 49 37 493 517 37 49 121 145 157 1454 1518 1691 2027 2219 2263 2459 2557 2615 2639 1446 2025 2121 2195 2259 2458 145 493 517 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 TO TO TO TO TO T0 T0 TO TO TO TO TO TO TO TO NOTES 2099 1198 2435 2627 373 421 733 709 445 121 157 217 121 109 121 109 529 589 157 2103 2553 709 445 121 109 529 589 109 121 157 217 241 1470 1542 1903 2059 2237 2275 2477 2563 2625 2651 1466 7055 2139 2235 2273 2475 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE UTU'TU'TUT mmwmwmwmwwmwmmmm ##8# #646 *#** #4:: tttt ***# tttt *ttt tttt tttt 44¢: *ttt 4:4: **#* 41¢: *ttt tttt tttt #tt* #4:: *ttt 4:4: #4:: ##tt 4:44 4:4: 217 ABOVE **** 529 ABOVE **9* 589 ABOVE **** LENGTH bJ‘J‘b SébbbébbkaEbbbb PATTE 8888 8888 8888 8888 8888 8888 8888 8888 660 661 662 663 664 665 666 667 668 669 670 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 FA FCR ECR FCR FCB FOR FCR FOR FOB FER EBB ECP FOR FCR son FCB FCR rra FCR FCR FCR FCR FCR an FCR FOR FER FCR FCR FOR FOR FCR ch FCR FOR scn FCR FEE FCR FCR FEB 1386 1388 1392 1394 1393 1422 1430 1438 1446 1446 1446 1446 1446 1446 1446 1446 1446 1446 1446 1454 1453 1466 1470 1474 1476 1430 148? 1506 1510 1518 1526 1534 1542 1546 1554 1582 1566 1550 1614 1626 1630 1638 1640 1644 1646 1648 1650 1662 1666 1674 1682 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO TO 70 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 NCTES 13940 13989 14220 14300 14380 14469 14540 14589 1466 1466 1466 1466 1466 1466 1466 1466 1966 1466 1466 19701 14729 14749 14760 14820 14860 14940 14980 15260 15349 15420 15460 15540 15780 15800 15829 16190 16260 16300 16380 16409 16440 1646. 16480 16500 16620 16660 16740 1682. 16860 16900 16989 503 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 121 145 49 37 49 121 145 493 1895 1943 2051 2139 2227 2267 2315 2434 2467 2645 2781 1350 373 49 121 145 493 517 121 145 157 1350 373 49 37 49 121 145 493 517 121 145 49 121 145 493 517 121 145 49 121 145 493 NOTES TO 157 TO 217 TO 121 TO 109 TO 121 TO 157 TO 217 TO 529 TO 1905 TO 1953 TO 2063 TO 2147 TO 2239 TO 2277 TO 2325 TO 2441 TO 2479 TO 2653 TO 2789 TO 1374 TO 445 TO 121 TO 157 TO 217 TO 529 TO 589 TO 157 TO 217 TO 241 TO 1374 TO 445 T0 121 TO 109 TO 121 TO 157 TO 217 TO 529 TO 589 TO 157 TO 217 TO 121 TO 157 TO 217 T0 529 TO 589 TO 157 TO 217 TO 121 TO 157 TO 217 TO 529 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE mmwmmmmmmmm #44: 888* 8888 888* 8888 8888 888* 8888 888* 888* 8888 44*: 8888 8888 888* 8888 8888 8888 8888 8888 8888 8888 8888 8888 888* 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 8888 888* 8888 LENGTH 4‘4‘6‘bb4‘bbbbl‘ 504 FATTERA NCTES RELATED TC NOTES TEST LENGTH 9999 FOR 1686 TO 1106. SEE 511 T0 589 ABOVE 9999 9999 FEB 1690 TO 1108. SEE 121 TO 151 ABOVE #*** 9999 FEB 11C8 TO 1122. SEE 145 TO 211 ABOVE *ttt 999* FEE 1110 TO 1126. SEE 49 TO 121 ABOVE t*** 999* E89 1118 TC 1128. SEE 31 TO 109 ABOVE **** 9999 FEB 1122 TO 1132. SEE 493 TO 529 ABOVE tttt 9999 EFF 1128 TO 1138. SEE 511 TO 589 ABOVE *ttt 999* FOR 1132 TO 1142. SEE 121 TO 151 ABOVE **** ittt ECR 1134 TO 1152. SEE 145 T0 211 ABOVE #999 9999 FEB 1138 TO 1154. SEE 493 TO 529 ABOVE #999 9999 FEB 1142 TO 1156. SEE 511 TO 589 ABOVE **** 9999 FOR 1152 TO 1158. SEE 121 TO 151 ABOVE **** 999* ECF 1154 TO 1162. SEE 145 T0 211 ABOVE 998* 9999 FEB 1156 TO 1168. SEE 49 TO 121 ABOVE *ttt 9999 FEB 1162 TC 1112. SEE 541 TO 109 ABOVE ***t 9999 FEB 1168 TO 1114. SEE 313 TO 445 ABOVE 99** 999* FEB 1110 TO 1118. SEE 493 TO 529 ABOVE tttt 9999 FOR 1112 TO 1182. SEE 511 TO 589 ABOVE *ttt 99*9 FEB 1114 TO 1184. SEE 121 TO 151 ABOVE tttt 9999 FEB 1190 To 1814. SEE 145 TO 211 ABOVE **** 999* ECR 1198 TO 1818. SEE 493 TO 529 ABOVE **t* 9999 FEB 1810 TO 1819. SEE 511 TO 589 ABOVE #t** 9999 FOR 1814 TO 1820. SEE 31 TO 109 ABOVE **** 999* EOE 1818 TO 1822. SEE 493 TO 529 ABOVE 9999 999‘ EOE 1819 TO 1824. SEE 511 TO 589 ABOVE tttt 9999 E09 1820 TO 1821. SEE 121 TO 151 ABOVE *ttt 9999 FEB 1822 TO 1828. SEE 145 TO 211 ABOVE #999 9999 EUR 1824 TO 1830. SEE 493 TO 529 ABOVE 9999 199* FEB 1828 TO 1841. SEE 511 TO 589 ABOVE tttt 9999 FEB 1830 TO 1855. SEE 31 TO 1C9 ABOVE #999 9999 FEB 1846 TO 1863. SEE 493 TO 529 ABOVE **** 9990 FEB 1855 TO 1815. SEE 511 TO 589 ABOVE 9999 #383 FOR 1863 TO 1881. SEE 121 TO 151 ABOVE 999* 9999 FEB 1815 TO 1885. SEE 145 TO 211 ABOVE 999* 9999 E09 1881 TO 1881. SEE 49 TO 121 ABOVE *ttt 9999 ECB 1883 TO 1891. SEE 121 TO 151 ABOVE 9999 *t*# FEB 1885 TO 1895. SEE 145 To 211 ABOVE #999 9999 FEB 1281 TO 1901. SEE 151 TO 241 ABOVE **** 999$ FEB 1891 TO 1903. SEE 1350 TO 1314 ABOVE **** 9999 EUR 1895 TO 1905. SEE 1354 TO 1318 ABOVE **** 999’ FEE 1901 TO 1901. SEE 145 TO 211 ABOVE **** 9999 FEB 1903 TO 1915. SEE 49 T0 121 ABOVE *ttt 9999 FEB 1905 TO 1919. SEE 121 TO 151 ABOVE *ttt 9999 FEB 1901 TO 1921. SEE 145 T0 211 ABOVE #999 **** FOB 1915 TC 1925. SEE 49 TO 121 ABOVE 999* 9999 FOR 1919 TO 1921. SEE 121 TO 151 ABOVE t**# 9999 EOE 1921 TO 1933. SEE 145 TO 211 ABOVE **** 9999 EOE 1929 TO 1935. SEE 493 TO 529 ABOVE 9*99 ittt FEB 1923 TO 1943. SEE 511 TO 589 ABOVE t*** 9999 FCF 1939 TO 1951. SEE 541 TO 109 ABOVE **** 9999 ECB 1943 TC 1953. SEE 1354 TO 1318 ABOVE 9*99 PATTEBA 1". #1:: 4t¢t attt ##tt ¢¢¢t tttt tttt tttt ittt ittt tttt attt Qtt‘ Iii! sit: tit: ittt :ttt tttt fittt tttt 1:1: ittt tit: tttt tttt ittt tttt ittt tttt tttt fittt tttt tit: tttt tttt tttt #ttt t### 1“: tttt titt attt tttt FEB ECB FEB FCR ECF EOE FEE FCF EFF FCR FOR ECB EOE ECP EFF ECB FCR ECR FEE ECB FCR FCR FOB EOE FCR EEF FEE FEE EOE ECP ECP ECP ECE FCR FCR ECP EOE ECP ECF FOB ECB ECF FCR ECB FOB 1949 1951 1953 1955 1967 1973 1979 1987 1995 2004 2OC5 70C? PCC9 2011 2Cl3 2015 2016 2017 2019 2020 2C2] 2023 2024 2C25 2027 2051 2C59 2663 2C71 2C75 2C5! 2C89 2C99 2103 2105 21C9 2111 2117 2119 2121 2123 2135 2139 2145 2147 TO TO TO TO TO TO 10 10 TO TO 10 10 10 10 TC 10 10 10 1C 10 10 TO 10 10 TO 10 10 TO TO 10 TO 70 10 10 TO 10 TO TO TO T0 T0 TO 70 10 TO NCTES 1955. 19670 19730 19750 1979- 19870 20019 20039 2CO49 2009. 20119 20139 20150 20160 20170 20190 ZCZOo 20210 20230 20240 20750 20270 ZCSIQ 23550 20590 20630 2C750 20819 2C83o 2C89. 20939 20990 21090 21110 21130 21170 21190 21230 21350 21390 21430 21459 2147. 21550 21570 505 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 145 493 517 121 145 493 517 37 493 517 121 145 493 511 37 49 121 145 49 37 49 37 493 1446 1350 1354 145 49 121 145 49 [146 51? 121 I45 49 121 145 493 1446 169 241 1354 I45 493 NOTES TO 217 70 529 10 589 TC 157 TO 217 TO 529 TO 589 TO 109 TO 529 TO 589 TO 157 TO 217 TO 529 TO 589 TO 109 TO 121 TO 157 TO 217 TO 121 TO 109 TO 121 TO 109 TO 529 TO 1466 TO 1374 TO 1378 TO 217 TO 121 TO 157 TO 217 TO 121 TO 1170 TO 589 TO 157 T0 217 T0 121 TO 157 TO 217 TO 529 TO 1466 TO 373 TO 421 TO 1378 TO 217 TO 529 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE tttt ##tt *ttt t#*t tttt tttt *ttt tttt #ttt *t*# tttt *t*t tttt tttt tttt tttt ##tt *ttt *ttt *ttt tttt ##t# #*t# tttt tttt :11: *t** ###* tttt tttt tttt #ttt tttt *ttt ##t# *tt* tttt tit: *ttt ##tt *t*# *t#* ##t* ##t* ##tt LENGTH PATTEFA 671 £72 673 an. 675 676 677 678 (79 sec 661 (~22 (£3 set. 685 686 667 see 6!“ 69c (~91 692 693 694 695 6.96. 697 698 699 NC 7C1 7C2 1:3 704 7c5 7C6 7C7 7ce 7C9 no 711 712 713 714 SEARCE FOR PATTERNS bAS BEGUN AT 2056 SECCADS tit TYPE I LISTTAG CONTINUED *¥* ACTES T0 T0 T0 TO TC T0 T0 T0 TC TC T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO TO T0 T0 T0 TC TO TO TC 506 CE 5 NOTES 1N LENGTH -- TONAL RETROGRADE 109 109 109 109 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 121 133 133 133 133 133 133 133 133 133 133 133 133 RELATED TC 1140 1756 2081 2769 421 781 797 934 956 978 1014 1026 1104 1110 1126 1134 1218 1328 1394 1542 2013 2020 2365 2399 2509 2515 2517 2563 2566 2659 2761 2799 409 445 789 930 970 1002 1022 1106 1118 1130 1210 1242 INTO EXECUTION. NOTES TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 TO TO TO 1166 1770 2095 2783 505 821 853 952 970 1026 1042 1070 1126 1134 1142 1158 1274 1342 1438 1580 2019 2025 2391 2415 2517 2527 2533 2591 2603 2679 2769 2806 493 517 837 948 1022 1034 1050 1130 1140 1146 1270 1282 TEST mmwmmmwmmmmmmmmmwmwwwmmmmmmmmmwmmmmmmwmwwmwm LENGTH mmmmwmmmmmmmwmmmmmmmwmmwmmmmmmwmwmmmmmmmmmmm PATTERN 715 716 717 718 719 no 721 722 723 724 725 726 727 728 729 730 731 132 733 73!. 735 736 737 739 739 498‘ FCR 740 141 742 71.3 744 745 746 147 71.8 749 15c 751 752 753 754 755 15(- 757 758 75: 760 761 762 163 764 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 49 73 109 1C9 109 1C9 109 109 1C9 1C9 109 109 1C9 1C9 1C9 109 121 121 121 121 121 121 121 121 121 121 121 NCTES T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TC T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 507 RELATED TO 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 1450 157 157 157 157 157 157 157 157 157 157 157 157 157 157 169 169 169 169 169 169 169 169 169 169 169 SEE 1306 1392 1534 1710 2019 2021 2175 2253 2291 2351 2391 2403 2439 2453 2503 2513 2516 2533 2561 2565 2567 2657 2661 2797 2801 37 773 954 1102 1326 1810 1979 2011 2363 2483 2549 2679 2715 2743 2759 505 765 E94 1C94 1324 1726 1847 1931 1975 2003 2C95 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 TO 1324 1430 1578 1728 2024 2027 2185 2263 2301 2363 2411 2419 2448 2459 2516 2519 2531 2543 2567 2599 2607 2663 2683 2805 2807 121 805 966 1118 1338 1820 2003 2017 2375 2495 2559 2695 2733 2761 2767 589 797 914 1110 1334 1738 1875 1943 2001 2009 2109 TEST mmmmmmmmmmmmmmmmmmmmmmmmm wwwwmwmmwmwmmmwmmmmmmmwmm LENGTH mmmmmmmwmmmmmmmmmmmmmmmmm ABOVE **** mmmmmmmmmmmmmmmmmmmmmwmmm PATTERA 765 766 767 768 769 770 #099 PCB 771 772 773 774 775 776 777 778 779 780 781 782 783 754 785 786 787 78B 4.*# FOR 789 79C #990 FOR 791 792 91*! FCR 793 794 795 99*# FCR 040* PCB .090 FCR 796 797 798 799 8C0 9C1 8C2 8C3 804 EC5 8C6 8C7 8C9 121 121 121 121 121 121 121 133 133 133 133 133 133 133 133 133 133 133 133 133 133 133 145 145 145 145 157 157 157 241 241 241 373 373 373 409 421 445 481 481 491 481 481 481 481 4E1 481 481 481 481 481 NCTES T0 T0 T0 T0 T0 TC TC T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 169 169 169 169 169 169 1690 217 217 217 217 217 217 717 217 217 217 217 217 217 217 217 241 291 241 2410 373 373 3730 445 445 4450 481 481 481 4939 5050 5179 579 529 529 529 579 529 579 579 575 579 579 525 579 508 RELATED TO SEE SEE SEE SEE SEE SEE SEE 2303 2361 2493 2547 2711 2789 121 493 733 870 1086 1318 1722 1929 1973 1995 2191 2297 2359 2489 2707 2785 709 1768 2625 145 2327 2607 157 2323 2599 241 2535 2553 2591 49 37 49 922 966 1050 1206 1388 1626 1650 1708 1754 1875 1901 1907 2017 NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO TO TO T0 T0 TO TO T0 T0 T0 T0 T0 TO TO TO TO TO TO TO TO TO 2315 2373 2503 2557 2729 2797 169 541 789 910 1106 1328 1734 1939 1995 2005 2219 2305 2367 2499 2719 2795 781 1778 2633 241 2347 2619 373 2343 2613 445 2547 2561 2611 133 121 133 946 1014 1086 1266 1422 1644 1682 1726 1768 1887 1915 1925 2023 TEST LENGTH 5 5 5 5 5 5 5 5 5 5 5 5 ABOVE **** 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 ABOVE **** 5 5 5 5 ABOVE **** 5 5 5 5 ABOVE ‘*** 5 5 5 5 5 5 ABOVE **** ABOVE ***‘ ABOVE *tt# 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 PATTFFK 9C9 91c 911 912 913 911. 915 919 917 919 919 92c 921 922 973 921. 925 926 9.27 929 979 931: 931 932 933 931. 935 836 937 939 939 94c 91.1 9999 yrs 91.7 91.3 91.1. 91.5 91.6 91.7 91.9 91.9 950 951 952 953 951. 955 856 957 959 1.91 1.91 1.11 1.91 1.91 1.91 1.91 1.91 1.91 1.91 1.91 1.91 1.91 1.91 1.93 1.93 1.93 193 1.93 193 1.93 1.93 1.93 1.93 1.93 193 193 1.93 1.93 1.93 193 1.93 1.93 1.93 5C5 515 scs scs scs scs 5C5 scs scs 505 505 505 505 £13 7C9 71:9 109 NCTES T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 529 529 529 529 529 529 529 529 529 529 529 529 529 529 541 541 541 541 541 541 541 541 541 541 541 541 541 541 541 541 541 541 541 541. 589 589 589 589 589 589 589 589 589 589 589 589 589 773 781 781 781 509 RELATED TO SEE 2059 2C75 2105 2171 2247 2287 2349 2375 2435 2499 2531 2653 2767 2795 914 1370 1472 1498 1580 1706 1788 1867 1925 2055 2113 2143 2157 2187 2239 2347 2475 2651 2701 493 902 1470 1482 1554 1690 1774 1863 1919 2111 2155 2185 2345 2695 2537 1338 1506 1685 NOTES T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO T0 T0 T0 TO TO TO TO TO T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO 2081 2093 2117 2183 2259 2299 2361 2409 2447 2515 2541 2662 2781 2803 942 1386 1482 1526 1614 1722 1814 1885 1933 2075 2123 2155 2169 2194 2257 2359 2487 2661 2711 541 930 1480 1506 1586 1710 1788 1883 1929 2121 2167 2193 2355 2705 2549 1370 1534 1901 TEST mmmmmmmmmmmmmmmmwmmmmmmmmmwwmmmmm LENGTH mmmmmmmmmmmmmmmmmmmmmmmmmwmmmmmwm ABOVE **’* 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 PATTE E59 860 8488 880* 861 862 863 E64 865 866 E67 E68 E69 870 E71 872 873 E74 E75 876 877 878 E79 88C 881 888$ 9898 8999 889* 889* 8884 9‘89 88*? 282 E83 884 885 886 887 E88 889 E90 891 892 E93 E94 E95 896 E97 898 899 RA FCR ECB ECR FCR ECF ECP ECP ECR FCR ECB 709 709 733 765 773 773 773 773 773 773 773 773 773 773 773 773 773 773 773 773 773 773 773 773 773 781 789 797 805 821 E37 870 894 898 898 898 898 E98 898 898 898 898 898 898 898 898 E98 898 898 898 898 ACTES TO T0 T0 T0 TC T0 T0 TO TO T0 T0 T0 TC T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TC TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TC TC TO 781 781 7890 7970 805 805 305 805 805 805 305 805 805 805 8C5 805 805 8C5 805 805 305 805 805 805 805 8219 8370 8530 8699 8700 9949 9100 9140 922 922 922 922 922 922 922 922 922 922 922 97? 972 922 922 972 922 9?? 510 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 2321 2633 493 505 942 958 1C34 1070 1198 1330 1398 1466 1546 1630 1662 1881 1903 1915 2015 2063 2109 2343 2367 2519 2763 37 49 37 49 37 109 493 505 1274 1382 1480 1590 1646 1686 1728 1742 1772 1819 1855 1953 2C04 2C99 2151 2167 2183 2277 NOTES TO TO T0 T0 T0 T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 T0 TO TO TO TO TC TO TO TO TO TO 2339 2647 541 589 954 978 1074 1094 1218 1350 1446 1476 1582 1646 1686 1891 1919 1927 2020 2083 2119 2351 2399 2535 2773 121 133 121 133 121 157 541 589 1302 1394 1498 1638 1666 1708 1742 1758 1784 1827 1881 1975 2011 2111 2165 2177 2191 2293 TEST LENGTH 5 5 ABOVE #*** ABOVE ***‘ ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE mmwmmwmmmmwwmmmmmmwmm wmmmmmmmmmmmmmm 0191101 **#* ##tt ##tt tit! it?! 888* tttt itti unmmmmmmmmmmmmmmmmmmmm mmmmmmmmmwmmmmmmmm PATTE 900 (Cl 902 903 904 RA 4“! FOR 088* 9cs 9C6 9C7 9C9 9C9 910 911 912 913 911. 915 916 911 918 919 973 991 9;? 898* 408* 1009 #888 It?! 923 921. 925 926 927 9:9 929 93c 931 932 933 931. 935 939 937 939 939 91.0 91.1 91.2 91.3 FOB FCR FCR FCR ECP EUR 898 898 898 898 898 902 914 922 922 922 922 922 922 922 922 922 922 922 922 922 922 922 922 922 922 930 934 942 946 948 952 952 952 952 952 952 952 952 952 952 952 952 952 952 952 952 952 952 952 952 952 NCTES TO TO T0 T0 T0 T0 T0 T0 T0 T0 TC T0 T0 T0 TO T0 T0 T0 T0 TO T0 TO T0 T0 TO TO TC TC TO T0 T0 T0 T0 TO T0 TO T0 T0 T0 T0 TO T0 T0 TC T0 T0 T0 T0 T0 T0 TO 972 922 522 922 522 5309 9429 546 546 946 946 546 946 546 546 946 946 946 546 546 946 546 946 546 546 5489 9529 9549 5569 9589 562 962 962 562 962 562 962 562 562 562 962 562 562 562 562 962 562 962 962 562 562 511 RELATED TC SEE SEE SEE SEE SEE SEE SEE 2495 2629 2693 2729 2791 121 133 1266 1314 1718 1814 1987 2023 2177 2255 2293 2355 2409 2441 2455 2487 2662 2683 2719 2751 49 37 109 853 869 962 1042 1C74 1202 1334 1386 1422 1614 1638 1648 1666 1732 1752 1820 1883 1905 1955 2005 2016 2C7! 2103 NOTES T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO TO T0 T0 T0 TO TO T0 T0 TO TO TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO 2509 2639 2701 2743 2799 169 217 1286 1326 1732 1822 2004 2051 2187 2267 2303 2365 2423 2449 2467 2497 2687 2697 2735 2763 133 121 157 898 902 1002 1082 1102 1242 1354 1398 1454 1640 1648 1674 1690 1752 1762 1828 1895 1921 1979 2013 2021 2089 2113 TEST LENGTH 5 5 S S S 5 S S 5 5 ABOVE *ttt ABOVE **** S 5 S 5 5 5 5 5 5 5 S 5 5 5 S 5 5 S 5 S 5 5 5 5 5 5 S S 5 5 S 5 5 5 5 5 ABOVE **** ABOVE #999 ABOVE *ttt ABOVE tttt ABOVE *ttt mwmmwmmmmmmmmmmmmmmmm UTUTU'UTUTUIUTUTUTUTUTUTUTUTU‘UIUTUTUIUTUI PATTE 944 945 946 941 949 949 950 951 952 **** i*** t*** i*** i*** 8*** I*** i*** **** **** fl*** **** **** **** **** **** 9*** ¢*** 8*** 1*** **** **** **** **** 8*** **** *0** 953 954 955 1*** **** *8** t*** 10** **** 8**t i*** i*** **** l‘** 956 RA FOR FOR 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2373 2497 2527 2631 2733 2765 2793 773 37 109 E53 922 49 37 49 37 49 37 109 853 922 109 853 869 493 505 773 37 49 37 49 37 49 37 2123 2325 2603 (13 373 109 853 922 49 37 49 481 952 898 2541 NOTES TO 2181 TO 2297 TO 2403 TO 2513 TO 2537 TO 2645 TO 2751 TO 2775 TO 2801 TO 805 TO 121 TO 157 TO 898 TO 946 TO 133 TO 121 TO 133 TO 121 TO 133 TO 121 TO 157 TO 898 TO 946 TO 157 TO 898 TO 902 TO 541 TO 589 TO 805 TO 121 TO 133 TO 121 TO 133 TO 121 TO 133 TO 121 TO 2145 TO 2345 TO 2615 TO 773 TO 481 TO 157 TO 898 TO 946 TO 133 TO 121 TO 133 TO 529 TO 962 TO 922 TO 2553 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE UTU'OUWUTUTWUTJTJI JTU'IUT 5 **** *#** **** **** **** **** **** **** **** **** **** *¥** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** 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14589 1466 1466 1466 1466 1466 1466 1470 1470 1470 1470 1470 1470 14709 1477 1472 1472 1472 513 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE 1286 613 373 49 481 493 505 773 37 109 E53 145 1454 1518 2557 1446 2C25 2195 2259 2458 1350 2194 1354 133 869 952 898 853 922 49 37 109 E53 869 1895 1943 2267 2315 2434 2781 1891 2027 2219 2263 2459 2639 1446 1510 1887 2555 2613 TO TO TO TO T0 T0 T0 T0 TO TO T0 T0 TO TO TO TO TO TO TO TO TO TO TO TO T0 T0 TO TO TO TO TO TO TO T0 T0 T0 TO TO T0 T0 TO TO TO T0 T0 TO TO TO TO TO TO NOTES 1314 773 481 133 529 541 589 805 121 157 898 241 1472 1546 2565 1470 2059 2237 2275 2477 1378 2235 1382 217 902 962 922 898 946 133 121 157 898 902 1907 1955 2279 2327 2445 2791 1905 2063 2239 2277 2479 2653 1470 1542 1903 2563 2625 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE UTU‘U'IUTUTUTUTUT **** **** **** **** **** **** **** **** **** **** **** **** ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 5 wwwmwwmmmu JUT C U" 0101‘) **** **** **** **** **** **** **** **** **** **** **** **** ***# LENGTH U'TU‘UTU'IU'IUTUTUT UT WWU'IUTWLOWUTLDUTUTUI \J'TUTU'IUT PATTE 9E? 64“ 40“ 90“ 98“ ittt 9’18 986* 96“ 919* iii! 49*! 98“ ##4* 948* 196* 98“ Qitt $9.9 itit 4‘46 98*! lfifii 99“ Bitt tit. 99“ 191$ 994* ##tt 9"! 96“ tit! 461* $968 88“ 99“ 19" #909 8.9. 08" #*t* fitti $960 18*! 696’ 86¢! ittt #Btt ifitt iitt RN FCR FCR FCR FOB ch FCR FCR FCB FCR FCR PCB FCR FCR FCR FCR FCP FCR FCR FEB FOR F09 FCR FOB FCR FCB FCR FOB FCF FCR FCR FCR FCR FCF FCR FCR FCR FCR FOB FCR FOB FCF FCR FOB FCR FCF FCR FCP FI'B FCP PCP 1454 1458 1466 1470 1472 1474 1476 1480 1482 1498 1506 1510 1518 1526 1534 1542 1546 1554 1580 1582 1586 1590 1616 1626 1630 1638 1640 1644 1646 1648 1650 lééZ 1666 1674 1682 1686 1690 17C6 1708 1710 1718 1722 1726 1728 1732 1734 1738 1742 1757 1754 1767 NCTES T0 T0 T0 TO TO TO TO TC T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO TO T0 T0 T0 TO TO TC TC T0 T0 T0 T0 TC TC TO TO T0 T0 TO TO TC T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO 1472 74749 14769 14809 14829 14869 14949 14989 15069 15269 15349 15429 15469 15549 15789 15809 15829 15869 16149 16269 16309 16389 16409 16449 16469 16489 16509 16629 16669 16749 16829 16869 16909 16989 17069 17089 17109 17229 17269 17289 17329 17349 17389 17429 17529 17549 17569 17589 17629 17689 17749 514 RELATED TC see see see see see 599 see 555 555 see 5151: see 51:1: see see 559 see SEE see saw: sex: 5139 SEE see 599 see 599 51:15 5139 see sen: $99 see 555 551: 595 5151: 5159 559 see see 5513 51:1: see 551: see 559 SEF ser- $51: 2635 373 109 121 133 869 952 898 121 133 145 1342 1454 373 49 37 109 121 133 869 952 898 853 922 109 853 £69 952 898 853 922 1C9 853 869 952 898 121 133 922 49 481 493 505 89? 953 869 952 898 853 972 £13 NOTES TO 2651 TO 481 TO 157 TO 169 TO 217 TO 902 TO 962 TO 922 TO 169 TO 217 TO 241 TO 1374 TO 1472 TO 481 TO 133 TO 121 TO 157 TO 169 TO 217 TO 902 TO 962 TO 922 TO 898 TO 946 TO 157 TO 898 TO 902 TO 96? TO 922 TO 898 TO 946 TO 157 TO 898 TO 902 TO 962 TO 922 TO 169 TO 217 TO 946 TO 133 TO 529 TO 541 TO 589 TO 972 TO 898 TO 9C2 TO 962 TO 922 TO 898 TO 946 TO 773 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABUVc tttt tttt tit. *ttt *#** tttt tttt *t*# tttt tttt *ttt t#** tttt tttt tttt *ttt ##t* ##tt tttt tttt ##t* #t#* tttt t*#t tttt tttt tttt tttt ##t* *t** tttt tttt tttt tttt tttt *ttt tttt #*t# ##tt ##t* *tt# tttt *ttt tttt t#** 999* *ttt #t** 99*# 999* LENGTH PATTERR attt tilt t##* i##‘ tit! tttt Q#*# tit! tttt fittt Ottt tttt t‘fit tttt Sitt ¢¢¢¢ t‘#* tit! tttt Ottt :ttt :tta itfii ##Ot tit! SOB? ittt Oiti 983 <54 965 986 ##tt ##t# ##tt tttt tttt tttt iiifi tttt a:¢: ##it tfiti .##* Bit? ##ti ###9 tit: #ttt flit! titt FOB ECP ECB ECR FOR ECF ECP FCR ECB FCR ECF FOP FEB FCR ECP ECP ECF ECP FCR EFF EOP ECP ECE FCR ECP FEB FCR EPP FCR FCF FOR FCR FCR FCR FOR FCF FrR FCF FCR FCR FCR FCF FFP FCF Fm: FfP son 1768 1770 1772 1774 1788 1790 1798 1810 1814 1218 1819 1820 1822 1824 1827 1828 1830 1846 1847 1855 1863 1867 1875 1881 1883 1885 15E? 1891 1895 1895 1895 1895 1901 19C3 ISCS 19C? 1915 1919 1925 1927 1929 1931 l€43 1949 1951 1953 1955 1967 1973 1S75 I§79 TO 10 TO TO TO TO 10 TO TO TO TO T0 T0 TO 10 TO TO TO 10 TO TO 10 TO TO TO T0 T0 TO 10 TO 70 YO 10 TC 10 10 T0 T0 TO TO 10 TO TO TO TO TO TO 10 TC TC TO NCTES 17780 1782' 17840 17880 18140 18180 [8190 18?00 13220 18249 18270 18280 18300 13469 18470 1855! 18630 18670 18750 1881' 18830 18850 1887. 18910 18959 19010 19030 19050 [907 19C? 19C? 1907 19159 19190 19?]. 19759 1927' 19290 19330 19350 1939. 19430 1955. 19670 19730 19750 19790 19870 19950 20010 2003. 515 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 709 952 898 121 133 869 952 773 481 952 898 853 869 493 505 773 481 493 505 898 121 133 922 109 853 145 1342 1350 2024 2119 7257 2457 922 1C9 853 922 109 121 133 £69 493 505 1895 869 952 B98 653 869 493 505 773 NOTES TO 781 TO 962 TO 922 YO 169 TO 217 TO 902 TO 962 10 805 10 529 TO 962 TO 922 70 898 TO 902 TO 541 TO 589 TO 805 TO 529 IO 541 TO 589 TO 922 TO 169 TO 217 TO 946 TO 157 TO 898 TO 241 TO 1374 TO [378 TO 2055 70 2139 TO 2273 TO 2475 TO 946 TO 157 TO 898 TO 946 TO 157 TO 169 T0 217 TO 902 TO 541 TO 589 10 1907 TO 902 TO 962 10 922 TO 898 TO 902 TO 541 TO 589 TC 805 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE WWU‘UI ##t# ##tt tttt ##tt t*#t tttt ##t* *tt# *ttt tttt *ttt *t## *##t **t# tttt *ttt tttt *ttt *ttt *ttt *ttt *ttt tttt tttt tttt tttt #ttt *ttt tttt tttt tttt #ttt #ttt *ttt tttt tttt ##tt ##tt tilt t*#* ##t* t*## ***# ##*t ##t# ##t# ##tt LENGTH U'IU'IU'U'I PATTEBA :::: :::: :::: :::: :::: :::: :::: :::: :oa: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: coo: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: FCR FCR ch FCP Frn FCF FCP ECP son FCR FCR FOP FCR FCR mp r-cp 5c; FfP FtF Fri: FCR FCR FCF ms FCR mp FCR F09 F09 FCR FCR FCF FFR FCR ch FCR FCR Fr}? 1987 [SSS 2003 2C04 ZCOS PCC? 2CC9 2011 2615 2016 2C]? 2(19 2C20 2021 2023 2024 2025 7027 2C51 2055 2059 2C£3 2C71 2075 2C95 2C99 2103 21C5 21C9 2111 2113 2117 2119 2123 2139 2143 2145 2147 T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TC NCTES 20049 2C059 2C099 20119 20139 2C159 2C169 20179 2C209 20219 20239 20249 2C259 20279 20519 2C559 20599 20639 20719 2C759 20819 20839 20899 2C939 21099 21119 21139 21179 21199 21219 21239 21359 21399 21459 21519 21559 21579 21599 516 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 481 493 505 898 853 £69 952 773 109 853 S22 49 37 49 481 1438 1446 1350 1354 133 922 109 853 922 505 89B 853 922 109 121 133 869 1436 1166 1354 133 869 S52 NOTES TO 529 TO 541 TO 589 TO 922 TO 898 TO 902 TO 962 TO 805 TO 157 TO 898 TO 946 TO 133 TO 121 TO 133 TO 529 TO 1466 TO [470 TO 1378 TO 1382 TO 217 TO 946 TO 157 TO 898 TO 946 TO 589 TO 922 TO 898 TO 945 TO 157 TO 169 TO 217 TO 902 TO 1466 TO 1190 TO 1382 TO 217 TO 9C2 TO 962 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABCVE ABOVE ABOVE ABOVE :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: :::: LENGTH 517 ::: TYPE I LISIIKG CONTINUFD ::: SEARCE FCR PATTERNS CF 6 NCTES 1N LENGTH -- TCNAL RETROGRADE hAS BEGUN AT 3065 SECCNDS INTO EXECUTION. PATTERA NCTES RELATED Tf NOTES TEST LENGTH 9E7 1 TO 121 1134 TO 1166 5 6 ‘88 37 TO 133 409 TO 505 5 6 989 37 TO 133 789 TO 853 5 6 99C 37 TO 133 930 TO 952 5 6 991 37 TO 133 970 TO 1026 5 6 992 37 TO 133 1002 TO 1042 5 6 993 37 TO 133 1022 TO 1070 S 6 994 37 TO 133 1106 TO 1134 5 6 995 37 TO 133 1118 TO 1142 5 6 996 37 TC 133 1130 TO 1158 5 6 997 37 TO 133 121C TO 1274 5 6 998 37 TO 133 1392 TO 1438 5 6 999 37 TO 133 1534 TO 1580 5 6 ICCC 37 TO 133 2019 TO 2025 5 6 1001 37 TO 133 2391 TO 2415 5 6 ICC? 37 TO 133 2503 TO 2517 5 6 lCCB 37 TO 133 2513 TO 2527 5 6 1004 37 TO 133 2516 TO 2533 5 6 1€C5 37 TO 133 2561 TO 2591 5 6 10C6 37 TO 133 2565 TO 2603 S 6 1CC7 37 TO 133 2657 TO 2679 5 6 ICES 37 TO 133 2797 TO 2806 5 6 1(C9 49 T0 145 421 TO 517 5 6 1010 49 TO 145 781 TO 837 5 6 1C11 49 TO 145 978 TO 1034 b 6 1C12 49 TO 145 1014 TO 1050 5 6 1013 49 TO 145 1104 TO 1130 5 6 1(14 49 TO 145 1110 TO 1140 S 6 1015 49 TO 145 1126 TO 1146 5 6 1016 49 TO 145 1218 TO 1282 S 6 1C17 49 TO 145 2020 TO 2027 5 6 1018 49 TO 145 2399 TO 2419 5 6 1(19 49 TO 145 2509 TO 2519 5 6 1C20 49 TO 145 7515 TO 2531 5 6 1C21 49 TO 145 2563 TO 7599 5 6 1022 49 TO 145 2566 TO 2607 5 6 1023 49 TO 145 2659 TO 2683 5 6 1024 49 TC 145 2799 TO 2807 5 6 1025 73 TO 157 773 TO 821 S 6 1026 73 TO 157 954 TO 970 5 6 1027 73 TO 157 1102 TO 1126 5 6 1C28 73 TO 157 1326 TO 1342 5 6 1029 73 TO 157 2011 TO 2019 5 6 1030 73 TC 157 2363 TO 7391 5 6 518 PATTERA ACTES RELATED TC NOTES TEST LENGTH 1031 73 TO 157 2759 TO 2769 5 6 1032 109 TO 169 765 TO 805 5 6 1033 109 TO 169 1094 TO 1118 5 6 1034 109 TO 169 1324 TO 1338 5 6 1035 109 TO 169 1975 TO 2003 5 6 1036 109 TO 169 2361 TO 2375 5 6 1037 109 TO 169 2547 TO 2559 5 6 1038 109 TO 169 2711 TO 2733 5 6 91:9 FCR 109 TO 169. SEE 109 TO 169 ABOVE **** 1039 121 TC 217 493 TO 589 5 6 1040 121 TO 217 733 TO 797 5 6 1041 121 TO 217 870 TO 914 5 6 1042 121 TO 217 1086 TO 1110 5 6 1043 121 TO 217 1722 TO 1738 5 6 1044 121 TO 217 1929 TO 1943 5 6 1045 121 TO 217 1973 TO 2001 5 6 1046 121 TO 217 2359 TO 2373 5 6 1047 121 T0 217 7489 TO 2503 5 6 1048 121 TO 217 2785 TO 2797 5 6 1049 133 TO 241 709 TO 789 5 6 1050 241 TO 481 7591 TO 2613 5 6 1051 373 TO 493 2533 TO 2547 5 6 1057 373 TO 493 2567 TO 2611 5 6 99:1 FOR 409 TO 505. SEE 49 TO 145 ABOVE **** 196‘ FOR 421 TO 5179 SEE 37 TO 133 ABOVE **** 1053 445 TO 529 922 TO 948 5 6 1054 445 TO 529 966 TO 1022 5 6 1055 445 TO 529 1206 TO 1270 5 6 1056 445 TO 529 1388 TO 1430 5 6 1057 445 TO 529 1708 TO 1728 5 6 1058 445 TO 529 2017 TO 2024 5 6 1059 445 TO 529 2171 TO 2185 5 6 1060 445 TO 529 2247 TO 2263 5 6 1061 445 TO 529 7287 TO 2301 5 6 1062 445 TO 529 2349 TO 2363 5 6 1063 445 TO 579 2375 TO 2411 5 6 1064 445 TO 529 2435 TO 2448 5 6 1065 445 TO 529 7499 TO 2516 5 6 1066 445 TO 529 2531 TO 2543 5 6 1067 445 TO 529 2653 TO 2663 5 6 1068 445 TO 529 2795 TO 2805 5 6 1069 481 TO 541 914 TO 946 5 6 1070 481 TO 541 1706 TO 1726 5 6 1071 481 TO 541 1667 TO 1887 5 6 1077 481 TO 541 2055 TO 2081 5 6 1073 481 TO 541 2239 TO 2259 5 6 1074 481 TO 541 2347 TO 2361 5 6 1075 481 TO 541 2651 TO 7662 5 6 tit! ECF 481 TO 541. SEE 481 TO 541 ABOVE **** 1076 493 TO 589 1470 TO 1482 5 6 1077 493 TO 589 1663 TO 1885 5 6 PATTE 1078 1079 1060 1081 1082 $819 #909 1063 1064 1085 1066 1067 1068 1089 1090 1091 1092 1093 1094 1095 1096 1097 8088 9108 0689 0980 £609 880* 089* 189* 996* 1098 1099 1100 1101 1102 1103 1104 1105 1106 1107 1108 1109 1110 1111 1112 1113 1114 1115 1116 RA ECR ECE F09 F08 FCF FCF FCR FfR rcs FCR FCR 000$ FCR 493 493 493 493 709 709 733 765 765 765 765 765 773 773 773 773 773 773 773 773 773 773 773 781 789 797 805 821 853 869 870 694 894 894 894 894 694 894 698 898 898 698 898 898 898 902 902 902 902 910 910 NCTES TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO TO T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO TC 589 589 589 589 789 789. 