.~ H33?l.?‘i‘.3‘1""I‘VE-l:‘ A' ~ " ”PEITJI'." ‘: "‘ ‘:‘ " ‘ ' A STUDY’TO EXAMINETHE ETEEGTsON COGNITIVE . LEARNING AND ATTITUDE OF Two EXTREME , ‘ V . ILLUSTRATIONPROOUGTION COSTS IN ASLIOE-TARE: PROGRAM Dissertation for the Degree of Ph.‘ D. MICHIGAN STATE UNIVERSITY GEORGE RAYMOND KOSKIV 1975 LIBRARY Mich; \r’ r: c} r - I This is to certify that the thesis entitled A STUDY TO EXAMINE THE EFFECTS ON COGNITIVE LEARNING AND ATTITUDE OF TWO EXTREME ILLUSTRATION PRODUCTION [COSTS IN A SLIDE-TAPE PROGRAM presented by George Raymond Koski has been accepted towards fulfillment of the requirements for PhJL degree in Wducation and Curriculum Major professor Date July 30; 1975 0-7639 ABSTRACT A STUDY TO EXANHNE THE EFFECTS ON COGNITIVE LEARNING AND ATTITUDE OF TWO EXTREME ILLUSTRATION PRODUCTION COSTS IN {A SLIDE-TAPE PROGRNW By George Raymond Kbski There are increasing signs that the financial crisis fer the support of education will continue. Financial aid especially for support services in higher education, appears to be in jeopardy. While funds are becoming more difficult to obtain there is increasing evidence that the use of illustrated instructional materials in education is becoming increasingly popular. With decreasing revenue and increased demand there is a need to examine the relationship between.production costs and'benefits of illustrated instructional material. This study was designed to gather information on the effects of illustration production costs on learning and attitude. .An expensive and an inexpensive version of a slide-tape program on canine heartworm.disease was prepared; the former by a professional medical illustrator, and the latter by an amateur illustrator. The cost of executing the illustrations for the expensive version of the program was $2486.75, while the illustrations for the inexpensive version of the program cost $135.20. George Raymond Koski An audiotape was prepared from a script to accompany both versions of the slide tape program. Since the visuals in the inexpensive version of the program were dramatically different in appearance from the corresponding visuals in the expensive slide- tape program, it was hypothesized that cognitive learning and atti- tude toward the program would be significantly different. Three sample groups were selected from second term veterinary students to act as subjects. Since the majority of the subjects had some prior exposure to canine heartworm disease, a control group was established. The control group wrote the cognitive test without exposure to either program. The experimental groups viewed either the expensive or the inexpensive version of the pro- gram in separate rooms . The short— term cognitive performance test was collected from all three groups. The two experimental groups also completed an attitudinal instrument and a general information questionnaire . Statistical analysis revealed no significant differences between the two experimental groups on either cognitive performance or attitudinal response towards the program. A significant differ- ence was detected between the control group and the experimental groups on cognitive performance . The experimental group viewing the expensive version of the program tended to make slightly more posi- tive conments in praise of the program although major differences were not readily apparent in the analysis of the general information questionnaire . George Raymond Koski Implications included fer the designers and.producers of illustrated materials are that time should.be spent in clearly por- traying specified concepts, but not in simulating reality. The implication for administrators is that much valuable time and materials are being wasted in the realistic portrayal of visual material. The talents of gifted illustrators should be directed toward increased interpretation and simplification of complex concepts. Suggestions fer fUture research include the additional study of the effects of illustration production procedures and styles on learning efficiency and cost. A recommendation was also made that minimum acceptance levels of illustration criteria of instructors and production personnel be investigated. A STUDY TO EXAMINE THE EFFECTS ON (DGNITIVE LEARNING.AND.ATTITUDE OF TWO EXTREME ILLUSTRATION PRODUCTION COSTS IN .A SLIDE-TAPE PROGRAM By George Raymond Koski A DISSERTATION Submitted to Michigan State university in partial fulfilhment of the requirements for the degree of DOCTOR OF PHILOSOPHY Department of Secondary Education and Curriculum 1975 ACKNOWLEDGMENTS This study is dedicated to the combined efforts of all those people who made it possible, especially: Dr. Kent Gustafson, my advisor and committee chairman, who has always been strong in his support and friendly in his persuasion. He kept me honest . Dr. Charles F. Reed, his funding of the original preposal for the project made it all possible. He listened and heard, his friendship is treasured. Dr. James Page, Dr. William Sweetland and Dr. Frederick Waisanen, the members of my comittee, they kept up the faith. Mr. Rick Hall, a medical illustrator "par excellence" and a good human being. Barbara, Christopher and Lisa, my family, my love. And to Michigan State University--the people I have met and the paths I have traveled will long be with me. George Raymond Koski ii TABLE OF CONTENTS Page LIST OF TABLES . . . . . . . . . . . . . . . . v LIST OF APPENDICES . . . . . . . . . . . . . . vii Chapter I. INTRODUCTION . . . . . . . . . . . . . . 1 Purpose of the Study . . . . . . . . . . . 1 The Nature of the Problem . . . . . . . . . 2 Need fer the Study . . . . . . . . . . 8 .Assumptions of the Study . . . . . . . . . 13 Definition of Terms . . . . . . . . . . 13 Limutations of the Study. . . . . . . . . . 14 Summary . . . . . . . . . . . . . . 15 II. REVIEW OF THE LITERATURE . . . . . . . . . . 16 Visualization . . . . . . . . . . . . 17 Visual Characteristics . . .- . . . . . . . 18 Comparative Cost Studies . . . . . . . . . 22 Quality . . . . . . . . . . . . . 27 Embellishment . . . . . . . . . . . . . 29 Color . . . . . . . . . . . . . . . . 32 Perception . . . . . . . . . . . . 34 ‘Viewer Characteristics . . . . . . . 37 Attitudes in the Learning Process . . . . . . 39 Summary . . . . . . . . . . . . . . 41 III. DESIGN OF THE STUDY . . . . . . . . . . . . 43 Population Description . . . . . . . . . . 43 Message Design. . . . . . . 44 Production Details/Expensive Version . . . . . 46 Illustrator Qualifications . . . . . . . . 46 Production Procedure . . . . . . . . . . 46 Artwork Progression . . . . . . 47 Production Details/Inexpensive 'Version . . . . . 48 Illustrator Qualifications . . . . . . . . 48 Production Procedure . . . . . . . . . . 49 Artwork Progression . . . . . . . . . . 50 iii Chapter IV. Common Elements Narration . Equipment and Facilities Production Time . Production Costs Cognitive Instrunentation Att itudinal Instrunentation Additional Information Questionnaire The Experimental Design. Sumnary . . . FINDINGS Findings . . . . Discussion of the Findings V . SUMWARY AND CONCLUSION . Summary . Conclusions . Implications . Suggestions for Future Research BIBLIOGRAPHY APPENDICES iv 0 LIST OF TABLES Table Page 3.1 Production Time (hours) Required for the Preparation of the Expen51ve and Inexpens1ve Versions of the Program.. ..........49 3.2 Production Cost Sunmary for Labor and Materials Required in the Production of Illustrations for the Expensive and Inexpensive Versions of the Program . . . . . 53 3.3 Analysis of Variance for Determining First Term Grade Point Average Group Differences . . . . . . . . 57 3.4 Least Square Estimate of Contrasts to Determine Group Differences in First Term Grade Point Average Between the Expensive and Inexpensive Treatment Groups . . . 58 3.5 Least Square Estimate of Contrasts to Determine Group Differences in First Term Grade Point Average Between the Expensive and Control Group . . . . . . . . 59 3.6 First Term Grade Point Average Scores for the Three SampleGroups.............. 60 3.7 Fmax Test to Determine Homogeneity. of Variance Among the Treatment Groups . . . . 61 4.1 Analysis of Covariance on Cognitive Test Performance Scores with First Term Grade Point Average as a Covariate . . . . . . . . . . . . . . . 65 4.2 Adjusted Least Square Estimate of Contrasts to Determine the Treatment Group Differences in Cognitive Test Scores . . . . . . . . . . . . . . . . 66 4.3 Adjusted Least Square Estimate of Contrasts to Determine Treatment Group Differences in Cognitive Scores Between the Control Group and Treatment Group Nunber One (Expensive) . . . . . . . . . . 67 4.4 Raw Mean Scores for Cognitive Test Performance . . . . 68 4.5 Analysis of Variance for Estimating Attitudinal Differ- ences Between the Tim Experimental Groups . . . . . 69 V Table Page 4.6 Semantic Differential Group and.Average Scores . . . 70 4.7 Additional Information Questionnaire with Summarized Results . . . . . . -. . . . . . . . . . 71 vi LIST OF APPENDICES Appendix A. Instructions Read to Class . B Cognitive Recall Instrument and Instructions . C .Attitudinal Instrument and Instructions D. Additional Information Form . . . . E Program Objectives for Canine Heartworm.Program F Sample Colored Photographs of Slides from the Expensive and Inexpensive Version of the Program. . . . Slide No. 5 . Slide No. 14 . Slide No. 16 . G. Script; Canine Heartwonm Disease; Slide; Tape Presentation . . . . . H. Cost Documentation: Expensive version of the Program . I. Cost Documentation: Inexpensive version of the Program . . . . . . vii Page 95 97 101 104 106 108 109 110 111 112 122 124 CHAPTERI INTRODUCTION Purpose of the Study The purpose of this study was to determine the cognitive and attitudinal effects of exposing students in higher education to either an expensive or an inexpensive version of a slide-tape program. An expensive version of a slide-tape program on canine heart- worm disease was prepared by a medical illustrator for use by veterinary students . An inexpensive version of the same program was produced by an elementary school teacher. Only illustration costs were documented. An audiotape to complement the slides was prepared from a script and remained basically the same for both versions of the program. Instrunentation designed to gather information about the effects of the expensive and inexpensive versions of the program included a researcher designed short-term cognitive instrument, a semantic differential to measure attitude, and an information sheet designed to gather general information. No treatment grows and a control grow were selected from the second term of a 12 term veterinary program. The experimental grows each viewed one version of the program separately while a con- trol grow completed the cognitive instrument without exposure to either program. Information collected and compared included the cognitive scores of all three treatment groups, along with the atti- tudinal and.genera1 infbrmation data collected from.the two experi- mental groups. The study specifically tested the fbllowing hypotheses: 1. .All three treatment groups will have similar cognitive test perfbrmance scores. 2. The two experimental groups will have similar cognitive test performance scores. 3. The cognitive test perfbrmance scores of the experimental group exposed to the expensive version of the program and the control group will be similar. 