7979 805 805 805 805 805 821 821 821 821 821 821 821 821 871 821 821. 8379 6539 8699 8709 894. 902. 9109 9149 922 922 922 922 922 922 922 930 930 930 930 930 930 9309 934 934 934 934 942 942 519 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 2111 2155 2185 2345 1498 709 493 1466 1546 1915 7109 2343 934 956 1026 1328 1394 1542 2013 2365 2517 2761 773 37 49 37 49 73 853 869 493 1480 1686 1772 1855 2151 2183 2693 1726 1847 2003 2095 2493 2789 898 1320 2001 2301 7709 1318 1995 NOTES T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO 2123 2169 2194 2359 1534 789 589 1480 1586 1929 2121 2355 954 978 1074 1350 1446 1582 2020 2399 2535 2773 821 133 145 133 145 157 902 910 589 1506 1710 1788 1883 2167 2193 2705 1742 1881 2011 2111 2509 2799 930 1334 2009 2315 2729 1330 2007 TEST LENGTH 5 6 5 6 5 6 5 6 5 6 ABOVE **** ABOVE **$* 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 ABOVE **** ABOVE **** ABOVE **" ABOVE **‘* ABOVE **** ABOVE **** ABOVE **** ABOVE **4* ABOVE **** 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 ABOVE **** UTUTWJTUIUT 000000 PATTE 1117 1118 1119 0889 1120 1121 1122 1123 1124 1125 1126 1127 1128 1129 1130 1131 1132 1133 1134 1135 1136 1137 990* $888 98.8 889* 989* 1138 1139 1140 1141 1142 1143 1144 1145 1146 1147 1148 1149 1150 1151 1157 1153 1154 1155 1156 1157 1158 1159 1160 9699 RN FCR FCR ECB ECR E08 E08 E08 910 910 910 910 914 914 914 914 914 914 922 922 922 922 922 922 922 922 922 922 922 922 922 930 934 942 946 948 948 948 948 948 948 948 948 948 952 952 952 952 952 552 952 952 952 952 952 952 952 952 952 NCTES 10 TO 10 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 10 T0 T0 T0 T0 T0 TO 10 TO T0 T0 TO TO TO TO TO T0 T0 T0 TO TO TO TO 10 T0 10 10 T0 T0 TO T0 T0 TO TO TO 942 942 942 9429 946 546 946 546 546 946 548 948 948 548 548 548 948 548 548 548 948 548 5489 9529 5549 5569 5589 562 962 962 962 962 562 962 962 962 566 966 966 566 966 966 966 566 966 966 966 966 566 966 9669 520 RELATED TC SEE SEE SEE SEE SEE SEE SEE 2191 2297 2707 910 1314 1718 1987 2293 2355 2487 1242 1306 1710 2021 2175 2253 2291 2351 2403 2439 2453 2661 922 49 73 837 853 1074 1422 1638 1666 1732 1820 1955 2005 2733 1034 1070 1198 1330 1398 1630 1662 1881 1903 2015 2063 2367 2519 2763 952 NOTES TO TO TO T0 T0 TO T0 T0 TO TO T0 T0 TO TO TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 TO T0 T0 T0 T0 TO TO TO 2227 2307 2727 942 1328 1734 2005 2305 2367 7499 1286 1326 1732 2051 2187 2267 2303 2365 2423 2449 2467 2687 948 145 157 898 902 1104 1458 1650 1698 1754 1830 1987 2015 7755 1082 1102 1242 1354 1454 1648 1690 1895 1921 7021 2089 2403 2537 2775 966 ABOVE ***‘ TEST LENGTH 5 6 5 6 5 6 ABOVE **** 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 ABOVE **** ABOVE **** ABOVE **** ABOVE *#*# ABOVE **** mwmmmmmmmmmmmmwmmmmmmmm 00000000000000000000000 521 PATTERN NCTES RELATED TC NOTES TEST LENGTH iitt FCF 954 TO 9709 SEE 773 T0 821 ABOVE #**‘ :::: FOR 956 TO 9789 SEE 73 TO 157 ABOVE t*** fittt FCR $58 TO 1002. SEE 837 TO 898 ABOVE *ttt 1161 962 TO 1014 1266 TO 1794 S 6 1167 962 TO 1014 1814 TO 1824 5 6 1163 962 TO 1014 2177 TO 2189 5 6 1164 962 TO 1014 2409 TO 2429 5 6 1165 $62 10 1014 2441 TO 2452 5 6 1166 962 TO 1014 2662 TO 2693 5 6 1167 962 TO 1014 2683 TO 2699 S 6 1168 962 TO 1014 2719 TO 2739 5 6 1169 962 TO 1014 2751 TO 2765 5 6 :::: FCR €66 TO 10229 SEE 922 TO 948 ABOVE **** 14*3 FCR 970 TO 1026. SEE 49 TO 145 ABOVE fittt :::: PCB 978 TO 1034. SEE 37 T0 133 ABOVE **** :::: FEB 1002 TO 10429 SEE 49 TO 145 ABOVE **#* :9:: FOR 1014 TO 1050. SEE 37 T0 133 ABOVE *#** :::: FOR 1022 TO 1070. SEE 49 T0 145 ABOVE :::: 43" EUR 1026 TO 10749 SEE 73 TO 157 ABOVE #*** :::: FCR 1034 TO 1082. SEE 837 TO 898 ABOVE *ttt :::: FCR 1042 TO 1086. SEE 962 TO 1014 ABOVE tttt 117C 1050 TO 1094 1810 TO 1822 S 6 1171 1050 TO 1094 1979 TO 2004 S 6 1172 lcsc TO 1094 2483 TO 2497 S 6 1173 1050 TO 1094 2679 TO 2697 5 6 1174 lCSO TO 1C94 2715 TO 2735 5 6 1175 1050 TO 1094 2743 TO 2763 5 6 :::: FOR 1(70 TO 1102. SEE 837 TO 898 ABOVE **** 41*: PC? 1074 TO 1104. SEE 853 TO 902 ABOVE **** 444* ECF 1082 TO 11069 SEE 669 TO 910 ABOVE **** :::: FOR 1086 TO 11109 SEE 493 TO 589 ABOVE #*** ##it FEB 1094 TO 11189 SEE 765 TO 805 ABOVE **** :::: FOR 1102 TO 1126. SEE 773 TO 821 ABOVE *ttt :::: FCR 1104 TO 1130. SEE 37 TO 133 ABOVE *ttt :::: FOR llC6 TO 1134. SEE 49 TO 145 ABOVE *ttt 1*** FOR 1110 TO 1140. SEE 37 TO 133 ABOVE :::: :::: FCR 1118 TO 1142. SEE 49 TO 145 ABOVE **** :::: FCR 1126 TO 1146. SEE 37 TO 133 ABOVE **** :::: FCR 1130 TO 1158. SEE 49 TO 145 ABOVE :::: 1176 1182 TO 1210 2535 TO 2549 5 6 1177 1190 TO 1218 2549 TO 2561 5 6 :::: FCR 1198 TO 1242. SEE 837 T0 898 ABOVE **** 943* FOR 1202 TO 12669 SEE 962 TO 1014 ABOVE :::: :::: FCR 1206 TO 12709 SEE 922 TO 948 ABOVE **** :::: FOR 1210 TO 12749 SEE 49 TO 145 ABOVE **’* 444* FCR 1218 TO 1282. SEE 37 TO 133 ABOVE ***4 #44: FCF 1242 TO 1286. SEE 445 TO 529 ABOVE tttt 1178 1266 TO 1294 1386 TO 1422 5 6 1179 1266 TO 1294 1614 TO 1644 5 6 1180 1266 TC 1294 1648 TO 168? S 6 1181 1266 TO 1294 1752 TO 1768 5 6 PATTE 1182 1183 1184 1185 1186 1187 1188 1189 1190 1191 1192 1193 1194 1195 1196 1197 1198 1199 1200 1201 1202 1203 1204 12C5 1206 1207 12C8 00" 000‘ 10“ 00‘. 1209 1210 1211 1212 1213 1214 1215 1216 1217 1218 1219 1220 1221 1222 0‘00 0’09 00“ 00" 0"# 1223 RA FOP FOB FOB FCR E08 E08 EC? mp ECR 1266 1266 1266 1266 1266 1266 1266 1266 1266 1266 1266 1270 1270 1270 1270 1270 1270 1270 1270 1270 1270 1270 1270 1270 1270 1270 1266 1294 13C2 1306 1314 1318 1318 1318 1318 1318 1318 1318 1318 1320 1320 1320 1320 1320 1320 1320 1324 1326 1328 1330 1334 NCTES TC TO TO TO TO TO TO T0 T0 T0 T0 T0 TO TO T0 T0 T0 TO TO TO TO TO TO T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 TO TO TO TO TO TO T0 T0 T0 TO TC TC TO 1294 1294 1294 1294 1294 1294 1294 1294 1294 1294 1294 1302 1302 1302 1302 1302 1302 1302 1302 1302 130? 1302 1302 1302 1302 1302 1318 1320: 1324: 1376: 1328: 1330 1330 1330 1330 1330 1330 1330 1330 1334 1334 133‘ 1334 1334 1334 1334: 1338: 1342: 1350: 1354: 1370 522 RELATED TC SEE SEE SEE SEE SFE SEE SEE SEE SEE 1905 2016 2C71 2103 2169 2279 2373 2497 2527 2765 2793 1382 1590 1646 1728 1742 1819 1953 2004 2C99 2167 2277 2495 2629 2729 2791 2537 1182 373 445 481 1494 1578 1698 1784 1921 2237 2647 2099 1482 1554 1690 1774 1919 2695 1320 765 773 73 837 1768 NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO TO TO TO TO 1925 2023 2093 2117 2183 2299 2409 2515 2541 2781 2803 1398 1640 1674 1752 1762 1828 1979 2013 2113 2181 2297 2513 2645 2751 2801 2553 1210 493 529 541 1526 1614 1722 1814 1933 2257 2661 2711 1510 1590 1718 1790 1931 2707 1334 805 821 157 898 1782 TEST mmmmmmmmmmmmmwmmmwmmmmmmmmw ABOVE *t** ABOVE **** ABOVE **‘* ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE mmmmmwmmmmmmmm titt tttt ##0. #t## **¥* LENGTH 0000000000000000000000000‘00 00000000000000 PATTE 1224 1225 999* 1226 1227 1223 1229 1230 1231 998$ 88*! 1232 1233 1234 1235 1236 1237 1238 1239 1240 1241 1242 1243 1244 1245 1246 89*! #999 it?! 1998 998* $999 1241 124a 1249 1250 1251 9999 1252 1253 1254 Iiti 880$ 191$ 89“ Iii. 399* it?! 09*! 1999 89” RN' FOR FCR ECB FCR FCR FOR FOR FCR EOR FCR ECR FCR FCR FOR FCR ECB FCR FCR FCR ECF 1334 1342 1342 1350 1370 1370 1370 1370 1370 1374 1378 1382 1382 1382 1382 1382 1382 1382 1382 1382 1382 1382 1382 1382 1382 1382 1386 1388 1392 1394 1398 1422 1430 1430 1430 1438 1438 1438 1446 1446 1454 1454 1458 1466 1470 1472 1474 1476 1480 1482 1494 TO TO TO TO TO T0 T0 TO T0 T0 T0 T0 T0 TO TO TO TO TO T0 T0 TO TC TC T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 TO TO T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 NCTES 1370 1378 1378: 1382 1388 1388 1388 1388 1388 1392: 1394: 1398 1398 1398 1398 1398 1398 1398 1398 1398 1398 1398 1398 1398 1398 1398 1422: 1430: 1438: 1446: 1454: 1458: 1466 1466 1466 1470 147C 1470: 1472 1472 1474 1474: 1476: 1480: 1482: 1486: 14949 1498: 1506: 1510: 1526: 523 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 2625 1446 1342 2194 1927 1967 2189 2705 2783 948 1270 1476 1586 1644 1682 1738 1770 1818 1951 2147 2165 2181 2275 2627 2687 2727 962 972 49 73 837 853 1943 2267 2781 1891 2263 1438 1687 2635 2553 1454 1190 109 121 1370 948 1270 898 90? 910 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 NOTES 2635 1472 1378 2237 1939 1995 2219 2719 2795 962 1302 1498 1638 1666 1708 1758 1784 1827 1975 2165 2177 2191 2293 2639 2701 2743 1014 948 145 157 898 902 1967 2287 2793 1907 2279 1470 1905 2653 2563 1474 1218 169 217 1388 962 1302 930 934 94? TEST LENGTH 5 6 5 6 ABOVE #9:: 5 6 5 6 5 6 5 6 s 6 5 6 ABOVE 9:99 ABOVE :99: 5 6 5 6 s 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 5 6 ABOVE 999* ABOVE 999* ABOVE **** ABOVE 929* ABOVE 9:99 ABOVE 99:: 5 6 5 6 5 6 5 6 5 6 ABOVE 9*99 5 6 5 6 5 6 ABOVE 9:99 ABOVE 92*: ABOVE 9:99 ABOVE 9:99 ABOVE 92*: ABOVE #999 ABOVE 99:9 ABOVE *ttt ABOVE 99:9 ABOVE #999 PATTE 0000 1255 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 1256 1257 0000 0000 0000 0000 0000 0000 0000 1258 RA FCR FCR FCR ECF EOR FCR FCR EOR FOR ECR ECF FCR FCR FOR FOR FOR ECR FCR FCR FCR FCR FCR FCR FCR FOR EOR ECR ECP EOR FCR EOR FOR FCR FCR FCR FCR FOR ECR ECR ECR FCR FCR FCR FOR FCR FOR FOR 1498 1510 1518 1526 1534 1542 1546 1554 1578 1580 1582 1586 1590 1614 1626 1630 1638 1640 1644 1646 1648 1650 1662 1666 1674 1682 1686 1690 1698 1706 1708 1710 1718 1722 1726 1728 1732 1734 1738 1742 1752 1768 1768 1770 1772 1774 1784 1788 1790 1798 1810 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 NCTES 1534: 1546 1554: 1578: 1580: 1582: 1586: 1590: 16149 1626: 1630: 1638: 16409 1644: 1646: 1648: 16509 1662: 1666: 1674: 1682: 1686: 16909 1698: 17069 1708: 1710: 17189 1722: 1726: 1728: 1732: 1734: 1738: 1742: 1752: 1754: 1756: 17589 1762: 1768: 1782 1782 1784: 1788: 1790: 1314: 1818: 1819: 1820: 1822 524 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 133 2555 1454 373 49 73 109 902 910 1370 948 1270 1382 962 1050 837 853 948 1270 1382 962 1050 837 853 948 1270 898 902 910 914 922 445 481 493 894 1382 853 948 1270 1382 962 1883 2631 1270 898 902 910 1370 948 952 1875 NOTES TO 241 TO 2565 TO 1474 TO 493 TO 145 TO 157 TO 169 TO 934 TO 942 TO 1388 TO 962 TO 1302 TO 1398 TO 1014 TO 1094 TO 898 TO 902 TO 962 TO 1302 TO 1398 TO 1014 TO 1094 TO 898 TO 902 TO 962 TO 1302 TO 930 TC 934 TO 942 TO 946 TO 948 TO 529 TO 541 TO 589 TO 922 TO 1398 TO 902 TO 962 TO 1302 TO 1398 TO 1014 TO 1901 TO 2647 TO 1302 TO 930 TO 934 TO 942 TO 1388 TO 962 TO 966 TO 1891 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 0000 :::: 9:9: 99:: 9::: :::: :::: :::: LENGTH PATTE 1259 1260 1261 1762 9999 9999 9999 9999 9999 9999 999: 9999 9999 999: 9999 9999 9999 9999 9999 9999 9999 9999 1763 1264 1765 1266 1767 1268 9999 9999 9999 9999 9999 999: 9999 9999 9999 9999 9999 1269 9999 9999 9999 9999 9999 9999 9999 9999 99:9 9999 9999 RN FOB FCR ECP ECP FEE FCR ECB FCR FCR FCR Frn FCR FCR EFF FCR FCR FCR FCR ECB ECB ECB FOB ECB FCR FCR ECB FEB ECB FEB FEB ECF EOE ECB FCR E08 E09 FCR ECR ECB EC? 1810 1810 1810 1810 1814 1818 1819 1820 1822 1824 1827 1828 1830 1846 1847 1855 1863 1867 1875 1881 1883 1887 1891 1891 1891 1895 1895 1895 1895 1901 1903 1905 1907 1915 1919 1921 1925 1927 1929 1943 1949 1951 1953 1955 1967 1973 1975 1979 1967 1995 ZCCI TO TO TO TO TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 TO TC T0 T0 T0 TO T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 TO NCTES 18?2 1822 1322 1822 18249 18279 18289 18309 18469 18479 15559 18639 18679 18759 18819 18839 18859 18879 18919 18959 19019 19059 19C7 1907 19C7 1915 1915 1915 19159 19199 19219 19259 19279 19299 19319 19339 19359 19399 19439 1967 19739 19759 19799 19879 19959 20019 2CC39 2C049 20059 20079 20099 525 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 1901 1907 2C59 2105 1266 1270 1382 853 869 493 765 1810 481 493 894 898 121 914 1050 837 1334 1342 2024 2257 2457 2023 2255 2455 1895 1050 837 962 1050 109 902 910 1370 869 493 2117 948 1270 1382 853 E69 493 765 1810 481 1318 1320 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TC TO TO T0 T0 TO T0 T0 T0 TO T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO NOTES 1919 1927 2083 2119 1294 1302 1398 902 910 589 805 1822 541 589 922 930 217 946 1094 898 1370 1378 2059 2275 2477 2055 2273 2475 1915 1094 898 1014 1094 169 934 942 1388 910 589 2139 962 13C? 1398 902 910 589 805 1822 541 1330 1334 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 01010101 U‘TU'IU'IUTU'IVT 5 9999 99:9 99:9 9999 99:9 99:9 9999 :99: 9:99 9999 9999 99:9 99:9 99:: :99: 99:: 99:9 99:9 999: 99:: 9:99 99:9 99:9 999: :99: 9999 9:99 9999 :99: 999: :99: 9999 9999 9999 999: 999: 9999 9999 9999 9999 LENGTH 0000 000000 PATTERN Oil! ifitt 00“ Otit Ofitt it.‘ Ofitt tttt ittt 1‘0‘ fit!‘ ##fii tit. FOB FCR ECB FOB ECB FCR FCR FCR FCR FCR ECB FCR FCB I270 tit! FCR 1271 1772 1773 ittt ‘it‘ it“ 0‘0. it?! O!!! ‘1‘! tit‘ ittfi ittt ttt‘ iififi 100* #tit Qiii tit. FCR FOB ECB FCR FCF FOP FCR ECP FOB FCR FCB FCR FCR FCB FOP FOP 2003 2004 2605 2007 2CO9 2C1] 2013 2015 2016 2C17 2019 2020 2021 2C23 2024 ZCZS 2025 2025 2C2? 2055 2659 2C£3 2C7] 2C95 2C99 2103 2105 21C9 2111 2113 2117 2143 2145 2147 70 TO TC TO 70 TO T0 T0 TO TO 70 70 TO 70 TC TO TO TC TC T0 T0 TO T0 T0 TO TO TO TO TO 70 TC TO T0 T0 NCTES 20110 2Cl3o 20150 20160 20170 2C19¢ ZCZCO 2021. 20730 2024. 2C25c 20270 2C510 2C55 20590 2063 2063 2C63 ZCTIo 2C8]. 20830 2C899 2093. 21110 21130 21170 21190 21210 21230 21350 21390 21570 21590 21650 526 RELATED TC SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE E94 l38? 953 948 952 773 73 837 962 922 49 37 445 2434 1438 2195 2259 7458 1350 914 lCSO P37 962 894 1382 962 1050 109 121 [370 1430 1870 948 127C T0 T0 TO TO T0 T0 TO TO 70 T0 T0 T0 TO TO TO TO TO TO TO TO TO T0 T0 T0 T0 T0 TO TC TO TO TO TO TO TO NOTES 922 1398 902 962 966 821 157 898 1014 948 145 133 529 7447 1470 2239 2277 2479 1382 946 1094 898 1014 922 1398 1014 1094 169 217 1388 1466 1388 962 136? TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE tit! tttt ##t* *tt# tttt titt *itt *ttt ##t# *tt# titt titt tit$ LENGTH 5 ABOVE **** 5 5 5 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE #ttt tttt t*## ##tt tttt tttt **t* ##t* t##* tttt ##tt tttt tttt ##tt tttt tttt 527 tit TYPE I LISTING CONTINUED ‘** SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- TCNAL RETROGRADE HAS BEGUN AT 4107 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 1774 1 TC 133 1130 TO 1166 5 7 1775 37 TO 145 781 TO 853 5 7 1776 37 TO 145 978 TO 1047 5 7 1777 37 TO 145 1014 TO 1070 5 7 177B 37 TO 145 1104 TO 1134 5 7 1779 37 TO 145 1110 TO 1142 5 7 1780 37 TC 145 1126 TO 1158 5 7 1781 37 TO 145 7509 TO 2527 5 7 1787 37 TO 145 7515 TO 7533 5 7 1783 37 TC 145 7563 TO 7603 5 7 1784 49 TO 157 773 TO 837 5 7 1785 49 TO 157 1102 TO 1130 5 7 1786 73 T0 169 765 TO 821 5 7 1787 73 TO 169 1094 TO 1176 5 7 1788 73 TO 169 1324 TO 1342 5 7 1789 73 TO 169 2361 TO 2391 5 7 1790 109 TO 717 733 TO 805 5 7 1791 1C9 TO 217 1086 TO 1118 5 7 1797 109 TO 217 1973 TO 2003 5 7 1793 1C9 TO 217 7359 TO 7375 5 7 1794 121 TO 741 709 TO 797 5 7 1795 741 TO 493 7567 TO 2613 5 7 1796 373 TO 505 7566 TO 7611 5 7 1797 445 TO 541 914 TO 948 5 7 1798 445 TO 541 1706 TO 1728 5 7 1799 445 TO 541 7739 TO 7763 5 7 13CC 445 TO 541 7347 TO 2363 5 7 1301 445 TO 541 7651 TO 7663 5 7 1307 481 TO 589 1863 TO 1887 5 7 1303 481 TO 589 7345 TO 2361 5 7 1304 765 TO 871 1547 TO 1586 5 7 13C5 773 TO 837 930 TO 954 5 7 1306 773 TO E37 1077 TO 1074 5 7 13C7 773 TO 837 1392 TO 1446 5 7 13C8 773 TO 837 1534 TO 1582 5 7 1309 773 TO 837 7516 TO 2535 5 7 1310 894 TO 930 1847 TO 1883 5 7 1311 998 TO 934 7001 TC 7011 5 7 1312 502 TO 942 1318 TO 1334 5 7 1313 5C2 TO 942 1995 TC 7009 5 7 1314 902 TO 942 7707 TO 2779 5 7 1315 910 TC 946 1314 TO 1330 5 7 I316 910 TO 946 1987 TC 7007 5 7 1317 510 TO 946 7793 TO 2307 5 7 PATTERN 1318 1319 1320 1371 1322 1373 1324 1375 1376 1377 1378 1329 1330 1331 1332 1333 1334 1335 1336 1337 1338 1339 1340 1341 1342 1343 1344 1345 1346 1347 1348 1349 1350 1351 1357 1353 1354 1355 1356 1357 1358 1359 1360 1361 1362 1363 1364 1365 1366 1367 1368 914 914 914 914 972 972 972 922 948 948 948 948 952 957 €57 952 952 552 957 962 962 962 962 962 1050 1050 1C50 1C50 1766 1766 1266 1766 1266 1766 1766 1766 1266 1786 1318 1318 1318 1320 1370 1370 1382 1382 1382 1382 1430 1438 1454 NCTES TO TO TO T0 T0 T0 T0 TC TO T0 T0 T0 TO TO TO TO TO TO TO TO TO TD T0 T0 TO TO TO TO T0 T0 T0 TO TO TO TO T0 T0 T0 TO TO TO T0 T0 TO TO TO TO TO TO TO TO 948 948 948 948 952 952 957 952 966 966 966 966 970 970 970 970 970 970 970 1077 1072 1072 1022 1072 1102 1107 1102 1102 1307 1302 1302 1307 1302 1307 1302 1307 1302 1370 1334 1334 1334 1338 1338 1397 1422 1422 1472 1422 1470 1477 1476 528 RELATED TC 1306 1710 7791 7351 1718 7070 7399 7659 1070 1398 1630 1667 1076 1328 1394 7013 7365 7517 7761 1242 2175 7403 7439 2661 1798 7479 7663 7739 1382 1590 1646 1742 2C99 7167 7777 7495 7791 2535 1554 1690 1919 1546 1915 1955 1814 7177 7683 7719 7763 1887 7549 NOTES TO TO TO TC TO TO TO TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TC TO TO TO T0 T0 TO TO TO TO TO TO TO TO TO TO TO T0 TO 1328 1734 7305 2367 1286 7051 7423 7687 1104 1458 1650 1698 1087 1354 1454 7071 2403 7537 2775 1294 7189 7429 2452 2693 1872 7497 7697 2763 1477 1644 1687 1768 2117 7183 7299 2515 2803 2553 1614 1722 1933 1590 1931 1995 1827 7191 7701 7743 7287 1907 7563 TEST mwwmmwmmmmmmmwmmmmmmmmmmmmmmmmmmmwmmmmmwmmmmwmmmmmm LENGTH d-d~Jd-d~ad-4~JN-d~lfl~d~JN-duhN-Jd-4~Jd-H~JN-4~Jd-Q~JN-d~ld-d~Jfl-Q~JN-u-JN-d-JN-4~JN 529 PATTERN NCTES RELATED TC NOTES TEST LENGTH 1369 1486 TO 1576 7297 TO 2311 5 7 1370 1510 TO 1554 7553 TO 2565 5 7 1371 1768 TO 1784 7629 TO 2647 5 7 1377 1810 TO 1824 1905 TO 1977 5 7 1373 1810 TO 1874 7103 TO 2119 5 7 1374 1891 TO 1915 7023 TO 7059 5 7 1375 1891 TO 1915 7755 TO 7275 5 7 1376 1891 TO 1915 2455 TO 2477 5 7 1377 2025 TO 7071 2194 TO 7739 5 7 530 *** TYPE I LISTING CONTINUED *‘* SEARCH FOR PATTERNS CE 8 NOTES IN LENGTH -- TONAL RETROGRADE hAS BEGUN AT 4133 SECCNDS INTO EXECUTICN. PATTERN NCTES RELATED Tf NOTES TEST LENGTH 1378 1 TO 145 1176 TO 1166 5 8 1379 37 TO 157 773 TO 853 5 8 1380 37 TO 157 1102 TO 1134 5 8 1381 49 TO 169 765 TO 837 5 8 1382 49 TO 169 1094 TO 1130 5 8 1383 73 TO 217 733 TO 871 5 8 1384 73 TO 217 1086 TO 1176 5 8 1385 73 TO 217 2359 TO 7391 5 8 1386 1C9 TO 241 709 TO 805 5 B 1387 741 TO 505 7566 TO 7613 5 8 1388 373 TO 517 7565 TO 7611 5 8 1389 445 TO 589 7345 TO 2363 5 8 1390 765 TO 837 1534 TO 1586 5 8 1391 773 TO 853 1014 TO 1074 5 8 1392 773 TO E53 7515 TO 7535 5 8 1393 898 TO 942 1995 TO 2011 5 8 1394 902 TO 946 1314 TO 1334 5 8 1395 902 TO 946 1987 TC 2009 5 8 1396 910 T0 948 1306 TO 1330 5 8 1397 910 TO 948 2291 TO 2307 5 8 1398 948 TO 970 1394 TO 1458 5 8 1399 952 TO 978 1376 TO 1354 5 8 1400 952 TO 978 2011 TO 2021 5 8 1401 952 TO 978 7363 TO 2403 5 8 1402 952 TO 978 7759 TO 7775 5 8 1403 962 TO 1076 1218 TO 1294 5 8 14C4 962 TO 1026 2399 TC 2479 5 8 1405 962 TO 1026 7659 TO 2693 5 8 1406 1050 TO 1104 1790 TO 1822 5 8 1407 1050 TD 1104 7477 TO 7497 5 8 14C8 1050 TO 1104 7735 TO 7763 5 8 14C9 1256 TO 1324 2533 TO 2553 5 8 1410 1318 TO 1338 1546 TO 1614 5 8 1411 1318 TO 1338 1915 TO 1933 5 8 1417 1320 TO 1342 1542 TO 1590 5 8 1413 1370 TO 1394 1953 TO 1995 5 8 1414 1352 TO 1430 7175 TO 2191 5 8 1415 1454 TO 1480 7547 TO 7563 5 8 1416 1810 TO 1877 7C99 TO 7119 5 8 531 ttt TYPE I LISTING CONTINUED ttt SEARCH FOR PATTERNS CE 9 NOTES 1N lENGTH -- TCNAL RETROGRADE hAS BEGUN AT 4155 SECCNDS INTO EXECUTICN. PATTERN NCTES RELATED TC NOTES TEST LENGTH 1417 37 TO 169 765 TO 853 5 9 1418 37 T0 169 1094 TO 1134 5 9 1419 49 TO 217 733 TO 837 5 9 1470 49 TO 217 1C86 TO 1130 5 9 1471 73 TO 241 709 TO 871 5 9 1472 741 TO 517 7565 TO 2613 5 9 1423 898 TO 946 1987 TO 2011 5 9 1424 902 TO 948 1306 TO 1334 5 9 1425 952 TO 1002 7009 TO 7021 5 9 1476 957 TO 1002 7755 TO 7775 5 9 1427 962 TO 1034 1710 TO 1294 5 9 1428 567 TO 1034 7391 TO 2429 5 9 1429 962 TO 1034 7657 TO 2693 5 9 1430 1050 TO 1106 1788 TO 1822 5 9 1431 1050 TO 1106 2475 TC 2497 5 9 1437 1786 TD 1326 2531 TO 2553 5 9 1433 1318 TO 1342 1547 TO 1614 5 9 1434 1370 TO 1398 1951 TO 1995 5 9 532 44* TYPE I LISTING CONTINUED ttt SEARCH FOR PATTERNS CE 10 NOTES IN LENGTH -- TONAL RETROGRADE hAS BEGUN AT 4173 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 1435 37 TC 217 733 TO 853 5 10 1436 37 TO 217 1086 TO 1134 5 10 1437 49 TO 241 709 TO 837 5 10 1438 952 TC 1014 2751 TO 7775 5 10 533 :6! TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 11 NOTES IN LENGTH -- TONAL RETROGRADE hAS BEGUN AT 4189 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 1439 37 T0 241 709 TO 853 5 11 4 A aI-g-fi' I 534 iii TYPE 1 LISTING CONTINUED *** SEARCH FOR PATTERNS OF 17 NDTES IN LENGTH -- TCNAL RETROGRADE bAS BEGUN AT 4205 SECCNDS INTO EXECLTICN. PATTERN NCTES RELATED TC NDTES TEST LENGTH END CF TYPE I LISTING. TOTAL OF 1439 PATTERNS LOCATED. -n€fiiIIII-IIIIIIIIIIIIIIIIIIII 535 3*4 TYPE 11 LISTING *¥* JOFN DLNSTAELE ISORHYTEMIC NCTET VENI SANCTE SPIRITUS TCNAL RETRCGRACE LOCATION TOTAL LENGTH CE FIRST NUMBER DE DE OCCURRENCE OCCURRENCES PATTERN (RIGINAL PATTERN 37 TC 741 7 11 SLEPATTERN 73 TO 217 4 8 SLEPATTERN 109 TO 217 5 7 SLEPATTERN 73 TO 169 5 7 SLEFATTERN 37 TC 145 10 7 SLEPATTERN 121 TC 217 11 6 SLEFATTERN 109 TC 169 8 6 SLEPATTERN 73 TO 157 8 6 SLEPATTERN 49 TC 145 17 6 SLEPATTERN 37 TC 133 22 6 SCEEATTERN 145 TC 241 4 5 SCBFATTERN 133 TO 217 16 5 SLEPATTERN 171 TO 169 18 5 SUBPATTERN 109 TO 157 15 5 SLEPATTERN 49 TC 133 38 5 SLEPATTERN 37 TC 121 29 5 SLBPATTERN 157 TO 241 13 4 SLBPATTERN 145 TC 217 48 4 SLEPATTERN 171 TC 157 44 4 SLEPATTERN 49 T0 171 52 4 SLEPATTERN 37 TC 109 65 4 SLBPATTERN 169 TO 241 29 3 SLEPATTERN 49 TO 109 123 3 SLEPATTERN 37 TO 73 109 3 444* TEST 5 CCMPLETEC AT 4476 SECCNDS INTO EXECUTION *"* 536 :ttttittttott nustc MELODIC PATTERN ANALYSIS tttvttttt*ttt JCEA DUNSTABLE ISORHYTFMIC MOTET VENI SANCTE SPIRITUS TEST REQUESTED 13 UNITS OF CATA PER CARD 17 CCPFLTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THRCUGH 12 45 C C 0 D 0 0 C C 0 C 0 NCTES 13 THRCUGH 24 C C C C 0 C 0 0 0 O 0 0 NCTES 25 THRCUGH 36 -1 C C 0 C 0 0 C C O C 0 NOTES 37 THRCUGH 48 45 C C 0 0 0 0 0 C O 0 O NCTES 49 THRCUGB 60 41 c c o c c c c c o c o NCTES 61 THROUGH 72 0 C C C 0 C 0 0 C 0 0 0 NCTES 73 THRCUGH 84 45 C 0 0 0 C 0 C C 0 C O NCTES £5 THRCUGH 96 C 0 C C C 0 0 0 C O 0 C NCTES 97 THRCUGH 108 -1 C C 0 D C O C C O C 0 NCTES 109 THRCUGH 120 5C 0 0 0 0 C 0 0 C 0 C 0 NCTES 121 THRCUGH 132 49 C 0 0 0 C 0 C C O C C _ [I NCTES 133 THRCUGH 144 5C C 0 0 0 C NOTES 145 THRCUGH 156 47 C C C O 0 537 The remaining portion of the list of input data for Test 13 of the Dunstable motet is identical to that shown for Test 5. In order to reduce the size of this appendix, these pages have been omitted. The interval tables appearing with Tests 13 and 12 are also similar to the tables shown with Test 5. In order to reduce the size of this appendix, these interval tables have also been omitted. JOEN DUNSTABLE PATTERN CD‘IOUTJ‘UNF‘ 8888 FOR 8808 FOR 9 10 11 12 13 14 15 16 17 18 19 70 71 22 73 74 75 26 27 78 79 3O 31 32 33 34 35 36 SEARCH FOR PATTERNS OF EXACT RHYTHM HITH TCNAL INVERSION 47 SECONDS INTO EXECUTION. 441* FOR 1014 37 *ttt FOR 1026 tttt FOR 1(70 tit 538 ISDRHYTHMIC MDTET hAS BEGUN AT NCTES RELATED TC 1 T0 49 37 TD 73 49 TO 109 73 TC 171 109 TO 133 171 TO 145 157 TO 217 169 T0 241 481 T0 505. SEE 493 TC 5170 SEE 781 TO 797 769 TO 805 769 TO 805 907 TO 914 930 TO 942 934 T0 946 934 TO 946 942 TO 948 946 T0 957 946 TO 952 946 T0 957 946 T0 952 946 T0 952 946 T0 952 952 TO 956 952 TC 956 957 T0 956 552 T0 956 952 TO 956 952 T0 956 952 T0 956 952 TO 956 952 TO 956 952 TO 956 556 TO 967 956 T0 967 958 TO 966 962 TO 970 TO 1026. SEE 1077 TO 1034 TO 1047. SEE TO 1082. SEE TYPE I LISTING *** VENI SANCTE SPIRITUS 3 NOTES IN LENGTH -- 373 409 421 445 481 493 579 541 171 109 1510 1026 1427 1534 1487 1306 7519 1314 1318 2175 2291 7439 7613 7777 1470 1757 2005 2185 2345 7553 7695 2761 7793 7799 1756 2757 1126 1687 907 1787 781 930 NOTES TO T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO T0 T0 TO TD TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO 421 445 481 493 505 517 589 613 145 133 1526 1047 1438 1546 1494 1318 2531 1370 1324 7181 7297 2445 2619 7733 1474 1756 2009 2189 2349 2557 2699 2765 2797 2803 1762 7763 1134 1690 914 1294 TEST 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 LENGTH WUUUWUWU ABOVE **** ABOVE ***‘ NWWUUUNUUWNWLHUWWWUWUUU’WWNNWU ABOVE **99 U! 797 ABOVE **** 942 ABOVE **** 1 3R IR 1R ?R ]R ]R 1074 1C86 11C4 1106 1110 1118 1126 1126 1126 1126 1130 1130 1130 1130 1130 1134 1198 1702 1766 1770 1282 1306 1314 1314 1314 1314 1314 1318 1318 1318 1318 1318 1318 1318 1318 1328 1330 1334 1378 1378 1378 1386 1477 1438 1466 1466 1466 1466 1470 1470 1470 NCTES TD T0 T0 T0 T0 T0 T0 T0 T0 TC TD TO T0 TO 70 TO TD T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TD TO T0 T0 TD TD TD TO TD T0 T0 TC TO TO TO T0 TO 10860 1102 1110 11180 1126 1130 1134 1134 1134 1134 114C 1140 1140 1140 1140 1142 12060 17109 12740 12820 1294 1318 1370 1320 1370 1320 1320 1324 1374 1324 1324 1324 1324 1374 1374 1334‘ 1338. 1342s 1386 1386 1386 13920 14380 1454 1472 1472 1472 1472 1474 1474 1474 539 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NDTES 907 1690 1973 1022 1438 2591 1198 1330 7411 2599 1758 2071 7399 2419 7683 7403 958 967 962 930 1662 7279 1476 1722 1915 7537 7769 1386 1638 1919 7103 2111 2169 7487 7535 956 958 967 1718 1774 2751 946 781 1666 2177 7293 7355 2577 1644 1881 1929 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 914 1706 1979 1034 1454 7603 1206 1338 2419 2607 1768 2081 2409 2429 2693 2411 966 970 970 947 1674 7291 1482 1728 1921 2543 2775 1392 1644 1925 2109 2117 2175 2493 2541 962 966 970 1726 1782 2759 952 797 1687 2183 2299 2361 2533 1648 1885 1933 TEST ABOVE *‘** 13 13 ABOVE **9* 13 13 13 13 13 13 13 13 13 13 13 13 ABOVE **** ABOVE **** ABOVE **** ABOVE **** 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 ABOVE **** ABOVE 994* ABOVE *‘*4 13 13 13 ABOVE **** ABOVE **** 13 13 13 13 13 13 13 13 LENGTH WU) wuwwwwwuwwuw UUUUWUUWUWUWWWU WNW WUWUUUUU PATTERN 88 test FOR 89 14:0 FCR 9O tit. Fcp 9944 FOR 4494 FCR :44: FOR tat: FOR 91 92 93 :4»: FOR tats F09 toot FOR 94 95 96 97 98 99 lCO asst run 101 162 tons FOE 103 104 105 1C6 It? lca 1C9 110 111 112 113 114 #4:: FCR ##tt FOR 1470 1470 1470 1470 1470 1470 1470 1470 1470 1470 1470 1476 1482 1510 1630 1638 1644 1662 1666 1710 1718 1718 1718 1722 1732 1752 1756 1756 1758 1770 1770 1770 1770 1774 1818 1818 1881 1683 1883 1883 1683 1883 1E83 1883 1883 1687 1867 1691 1£91 1903 1915 NOTES TO TO TO TO TO TO TO TO T0 T0 TC T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 TD TO TO TD TO T0 T0 T0 TD T0 T0 T0 TD TO TO T0 T0 T0 T0 T0 TO T0 TD 1474 1474 1474 1474 1474 1474 1474 1474 1474 1474 1474 14820 1494 15260 164C 1644. 16480 16740 16829 17270 1726 1726 1726 17280 17380 17560 1762 1762 1768 1774 1774 1774 1774 17870 1820 1870 18850 1887 1887 1887 1887 1887 1887 1887 1887 1895 1895 19C1 1901 19070 19210 540 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 2009 7165 2181 7753 2797 2343 2359 2555 2627 7763 2797 942 2739 789 2719 946 952 1027 1110 1118 7147 2351 2479 947 956 1470 2409 7733 2635 1883 2755 2631 7765 1718 7023 7515 952 1903 1951 7109 2119 2275 2323 2533 2707 1935 2307 1939 2311 1770 942 NOTES TO TO T0 T0 T0 T0 TO 2013 2169 2185 2257 2301 2347 2363 2559 2631 2767 2801 948 2751 805 2729 957 956 1034 1126 1130 7155 2359 2487 948 962 1474 7415 2739 2645 1887 2259 2635 7769 1726 2025 2517 956 1907 1955 2113 2123 7779 2327 7537 2711 1943 2315 1949 2321 TES 13 13 13 13 13 13 13 13 13 13 13 ABOVE 13 ABOVE 13 ABOVE ABOVE ABOVE ABOVE ABOVE 13 13 13 ABOVE ABOVE ABOVE 13 13 ABOVE 13 13 ABOVE 13 13 13 13 13 13 T LENGTH 3 3 3 3 3 3 3 3 3 3 3 tttt 3 tttt 3 *t#* tttt tttt *ttt tttt 3 3 3 *ttt ##t* t*** 3 3 3 3 3 3 3 tttt 3 3 atts 3 3 3 3 3 3 3 3 3 3 3 3 1774 ABOVE *‘** 948 ABOVE **** PATTERN 9999 FOR 9999 FOR 115 9999 FOR 9999 Fan 9999 FCR 116 117 118 119 9999 FOR 9999 FOR 120 121 122 123 9999 FOR 124 125 9999 99“ 909* #119 999‘ iii. ##0‘ 999* 99‘. 9‘19 9‘99 ##0# 99“ 1009 9‘03 99“ 9“! 1099 10“ #9.! 1199 1‘91 19“ 990* titi 99“ 999* 999‘ 90" 30‘! 99“ 90*! FOR FCR FOR FOR FOR FCF FOR FCR Fm: FCR FCP FCF FCR FOR FCR ma FOP FOP FCR FCF FOR FOR F09 FOR FCR FCR FOR FOF FCR FCR FUR FOR 1919 1929 1939 1951 7C05 2009 2013 7C13 2013 7013 7C15 2C19 2071 2C21 7071 2C21 2071 7(83 2C89 2103 7109 7111 2119 2147 7165 2169 2175 7181 2185 2191 7253 7255 7257 2263 2275 7779 2791 2797 2311 2373 2343 2345 2351 2359 2399 2409 2411 2419 2439 7445 7453 TO TC TC TO TO TO TO TC TO T0 T0 T0 T0 T0 T0 TC TC T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TC T0 T0 T0 T0 TO T0 T0 TC T0 T0 T0 T0 TO TO TC T0 T0 T0 T0 T0 T0 NCTES 19259 19339 1949 19559 20099 20139 2016 2016 2016 2016 20179 20219 2024 2024 2024 2024 2C819 2C93 2C95 21099 21139 21179 21239 21559 21699 21759 21819 21859 21899 21949 22579 22599 22639 22739 22799 22919 22979 23019 23219 23279 23479 23499 23599 23639 24099 24159 24199 24299 24459 24489 24579 541 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 946 952 7263 1770 1470 952 2021 2191 7445 2513 1818 1818 7455 7563 7659 7803 1758 2503 7615 946 1770 946 177C 1378 952 946 1318 952 1470 7021 957 1883 1756 1891 1770 934 1318 957 1939 1770 957 1470 1378 957 1758 956 958 1758 1318 7021 7109 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 NOTES 952 956 2773 1774 I474 956 2024 2194 2448 2516 1820 1820 7458 7566 2662 2806 1768 7513 2621 952 1774 957 1774 1386 956 952 1324 956 1474 7074 956 1887 1767 1901 1774 946 1324 956 1949 1774 956 1474 1386 956 1768 962 966 1768 1324 7024 7448 TEST ABOVE **** ABOVE **** 13 ABOVE **** ABOVE **** ABOVE **** 13 13 13 13 ABOVE **‘* ABOVE *‘** 13 13 13 13 ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH WUWU UWUW UUJ 542 PATTERN NCTES RELATED TC NOTES TEST LENGTH 9999 ECP 2455 TO 2458. SEE 7013 TO 2016 ABOVE **** 9999 ECR 2457 TO 2459. SEE 7015 TO 2355 ABOVE **** 999* FOR 2479 TO 2487. SEE 1378 TO 1386 ABOVE **** 9999 FCR 2487 TO 2493. SEE 946 TO 952 ABOVE ***¢ **** FOR 7489 TC 24959 SEE 1466 TO 1477 ABOVE **** PATTERN 17b 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 9’90 FOP 154 755 156 157 158 159 160 161 167 163 164 165 166 167 168 999 TYPE 1 LISTING CONTINUED 9“ 543 SEARCH FOR PATTERNS OF EXACT RHYTHM HITH TCNAL INVERSION 4 mores IN LENGTH -- HAS BEGUN AT 1052 SECONDS INTO EXECUTION. 37 49 73~ 1C9 171 145 157 934 934 947 946 948 957 952 952 952 954 1087 1CE6 1C€6 1118 1130 1314 1318 1318 1318 1318 1326 1378 1378 1382 1282 1382 1356 1438 1438 1466 1466 1466 1466 1466 1466 1470 NCTES T0 T0 T0 T0 T0 T0 TC T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TC TO TO T0 T0 TC TC T0 T0 T0 T0 TC TC T0 T0 T0 T0 T0 T0 T0 TC T0 T0 T0 T0 TO 73 109 171 133 145 157 217 741 94B 94B 952 954 956 958 958 958 958 967 1107 1104 1104 1134 1147 1374 1376 1326 1326 1326 1334. 1388 1388 1392 1392 1392 1394 1458 1458 1474 1414 1474 1474 1474 1474 1476 RELATED TC SEF 373 409 471 445 481 493 517 579 1306 1306 1314 1318 2549 1470 1757 2345 7695 1754 1686 1690 1690 7591 2399 1915 1638 1919 2103 2111 954 1774 1774 7171 7287 2435 2727 1666 1666 2177 7293 7355 2177 7293 2355 1929 NOTES TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 445 481 493 505 517 579 589 613 1320 1320 1374 1376 2557 1476 1758 2351 7701 1762 1706 1708 1708 2607 7411 1925 1646 1927 7111 7119 967 1784 1784 7181 2297 2445 7735 1686 1686 7185 2301 2363 2185 2301 7363 1935 TEST 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 LENGTH éébbbkél‘ébbéébkb§ébbbbéb¢kb¢ ABOVE **** ébéb$bébbé§ék§é PATTERA 169 I70 171 172 173 9999 FOR 9999 Ftp 9999 FCR 174 175 176 171 178 179 180 181 182 183 184 185 186 187 188 189 190 9999 FOR 9999 F09 191 192 193 194 9999 FCR 9999 FOR 195 196 197 I98 9999 FCR 199 2(0 201 9999 FCR 9999 FOR 9999 FOR 9999 FCR 1470 1422 1482 1676 1630 1638 1640 1752 1770 1770 177C 1770 1772 1772 1772 1774 1883 l£83 1885 1885 1687 1667 1587 1EE7 1901 1915 1919 1977 1977 1927 1927 1929 1949 2C05 2CC5 ZCCS 7CCS 2007 2C11 2C13 2C13 2C99 2103 2111 7117 NCTES T0 T0 T0 T0 T0 T0 T0 TC T0 T0 T0 T0 TO T0 T0 T0 TC TO T0 T0 TO T0 T0 TC TC TO TO TO TO TO TO TO T0 T0 TO T0 TC TO TO 70 T0 T0 T0 T0 TO 1476 1498 1498 1640 1644 16469 16489 17589 1778 1778 1778 1778 1782 1782 1782 1784 1891 1891 1895 1895 1901 1901 1901 1901 1907 19259 19279 1933 1933 1933 1933 19359 19559 2011 2011 2011 2C11 20139 2016 2017 2C1? 21099 21119 21199 21239 544 RELATED TO SEE SEE SEE SEE SEE SEE SEE NOTES 7165 2739 2739 7715 7719 946 948 1470 1883 2631 1883 2631 2145 2349 7477 2479 7707 2707 1933 7305 1935 2307 1935 7307 7629 947 946 7183 7693 7759 2791 952 1901 2181 .2297 SEE SEE SEE SEE SEE 7359 2627 1977 7189 2071 7513 1382 946 946 1901 T0 T0 TO TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO 2171 2755 2755 2729 7733 954 956 1476 1891 2639 1891 2639 2155 2359 2487 2489 2715 7715 1943 2315 1949 2321 1949 7371 2635 957 954 7189 2699 7765 2797 958 1907 2187 2303 2365 2633 1933 7194 2025 7517 1392 954 954 1907 TEST LENGTH 13 13 13 13 13 ABOVE **** ABOVE *9** ABOVE *‘** 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 13 ABOVE ABOVE 13 13 13 13 ABOVE **‘* ABOVE ***‘ 13 13 13 13 ABOVE **** 13 13 13 ABOVE *’** ABOVE **** ABOVE **** ABOVE **** #ttt tit. ééél‘J‘éé-l‘bJ‘J‘afi'é-E‘J‘J‘b 4‘4‘9‘8‘4‘ 58‘9‘3‘ J‘J‘J‘ J‘J‘J‘J‘ 545 *#* TYPE I LISTING CONTINUED ‘** SEARCH FOR PATTERNS OF 5 NOTES IN lENGTH -- EXACT RHYTHM HITH TCNAL INVERSION hAS BEGUN AT 1467 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 7C7 1 TO 109 373 TO 481 13 5 703 37 TO 121 409 TO 493 13 5 704 49 TO 133 671 TO 505 13 5 7C5 73 TO 145 445 TO 517 13 5 7C6 1C9 TO 157 481 TO 529 13 5 7C7 121 TO 169 493 TO 541 13 5 7C8 133 TO 717 505 TO 589 13 5 7C9 145 TO 741 517 TO 613 13 5 710 S34 TO 957 1306 TO 1374 13 5 711 934 TO 952 1306 TO 1324 13 5 717 947 TO 954 1314 TO 1376 13 5 713 957 TO 967 1757 TO 1767 13 5 714 1C82 TO 1104 1686 TO 1708 13 5 715 1314 TO 1376 1915 TO 1927 I3 5 716 1318 TO 1378 1919 TO 1979 13 5 717 1318 TO 1378 7111 TO 2171 13 5 718 1676 TO 1644 2715 TO 7733 13 5 719 1777 TO 1784 7477 TO 2489 13 5 720 1685 TO 1901 1933 TO 1949 13 5 771 1685 TO 1901 2305 TO 2321 13 5 ‘9‘? FOR 1915 TO 19779 942 TO 954 ABOVE #*** 777 1575 TO 1933 7789 TO 2797 13 5 773 1977 TO 1935 7693 TO 2701 13 5 774 1979 TC 1939 7345 TO 7355 13 5 775 7CC5 TC 7013 7181 TO 7189 13 5 546 999 TYPE I LISTIAG CONTINUED tit SEARCP FOR PATTERNS OF 6 NOTES 1N lENGTH -- EXACT RHYTHM HITH TCNAL INVERSION hAS BEGUN AT 1836 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 726 1 TC 171 373 TO 493 13 6 777 37 TO 133 409 TO 505 13 6 778 49 TO 145 421 TO 517 13 6 779 73 TC 157 445 TO 579 13 6 730 1C9 TO 169 481 TO 541 13 6 731 171 TO 717 493 TO 589 13 6 737 133 TO 741 505 TO 613 13 6 733 936 TO 956 1306 TO 1376 13 6 734 934 TC 954 1306 TO 1376 13 6 735 1314 TO 1378 1915 TD 1979 13 6 547 999 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- EXACT RHYTHM HITH TCNAL INVERSION HAS BEGUN AT 2190 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 736 I TO 133 373 TO 505 13 7 737 37 TO 145 409 TO 517 13 7 738 49 TO 157 471 TO 579 13 7 739 73 TO 169 445 T0 541 13 7 740 1C9 TO 217 481 TO 589 13 7 741 171 TO 241 493 TO 613 13 7 PATTERN 747 743 744 745 746 S48 *** TYPE I LISTING CONTINUED ¢** SEARCH FOR PATTERNS CF EXACT 8 NOTES IN LENGTH -- RHYTHM HITH TCNAL INVERSION bAS BEGUN AT 2206 SECCNDS INTO EXECUTION. 37 49 73 1C9 NCTES TC TO T0 T0 T0 145 157 169 717 241 RELATED TO 373 409 471 445 481 NOTES T0 T0 T0 T0 TO 517 579 541 589 613 TEST 13 13 13 13 13 LENGTH mmmmm 549 999 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS CE 9 NOTES IN LENGTH -- EXACT RHYTHM HITH TCNAL INVERSION hAS BEGUN AT 2272 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 747 1 TO 157 373 TO 529 13 9 748 37 TO 169 409 TO 541 13 9 749 49 TO 717 471 TO 589 13 9 750 73 TO 241 445 TO 613 13 9 550 i** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS CE 10 NOTES IN LENGTH -- EXACT RHYTHM HITH TCNAL INVERSION HAS BEGUN AT 2238 SECCNDS INTO EXECUTICN. PATTERN NCTES RELATED Tf NOTES TEST LENGTH 751 I TO 169 373 TO 541 13 10 752 37 TO 717 409 TO 589 13 10 753 49 TO 741 471 TO 613 13 10 551 999 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 11 NOTES IN LENGTH -- EXACT RHYTHM HITH TCNAL INVERSION HAS BEGUN AT 2254 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 754 1 TO 217 373 TO 589 I3 11 755 37 TO 741 409 TO 613 13 11 552 999 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS CE 17 NOTES IN LENGTH -- EXACT RHYTHM HITH TCNAL INVERSION hAS BEGUN AT 2269 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 756 1 TO 741 373 TO 613 13 12 553 999 TYPE I LISTING CONTINUED it! SEARCH FOR PATTERNS CE 13 NOTES IN LENGTH -- EXACT RHYTHM HITH TCNAL INVERSION bAS BEGUN AT 2785 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH ENG CF TYPE I LISTING. TOTAL OF 756 PATTERNS LOCATED. SS4 999 TYPE II LISTING 999 JOEN DUNSTABLE ISORHYTEMIC MDTET VENI SANCTE SPIRITUS EXACT RFYTEM HITH TONAL INVERSION LOCATION TOTAL LENGTH CF FIRST NUMBER OF DE OCCURRENCE OCCURRENCES PATTERN CRTCINAL PATTERN 1 TO 241 2 12 itfifi TEST 13 COMPLETED AT 7347 SECCNDS INTO EXECUTION **#* 555 The following score shows the computer-assigned reference numbers used for Test 12 of the Dunstable motet. 556 Veni Sancte Spiritus numm. l I, 15 3" ” 6’ 557 558 559 560 $33 I" W 857 865 873 987 937 977 905' 973 921 In To; 6 ea 5 I“ -——+ 719 937 945 953 767 561 9999999999999 MUSIC MELODIC PATTERN ANALYSIS 9999999999999 JOHN DUNSTABLE ISORHYTHMIC MOTET VENI SANCTE SPIRITUS TEST REQUESTED 12 UNITS OE CATA PER CARD 12 CCNPCTER REFERENCE NUMBER ASSIGNMENT NOTES 1 THROUGH 12 5C C C 0 0 C 0 0 54 0 C D NCTES 13 THRCUGH 24 C 0 0 0 57 C 0 0 59 0 0 0 NCTES 25 THROUGH 36 C C 0 0 57 C 0 O 0 0 55 C NCTES 37 THRCUGH 48 52 0 55 C 54 C 0 0 57 0 C C NOTES 49 THROUGH 60 57 C 0 0 0 0 57 0 56 0 54 0 NOTES 61 THROUGH 77 57 C C 0 -1 0 0 0 54 0 0 0 NCTES 73 THRCUGH 84 5C C 55 C 0 0 54 0 57 0 SC 0 NOTES 55 THROUGH 96 49 C 50 0 57 C 0 0 54 0 0 0 NOTES 97 THROUGH 108 5C 0 0 0 0 C 50 0 49 0 47 C NCTES 109 THRCUGH 120 5C C C 0 -1 C 0 0 0 0 0 C NOTES 171 THRCUGH 137 54 0 0 O 0 0 57 C 5C 0 C 0 NCTES 133 THROUGH 144 57 C C 0 0 C 0 0 54 0 0 O NCTES 145 THRCUGH 156 C 0 C 0 57 C 0 C C 0 54 0 NOTES 55 NOTES 59 NOTES 57 NCTES -l NCTES 59 NCTES 55 NCTES 57 NCTES -I NCTES 55 NCTES 54 «(155 as NCTES 57 NCTES 54 NCTES 54 NCTES 52 NCTES 49 NOTES 5C NCTES -1 157 THROUGH 57 59 0 60 169 TERCUGH 57 59 181 C C 193 C 0 705 C C 717 C C 229 C C 0 57 THRCUGH 0 C 0 0 C 59 0 -1 THROUGH 0 D 241 THRCUGH C 54 C C 753 THRCUGH C 0 0 57 168 180 5 192 THRCUGH 204 THROUGH 216 THRCUGH 228 740 752 264 265 THRCUGH 776 0 57 .77 C C 289 C 0 C C C 0 C C C C THROUGH 0 *1 THROUGH O 57 THRCUGH 0 50 THRCUGH 0 C THRCUGH D 49 288 300 317 324 336 337 THROUGH 348 C 50 0 57 349 THRCUGH 360 C 0 0 0 361 THRCUGH C C 0 C 377 O 5 C C 0 C 0 0 0 C O C 0 C 0 0 C C 562 55 50 59 55 50 45 50 55 56 57 54 57 5C 54 57 54 49 49 57 57 54 55 52 55 55 50 50 47 49 AOTES 54 NCTES hCTES NCTES 47 NCTES 55 ACTFS 55 ACTFS 57 NOTES J NOTES 57 NOTES 57 AETFS 57 BCTES 54 NCTES 54 NCTES 59 NCTES NOTES 52 NOTES 57 “(TES 55 373 C 385 THRCUGH 396 C 397 THRCUGH 408 C 409 THRCUGH 420 C THROUGH 384 C O 0 SC 0 O 0 57 O 52 O 49 471 THRCUGH C C O O 432 433 THRCUGH 444 C 445 THROUGH 456 C 457 THRCUGH 468 C 469 C 481 C 493 C 5C5 C 517 529 C 541 577 C 0 54 57 THROUGH 480 C THRCUGH 492 C O -l 0 O O 59 O C 0 -l THRCUGH 0 THROUGH 516 C 0 57 0 52 THRCUGH 55 O 57 THRCUGH C 0 0 THRCUGH C THRCUGH 564 C O 55 0 57 THRCUGH C 0 52 THRCUGH C 0 0 504 578 540 552 576 588 C C C O O O O O C C 0 O C C C C C 0 S63 55 55 55 57 52 O 54 57 54 5C 54 59 57 60 56 57 54 54 54 50 52 54 54 55 5C 55 55 O 52 564 NCTES 589 THRCUGH 600 57 C C 0 50 0 47 O O O 52 0 NOTES 601 THRCUGH 612 5C 52 54 0 O 52 52 C 51 O 52 49 ACTES 613 THROUGH 624 52 C C 0 -1 0 O 0 59 O O 0 ACTFS 675 THRCUGH 636 C C C O 59 G 57 C 55 D 0 O AOTES £37 THRCUGH 648 52 C C 0 54 C 57 O 0 D 54 D hCTES 649 THRCUGH 66C 55 C 57 ' 0 59 0 D 0 55 0 O 0 ACTES 661 THRCUGH 672 C O 52 O C D 55 D 54 55 52 0 NOTES 673 THRCUGH 684 54 C C 0 -1 0 O D 50 O D O NCTES 685 THROUGH 696 52 C 49 D 47 C 57 D C O 50 0 ACTES 697 THRCUGH 708 52 C C O 52 C 54 D C O 55 C NCTES 7C9 THROUGH 720 57 C 52 O 57 C 57 O 56 0 57 54 BCTES 721 THRCUGH 732 57 O O 0 0 C O O C D D O NCTES 733 THRCUGH 744 -1 C C 0 O O D C C 0 O O UNITS OF DATA PER CARD CHANGED TO 8 NCTES 745 THRCUGH 752 5C C C C 0 0 0 0 NOTES 753 THRCUGH 76C 54 D O 0 52 C 0 O BCTES 761 THRCUGH 768 57 C C O 57 C 57 O AGTES 769 THRCUGH 776 55 C C O 59 O 59 O ACTES ACTES 55 BCTES 5C NCTES as ACTES NCTES 5C NCTES NCTFS 47 ncves 54 ACTES 55 ACTES BCTES 49 ACTES BCYES 54 ACTES 55 NCTES 5C NCTES 54 ACTFS I. 565 777 THRCUGH 784 O 57 0 57 C 54 785 THROUGH 792 C 57 0 54 0 O 793 THRCUGH 800 C 0 D -1 C 55 801 THROUGH 8C8 C C 0 54 0 52 809 THRCLGH 816 C 5C 0 49 C 50 817 THRCUGH 824 C C C 0 C 0 825 THRCUGH 832 C C 0 C C 0 833 THRCUGH 840 C C O 52 C O 841 THRCUGH 848 C C 0 O O 50 849 THRCUGH 856 C 57 0 54 C 52 857 THRCUGH 864 C 5C 0 49 0 47 E65 THRCUGH 872 C C O 50 0 0 E73 THRCUGH 88C C C 0 C C 0 881 THRCUGH 888 C 5C C O 0 54 889 THRCUGH 896 C C 0 52 C C 897 THRCUGH 904 C C O -l C O 9C5 THRCUGH 912 0 C O 57 C O 913 THRCUGH 920 C 57 0 59 C 55 47 BCTES 57 NCTES 57 NCTES 54 «0155 49 NCTES 47 ACTFS 5C NCTES NCTE NCTES 5C NCTES C «0155 43 NCTES C NCTES C NCTES 45 NCTES 43 NCTES 4C 921 THRCUGH 928 C 56 0 0 O 929 THRCUGH 936 C C 0 -1 0 937 THRCUGH 944 C 5C 0 0 0 945 THRCUGH C 5C 0 952 52 0 953 THRCUGH 96C C 5C 0 49 C 961 THRCUGH 968 C 0 0 0 C 969 THRCUGH 976 C C 0 0 C UNITS OF DATA 977 99999 UNITS 0F CATA 978 THRCUGH 989 0 0 C G C 990 THRCUGH 1001 C C 0 C 0 1013 45 C 1CCZ THRCUGH C C 0 THRCUGH 1025 C C 0 5C C THRCUGH 1037 C C 0 47 C THRCUGH 1C49 C C O 38 C 1C5O THRCUGH 1061 C C 0 40 C 1073 43 C 1C62 THRCUGH C 42 0 566 54 0 54 0 47 0 49 O 50 47 0 0 0 0 PFR CARD CHANGED PER CARD CHANGED 48 0 48 0 45 G C 0 38 0 T0 1 T0 12 C 0 O O C D D O O C C 0 42 0 C O NCTES 42 RCTES 3E ACTES NCTES 45 NCTES 38 NCTES 4C NCTES ACTES 5c NCTES NCTES 47 NCTES 43 NCTES NCTES 38 NOTES NCTES 38 BCTES 5C ACTES 45 htIES 41 1C74 1C86 1C98 1110 1122 1134 1146 1158 1170 1182 1194 1206 1218 1230 1242 1254 1266 1278 C 567 THRCUGH 1085 C 0 4C C 0 THRCUGH 1097 C 0 0 C 0 THRCUGH 1109 C 0 C C 0 THRCUGH 1171 C 0 C C 0 THRCUGH 1133 C 0 C C 0 THROUGH 1145 C 0 0 C 0 THRCUGH 1157 C 0 4C C D THRCUGH 1169 C 0 0 C D THRCUGH 1181 C C 0 0 0 THRCUGH 1193 C C 0 C 0 THRCUGH 1205 C C C C 0 THRCUGH 1217 C 0 42 0 43 THRCUGH 1229 C 0 C C 0 THRCUGH 1241 0 C 40 C 0 THRCUGH 1253 C 0 -1 0 50 THRCUGH 1265 C 0 0 C 0 THRCUGH 1277 C C C C O THRCUGH 1289 0 C C C 0 42 43 48 48 38 45 43 43 49 45 47 NCTES 47 NCTES -1 NCTES 47 NCTES 38 NCTES 0 NOTES 5C ACTES C NCTES 4i NCTES C NCTES C nc1rs 43 NCTES 38 NCTES 47 NCTES 48 NCTES 45 NOTES C BCTES 5C NCTES 4P 129C C 1302 C 1314 C 1326 C 1338 C 1350 C 1362 C 1374 C 1386 C 1398 C 1410 C 1427 C 1434 C 1446 c 1458 C 1470 0 1482 C 1494 C 568 THRCUGH 1301 C C C C D THRCUGH 1313 C 0 45 C 0 THRCUGH 1325 C 0 4C C O THRCUGH 1337 C 0 C C 0 THRCUGH 1349 C O C C 0 THRCUGH 1361 C C C C 0 THRCUGH 1373 C 0 C C O THRCUGH 1385 C 0 48 C 0 THRCUGH 1397 C C 45 C 0 THRCUGH 1409 C 0 45 C 0 THROUGH 1421 C 0 43 C 0 THRCUGH 1433 C 0 42 0 40 THRCUGH 1445 48 C 5C 0 0 THRCUGH 1457 C 0 47 C 0 THRCUGH 1469 C 0 52 C 0 THRCUGH 1481 0 0 0 C D THRCUGH 1493 C 0 48 C 0 TFRCUGH 1505 52 C C C 50 45 38 43 47 45 52 47 49 C) 45 ROTE9 5C hCTES NOTES 48 ACTES NCTES 43 NCTES 47 NCTES 45 NCTES; 47 NOTE S 5C NCTES 45 NCTES 4C NCTES BCTES 38 NCTES 4C ACTES hrtES 4s NCTES 38 hCTFS C 1506 THRCUGH 1517 1518 THRCUGH 1529 1530 THRCUGH 1542 THRCUGH 1553 C C C C C C C C 15 C C 1566 THRCUGH 1577 C C 1578 THROUGH 1589 C SC 1590 THRCUGH 1601 C 0 1607 THROUGH 1613 C 0 1614 THRCUGH 1625 C C 1626 THROUGH 1637 C C 1638 THRCUGH 1649 0 C C C 1662 THRCUGH 1673 C C 1674 THRCUGH C C 1686 THRCUGH 1697 C 43 1698 THRCUGH 1709 C C 1710 THRCUGH 1721 0 C 54 THROUGH 165C THRCLGH 1661 S69 47 57 45 47 43 4C 45 C) O NCTES 5C NOTES C NCTES 48 NCTES 47 NCTES 47 NCTES C NCTES 47 NCTES C NCTES C ACTES 38 ACTES C NCTES C ACTES 45 NCTES 43 NCTES 4C ACTES 45 «(755 4c 5“) UNITS OF DATA PER CARD CHANGED TO 1727 THRCUGH 1729 C C O C 0 O 173C THRCUGH 1737 C C 0 52 0 0 1738 THRCUGH 1745 C C 0 0 0 0 1746 THRCUGH 1753 C 52 0 C 0 50 1754 THRCUGH 1761 C 48 C 50 C D 1762 THRCUGH 1789 c c o -1 o o 1770 THRCUGH 1777 c c o 43 o n 1778 THRCUGH 1785 c c o 45 o o 1786 THRCUGH 1793 c c 0 4c 0 n 1794 THRCUGH 1801 ( c o 45 o 0 18oz THRCUGH 1809 r c 0 so c o 1e1c THRCUGH 1817 c o o 48 o 47 1818 THRCUGH 1825 c c o o c o 1826 THRCUGH 1833 c c o 45 c o 1834 THRCUGH 1841 c. 42 c c o 43 1842 THROUGH 1849 c c o 42 c o 1850 THRCUGH 1857 c c c c c c 0 (3 8 S71 ACTES 1858 THRCUGH 1865 -1 C 45 C 50 C 48 C RCTES 1866 THRCUGH 1873 47 C 0 0 48 0 0 C ncres [£74 THRCUGH 1881 -1c47 047 045 c NCTES 1887 THRCUGH 1889 49 C O 0 54 O 0 C ACTES 189C THRCUGH 1897 52 C 5C 0 0 0 48 O hCTES 1898 THRCUGH 1905 47 C 0 0 0 C 0 O NCTES 19C6 THRCUGH 1913 45 C C O O 0 0 0 NCTES 1914 THRCUGH 1921 0 C C 0 42 C 0 0 NOTES 1922 THROUGH 1929 44 c 0 0 45 44 45 0 RCTES 1530 THRCUGH 1937 47 0 44 c c) 42 44 c ACTES 1938 THRCUGH 1945 45 C 0 0 0 0 0 0 NCTES 1946 THROUGH 1953 C C 0 0 0 0 0 0 UNITS OF DATA PER CARD CHANGED TO NCTE 1954 99999 UNITS OF DATA PER CARD CHANGED TO NCTES 1955 THRCLGH 1966 45 C C C 0 C 0 0 C 0 C BCTES 1567 THRCUGH 1978 C C 0 C C C C O C C C NCTES 1979 THRCUGH 1990 -1 C C O C C 0 C C 0 C 17 NCTES 45 NCTES 47 NOTES hCTES 45 NCTES 5O BCTES 47 NCTES 45 ACTFS 43 NCTES NCTES NCTES ACTES 45 ACTES BCTES 45 2147 2159 2171 C 2183 2195 C THRCUGH C 0 THRCUGH 0 0 THROUGH C 0 THRCUGH C 0 THRCUGH C 0 THRCUGH C C THRCUGH C 0 THRCUGH 0 C THRCUGH C 0 THRCUGH C G THRCUGH C 0 THRCUGH 0 0 THROUGH C 0 THRCUGH C C THRCUGH C 0 THRCUGH 0 C THRCUGH C C THRCUGH C 0 572 NCTES NCTES NOTES NCTES NCTES NCTES NCTES ACTES NCTES ACTES NCTES 45 BCTES NCTES NCTES 45 NCTES 43 NCTES NCTES 45 NCTES C 2707 7219 2731 2243 2755 2767 2779 2291 2303 2315 C 7327 2339 2351 2363 2375 2387 7399 2411 C THRCUGH C 0 THRCUGH C C THRCUGH 0 C THRCUGH C C THRCUGH C 0 THRCUGH 0 C THRCUGH C C THRCUGH C 0 THROUGH 0 C THRCUGH 0 C THRCUGH 0 C THRCUGH C 0 THRCUGH C C THRCUGH C C THRCUGH C 0 THRCUGH C C THRCUGH C 0 THRCUGH C 0 573 ACTES 2423 THRCUGH 2434 ‘1 C C D C C 0 0 C 0 0 NCTES 2435 THRCUGH 7446 4C C C C 0 C 0 C C 0 C NCTES 7447 THRCUGH 2458 47 C C 0 C C D O C O C NCTES 2459 THRCUGH 7470 4C C 0 0 D C O 0 C O C ACTFS 2471 THRCUGH 2482 43 C C C C C O D 0 0 0 BCTES 2483 TFRCUGH 2494 45 C C C 0 C O 0 0 0 C hCTES 2495 THRCUGH 2506 47 C C C C C O C C D C NCTES 2507 THRCUGH 2518 -1 C C C 0 C 0 C C O C NCTES 2519 THRCUGH 2530 C C C C 0 C 0 C C 0 0 ACTES 2531 THRCUGH 2542 C C 0 0 0 C 0 C C 0 C BCTES 2543 THROUGH 2554 45 C C C 0 C 0 C 0 0 C NCTES 2555 THRCUGH 2566 -1 C C C 0 C O C C 0 C NCTES 2567 THRCUGH 2578 45 C C C C C 0 C C O 0 NCTES 2579 THRCUGH 2590 C C C 0 O C 0 O C 0 C UNITS OF DATA PFR CARD CHANGED TO NCTES 2591 THRCUGH 2598 -1 0 C C C C C C NCTES 2599 THRCUGH 2606 C C- C C C C C C NCTES 26C7 THRCUGH 2614 C C 0 0 C C C C NCTES C NCTES C NCTES C NCTES C NCTES C ACTES C NCTES 38 NCTES C NCTES ‘1 NCTES 38 ACTES -1 ACTES C hCTES C ACTFS 37 NCTES 38 NCTES 4C NCTES 43 ACTES 42 2615 2623 2631 2639 2647 2655 2(63 2671 2679 2687 2695 2703 2711 2719 2727 C 2735 2743 7751 C THRCUGH 0 0 THRCUGH C 0 THRCUGH C 0 THRCUGH C C THRCUGH 0 0 THRCUGH C C THRCUGH 0c THRCUGH C O THRCUGH C C THRCUGH C C THRCUGH 0 C THRCUGH 0 C THRCUGH 0 0 THRCUGH C C THRCUGH C 0 THRCUGH C O THRCUGH C O THRCUGH C O NCTES 43 C ACTES -1 C ACTES 38 C NCTES C C ACTES 4C C hCTES C C ACTES 38 C NCTES C C NCTES 2873 *1 -99 THRCUGH C 0 THRCUGH C O THRCUGH C 0 THRCUGH 0 C THRCUGH 0 0 THRCUGH C J THRCUGH C 0 THRCUGH C 0 THRCUGH TFF FCLLObING TYPES OF PATTERN FAVE BEEN DELETED FRCM TEE LISTINGS hHICH FOLLOW ~- PATTERNS WHICH ARE REITERATIONS LONGER THAN FCUR NDTES-IN-LENGTH JOPA DUASTABLE PATTERN omqombuMF- 25 8098 FOR 9894 pop ##4# Fcp 26 27 990* FCR 28 29 30 31 32 #888 FOR 9994 FOR 33 34 35 0448 FOR SEARCF FOR PATTERNS OF RHYTHM HITH EXACT CONTOUR (ORIGINAL) 51 SECCNDS INTO EXECCTION. EXA HAS BEGUN AT 21 29 35 37 39 39 45 49 49 49 55 55 55 55 55 57 57 57 57 81 83 83 85 85 85 97 103 1C5 183 169 173 175 177 2C9 267 267 271 273 297 797 297 319 CT NCTES TO TO TO TC TO 10 T0 T0 TC TC T0 T0 TC T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TC T0 T0 T0 T0 TD TD TO T0 T0 T0 T0 TD T0 T0 TD TC T0 T0 577 4’4 TYPE I LISTING 4** 35 37 39 41 45 45 55 57 57 57 59 59 59 59 59 61 61 61 61 85 87 87 89 89 89 1059 1070 1099 167 171 1759 178 179 217 273 273 2759 2770 361 301 3C1 3239 ISORHYTPHIC MOTET RELATED TC SEE SEE SEE SEE SEE SEE SEE VENI SANCTE SPIRITUS 3 NOTES IN LENGTH -- 393 401 407 409 503 1888 417 97 421 489 103 271 427 475 £59 105 273 429 477 341 319 335 321 1210 1434 49 55 57 917 173 189 887 889 1478 807 855 55 57 501 1888 1882 83 NOTES TO 407 T0 409 TO 411 TO 413 TO 509 TO 1694 TO 427 TO 105 TO 429 TO 477 TO 107 TO 275 TO 431 TO 479 TO 863 TO 109 TO 277 TO 433 TO 481 T0 345 T0 323 TO 339 TO 325 TO 1214 TD 1438 TO 57 TO 59 T0 61 T0 921 T0 175 TO 171 TO 670 TO 671 TO 1486 TO 813 TO 861 TO 59 TO 61 TO 505 TO 1690 TO 1866 TO 87 TEST 12 12 12 17 12 12 12 12 12 17 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 ABOVE **** ABOVE *444 ABOVE **** 12 12 ABOVE **’* 12 12 12 12 12 ABOVE **** ABOVE *‘** 12 12 12 ABOVE ***‘ LENGTH UNWWWUUUUUUWUWWUWWUWU’“WU-1w WW WWWUJU Uta-1U) PATTERN 9999 FCR 9999 FCR 36 37 38 39 9999 FOR 40 41 9999 Ftp 9999 FOR 9999 Pop 9999 FOR 42 9999 Pop 9999 FOR 9999 FOR 9999 FOR 43 44 4S 9999 Few 46 47 9999 FOR 9999 FOR 9999 Pop 48 49 9999 FCR 9999 Fcp 90 El 9999 FOR 9999 FOR 52 E3 54 55 56 57 9999 9999 9999 9999 9999 58 E9 60 61 9999 F09 FOR FOR FCR FCR FOR 321 335 337 337 337 337 341 345 381 393 401 407 4C9 411 417 421 427 429 441 453 453 455 457 459 469 475 477 497 499 501 503 563 573 589 599 6C7 6C7 6C7 6C9 6C9 6C9 621 647 649 667 669 685 689 691 701 709 NCTES TC TC TO T0 T0 TO T0 T0 T0 TC TO TC TO TC T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TC TO TO TC T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TC T0 T0 T0 TC T0 T0 TC TC T0 TO 3259 3399 341 341 341 341 3459 348 391 4C79 4099 4119 4139 417 4279 4299 4319 4339 447 457 457 4599 461 465 4779 4799 4819 501 503 5059 5099 569 583 5959 6029 611 611 611 612 612 612 6319 6519 6539 67C9 6719 689 695 697 707 7139 578 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE SFF 588 see SEE SEE SEE SEE SEE SEE SEE SEE NOTES 85 TO 89 83 TD 87 455 TO 459 647 TO 651 783 TO 787 945 TO 949 81 TO 85 599 T0 602 621 TO 631 21 T0 35 29 TO 37 35 TO 39 37 TO 41 1864 TO 1870 45 TD 55 49 TO 57 55 TO 59 57 TO 61 589 T0 595 943 TO 947 1432 TD 1436 337 TO 341 649 T0 653 863 TO 869 49 TD 57 55 TD 59 57 TO 61 709 TO 713 1860 TO 1864 297 TO 301 39 TO 45 1436 TO 1442 1866 TO 1876 441 TO 447 345 T0 348 715 T0 719 811 TO 815 955 TO 959 717 T0 720 813 T0 816 957 TO 960 381 TO 391 337 TO 341 457 TO 461 175 TO 178 177 TO 179 949 TO 953 1746 TO 1752 1584 TO 1590 1834 TO 1840 497 TO 501 TEST aeove 9999 aaove 9999 12 12 12 12 aeove 9999 12 12 ABOVE 9999 ABOVE 9999 ABOVE 9999 aaove 9999 12 aeove 999* ABOVE 9999 ABOVE 9999 aaove 9999 12 12 12 ABOVE 12 12 ABOVE ##tt ABOVE 9999 aaove 999* 12 12 ABOVE 9999 ABOVE **** 12 12 ABOVE 9999 aeovs 9999 12 12 12 12 12 12 ABOVE aeove ABOVE ABOVE ABOVE 12 12 12 12 ABUVE **** tttt 9999 9999 9999 9999 9999 lENGTH UUWU WWW WU) UAW MUD-1070.11.» WWWU PATTERN 9999 son 9999 Pop 62 9999 F0? 63 64 65 9999 FOR 9999 F09 9999 FOR 66 999* 966* 998* 68*! 9969 #990 #699 999$ 994$ 8‘39 999* FOR FOR FOR FOP FOR FOR FOR FOR FOR FOR FOR 67 68 9999 EUR 69 998* 969* $999 99*9 96*. 969* 9*** 999‘ 9‘4! 80$. 69‘. 0.69 #099 #699 609‘ 0999 999* 99*! 9*#* FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FCR FCR FCR FOR FOR FOR FOR FOR 715 717 781 783 8C5 8C5 805 EC? 811 813 849 853 £55 859 863 917 943 945 947 949 955 957 1070 1074 1210 1274 1310 1314 1432 1434 1436 1478 1562 1582 1584 1686 1688 1746 1752 1834 1860 1862 1864 1566 1890 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TC T0 T0 TO TO TC T0 T0 T0 TC TC T0 T0 T0 T0 T0 T0 TC TO TO NCTES 7199 7209 785 7879 811 811 811 8139 8159 8169 853 8599 8619 8639 8699 9219 9479 9499 9519 9539 9599 9609 1078 1086 12149 1286 13189 13269 14369 14389 14429 14869 15749 15889 15909 16909 16949 17529 17569 18409 18649 18669 18709 18769 18969 579 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEF SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SFE SEE SEE 607 609 1752 337 853 1582 1890 267 607 609 947 805 267 55 459 163 453 337 849 685 607 609 1310 1314 85 1562 1070 1074 453 85 563 209 1274 805 691 297 39 689 781 701 499 297 411 573 NOTES TO 611 TO 612 TO 1756 TO 341 TO 859 TO 1588 TO 1896 TO 273 TO 611 TO 612 TO 951 TO 811 TO 273 TO 59 TO 465 TO 167 TO 457 TO 341 TO 853 TO 689 TO 611 TO 612 TO 1318 TO 1326 TO 89 TO 1574 TO 1078 TO 1086 TO 457 TO 89 TO 569 TO 217 TO 1286 TO 811 TO 697 TO 301 TO 45 TO 695 TO 785 TO 707 TO 503 TO 301 TO 417 TO 583 TO 811 805 TEST LENGTH ABOVE **** ABOVE **** 12 ABOVE ***‘ 12 12 12 ABOVE **** ABOVE **** ABOVE **** 12 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** *tt* ##tt **6* *#** **** ttti ittt **** *ttt *t.