4. Group membership does not significantly affect attitude toward the slide-tape presentation. The Nature of the Problem Many educators have accepted the fact that there is a place in the classroom for various forms of media and related programs which teach by other than conventional lecture methods. This acceptance of instructional media in the classroom has generated a market fer hardward and instructional material that, according to most researchers has usually been able to teach about as well as the classroom instructor teaching the same material. Supposedly, instructors utilizing media can become more efficient by using their specialized skills in dealing with individual problems while the machines take over the more routine job of transmitting facts; According to Wittich and Schuller (1973): .As we think about multisensory imagery-indeed, as we think about the whole vital, stimmdating, and burgeoning field of instructional technology . . .‘we can be sure of one thing: the imaginative, creative teacher who refuses to be hemmed in by today's constraints, the teacher who looks on instructional technology as the essential tool he can use to help free himself of these constraints--such a teacher and his pupils have a.most exciting future ahead of them (p. 682). While improving teaching effectiveness is considered impor- tant it is also apparent that additional effbrts must be made to find instructional procedures that are more efficient. The Carnegie Conmission (1972a) examining the impact of instructional technology in higher education suggested that instructional technology could increase the productivity of college and university professors. They listed the fellowing ways that technology can help: 1. By decreasing the time required by students to learn specified.modules of infbrmation. 2. By taking maximum advantage of the capabilities of available technological capacity. 3. By releasing faculty time. 4. By prolonging the time during which instruction is available. 5. By utilizing quality instructional materials produced off the campus. 6. By sharing high-quality instructional programs and learning materials with other institutions (p. 83). The potential of technology for decreasing educational costs is largely dependent on how it is used within the instructional set- ting. In a study at San Jose State College reported by Cafferella (1973) the use of television as a magnification device was documented. The investigators reported that: . . in a majority of the course units investigated, closed circuit television as a magnification device was found to reduce substantially (in some cases by as much as 65 percent) the time required by the instructor to present a demonstration fer an entire laboratory class (p. 58). The number of students benefiting from.instruction.made possible by the use of technology is another important variable in determining educational benefits in terms of cost. In another study, also reported by Cafferella (1973), Carpenter and Greenhill found that: The economic advantages of using television begin 'with classes of about 200 students and increase progressively from.this point as the number of students in the TV section increases (p. 45). While the reported number of students required by the tele- vision to compete financially with conventional instruction varies; there is consensus that beyond a certain figure television can reduce educational costs. It fellows that the larger the number of students the larger the potential savings can be. The potential effects of technology increasing classroom productivity while stimulating classroom instruction, have apparently had little effect on reducing instructional costs which have con- tinued to escalate at alarming rates. In attempting to describe the effects of technology Rogers and Hirsch (1971) claim that: Whatever set of educational assunptions is adopted the increase in inputs has been greater than the increase in output . . . productivity has steadily declined (p. 131). Although our potential to transmit and duplicate instructional messages electronically has increased significantly, these advances appear to have had little significant impact on educational pro- ductivity. According to Tickton (1970) this decline in.productivity 'can be directly related to the expenditure and management of money: High cost and inadequate costing techniques are clearly a major cause of instructional technologies lack of impact on American schools and colleges (p. 26). It would appear that technology has not become Or, is in the initial stages of becoming, an integral part of instruction. To date the cost benefits of instructional technology seem to be negligible since it has been merely added on to the cost of tradi- tional education instead of replacing it. This is particularly true when a teacher uses technology to assist or supplement him rather than as a replacement fer at least part of the instruction. There is a danger that the current financial crises in educa- tion.will result in decreasing fonds for the support of instructional technology in educationt Any information or justification regarding benefits derived from.current expenditures would be of assistance to administrators and school boards who have to deal with increased demands fbr limited budgetary fonds. It would also appear that any increase in.productivity or more efficient expenditure of funds would be welcomed in education where the potential of technology has not been realized. Nfiller (1971) succinctly stated this current dilemma in education in the fbllowing way: Pressing social considerations demand that our concern fer instructional technology be more than perfUnctory. The rising costs per student of education and the increasing demand.f0r it by all the people face the society with costs that are causing taxpayer revolts . . . Yet, despite its great cost and its many problems, education is almost universally recognized as a necessity, the primary fashioner of a society's fUture (p. 1009). Accountability, fbstered by public pressure, has resulted in a greater emphasis on evaluation and sophisticated costing procedures within the educational environment. Although the expenditure of fUnds is being closely documented very little effort has been.made to measure the benefits obtained as a result of the money spent. This is especially true in the production of instructional materials. Financial support to improve instruction is generally greater at higher levels of education where message design becomes increasingly more complex and individual knowledge and skills tend to be more specialized. In many schools talented individuals hired for their specific production skills, are working in teams to produce highly refined, finished products which are professional in appearance. Many institutions of higher education have set w special marketing procedures to disseminate locally produced quality instruc- tional materials. These marketed productions are usually of a very high technical quality and represent the effort and pride of the pro- fessional people that produced then. To some degree, these products are also designed to swport the reputation of the institution that produced the material. In most cases, however, material produced for instructional purposes is used by the individual instructor within the local instructional setting and may or may not be of swerior technical quality. The employment of instructional development procedures in the production of an instructional product involves a number of steps. Analysis of the problem, the development of objectives, evaluation and the construction and reconstruction of prototypes based on feedback are a few of the steps. A great deal of time, energy and expense are usual 1y involved in the development of the final product. In order for materials to be effectively and effi- ciently designed and utilized designers must be able to apply a variety of principles of instructional design. This study considers the effectiveness of production techniques and the cost of labor and.materials with related benefits. .Allen (1960) after an extensive review of the literature on audiovisual communication stated the need to study factors within pictorial illustrations that lead to increased learning. Other factors he examined were identification of the kinds of content best communicated by still pictures, and evaluation of various techniques fer implementing their use. In 1971 Allen wrote that there was a continued need to examine the role of media within the instructional process: We should observe more intensive research efforts to discover how to design and manipulate the media so as to enhance their effectiveness under specified instructional conditions (p. 14). Carpenter (1962) has also stated his support fer additional research in the production and use of effective and efficient instructional materials: It seems clear that a major and sustained effort must be made to invent, develop and employ new production methods and new ways of using the media so that their potential for stimulating learning can be fully realized (p. 306). While the major part of the literature is concerned with the ability of instructional media to transmit a congitive message, increased interest has been shown for the affective component of learning. According to Urbach and Sparks (1971): In recent years we have reached a point in the evaluation process where we are concerned not only with the knowledge gained, but with the willingness of the student to identify himself‘with a given subject (p. 6). The present study attempts to address these various issues by documenting the production costs associated.with the illustrations of two variations of a slide-tape program.and comparing their cognitive and attitudinal effects. Need fer the Study Hitchens (1971), in discussing the cost of education and the implications for technology, has written that: One of the chief concerns of today is money-~and/or the lack of it for education . . . Thus, the wedding of tech- nology and the cost of instruction is particularly appropriate in this time of short budgets and long accountability (p. 7). Due to increasing financial pressures and the need to extend the benefits of education, the effective use of resources in higher education is receiving increased attention. The Carnegie Commission (1972b), in studying the more effective use of resources in higher education, concluded that total institutional expenditures must be, should be, and can be reduced by nearly 10 billion dollars (in 1970 dollars) by 1980 as compared with the costs which would be incurred if the trends of the 1960's were to be continued. This represents a 20 percent reduction which the commission felt could be accomplished without any general deterioration in the quality of higher education. In describing how COStS could be reduced no mention of the need for a more effective or efficient expenditure of funds for the purchase or production of instructional materials was made. In a study of the financial situation at 41 colleges and universities, Cheit (1971) concluded that due to inflation and declining rates in the increase of income: . . . Schools will have to learn to live on budgets approaching "rock bottom” which allow fer substantially no growth at all in several major cost components (p. 17). These predictions, based on extensive studies, appear to be even.more significant at the present time in view of national and international monetary crises, generally depressed economic condi- tions and escalating inflation. unfortunately, costing techniques and procedures vary and are difficult to document and compare across different conditions. The situation becomes more complex when considered in terms of total input, productivity and learner output. Levin (1971) maintains that schools and school districts have little, if any, objective data with which they can make deter- minations based upon the relationship between costs and performance of alternative instructional strategies: There simply is no available knowledge that schools can draw upon to determine whether the new instructional approaches will be more effective, once costs are taken into account than are traditional instructional approaches (p. 3). The financial crisis and the problem of making effective decisions in education is also addressed by Johnson and Dietrich (1971): At present cost data on educational technology is almost non existent. The lack of these data severely impedes the academic decision:making process. Regardless of costing procedures used . . . ways must be found to place costs of educational technology in perspective. Present inadequate cost data are frequently so subjective that they are nothing more than pious hopes. The time is here to come to grips with the reality of cost analysis in the academic decision- making process (p. l). 