‘ 12 12 ABOVE 9999 12 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** **¥* 163$ *ttt titt ##** ##36 tttt #639 **#* tt** tt‘t tit. tilt 9.66 *$** *tti itit fittt (flu-1U PATTERN TC 71 72 T3 T4 15 16 77 TB 79 BC El #4:: FOR tit! FOR 82 83 ifitt t*## 1"! ififit it?! iiti ##flt iii! FOR FOR FCR FCR FCR FOP FDR FOR 84 85 464* FOR :44: FOR 86 87 88 £9 90 91 92 93 14:: Pop 4:4: FOR #4:: Fog 4:4: FOR #4:: FOR 94 44:: pop 34“ FOR SEARCF FOR PATTERNS OF EXACT RHYTHM HITH EXACT CONTOUR (ORIGINAL! hAS BEGUN AT 1068 SECCNDS INTO EXECUTION. NCTES RELATED TO NOTES TEST lENGTH 21 TC 37 393 TO 409 12 4 29 TO 39 401 TO 411 12 4 35 TO 41 40? TO 413 12 4 45 TO 57 417 TO 429 12 4 49 TC 59 97 TO 107 12 4 49 TO 59 421 TO 431 12 4 49 TO 59 469 TO 479 12 4 55 TO 61 103 TO 109 12 4 55 TO 61 271 TO 277 12 4 55 TC 61 427 TO 433 12 4 55 TO 61 475 TO 481 12 4 83 TO 89 319 TO 325 12 4 97 TO 10?. SEE 49 TO 59 ABOVE **** 103 TO 109. SEE 55 TO 61 ABOVE *ttt 175 TO 179 667 TO 671 12 4 267 TC 275 655 TO 863 12 4 271 TO 27?. SEE 55 TO 61 ABOVE **** 319 TO 325. SEE 83 TO 89 ABOVE tttt 393 TO 4C9. SEE 21 TO 37 ABOVE *ttt 401 TO 411. SEE 29 TO 39 ABOVE **** 407 TC 413. SEE 35 TO 41 ABOVE **** 417 TO 429. SEE 45 TO 57 ABOVE ***t 421 TO 431. SEE 49 TO 59 ABOVE tttt 427 TC 433. SEE 55 TO 61 ABOVE **** 453 TC 459 943 TO 949 12 4 455 TO 461 647 TO 653 12 4 469 TO 479. SEE 49 TO 59 ABOVE ***# 475 TO 481. SEE 55 TO 61 ABOVE *ttt 499 TO 505 1860 TO 1866 12 4 501 TO 509 1686 TO 1694 12 4 EC? TO 612 115 TO 720 12 4 6C7 TO 612 811 TO 816 12 4 EC? TC 612 955 TO 960 12 4 6C? TO 612 715 TO 720 12 4 6C7 TO 612 811 TO 816 12 4 6(7 TO 612 955 TO 960 12 4 647 TO 653. SEE 455 TO 461 ABOVE **** 647 TO 653. SEE 455 TO 461 ABOVE *ttt 667 TO 671. SEE 175 TO 179 ABOVE *ttt 715 TC 720. SEE 607 TO 612 ABOVE **** 715 TO 720. SEE 607 TO 612 ABOVE t*** 8C5 TO 813 853 TO 861 12 4 811 TO 816. SEE 607 TO 612 ABOVE **** Ell TO 816. SEE 607 TO 612 ABOVE *ttt 580 it! TYPE I LISTING CONTINUED *** 4 NOTES IN LENGTH -- 581 PATTERA NCTES RELATED TO NOTES TEST LENGTR #494 FOR 853 TO 861. SEE 805 TO 813 ABOVE **** 9’99 FOR 855 TO 863. SEE 267 TO 275 ABOVE *‘** #ttt FCR 943 TC 949. SEE 453 TO 459 ABOVE **** ‘*** FCR 955 TO 960. SEE 607 TO 612 ABOVE **** *‘** FCR 955 TO 960. SEE 607 TO 612 ABOVE **** $5 1070 TO 1086 1310 TO 1326 12 4 $444 FCR 1310 TC 1326' SEE 1C70 TO 1086 ABOVE *‘** tttt FCP 1686 TO 1694. SEE 501 TO 509 ABOVE '*** ‘*‘* FOP 1686 TC 1694. SEE 501 TO 509 ABOVE **** 04.: EC: 1860 TO 1866. SEE 499 TO 505 ABOVE *ttt 582 ‘** TYPE I LISTING CONTINUED 4*. SEARCH FOR PATTERNS OF 5 NOTES IN lENGTH -- EXACT RHYTHM HITH EXACT CCNTOUR IDRIGINALI EAS BEGUN AT 1251 SECONDS INTO EXECUTION. PATTERA NCTES RELATED TC NOTES TEST LENGTH 96 21 TC 39 393 TO 411 12 5 97 29 TO 41 401 TO 413 12 5 98 45 TO 59 417 TO 431 12 5 99 49 TO 61 97 TO 109 12 5 100 49 TC 61 421 T0 433 12 5 1C1 49 TO 61 469 TO 481 12 5 *“* FOR 97 TO 109. SEE 49 TO 61 ABOVE **** #444 FOR 393 TO 411' SEE 21 TO 39 ABOVE **** #6.! FOR 401 TO 4134 SEE 29 TO 41 ABOVE **** #*** EOE 417 TC 431. SEE 45 TO 59 ABOVE **** *‘** FCR 421 TO 433. SEE 49 TO 61 ABOVE **** ‘ER9 FOR 469 TO 481. SEE 49 TO 61 ABOVE **** 583 4#* TYPE I LISTING CONTINUED **‘ SEARCH FOR PATTERNS OF 6 NOTES IN LENGTH -- EXACT RHYTHM HITH EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 1474 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH 102 21 TC 41 393 TO 413 12 6 103 45 TO 61 417 TO 433 12 6 #444 FOR 393 TO 4130 SEE 21 TO 41 ABOVE **** *‘fit FCR 417 TC 4330 SEE 45 TO 61 ABOVE **** 584 464 TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS DE 1 NOTES IN LENGTH -- EXACT RHYTHM HITH EXACT CONTOUR IORIGINALI HAS BEGUN AT 1683 SECCNDS INTO EXECUTION. PATTERN NCTES RELATED TC NOTES TEST LENGTH EAD OF TYPE I LISTING. TOTAL OF 103 PATTERNS LOCATED. JOEA DUNSTABLE EXACT CRIGIAAL FATTERN SLBPATTERN SLPPATTERN SLEPATTERN SLEPATTERN SUBPATTERN SUBPATTERN CRIGINAL PATTERN 3‘8. 585 #49 TYPE II LISTING *** ISORHYTEHIC MOTET LOCATION OF FIRST OCCURRENCE 45 TO 61 49 TO 61 55 TO 61 49 TO 59 57 TO 61 55 TO 59 49 TO 57 21 TO 41 VENI SANCTE SPIRITUS RHYTEM HITH EXACT CONTOUR (ORIGINAL) TOTAL NUMBER OF OCCURRENCES N #OTU'i-I‘UTJ‘ LENGTH OF PATTERN 0‘ WWWPI‘W TEST 12 COMPLETED AT 1720 SECCNDS INTO EXECUTION *ttt 586 For the Test-O analysis of the Hindemith fugue, the rhythm of the top voice was altered slightly in measures 11 and 76 to allow for a limitation in the encoding process. Since rhythm was not analyzed in Test 0, this alteration did not affect the results of the analysis. In order to reduce the size of this appendix, the list showing the computer-assigned reference numbers for Test 0 has been omitted. 587 HINDEMITH LUDIS TONALIS FUGA VJNA IN B-ELAT.COMPLETE ASCENDING AND DESCENDING INTERVALS* (INCLUDING ENHARMDNIZ EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OE OCCURRENCE MINOR 2 193 22.44 MAJOR 2 238 27.67 MINOR 3 129 15.00 MAJOR 3 43 5.00 PERF. 4 69 8.02 TRITONE 7 0.81 PERF. 5 14 1.63 MINOR 6 6 0.70 MAJOR 6 7 3.81 MINOR 7 25 2.91 MAJOR 7 7 0.81 OCTAVE 17 1.98 MINOR 9 3 0.35 MAJOR 9 2 0.23 MINOR 10 4 0.47 MAJOR 10 2 0.23 PERF. 11 2 0.23 CCMP. TT 0 0.0 PERF. 12 3 0.39 MINOR 13 1 0.12 MAJOR 13 0 0.0 MINOR 14 7 0.81 MAJOR 14 1 0.12 THO OCT. 5 0.58 UAISON 69 8.02 INTERVALS 6 3.7) EXCEEDING THO CCTAVES 860 INTERVALS COUVTED *INCLUDING UNISONS 588 HINDEMITE LUDIS TONALIS EUGA NONA 1N BrFLAToCOMPLETE ASCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE EINOR 2 80 21.45 MAJOR 2 120 32.17 MINOR 3 60 16.09 MAJOR 3 15 4.02 PERF. 4 40 10.72 TRITONE 5 1.34 PERF. 5 4 1.07 ilNOR 6 4 1.07 MAJOR 6 3 0.80 MINOR 7 12 3.22 MAJOR 7 0 0.0 OCTAVE 5 1.34 MINOR 9 2 0.54 MAJOR 9 2 0.54 MINCE 10 3 0.80 MAJCR 10 2 0.54 PERF. 11 1 0.27 bCMpo TT 0 0.0 PERF. 12 3 0.80 MINOR 13 1 0.27 MAJOR 13 0 0.0 MINOR 14 4 1.07 MAJCR 14 0 0.0 THO OCT. 2 0.54 INTERVALS 5 1.34 EXCEEDING THO OCTAVES 373 ASCENDING INTEIVALS COUNTED S89 HINDEMITH LUDIS TONALIS EUGA NONA IN B-FLAT9COMPLETE DESCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OE OCCJRRENCE MINCR 2 113 27.03 MAJCR 2 118 28.23 MINCR 3 69 16.51 MAJCR 3 28 6.70 PERF. 4 29 6.94 TRITONE 2 0.48 PERF. 5 10 2.39 MINOR 6 2 0.48 MAJOR 6 4 0.96 MINCR 7 13 3.11 MAJOR 7 7 1.67 JCTAVE 12 2.87 41NOR 9 1 0.24 MAJCR 9 O 0.0 MINCE 10 l 0.24 MAJOR 10 0 0.0 PERF. 11 1 0.24 CCMP. TT 0 0.0 PERE. 12 0 0.0 MINCR 13 0 0.0 MAJOR 13 0 0.0 MINCR 14 3 0.72 MAJOR 14 1 0.24 THO OCT. 3 0.72 INTERVALS 1 0.24 EXCEEDING THC OCTAVE' 418 DESCENDING INTERVALS COUNTED «##4 TEST 0 COMPLETED AT 61 SECONDS INTO EXECUTION **** 590 The following score shows the computer-assigned reference numbers for the analyses of the bottom—sounding voice of the Hindemith fugue. Although all three voices are shown in the following score. only the bottomesoundigg voice was encoded and analyzed for these tests. 591 .muoaSO unwfiumaou mzu pom mucmwm oaom .xuo» aoz .oHHH>Hoz ..nuoo wowsmwanom mqawzlcfiaamm >2 onucouw maamaoe macs; aoum umumuxo mfinu ouosv ou scammasumm S c ) ) 1H1! O QT: J \ ( ( mmmmmwmmmmmwmwmmmu H. TANK, AT _ .G a E /III\\ «con 4 5 mi \ wK «man I\ 8. n 1. 615.238 .3233.“ a» grass: 2.2.: 2...: 592 l|r~ Il~ V 11 j 3‘ u-‘ j I l- l l n- I 31} 305 275 257 401 369 d-[- .1._. H r I A n- v '11 ’ewr [1) w 41;? w 455 447 594 595 n? 596 ‘Fcib I t; _A h t) _A h t). h F; F 4:. h It:- F III; _A I I! 11‘ I: huh u . L fl n 1w .1 3 .u I H A A A l A A A A u. I 1 I I ‘4 w . T . . \ E C I. m AA A A A I In — N ‘ N ‘1 u Hl‘ : I h h . .4 MIT! o .— T A fl MW 1“ . A w. u" < < . w” (1 a A7 H” 1. A (k I M A ( / \ $3 3.2 $2 $2 “A l . \) NJ “I. 1 . AL ) 5 h A A A A 1 ‘1- nll ‘ I A A V A AL- A A A H I I“ A I A I I I ‘9 r A A EL A A l A A T .hfil .3 1.. . ***t*t*t*#t** dINDEMITH NOTES NOTES NCTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES (I OTFS VOTES TEST REQUESTED LUDIS TONALIS 2 597 FUGA NONA IN B-FLATv UNITS OF DATA PER CARD CCMPUTER REFERENCE NUMBER ASSIGNMENT 1 THROUGH 16 36 C 0 0 38 0 17 THROUGH 32 43 33 0 O 0 0 33 THROUGH 48 36 C 0 O 32 0 64 —1 o 49 THROUGH 28 C 0 0 65 THROUGH 80 33 0 0 0 -1 0 81 THROUGH 96 30 C O 0 -1 0 97 28 THROUGH 112 O 0 0 52 51 113 THROUGH 49 C 0 0 128 -1 0 129 THRCUGH 144 47 0 0 0 42 0 145 THROUGH 0 0 0 0 49 160 47 THROUGH 176 0 0 56 0 161 54 C 177 THROUGH 192 45 0 0 0 0 0 193 THROUGH 208 41 C -1 52 -1 44 0 0 0 51 47 0 0 0 0 0 0 0 0 16 38 31 30 31 29 52 49 42 49 57 43 0 52 0 0 MUSIC MELODIC PATTERN ANALYSIS 43 36 29 52 47 53 #t**********# BJTTOM VOICE O -1 0 38 41 38 O O 0 O 0 0 0 0 0 O 0 0 0 O O 0 -1 0 O 0 0 O 0 O 9 0 0 0 0 0 0 0 0 NOTES NOTES NOTES NOTES NOTES NOTES VOTES VOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NCTES VOTES MOTES 209 THRCUGH 224 38 c o o -1 o 225 THROUGH 240 0- 0 52 0 52 0 241 THROUGH 256 0 0 50 O 50 0 257 THROUGH 272 53 0 0 0 -1 0 273 THROUGH 288 40 0 0 0 38 0 289 THROUGH 304 33 43 0 0 0 0 305 THRCUGH 320 40 0 0 0 44 0 321 THROUGH 49 C O 0 37 336 36 337 THROUGH 352 43 0 0 0 -1 0 353 THRCUGH 368 39 0 0 0 0 0 369 THRCUGH 384 37 0 0 0 0 0 385 THRCUGH 400 35 0 0 0 O 0 401 THROUGH 416 35 0 0 0 37 O 417 THROUGH 432 44 47 44 42 39 o 433 THROUGH 448 O 0 49 0 44 0 449 THROUGH 464 41 0 0 0 0 0 465 THROUGH 480 39 0 0 0 -1 0 481 THRCUGH 496 31 0 0 0 35 0 37 598 39 41 (n m 45 41 41 38 36 33 38 44 28 37 0 51 0 0 49 0 0 52 0 40 37 35 51 49 52 33 40 47 42 42 49 42 30 32 38 C) ‘5 NOTES NCTES NDTES NOTES NCTES NOTES NOTES NOTES NCTES NOTES aOTES NOTES NOTES NOTES NCTES NOTES NOTES NOTES 599 497 THROUGH 512 0 C 0 0 42 0 -1 0 0 513 THRCUGH 528 -1037035000-1 529 THROUGH 544 31 0 0 0 -1 0 0 0 33 545 THROUGH 560 36000-100034 561 THROUGH 576 33000-100032 577 THROUGH 592 31 C 0 0 55 54 55 54 55 593 THROUGH 608 47 0 0 0 -1 0 0 0 54 609 THROUGH 624 51 0 0 0 47 0 0 0 45 625 THROUGH 640 000040 0-1038 641 THROUGH 656 36 C 0 0 0 0 O 0 35 657 THROUGH 672 33 0 0 0 45 0 0 0 O 673 THRCUGH 688 41 0 0 0 0 0 0 0 40 689 THROUGH 704 38 0 0 0 O 0 0 0 42 705 THROUGH 720 37 C 0 0 0 0 0 O 36 721 THROUGH 736 35 O 0 0 '1 0 0 0 0 737 THROUGH 752 41 0 0 0 0 0 0 0 43 753 THROUGH 768 43 0 0 0 0 0 0 0 48 769 THRCUGH 784 48 38 0 0 0 0 0 0 0 0 42 42 33 45 47 37 38 50 52 50 43 38 52 NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NCTES NOTES NCTES NOTES VOTES NOTES NOTES 785 THROUGH 800 0 C 0 0 0 0 801 THROUGH 816 41 0 0 0 0 0 THROUGH 832 0 0 O O 817 36 0 833 THROUGH 848 33 0 0 0 31 0 849 THRCUGH 864 26 36 0 0 0 0 865 THRCUGH 880 33 0 0 0 37 0 881 THROUGH 896 41 0 0 0 53 55 897 THROUGH 912 46 0 42 0 39 0 913 THROUGH 928 ’1 0 O 0 24 26 929 THROUGH 944 0 0 0 0 49 51 945 THROUGH 960 0 0 0 0 23 25 961 THROUGH 976 0 0 0 0 30 32 977 THROUGH 992 0 C 0 0 45 47 993 THROUGH 1008 0 C 0 0 22 24 1009 THROUGH 1024 44 47 44 42 41 o 1025 THROUGH 1040 38 0 0 0 0 0 1041 THROUGH 1056 36 0 0 0 38 0 1057 THROUGH 1072 600 57‘58 35 29 54 35 50 27 0 ‘1 -1 60 26 24 49 51 25 23 30 32 47‘45 24 22 O -1 0 43 0 38 43 33 0 0 0 0 O 0 0 0 43 56 46 O 0 0 0 0 26 0 33 31 4O 0 54 0 0 0 ‘1 0 -1 O -1 0 '1 0 -1 0 -1 0 36 0 0 0 43 0 36 38 43 0 0 0 O 0 -l 0 28 31 0 0 49 0 0 O 0 0 0 0 0 0 0 0 0 0 0 O 37 0 -1 0 ‘1 0 41 38 601 NOTES 1073 THROUGH 1088 360003200031000290 NOTES 1089 THROUGH 1104 27 0 0 0 0 0 0 0 25 0 0 0 0 0 NOTES 1105 THROUGH 1120 24 0 0 0 -1 0 0 0 26 0 0 L) I ’- O TVOTES 1121 THROUGH 1136 29' 0 0 0 '1 0 0 0 27 0 0 0 -1 O HVOTES 1137 THROUGH 1152 26C00-100025000-10 NOTES 1153 THROUGH 1168 24 0 0 0 -1 0 0 0 0 0 0 0 0 0 iVOTES 1169 THROUGH 1184 0 0 0 0 0 0 0 0 55 0 0 0 0 0 TVOTES 1185 THROUGH 1185 -99 THE FOLLOWING TYPES OF PATTERN HAVE BEEN DELETED FROM THE LISTINGS WHICH FOLLJN -- PATTERNS WHICH ARE REITERATIONS LONGER THAN FOUR NOTES-IN-LENGTH C.) 602 HINDEMITH LUDIS TONALIS FUGA NONA IN B-ELATy BOTTOM VOICE ASCENDING AND DESCENDING INTERVALS* (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OE OCCURRENCE 41NOR 2 54 20.45 MAJOR 2 79 29.92 MINOR 3 49 18.56 MAJCR 3 14 5.30 PERF. 4 15 5.68 TRITONE 1 0.38 PERF. 5 4 1.52 MINOR 6 0 0.0 MAJOR 6 0 0.0 MINOR 7 9 3.41 MAJOR 7 2 0.76 OCTAVE 5 1.89 MINOR 9 1 0.38 MAJOR 9 0 0.0 MINOR 10 1 0.38 MAJOR 10 0 0.0 PERF. 11 0 0.0 COMP. TT 0 0.0 PERF. 12 0 0.0 MINOR 13 0 0.0 MAJOR 13 0 0.0 MINOR 14 1 0.38 MAJOR 14 1 0.38 THO OCT. 2 0.76 UNISON 23 8.71 INTERVALS 3 1.14 EXCEEDING THO OCTAVES 264 INTERVALS COUNTED * INCLUDING UNI SONS 603 HINDEMITH LUDIS TONALIS FUGA NONA IN B-ELAT. BOTTOM VOICE ASCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE MINOR 2 20 18.69 MAJOR 2 35 32.71 MINCR 3 24 22.43 MAJOR 3 6 5.61 PERF. 4 5 4.67 TRITONE 1 0.93 PERF. 5 2 1.87 MINOR 6 0 0.0 MAJOR 6 0 0.0 MINOR 7 5 4.67 MAJOR 7 0 0.0 OCTAVE 2 1.87 MINCR 9 1 0.93 MAJOR 9 0 0.0 MINOR 10 1 0.93 PERF. 11 0 0.0 COMP. TT 0 0.0 PERF. 12 0 0.0 MINOR 13 0 0.0 MAJOR 13 0 0.0 WINOR 14 1 0.93 MAJOR 14 0 0.0 THO OCT. 2 1.87 INTERVALS 2 1.87 EXCEEOING THO OCTAVES 107 ASCENDING INTERVALS COUNTED 604 HINDEMITH LUDIS TONALIS FUGA NONA IN B-ELAT. BOTTOM VOICE DESCENDING INTERVALS (INCLUDING ENHARMONIC EQUIVALENTS) TOTAL PERCENTAGE OCCURRENCES OF OCCURRENCE MINOR 2 34 25.37 IOINOR 3 25 18066 MAJOR 3 8 5.97 PERF. 4 10 7.46 TRITONE 0 0.0 PERF. 5 2 1.49 MINOR 6 0 0.0 MAJOR 6 0 0.0 MAJOR 7 2 1.49 OCTAVE 3 2.24 MINOR 9 0 0.0 MAJOR 9 0 0.0 MINOR 10 O 0.0 MAJOR 10 O 0.0 PERF. 11 0 0.0 LOMP. TT 0 0.0 PERE. 12 0 0.0 MINOR 13 O 0.0 MAJOR 13 0 0.0 MINOR 14 0 0.0 MAJOR 14 1 0.75 THO OCT. 0 0.0 INTERVALS 1 0.75 EXCEEDING THO OCTAVES 134 DESCENDING INTERVALS COUNTED HINDEMITH PATTERN cmao‘maumo— LUDIS TONALIS FUGA 605 *** TYPE I LISTING *** SEARCH FOR PATTERNS OF EXACT CONTOUR (ORIGINAL) HAS BEGUN NOTES 1 TO 9 1 TO 9 1 TO 9 5 TO 13 5 TO 13 9 TO 17 9 TO 17 13 TO 18 13 TO 18 17 TO 29 17 TO 29 18 TO 30 18 TO 30 18 TO 30 18 TO 30 18 TO 30 18 TO 30 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 29 TO 31 30 TO 32 30 TO 32 30 TO 32 30 TO 32 30 TO 32 30 TO 32 30 TO 32 30 TO 32 30 TO 32 30 TO 32 30 TO 32 AT RELATED TO 3 NOTES IN LENGTH ~- 245 737 1041 745 1045 753 1049 761 1053 769 1057 151 303 618 770 863 1058 49 413 485 529 619 793 917 933 949 965 981 997 1069 1105 417 489 795 918 934 950 966 982 998 1009 1070 NONA 1N B'FLATV NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 253 753 1049 761 1053 769 1057 770 1058 793 1069 153 305 620 795 865 1070 65 418 490 545 621 797 919 935 951 967 983 999 1071 1121 419 491 799 920 936 952 968 984 1000 1011 1072 38 SECJNOS INTO EXECUTION. TEST NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN BOTTOM VOICE LENGTH wwwwwwmwwwuwwwwwwwuuwwwwwwwwwwwwwwwwwwuuww PATTERN 43 44 4s 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 (:3 (:4 65 66 67 68 69 70 71 72 73 74 7s 76 77 78 79 80 81 82 869* FOR 83 84 *tit FOR 85 86 87 88 89 90 91 31 31 31 31 31 31 31 31 31 31 31 31 31 31 32 32 33 33 33 37 37 37 37 37 37 37 37 41 41 41 41 41 41 41 41 41 41 41 41 45 49 57 57 65 73 73 73 73 73 73 73 NOTES TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 T0 TO T0 T0 TO TO TO T0 T0 T0 T0 T0 TO TO TO TO 70 T0 T0 TO TO TO TO TO TO T0 T0 T0 T0 T0 606 RELATED TO 33 33 33 33 33 33 33 33 33 33 33 33 33 33 37 37 41 41 41 45 45 45 45 45 45 45 45 49 49 49 49 49 49 49 49 49 49 49 49 57 65. 73 73 817 89 89 89 89 89 89 89 SEE SEE 138 290 418 490 797 850 919 935 951 967 983 999 1010 1071 799 1072 697 801 1073 193 265 377 641 673 809 825 1077 65 185 345 443 545 601 633 669 817 1011 1089 1121 1097 29 537 1113 41 353 361 369 553 561 701 705 NOTES TO 150 TO 302 TO 420 TO 492 TO 801 TO 862 TO 921 TO 937 TO 953 TO 969 TO 985 TO 1001 TD 1012 TO 1073 TO 809 TO 1077 TO 705 TO 817 TO 1081 TO 209 TO 277 TO 393 TO 657 TO 689 TO 825 TO 837 TO 1085 TO 81 TO 201 TO 361 TO 449 TO 561 TO 609 TO 649 TO 681 TO 833 TO 1013 TO 1105 TO 1137 TO 1113 TO 31 TO 553 TO 1129 TO 49 TO 369 TO 377 TO 385 TO 569 TO 577 TO 713 TO 721 TEST NNNNNNNNNNNIVNNNNNNNNNNNNNNNNNNNNNNNNNNNN LENGTH wwmwwwwwwwwwwwwwwwwwwwwwwwwwwwwuwwwwwwww ABOVE **** 2 3 2 3 ABOVE **** 2 3 2 3 2 3 2 3 2 3 2 3 2 3 607 PATTERN NOTES RELATED TO NDTES TEST LENGTH 92 73 T0 89 1129 TO 1145 2 3 93 73 T0 89 1137 To 1153 2 3 444* FOR 81 T0 97. SEE 73 T0 89 ABOVE 444* 94 89 To 101 569 T0 531 2 3 95 97 T0 102 577 T0 582 2 3 96 101 T0 103 103 T0 105 2 3 97 101 To 103 325 T0 327 2 3 98 101 To 103 581 To 583 2 3 99 101 T0 103 583 TO 585 2 3 100 102 To 104 582 T0 584 2 3 4*** FOR 103 T0 105. SEE 101 T0 103 ABOVE **** 101 104 To 109 221 To 229 2 3 102 104 T0 109 237 TO 245 2 3 103 105 To 113 227 T0 235 2 3 104 199 T0 121 229 T0 237 2 3 105 113 To 125 437 T0 445 2 3 106 113 T0 125 509 T0 517 2 3 107 121 T0 129 273 T0 281 2 3 1C8 121 T0 129 833 To 841 2 3 109 125 TO 133 277 TO 285 2 3 110 125 To 133 429 To 437 2 3 111 125 To 133 501 TO 509 2 3 112 125 T0 133 837 TO 845 2 3 113 129 T0 137 281 T0 289 2 3 114 129 TO 137 435 T0 443 2 3 115 129 T0 137 507 TO 515 2 3 116 129 To 137 841 T0 849 2 3 117 133 To 138 285 T0 290 2 3 118 133 T0 138 845 T0 850 2 3 119 137 To 149 289 T0 301 2 3 120 137 To 149 849 T0 861 2 3 444* FOR 138 To 150. SEE 31 To 33 ABOVE **4* 121 149 T0 151 301 T0 303 2 3 122 149 To 151 419 T0 421 2 3 123 149 T0 151 491 T0 493 2 3 124 149 To 151 613 T0 618 2 3 125 149 To 151 861 To 863 2 3 126 150 T0 152 302 T0 304 2 3 127 150 T0 152 617 T0 619 2 3 128 150 T0 152 862 To 864 2 3 444* FOR 151 To 153. SEE 18 To 30 ABOVE #444 129 152 T0 157 304 TO 309 2 3 130 152 To 157 864 T0 869 2 3 131 153 To 161 305 T0 313 2 3 132 153 TO 161 865 T0 873 2 3 133 157 T0 165 309 TO 317 2 3 134 157 T0 165 326 To 328 2 3 135 157 To 165 869 To 877 2 3 136 157 To 165 887 To 889 2 3 137 161 T0 169 328 T0 333 2 3 138 161 To 169 401 T0 409 2 3 PATTERN 139 140 141 142 143 144 145 146 147 148 ##t* FOR *ttt FOR 149 150 ##t* ##t* *tt* *t#* ##t* ‘tt* ##t* t*** 151 ##t* ##** ##t* **t* cttt ##*# *#*# tttt ##t# ##t# *t** *tt* ##t* 152 153 154 ##t* FOR ##tt FOR ##tt FOR ##tt FOR ##tt FOR 155 ##t# **t* ##t* *tt* *ttt tttt FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 161 161 161 165 177 177 177 177 177 177 185 193 219 219 221 227 229 235 237 245 251 253 257 265 273 277 281 285 289 290 301 302 303 304 305 309 313 313 313 321 325 326 327 328 329 337 345 353 361 369 377 NOTES TO T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 TO TO TO T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 169 169 169 177 193 193 193 193 193 193 2019 2099 227 227 229, 2359 ,2379 2439 2459 2539 2579 2659 273 2779 2819 2859 2899 2909 3019 3029 3039 3049 3059 3099 3139 3179 321 321 321 3269 3279 3289 3299 3339 337 3539 3619 3699 3779 3859 3939 608 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 473 873 886 253 337 515 629 661 1081 1085 41 37 235 251 104 105 109 219 104 219 165 321 37 121 125 129 133 137 31 149 150 18 152 153 157 327 393 885 257 101 157 313 161 1021 177 41 73 73 73 37 NOTES TO 481 TO 881 TO 888 TO 265 TO 353 TO 523 TO 641 TO 673 TO 1089 TO 1097 TO 49 TO 45 TO 243 TO 257 TO 109 TO 113 TO 121 TO 227 TO 109 TO 9 TO 227 TO 177 TO 326 TO 45 TO 129 TO 133 TO 137 TO 138 TO 149 TO 33 TO 151 TO 152 TO 30 TO 157 TO 161 TO 165 TO 329 TO 405 TO 887 TO 273 TO 103 TO 165 TO 321 TO 169 TO 1025 TO 193 TO 49 TO 89 TO 89 TO 89 TO 45 TEST NNNNNNNNNN ABOVE **** ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE NN **** **#* *#** ***# **** *ttt #*** *ttt *#** *ttt **** **** *ttt #*** **** **** ##** **** *#** **** **** **** **#* #*** **** *#** *t** *tt* **** **** **** *#** LENGTH wwwmmwwwww WU 609 aATTERN NCTES RELATED TO NOTES TEST LENGTH 94** FOR 393 TO 4059 SEE 313 TO 321 ABOVE **** 8*** FOR 401 TO 4099 SEE 161 TO 169 ABOVE **** 156 405 TO 413 477 TO 485 2 3 157 409 TO 417 481 TO 489 2 3 **** FOR 413 TO 4189 SEE 29 TO 31 ABOVE **** **** FOR 417 TO 4199 SEE 30 TO 32 ABOVE **** #*** FOR 418 TO 4209 SEE 31 TO 33 ABOVE **** #444 FOR 419 TO 4219 SEE 149 TO 151 ABOVE **** 158 420 TO 429 492 TO 501 2 3 159 421 TO 435 493 TO 507 2 3 **** FOR 429 TO 4379 SEE 125 TO 133 ABOVE *#** 444* FOR 435 TO 4439 SEE 129 TO 137 ABOVE **** **** FOR 437 TO 4459 SEE 113 TO 125 ABOVE **** ¥#** FOR 443 TO 4499 SEE 41 TO 49 ABOVE **** 160- 465 TO 477 903 TO 918 2 3 **** FOR 473 TO 4819 SEE 161 TO 169 ABOVE **** **#* FOR 477 TO 4859 SEE 405 T0 413 ABOVE **** #448 FOR 481 TO 4899 SEE 409 TO 417 ABOVE **** ##tt FOR 485 TO 4909 SEE 29 TO 31 ABOVE **** **** FOR 489 TO 4919 SEE 30 TO 32 ABOVE **** #*** FOR 490 TO 4929 SEE 31 TO 33 ABOVE **** **** FOR 491 TO 4939 SEE 149 T0 151 ABOVE **** **** FOR 492 TO 5019 SEE 420 T0 429 ABOVE *#** ¢*** FOR 493 TO 5079 SEE 421 TO 435 ABOVE **** #444 FOR 501 TO 5099 SEE 125 TO 133 ABOVE **** **** FOR 507 TO 5159 SEE 129 T0 137 ABOVE **** ¥*** FOR 509 TO 5179 SEE 113 TO 125 ABOVE **** **** FOR 515 TO 5239 SEE 177 TO 193 ABOVE **** 161 523 T0 529 1025 TO 1041 3 162 525 TO 537 1033 TO 1045 3 **** FOR 529 TO 5459 SEE 29 TO 31 ABOVE **** tttt FOR 537 TO 5539 SEE 57 TO 73 ABOVE **** 444* FOR 545 T0 561. SEE 41 TO 49 ABOVE *t** **** FOR 553 TO 5699 SEE 73 TO 89 ABOVE **** **** FOR 561 TO 5779 SEE 73 T0 89 ABOVE **** **** FOR 569 TO 5819 SEE 89 TO 101 ABOVE **** **** FOR 577 TO 5829 SEE 97 TO 102 ABOVE **** **** FOR 581 TO 5839 SEE 101 TO 103 ABOVE **** 399* FOR 582 TO 5849 SEE 102 TO 104 ABOVE **** #*** FOR 583 TO 5859 SEE 101 TO 103 ABOVE **** ##44 FOR 601 TO 6099 SEE 41 TO 49 ABOVE **** 163 609 TO 617 889 T0 893 3 Tattt FOR 613 TO 618, SEE 149 TO 151 ABOVE **** ##tt FOR 617 TO 6199 SEE 150 TO 152 ABOVE **** .#**# FOR 618 TO 6209 SEE 18 TO 30 ABOVE **** **** FOR 619 TO 6219 SEE 29 TO 31 ABOVE **** :wttt FOR 629 TO 6419 SEE 177 TO 193 ABOVE **** ‘¥*** FOR 633 TO 6499 SEE 41 TO 49 ABOVE **** :#*** FOR 641 TO 6579 SEE 37 TO 45 ABOVE **** :v##* FOR 661 TO 6739 SEE 177 TO 193 ABOVE **** :3999 FOR 669 TO 6819 SEE 41 TO 49 ABOVE **#* 610 PATTERN NOTES RELATED TO NOTES TEST LENGTH **** FOR 673 TO 6899 SEE 37 TD 45 ABOVE **** **** FOR 697 TO 7059 SEE 33 TO 41 ABOVE **** **** FOR 701 TO 7139 SEE 73 TO 89 ABOVE **** **** FOR 705 TO 7219 SEE 73 TO 89 ABOVE **** **** FOR 737 TO 7539 SEE 1 TO 9 ABOVE **** #*** FOR 745 TO 7619 SEE 5 TO 13 ABOVE **** **** FOR 753 TO 7699 SEE 9 TO 17 ABOVE **** #*** FOR 761 TO 7709 SEE 13 TO 18 ABOVE **** ¥*** FOR 769 TO 7939 SEE 17 TO 29 ABOVE **** **** FOR 770 TO 7959 SEE 18 TO 30 ABOVE **** **** FOR 793 TO 7979 SEE 29 TO 31 ABOVE **** **** FOR 795 TO 7999 SEE 30 TO 32 ABOVE **** **** FOR 797 TO 8019 SEE 31 TD 33 ABOVE **** **** FOR 799 TO 8099 SEE 32 TO 37 ABOVE **** **** FOR 801 TO 8179 SEE 33 TO 41 ABOVE **** **** FOR 809 TO 8259 SEE 37 TO 45 ABOVE **** **** FOR 817 TO 8339 SEE 41 TO 49 ABOVE **** **** FOR 825 TO 8379 SEE 37 TO 45 ABOVE **** **** FOR 833 TO 8419 SEE 121 TO 129 ABOVE **** ¥*** FOR 837 TO 8459 SEE 125 TO 133 ABOVE **** **** FOR 841 TO 8499 SEE 129 TO 137 ABOVE **** #*** FOR 845 TO 8509 SEE 133 TO 138 ABOVE **** **** FOR 849 TO 8619 SEE 137 TO 149 ABOVE **** **** FOR 850 TO 8629 SEE 31 TO 33 ABOVE **** **** FOR 861 TO 8639 SEE 149 TO 151 ABOVE **** **** FOR 862 TO 8649 SEE 150 TO 152 ABOVE **** **** FOR 863 TO 8659 SEE 18 TO 30 ABOVE **** **** FOR 864 TO 8699 SEE 152 TO 157 ABOVE **** **** FOR 865 TO 8739 SEE 153 TO 161 ABOVE **** **** FOR 869 TO 8779 SEE 157 TO 165 ABOVE **** **** FOR 873 TO 8819 SEE 161 TO 169 ABOVE **** **** FOR 885 TO 8879 SEE 313 TO 321 ABOVE **** **** FOR 886 TO 8889 SEE 161 TO 169 ABOVE **** **** FOR 887 TO 8899 SEE 157 TO 165 ABOVE **** #*** FOR 889 TO 8939 SEE 609 TO 617 ABOVE **** 164 895 TO 899 899 TO 933 **** FOR 899 TO 9039 SEE 895 TO 899 ABOVE **** ¢*** FOR 903 TO 9189 SEE 465 TO 477 ABOVE **** ‘#*** FOR 917 TO 9199 SEE 29 TO 31 ABOVE **** Atttt FOR 918 TO 9209 SEE 30 TO 32 ABOVE **** :vttt FOR 919 TO 9219 SEE 31 TD 33 ABOVE **** 1**** FOR 933 TO 9359 SEE 29 TO 31 ABOVE **** Tittt FOR 934 TO 9369 SEE 30 TO 32 ABOVE **** ‘t*** FOR 935 TO 9379 SEE 31 TO 33 ABOVE **** =#*** FOR 949 TO 9519 SEE 29 TO 31 ABOVE **** ##1## FOR 950 TO 9529 SEE 30 TO 32 ABOVE **** ##1## FOR 951 TO 9539 SEE 31 TO 33 ABOVE **** ##4## FOR 965 TO 9679 SEE 29 TO 31 ABOVE **** tan“! FOR 966 TO 9689 SEE 30 TO 32 ABOVE **** ##1## FOR 967 TO 9699 SEE 31 TO 33 ABOVE **** “*1"? FOR 981 TO 9839 SEE 29 TO 31 ABOVE **** PATTERN tttt ¥##* ##t# ##tt tttt tttt 8*** 8*** ##tt tttt #*## ##tt **## ##t# ##tt ##** tttt #*** #*** tttt t#** ##t# ##tt uttt uttt tttt tttt ##t* 4*** 8**# 8*** FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FDR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 982 983 997 998 999 1009 1010 1011 1021 1025 1033 1041 1045 1049 1053 1057 1058 1069 1070 1071 1072 1073 1077 1081 1085 1089 1097 1105 1113 1121 1129 TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 NOTES 9849 9859 9999 10009 10019 10119 10129 10139 10259 10419 10459 10499 10539 10579 10589 10699 10709 10719 10729 10739 10779 10819 10859 10899 10979 11059 11139 11219 11299 11379 11459 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 30 31 29 30 31 30 31 41 329 523 525 1 5 9 13 17 18 29 30 31 32 33 37 177 177 41 45 29 57 41 73 NOTES TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO T3 T0 T0 32 33 31 32 33 32 33 49 337 529 537 13 17 18 29 30 31 32 33 37 41 45 193 193 49 57 31 73 49 89 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** ***# *ttt **** **** **** **** **#* **** *¥** **** **** #*** **** **** *#** **** **#* **** ***# **** *### **** **** *#** *#** **** **** *tt* **## ##** LENGTH PATTERN 165 166 167 168 169 170 171 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 ##t TYPE I LISTING CONTINUED *** 612 SEARCH FCR PATTERNS OF EXACT CONTOUR HAS BEGUN AT 325 SECONDS INTO EXECUTION. NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TD TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO 13 13 17 17 18 18 29 29 30 30 31 31 31 32 32 32 32 32 32 32 32 32 32 33 33 33 33 33 33 33 33 33 37 37 41 41 45 49 57 65 73 RELATED TO 4 NOTES IN (ORIGINAL) 737 1041 745 1045 753 1049 761 1053 769 1057 618 770 1058 413 485 793 917 933 949 965 981 997 1069 417 489 795 918 934 950 966 982 998 1009 1070 797 1071 799 1072 801 1073 809 1089 1097 529 NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 761 1053 769 1057 770 1058 793 1069 795 1070 621 797 1071 419 491 799 920 936 952 968 984 1000 1072 420 492 801 921 937 953 969 985 1001 1012 1073 809 1077 817 1081 825 1085 833 1113 1121 553 LENGTH -- TEST NNNTVNNNNNNNNNNNNNNNNNNNNBJNNNNNNNNNNNNNNNNNNN LENGTH 9»¢¢3¢¢¢¢8¢¢¢¢¢8b88¢»¢¢¢¢¢bb¢¢¢¢¢bbao¢¢¢¢¢¢a PATTERN 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 256 257 258 259 49 57 57 65 65 65 73 73 73 73 73 81 89 97 101 102 104 105 121 121 125 125 125 125 129 129 133 133 137 137 138 138 138 138 149 149 149 150 150 150 151 151 152 152 153 153 157 177 177 177 177 NOTES T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 73 81 81 89 89 89 97 97 97 97 97 101 102 103 104 105 113 121 133 133 137 137 137 137 138 138 149 149 150 150 151 151 151 151 152 152 152 153 153 153 157 157 161 161 165 165 169 201 201 201 201 613 RELATED TO NOTES 1105 537 1113 345 S45 1121 353 361 553 701 1129 561 569 577 581 582 221 227 273 833 277 429 501 837 281 841 285 845 289 849 290 418 490 850 301 613 861 302 617 862 303 863 304 864 305 865 869 337 629 661 1085 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 TO TO TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 TO 1129 561 1137 369 569 1145 377 385 577 721 1153 581 582 583 584 585 235 237 285 845 289 443 515 849 290 850 301 861 302 862 303 421 493 863 304 619 864 305 620 865 309 869 313 873 317 877 881 361 649 681 1105 TEST tvnamrunamrunuvnomrunu061NrumuvnoNTOAAerknvnannvnomromuvnamrunuvnamranNTORANrvnam LENGTH 4M8»4~4~4~4~4~4~¢4~4~4~4~4~b»4~4~4~4~4~4~4~4~4~4~4~«9.9.9.9:4~4~4~4~4~4~4~4~4~4~4~4~4~4~4~4~4~4~ PATTERN 260 261 262 263 999* 999* 999* 264 999* 999* 999* 999* 9999 999* 999* 9999 9999 999* 9999 265 9999 266 267 999* 9999 999* 9999 9999 268 269 270 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 9999 FOR 9999 FOR 999* 271 272 273 9999 274 9999 9999 999* 999* 9999 9999 9*** 999* 9999 999* 999* 275 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 185 185 185 219 221 227 235 265 273 277 281 285 289 290 301 332 303 304 305 309 326 327 327 337 345 353 361 393 401 405 409 413 417 418 419 420 421 429 435 473 477 481 485 489 490 491 492 493 501 507 523 NOTES T0 T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 TO 209 209 209 229 2359 2379 2459 281 2859 2899 2909 3019 3029 3039 3049 3059 3099 3139 3179 321 3299 333 333 3619 3699 3779 3859 4099 413 417 418 4199 4209 4219 429 435 437 4439 445 4859 4899 4909 4919 4929 4939 5019 5079 5099 5159 5179 537 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 633 TO 657 669 TO 689 817 TO 837 235 TO 245 104 TO 113 105 TO 121 219 TO 229 825 TO 841 121 TO 133 125 TO 137 129 TO 138 133 TO 149 137 TO 150 138 TO 151 149 TO 152 150 TO 153 151 TO 157 152 TO 161 153 TO 165 326 TO 329 309 TO 321 393 TO 409 885 TO 888 177 TO 201 65 TO 89 73 TD 97 73 TO 97 327 TO 333 473 TO 485 477 TO 489 481 TO 490 29 TO 32 30 TD 33 138 TO 151 491 TO 501 492 TO 507 493 TO 509 125 TO 137 507 TO 517 401 TO 413 405 TO 417 409 TO 418 29 TO 32 30 TO 33 138 TO 151 419 TO 429 420 TO 435 421 T0 437 125 TO 137 435 TO 445 1025 TO 1045 TEST NFJNN ABOVE **** ABOVE **** ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 2 2 **** *t** *#** *t** **** ***# *¥** **#* **** *ttt ***# ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE 2 2 2 2 2 **#* **#* #*** *#** **** ABOVE **** ABOVE **** ABOVE **** NNN ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 2 2 **** **** **** *#** **#* *t** **** **** ***# **** *##* LENGTH 98¢» $‘b-P b 4>$‘# PATTERN 999* 9999 9999 999* 9999 9999 999* 999* 999* 9999 9999 9999 999* 9999 999* 9999 9999 9999 9999 9999 9999 9999 999* 999* 9999 9999 9999 999* 999* *999 9999 9999 9999 999* 999* 999* 999* 999* 9999 999* 9999 999* 999* 999* 9999 9999 9999 999* 999* 9999 9999 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 529 537 545 553 561 569 577 581 582 613 617 618 629 633 661 669 701 737 745 753 761 769 770 793 795 797 799 801 809 817 825 833 837 841 845 849 850 861 862 863 864 865 869 885 917 918 933 934 949 950 965 NOTES TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO 5539 5619 5699 5779 5819 5829 5839 5849 5859 6199 6209 6219 6499 6579 6819 6899 7219 7619 7699 7709 7939 7959 7979 7999 8019 8099 8179 8259 8339 8379 8419 8459 8499 8509 8619 8629 8639 8649 8659 8699 8739 8779 8819 8889 9209 9219 9369 9379 9529 9539 9689 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NDTES 49 57 65 73 81 89 97 101 102 149 150 18 177 185 177 185 73 1 5 9 13 17 18 29 30 31 32 33 37 185 265 121 125 129 133 137 138 149 150 151 152 153 157 327 29 30 29 30 29 30 29 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 TO TO 73 81 89 97 101 102 103 104 105 152 153 31 201 209 201 209 97 13 17 18 29 30 31 32 33 37 41 45 49 209 281 133 137 138 149 150 151 152 153 157 161 165 169 333 32 33 32 33 32 33 32 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 999* 9999 9999 999* 9999 9999 999* 9999 9999 9999 999* 999* 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 999* 999* *999 999* 999* 9999 9999 999* 999* 999* 999* 999* 999* 999* 999* 999* 999* 999* 9999 616 PATTERN NOTES RELATED TO NOTES TEST LENGTH #*** FOR 966 TO 9699 SEE 30 TO 33 ABOVE **** **** FOR 981 TO 9849 SEE 29 TO 32 ABOVE **** #*** FOR 982 TO 9859 SEE 30 TO 33 ABOVE **** **** FOR 997 TO 10009 SEE 29 TO 32 ABOVE **** ¢*** FOR 998 TO 10019 SEE 30 TO 33 ABOVE **** **** FOR 1009 TO 1012. SEE 30 TO 33 ABOVE **** 999* FOR 1025 TO 1045. SEE 523 TO 537 ABOVE **** **** FOR 1041 TO 10539 SEE 1 TO 13 ABOVE **** tttt FOR 1045 TO 1057. SEE 5 TO 17 ABOVE **** **** FOR 1049 TO 10589 SEE 9 TO 18 ABOVE **** #*** FOR 1053 TO 10699 SEE 13 TO 29 ABOVE **** **** FOR 1057 TO 10709 SEE 17 TO 30 ABOVE **** #*** FOR 1058 TO 1071. SEE 18 TO 31 ABOVE **** #*** FOR 1069 TO 1072. SEE 29 TO 32 ABOVE **** **** FOR 1070 TO 10739 SEE 30 TO 33 ABOVE **** **** FOR 1071 TO 1077. SEE 31 T0 37 ABOVE **** 9999 FOR 1072 TO 1081. SEE 32 TO 41 ABOVE **** 9999 FOR 1073 TO 1085. SEE 33 TO 45 ABOVE **** **** FOR 1085 TO 11059 SEE 177 TO 201 ABOVE **** #*** FOR 1089 TO 11139 SEE 41 TO 57 ABOVE **** 9999 FOR 1097 TO 1121. SEE 45 TO 65 ABOVE **** **** FOR 1105 TO 11299 SEE 49 TO 73 ABOVE **** **** FOR 1113 TO 11379 SEE 57 TO 81 ABOVE **** PATTERN 276 277 278 279 280 281 282 283 284 285 286 287 288 289 290 291 292 293 294 295 296 297 298 299 300 301 302 303 304 305 306 307 3C8 attt FOR 309 310 311 312 313 tttt FOR 314 315 *#** FOR 316 SEARCH FOR *** TYPE I LISTING CONTINUED *** NOTES TO T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO T0 T0 TO T0 T0 T0 TO TO 617 PATTERNS OF 5 NOTES IN LENGTH -- EXACT CONTOUR IORIGINALD HAS BEGUN AT 493 SECONDS INTO EXECUTION. RELATED TO 17 17 18 18 29 29 30 30 31 31 32 32 33 33 33 33 33 33 33 33 33 33 37 37 41 41 45 45 49 65 73 81 81 819 89 89 97 97 97 971 101 102 1029 103 SEE SEE NOTES 737 1041 745 1045 753 1049 761 1053 769 1057 770 1058 413 485 193 917 933 949 965 981 997 1069 795 1070 797 1071 799 1072 801 1089 1097 529 1105 49 537 1113 345 545 1121 65 553 561 81 569 TO TO TO TO TO TO TO TO TO TO TO TO T0 T0 TO TO TO T0 T0 TD TO TO TO TO TO TO TO TO TO TO T0 T0 TO TO TO TO TO T0 T0 TO T0 T0 T0 TO 769 1057 770 1058 793 1069 795 1070 797 1071 799 1072 420 492 801 921 937 953 969 985 1001 1073 809 1077 817 1081 825 1085 833 1121 1129 561 1137 81 569 1145 377 577 1153 97 581 582 102 583 TEST NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN LENGTH U'IUTUIU'IU'IUIU'IU'IUIUIUTUTLHUIUIU‘IUTUIUTUIUIUTUTLHUTU‘UIUWUIUWUIUTUI ABOVE **** 2 5 2 5 2 5 2 5 2 5 ABOVE **** 2 5 2 5 ABOVE **** 2 5 PATTERN 317 318 319 320 321 322 323 324 325 326 327 328 329 330 ##t* 331 332 333 334 335 336 337 ##t* FOR 338 339 340 341 342 #t*# 343 ##t* FOR FOR FOR *ttt *ttt **** ##tt tttt ¢*** *ttt ##tt $tt¥ tttt ##tt FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 344 #*** FOR 345 346 can: FOR 347 348 349 «an: FOR 97 104 121 121 125 125 129 129 133 133 137 137 138 138 138 149 149 149 150 150 151 151 151 152 152 153 177 177 221 265 265 273 277 281 285 289 290 301 302 303 304 345 401 401 405 409 413 417 418 419 419 NOTES TO TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO 104 121 137 137 138 138 149 149 150 150 151 151 152 152 1529 153 153 153 157 157 161 161 1619 165 165 169 209 209 2379 285 2859 2899 2909 3019 3020 3039 3049 3050 3090 3139 3171 3779 417 4179 418 419 4209 421 429 435 435, 618 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 577 221 273 833 277 837 281 841 285 845 289 849 290 850 138 301 613 861 302 862 303 863 151 304 864 865 629 661 104 825 265 121 125 129 133 137 138 1#9 150 151 152 65 473 401 477 481 29 489 490 491 419 TO TO TO TO TO TO TO T0 T0 TO TO TO TO TO T0 T0 TD TO T0 T0 TO TO TO T0 T0 T0 TO TO TO TO TO TO TO T0 T0 TO T0 T0 T0 T0 TO TO TO TO TO TO TO TO TO TO TO 584 237 289 849 290 850 301 861 302 862 303 863 304 864 152 305 620 865 309 869 313 873 161 317 877 881 657 689 121 845 285 137 138 149 150 151 152 153 157 161 165 97 489 417 490 491 33 493 501 507 435 TEST LENGTH 2 5 2 S 2 5 2 5 2 5 2 S 2 5 2 S 2 S 2 5 2 5 2 5 2 5 2 5 ABOVE **** 2 S 2 5 2 5 2 5 2 5 2 5 2 S ABOVE **** 2 5 2 S 2 5 2 5 2 5 ABOVE **** 2 5 ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE #*** ABOVE **** ABOVE **** ABOVE **** 2 S ABOVE **** 2 5 2 5 ABOVE **** 2 S 2 5 2 S ABOVE **** PATTERN 350 351 352 #*## ##t# t*#* *#** ##** ¥*** 8#** ##t* *ttt #t** ##tt ¥##* ##** ##t* ##t# ##tt ti$t ##tt tttt ##t* ##t# ##t# ##tt tttt #ttt *¢** ##t* ##t* ##tt #*** #*#* titt ##tt tttt ***# *ttt t*** *tt* tttt *##* *ttt ##t* ##t* t### tttt ##tt tit: #**# FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 420 421 429 473 477 481 485 489 490 491 492 493 501 529 537 545 553 561 569 577 613 629 661 737 745 753 761 769 770 793 795 797 799 801 825 833 837 841 865 849 850 861 862 863 864 865 917 933 949 965 981 NOTES TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 437 443 445 4899 490! 4919 4929 4939 5019 507! 509' 5151 5179 5619 5699 5779 5819 5829 5839 5849 620' 6579 6899 7699 770' 7939 7959 7979 7999 8019 8099 8179 8259 833’ 845, 8499 8509 861' 8629 863' 8649 8659 869' 873! 8779 881' 9219 9379 9539 9691 9859 RELATED SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE TO NOTES 492 493 501 401 405 409 29 417 418 419 420 421 429 49 57 65 73 81 89 97 149 177 177 1 5 9 13 17 18 29 30 31 32 33 265 121 125 129 133 137 138 149 150 151 152 153 29 29 29 29 29 TO TO TO TO TD TO T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 TO TO TD T04 T0 T0 T0 TO TO TO TO TO TO TO T0 T0 T0 509 515 517 417 418 419 33 421 429 435 437 443 445 81 89 97 101 102 103 104 153 209 209 17 18 29 30 31 32 33 37 41 45 49 285 137 138 149 150 151 152 153 157 161 165 169 33 33 33 33 33 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE thJN *ttt ##t* *t** *##* tttt **#* *t** #*## #t#* *tt* ***¥ #*#* *#*# *t** #### **** ##tt *#** ##t* ##tt **#* **** ##** *t#* **#* *#** *##* *#*# *ttt ##t* *tt* *tt* ##3* #*** ##t* ##t* *tt* ##*# tttt ***# **** *##* *ttt *#*# ***# ##t# ***# ##** LENGTH 620 PATTERN NOTES RELATED TO NOTES TEST LENGTH ¥*** FOR 997 TO 10019 SEE 29 TO 33 ABOVE **** **** FOR 1041 TO 10579 SEE 1 TO 17 ABOVE **** **** FOR 1045 TO 10589 SEE 5 TO 18 ABOVE **** **** FOR 1049 TO 1069, SEE 9 TO 29 ABOVE **** **** FOR 1053 TO 1070' SEE 13 TO 30 ABOVE **** **** FOR 1057 TO 1071: SEE 17 TO 31 ABOVE **** **** FOR 1058 TO 1072. SEE 18 TO 32 ABOVE **** *ttt FOR 1069 TO 10739 SEE 29 TO 33 ABOVE **** #*** FOR 1070 TO 1077, SEE 30 TO 37 ABOVE **** **** FOR 1071 TO 10819 SEE 31 TO 41 ABOVE **** **** FOR 1072 TO 1085: SEE 32 TO 45 ABOVE **** ##tt FOR 1089 TO 1121. SEE 41 TO 65 ABOVE **** **** FOR 1097 TO 1129: SEE 45 TO 73 ABOVE **** PATTERN 353 354 355 356 357 358 359 360 361 362 363 364 365 366 367 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 *t* TYPE I LISTING CONTINUED *** 621 SEARCH FOR PATTERNS OF EXACT CONTOUR HAS BEGUN AT 667 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 . 19 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 18 18 29 29 30 30 31 31 32 32 33 33 37 37 41 41 45 45 49 73 81 89 89 97 97 101 102 103 104 105 138 138 149 149 150 150 151 151 152 152 153 153 157 157 RELATED TO 6 NOTES IN (ORIGINAL) SECONDS INTO EXECUTION. NOTES 737 1041 745 1045 753 1049 761 1053 769 1057 770 1058 793 1069 795 1070 797 1071 799 1089 1097 529 1105 537 1113 545 553 561 569 577 273 833 277 837 281 841 285 845 289 849 290 850 301 861 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 770 1058 793 1069 795 1070 797 1071 799 1072 801 1073 809 1077 817 1081 825 1085 833 1129 1137 569 1145 577 1153 581 582 583 584 585 290 850 301 861 302 862 303 863 304 864 305 865 309 869 LENGTH -- TEST NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN LENGTH O‘O‘O‘OO‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘OOOOOOOO‘O‘O‘GOOOO‘O‘OO‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘ PATTERN 397 398 399 400 401 402 ##t* ‘tt# #*** #*** *tti ¥*** t*** *tt# ##ti 403 404 405 406 407 **** FOR «ca *ttt FOR 409 410 411 titt **#* *#** **#* **** ##tt **** *ttt **** **** **#* *it* ##t# *tt# *ttt tttt **** #*** *itt **## ##tt **** **** *#*# **** FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 150 150 151 151 152 265 273 277 281 285 289 290 301 302 303 401 405 409 413 417 417 418 418 419 420 421 473 477 481 485 489 490 491 492 493 529 537 545 553 561 569 577 737 745 753 761 769 770 793 795 797 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 161 161 165 165 169 289 2909 3019 3029 3039 3049 3059 3099 3139 3179 418 419 420 421 429 4299 435 4359 437 443 445 4909 4919 492, 4939 5019 5079 5099 5159 5179 569, 5779 5819 5829 5839 5849 5859 7709 7939 7959 7979 799, 8019 8099 8179 8259 622 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 302 862 303 863 864 825 121 125 129 133 137 138 149 150 151 473 477 481 .485 489 417 490 418 491 492 493 401 405 409 413 417 418 419 420 421 49 57 65 73 81 89 97 1 5 9 13 17 18 29 30 31 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T3 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 313 873 317 877 881 849 138 149 150 151 152 153 157 161 165 490 491 492 493 501 429 507 435 509 515 517 418 419 420 421 429 435 437 443 445 89 97 101 102 103 104 105 18 29 30 31 32 33 37 41 45 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE NNNNNN NNNNN **** **** **** **** **** **** **** **** **** ABOVE #999 N ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE NhJN **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** 000000 0 00000 000 trill j! . . all ‘ 623 PATTERN NOTES RELATED TO NOTES TEST LENGTH ##tt FOR 799 TO 833. SEE 32 TO 49 ABOVE **** 999* FOR 825 TO 849. SEE 265 TO 289 ABOVE **** #*** FOR 833 TO 850. SEE 121 TO 138 ABOVE **** **** FOR 837 TO 861. SEE 125 TO 149 ABOVE **** **** FOR 841 TO 862. SEE 129 TO 150 ABOVE **** 9*9* FOR 845 TO 863. SEE 133 TO 151 ABOVE **** **** FOR 849 TO 864. SEE 137 TO 152 ABOVE **** ¥*** FOR 850 TO 865. SEE 138 TO 153 ABOVE **** **** FOR 861 TO 869. SEE 149 TO 157 ABOVE **** **** FOR 862 TO 873, SEE 150 TO 161 ABOVE **** ##tt FOR 863 TO 877. SEE 151 TO 165 ABOVE **** #*** FOR 864 TO 881. SEE 152 TO 169 ABOVE **** **** FOR 1041 TO 1058. SEE 1 TO 18 ABOVE **** **** FOR 1045 TO 1069. SEE 5 TO 29 ABOVE **** #999 FOR 1049 TO 1070. SEE 9 TO 30 ABOVE **** ##tt FOR 1053 TO 1071. SEE 13 TO 31 ABOVE **** 999* FOR 1057 TO 1072. SEE 17 TO 32 ABOVE **** **** FOR 1058 TO 1073, SEE 18 TO 33 ABOVE **** **** FOR 1069 TO 1077. SEE 29 TO 37 ABOVE **** **** FOR 1070 TO 1081. SEE 30 TO 41 ABOVE *ttt **** FOR 1071 TO 10859 SEE 31 TO 45 ABOVE **** 624 **# TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -v HAS BEGUN AT EXACT CONTOUR (ORIGINAL! 839 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 412 1 TO 29 737 T0 793 2 7 413 1 T0 29 1041 TO 1069 2 7 414 5 TO 30 745 T0 795 2 T 415 5 TO 30 1045 TO 1070 2 7 416 9 To 31 753 TO 797 2 7 417 9 TO 31 1049 TO 1071 2 7 418 13 T0 32 761 T0 799 2 7 419 13 TO 32 1053 TD 1072 2 7 420 17 TO 33 769 TO 801 2 7 421 17 TO 33 1057 TO 1073 2 7 422 18 To 37 770 TO 809 2 7 423 18 T0 37 1058 TO 1077 2 7 424 29 TO 41 793 TO 817 2 7 425 29 TO 41 1069 TO 1081 2 7 426 30 TO 45 795 To 825 2 7 427 30 To 45 1078 TO 1085 2 7 428 31 T0 49 797 T0 833 2 7 429 41 TO 81 1089 TO 1137 2 7 430 45 T0 89 1097 TO 1145 2 7 431 49 TO 97 529 T0 577 2 7 432 49 To 97 1105 TO 1153 2 7 433 57 TO 101 537 TO 581 2 7 434 65 TO 102 545 TO 582 2 7 435 73 To 103 553 TO 583 2 7 436 81 To 104 561 TO 584 2 7 437 89 TO 105 569 T0 585 2 7 438 121 T0 149 273 TO 301 2 7 439 121 To 149 833 To 861 2 7 440 125 To 150 277 T0 302 2 7 441 125 TO 150 837 TO 862 2 7 442 129 TO 151 281 T0 303 2 7 443 129 To 151 841 T0 863 2 7 444 133 To 152 285 TO 304 2 7 445 133 To 152 845 T0 864 2 7 446 137 To 153 289 T0 305 2 7 447 137 T0 153 849 To 865 2 7 448 138 To 157 290 TO 309 2 7 449 138 To 157 850 T0 869 2 7 450 149 T0 161 301 TO 313 2 7 451 149 To 161 861 T0 873 2 7 452 150 T0 165 302 TO 317 2 7 453 150 To 165 862 TO 877 2 7 454 151 To 169 863 TO 881 2 7 455 265 To 290 825 TO 850 2 7 625 PATTERN NOTES RELATED TO NOTES TEST LENGTH 456 401 TO 419 473 TO 491 2 7 457 405 TO 420 477 TO 492 2 7 458 409 TO 421 481 TO 493 2 7 459 413 TO 429 485 TO 501 2 7 460 417 TO 435 489 TO 507 2 7 461 418 TO 437 490 TO 509 2 7 462 419 TO 443 491 TO 515 2 7 463 420 TO 445 492 TO 517 2 7 626 *** TYPE I LISTING CONTINUED *9* SEARCH FOR PATTERNS OF 8 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 859 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 464 1 TO 30 737 TO 795 2 8 465 1 TO 30 1041 TO 1070 2 8 466 5 TO 31 745 TO 797 2 8 467 5 TO 31 1045 TO 1071 2 8 468 9 TO 32 753 TO 799 2 8 469 9 TO 32 1049 TD 1072 2 8 470 13 TO 33 761 TO 801 2 8 471 13 TO 33 1053 TO 1073 2 8 472 17 TO 37 769 TO 809 2 8 473 17 TO 37 1057 TO 1077 2 8 474 18 TO 41 770 TO 817 2 8 475 18 TO 41 1058 TO 1081 2 8 476 29 TO 45 793 TO 825 Z 8 477 29 TO 45 1069 TO 1085 2 8 478 30 TO 49 795 TO 833 2 8 479 41 TO 89 1089 TO 1145 2 8 480 45 TO 97 1097 TO 1153 2 8 481 49 TO 101 529 TO 581 2 8, 482 57 TO 102 537 T0 582 2 8 483 65 TO 103 545 TO 583 2 8 484 73 TO 104 553 T0 584 2 8 485 81 TO 105 561 TO 585 2 8 486 121 TO 150 273 TO 302 2 8 487 121 TO 150 833 TO 862 2 8 488 125 TO 151 277 TO 303 2 8 489 125 TO 151 ' 837 TO 863 2 8 490 129 TO 152 281 TO 304 2 8 491 129 TO 152 841 TO 864 2 8 492 133 TO 153 285 TO 305 2 8 493 133 TO 153 845 TO 865 2 8 494 137 TO 157 289 TO 309 2 8 495 137 TO 157 849 TO 869 2 8 496 138 TO 161 290 TO 313 2 8 497 138 TO 161 850 TO 873 2 8 498 149 TO 165 301 TO 317 2 8 499 149 TO 165 861 T0 877 2 8 500 150 TO 169 862 TO 881 2 8 501 265 TO 301 825 TO 861 2 8 502 401 TO 420 473 TO 492 2 8 503 405 TO 421 477 TO 493 2 8 504 409 TO 429 481 TO 501 2 8 505 413 TO 435 485 TO 507 2 8 506 417 TO 437 489 TO 509 2 8 507 418 TO 443 490 TO 515 2 8 627 PATTERN NCTES RELATED TO NOTES TEST LENGTH 508 419 TO 445 491 TO 517 2 8 PATTERN 509 510 511 512 513 514 515 516 517 518 519 520 521 522 523 524 525 526 527 528 529 530 531 532 533 534 535 536 537 538 539 540 541 542 543 544 545 546 44* TYPE 1 LISTING CONTINUED #99 628 SEARCH FOR PATTERNS OF EXACT CONTOUR NA 405 409 413 417 418 S BEG NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 UN 165 169 302 421 429 435 437 443 445 AT RELATED TO 9 NOTES IN LENGTH -- (ORIGINAL) 737 1041 745 1045 753 1049 761 1053 769 1057 770 1058 793 1089 529 537 545 553 273 833 277 837 281 841 285 845 289 849 290 850 861 825 473 477 481 485 489 490 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 797 1071 799 1072 801 1073 809 1077 817 1081 825 1085 833 1153 582 583 584 585 303 863 304 864 305 865 309 869 313 873 317 877 881 862 493 501 507 509 515 517 879 SECONDS INTO EXECUTION. TEST NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNN LENGTH 00000000000090~O~O\O~O~O~O\O~O~O~D~O~O~O~O~O~O\O~O90010904000 PATTERN 547 548 549 550 551 552 553 554 555 556 557 558 559 560 561 562 563 564 565 566 567 568 569 570 571 572 573 574 575 576 577 SEARCH FOR PATTERNS OF 10 NOTES IN LENGTH -- HAS BEGUN AT 629 *** TYPE I LISTING CONTINUED *** NOTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 EXACT CONTOUR 32 32 33 33 37 37 41 41 45 45 49 103 104 105 152 152 153 153 157 157 161 161 165 165 169 303 429 435 437 443 445 RELATED TO (ORIGINAL) 737 1041 745 1045 753 1049 761 1053 769 1057 770 529 537 545 273 833 277 837 281 841 285 845 289 849 850 825 473 477 481 485 489 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0' T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T3 T0 799 1072 801 1073 809 1077 817 1081 825 1085 833 583 584 585 304 864 305 865 309 869 313 873 317 877 881 863 501 507 509 515 517 899 SECONDS INTO EXECUTION. TEST NNNNNNNNNNNNNIUNNNNNNNNNNNNNNNNN LENGTH 10 10 10 10 10 10 10 10 10 10 10 10 10 PATTERN 578 579 580 581 582 583 584 585 586 587 588 589 590 591 592 593 594 595 596 597 598 599 600 601 602 SEARCH FOR PATTERNS OF 11 NOTES IN LENGTH -- 405 409 413 *** NOTES T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TYPE I LISTING CONTINUED *tt 630 EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 917 SECONDS INTO EXECUTION. 33 33 37 37 41 41 45 45 49 104 105 153 153 157 157 161 161 165 165 169 304 435 437 443 445 RELATED TO NOTES 737 TO 801 1041 TD 1073 745 T0 809 1045 TO 1077 753 TO 817 1049 TO 1081 761 TO 825 1053 TO 1085 769 TO 833 529 TO 584 537 TO 585 273 TO 305 833 TO 865 277 TO 309 837 TO 869 281 TO 313 841 TO 873 285 TO 317 845 TO 877 849 TO 881 825 TO 864 473 TO 507 477 TO 509 481 TO 515 485 TO 517 TEST NNNNNNNNNNNNNNNNNNNNNNNNN LENGTH 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 PATTERN 603 604 605 606 607 608 609 610 611 612 613 614 615 616 617 618 619 620 621 SEARCH FOR PATTERNS OF 12 NOTES IN LENGTH ~- HAS BEGUN AT 936 SECONDS INTO *** TYPE I LISTING CONTINUED *** NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 631 EXACT CONTOUR 37 37 41 41 45 45 49 105 157 157 161 161 165 165 169 305 437 443 RELATED TO (ORIGINAL) 737 1041 745 1045 753 1049 761 529 273 833 277 837 281 841 845 825 473 477 481 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 809 1077 817 1081 825 1085 833 585 309 869 313 873 317 877 881 865 509 515 517 EXECUTION. TEST NNIVNNNNNNNNNNNNNNNN LENGTH 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 12 PATTERN 622 623 624 625 626 627 628 629 630 631 632 633 634 SEARCH FOR PATTERNS OF 13 NOTES IN LENGTH -- *** TYPE I LISTING CONTINUED *** NCTES T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 632 EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 954 SECONDS INTO EXECUTION. 41 41 45 49 161 161 165 165 169 309 443 445 RELATED TO 737 1041 745 1045 753 273 833 277 837 841 825 473 477 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 817 1081 825 1085 833 313 873 317 877 881 869 515 517 TEST NNNNNNNNNNNNN LENGTH I/Ill!\.\\\|\I LI/I\\\T . ,- 71‘ 633 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 14 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 972 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 635 1 TO 45 737 TO 825 2 14 636 1 TO 45 1041 TO 1085 2 14 637 5 TO 49 745 TO 833 2 14 638 121 TO 165 273 TO 317 2 14 639 121 TO 165 833 TO 877 2 14 640 125 TO 169 837 TO 881 2 14 641 265 TO 313 825 TO 873 2 14 642 401 TO 445 473 TO 517 2 14 634 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 15 NOTES IN LENGTH -- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 989 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 643 1 TO 49 737 TO 833 2 15 644 121 TO 169 833 TO 881 2 15 645 265 TO 317 825 TO 877 2 15 635 *t* TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 16 NOTES IN LENGTH ~- EXACT CONTOUR (ORIGINAL) HAS BEGUN AT 1006 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH END OF TYPE I LISTING. TOTAL OF 645 PATTERNS LOCATED. HINDENITH EXACT CCNTOUR (ORIGINAL) ORIGINAL PATTERN JRIGINAL PATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN JRIGINAL PATTERN 8 *** SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN SUBPATTERN 636 LOCATION OF FIRST OCCURRENCE 265 TO 317 121 149 150 149 138 125 161 157 150 149 129 125 29 30 29 18 41 37 33 31 30 29 18 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 169 153 153 152 151 137 169 165 152 151 137 133 49 33 33 32 31 49 45 41 33 32 31 30 999 TYPE 11 LISTING 999 TJTAL NUMBER OF OCCURRENCES UTU'I0-PUIOUIUT4‘4‘4‘ N 11 12 11 13 15 12 15 LUDIS TONALIS FUGA NONA IN B-FLAT, BOTTOM VOICE LENGTH OF PATTERN 15 p U) bauLnquxu$~¢-R$~m H U! mwwwwwwappm TEST 2 COMPLETED AT 1196 SECONDS INTO EXECUTION **** ***8***#*#**# 637 MUSIC MELODIC PATTERN ANALYSIS #¢*******#*** HINDEMITH LUDIS TONALIS FUGA NONA IN B-FLAT. BOTTOM VOICE VOTES NOTES VOTES NOTES NOTES NOTES 'VOTES NOTES NOTES ICTES NOTES NDTES NOTES TEST REQUESTED UNITS OF DATA PER CCMPUTER REFERENCE NUMBER ASSIGNMENT 1 THROUGH 16 36 C 0 0 38 0 17 THROUGH 32 43 33 0 0 0 0 33 THROUGH 48 36 0 0 0 32 0 49 THROUGH 64 28 0 0 0 -1 0 65 THROUGH 80 33 C 0 0 -1 0 81 THROUGH 96 30 0 0 0 '1 0 97 THROUGH 112 28 0 0 0 52 51 113 THRCUGH 128 49 0 0 0 -1 0 129 THROUGH 144 47 0 0 0 42 0 145 THROUGH 160 0 0 0 0 49 47 161 THROUGH 176 54 C 0 0 56 0 177 THROUGH 192 45 0 0 0 0 0 193 THROUGH 208 41 0 0 0 0 0 0 0 6 CARD 52 51 16 38 31 30 31 52 49 42 49 57 40 52 43 36 29 52 47 53 0 -1 0 38 41 38 VOTES NOTES NOTES N OTES NOTES VOTES VOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES VOTES NOTES 638 209 THROUGH 224 38 C I) 0 -1 0 0 225 THROUGH 240 0 0 52 0 52 0 -1 241 THROUGH 256 0 0 50 0 50 0 -1 257 THROUGH 272 53 C 0 ()‘d 0 0 273 THROUGH 288 40 0 0 038 0-1 289 THROUGH 304 33 43 0 0 0 0 0 305 THROUGH 320 40 0 C) 0‘44 0 0 321 THROUGH 336 49 0 0 0 37 36 37 337 THROUGH 352 43 0 0 0 *1 0 0 353 THROUGH 368 39 0 0 C) 0 0 0 369 THROUGH 384 37 0 0 (J C) 0 0 385 THROUGH 400 35 0 C) 0 0 0 I) 401 THROUGH 416 35 C C) 0 37 0 0 417 THROUGH 432 44 47 44 42 39 0 0 433 THROUGH 448 0 0‘N9 ()44 0 0 449 THROUGH 464 41 0 0 0 (T C) 0 465 THROUGH 480 39 0 0 ()-1 0 0 481 THROUGH 496 31 O I) (’35 O O 39 o o 51 o o 49 o o 52 41 o o 38 o o o o o 45 o o 41 o o 41 w o o 38 o o 36 o o 33 o o 38 o o o o o -1 o 44 44 o o 28 o o 37 4o 37 35 51 49 52 33 40 47 42 42 49 42 30 32 38 NOTES NOTES VOTES VOTES NOTES NOTES NOTES NOTES NOTES VOTES TVOTES VOTES TVOTES NOTES VOTES NOTES NOTES TVOTES 497 THROUGH 512 0 0 0 0 42 0 513 THROUGH '1 0 37 0 528 35 0 529 THROUGH 544 31 0 0 0 -1 0 545 THROUGH 560 36 0 0 0 -1 0 561 33 THROUGH 576 0 0 0 ‘1 0 577 THROUGH 592 31 0 0 0 55 54 593 THROUGH 608 47 0 0 0 ‘1 0 609 THROUGH 624 51 0 0 0 47 0 625 THROUGH 640 0 0 0 0 40 0 641 THROUGH 656 36 0 0 0 0 0 657 THROUGH 672 33 0 0 0 45 0 673 THROUGH 688 41 0 0 0 0 0 689 THROUGH 704 38 C 0 0 0 0 705 THROUGH 720 37 0 0 0 0 0 721 THROUGH 736 35 0 0 0 -1 0 737 THROUGH 752 41 0 0 0 0 0 753 THROUGH 768 43 0 0 0 0 0 769 THROUGH 784 48 38 0 0 0 0 639 55 0 54 33 34 32 55 54 38 35 40 42 36 43 48 0 42 0 33 42 45 47 (J 37 38 50 52 50 43 38 52 NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NDTES VOTES VOTES NOTES NOTES NOTES NOTES NOTES NOTES 785 THROUGH 800 0 ‘0 0 0 0 0 801 THROUGH 816 41 0 0 0 0 0 817 THRCUGH 832 36 C 0 0 0 0 833 THROUGH 848 33 0 0 0 31 0 849 THROUGH 864 26 36 0 0 0 0 865 THROUGH 880 33 0 0 0 37 0 881 THROUGH 896 41 0 0 0 53 55 897 THROUGH 912 46 0 42 0 39 0 913 THROUGH 928 *1 0 >0 0 24 26 929 THROUGH 944 0 0 0 0 49 51 945 THROUGH 960 0 0 0 0 23 25 961 THROUGH 976 0 0 0 0 30 32 977 THROUGH 992 0 0 0 0 45 47 993 THROUGH 1008 0 0 0 0 22 24 1009 THROUGH 1024 44 47 44 42 41 o 1025 THROUGH 1040 38 0 0 0 0 0 1041 THROUGH 1056 36 0 0 0 38 0 1057 THROUGH 1072 43 33 0 0 0 0 640 29 54 28 35 50 27 -1 0 58 26 51 25 32 47 24 41 37 34 31 38 60 24 49 23 30 45 22 43 38 43 56 46 0 0 0 0 0 26 0 33 31 40 0 54 0 0 0 ‘1 0 '1 0 -1 0 -1 0 -1 0 -1 0 36 0 0 0 43 0 36 38 43 o o o o o -1 o 28 31 o o 49 o o o o o o o o o o o o o o o 37 o -1 o -1 o 41 38 641 NOTES 1073 THROUGH 1088 360003200031000290 NOTES 1089 THROUGH 1104 27 0 0 0 0 0 0 0 25 0 0 0 0 0 TVOTES 1105 THROUGH 1120 24 0 0 0 -1 0 0 0 26 0 0 0 -1 0 NOTES 1121 THROUGH 1136 29 0 0 0 -1 0 0 0 27 0 0 0 -1 0 NOTES 1137 THROUGH 1152 26 0 0 0 -1 0 0 0 25 0 0 D -1 0 VOTES 1153 THROUGH 1168 24 0 0 0 -1 0 0 0 0 0 0 0 0 0 NOTES 1169 THROUGH 1184 0 0 0 0 0 0 0 0 55 0 0 3 0 0 VOTES 1185 THROUGH 1185 -99 THE FOLLOHING TYPES OF PATTERN HAVE BEEN DELETED FROM THE LISTINGS HHICH FOLLOH -- PATTERNS HHICH ARE REITERATIONS LONGER THAN FCUR NOTES-IN-LENGTH 642 The interval tables appearing with the remaining tests of the Hindemith fugue are identical to the tables shown for Test 2. In order to reduce the size of this appendix, these interval tables have been omitted. 