10 With increasing financial constraints economic factors are becoming one of the main.considerations in the selection of classroom instructional materials. According to the National Education Association (1972): Economic and financial considerations often act as constraints upon selection. Rightly or not, the persons involved in selection may reject or limit the purchase of certain materials because "they're too expensive for us," or "we can't get that kind of money from the front office" (p. 51). Since production costs affect the nature and price of the final product it would appear logical to look at factors which influence these costs. If production costs can be reduced while maintaining efficient and effective learning procedures these results will have significant implications for the production of instructional materials. According to Wilkinson (1973): With limited fonds possible increased output, due to design modifications, are viewed as having potentially significant implications for local production centers (p. 15). Carpenter (1970) has written that: Few school systems can describe the resources that go into existing programs, let alone estimate what existing programs or alternative programs will require in the future (p. 27). Wilkinson (1973), in examining the problem of trying to isolate learning differences caused by specific variables within instructional technology, remarks that: . . . There is that long history of no significant dif- ference to contend with. With such a lack of established differences between instructional strategies, the cost of effectiveness question is often reduced to finding the cheapest method of presentation . . . (p. 16). 11 Dubin and Taveggia (1968), in re-analyzing the data of approximately 100 comparative studies of different college teaching - methods, support Wilkinson's parsimonious stand. They feund.no evidence for preferring one teaching method over another as measured by student performance on course examination. The authors concluded: Indeed since there are no differences among a wide range of teaching technologies we may assume that their respective benefits are equal. This, then turns the attention in cost- benefit analysis to the cost side of the issue. In.making the costing decisions the obvious strategy would seem to be to pay out as little as possible for instructional costs (p. 49). Wilkinson (1973) implies that those strategies which can attain the objectives at the lowest Cost are being considered in education. Whether or not this is actually the case is open to speculation. Cheit (1971) has expressed the need for more efficient expenditure of funds in the following way: In a society devoted to human betterment in a world of scarcity, requiring that resources are productively used need not contradict the premises and values of higher education. Colleges and universities ought to know what their fUnctions cost, what their purposes are, and whether by some responsible standard they are spending their money more efficiently (p. 55). In considering the production costs of instructional materials one of the primary questions that should be asked before the expendi- ture of fUnds is: Can the costs incurred be justified by the results obtained? It would appeathhat this basically simple question has been ignored or is not receiving the amount of attention in education that it deserves. Few guidelines or studies are avail- able to educators upon which to base production or expense decisions. 12 .A number of authors such as Mager (1968) and Edling (1972), have documented the importance of attitudes in the learning process. Increasing attention has recently been fecused on the ability of instructional media to influence attitudes in the learning process. According to Kinder (1973): .Attitudes and behavior changes are facilitated by means of instructional media, as are the getting and holding of many students' attention. Instructional media have been shown to induce greater acquisition and longer retention of factual information and to stimulate interest in voluntary reading . . . (p. 19). While the importance of cognitive test perfbrmance has been acknowledged, the role of attitudes in education is receiving increased attention. The importance of emotions and motivation in the learning process has been aptly stated by Mager (1968): The likelihood of the student putting his knowledge to use is influenced by his attitude for or against the subject; things disliked have a way of being forgotten (p. 11). According to D. C. McLelland, as reported by Barber et a1. (1971): Educational technology has been utilized to convey information better, arousing attention and arousing and sustaining achievement motivation. However, very little is known about the effect of quality of production on the affective and cognitive aspects of learning (p. 25). .A general lack of information about attitudes in learning is also expressed by MCDonald, as reported by Barber et a1. (1970): There are many instances in which instructors attempt to influence the attitudes of their students toward a subject matter area, but rarely is an attempt made to measure the effects of these efforts (p. 115). [ll’li’lv’lIlll‘nII’I’l‘ [({Ii [([{ (Ill-I Ilil 0‘ 13 While attitudes are generally accepted as an important part of the instructional process, there appears to be a very limited amount of information available about media and attitudes. Assumptions of the Study This study, which examines two basic hypotheses related to production costs, makes the following assumptions: 1. Learning is conveyed, in part, through the visual channel of audio-visual presentations; 2. The affective and cognitive domains can be measured independently; and 3. Evaluative meaning, as explained by Osgood et a1. (1957) and as tested by the semantic differential technique, is a valid indicator of affective learning. Definition of Terms Que: Any specifiable attribute of the environment, which the Gestalt psychologists or other students of perception discover as a consistent basis for discrimination. Picture: .A faithful picture, as defined by Gibson (1954), is defined as one which reflects or transmits a sheaf of light rays to a given point which is the same as would be the sheaf of rays from the original to that point. In general a good pictorial surrogate is one which corresponds to the original with maximum fidelity. Expensive Program: Executed by a medical illustrator utilizing 50phisticated production techniques to produce illustra- tions with a high degree of realism. Inexpensive Program: Executed by an elementary school teacher utilizing rudimentary production techniques to produce illustrations with a low degree of realism. £11.. ill-[lei h. 14 Graphics: WOrds and graphs which have the potential to communicate ideas clearly and succinctly. Illustrations: Drawings and pictures which have the potential to communicate concepts and ideas clearly and succinctly. .Affective Learning: Evaluative meaning, or the discrimina- tive judgment made by an experimental subject on a series of 7-point semantic differential scales of bipolar adjectives with respect to a given concept or topic. Direction (positive or negative) and the intensity with the meaning is indicated by the location of the judg- ment from the neutral, central position. Cognitive Learning: The recall of factual data as measured by scores on a presentation related post-test. Semantic Differential: A measurement and scaling technique developed by Osgood, Succi and Tannenbaum (1957) by which objective measurements of the connotative meaning of a concept to an individual may be made. Subjects indicate valuative judgments on 7-point scales of bipolar objectives. Limitations of the Study 1. This study limits itself to second-term veterinary students. 2. Only immediate, cognitive recall and attitudinal measures, were determined. 3. The cost of the program was restricted to determining the cost of production for the graphics and illustrations only. The same audiotape was used for both programs. 4. All learners started and finished the program at the same time with no opportunity to alter the pace, review the material or study for the test. IS 5. Elements that were available free, i.e., radiographs, photomicrographs and photographs were included in both versions of the study. Summary The financial crisis within education is forcing administra- tors to closely examine the expenditure of funds for instructional purposes. The lack of cost data relating cognitive and attitudinal benefits to the cost of producing illustrated materials makes the wise expenditure of funds extremely difficult. The present study, by providing information on the cost of illustrations in an expensive and inexpensive slide-tape program, will provide cost documentation with its related benefits in the cognitive and affective domain. Hopefully, this information will be of value to educational administrators or producers of instructional illustrations. Guidelines or additional information on the execution of illustrations with cost implications is also viewed by the researcher as being very important for the future production of economical and efficient visuals. CHAPTER 11 REVIEW OF THE LITERATURE The literature search fbr the present study was restricted to those areas dealing with the nature, interpretation and costs of visualized material in the instructional process. Information con- cerned with human limitations in perceiving a visualized message and the effect of individual feelings toward the instructional message itself were also examined. Specific areas of interest that were searched included the characteristics of visuals, the role of visuals in education and comparative cost studies of modified media presentations. Factors affecting cost and their relationship to the learning process were also examined. They included quality of illustrated materials, color and the role of embellishment in the learning process. Infermation on characteristics of the viewer that could influence individual ability to perceive visual infbrmation was also studied. The search was concluded by examining the literature dealing with the effects of how attitude influences learning. The literature reviewed in this chapter is divided into five general areas: 1. Effective visuals and their components. 