643 iii TYPE I LISTING *** HINDEMITF LUDIS TONALIS FUGA NJNA IN B-FLAT. BOTTOM VOICE SEARCH FOR PATTERNS OF 3 NOTES IN LENGTH -- EXACT RETROGRADE HAS BEGUN AT 32 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 1 1 TO 9 113 TO 125 6 3 2 1 TO 9 437 TO 445 6 3 3 1 TO 9 509 TO 517 6 3 4 5 TO 13 129 TO 137 6 3 5 5 TO 13 281 TO 289 6 3 6 5 TO 13 435 TO 443 6 3 7 5 TO 13 507 TO 515 6 3 8 5 TO 13 841 TO 849 6 3 9 9 TO 17 125 TO 133 6 3 10 9 TO 17 277 TO 285 6 3 11 9 TO 17 429 TO 437 6 3 12 9 TO 17 501 TO 509 6 3 13 9 TO 17 837 TO 845 6 3 14 13 TO 18 421 TO 435 6 3 15 13 TO 18 493 TO 507 6 3 16 17 TO 29 420 TO 429 6 3 17 17 TO 29 492 TO 501 6 3 18 18 TO 30 149 TO 151 6 3 19 18 TO 30 301 T0 303 6 3 20 18 TO 30 419 TO 421 6 3 21 18 TO 30 491 TO 493 6 3 22 18 TO 30 613 TO 618 6 3 23 18 TO 30 861 TO 863 6 3 24 29 TO 31 31 TO 33 6 3 25 29 TO 31 138 T0 150 6 3 26 29 TO 31 290 TO 302 6 3 27 29 TO 31 418 TO 420 6 3 28 29 TO 31 490 TO 492 6 3 29 29 TO 31 797 TO 801 6 3 30 29 TO 31 850 TO 862 6 3 31 29 TO 31 919 TO 921 6 3 32 29 TO 31 935 TO 937 6 3 33 29 TO 31 951 TO 953 6 3 34 29 TO 31 967 TO 969 6 3 35 29 TO 31 983 TO 985 6 3 36 29 TO 31 999 TO 1001 6 3 37 29 TO 31 1010 TO 1012 6 3 38 29 TO 31 1071 TO 1073 6 3 39 30 TO 32 417 TO 419 6 3 40 30 TO 32 489 T0 491 6 3 41 30 TO 32 795 T0 799 6 3 42 30 T0 32 918 TO 920 6 3 644 PATTERN NOTES RELATED TO NOTES TEST LENGTH 43 30 TO 32 934 TO 936 6 3 44 30 TO 32 950 TO 952 6 3 45 30 TO 32 966 TO 968 6 3 46 30 TO 32 982 TO 984 6 3 47» 30 TO 32 998 TO 1000 6 3 48 30 TO 32 1009 TO 1011 6 3 49 30 TO 32 1070 TO 1072 6 3 50 31 TO 33 49 TD 65 6 3 51 31 TD 33 413 TO 418 6 3 52 31 TO 33 485 TO 490 6 3 53 31 TO 33 529 TO 545 6 3 54 31 TO 33 619 TO 621 6 3 55 31 TO 33 793 TO 797 6 3 56 31 T0 33 917 TO 919 6 3 57 31 TO 33 933 TO 935 6 3 58 31 TO 33 949 TO 951 6 3 59 31 TO 33 965 TO 967 6 3 60 31 TO 33 981 TO 983 6 3 61 31 TO 33 997 TO 999 6 3 62 31 TO 33 1069 TO 1071 6 3 63 31 TO 33 1105 TO 1121 6 3 64 32 TO 37 409 TO 417 6 3 65 32 TO 37 481 TO 489 6 3 66 33 TO 41 405 TO 413 6 3 67 33 TO 41 477 TO 485 6 3 68 37 TO 45 161 TO 169 6 3 69 37 TO 45 328 TO 333 6 3 70 37 TO 45 401 TO 409 6 3 71 37 TO 45 473 TO 481 6 3 72 37 TO 45 873 TO 881 6 3 73 37 TO 45 886 TO 888 6 3 74 41 TO 49 157 TO 165 6 3 75 41 TO 49 309 T0 317 6 3 76 41 TO 49 326 TO 328 6 3 77 41 TO 49 869 TO 877 6 3 78 41 TO 49 887 T0 889 6 3 **** FOR 49 TO 659 SEE 29 TO 31 ABOVE **** **** FOR 65 TO 819 SEE 41 TO 49 ABOVE **** 79 73 TO 89 329 TO 337 6 3 80 73 TO 89 1021 TO 1025 6 3 **** FOR 81 TO 979 SEE 73 TO 89 ABOVE **** 81 101 T0 103 103 TO 105 6 3 82 101 TO 103 325 TO 327 6 3 83 101 TO 103 581 TO 583 6 3 84 101 TO 103 583 T0 585 6 3 85 102 TO 104 582 TO 584 6 3 #*** FOR 103 TO 1059 SEE 101 TO 103 ABOVE **** 86 113 TO 125 245 TO 253 6 3 87 113 TO 125 737 TO 753 6 3 88 113 TO 125 1041 TO 1049 6 3 89 121 TO 129 243 TO 251 6 3 PATTERN 90 91 92 93 94 **** FOR 95 96 97 98 99 100 101 102 103 **** 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 **** FOR **** FOR 130 131 **** FOR 132 9*** son 9*** FOR **** FOR FOR 125 125 129 129 137 138 149 149 149 149 149 149 150 150 150 151 152 152 153 157 157 157 157 157 157 157 157 157 157 157 161 161 161 161 161 161 161 161 177 177 177 177 185 193 243 243 245 257 265 273 277 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 133 133 137 137 149 1509 151 151 151 151 151 151 152 152 152 1539 157 157 161 165 165 165 165 165 165 165 165 165 165 165 169 169 169 169 169 169 169 169 193 193 193 193 2019 2099 251 251 2539 273 2779 2819 2859 645 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE 753 1049 745 1045 620 31 151 303 618 770 863 1058 302 617 862 18 609 889 605 185 345 443 545 601 633 669 817 1011 1089 1121 193 265 377 641 673 809 825 1077 313 327 393 885 41 37 273 833 877‘ 37 121 125 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T3 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 769 1057 761 1053 629 33 153 305 620 795 865 1070 304 619 864 30 617 893 613 201 361 449 561 609 649 681 833 1013 1105 1137 209 277 393 657 689 825 837 1085 321 329 405 887 49 45 281 841 9 885 45 129 133 TEST LENGTH 6 3 6 3 6 3 6 3 6 3 ABOVE **** 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 ABOVE **** 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 6 3 ABOVE **** ABOVE *t** 6 3 6 3 ABOVE **** 6 3 ABOVE **** ABOVE **** ABOVE *%** PATTE #*** ¥*** ¢*** ¥*** #*** ¢*** #*** **** #*** 133 134 135 136 137 138 139 tttt *ttt ¥*** ##tt tttt 140 141 142 143 144 145 146 147 148 **** **** **** **** **** ***# **** **** RN FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 149 150 151 152 153 8*** FOR 9*tt FOR **** FOR **** FOR 154 155 156 157 281 289 290 301 302 303 304 305 309 313 313 313 313 313 313 317 321 325 326 327 328 329 329 329 329 329 329 329 329 329 337 345 353 361 369 377 393 401 405 405 405 409 409 413 417 418 419 420 420 421 421 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 2899 3019 3029 3039 3049 3059 3099 3139 3179 321 321 321 321 321 321 325 3269 3279 3289 3299 3339 337 337 337 337 337 337 337 337 337 3539 3619 3699 3779 3859 3939 4059 4099 413 413 413 417 417 4189 4199 4209 4219 429 429 435 435 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE .SEE SEE SEE SEE SEE SEE SEE SEE SEE 129 137 31 149 150 18 152 153 157 337 515 629 661 1081 1085 657 257 101 157 313 161 353 361 369 553 561 701 705 1129 1137 177 41 73 73 73 37 313 161 697 801 1073 799 1072 29 30 31 149 769 1057 761 NOTES TO 137 TO 149 TO 33 TO 151 TO 152 TO 30 TO 157 TO 161 TO 165 TO 353 TO 523 TO 641 TO 673 TO 1089 TO 1097 TO 669 TO 273 TO 103 TO 165 TO 321 TO 169 TO 369 TO 377 TO 385 TO 569 TO 577 TO 713 TO 721 TO 1145 TO 1153 TO 193 TO 49 TO 89 TO 89 TO 89 TO 45 TO 321 TO 169 TO 705 TO 817 TO 1081 TO 809 TO 1077 TO 31 TO 32 TO 33 TO 151 TO 793 TO 1069 TO 770 TO 1058 1053 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE *t** *t** ***t *fltt **** *#** *¥** **** *8** 0C>O‘0<>0‘0 *ttt *#** **** **#* **** T>a~oc>ow>a~o #ttt *ttt #*#* **** 0(FO‘0 UPWLDUHflbdw UUPULMUHNU)ULH ULNUJULN NIDUJW PATTERN tttt FOR tttt FOR tt¢$ FOR t¥tt FOR *ttt FOR cttt FOR *ttt FOR ##tt FOR ##tt FOR ##tt FCR $tt$ FOR ##tt FOR ##tt FDR titt FOR tttt FOR #ttt FOR tttt FOR 158 159 8*#* FOR tit! FOR tttt FOR vttt FOR *ttt FOR «tit FOP tit: FOR ##tt FOR 160 161 **** FOR **t* FOR *9** FOR **** FOR 162 **** FOR **** FOR 9*** FOR **** FOR C### FOR **** FOR **** FOR **** FDR **** FOR **** FOR cttt FOR **¢* FOR **** FOR ¢#t# FOR **** FOR *ttt FOR **** FOR 429 435 437 443 473 477 481 485 489 490 491 492 493 501 507 509 515 517 525 529 545 553 561 581 582 583 601 605 609 613 617 618 619 620 629 633 641 661 669 673 697 701 705 737 745 753 761 769 770 793 795 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 4379 4439 4459 4499 4819 4859 4899 4909 4919 4929 4939 5019 5079 5099 5159 5179 5239 525 537 5459 5619 5699 5779 5839 5849 5859 6099 613 617 6189 6199 6209 6219 629 6419 6499 6579 6739 6819 6899 7059 7139 7219 7539 7619 7699 7709 7939 7959 7979 7999 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 125 129 113 41 161 405 409 29 30 31 149 420 421 125 129 113 177 585 952 29 41 73 73 101 102 101 41 865 864 149 150 18 29 849 177 41 37 177 41 37 33 73 73 13 17 18 29 30 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 133 137 125 49 169 413 417 32 33 151 429 435 133 137 125 193 591 965 31 49 89 89 103 104 103 49 873 869 151 152 30 31 861 193 49 45 193 49 45 41 89 89 13 17 18 29 31 32 TEST LENGTH ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** 6 6 ABOVE **** ABOVE **** ABOVE **** ABOVE **** 6 ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **** ABOVE **‘* ABOVE **** ABOVE **** ABOVE **** ABOVE **** PATTERN #ttt *ttt 8**¥ ##t* *tt* vttt ##t# 44*! ##** vttt tttt tttt Ottt ##tt cttt tttt tttt *ttt ##*# tttt tttt ##t* ##tt uttt **## ##t* ##t* *tt* Fttt #ttt 934* 163 ##t# tttt 8*** ##4t tttt tttt *ttt ##t# ##tt tttt titt tttt tttt ##3* ##t# *ttt ##Ot *ttt tttt FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 797 799 801 809 817 825 833 837 841 849 850 861 862 863 864 865 869 873 885 886 887 889 917 918 919 933 934 935 949 950 951 952 965 966 967 981 982 983 997 998 999 1009 1010 1011 1021 1033 1041 1045 1049 1053 1057 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 1 8019 8099 8179 8259 8339 8379 8419 8459 8499 8619 8629 8639 8649 8659 8699 8739 8779 8819 8879 8889 8899 8939 9199 9209 9219 9359 9369 9379 9519 9529 9539 965 9679 9689 9699 9839 9849 9859 9999 10009 10019 10119 10129 0139 10259 10459 10499 10539 10579 10589 10699 648 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE. SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 31 32 33 37 41 37 121 125 129 137 31 149 150 18 152 153 157 161 313 161 157 609 29 30 31 29 30 31 29 30 31 1033 29 30 31 29 30 31 29 30 31 31 41 329 525 13 17 NOTES TO 33 TO 37 TO 41 TO 45 TO 49 TO 45 TO 129 T0 133 TO 137 TO 149 TO 33 TO 151 TO 152 TO 30 TO 157 TO 161 TO 165 TO 169 TO 321 TO 169 TO 165 TO 617 TO 31 TO 32 TO 33 TO 31 TO 32 TO 33 TO 31 TO 32 TO 33 TO 1045 TO 31 TO 32 TO 33 TO 31 TO 32 TO 33 T0 31 TO 32 TO 33 TO 32 TO 33 TO 49 TO 337 TO 537 TO 9 TO 13 TO 17 T0 18 TO 29 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** **** **9* **** **** **** **** **** **** **** **** **** **** **** **9* **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **** **¥# ***6 *¥** *ttt **** **** *#** *¥** *#** **#* *¥** ##1* tttt **** **** *¥** **## ¥¥¥¥¥¥¥¥¥¥¥¥¥ PATTERN tilt «tit tttt ##tt tttt tttt tttt tttt #tt* tttt tit: tttt #*#* FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 1058 1069 1070 1071 1072 1073 1077 1081 1085 1089 1105 1121 1129 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 TO 10709 10719 10729 10739 10779 10819 10859 10899 10979 11059 11219 11379 11459 649 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 18 29 30 31 32 33 37 177 177 41 29 41 73 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 30 31 32 33 37 41 45 193 193 49 31 49 89 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE *ttt **** ##tt **** *ttt ##t* *t** **** *#** *ttt ¥##* *ttt **** LENGTH 650 *** T¥PE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 4 NOTES IN LENGTH -- EXACT RETROGRADE HAS BEGUN AT 325 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 164 1 TD 13 435 TO 445 6 4 165 1 TO 13 507 T0 517 6 4 166 5 TD 17 125 TO 137 6 4 167 5 TO 17 277 TO 289 6 4 168 5 T0 17 429 TO 443 6 4 169 5 TO 17 501 T0 515 6 4 170 5 TO 17 837 T0 849 6 4 171 9 TO 18 421 TO 437 6 4 172 9 T0 18 493 TO 509 6 4 173 13 TO 29 420 TO 435 6 4 174 13 TO 29 492 TO 507 6 4 175 17 TO 30 419 TO 429 6 4 176 17 TO 30 491 TO 501 6 4 177 18 TO 31 138 T0 151 6 4 178 18 TD 31 290 TO 303 6 4 179 18 TD 31 418 TO 421 6 4 180 18 T0 31 490 TO 493 6 4 181 18 TO 31 850 TO 863 6 4 182 29 TO 32 417 TO 420 6 4 183 29 TO 32 489 TO 492 6 4 184 29 TO 32 795 TO 801 6 4 185 29 TO 32 918 TO 921 6 4 186 29 TD 32 934 TO 937 6 4 187 29 TO 32 950 TO 953 6 4 188 29 TO 32 966 TO 969 6 4 189 29 TO 32 982 TO 985 6 4 190 29 TO 32 998 TO 1001 6 4 191 29 TD 32 1009 TO 1012 6 4 192 29 TO 32 1070 TO 1073 6 4 193 30 TO 33 413 T0 419 6 4 194 30 TO 33 485 T0 491 6 4 195 30 TO 33 793 TO 799 6 4 196 30 TD 33 917 TO 920 6 4 197 30 TO 33 933 TO 936 6 4 198 30 TD 33 949 TO 952 6 4 199 30 TO 33 965 TO 968 6 4 200 30 TO 33 981 T0 984 6 4 201 30 TD 33 997 TO 1000 6 4 202 30 TO 33 1069 TO 1072 6 4 203 31 TO 37 409 TO 418 6 4 204 31 TD 37 481 TO 490 6 4 205 32 TO 41 405 TO 417 6 4 206 32 TD 41 477 TO 489 6 4 207 33 TO 45 491 TO 413 6 4 PATTERN 208 209 210 211 212 213 214 215 216 217 218 219 220 221 222 223 224 225 226 227 228 39 230 231 232 233 99*: 9:99 Ittt 94*: 94*: 3:4: 9:9: 99*: 234 235 236 237 238 #994 FOR 239 240 9:1: FOR fittt FOR 241 242 243 244 245 246 999* FOR FOR FOR FOR FOR FOR FOR FOR FOR 33 37 37 101 102 113 125 125 137 138 138 138 149 149 149 150 150 150 151 152 153 157 177 177 185 257 277 289 290 301 302 303 304 305 309 309 309 309 313 326 327 328 337 393 401 401 405 405 409 409 413 NOTES T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TD T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 45 49 49 104 105 129 137 137 150 151 151 151 152 152 152 153 153 153 157 161 165 169 201 201 209 277 2899 3029 3039 3049 3059 3099 3139 3179 321 321 321 321 325 3299 333 337 3619 4099 413 413 417 417 418 418 4199 651 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 473 157 869 582 581 243 745 1045 619 618 770 1058 302 617 862 301 613 861 609 605 601 809 309 326 886 873 125 137 138 149 150 151 152 153 337 629 661 1085 657 309 1077 369 177 327 801 1073 799 1072 797 1071 29 NOTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 'T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO TO T0 T0 T0 485 169 881 585 584 253 769 1057 629 621 797 1071 305 620 865 304 619 864 618 617 613 833 321 329 889 885 137 150 151 152 153 157 161 165 361 649 681 1105 673 321 1089 393 201 333 825 1085 817 1081 809 1077 32 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 00000000000000000000000000 00000 *t** *3‘# **#* fittt *3!* *¥** *¥C* #*** ABOVE **** 0‘0 ABOVE **** ABOVE 000000 *ltt ABOVE 999* LENGTH #969666»:FFFFFFFFFSFFFFFFF ¢¢ &&¢#¢ -b¥‘&-§J‘& PATTERN 9999 FOR 9*** FOR 247 248 249 250 251 252 ##t* FOR 253 254 tttt #983 949* 999* *#** ##tt #*#* *ttt 349* 949* 999* 255 9999 FOR 9999 FOR 256 257 258 9999 FOR tttt FOR 9999 FOR 259 *ttt ##tt 9*** **** ##tt **#8 9999 9999 tttt *ttt #199 ***9 9999 9999 9*99 **#8 9999 9999 tttt FOR FOR FOR FDR FOR FOR FOR FOR FOR FOR FDR FOR FOR FDR FOR FOR FOR FDR FOR FOR FOR FOR FOR FOR FOR FDR FOR FOR FOR FOR 417 418 419 419 420 420 421 421 429 435 435 473 477 481 485 489 490 491 492 493 501 507 525 581 582 601 605 609 613 617 618 619 629 633 661 669 737 745 753 761 769 770 793 795 797 799 801 809 817 837 849 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO TO TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0. T0 T0 TO T0 T0 T0 T0 T0 T0 TO 4209 4219 429 429 435 435 437 437 4439 445 445 4859 4899 4909 4919 4929 4939 5019 5079 5099 5159 5179 545 5849 5859 613 617 618 6199 6209 6219 629 6499 6579 6319 6899 7619 7699 7709 7939 7959 7979 7999 8019 8099 8179 8259 8339 8379 8499 8629 652 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 30 138 769 1057 761 1053 753 1049 125 737 1041 401 405 409 29 30 138 419 420 421 125 435 951 101 102 865 864 863 149 150 18 849 177 185 177 185 1 5 9 13 17 18 29 30 31 32 33 37 185 125 137 T0 T0 T0 T0 T0 T0 TO TD TD T0 T0 T0 T0 T0 T0 T0 T0 TO TD TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TD T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 33 151 795 1070 793 1069 770 1058 137 761 1053 413 417 418 32 33 151 429 435 437 137 445 965 104 105 877 873 869 152 153 862 201 209 201 209 13 17 18 29 30 31 32 33 37 41 45 49 209 137 150 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ##t* *tt* 000000 **** 00 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 6 9999 9999 6 6 6 9999 9999 9999 6 9999 9999 9999 9999 **** 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 ¢HR bJ>éw§J~k ¢J>é PATTERN #*** #*#* ¥*** ¥*** #*#* #*** ¥*#* l**# t*** ¥*** #*** ¥*** ##** ¥*** **** ##t* 8**# #**# ¥*** #*#* #*** 8*tt **#* 39** t*** **** *tit ##** #*** ¥##* ##t* ##t* ##tt FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 850 861 862 863 864 865 869 885 917 918 933 934 949 950 965 966 981 982 997 998 1009 1041 1045 1049 1053 1057 1058 1069 1070 1071 1072 1073 1085 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TD TO TO TO TO TO 70 TD T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 NOTES 8639 8649 8659 8699 8739 8779 8819 8889 9209 9219 9369 9379 9529 9539 9689 9699 9849 9859 10009 10019 10129 10539 10579 10589 10699 10709 10719 10729 10739 10779 10819 10859 11059 RELATED SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE TO NOTES 138 149 150 151 152 153 157 327 29 30 29 30 29 30 29 30 29 30 29 30 30 13 17 18 29 30 31 32 33 177 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 151 152 153 157 161 165 169 333 32 33 32 33 32 32 33 32 33 32 33 33 13 17 18 29 30 31 32 33 37 41 45 201 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH PATTE 260 261 262 263 264 265 266 267 268 269 270 271 272 273 274 275 276 277 278 279 280 281 282 283 284 285 286 287 288 289 9999 290 291 292 293 294 9999 295 9999 9999 9999 9999 9999 9999 RN FOR FOR FOR FOR FOR FOR FDR FOR 654 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF EXACT RETROGRADE HAS BEGUN AT 477 SECONDS INTO EXECUTION. 303 304 NOTES T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TD TO T0 T0 T0 T0 T0 T0 TO TO T0 TO RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE 5 NOTES IN LENGTH -- NOTES 429 501 421 493 420 492 419 491 418 490 417 489 413 485 793 917 933 949 965 981 997 1069 409 481 405 477 401 473 618 617 138 301 613 861 609 605 151 601 137 138 149 150 151 152 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TD 10 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 445 517 443 515 437 509 435 507 429 531 421 493 420 492 801 921 937 953 969 985 1001 1073 419 491 418 490 417 489 629 621 152 305 620 865 619 618 161 617 151 152 153 157 161 165 TEST LENGTH 060*0(50‘01P0‘0<>0‘0C>0‘0C>O‘0CFO‘0CFO‘0CFO‘0CPO‘0 ABOVE **** O‘0¢>O‘0 ABOVE **** ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 6 **** t*** *t** ***# **** ttt$ \flUVWLflU1 \nuwunmxnunvumxnunmxnuvmxnuaunmxnuauumxnvum\nununm\n U1 PATTERN 296 9999 297 298 299 9999 300 301 302 303 9999 304 305 306 307 308 309 9999 310 311 312 313 314 315 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 316 9999 317 318 9999 319 320 9999 **** 9*** **** **** **** **** 9*** **** **** FDR FOR FOR FOR FOR FOR FOR FOR FOR FOR FDR FOR FOR FOR FOR FOR FOR FOR FOR FCR FOR FOR FOR FOR FOR FOR 309 309 393 401 401 401 405 405 409 409 413 417 417 418 418 419 419 419 420 420 421 421 429 429 473 477 481 485 489 490 491 492 493 501 601 601 605 609 613 617 618 737 745 753 761 769 770 793 795 797 799 NOTES T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO 70 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 325 3259 413 417 417 4179 418 418 419 419 4209 421 421 429 429 435 435 4359 437 437 443 443 445 445 4899 4909 4919 4929 4939 5019 5079 5099 5159 5179 617 6179 618 619 6209 621 629 7699 7709 7939 7959 7979 7999 8019 8099 8179 8259 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NDTES 657 309 1073 799 1072 401 797 1071 795 1070 29 770 1058 769 1057 761 1053 419 753 1049 745 1045 737 1041 401 405 409 29 417 418 419 420 421 429 864 601 863 862 149 850 849 1 5 9 13 17 18 29 30 31 32 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO 681 TEST LENGTH 0 325 ABOVE **** 1089 825 1085 417 817 1081 809 1077 33 799 1072 797 1971 795 1070 435 793 1069 770 1058 769 1057 417 418 419 33 421 429 435 437 443 445 877 617 873 869 153 864 863 17 18 29 30 31 32 33 37 41 45 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 000~ **** CFO‘0CP **** 0CFO‘0CFO‘ **** CDO‘0‘TO‘0 **** **** **** **** **** **** **** **** **** **** 6 **** 0‘0 **** 0‘0 **** **** **** **** **** **** **** **** **** **** \flUHfiLflUVfi UVWLDU1 \DU1W UIWLNUHJLB “\fl W U10 PATTERN 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 849 850 861 862 863 864 917 933 949 965 981 997 1041 1045 1049 1053 1057 1058 1069 1070 1071 1072 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 NOTES 8639 8649 8659 8699 B739 8779 9219 9379 9539 9699 9859 10019 10579 10589 10699 10709 10719 10729 10739 10779 10819 10859 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NOTES 137 138 149 150 151 152 29 29 29 29 Z9 Z9 13 17 18 29 30 31 32 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 151 152 153 157 161 165 33 33 33 33 33 17 18 29 30 31 32 33 37 41 45 TEST ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 9999 LENGTH PATTERN 321 322 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 ##t* FOR ##tt FOR #*#* FDR tttt FOR tttt FOR 344 #*#* 345 346 347 348 349 350 351 352 353 354 ##t# FOR 355 356 tttt FOR FOR SEARCH FOR 31 137 138 149 150 151 289 290 301 302 303 393 393 401 401 405 405 409 409 413 413 417 417 417 418 418 418 657 *** TYPE I LISTING CONTINUED *** NOTES T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 PATTERNS EXACT RETROGRADE HAS BEGUN AT 626 SECONDS INTO EXECUTION. 18 18 29 29 30 30 31 31 32 32 33 33 37 37 41 41 45 45 152 153 157 161 165 304, 3059 3099 313' 3179 417 4179 418 418 419 419 430 420 421 421 429 429 429' 435 435 435. RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE 421 493 420 492 419 491 418 490 417 489 413 485 409 481 405 477 431 473 617 613 609 605 601 137 138 149 150 151 1072 393 797 1071 795 1070 793 1069 770 1058 769 1057 417 761 1053 418 NOTES T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 445 517 443 515 437 509 435 507 429 501 421 493 420 492 419 491 418 490 629 621 620 619 618 152 153 157‘ 161 165 1089 417 825 1085 817 1081 809 1077 801 1073 T99 1072 429 797 1071 TES O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O’OO‘O‘O‘O‘O‘O‘O‘ ABOVE ABOVE ABOVE ABOVE ABOVE 0‘ ABOVE O‘OO‘O‘O‘O‘O‘O‘O‘O‘ ABOVE 00‘ OF 6 NOTES IN LENGTH -- T *ttt *¥¢* **** *ttt *ttt **** *t** 435 ABOVE **** LENGTH OO‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘OO‘OO‘O‘O‘O‘ OOO‘O‘OO‘O‘OOO 0 0‘0 PATTERN 357 358 359 360 361 362 *ttt *ttt #*** tttt ##tt #*## #9:: tttt tttt 363 364 365 366 367 ##t* #99: 93:9 **** u*** ##t* tttt *ttt $*** #*** ##t* ##tt tttt :ttt ¥#** #3:: tttt 8*tt uttt tttt tttt 3:9: tttt :19: FOR FCR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 419 419 420 420 421 421 473 477 481 485 489 490 491 492 493 601 605 609 613 617 617 737 745 753 761 769 770 793 795 797 849 850 861 862 863 1041 1045 1049 1053 1057 1058 1069 1070 1071 NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 1 437 437 443 443 445 445 4909 4919 4929 493, 5019 5079 5099 5159 5179 618 619 620 621 629 6299 7709 7939 7959 7979 7999 8019 8099 8179 8259 8649 8659 869, 8739 8779 10589 10699 10709 10719 10729 10739 077, 10819 10859 658 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 753 1049 745 1045 737 1041 401 405 409 413 417 418 419 420 421 863 862 861 850 849 617 1 5 9 13 17 18 29 30 31 137 138 149 150 151 13 17 18 29 3D 31 NOTES TO 795 TO 1070 TO 793 TO 1069 TO 770 TO 1058 TO 418 TO 419 TO 420 TO 421 TO 429 TO 435 TO 437 TO 443 TO 445 TO 877 TO 873 TO 869 TO 865 TO 864 TO 629 TO 18 TO 29 TO 30 TO 31 TO 32 TO 33 TO 37 TO 41 TO 45 TO 152 TO 153 TO 157 TO 161 TO 165 TO 18 TO 29 TO 30 TO 31 TO 32 TO 33 TO 37 TO 41 TO 45 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 00000‘0 OCRO‘OCF **#* **** **** ##tt **** **** *#** *#** ***# **** *#** *t** **#* *ttt **#* *ttt **#* *ttt *¥** **** #*** **** **** **** *#** **#* *ttt *ttt **** *ttt *t** ##tt **** (>O‘OCPO‘O O€>O‘01> PATTERN 368 369 370 371 372 373 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 392 393 394 395 396 397 398 399 400 401 402 403 404 405 406 407 408 iii TYPE I LISTING CONTINUED SEARCH FOR EXACT RETROGRADE HAS BEGUN AT 770 SECONDS INTO NOTES T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 659 PATTERNS OF RELATED TO 7 NOTES IN LENGTH -- NDTES 420 492 419 491 418 490 417 489 413 485 409 481 405 477 401 473 613 609 605 601 1071 795 1070 793 1069 770 1058 769 1057 761 1053 753 1049 745 1045 737 1041 862 861 850 849 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 445 517 443 515 437 509 435 507 429 501 421 493 420 492 419 491 629 621 620 619 1089 825 1085 817 1081 809 1377 801 1073 799 1072 797 1071 795 1070 793 1069 877 873 869 865 *** EXECUTION. TEST 0‘OO‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘OO‘O‘OO‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O'O‘O‘OO-O‘ LENGTH ququqaqqqaqaququ4o~OUHm\n~u~hd NOTES T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO 70 TO TO T0 T0 TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 TO TO TO TO TO 18 18 18 29 29 29 30 30 3O 31 31 31 32 32 33 33 33 37 37 37 41 41 41 45 45 45 49 49 138 149 150 151 152 153 157 161 165 2901 3011 3021 3031 3041 3051 RELATED TO SEE SEE SEE SEE SEE SEE 6 NOTES IN LENGTH -- INVEISION NOTES 121 273 833 125 277 837 129 281 841 133 285 845 137 289 849 138 290 850 149 301 861 150 302 862 151 303 863 152 864 1041 1045 1049 1053 1057 1058 1069 1070 1071 121 125 129 133 137 138 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 TO T0 TO 70 T0 T0 TO TO TO TO T0 T0 TO TO TO 138 290 850 149 301 861 150 302 862 151 303 863 152 304 864 153 305 865 157 309 869 161 313 873 165 317 877 169 881 1058 1069 1070 1071 1072 1073 1077 1081 1085 138 149 150 151 152 153 TES 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE T **** *ttt tilt 331$ **#* *ttt LENGTH 000‘O‘O‘O‘OO‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘O‘OO‘O‘O‘00000000O‘O‘O‘O‘ 717 PATTERN NCTES RELATED TO NOTES TEST LENGTH **** FOR 301 TO 3091 SEE 149 TO 157 ABOVE **** 111* FOR 302 TO 3131 SEE 150 TO 161 ABOVE **** #*** FOR 303 TO 3171 SEE 151 TO 165 ABOVE **** 247 401 TO 418 601 TO 618 14 6 248 405 TO 419 605 TO 619 14 6 249 409 TO 420 639 TO 620 14 6 250 413 TO 421 613 TO 621 14 6 251 417 TO 429 617 TO 629 14 6 #*** FOR 473 TO 4901 SEE 401 TO 418 ABOVE **** 111* FOR 477 TO 4911 SEE 405 TO 419 ABOVE **** ¥*** FOR 481 TO 4921 SEE 409 TO 420 ABOVE **** **** FOR 485 TO 4931 SEE 413 TO 421 ABOVE **** ¢*** FOR 489 TO 5011 SEE 417 TO 429 ABOVE **** 1111 FOR 833 TO 850. SEE 121 TO 138 ABOVE **** #*** FOR 837 TO 8611 SEE 125 TO 149 ABOVE **** ¢*** FOR 841 TO 8621 SEE 129 TO 150 ABOVE **** ¥*** FOR 845 TO 8631 SEE 133 TO 151 ABOVE **** #*** FOR 849 TO 8641 SEE 137 TO 152 ABOVE **** ¢*** FOR 850 TO 8651 SEE 138 TO 153 ABOVE **** *ttt FOR 861 TO 8691 SEE 149 TO 157 ABOVE **** **** FOR 862 TO 873. SEE 150 TO 161 ABOVE **** ¥*** FOR 863 TO 87?. SEE 151 TO 165 ABOVE **** #ttt FOR 1041 TO 10581 SEE 1 TO 18 ABOVE *#** ¥*** FOR 1045 TO 10691 SEE 5 TO 29 ABOVE **** ##tt FOR 1049 TO 1070. SEE 9 TO 30 ABOVE 111* ¢*** FOR 1053 TO 10711 SEE 13 TO 31 ABOVE **** ¥*** FOR 1057 TO 10721 SEE IT TO 32 ABOVE **** 111* FOR 1058 TO 1073. SEE 18 TO 33 ABOVE **** 111* FOR 1069 TO 10771 SEE 29 TO 37 ABOVE **** **** FOR 1070 TO 10811 SEE 30 TO 41 ABOVE **** 111* FOR 1071 TO 10851 SEE 31 TO 45 ABOVE **** 718 9*: TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- EXACT RHYTHM WITH EXACT INVERSION WAS BEGUN AT 551 SECONDS INTJ EXECUTION. PATTERN NOTES RELATED Tc NOTES TEST LENGTH 252 1 TO 29 121 TO 149 14 7 253 1 TO 29 273 TO 301 14 7 254 1 TO 29 833 To 861 14 7 255 5 TO 30 125 To 150 14 7 256 5 TO 30 277 TO 302 14 7 257 5 TO 30 837 TO 862 14 7 258 9 To 31 129 TO 151 14 7 259 9 To 31 281 TO 303 14 7 260 9 TO 31 841 To 863 14 7 261 13 TO 32 133 TO 152 14 7 262 13 To 32 285 TO 304 14 7 263 13 To 32 845 TO 864 14 7 264 17 To 33 137 TO 153 14 7 265 17 TO 33 289 TO 305 14 7 266 17 To 33 849 TO 865 14 7 267 18 To 37 138 TO 157 14 T 268 18 To 37 290 TO 309 14 7 269 18 TO 37 850 TO 869 14. 7 270 29 TO 41 149 To 161 14 7 271 29 TO 41 301 TO 313 14 7 272 29 TO 41 861 To 873 14 7 273 30 To 45 150 TO 165 14 7 274 30 TO 45 302 TO 317 14 7 275 30 To 45 862 To 877 14 7 276 31 TO 49 151 TO 169 14 7 277 31 TO 49 863 TO 881 14 7 278 121 TO 149 1041 TO 1069 14 7 279 125 TO 150 1045 TO 1070 14 7 280 129 TO 151 1049 To 1071 14 7 281 133 TO 152 1053 TO 1072 14 7 282 137 To 153 1057 To 1073 14 7 283 138 TO 157 1058 To 1077 14 7 284 149 To 161 1069 TO 1081 14 7 285 150 To 165 1070 TO 1085 14 7 286 401 To 419 601 TO 619 14 7 287 405 TO 420 605 TO 620 14 7 288 409 To 421 609 TO 621 14 7 289 413 TO 429 613 TO 429 14 7 719 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 8 NOTES IN EXACT RHYTHM WITH EXACT INVERSION WAS BEGUN AT 570 SECONDS INTO EXECUTION. LENGTH '- PATTERN NOTES RELATED TO NOTES TEST LENGTH 290 1 TO 30 121 TO 150 14 8 291 1 TO 30 273 TO 302 14 8 292 1 TO 30 833 TO 862 14 8 293 5 TO 31 125 TO 151 14 8 294 5 TO 31 277 TO 303 14 8 295 5 TO 31 837 TO 863 14 8 296 9 TO 32 129 TO 152 14 8 297 9 TO 32 281 TO 304 14 8 298 9 TO 32 841 TO 864 14 8 299 13 TO 33 133 TO 153 14 8 300 13 TO 33 285 TO 305 14 8 301 13 TO 33 845 TO 865 14 8 302 17 TO 37 137 TO 157 14 8 303 17 TO 37 289 TO 309 14 8 304 17 TO 37 849 TO 869 14 8 305 18 TO 41 138 TO 161 14 8 306 18 TO 41 290 TO 313 14 8 307 18 TO 41 850 TO 873 14 8 308 29 TO 45 149 TO 165 14 8 309 29 TO 45 301 TO 317 14 8 310 29 TO 45 861 TO 877 14 8 311 30 TO 49 150 TO 169 14 8 312 30 TO 49 862 TO 881 14 8 313 121 TO 150 1041 TO 1070 14 8 314 125 TO 151 1045 TO 1071 14 8 315 129 TO 152 1049 TO 1072 14 8 316 133 TO 153 1053 TO 1073 14 8 317 137 TO 157 1057 TO 1077 14 8 318 138 TO 161 1058 TO 1081 14 8 319 149 TO 165 1069 TO 1085 14 8 320 401 TO 420 601 TO 620 14 8 321 405 TO 421 605 TO 621 14 8 322 409 TO 429 609 TO 629 14 8 PATTERN 323 324 325 326 327 328 329 330 331 332 333 334 335 336 337 338 339 340 341 342 343 344 345 346 347 348 349 350 SEARCH FOR PATTERNS EXACT RHYTHM WITH EXACT INVERSION *** TYPE I LISTING CONTINUED *t* 720 OF 9 NOTES IN LENGTH -- WAS BEGUN AT 589 SECONDS INTO EXECUTION. NNHHHHHHHHH 00mmm~1~l~1www~000mmmwww 121 125 129 133 137 138 401 405 NOTES T0 T0 T0 T0 TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO T0 T0 T0 T0 T0 T0 31 31 31 32 32 32 33 33 33 37 37 37 41 41 41 45 45 45 49 49 151 152 153 157 161 165 421 429 RELATED TO 121 273 833 125 277 837 129 281 841 133 285 845 137 289 849 138 290 850 149 861 1041 1045 1049 1053 1057 1058 601 605 NOTES TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO TO TO TO 151 303 863 152 304 864 153 305 865 157 309 869 161 313 873 165 317 877 169 881 1071 1072 1073 1077 1081 1085 621 629 TEST 14 14 14 14 14 14 14 L4 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 LENGTH OOOOOOOOGOOOOOOOOO10010000101000 721 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 10 NOTES IN LENGTH -- EXACT RHYTHM WITH EXACT INVERSION WAS BEGUN AT 607 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 351 1 TO 32 121 TO 152 14 10 352 1 TO 32 273 TO 304 14 10 353 1 TO 32 833 TO 864 14 10 354 5 TO 33 125 TO 153 14 10 355 5 TO 33 277 TO 305 14 10 356 5 TO 33 837 TO 865 14 10 357 9 TO 37 129 TO 157 14 10 358 9 TO 37 281 TO 309 14 10 359 9 TO 37 841 TO 869 14 10 360 13 TO 41 133 TO 161 14 10 361 13 TO 41 285 TO 313 14 10 362 13 TO 41 845 TO 873 14 10 363 17 TO 45 137 TO 165 14 10 364 17 TO 45 289 TO 317 14 10 365 17 TO 45 849 TO 877 14 10 366 18 TO 49 138 TO 169 14 10 367 18 TO 49 850 TO 881 14 10 368 121 TO 152 1041 TO 1072 14 10 369 125 TO 153 1045 TO 1073 14 10 370 129 TO 157 1049 TO 1077 14 10 371 133 TO 161 1053 TO 1081 14 10 372 137 TO 165 1057 TO 1085 14 10 373 491 TO 429 601 TO 629 14 10 PATTERN 374 375 376 377 378 379 380 381 382 383 384 385 386 387 388 389 390 391 *t# TYPE I LISTING CONTINUED *** 1 722 SEARCH FOR PATTERNS OF EXACT RHYTHM WITH EXACT INVERSION 11 NOTES IN LENGTH ~- WAS BEGUN AT 625 SECONDS INTJ EXECUTION. HFHHH N‘JWNWO‘OOUIUIUOHHH #14 NM uuu 129 133 NOTES TO TO TO TO TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 33 33 33 37 37 37 41 41 41 45 45 49 49 153 157 161 165 RELATED TO 121 273 833 125 277 837 129 281 841 133 285 845 137 849 1041 1045 1049 1053 NOTES TO TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 153 305 865 157 309 869 161 313 873 165 317 877 169 881 1073 1077 1081 1085 TEST 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 14 LENGTH 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 11 723 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 12 NOTES IN LENGTH -~ EXACT RHYTHM WITH EXACT INVERSION WAS BEGUN AT 642 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 392 1 TO 37 121 TO 157 14 12 393 1 TO 37 273 TO 309 14 12 394 1 TO 37 833 TO 869 14 12 395 5 TO 41 125 TO 161 14 12 396 5 TO 41 277 TO 313 14 12 397 5 TO 41 837 TO 873 14 12 398 9 TO 45 129 TO 165 14 12 399 9 TO 45 281 TO 317 14 12 400 9 TO 45 841 TO 877 14 12 401 13 TO 49 133 TO 169 14 12 402 13 TO 49 845 TO 881 14 12 403 121 TO 157 1041 TO 1077 14 12 404 125 TO 161 1045 TO 1081 14 12 405 129 TO 165 1049 TO 1085 14 12 724 111 TYPE I LISTING CONTINUED *tt SEARCH FOR PATTERNS OF 13 NOTES IN LENGTH -- EXACT RHYTHM WITH EXACT INVERSION WAS BEGUN AT 659 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 406 1 TO 41 121 TO 161 14 13 407 1 TO 41 273 TO 313 14 13 408 1 TO 41 833 TO 873 14 13 4C9 5 TO 45 125 TO 165 14 13 410 5 TO 45 277 TO 317 14 13 411 5 TO 45 837 TO 877 14 13 412 9 TO 49 129 TO 169 14 13 413 9 TO 49 841 TO 881 14 13 414 121 TO 161 1041 TO 1081 14 13 415 125 TO 165 1045 TO 1085 14 13 725 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 14 NOTES IN LENGTH ~~ EXACT RHYTHM WITH EXACT INVERSION WAS BEGUN AT 676 SECONDS INTJ EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 416 1 TO 45 121 TO 165 14 14 417 1 TO 45 273 TO 317 14 14 418 1 TO 45 833 TO 877 14 14 419 5 TO 49 125 TO 169 14 14 420 5 TO 49 837 TO 881 14 14 421 121 TO 165 1041 TO 1085 14 14 726 *4: TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 15 NOTES IN LENGTH -- EXACT RHYTHM WITH EXACT INVERSION WAS BEGUN AT 692 SECONDS INTO EXECUTION. PATTERN NCTES RELATED TO NOTES TEST LENGTH 422 1 TO 49 121 TO 169 14 15 423 1 TO 49 833 TO 881 14 15 727 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 16 NOTES IN LENGTH -- EXACT RHYTHM WITH EXACT INVERSION WAS BEGUN AT 708 SECONDS INTJ EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH END OF TYPE I LISTING. TOTAL OF 423 PATTERNS LOCATED. 