2. Comparative cost studies involving illustrated instructional material. 16 17 3. Quality and the effect of additional information to basic visuals on learning. 4. Perceptual limitations and.characteristics of the viewer. 5. .Attitudes in the learning process. Visualization Hern (1963) has accounted fer the widespread use of visual material as an aid to instruction in the following manner: The visually expressive instructor can overcome customary mental resistances of the student with the support of the striking graphic image. For the academically gifted child the visual can excite the imagination; for the average student, stimulate; fer the retarded child, clarify the verbal image (p. 7). The popularity and use of visuals within the instructional process has also been extensively documented and researched by individuals such as Dwyer (1972), Farris (1963), Felming (1960), Cropper (1963a) and Miller et a1. (1957). According to Dwyer (1967): It is relatively apparent that visual illustrations are rapidly becoming an almost universal means of instruc- tion: slides, photographs, cartoons, transparencies, filmstrips and sketches are now in use from kindergarten through college (p. 250). The ability of visuals to condense, simplify and clarify information and ideas has led to their general acceptance within the classroom setting. Visualization within textbooks, in poster fbrmat and in projected, still and motion form, are used to bring the macroscopic and microscopic events of the world into the classroom. Dwyer (1972), after an extensive review, has documented the following claims made in the literature in support of the use of visuals in education: 18 Visualization of content material is said to be able to: l. Facilitate the accuracy and standardization of the message being communicated; 2. Bring into the classroom inaccessible processes, events, situations, materials, and phase changes in either space or time; 3. Illustrate, clarify, and reinforce oral and printed communication, quantitative relationships, specific details, abstract concepts, and spatial relationships; 4. Provide concreteness (realistic detail) in the learning situation; 5. Increase student interest, curiosity, and concentration; 6. Present to the learner the opportunity to perceive an object, process, or situation from.a variety of vantage points; 7. Provide important instructional feedback (p. 1). Based on research and observations by such individuals as Dwyer (1972) and Horn (1963), the potential role of illustrated instructional material in education is great. With an increasing demand for visualized material and an increasing need for more effective teaching methods, the present study is viewed by the researcher as being highly relevant to the needs of education today. Visual Characteristics A good graphic, according to Wittich and Schuller (1958), should be clear, precise, accurate, simple, bold, readable and interesting. Bowen et al.(1960) list the fbllowing requirement of recognizable shapes or form; simplicity, symetry, continuous contour, relatively large enclosed area, either shortly angular or simple curved forms, and familiarity in the sense of having a familiar name. Thompson (1969) has described the characteristics of a successful graphic in the following way: 19 An important attribute of graphics . . . is their ability to compress information, to remove the inconse- quential and the superfluous in order to predict the essence of the referent. .A successful graphic goes to the heart of the matter. It records and emphasizes what is truly important, ignoring details which tend to confuse or obscure relationships (p. 49). Spaulding (1956) modified illustrations within booklets designed to help newly literate adults in Latin.America with their farming skills. He found that illustrations usually, though not always, helped the reader get more information out of the booklets used in the study. In a careful examination, designed to help account for learning differences in three of the booklets used, the author found an inverse relationship between complexity of an illustration and its effectiveness in communicating clearly. Spaulding listed the follow- ing implications of his study: 1. An illustration as such has no educative value, and.may even be a detracting influence, if the drawing content has not been presented in terms of the past experience of the intended audience. 2. Illustrations that are intended to communicate specific ideas will be most effective if (a) the number of objects that must be seen to correctly interpret the illustration are kept to a minimum, (b) the number of separate actions necessary to correctly interpret the basic message of the illustration are kept to a minimum, and (c) all objects and inferred actions are realistically portrayed and not open to dual interpretation or secondary inference . (p; 45). It should be noted that Spaulding in his reference to realism refers only to the need to portray actions and objects clearly, without fuzziness of detail. He does not advocate photo- graphic realism. 20 Traverse (1964a), after examining the effects of realistic details on learning in one of his earlier studies, concluded that: . . Emphasis on "realism" found in books on the design and in use of audiovisual materials is the worship of a false god (p. 380). On another occasion the author again concluded: . Flooding of the learner with information and a stress on realism.is likely to provide a poor learning situation (p. 384). Levi and Dickie (1973) in analysing the application of media to various instructional settings, summarized a number of studies in which the effects of varying the amount of detail in illustrated instructional materials were studied. They reported the findings of the fbllowing authors: Travers (1969) found that addition of interior detail and shading to outline drawings increased the recogniza- bility of tachistoscopically presented pictures. Cobun (1961) compared photographs, perspective drawings and outline drawings in teaching fish anatomy, finding that while outline drawings were best for teaching nomenclature of external anatomy, photographs were best for internal structure. Dwyer (1970) varied pictorial cues (simple line drawings, model's, photographs in color or black and white) in a unit of instruction to learners of several grade levels tested on several criteria . . . In cases where pace of presentation was fixed (slides, television), visuals containing little detail tended to be more effective.‘ Visuals high in realism.tended to be more effective when the individual learner could control his rate of exposure . . . (p. 873). After reViewing the literature Levi and Dickie (1973) con- cluded that: Realism cues which are not relevant to the learning task may produce divergent responses, especially under conditions of high infOrmation loads. Hewever, learners usually express preferences for realistic presentations, and if given adequate time, may learn more from them when they provide more information (p. 875). 21 Wheelbarger (1970) after examining the role of pictorial complexity in visual perception concluded that the amount of realism did not appear to be of primary concern. Significant differences were not found in the test scores of five groups of sixth grade students who were exposed to variations of line drawings and shaded drawings. The influence of realism theories is strongly entrenched in most production centers for instructional materials. .According to Wheelbarger (1970): Realism theories continue to determine practice in audiovisual education, but they have come into question in recent years (p. 2) . Dwyer (1972), after extensive research on the properties of visuals, has challenged the notion that learning will be more complete as the number of cues in the learning situation increases: . Presenting a student with a wealth of stimuli that approximate reality is not necessarily the most effective way to facilitat learning . . . Excesses of realism may actually interfere with the effectiveness of visual materials (p. 7). Nbrbert (1966) referred to the amount of information within a stimulus as density. He also felt that density could become a factor impeding efficient transmission of information. In Norberg's words: "Some presentations may be too realistic” (p. 307). .Additional support for simplified visuals was obtained by Moore and Sasse (1971), who compared the effect of modified illustra- tions and photographs of various sizes on learning. They found that students exposed to medium sized line drawings had the highest mean scores while photographs, at all picture sizes, had the lowest mean scores . 22 Vitz (1966), in attempting to determine individual prefer- ences fer complexity within visualized material, concluded that humans have optimal or preferred amounts of visual complexity. Hewever, he also obtained inconclusive evidence when he attempted to correlate increased exposure with the amount of complexity pre- ferred. According to Levie (1973): Learning cues may take on a wide range of physical variations without destroying their critical attributes, so long as image quality, sound quality, etc., are suf- ficient to allow the learner to "read" the appropriate cues, no decrement in learning should be expected (p. 24). The literature reviewed suggested that the success of illus- trations used in an instructional setting is dependent on the characteristics and appropriateness of the visual. The research ' seems to indicate that realism, which in many instances is still being sought, is inefficient in transmitting some infbrmation and may even be detrimental to the learning process. The difficulty appears to be in determining the amount of simplification required to obtain best results. Comparative Cost Studies While a number of studies have been conducted on the general effectiveness of visualized materials in the instructional setting, few researchers have examined the effects of varying the production costs. Zuckerman (1954) conducted a study on picture quality. A storyboard-based fihmstrip of about 250 frames was used. This film: strip closely paralled a finished motion picture. The visuals in 23 the filmstrip were relatively crude sketches as contrasted with the combination of live action and elaborate animation used in the final color films. Zuckerman (1954) concluded that the filmstrip, which repre- sented a significantly smaller financial investment than the finished film, could be used to predict the relative teaching effectiveness of the final motion picture. Mbor and Sasse (1971) examined the hypothesis that a signifi- cant difference existed in the amount of content immediately recalled from.pictures when the same subjects viewed pictures described as line drawings, as paintings, or as photographs. Three treatment groups were set up to examine the relationship among the character- istics of the visual, size of the projected image and cognitive test performance. .At all picture sizes tested, line drawings consistently had the highest mean scores in comparison to paintings and photo— graphs. In a partial explanation for the popularity and effectiveness of line drawings Thompson (1969) has claimed that: Plain line drawings and cartoons are good examples of precompressed information fer they emphasize the boundaries of things rather than the interiors--thus omitting unnecessary detail while stressing the most relevant information (p. 50). In an exploratory study designed to assess the importance of factors generally regarded as entering into the degree of "polish" or quality of the pictorial componenthay and Lumsdaine (1958) com- pared two levels of 16mm production. The authors compared a finished Kbdachrome film with a crude black and white, semi-animated film called a "pencil-test running 24 reel." The latter was composed of motion picture footage taken of the preliminary "story board" sketches that had been used in the planning of the film. The total cost for preparing the pencil-test version was estinated at about $1500.00 or $75/minute. The finished Kodachrome cost approximately 10 times as much or $750/minute. An analysis of the learning generated by the two films dis- closed that the final polished version of the film apparently taught no more than the crude pencil sketch presentation. McBeath, as reported by May (1965), compared a silent cap- tioned filmstrip, a sound captioned filmstrip, a sound filmstrip without captions, and a simplified version of a motion picture for relative effectiveness in teaching the facts and concepts contained in a 6th grade social science lesson. The sound filmstrip and the simplified 16mm film contained the sane narration. The simplified film was more polished and used more audiovisual embellishments. All subjects were pre- and post-tested with a 60 item test on facts and concepts. A retention test was given after a period of three weeks. No differences were found on the immediate post-test or on the retention test. Other studies reported by May (1965) which compared filmstrips presenting the same content, were James (1924), McClusky and McClusky (1924), Brown'(1928), Carson (1947), Vernon (1946), Hovland, Lumsdaine and Sheffield (1949), and Gibson (1947), all indi- cate that filmstrips are about as effective as films and in some cases more so, for teaching facts, and concepts. 25 After an extensive search of the literature for information dealing with the relative effectiveness of films vs. simplified versions of films, and simplified versions of films vs. captioned sound filmstrips, May (1965) concluded that: . For some types of materials used for some purposes, the simpler presentations are about as good as the more complex ones. No dependable generalizations can be made from these experiments as to the kinds of materials that should be produced in simplified.forms (p. 82). Carpenter (1954) attempted to determine whether motion pic- tures could be as effective as simple and less expensive audiovisual aids. .A 16mm film was compared with two versions of a filmograph made of the original film. One filmograph eliminated motion by copying frames from the base film, The other filmograph used still photographs and diagrammatic representations and substituted stock photographs in place of the original complex scenes. Both versions retained the original sound track. The difference in means between the group viewing the original motion picture and the group viewing the first filmograph produced from stills of the original motion film, was small, but significant in favor of the group seeing the original motion.picture. The difference between means of the groups seeing the two simplified versions of the film was not significant. .Attitude measures showed no significant difference among the three groups tested. There appeared to be some question as to whether the more elaborate and expensive production justified the small mean difference in factual learning over the more simple filmographs prepared from the original motion picture. 26 .May (1965), after examining the results of comparative studies with regards to complexity of production, felt that either costs could be reduced or efficiency could be increased, or perhaps even both, by the following procedure: . . . Eliminating from a film or ETV program all materials which by experiment are feund to contribute little or nothing to the amounts learned and retained. Another is to substitute simpler and equally effective modes of pre— sentation (p. 62). Bullard (1969), in examining instructional differences associated with an expensive, static visual of high quality and a very inexpensive version of the same visual, feund no significant differences in cognitive learning. The author also acknowledged the strong, direct relationship between cost and quality. In discussing the need for additional information on illus- trations to clarify concepts Miller (1957) has written that: . . . Special attention-gaining devices should help if they direct attention to the relevant cues and hinder if they fail to do this. These expectations are in line with the general opinion of experts that artiness and slick production techniques are of no use unless they contribute directly to the clarity of the presentation (p. 83). .After reading the above studies the researcher found little support directly relating the expenditure ()f funds for the produc- tion of instructional materials with positive learning benefits. Virtually all of the studies examined reported that the simplified version or the least expensive method of transmitting the informa- tion was as effective as the higher quality or more expensive product. 27 Opal ity A number of authors have attempted to describe the compo- nents and.nature of quality in illustrated materials. Lumsdaine (1958) has referred to the components of quality in the produced image as degrees of precision, neatness and fidelity. May and Lumsdaine (1958) refer to the combination of these variables as "degree of polish" or slickness. .According to Bullard (1969) quality is determined by the production medium, the transmission medium and the precision, neatness and fidelity of the produced image. Carpenter (1971) views quality as being synonymous with effectiveness. Studies by Bullard (1969), and Travers (1969), have attempted to define and analyse individual variables within visual symbols to determine the effects of variation on the level of learning. Travers (1969) attempted to discover the effects of adding realistic details to recognition capabilities in a group of children and a group of adults. His data showed that as the number of cues increased by adding details to a drawing, identifiability increased. He also feund that the addition of interior detail added as much to recognizability as shading which has the function of creating an illusion of depth. In addition Travers' data supported the position that children in the second grade have recognition processes that are closely similar to those of adults provided only familiar objects are involved. No evidence was found to support the hypothesis that young children were more dependent on cues related to contour. 28 Levie (1973), after examining the literature on infermation related to visual interpretation and quality concluded that: . . variations in technical quality do not affect the acquisition of information so long as the relvant cues are available to the learner. When the attainment of cognitive learning objectives is the criterion, insistence upon flawless technique is unjustifiable. Amateurish technique may, however, increase the likelihood of negative attitudinal reactions (p. 24). Bullard (1969) produced a high quality graphic and compared it with an inexpenSive, low quality graphic of the same visual. .A number of hypotheses were stated to test the effects of both visuals on learning efficiency and reaction toward flmereproduced graphic. Bullard concluded that graphic slickness did not significantly con- tribute to the learning of specific facts as measured by immediate recall on tasks which required only a few minutes of effort. It was noted that subjects, when asked to rank visuals of predetermined quality showed a preference for the "slick" or quality graphics. Carpenter (1971) has described the problem of quality and its relationship to instructional media in the fellowing way: The definition and delineation of factors, conditions and determinants of quality and/or effectiveness have largely eluded the grasp alike of investigators and practical educators. The disturbing and ubiquitous find- ings of "no statistically significant differences" have arisen by the hundreds to smite those who have striven by neatly controlled research and analytical procedures to bring the variables and contingencies of quality into ordered conceptual and operational frames (p. 868). While an attempt has been made by such individuals as Bullard (1969) to list the factors affecting the quality of graphic materials, in the final analysis, the decision regarding degree of quality appears to be largely subjective. According to Bach (1963): 29 There are no real standards which can be used to judge the effectiveness of artistic communication when the work of art is created. Only time really determines the effectiveness of any art and, even so, there are ups and downs of artistic acceptance (p. 84). In conclusion, the literature in the area of artistic quality reveals some confusion regarding the nature and definition of instructional materials described as "quality" products. In cases where instructional products have been labelled as ”quality” little evidence was found by the researcher to support justification for their production in the attainment of cognitive measures. Student preference, when obtained, was usually found to be in favor of the "quality" products. Embellishment Perhaps the best way to explain embellishment is to look at simplicity in terms of lack of embellishment. The fellowing definition of simplicity by Thompson (1969) is useful in under- standing embellishment: Simplicity is what is left when redundancy has been removed. It is the elimination of.the superfluous and.the disfunctional. To put it another way, simplicity means that "less is more" (p. 56). In a learning situation anything that can be removed from the instructional material that does not impede the attainment of specific learning objectives could be considered to be embellishment. Travers (1967a) has described the parts of an illustration that are not necessary in the communication of a specific piece of infermation as embellishment. .According to Travers (1967a): 30 The process of embellishment may . . . include embellish- ments which add to the realism of the visual display as when color is used, . . . as when a particularly significant component of a machine is shown in red. Embellishments do not add information and what they add is often not even remotely relevant to the message that the audiovisual instructional device is designed to convey (p. 37). May and Lumsdaine (1958), in an exploratory study, examined factors generally regarded as entering into the degree of "polish" or quality of the pictorial component of teaching films. Both factors were considered closely related to the cost of producing and printing films. In comparing a crude pencil sketch film and a highly finished Kodachrome version of the film they feund no differences in cognitive learning between the two films. Since the control of content presented between the two films varied slightly, the results were interpreted as meaning that a crude presentation could at least equal, in teaching effectiveness, a polished color fihn. Lumsdaine and Gladstone (1958), in examining the effects of film modification suggested that the learner's attitude may in some way be modified by the embellished pictorial presentations. Their reasoning is that students who feel positive about the visual material they are observing may in fact be conditioned to respond to the sub- ject matter in the same positive way. .Although attention.may be improved, Levie (1973) has reported that studies cited by Reid anchacLennan, and Skornia show no improve- ment in learning as a result of additional refinements. Background music, sound effects, optical effects and professional graphics have not increased test performance. 