728 *** TYPE II LISTING ¢** HINDEMITH LUDIS TONALIS FUGA NONA IN B-FLAT1 BOTTOM VOICE EXACT RHYTHM WITH EXACT INVERSION LOCATION TOTAL LENGTH OF FIRST NURBER OF OF OCCURRENCE OCCURRENCES PATTERN JRIGINAL PATTERN 1 TO 49 3 15 SUBPATTERN 41 TO 49 5 3 SUBPATTERN 30 TO 32 5 3 tttt TEST 14 COMPLETED AT 799 SECONDS INTO EXECUTION **** *t*#*###****# HINDEMITH NOTES NOTES NOTES VOTES NOTES NOTES NOTES NOTES NOTES NOTES VOTES NOTES VOTES MUSIC TEST REQUESTED UNITS OF DATA PER CCMPUTER REFERENCE NUMBER ASSIGNMENT 1 THROUGH 16 36 0 0 0 38 0 17 THROUGH 32 43 33 0 0 0 O 33 THROUGH 48 36 0 O 0 32 0 49 THROUGH 64 28 0 0 0 ‘1 0 65 THROUGH 80 33 0 0 0 -1 0 81 THROUGH 96 30 0 0 0 -1 0 97 THROUGH 112 28 0 0 0 52 51 113 THROUGH 128 49 0 D 0 -1 0 129 THROUGH 144 47 0 0 0 42 0 145 THROUGH 160 0 C 0 0 49 47 161 THROUGH 176 54 C 0 0 56 0 177 THROUGH 192 45 0 0 O 0 0 193 THRCUGH 208 41 O 0 0 0 0 LUDIS TONALIS 729 FUGA NONA IN B-FLAT1 24 CARD -1 a o a o o o o o o o o 52 51 o o -1 o 44 47 o o o o o 3 16 38 31 30 31 29 52 49 42 49 43 40 52 MELODIC PATTERN ANALYSIS 43 36 29 52 47 53 ** #**8******* BOTTOM VOICE 0 -1 0 38 41 38 NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES VOTES NOTES NOTES 209 THROUGH 224 38 0 0 0 “1 0 225 THROUGH 240 0 O 52 0 52 0 241 THROUGH 256 0 O 50 O 50 0 257 THROUGH 272 53 C O O -1 0 273 THROUGH 288 40 O 0 0 38 0 289 THROUGH 304 33 43 0 0 0 0 305 THROUGH 320 40 0 0 0 44 0 321 THROUGH 336 49 O 0 0 37 36 337 THROUGH 352 43 C 0 0 -1 0 353 THROUGH 368 39 C 0 0 0 0 369 THRCUGH 384 37 O 0 0 0 0 385 THROUGH 400 35 C 0 O 0 0 401 THROUGH 416 35 C 0 0 37 0 417 THROUGH 432 44 47 44 42 39 o 433 THROUGH 448 O 0 49 0 44 0 449 THROUGH 464 41 O 0 0 0 0 465 THROUGH 480 39 C 0 O -1 0 481 THROUGH 496 31 0 0 0 35 0 730 37 39 o o 51 o o 49 o o 52 41 o o 38 o o o o o 45 o o 41 o o 41 o o 38 o o 36 o o 33 o o 38 o o o o o -1 o 44 44 o o 28 o o 37 4o 37 35 51 49 52 33 4o 47 42 42 49 42 32 38 NOTES NDTES NOTES VOTES NOTES NOTES VOTES VOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES VOTES VOTES 731 497 THROUGH 512 0 C 0 0 42 O *1 0 513 THRCUGH 528 -1 0 37 0 35 0 0 O 529 THROUGH 544 31 O 0 0 -1 0 0 O 545 THROUGH 560 36 0 0 0 -1 0 0 D 561 THROUGH 576 33 C 0 0 -1 0 0 3 577 THROUGH 592 31 O 0 0 55 54 55 54 593 THROUGH 608 47 C 0 0 '1 0 0 D 609 THROUGH 624 51 0 0 0 47 0 0 0 625 THROUGH 640 0 0 0 0 40 0 -1 0 641 THROUGH 656 36 C 0 0 0 0 0 0 657 THROUGH 672 33 0 0 0 45 0 0 0 673 THROUGH 688 41 C 0 0 0 0 0 0 689 THROUGH 704 38 C 0 0 0 0 0 0 705 THROUGH 720 37 C 0 0 0 0 0 0 721 THROUGH 736 35 O 0 0 *1 0 0 0 737 THRCUGH 752 41 0 0 0 0 0 0 O 753 THROUGH ~768 43 0 0 0 O 0 0 0 769 THROUGH 784 48 38 0 0 0 0 0 D 33 34 32 55 54 45 38 35 40 42 36 43 48 42 42 33 45 47 37 38 50 52 50 43 38 52 NOTES NOTES NOTES NOTES NOTES VOTES NOTES NOTES VOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES 785 THROUGH 800 0 C 0 0 0 0 801 THROUGH 816 41 C 0 0 0 0 817 THROUGH 832 36 C D 0 0 0 833 THROUGH 848 33 C 0 0 31 0 849 THROUGH 864 26 36 O 0 0 0 865 THROUGH 880 33 0 0 O 37 0 881 THROUGH 896 41 0 0 05355 897 THROUGH 912 46 0 42 0 39 0 913 THROUGH 928 '1 0 0 0 24 26 929 THROUGH 944 C 0 0 0 49 51 945 THROUGH 960 0 0 0 0 23 25 961 THROUGH 976 0 0 0 0 30 32 977 THROUGH 992 0 0 0 0 45 47 993 THROUGH 1008 0 O 0 0 22 24 1009 THROUGH 1024 44 47 44 42 41 o 1025 THROUGH 1040 38 O D 0 0 O 1041 THROUGH 1056 36 O 0 O 38 0 1057 THROUGH 1072 732 57 35 29 54 28 35 50 27 58 26 51 25 32 47 41 37 34 31 38 60 24 49 23 30 45 22 43 38 43 33 0 0 0 0 0 0 0 0 43 56 46 0 0 0 0 0 26 0 33 31 40 0 54 0 O 0 “1 0 -1 0 -1 0 *1 0 -1 0 -l 0 36 0 0 0 43 O 36 38 43 0 31 49 0 37 0 41 38 733 NOTES 1073 THROUGH 1088 36C00320003130029000 NOTES 1C89 THROUGH 1104 270000000253030000 NOTES 1105 THROUGH 1120 24C00-100026003-1000 NOTES 1121 THROUGH 1136 29000-100027003-1000 NOTES 1137 THROUGH 1152 26000-100025003-1000 NOTES 1153 THROUGH 1168 24000-100000030000 NOTES 1169 THROUGH 1184 00000000550000000 NOTES 1185 THROUGH 1185 -99 THE FOLLOWING TYPES OF PATTERN HAVE BEEN DELETED FROM THE LISTINGS WHICH FOLLOW '- PATTERNS WHICH ARE REITERQTIONS LONGER THAN FOUR NOTES-'IN-LENGTH 'SYM' DESIGNATES NONRETROGRADABLE (I.E.1 SYMMETRICALI RHYTHM. HINDEMITH PATTERN H1- woomqoméwmw NHHHHHHHH OOmNO‘UI-PUJN NNNNNNNN GNOUIJ‘WNF" Utah-IN NHOsO NULL) UIJ‘W wa me‘ ##1» H00 .15 N 734 *** TYPE I LISTING *** LUDIS TONALIS FUGA NJNA IN B-FLATo BOTTOM VOICE 3 NOTES IN LENGTH -- RETROGRADE 33 SECONDS INTO EXECUTION. TO NOTES 437 509 435 507 418 490 1010 417 489 918 934 950 966 982 998 1009 1070 413 485 409 481 405 477 161 401 473 873 157 309 869 325 581 582 618 302 617 862 613 609 605 601 SEARCH FOR PATTERNS OF RHYTHM RETROGRADE W.EXACT WAS BEGUN AT NOTES RELATED 1 TO 9 1 TO 9 5 TO 13 5 TO 13 29 TO 31 (SYM) 29 TO 31 (SYM) 29 TO 31 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 30 TO 32 (SYM) 31 TO 33 31 TO 33 32 TO 37 32 TO 37 33 TO 41 (SYM) 33 TO 41 (SYM) 37 TO 45 (SYM) 37 TO 45 (SYM) 37 TO 45 (SYM) 37 TO 45 (SYM) 41 TO 49 41 TO 49 41 TO 49 101 TO 103 (SYN! 101 TO 103 (SYM) 102 TO 104 (SYM) 149 TO 151 (SYM) 150 TO 152 (SYM) 150 TO 152 (SYM) 150 TO 152 (SYN) 151 TO 153 152 TO 157 153 TO 161 (SYM) 157 TO 165 (SYM) 161 TO 169 1077 T0 T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO TO T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO TO 445 517 443 515 420 492 1012 419 491 920 936 952 968 984 1900 1011 1072 418 490 417 489 413 485 169 409 481 881 165 317 877 327 583 584 620 304 619 864 618 617 613 609 1085 TEST 24 24 24 24 24 24 .24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 LENGTH wwmwwuwwwwwwwwwwwuuuuwuuuwwwwwwwwwwwwwwuuw L. PATTE #ttt tttt tttt tttt 414* tttt tttt 43 tttt 44 45 46 47 48 49 50 51 52 tttt 53 54 55 56 57 58 59 6O 61 1111 tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt 62 63 64 #111 65 #111 #111 #111 411* tttt «11* 1111 RN FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 301 302 303 304 305 309 325 393 401 405 409 413 413 413 413 413 413 413 417 418 418 418 418 418 418 418 435 437 473 477 481 485 489 490 507 509 581 582 601 605 609 613 617 618 861 862 863 864 865 869 873 NCTES TO TO TO TO T0 T0 T0 T0 TO T0 T0 TO TO TO T0 T0 T0 TO T0 T0 T0 TO TO TO TO TO TO TO TO TO T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0- TO 3031 3041 3051 3091 3131 3171 3271 405 4091 413 417 418 418 418 418 418 418 418 4191 420 420 420 420 420 420 420 443 445 4811 4851 4891 4901 4911 4921 5151 5171 5831 5841 6091 613 617 618 6191 620 8631 8641 8651 8691 8731 8771 8811 735 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE (SYM) . SEE (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE (SYM) SEE (SYM) SEE SEE SEE SEE SEE SEE SEE 149 150 151 152 153 157 101 1081 161 1073 1072 919 935 951 967 983 999 1071 30 917 933 949 965 981 997 1069 1045 1041 161 405 409 413 30 418 435 437 101 102 41 865 864 863 150 861 149 150 151 152 153 157 161 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TD TO TO TO T0 T0 TO T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 T0 T0 T0 TO NOTES 151 152 153 157 161 165 103 1089 169 1081 1077 921 937 953 969 985 1001 1073 32 919 935 951 967 983 999 1071 1053 1049 169 413 417 418 32 420 443 445 103 104 49 873 869 865 152 863 151 152 153 157 161 165 169 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 24 ABOVE 24 24 24 24 24 24 24 24 24 ABOVE 24 24 24 24 24 24 24 24 24 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 24 24 24 ABOVE 24 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE tttt tttt tttt tttt tttt titt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt U.) UJU-waUJU-IUUU) wwwwwwwww w WLHN PATTERN 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 1111 FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 917 918 919 933 934 935 949 950 951 965 966 967 981 982 983 997 998 999 1009 1010 1041 1045 1069 1070 1071 1072 1073 1077 NOTES TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 TO T0 TO 9191 9201 9211 9351 9361 9371 9511 9521 9531 9671 9681 9691 9831 9841 9851 9991 10001 10011 10111 10121 10491 10531 10711 10721 10731 10771 10811 10851 736 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 29 30 31 29 30 31 29 30 31 29 30 31 29 30 31 29 30 31 30 418 29 30 31 32 33 37 NOTES TO 70 TO TO T0 T0 T0 T0 T0 T0 T0 T0 TO TO T0 T0 TO TO T0 T0 TO T0 T0 TO TO TO TO TO 31 32 33 31 32 33 31 32 33 31 32 33 31 32 33 32 33 32 420 13 31 32 33 37 41 45 TEST LENGTH ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt tttt PATTERN 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 1111 FOR 1111 FOR 1111 FOR 1111 FOR 1111 FOR 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 11* TYPE I LISTING CONTINUED *** 737 SEARCH FOR PATTERNS OF RHYTHM RETROGRADE W.EXACT RETROGRADE 4 NOTES IN LENGTH -- WAS BEGUN AT 324 SECONDS INTO EXECUTION. 29 29 29 3O 30 31 31 32 32 33 33 37 37 149 150 151 152 153 301 392 303 304 305 393 401 405 409 413 413 413 413 413 413 413 417 417 417 417 417 417 417 435 NOTES T0 T0 TO T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 TO TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO TO T0 T0 T0 13 13 32 32 32 33 33 37 37 41 41 45 45 49 49 152 153 157 161 165 3041 3051 3091 3131 3171 409 413 417 418 419 419 419 419 419 419 419 420 420 420 420 420 420 420 445 RELATED TO (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) (SYMI (SYMI (SYM) SEE SEE SEE SEE SEE (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) NOTES 435 507 417 489 1009 413 485 409 481 405 477 401 473 157 869 617 613 609 605 601 149 150 151 152 153 1077 1073 1072 1071 918 934 950 966 982 998 1070 917 933 949 965 981 997 1069 1041 T0 T0 TO TO TO T0 T0 TO T0 T0 TO T0 T0 TO TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO T0 T0 T0 TO TO TO TO TO TO TO TO TO TO 445 517 420 492 1312 419 491 418 490 417 489 413 485 169 881 620 619 618 617 613 152 153 157 161 165 1089 1085 1081 1077 921 937 953 969 985 1001 1073 920 936 952 968 984 1000 1072 1053 TES 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 ABOVE ABOVE ABOVE ABOVE ABOVE 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 24 T LENGTH 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 tttt tttt 1111 tttt tttt 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 PATTERN NOTES RELATED TO NOTES TEST LENGTH 1111 FOR 473 TO 485. SEE 401 TO 413 ABOVE **** 1111 FOR 477 TO 489. SEE 405 TO 417 ABOVE **** **** FOR 481 TO 490. SEE 409 TO 418 ABOVE ***t 1111 FOR 485 TO 491, SEE 413 TO 419 ABOVE **** 1111 FOR 489 TO 492. SEE 417 T0 420 ABOVE **** #*** FOR 507 TO 5179 SEE 435 TO 445 ABOVE **** 105 601 TO 613 (SYM) 865 TO 877 24 4 106 605 TO 617 864 TO 873 24 4 107 609 TO 618 863 TO 869 24 4 1C8 613 TO 619 862 TO 865 24 4 109 617 TO 620 (SYN! 861 TO 864 24 4 v*** FOR 861 TO 864, SEE 149 T0 152 ABOVE **** 1111 FOR 862 TO 865. SEE 150 TO 153 ABOVE **** 1111 FOR 863 TO 869. SEE 151 TO 157 ABOVE **** 14** FOR 864 TO 873. SEE 152 TO 161 ABOVE **** #*** FOR 865 T0 8779 SEE 153 TO 165 ABOVE **** **** FOR 917 TO 9209 SEE 29 TO 32 ABOVE **** #ttt FOR 918 TO 921. SEE 30 TO 33 ABOVE **** #*** FOR 933 TO 936. SEE 29 TO 32 ABOVE **** 141* FOR 934 TO 93?. SEE 30 TO 33 ABOVE **** **** FOR 949 TO 952. SEE 29 TO 32 ABOVE **** **** FOR 950 TO 953. SEE 30 TO 33 ABOVE **** 1111 FOR 965 TO 968. SEE 29 TO 32 ABOVE **** **** FOR 966 TO 969. SEE 30 TO 33 ABOVE *ttt **** FOR 981 TO 984, SEE 29 TO 32 ABOVE **** tttt FOR 982 TO 985. SEE 30 TO 33 ABOVE **** **** FOR 997 TO 1000. SEE 29 TO 32 ABOVE **** ¥*** FOR 998 TO 1001. SEE 30 TO 33 ABOVE **** **** FOR 1009 TO 10120 SEE 417 T0 420 ABOVE **** #*** FOR 1041 TO 1053. SEE 1 TO 13 ABOVE **** tttt FOR 1069 TO 1072. SEE 29 TO 32 ABOVE **** tttt FOR 1070 TO 1073. SEE 30 TO 33 ABOVE *#** **** FOR 1071 TO 1077, SEE 31 TD 37 ABOVE **** 1111 FOR 1072 TO 1081. SEE 32 TO 41 ABOVE **** 441* FOR 1073 TO 1085. SEE 33 TO 45 ABOVE ***# 738 739 11* TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 5 NOTES IN LENGTH ~- RHYTHM RETROGRADE ".EXACT RETROGRADE HAS BEGUN AT 379 SECONDS INTD EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 110 29 TO 33 413 TO 420 24 5 111 29 TO 33 485 TO 492 24 5 112 30 T0 37 409 TO 419 24 5 113 30 TO 37 481 TO 491 24 5 114 31 TO 41 405 TO 418 24 5 115 31 TO 41 477 TO 490 24 5 116 32 TO 45 401 TO 417 24 5 117 32 TO 45 473 TO 489 24 5 118 149 TO 153 613 TO 620 24 5 119 150 TO 157 609 TO 619 24 5 120 151 TO 161 605 TO 618 24 5 121 152 TO 165 601 TO 617 24 5 **** FOR 301 TO 3059 SEE 149 TO 153 ABOVE **** **** FOR 302 TO 3099 SEE 150 TO 157 ABOVE **** **** FOR 303 TO 3130 SEE 151 TO 161 ABOVE **** **** FOR 304 TO 3171 SEE 152 TO 165 ABOVE **** 122 393 TO 413 1073 TO 1089 24 5 123 401 TO 417 1072 TO 1085 24 5 124 405 TO 418 1071 TO 1081 24 5 125 409 TO 419 1070 TO 1077 24 5 126 413 TO 420 917 TO 921 24 5 127 413 TO 420 933 TO 937 24 5 128 413 TO 420 949 TO 953 24 5 129 413 TO 420 965 TO 969 24 5 130 413 TO 420 981 TO 985 24 5 131 413 TO 420 997 TO 1301 24 5 132 413 TO 420 1069 TO 1073 24 5 111* FOR 473 TO 4899 SEE 401 TO 417 ABOVE **** **** FOR 477 TO 4909 SEE 405 TO 418 ABOVE *‘** 111* FOR 481 TO 491. SEE 409 TO 419 ABOVE **** ¥*** FOR 485 TO 4921 SEE 413 TO 420 ABOVE **** 133 601 TO 617 864 TO 877 24 5 134 605 TO 618 863 TO 873 24 5 135 609 TO 619 862 TO 869 24 5 136 613 TO 620 861 TO 865 24 5 **** FOR 861 TO 8659 SEE 149 TO 153 ABOVE *”* **** FOR 862 TO 869, SEE 150 TO 157 ABOVE **** ¥*** FOR 863 TO 873' SEE 151 TO 161 ABOVE **** **** FOR 864 TO 8779 SEE 152 TO 165 ABOVE **** **** FOR 917 TO 9219 SEE 29 TO 33 ABOVE **** **** FOR 933 TO 9379 SEE 29 TO 33 ABOVE **** **** FOR 949 TO 9531 SEE 29 T0 33 ABOVE **** **** FOR 965 TO 969, SEE 29 TO 33 ABOVE **** **** FOR 981 TO 9859 SEE 29 TO 33 ABOVE **** 740 PATTERN NOTES RELATED TO NOTES TEST LENGTH **** FOR 997 TO 10019 SEE 29 TO 33 ABOVE **** **** FOR 1069 TO 1073' SEE 29 TO 33 ABOVE **** **** FOR 1070 TO 10779 SEE 30 TO 37 ABOVE **** **** FOR 1071 TO 1081: SEE 31 TO 41 ABOVE **** **** FOR 1072 TO 10859 SEE 32 TO 45 ABOVE **** 741 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF RHYTHM RETROGRADE H.EXACT RETROGRADE HAS BEGUN PATTERN NOTES 137 29 TO 37 138 29 TO 37 139 30 TO 41 140 30 TO 41 141 31 TO 45 142 31 TO 45 143 149 TO 157 144 150 TO 161 145 151 TO 165 144* FOR 301 TO 309. 1111 FOR 302 TO 3139 **** FOR 303 TO 317' 146 393 TO 417 147 401 TO 418 148 405 TO 419 149 409 TO 420 **** FOR 473 TO 4909 **** FOR 477 TO 491. **** FOR 481 TO 492. 150 601 TO 618 151 605 TO 619 152 609 TO 620 #*** FOR 861 TO 869. 1111 FOR 862 TO 8739 444* FOR 863 TO 877. 1111 FOR 1069 TO 10779 1*#* FOR 1070 TO 10819 #*** FOR 1071 TO 1085' RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 6 NOTES IN LENGTH -- 409 481 405 477 401 473 609 605 601 149 150 151 1072 1071 1070 1069 401 405 439 863 862 861 149 150 151 29 30 31 NOTES TO TO T0 T0 TO T0 T0 TO TO TO T0 T0 TO TO TO TO TO TO T0 T0 TO TO TO T0 T0 TO TO TO 420 492 419 491 418 490 620 619 618 157 161 165 1089 1085 1081 1077 418 419 420 877 873 869 157 161 165 37 41 45 AT 433 SECONDS INT) EXECUTION. TEST 24 24 24 24 24 24 24 24 24 ABOVE **** ABOVE **** ABOVE **** 24 24 24 24 ABOVE **** ABOVE **** ABOVE **** 24 24 24 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** **** **** **** ##it **** LENGTH 000000000 0000 000 PATTERN 153 154 155 156 157 158 159 160 161 162 163 *** TYPE I LISTING CONTINUED *** 742 SEARCH FOR PATTERNS OF RHYTHM RETROGRADE ".EXACT HAS BEGUN AT 29 29 3O 30 149 150 393 401 405 601 605 NOTES T0 T0 TO TO TO TO T0 T0 T0 T0 TO 41 41 45 45 161 165 418 419 420 619 620 RELATED TO 7 NOTES IN LENGTH -- 405 477 431 473 605 601 1071 1070 1069 862 861 RETROGRADE 489 SECONDS INTO EXECUTFON. NOTES TO T0 T0 T0 T0 T0 T0 TO TO TO TO 420 492 419 491 620 619 1089 1085 1081 877 873 TEST 24 24 24 24 24 24 24 24 24 24 24 LENGTH «JN-der-4~NQ~JN-d 743 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 8 NOTES IN LENGTH ~- RHYTHM RETROGRADE H.EXACT RETROGRADE HAS BEGUN AT 505 SECONDS INTJ EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 164 29 TO 45 401 TO 420 24 8 165 29 TO 45 473 TO 492 24 8 166 149 TO 165 601 TO 620 24 8 167 393 TO 419 1070 TO 1389 24 8 168 401 TO 420 1069 TO 1085 24 8 169 601 TO 620 861 TO 877 24 8 PATTERN 170 744 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 9 NOTES IN LENGTH ~- RHYTHM RETROGRADE “.EXACT RETRJGRADE HAS BEGUN AT 522 SECONDS INTJ EXECUTION. NOTES RELATED TO NOTES TEST LENGTH 393 TO 420 1069 TO 1089 24 9 745 111 TYPE I LISTING CONTINUED **’ SEARCH FOR PATTERNS OF 10 NOTES IN LENGTH -- RHYTHM RETROGRADE H.EXACT RETRJGRADE HAS BEGUN AT 538 SECONDS INTJ EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH END OF TYPE I LISTING. TOTAL OF 170 PATTERNS LOCATED. 746 111 TYPE 11 LISTING 11* HINDEMITH LUDIS TONALIS FUGA NONA IN BvFLAT: BOTTOM VOICE RHYTHM RETROGRADE ".EXACT RETROGRADE LOCATION TOTAL LENGTH OF FIRST NUNBER OF OF OCCURRENCE OCCJRRENCES PATTERN JRIGINAL PATTERN 393 TO 420 2 9 SUBPATTERN 413 TO 420 8 5 SLEPATTERN 417 TO 420 8 4 SUBPATTERN 413 TO 419 8 4 SUBPATTERN 418 TO 420 8 3 SUBPATTERN 413 TO 418 8 3 111* TEST 24 COMPLETED AT 581 SECONDS INTO EXECUTION **** ***#***#**#t* 747 MUSIC MELODIC PATTERN ANALYSIS *****#***#*** HINDEMITH LUDIS TONALIS FUGA NONA IN B-FLAT: BOTTOM VOICE iOTES NOTES NOTES NOTES iOTES NOTES NOTES NOTES .VOTES iOTES dOTES INOTES INOTES TEST REQUESTED 26 UNITS OF DATA PER CARD CCMPUTER REFERENCE NUMBER ASSIGNMENT 1 THROUGH 16 36 C O 0 38 O 17 THROUGH 32 43 33 O O O O 33 THROUGH 48 36 0 O D 32 0 49 THROUGH 64 28 O D O -1 0 65 THROUGH 80 33 C O O -1 O 81 THROUGH 96 30 C O O -1 O 97 THROUGH 112 28 0 0 O 52 51 113 THROUGH 128 49 G O 0 -1 O 129 THROUGH 144 47 0 O O 42 O 145 THROUGH 160 52 -1 51 o o o o 49 47 44 47 161 THROUGH 176 54 C O O 56 O 177 THROUGH 192 45 O O O O O 193 THROUGH 208 O O 41 O 0 O O B 0 O 16 38 31 3O 31 29 52 49 42 49 57 43 4O 0 0 52 O 3 43 36 29 52 47 53 0 *1 O 38 41 38 NOTES NOTES NOTES NOTES VOTES NOTES NOTES lOTES NOTES NOTES lOTES NOTES NOTES NOTES NOTES NOTES NOTES NOTES 209 THROUGH 224 38 O O O -1 D 225 THROUGH 240 O 0 52 O 52 O 241 THROUGH 256 O O 50 D 50 O 257 THROUGH 272 53 C D O -1 O 273 THROUGH 288 4C 0 0 O 38 D 289 THROUGH 304 33 43 O O O O 305 THROUGH 320 40 0 D O 44 O 321 THROUGH 336 49 U D O 37 36 337 THROUGH 352 43 O O D -1 O 353 THROUGH 368 39 O D O O D 369 THROUGH 384 37 O O O O O 385 THROUGH 400 35 O O O O 0 401 THROUGH 416 35 0 O O 37 O 417 THROUGH 432 44 47 44 42 39 D 433 THROUGH 448 O D 49 D 44 O 449 THROUGH 464 41 0 O O O O 465 THROUGH 480 39 O O O -1 O 481 31 THROUGH 496 C 0 0 35 O 748 37 39 O D 51 3 O D 49 D D O 52 0 41 D 0 O 38 0 0 3 O O 0 0 45 D 0 O 41 O D D 41 0 O D 38 0 0 0 36 O O 3 33 D D D 38 O O D O O O D -l D 44 O 44 D O 3 28 0 O 3 37 40 37 35 51 49 52 33 4O 47 42 42 49 42 30 32 38 iOTES NOTES NOTES VOTES NOTES NOTES NOTES NOTES IOTES NOTES NOTES NOTES JOTES VOTES NOTES NOTES NOTES NOTES 497 THROUGH 512 O 0 O O 42 O 513 THROUGH 528 -1 037 035 O 529 THROUGH 544 31 O D O -1 O 545 THROUGH 560 36 O O O -1 D 561 THROUGH 576 33 O D 0 ‘1 0 577 THROUGH 592 31 O O D 55 54 593 THROUGH 608 47 O D 0 -1 0 609 THROUGH 624 51 O O 0 47 O 625 THROUGH 640 O O O 0 4O 0 641 THROUGH 656 36 O O O O O 657 THROUGH 672 33 O O O 45 O 673 THROUGH 688 41 O O 0 0 O 689 THROUGH 704 38 G D O O O 705 THROUGH 720 37 O D O O O 721 THROUGH 736 35 C O 0 -1 O 737 THROUGH 752 41 O 0 0 O O 753 THROUGH 768 43 O 0 O O O 769 THROUGH 784 48 38 O O O 0 749 55 0 -1 54 33 34 32 55 54 45 38 35 4O 42 36 43 48 O 0 42 42 33 45 47 37 38 5O 52 50 43 52 VOTES NOTES VOTES NOTES NOTES NCTES NOTES VOTES VOTES NOTES NOTES NOTES VOTES NOTES ,VOTES .VOTES NOTES VOTES 785 THROUGH 800 O O 0 0 O O 801 THROUGH 816 41 C O D O O 817 THROUGH 832 36 C O O O 0 833 THROUGH 848 33 C D 0 31 D 849 THROUGH 864 26 36 O 0 O O 865 THROUGH 880 33 O D D 37 O 881 THROUGH 896 41 O O O 53 55 897 THROUGH 912 46 0 42 O 39 0 913 THRCUGH 928 ‘1 C O D 24 26 929 THROUGH 944 O O D O 49 51 945 THROUGH 960 O O O O 23 25 961 THROUGH 976 O O O O 30 32 977 THRCUGH 992 O O O D 45 47 993 THROUGH 1008 O O O O 22 24 1009 THROUGH 1024 44 47 44 42 41 o 1025 THROUGH 1040 38 O O O 0 O 1041 THROUGH 1056 36 O 0 0 38 O 1057 THROUGH 1072 750 57 35 29 54 28 35 27 '1 58 26 51 25 32 47 41 37 34 31 38 60 24 49 23 30 45 22 43 38 43 33 0 O O O O 0 0 D 43 O 56 46 D D O O D 26 O 33 31 4D 0 54 D O O *1 O -1 D '1 D ‘1 D '1 O -1 O 36 O O D 43 D 36 38 43 O 31 49 D 37 O 751 NOTES 1073 THROUGH 1088 36000320003100029000 VOTES 1C89 THROUGH 1104 270000000250000000 VOTES 1105 THROUGH 1120 24000-100026000-1000 NOTES 1121 THROUGH 1136 29000-100027000-1000 :VOTES 1137 THROUGH 1152 . 26000-100025003-1000 'VOTES 1153 THROUGH 1168 24000-100000030000 NOTES 1169 THROUGH 1184 0000000355 3000000 VOTES 1185 THROUGH 1185 ~99 THE FCLLOHING TYPES OF PATTERN HAVE BEEN DELETED FROM THE LISTINGS HHICH FOLLOH -- PATTERNS WHICH ARE REITERAIIONS LONGER THAN FOUR NOTES-IN—LENGTH 'SYM' DESIGNATES NONRETROGRADABLE (I.E.o SYMMETRICALI RHYTHM. 752 111 TYPE I LISTING 111 HINDEMITH LUDIS TONALIS FUGA NONA IN BsFLAT. BOTTOM VOICE SEARCH FOR PATTERNS OF 3 NOTES IN LENGTH -- RHYTHM RETROGRADE “.EXACT RET. INVERSIJN HAS BEGUN AT 34 SECONDS INTO EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 1 29 TO 31 (SYM) 618 TO 620 26 3 2 30 TO 32 (SYM) 150 TO 152 26 3 3 30 TO 32 (SYM) 302 TO 304 26 3 4 30 TO 32 (SYN) 617 TO 619 26 3 5 30 TO 32 (SYM) 862 TO 864 26 3 6 31 TO 33 613 TO 618 26 3 7 32 TO 37 609 TO 617 26 3 8 33 TO 41 (SYM) 605 TO 613 26 3 9 37 TO 45 (SYM) 601 TO 609 26 3 10 41 TO 49 1077 TO 1085 26 3 11 73 TO 89 (SYM) 553 TO 569 26 3 12 73 TO 89 (SYM) 561 TO 577 26 3 13 73 TO 89 701 TO 713 26 3 14 73 TO 89 (SYM) 1129 TO 1145 26 3 15 73 TO 89 (SYN) 1137 TO 1153 26 3 **** FOR 81 TO 97! SEE 73 TO 89 ABOVE **** 16 101 TO 103 (SYM) 582 TO 584 26 3 17 102 TO 104 (SYM) 325 TO 327 26 3 18 102 TO 104 (SYM) 581 TO 583 26 3 19 121 TO 129 437 TO 445 26 3 20 121 TO 129 509 TO 517 26 3 21 125 TO 133 435 TO 443 26 3 22 125 TO 133 507 TO 515 26 3 23 149 TO 151 (SYM) 418 TO 420 26 3 24 149 TO 151 (SYN) 490 TO 492 26 3 25 149 TO 151 (SYM) 1010 TO 1012 26 3 26 150 TO 152 (SYM) 417 TO 419 26 3 27 150 TO 152 (SYM) 489 TO 491 26 3 28 150 TO 152 (SYM) 918 TO 920 26 3 29 150 TO 152 (SYM) 934 TO 936 26 3 30 150 TO 152 (SYM) 950 TO 952 26 3 31 150 TO 152 (SYM) 966 TO 968 26 3 32 150 TO 152 (SYM) 982 TO 984 26 3 33 150 TO 152 (SYM) 998 TO 1000 26 3 34 150 TO 152 (SYMI 1009 TO 1011 26 3 35 150 TO 152 (SYM) 1070 TO 1072 26 3 36 151 TO 153 413 T0 418 26 3 37 151 TO 153 485 TO 490 26 3 38 152 TO 157 409 TO 417 26 3 39 152 TO 157 481 TO 489 26 3 40 153 TO 161 (SYM) 405 TO 413 26 3 41 153 TO 161 (SYM) 477 TO 485 26 3 PATTE 42 43 44 45 45 47 4e 49 so 51 52 53 54 **** #*** 55 **** 8*** ¥#t* ##tt tttt *#** tttt ¥*** ¢**# 56 1111 57 1111 1111 58 111* 59 6O 61 111* 62 63 64 65 **** 8*** **** ##** **** ##*# ***¢ 8*** ##** *ttt #*** RN FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 157 157 157 161 161 185 185 185 193 193 193 219 221 235 237 265 273 277 301 302 303 304 305 309 325 326 345 353 361 369 377 401 405 409 413 417 418 435 437 443 473 477 481 485 489 490 507 509 553 561 581 NOTES TO T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 165 165 165 169 169 201 201 201 209 209 209 227 229 2439 2459 277 2819 2859 3039 3049 3059 309, 313’ 3179 327._ 328 3619 369 3779 385' 393 409! 413 417 418 4191 420 443 445 449 4819 485. 489. 