31 Baker and Popham.(1969) working with public school administra- tors, examined the value of three embellished and three unembellished versions of the same program, It was found that ratings on two of the programs favored the embellished version. On the third program all affective ratings favored the unembellished version. They explained these findings by stating that there were differences in the style or quality of embellishments used in the three programs which might account fer these results. The authors arrived at the following con- clusion: For similar t0pics and similar learners the cost of preparing embellished versions may not be justified by the results (p. 34). Baker and Popham (1969) also noted that during the early developmental testing, several learners reported that they were distracted by the cartoons. They speculated that the perception of embellishments might be influenced by the sophistication of the learner along with the difficulty of the subject matter being trans- mitted. In an experiment with preservice teacher education candidates Baker and Popham (1965) compared an embellished and unembellished version of a tape-slide program, The results indicated that there were no differences between the two programs with respect to cognitive measures, but affective differences favoring the cartoon-embellished version were feund. Learners rated the embellished version signifi- cantly higher than its unembellished counterpart in terms of interest and enjoyment. The authors urged that further research be carried out to examine the merits of the increased cost of pictorial embellishments. 32 May and Lumsdaine (1958), after comparing the teaching effectiveness of a polished film presentation and a simplified version of the same film, came to the following conclusion: Slickness may possibly have some effect on acceptability to students and their consequent motivation (though this has never been clearly demonstrated). More likely, its major effect may simply be in impressing training supervisors and administrators . . . (p. 90). The research cited above revealed little support for the practice of embellishment. Support fer embellishment was found in only one case. In other studies the additional expense of adding extraneous material or information to the basic instructional message did.not appear to have any positive effects on cognitive learning. Color The issue concerning the effects of color has received con- siderable attention in the literature. While some research does exist, largely in the affective domain, to support the use of color, it would appear that the usual doubling of production costs incurred by the addition of color, cannot be justified.by increases in cog- nitive learning. .According to Spaulding (1956): Color in illustrative material adds to the interest potential of the drawings. Hewever, unless used realistically and functionally, color may detract from the communication potential of the drawings. This is especially so in the case of drawings which utilize only one color or two colors in addition to black and white. In.most cases where full color realism cannot be achieved, it may be wise to limit the use of color to border and decorative motifs (p. 45). Dwyer (1972) in examining learning differences in favor of color when static pictorial materials were used, reported on 36 33 comparisons between color and black and white versions of illustra- tions used to complement verbal instruction. Color was found to be superior in all cases, most notably where color apparently served to accentuate details relevant to the learning objectives. Color was found to facilitate learning when used in a way to draw attention to critical learning cues. Lumsdaine (1963) has summarized the general status of the color versus black and white issue as follows: The clearest case for the use of color is . . . where color cues are essential for a discrimination that is to be learned. In films and printed materials color differentia- tion is also obviously advantageous when multiple color codes keep otherwise confusing visual elements separable and readily followed . . . But the evidence suggests strongly that only general value of color for increasing learning through increased strikingness or attractiveness has probably been overrated (p. 635). In a study designed to test the development of perception in children, Travers (1970) discovered the use of color in a picture facilitated very substantially the perception of the dynamic features. Travers (1970) explains: It seems that color gives a lifelike appearance which has great potential for changing a still picture into a dynamic ongoing scene (p. 55). In another search into the effect of color Travers (1967a) concluded that: The reviewer feund no adequate analysis of functions which color might perform in the transmission of informa- tion (p. 42). On the other hand, Gibson (l954),in summarizing his research into the effects of color, concluded: 34 Realistically colored illustrations are more effective than black and white, but the amount of added effectiveness may not always be significant. .Addition of one color to black and white illustrations may not be worth it . . . (p. 43) . The literature reviewed indicated that the successful use of color is dependent on the nature of the specified objectives in the learning situation being considered. In situations where color identification is not a specified task the addition of color appears to be of questionable value in the attainment of cognitive objectives. Some evidence exists to suggest that the most important contribution of colored illustrations lies in the affective domain. Perception Since the perception of events surrounding the human learner is partly based on the physical limitations of the individual involved, the fellowing principles are considered by Broadbent (1958) to be important: 1. .A nervous system acts to some extent as a single communication channel, so that it is meaningful to regard it as having a limited capacity. 2. .A selective operation is performed upon the input to this channel, the operation taking the fbrm of selecting infermation from all sensory events having some feature in common. 3. Selection is not completely random, and the probability of a particular class of events being selected is increased by certain properties of the events and by certain states of the organism. 4. Properties of the events which increase the probability of the information, conveyed by them, passing the limited capacity channel include the following: physical intensity, time since the last information from that class of events entered the limited capacity channel . . . , high frequency of sounds, as Opposed to low . . . , sounds as opposed to visual stimuli . . . (p. 297). 35 Fleming has attributed the limited ability of an audience to attend to and process the designer's message as limited capacity of the central nervous system, This limitation, according to Fleming, fbrces the individual to selectively perceive complex message inputs. In the words of Fleming (1970): Selective perception is in part physical, i.e., each input channel has load limits, and the total information processing capacity from all inputs is limited. The stimulus potential of the environment is great, but the perceiver can attend to only a limited amount at a time (p. 83) . Along with physical limitations, Gibson (1966) has acknowledged "economical perception" as a learned response in identifying the sali- ent features of objects and events. .According to Gibson, a minimum principle operates in the economy of selection. Gibson's rule is that: Only the information required to identify a thing economically tends to be picked up from a complex informa- tion. .All the other available infermation that would be required to specify its unique and complete identity in the whole universe of things is not attended to (p. 286). Hochberg (1964) has combined simplicity and the minimum principle as laws of combination: The principle appears to be . . . that our nervous systems organize the perceived world in whatever way will keep changes and differences to a minimum (p. 87). In attempting to explain why we see things as we do, he concludes: Whether by early perceptual learning or by inborn arrangement, our nervous systems seem to choose those ways of seeing the world that keep perceived surfaces and objects as simple and constant as possible (p. 99). Travers (1964b) after carrying out an extensive review of the research on visual perception concluded with the following comment: 36 . . . The research leaves the overall impression that pro- cedures which elaborate the process of transmitting informa- tion, either by embellishment or by other devices, do not facilitate reception perhaps because the human receiver does not have the capacity for utilizing this added information. This impression is consistent with the . . . picture of the human receiver as a limited capacity input channel (p. 2:56). .As articulated by Fleming (1970) the translation of perceptual research into practical graphic design applications is difficult at the present time. The author makes a strong recommendation that the following suggested applications be tested and validated with reference to the constraints of each kind of situation: the types of message, materials, learners, and objectives. 1. Men's perception is relative rather than absolute. A. Provide anchors or reference points to which perception can be related . . . B. Pace the message relatively . . . 2. ‘Man's perception is selective A. Limit the range of aspects presented . . . B. Use pointers . . . 3. IMan's perception is organized A. Make apparent the organization of messages . . . B. Choose organizations consistent with concepts or subject matter . . . (p. 97). Fleming (1970) accounts for individual perceptual differences by stating that: In addition to the general tendencies for perception to be relative, selective, and organized, perception is variable, i.e., man perceives what he expects . . . to see (p. 97). unfortunately, as noted by Fleming (1970), the problems of perception are complicated by factors beyond the limitations of the central nervous system to absorb infermation. Cherry (1957) has explained this phenomenon in the fellowing way: 37 . . . Human recognition is a psycho-physiological problem involving a relationship between a person and a physical stimulus; it is a phenomenon which can scarcely be explained solely in terms of properties of the object or patterns alone. Fer when a person perceives or recognizes an object, a spoken phrase, a face or any pattern, he is making an inductive inference, and associating that perception with some general concepts, class, or universal; and part of the clues upon which that individual operates may be private to him.and depend upon his own past experience (p. 299). The literature reviewed implied that perception is a complex phenomenon involving survival, limitations of the individual per- ceiver, circumstances surrounding the event to be perceived and the previous experience of the viewer. Perception was also described in the literature as being selective and difficult to predict because of individual differences. Little specific advice was feund on designing efficient and effective graphics. Viewer Characteristics In examining chronological age and preference fer different picture types within instructional settings, Moore and Sasse (1971), have summarized the following points from research by others: 1. Younger children prefer simple illustrations showing little detail (French, 1952). 2. Older children and adults prefer complex and detailed illustrations (French, 1952). 3. Ybung children tend to look at parts of an illustration rather than the illustration as a whole (Miller, 1938; Elkind, Koegler and Go, 1964). 4. The ability to receive information from a picture tends to be a developmental process (Travers, 1970) (p. 438). The sophistication of the learner in the successfu1 interpre- tation of visual cues is also acknowledged by Thompson (1969). Today's students are also thoroughly familiar with a variety of graphic clues to visual cues. They know that devices such as underlining, enlarging, changing color, 38 encircling, boxing and the like are indicative of the importance of certain parts of a message . . . the more cues we already have within our response repetoire, the more meaning a graphic has fer us (p. 57). Travers (1964b) in examining the research and theory related to audiovisual infermation transmission found research to support a statement of a direct relationship between intelligence and the ability to interpret and.remember visuals. MtBeath and Finn (1961), after comparing the relative effective- ness in factual learning of a captioned filmstrip, a captioned film: strip with narration, a sound.filmstrip and a filmograph, found that, although no one method was significantly superior, students with higher intelligence did significantly better than those with lower intelligence. Miller (1957) concluded that the nature of the audience viewing illustrated material might influence the need fer details which would influence the information transmitted: With highly motivated students who are experienced viewers of pictures, one might expect such factors as size of screen, distance from screen, angle of view, and illumina- tion to be critical only if they interfere seriously with the presentation of the relevant cues (p. 82). The literature cited above suggests that the ability to inter- pret and remember visuals is directly related to the intelligence and motivation of the viewer. It is also suggested that viewing skills increase with age and, if the message is relevant, can be interpreted with.a minimum number of cues by the sophisticated viewer. 39 Attitudes in the Learning Process The importance of emotions in the learning process has been summarized by Edling (1972): Historically the term affect has served as a class name for feeling, emotion or mood. As such, the concept has a great deal of relevance to the educational enterprises for it is clearly recognized that the feeling dimension of the learning process is as critical as the cognitive dimension, and that affective outcomes are as relevant as cognitive outcomes, when considering educational objectives (p. 91). .Authors such as Mager (1968), Kinder (1973), and Triandis (1971), have all attested to the importance of attitudes in the learning process. The ability of instructional media to affect attitude and even change attitude has also been documented and reported by Peterson and Thurstone (1933): . . . The experiments we conducted show that motion pictures have definite, lasting effects on the social attitudes of children and that a number of pictures pertaining to the same issue may have a cumulative effect on attitude (p. 66). Kinder (1973) has also made strong assertions in favor of the media being able to positively affect attitude: Attitude and behavior changes are facilitated by means of instructional media, as are the getting and holding of many students' attention. Instructional media have been shown to induce greater acquisition and longer retention of factual information and to stimulate interest in voluntary reading . . . (p. 19). Barber et a1. (1970) has expressed a similar sentiment by stating that: ,Media presentations in themselves represent an important means of influencing attitude learning or imple- menting attitude change in the larger social context (p. 116). In an expansion of the theme of continuing education and the importance of learning beyond the immediate classroom situation, Carpenter (1962) has written that: .40 The higher levels of motivation lie close to some of the best educational objectives, such as the development of the self-motivated or autonomous learner, and the encouragement of the exceptional student to whom learning is its own reward (p. 300). While many authors have acknowledged the importance of the affective domain in the learning process, Travers (1967b) has dis- cussed some of the hazards involved in the measurement of attitude: Clearly this is an area of emerging knowledge but many of the discoveries are not yet so definite that straight ferward application is possible . . . Simple communication sometimes changes attitude and sometimes does not, depending on the presence or absence of other circumstances (p. 404). Similarly Osgood (1957) has cautioned: .Attitude is one--but only one--of the dimensions of meaning, and hence provides only part of the information necessary for prediction (p. 189). Instrumentsreferred to in the literature designed to measure attitude include the fellowing three which have received the most attention and use; the method of equal appearing intervals (Thurstone and Chave, 1929); the method of summated ratings (Likert (1932); and the semantic differential technique (Osgood, Suci and Tannenbaum, 1957). While some information does exist, little is known about the role that attitude toward the nature of the instructional material itself plays in the learning prceess. According to Travers (1967b): Few studies of attitude have been undertaken as studies of learning phenomena. IMost of the research undertaken represents the efforts of social psychologists to understand social phenomena. Interest in attitudes as the product of learning represents a new emphasis in this research field (p. 409). 41 The literature, while acknowledging the importance of atti- tudes in the learning process also cautions against the difficulty of interpretation of attitudinal measures. Instructional media are cited as having the potential to create or modify attitude through the use of mediated messages. .A lack of studies regarding the nature and importance of attitudes in education is noted by TraVers (1967b). Summary The literature reviewed above leaves the general impression that the realism strived fer in.most instructional media productions is difficult to justify. The additional expense and time involved in the pursuit of perfection, according to the majority of research reviewed, is open to serious questioning. While some support can be feund for the use of color, quality and other embellishments this support falls mainly into the affective domain. Apparently students, given the choice, will usually select "quality" materials, however, this selection is not reflected on cognitive test perfbrmance. In the comparison of various levels of illustration complexity on cognitive learning, the results have almost consistently favored the simplified.message design. This simplification has usually been associated with a savings in production costs and, in some cases, higher cognitive test perfbrmance when compared with results obtained in using more complex visuals. Some evidence was also feund to support the theory that the higher the ability level or SOphistication of the learner, the less need there is for embellishment. 42 Support for the importance of attitude in the learning process was found. While most literature reviewed indicated that media was capable of influencing attitude, problems of significance and interpretation were well documented. CHAPTER III DESIGN OF THE STUDY The principle concern of this study was to examine any cog- nitive and attitudinal differences resulting from student exposure to an expensive and inexpensive version of a slide-tape program. It was postulated that extreme differences in the production costs of illustrated materials might affect both the amount of information transmitted by the medium, and attitude of the viewers. @pulation Description The 111 subjects represented the entire second term class of veterinary students at Michigan State University. Forty were females and 71 were male. These second term students were the products of intensive competition to enroll in the College of Veterinary Medicine and academically, represented some of the most intellectually talented individuals in the educational system. They were selected from a total of 754 applicatants, had a science grade point average of 3.28 and an average age of 21.7 years. Students were assigned to three grows by an alphabetic process. Instructions, on a typewritten page, were given to the classroom instructor to read (see Appendix A). The list contained the names of the first and last person in each group along with an assigned group location. With limited time this sample procedure 43 44 proved to be an efficient way of initiating the treatment. Tests ‘were carried out later to determine if there were any group differ- ences due to non-random assignment. Message Desigp_ .A current problem.in the field of small animal veterinary medicine has been the alarming increase in the incidence of heart- worm disease in dogs. The fbllowing information, pUblished.by Michigan State University (1974), indicates the seriousness of the problem: In the pase decade, heartworm desease has moved from non-existence or insignificance in the State of Michigan to one of our major debilitating diseases of the dog (p. 1). While the seriousness of the problem is generally accepted, support material fer classroom instruction has been extremely limited and restricted to graphs, photographs of adult heartworms, photomicrographs of microfilariae and radiographs of infected dogs. As part of the instructional development process the need for sequential, clearly illustrated instructional support material became apparent. IMuCh of the existing support material examined was feund to be confusing and incomplete in regard to the life cycle, treatment and preventionof the disease. Financial support was obtained fer the