4901 491' 492, 5159 5171 569' 5779 583, 753 RELATED TO NOTES (SYM) 401 TO 409 (SYM) -473 TO 481 (SYM) 873 TO 881 309 TO 317 869 TO 877 (SYM) 377 TO 393 (SYM) 673 TO 689 (SYM) 809 TO 825 545 TO 561 669 TO 681 1121 TO 1137 237 TO 245 235 TO 243 SEE 219 TO 227 SEE 221 TO 229 443 TO 449 SEE 121 TO 129 SEE 125 TO 133 SEE 149 TO 151 SEE 150 TO 152 SEE 151 TO 153 SEE 152 TO 157 SEE 153 TO 161 SEE 157 TO 165 SEE 101 TO 103 (SYM) 886 TO 888 SEE 185 TO 201 (SYM) 369 TO 385 SEE 353 TO 369 SEE 353 TO 369 (SYM) 633 TO 649 SEE 161 TO 169 (SYM) 865 TO 873 864 TO 869 863 TO 865 SEE 30 TD 32 (SYM) 861 TO 863 837 TO 845 833 TO 841 825 TO 837 SEE 161 TO 169 SEE 405 TO 413 SEE 409 TO 417 SEE 413 TO 418 SEE 30 TO 32 SEE 418 TO 420 SEE 435 TO 443 SEE 437 TO 445 SEE 73 TO 89 SEE 73 TO 89 SEE 101 TO 103 TES 26 26 26 26 26 26 26 26 26 26 26 26 26 ABOVE ABOVE 26 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 26 ABOVE 26 ABOVE ABOVE 26 T LENGTH #Ctt *ttt *ttt **** **¥* **** *#** **** *ttt **** ##t* *t** *t** **** ABOVE **** 26 26 26 ABOVE 26 26 26 26 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **** *ttt **** *ttt *ttt *ttt **** **** **** **** tilt #*¥# uwwwwwuwuwwww UJ‘JJU) U) bib-INN 754 PATTERN NOTES RELATED TO NOTES TEST LENGTH **** FOR 582 TO 5841 SEE 102 TO 104 ABOVE **‘* **** FOR 601 TO 6091 SEE 41 TO 49 ABOVE 4*t* 66 605 TO 613 ISYMI 1073 TO 1081 26 3 67 609 TO 617 1072 TO 1077 26 3 68 613 TO 618 919 TO 921 26 3 69 613 TO 618 935 TO 937 26 3 70 613 TO 618 951 TO 953 26 3 71 613 TO 618 967 TO 969 26 3 72 613 TO 618 983 TO 985 26 3 73 613 TO 618 999 TO 1001 26 3 74 613 TO 618 1071 TO 1073 26 3 F*** FOR 617 TO 6199 SEE 150 TO 152 ABOVE **** 75 618 TO 620 (SYM) 917 TO 919 26 3 76 618 TO 620 (SYM) 933 TO 935 26 3 77 618 TO 620 (SYM) 949 TO 951 26 3 78 618 TO 620 (SYM) 965 TO 967 26 3 79 618 TO 620 (SYM) 981 TO 983 26 3 80 618 TO 620 (SYM) 997 TO 999 26 3 81 618 TO 620 (SYM) 1069 TO 1071 26 3 **** FOR 633 TO 6491 SEE 185 TO 201 ABOVE **** **** FOR 641 TO 6579 SEE 193 TO 209 ABOVE **** ¥*** FOR 673 TO 6899 SEE 377 TO 393 ABOVE **** **** FOR 705 TO 7219 SEE 73 TO 89 ABOVE **** **** FOR 809 TO 8259 SEE 377 TO 393 ABOVE **** **** FOR 825 TO 8379 SEE 265 TO 277 ABOVE **** **44 FOR 833 TO 8411 SEE 121 TO 129 ABOVE **** **** FOR 837 TO .8459 SEE 125 TO 133 ABOVE **** **** FOR 861 TO 8631 SEE 149 TO 151 ABOVE **** **** FOR 862 TO 8649 SEE 150 TO 152 ABOVE **** **** FOR 863 TO 8659 SEE 151 TO 153 ABOVE **‘* **** FOR 864 TO 8691 SEE 152 TO 157 ABOVE **** **** FOR 865 TO 8731 SEE 153 TO 161 ABOVE **** **** FOR 869 TO 877, SEE 157 TO 165 ABOVE **** ¥*** FOR 873 TO 8811 SEE 161 TO 169 ABOVE **** **** FOR 917 TO 9191 SEE 29 TO 31 ABOVE **** **** FOR 918 TO 9201 SEE 30 TO 32 ABOVE **** **** FOR 919 TO 9211 SEE 31 TO 33 ABOVE **** **** FOR 933 TO 9359 SEE 29 TO 31 ABOVE **** #*** FOR 934 TO 9369 SEE 30 TO 32 ABOVE **** **** FOR 935 TO 9379 SEE 31 TO 33 ABOVE **** **** FOR 949 TO 9511 SEE 29 TO 31 ABOVE **** **** FOR 950 TO 9521 SEE 30 TO 32 ABOVE **** **** FOR 951 TO 9539 SEE 31 TO 33 ABOVE **** **** FOR 965 TO 9679 SEE 29 TO 31 ABOVE **** **** FOR 966 TO 9689 SEE 30 TO 32 ABOVE **** ***# FOR 967 TO 9699 SEE 31 TO 33 ABOVE **** **** FOR 981 TO 9839 SEE 29 TO 31 ABOVE **** **** FOR 982 TO 9841 SEE 30 TO 32 ABOVE **** **** FOR 983 TO 9851 SEE 31 TO 33 ABOVE **** **** FOR 997 TO 9999 SEE 29 TD 31 ABOVE **** **** FOR 998 TO 10009 SEE 30 TO 32 ABOVE **** LL. 755 PATTERN NOTES RELATED TO NOTES TEST LENGTH ***4 FOR 999 TO 10019 SEE 31 TO 33 ABOVE **** **** FOR 1009 TO 10119 SEE 30 TO 32 ABOVE **** **** FOR 1010 TO 10129 SEE 418 TO 420 ABOVE **** **** FOR 1069 TO 1071' SEE 29 TO 31 ABOVE **** **** FOR 1070 TO 10729 SEE 30 TO 32 ABOVE **** #*** FOR 1071 TO 10731 SEE 31 TO 33 ABOVE **** #*** FOR 1072 TO 1077, SEE 32 TO 37 ABOVE **** ‘*** FOR 1073 TO 1081, SEE 33 TO 41 ABOVE **** 111* FOR 1077 TO 1085' SEE 37 TO 45 ABOVE **** **** FOR 1129 TO 1145: SEE 73 TO 89 ABOVE **** PATTERN 82 83 84 85 86 87 88 89 9O 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 1*** 106 **** **** **** **** **** **** 107 108 109 110 111 112 113 114 1*** **** **** **** FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR SEARCH FOR PATTERNS OF HAS BEGUN AT 323 29 30 31 32 33 73 73 101 121 121 149 149 149 150 150 151 151 152 152 153 153 157 185 219 235 265 273 301 302 303 304 305 345 401 405 409 413 417 435 437 473 477 481 485 756 *** TYPE I LISTING CONTINUED *** NOTES TO T0 T0 TO TO TO T0 T0 T0 T0 TO TO TO TO TO TO T0 T0 T0 TO T0 T0 T0 T0 T0 TO 70 TO T0 T0 TO T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 T0 32 33 37 41 45 97 97 104 133 133 152 152 152 153 153 157 157 161 161 165 165 169 209 229 2459 281 285' 3049 305T 3090 313! 317' 369 413 417 418 419 420 445 449 485, 4891 4909 4919 RELATED TO (SYMI (SYM) (SYM) (SYM) (SYMI (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) SEE SEE SEE SEE SEE SEE SEE (SYMI (SYM) (SYM) SEE SEE SEE SEE 4 NOTES IN LENGTH -- RHYTHM RETROGRADE H.EXACT RET. INVERSION NOTES 617 613 609 605 601 553 1129 581 435 507 417 489 1009 413 485 439 481 405 477 401 473 869 669 235 219 437 121 149 150 151 152 153 369 865 864 863 862 861 833 ;825 401 405 409 413 T0 T0 T0 TO TO TO TO TO T0 T0 TO T0 T0 TO T0 T3 T0 T0 T0 T0 T0 TO TO TO TO TO T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO TO TO T0 T0 T0 620 619 618 617 613 577 1153 584 445 517 420 492 1012 419 491 418 490 417 489 413 485 881 689 245 229 449 133 152 153 157 161 165 393 877 873 869 865 864 845 841 413 417 418 419 TEST LENGTH 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 ABOVE 26 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE 26 26 26 26 26 26 26 26 ABOVE ABOVE ABOVE ABOVE SECONDS INTO EXECUTION. **** **** *ttt ##t* *tt* **** ***# **#* **** **** tit? # 4‘®4>#HP4>¢4>#-§¥M¢4>¢-PJ>©J>¢~§£MPJ>& b4>¢wF¢M§#‘& PATTERN #*** 8*#* ##it **** 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 *ttt ¥*** **** 8#** #*** **** **** **** #*** **** **** **** **** #*#4 *t** **** ¢#** ¥#** **** *ttt *ttt ##t* ##tt 3*** 8*** **** ¥#** FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR FOR 489 507 553 581 601 605 609 613 613 613 613 613 613 613 617 617 617 617 617 617 617 633 825 833 861 862 863 864 865 869 917 918 933 934 949 950 965 966 981 982 997 998 1009 1069 1070 1071 1072 1073 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO TO T0 T0 T0 T0 TO TO TO TO TO TO TO NCTES 4929 5171 577, 5849 RELATED TO SEE SEE SEE SEE 613 617 618 619 619 619 619 619 619 619 620 620 620 620 620 620 620 (SYM) (SYM) (SYM) (SYM) (SYM) (SYM) (SYMI (SYM) 6571 8419 8459 864. 865' 8699 873' 8779 8819 9207 9211 936. 9370 9529 9539 968' 969' 9849 9851 10009 10019 10127 1072' 10731 10779 10811 1085. SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE NDTES 417 435 73 101 1073 1072 1071 918 934 950 966 982 998 1070 917 933 949 965 981 997 1069 185 265 121 149 150 151 152 I53 157 29 30 29 30 29 30 29 30 29 30 29 30 417 29 30 31 32 33 TO TO TO T0 T0 T0 T0 T0 T0 TO TO TO TO TO TO T0 T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 TO TO TO T0 T0 T0 TO T0 T0 420 445 97 104 1085 1081 1077 921 937 953 969 985 1001 1073 920 936 952 968 984 1000 1072 209 281 133 152 153 157 161 165 169 32 33 32 33 32 33 32 33 32 33 32 33 420 32 33 37 41 45 TES ABOVE ABOVE ABOVE ABOVE 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 26 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE. ABOVE ABOVE ABOVE T LENGTH **** **** **** *#** **** **#* **** ***# **¥* *$** #*** **** **** **** ¥*** **** tttt tttt *ttt **** **** *tit *tti *ttt **** *ttt *t.* *tt* **** **** **** #HFJ>&4>¥~R4>¢J>#HbJFRHFJ‘F PATTERN 132 133 134 135 136 137 138 139 140 141 142 143 144 1111 FOR 1111 FOR 1111 Fan 1111 FOR 145 146 147 148 149 1111 FOR 1111 FOR 1111 FOR 1111 FOR 150 151 152 153 154 155 156 157 158 159 ##t* **** tttt **** *t** **t* ##tt #*** FOR FOR FOR FOR FOR FOR FOR FOR 758 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF RHYTHM RETROGRADE H.EXACT RET. INVERSIJN SECONDS INT3 EXECUTION. HAS BEGUN AT 411 29 30 31 32 149 149 150 150 151 151 152 152 265 301 302 303 304 401 405 409 413 435 473 477 481 485 601 605 609 613 613 613 613 613 613 613 825 861 862 863 864 917 933 949 NOTES T0 T0 T0 T0 TO TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 33 37 41 45 153 153 157 157 161 161 165 165 285 3057 3099 3130 3171 417 418 419 420 449 4899 4909 4919 4929 617 618 619 620 620 620 620 620 620 620 8459 8659 8691 8739 8779 921' 9379 9539 RELATED TO SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE SEE 5 NOTES IN LENGTH *- 613 609 635 601 413 485 409 481 405 477 401 473 435 149 150 151 152 864 863 862 861 825 401 405 409 413 1072 1071 1070 917 933 949 965 981 997 1069 265 149 150 151 152 29 29 29 NOTES TO T0 T0 T0 T0 T0 T0 T0 T0 TO T0 T0 TO T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 TO TO TO T0 T0 T0 T0 TO T0 T0 T0 T0 TO T0 T0 T0 T0 T0 T0 T0 620 619 618 617 420 492 419 491 418 490 417 489 449 153 157 161 165 877 873 869 865 845 417 418 419 420 1085 1081 1077 921 937 953 969 985 1301 1073 285 153 157 161 165 33 33 33 TEST LENGTH 26 26 26 26 26 26 26 26 26 26 26 26 26 ABOVE **** ABOVE **** ABOVE **** ABOVE **** 26 26 26 26 26 ABOVE **** ABOVE **** ABOVE **** ABOVE **** 26 26 26 26 26 26 26 26 26 26 ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE ABOVE **$* ¥*** tilt **** *ttt **** **** **** UIUIUIU'IUIU‘IU'IUTUTU‘IUIUIUI UTUIUIUIU'I U'IUIUIUIUIUIUIUTU‘IUT 759 PATTERN NOTES RELATED TO NOTES TEST LENGTH 1111 FOR 965 TO 969. SEE 29 TO 33 ABOVE 1111 1111 FOR 981 TO 985. SEE 29 TO 33 ABOVE 1111 1111 FOR 997 TO 1001. SEE 29 TO 33 ABOVE 1111 1111 FOR 1069 TO 1073. SEE 29 TO 33‘ABOVE 1111 1111 FOR 1070 TO 1077. SEE 30 TO 37 ABOVE 1111 1111 FOR 1071 TO 1031. SEE 31 TO 41 ABOVE 1111 **** FOR 1072 TO 1085. SEE 32 TO 45 ABOVE **** 760 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF RHYTHM RETROGRADE “.EXACT RET. 6 NOTES IN LENGTH -‘ INVERSION HAS BEGUN AT 499 SECONDS INTJ EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 160 29 TO 37 609 TO 620 26 6 161 30 T0 41 605 T0 619 26 6 162 31 TO 45 601 TO 618 26 6 163 149 TO 157 409 T0 420 26 6 164 149 TO 157 481 TO 492 26 6 165 150 TO 161 405 TO 419 26 6 166 150 TO 161 677 TO 491 26 6 167 151 TO 165 401 TO 418 26 6 168 151 TO 165 473 TO 490 26 6 111* FOR 301 TO 309. SEE 149 TO 157 ABOVE **** 111* FOR 302 TO 3131 SEE 150 TO 161 ABOVE **** ¥*** FOR 303 TO 3171 SEE 151 TO 165 ABOVE **** 169 401 TO 418 863 TO 877 26 6 170 405 TO 419 862 TO 873 26 6 171 409 TO 420 861 TO 869 26 6 111* FOR 473 TO 490, SEE 401 TO 418 ABOVE **** 1111 FOR 417 TO 491. SEE 405 TO 419 ABOVE **** 1111 FOR 481 TO 4929 SEE 409 TO 420 ABOVE **** 172 601 TO 618 1071 TO 1085 26 6 173 605 TO 619 1070 TO 1081 26 6 174 609 TO 620 1069 TO 1077 26 6 11** FOR 861 TO 869. SEE 149 TO 157 ABOVE **** «#11 FOR 862 TO 873. SEE 150 TO 161 ABOVE **** 1111 FOR 863 TO 877. SEE 151 TO 165 ABOVE **** 1*** FOR 1069 TO 1077. SEE 29 TO 37 ABOVE **** 1111 FOR 1070 TO 1081. SEE 30 TO 41 ABOVE 111* 1111 FOR 1071 TO 1085. SEE 31 TO 45 ABOVE **** 761 11* TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 7 NOTES IN LENGTH -- RHYTHM RETROGRADE HoEXACT RET. INVERSION HAS BEGUN AT 587 SECONDS INT] EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 175 29 TO 41 605 TO 620 26 7 176 30 TO 45 601 TO 619 26 7 177 149 TO 161 405 TO 420 26 7 178 149 TO 161 477 TO 492 26 7 179 150 TO 165 401 TO 419 26 7 180 150 TO 165 473 TO 491 26 7 181 401 TO 419 862 TO 877 26 7 182 405 TO 420 861 TO 873 26 7 183 601 TO 619 1070 TO 1085 26 7 184 605 TO 620 1069 TO 1381 26 7 762 *** TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 8 NOTES IN LENGTH -- RHYTHM RETROGRADE H.EXACT RET. INVERSION HAS BEGUN AT 603 SECONDS INTJ EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH 185 29 TO 45 601 TO 620 26 B 186 149 TO 165 401 TO 420 26 8 187 149 TO 165 473 TO 492 26 B 188 401 TO 420 861 TO 877 26 B 189 601 TO 620 1069 TO 1085 26 B 763 11* TYPE I LISTING CONTINUED *** SEARCH FOR PATTERNS OF 9 NOTES IN LENGTH ~- RHYTHM RETROGRADE H.EXACT RET. INVERSION HAS BEGUN AT 619 SECONDS INT] EXECUTION. PATTERN NOTES RELATED TO NOTES TEST LENGTH END OF TYPE I LISTING. TOTAL OF 189 PATTERNS LOCATED. 764 *** TYPE II LISTING *** dINDEMITH LUDIS TONALIS FUGA NONA IN B-FLAT, BOTTCM VOICE RHYTHM RETROGRADE H.EXACT RET. INVERSION LOCATION TJTAL LENGTH OF FIRST NUWBER OF OF OCCURRENCE OCCJRRENCES PATTERN JRIGINAL PATTERN 601 TO 620 2 B SUBPATTERN 613 TO 620 B 5 SUBPATTERN 617 TO 620 B 4 SUBPATTERN 613 TO 619 B 4 SUBPATTERN 618 TO 620 8 3 SUBPATTERN 613 TO 618 B 3 JRIGINAL PATTERN 401 TO 420 2 B JRIGINAL PATTERN 149 TO 165 3 8 SUBPATTERN 150 TO 152 11 3 JRIGINAL PATTERN 29 TO 45 2 8 SUBPATTERN 30 TO 32 5 3 $*** TEST 26 COMPLETED AT 693 SECONDS INTO EXECUTION **** APPENDIX C Procedure for Converting the Musical Score to Computer Input Data. Source Listing of the Music Analysis Program. Procedure for convertingithetmusical score to computer input data The method used for translating musical notation into a form suitable for computer input was designed so that the task could be accomplished in as short a period of time and with as simple a procedure as possible. Since this study measures only limited aspects of pitch and rhythmic content, a relatively simple encoding system was designed which permits the user to encode only the essential pitch and rhythm.variab1es needed for the computer processing. The system does not provide methods for encoding other musical information (such as phrasing, dynamics, and articulation) not needed for this study. Since the computer program was designed to measure pitch and rhythmic elements either together or separately, the encoding process was also designed so that either element could be encoded independently, thereby allowing the user to save a considerable amount of encoding and computer processing time whenever the pitch or rhythmic relationships were analyzed separately. The following description of the encoding process shows how the music notation was translated into a numeric representation and how this representation.was punched onto data cards. The numeric system used to represent pitch required that every semitone within the range of the piano keyboard be assigned to its own numeric representation. The pitch middle-C was arbitrarily assigned the number éngith numeric assignments for the other semitones assigned sequentially in the following manner: 45 46 47 46 49 5'0 5! 52 5 5 54 ‘55 .56 “AN 766 The numeric representation for each pitch was unaffected by the chromatic designation used. For instance, 9 above middlenC retained its numeric designation g1 even if the pitch was notated in the score as F double— sharp or A double—flat above middle—C. The following music excerpt is shown with the appropriate pitch designations shown above each notee head. (Tied note—heads only need to be indicated once.) These representations were then transferred to the punched card sequentially from left to right in the manner shown: 767 ‘ T... .11.. .sunuw.._.SRnn1.,.... . . .H mommnmmmmmamamam¢emmsauna-uuuugn.a............oaaumamm nmonamm 3 n32238839333832I833338832258»... 3:229:21...” : '1‘5 17 C.) H ,. 6 n ‘(' .wu-~.-....-......... .n....-.-..- .n..-.-.. gun-u-ungomnmc hpanh~nhhh -hhhhp----~h--~p-~hF~—.—~.-~h---s--—.~ N pine amwuoumugmamouuooouuouoae coouooou-nmoun- anemone. nooouuuuuc comm amt mummmanmmmmmmmnm man «no» mama mama mmnmnnamm nmma mama :mmmmmw man I!) u * «awneecvv¢vnvwwv¢~vcvcvvgc..*cdnvvv»-1.1111...w.<.e.v.e....e.ne auvw unnnnnnnnnnnnnn annnnnmnnnunnnnnnnn nannnnnnnZn no":nnnmnnmnnn ”manna” ---~N--N«N--------~v--un~u-------N--~N-Nn-- _ 23.22::22:22:22.2... Z: grasses 2:323:1aaaasanazzrz.:~arrecg2:2:: . _—— 1:: cc. ecu-at ea. cane-a...aoaooaaaao Eugen-age -81— -81— -S— ___ . 22: = .99 as 3| mm mm mm mm 3 an on — 2 ~ . . ow lhdflflw ~ ~ [0’ \P e-.- ‘3’ u”) ('3 -F— r—. 1’53 ‘. ('3 WI 1‘. y) In 1:31- art'— to --- 7.3 The designation :gg_was placed at the end of the data to indicate the end of the excerpt. Longer melodic excerpts can be encoded in the same manner with the numeric data punched on to a continuous succession of data cards. The representation of the melody shown above does not reflect the rhythm.of the original melody and therefore would only be appropriate for use with Tests 0 through 8. The system used to designate rhythm was a graphical one, whereby the attack-point for each pitch was separated from the next successive attack-point by a number of physical units proportional to the rhythmic duration separating the two attack—points. The smallest rhythmic duration contained in the musical excerpt was assigned to the unit of division to be used on the data card, thereby providing a graphical representation of any rational rhythm. For the following example, each data card was divided into sixteen units with each unit representing one eighth-note duration: 769 u I 222:... 2.2;:— . .22.: 2.2:: 122:. zecsassaaazsaazan sasscssdddnaa , azsnazznzzza :2:::::2..~.... ......,..=°..........................wa..m..................................... ( 8... T mm .m .. -. m P _ T 1| _ NT «Nun ___ —_—____ .u_w_—.._.__-_ . ______—__._—__ __—__——__ 3222:: ..2aa=asaas=sa ==asscssz§1=a=1aamw11= nnzanaszaasezsazzzrs.._....~. .u..°°e_a=a.....o.....-. ............W.Jwab..¢...........uaoa....-.-........... [1 LE E is? - . Thu-.1 LT Haw“ Wu“ 770 Since this encoding process was designed to represent rhythm only, the actual numeric values punched upon the cards were not important; however, the location of these values upon the data card was all— important. (Any positive integer between 11 and 98 may be used to des- ignate rhythm alone. For the example shown above, the value 37 was arbitrarily chosen.) It was also possible to indicate rests by punching the numeric value -1 (minus one) in the rhythmic unit which represented the point where the rest began. The indication of rests is optional when using Test 9, and Tests 11 through 18, but is necessary for Test 10, and Tests 19 through 26. If the music example used above was redwritten to include a rest (for purposes of illustration), it would be encoded in the following manner: 771 2:2: 2.13/111. 3.1.3.22... 2.2:: 2. 1:2. .=zs:=ssaau=sa assasasacsssmfi. dsauaAuaxsesanxnzzasszs1.222.:...2:: .-.a._ =9....-a..-.-..-..-.u.-.-A.¢d.a.n....c.....-—..-...-...-.-.-....-. K B- T s . - 4M1 L b A _ ________ __.__ms - _ flm—m_____ —__—___—.__._ 122:. zaaeaaaaassaasaaxaaassoesvT _szxuaauzncasncan. .s:=n::==:=.......~. .uouuc. _.........-.-.........-.-.-.u-;.‘1.a....-......-.-..-....-—..-...... 7 mm? .r u 772 The method for encoding both pitch and rhythm data required that the process for encoding pitch alone and the process for encoding rhythm alone be combined, as is illustrated in the following example: 773 _____ ___.____ ._.pw_——Pvé_ T 41%J___—____— ___.—____ 12::22222 asssazazsaaassxaz:ssscsssscadfl fla,Ka=acgacnz=z=a: ca:===......aai ...-....aa—_a.-agun...g.--.-.a.-phm¢....nsa.-.-.-.-..o........-.-.....-can: kn mm: «I mm A v. H 11‘! _ ____—__ __~é%gw¢_b_ .fivw— _.____— ————____—_ “—— a===. .zzaaaaaanssss. ,xaa:x:::scfi%fid§xa snagzxazazczanazzszscazeae......... .u-guao .a.......ao-..-.-.aa= .ugdch-d-u..aprd-oceaoua.-=o¢..-.. ..-.-..-..-.. / mm mmr S a... Em S Em! 774 The nature of the encoding system can be more easily understood if the user remembers that the computer program locates pitch patterns by comparing the value of consecutive numeric designations regardless of their placement upon the data card; it locates rhythmic patterns by measuring the distance separating consecutive attack-points regardless of their numeric (pitch) content. The program is capable of performing these operations either independently or simultaneously depending upon the test used. The system for representing rhythm is well suited to visual checking for errors, since the placement of attack-points on the data cards provides a visual representation of the rhythm. While such a system is easy enough that anyone familiar with the fundamentals of music can use it, it is limited in one important respect: it lacks provisions for encoding irrational rhythms. In other words, rhythms which do not evenly subdivide within the prevailing meter cannot be represented with this system. In order to complete preparation of the data, the user must place two additional data cards before the cards containing the pitch and/or rhythm data. The first card specifies the title of the musical excerpt to be analyzed. The second card contains two numeric values: the first value indicates either the maximum number of rhythmic units to be found on the cards which follow (when using Tests 9 through 26), g£_the maximum number of pitches to be punched on any card which follows (when using Tests 0 through 8); the second value indicates which test is to be conducted. These two values are punched so that they appear right-justified to columns 10 and 20, respectively. The following music examples by Bach and Stravinsky illustrate 775 how both rhythm and pitch content of the scores were translated into numeric representation and prepared for submission as input data. Each printed line beneath the double-ruling represents the content of one punched card. 776 mm: mm 0H ousmmma on mm mm on N9 an a musmmma cc mm <0 mm we Ho «0 mm «c He co Ne w musmmoa we am an mm «c am an mm 60 mm co Ho dump n ousmmua me an a snazzy o ousmmma mm mm mm mm mm on mm can adage m ousmmoa mm an on wcaawmuaou e ousmmoa em mm an mm mm mm cm mmumo m assumes mm HI nm N musmwoa om on on on um an on H ouamwma NH NH ummu “mama Mme mugs: ofiasuhnu mowuommu show ham aw soauusmoumou mo muswwu HH< snow smz ..oaH .moxsmm w mmmoom 1n mema unwwuhmoo doamum> smz snow smz ..usH .woxsmm w homoom ou mead uoawammm unwaummoo .mmwuumsou Ham mom mumsm dowufivm an unwaumaoo dump mo mam w .5 .mmme e .m .mde c .m .mmmfi N .H .mmma ummu “mafia: mauau mml on mo «0 No no «0 me «o No om HI me mm mm mm on on me HI Ho NB No an no em so mm no No HI «0 Mn me «h «0 mm no No we mm no No «H 0H HZmZm>Qz QZOUMm .mzq¢MHm MOUH m u m. m n.0, .5. m 9 m a" m R m n m. c. muwnasz nasaoo vumo g L % r . __ .tM‘ _ (4 H4” a (A ‘ MW MT Tt RT 11!V L WNW HH 2 MA 1 W” N F 7 11m P .I I H | I d d_ .\E. AN . Own A». aw c e -J‘e e c 778 The following music excerpt by Messiaen was encoded in two ways. The excerpt is first shown encoded so that only the pitch content of the musical score is represented on the punched card. This method of representation was designed to be used by the analyst who wishes to analyze the data with tests which analyze pitch content only (Tests 0 through 8). The second method of encoding illustrates how both pitch and rhythm content are represented on the punched card. This method of representation must be used if the analyst wishes to analyze the data with tests which analyze rhythm content (Tests 9 through 26); it may also be used with Tests 0 through 8 as well. .COflmmHEumm >n mom: ..mum:mfiansm was mumcso uofi magma .mpocomlucflmm may mmH .mwc w oswmg mmcosoa< >n omma urmwu>oou 779 mm- on ow mm mm mm an ac an we v nsmo me we me me mo 00 "0 we no no He no mm mm 00 m puma we mo om om mm mm am #0 cm mm mm No me am om m cnmo mm om mm mm om om mm mm am He om mm mm we we H vsmo H ma “mop “use: zmqu >m .mamzuHmm no mHH>HH T 01 L! r H T ”WI-l Y H r 780 .GOHmmHEumm hp womb .muwsmHanm cam muonso .umH mHumm .ououomlunHmm may mNH .mHu w cocoa mmcozmH< an ommH ustukmoo moi mm ow m vumo mm mm mu «m mo m puma Hm me me we me n vumo me me om Ho No we no He o vumo mo mm mm 00 <0 me on on m puma mm mm mm Ho om mm mm q wumu No me an em mm om m puma mm mm on em Nm N puma mm am He om mm mm No mm H wumo NH 0H ummu “qu: zmHHo Vm .MDHZUHMm an mHH>HH420 m~m>4u<¢m~4 nwmb III .kDakao. xmuo ¥ch xmuo gmmo tu~m moo o¢xoom zmu «Du owuuuoo: o-o0\H J<>¢whz~ I h P—ZD I 0 kHz: I m kHz: I e kHz: I m kHz: I N kHz: I H kHz: mhmz: wq—u no ZOthnmumwo o hmmh II 0N chm~>wa ********&******************§*****ii§***§**fiifiiiiii****§*iii*§ ******* o>hummw>HZD whdbm Zm do moxkad th >0 owHAQIH do owmmwdaxw mu wmbz<¢¢<3 oz >m Owhmwh >JIwDO¢oIh *IsII amzuqaum~o IIIII .mozhz< th zwmm m4? zdmwoaa mark IwDoIhad ******* *******iifiiuwiififii§********&G§****§ it*************:******§** kHz—4.huoun.m<:nx.pmwhowauuH\<\zozzou h~o~o.kmwh «wowbzu mmz~ mo<1wo1#w1 ZOHm1m>zH wo<1001#m1 mo<1001#w1 wo<1001#w1 20Hm1m>zH 20~m1w>zu .4z~ zonm1m>z~ wo<1001#m1 w6<1001#w1 wa<1001#w1 wa<1001#m1 wo<1001#w1 wo<1wo1#w1 wc<1001#w1 w6<1001#w1 #uz~ 20Hm1w>zH .szuou1o. 150#200 .quHwH1o. «:0#200 #uqu .4420# #u4xw 4¢z0# #u4xw .4420# hodxw .4520# I#~3 I#H3 I#H3 I#~3 I#H3 I#~3 I#~3 I#~3 20Hm1w>z~ zo~m1m>zu >420 wc<1001#w1 >420 wo<1001#m1 wo<1001#w1 w0<1001#m1 mo<1001#w1 20Hm1w>zH 20~m1w>zH .szuwudfiu 1:C#zou .quuouwnu 1:0#200 zI#>I1 ZI#>11 ZI#>I1 zI#>I1 ZI#>I1 tI#>I1 II#>I1 ZI#>I1 2I#>I1 ZI#>I1 :I#>I1 !I#>I1 :I#>I1 ZI#>I1 II#>I1 ZI#>I1 zI#>I1 ZI#>I1 #0<41m>0 ZH om#0:1#w200 mu $410011 mHI# #mm# #mm# #mm# #mw# #mw# #mw# #mw# #mm# #mw# #mw# #mw# #ww# #mw# #mw# #mw# #mw# #mw# #mw# #mm# #mw# #mw# #mm# #mw# #mw# #mm# #mw# UUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUUU 786 #oom**III*II***************II**II*********sanII**I*I*IIIIIIII****III*IIIII H04 #001 OOH #001 00 #001 mo #001 #0 #001 no #001 mo #001 ¢w #001 m0 #001 No #001 H0 #001 00 #001 00 #001 mm #001 #m #001 om #001 mm #001 ¢m #001 mm #001 mm #001 HQ #001 ow #001 0# #001 w# #001 ## #001 O# m# #001 ¢# #001 m# #001 Z41#1011 0wxm \\ *.oonw4~1 wm4Ia 02w 10#w #u—m 4440 4.03mmw4wu...0404.~m>m10 4440 Immzuu 4440 ..cd¢mm4_u...0404..w>m10 4440 H U# 00 0 u w4uum N 0# 00 .Noowom4umuuuu wzuch 4440 .Hoowow4numvun .coommw4wu...0404.4m>m10 4440 .HoOwow4—unvm— 0w#cz 4440 .Noowom4IQ¥~u~ 4.000mw4Hu-o.0404-4m>m10 4440 4No0m0m4Iaxam~ N O# 00 .#~Z~4o#00#~0~0~u~ mw#02 4440 ~Hoowow4Iaxva ..OOwa4~¢...0404.~m>m10 4440 .Hoowgm4laxvm— 44>~ 4440 4-OmHmw4umu..O404..m>maO 4440 #14#m 4440 4.05Hnw4—m...0404..m>m10 4440 m u w4~u~ mowdu 401#200 >441w>0 com zmH .zw##~131w>0 m4 w100 ,4 >4m00~>w1a 12~#DC1mDm .m100 O#z4 Ow4440 m4 wz~#DO1m3n zmz 4 2113 ow1ou O#ZH ‘ UUUUUUUU 787 OM'\JM¢U\‘O NMCOMUlf‘lm 0‘ N (‘4 HfVfl\¢th<3hom4 #zwzw#4#m ma># u #a#m mm0m#24 24 zzoIm >4a14 m#oz no m~4m 44:0m #mnz m344> .#z. u #m#w .m>om4 #2m2m#4#m wu># u »«»m mmOmsz 24 zzoxm >4ma4 m44 do m~.m sazow ems: m244> .»4144. o #m#m ..mm#oz. m24#:omm:m do ¢om amazzz #212w#4#m wz~#4>w#04 4 #arm >m owszmm#mo mm >42 m4m>4424 7wxnw >24 101 OwOmmz >4aa4 u #a#w mHI# no mNHm 2:24x4: wI# .z4awoma wxh xm ow#4«m2mw zo~p4Zmuuz~ u #mhw 21m##4a mI# mmo#m 0# 103021 mod44 mm #mHz >4ma4 .m44. do wNHw w1# u #a#m .Hw~>4424 mm 0# 4#4o #342. u #a#w 04mg: 10 #23024 wI# 74I# m~4m aw#4mm1 mo 44:0m 10 mm 4443 #4 u #a#m #4I# Om Qmm4mmUmo do owm4mmuz4 mm >4: >4aa4 .w#oz. do m~4m wi# u #dww u #m#m******I***I***I*******I#***I*****I*IIIs*s***************IIIIIIIIIIIIIIIu #a#m u #m#m u #ahm u #1#m xo.o.o.o.o.o.om¢mmm.m.o.o.4.4.o.o.o.4.N.o.o.o.o.o.o.4.o.o.4.44 #a#m x#uz:w.hoo¥.o4.x4.34.>4.#4.u~omm#4 #m#m .Iu#43m.xmumam.#4mmoz.~44.x44.44bah4.>444#4.04414.m:m4.omm44 #1#w .m4.m4.04.a4.mazp4.xuam4.a0#m44.>wx.s.#oo4 4#4o #1#m u #a#m x.3 m1¢.04aoI¢.oa#mI¢4 #a#w .a III¢.#>ImI¢. 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"Computers and the 16th- Century Chanson: A Pilot Project at the University of Chicago." Computers and the Humanities, Vol. 3, No. 3 (January, 1969), pp. 153-160. "Directory of Scholars Active." Computers and the Humanities, Vol. 1, No. 5 (May, 1967), p. 178f. Milic, Louis T. "The Next Step."‘ Computers and the Humanities,5Vol. 1, No. 1 (September, 1966), pp. 4-5. Morgan, R.S. "Optical Readers." Computers and the Humanities, Vol. 3, No. 1 (September, 1968), pp. 61-62. "Music in Machine-Readable Form." Computers and the Humanities, Vol. 6, No. 3 (January, 1972), pp. 176-178. Ortmann, Otto. "Interval Frequency as a Determinant of Melodic Style."§ gut Peabody Bulletin (December, 1937), pp. 1-10. ; ‘fi'lx Paisley, William J. "Identifying the Unknown Communicator in Painting, Literature, and Music: The Significance of Minor Encoding Habits." Journal of COmmuniCation, Vol. 14, No. 4 (December, 1964), pp. 219-237. TheSes Curry, Jerry L. "A Computer-aided Analytical Study of Kyries in Selected Masses of Johannes Ockeghem." Unpublished Ph.D. thesis, University of Iowa, 1969. Hanson, Jens L. "An Operational Approach to Theory of Rhythm." Unpublished Ph.D. thesis, Yale university, 1969. Kostka, Stephan M. "The Hindemith String Quartets: A Computer-Assisted Study of Selected Aspects of Style." Unpublished Ph.D. thesis, University of Wisconsin, 1969. Pederson, Donald M. "Some Techniques for Computer-aided Analysis of Musical Scores." Unpublished Ph.D. thesis, University of Iowa, 1968. 831 Raskin, Jeffrey F. "A Hardware Independent Computer Drawing System Using List Structured Modeling: The Quick-Draw Graphics System." Unpublished M.S. thesis, Pennsylvania State University, 1967. Roller, Gilbert H. "The Development of the Methods for Analysis of Musical Composition and for the Formation of a Symmetrical Twelve-tone Row Using the Electronic Digital Computer." Unpublished Ph.D. thesis, Michigan State University, 1964. Rubenstein, Nancy 0. "A Fortran Computer Program for Transcribing Franconian Rhythm." Unpublished Ph.D. thesis, Washington University, 1969. Wilson, Dean C. "An Analytical and Statistical Study of the Harmony in Carl Nielsen's Six Symphonies." Unpublished Ph.D. thesis, Michigan State University, 1967. r