production of illus- trations and hardward. The original intention was to reproduce prepared illustrations on.microfiche with an accompanying written script. Each student could then purchase a copy of the program at a very reasonable price. In reality, the final product became a 45 synchronized slide-tape program which, in its expensive format, has since been placed on sale fer national distribution. Objectives for the program were established (see Appendix E) and.an in-depth examination with feedback from.parasitologists and other experts in the field was conducted. .A rough storyboard.includ- ing the problem, lifecycle, prevention and treatment evolved over approximately a six month period. Sketches of the storyboard.were then prepared and photographed onto 2 x 2 slides. This rough proto- type of the program was shown to senior students who commented on the clarity of the information being transmitted. Student feedback which primarily concerned itself with the crudity of the sketches, was taken into account and, based on student and additional faculty feed- back, production commenced on the final version of the program in both versions. The final versions of the program consisted of 49 slides (see Appendix F fer sample slide reproduction). The participating veterinarian prepared a script (see Appendix G) to accompany the illustrations and a seventeen minute synchronized cassette audiotape was produced. In the production of illustrations for the inexpensive version of the program.differences were maximized to increase the chances of finding differences on measures of the independent variable--cost. Extremes of individual illustrator qualifications and production techniques were selected to increase the potency of the variables to try and avoid "no significant difference" results (see Appendix F). 46 Production Details/Expensive version Illustrator Qualifications A medical illustrator with a Master of Science Degree in JMedical and Biological Illustration prepared the illustrations. This person also has extensive experience in the production and packaging of medically related slide-tape presentations for instructional purposes. Production Procedure The majority of artwork done in the slide-tape presentation utilized cell animation techniques. They can be broken down into videoboard or carbon dust technique, backpainting and simple graphics. The illustrations that it was felt required detail and a realistic look were accomplished by a carbon dust or videoboard technique. This was a new application of an old classical medical illustration technique. In this method, pastel dust was prepared in the colors to be used; then using brushes and other tools, the dust is applied to a clay coated paper called videoboard. .After basic ferms are laid down, further details are added with dust and colored pencils. Great flexibility and detail can be accomplished with this technique. Another technique utilized was cell acetate backpainting and simple ferms on cell acetates. In this technique, a prepared sketch is placed under an acetate cell and an inked tracing made of the sketch. When dry, the inked cell is flipped over; and using acrylic paints, the reverse side is painted in reverse light to dark. This 47 effective method utilizing flat color is the same method used by walt Disney Studios for their cartoon films. Another effective flat technique utilized is to cut paper forms attached to cell acetate. This resembles backpainting and allows flexibility with background colors and overlays. .Additional cells may be added above or below the prepared cell acetate. Approximately one-third of the illustra- tions in the expensive version of the slide-tape programrused these methods. Other simple graphic methods were used fer the remaining illustrations. .All graphics (basic lettering) was done with dry transfer lettering (white and black) directly on acetate cells. The original layout, style, and point sizes were predetermined prior to actual production. Use was also made of 3M Color-Key for special effects and color graphics. These simpler methods were employed in the graphics unit of the medical art department and did not involve the medical illustrator to any great extent. The use of cell animation techniques and special color effects was specifically planned so the final result was a smooth flow of visual material in a slide-tape fermat. Artwork Progression Thumbnail sketches prepared Approval of thumbnail sketches Small, more detailed sketches prepared Correction of small sketches Large, full scale master drawings completed. At this point the visuals fer the slide-tape program were essentially completed. .All ideas were then finalized and put into 48 finished graphic fermat. These drawings were then ready to photograph for the initial evaluation of the program. - Final artwork completed - Photographed in final format Production Details/Inexpensive version Illustrator Qualifications An elementary school teacher who had a special interest in media illustrated the inexpensive version of the program. This individual had limited experience in free lance photography and had completed one graduate level introductory course in graphics. The coordinator of the original program worked closely with the elementary school teacher who produced the inexpensive version of the program. The script and the thumbnail sketches from the original production were used.by the coordinator to insure that the illustrated.messages on both programs conveyed the essential informa- tion. Care was taken not to expose the illustrator of the inexpensive version of the program to any of the illustrations or rough story- board sketches produced for the expensive version of the program. The original rough storyboard prepared for the expensive version of the program was used as a guide in the preparation of visuals for the inexpensive version of the program. The design for the inexpensive version of the program was transferred.from.the original rough story- board onto 3 x 5 cards by the researcher. Final design details were planned by the researcher and the illustrator using the prepared cards and the script to determine the essential message components. 49 working closely with the script, only details necessary for trans- mission of the essential message components were included in the inexpensive version of the program. Every attempt was then made to keep cost at a minimum in the production of the final product. The techniques and methods employed were designed to provide results as efficiently as possible. The difference in production time, approximately 300 hours, is reflected in the following table: TABLE 3.l.--Production.Time (hours) Required for the Preparation of the Expensive and Inexpensive versions of the Program. Expensive Program. Inexpensive Program Illustrator 180 21 Photographer 6.5 3.5 Student 145.5 TOTAL 332.0 24.5 Production Procedure Basic outlines were copied from medical journals and related articles onto tracing paper. These tracings were then transferred onto colored construction paper and cut out. Labels were typed using a primary typewriter, cut into squares which could be readily moved, and were re-used on a number of illustrations. .Acetate over- lays were drawn so the same basic figures or base cell could be used in illustrating a number of different situations. 50 Two x two 35mm slides were taken of the various illustrations using different overlays in combination along with the apprOpriate descriptive labelling. The cut-outs, reusable labels and acetate overlays resulted in a minimum expenditure of effort and materials for the results obtained. Materials utilized in the production of the inexpensive version of the program.consisted of: an xacto knife, scissors, metal straight edge, colored felt pens, Hunt crow-quill pen and penholder 'with India ink, primary typewriter, paper cutter, ball point pen, #2 pencil, rUbber cement, and colored construction paper. Artwork Progression Consultation between the producer and the illustrator was carried out on a continuing basis and constant communication was maintained to insure that the same essential content information would be transmitted in.both versions of the program. Common Elements Common elements to both programs consisted of five photo- micrographs, three photographs and two radiographs. These 2 x 2 transparencies were supplied by the participating veterinarian. These slides depicted either heartworms in the dog's heart, radiographs of infected dogs or photomicrographs of'microfilariae in the dog's blood. For identification purposes these slides would have been extremely difficult, if not impossible, to reproduce by artistic or other techniques. On this basis and since they were provided free, 51 they were incorporated into both the expensive and inexpensive versions of the program. Narration .A final script (see Appendix G) was prepared by the partici- pating veterinarian after corrections were made based on feedback by the researcher. The 17 minute audio portion of the tape was narrated.by the veterinarian. .A slight modification was made in the narration of the inexpensive version of the tape (see Appendix G). Since the inexpensive version was not produced by the Biomedical communications Center and two of the credits were no longer appro- priate, this information.was edited out of the narration for the inexpensive program. The recorded infermation regarding canine heartworm disease remained.the same in both programs. Synchronization of both slide-tape programs was identical and was accomplished by placing a 1000 hz. signal onto a cassette audio- tape. Equipment and Facilities Both versions of the slide-tape program were played back on Wbllensak model 2550 tape recorders synchronized with Kbdak carousel slide projectors with four to six inch zoom lenses. Both treatment rooms contained wall mounted projection screens which permitted the projectors to be placed in such a way that the images were the same size and filled each screen. 52 Production Time Difficulty in interpretation of differences in production time between the two programs is complicated by the production sequence followed. The inexpensive version of the program utilized the rough storyboarding which was planned and developed for the expensive version of the program. Although this material was not used directly, it was of great assistance to the researcher who used it to plan the sequence and basic layout of the inexpensive program. Students were employed by the Biomedical Conmunications Center mainly for the production of graphics. Their production efforts were supervised by the medical illustrator. The time reported for the illustrator represented time spent on production only and did not include other supervisory and developmental time. Production Costs The illustration production costs represent estimates pro- vided by swport services at Michigan State University. These figures were compiled during the winter and spring of 1974 and have risen dramatically since. Thus the current cost of producing the program would be considerably higher (see Table 3.2) . The expensive version of the program, except for the composite titling of six slides, was produced by the Biomedical Communications Center. The facilities of the Instructional .Media Center were utilized for the production of the inexpensive version of the program. Cost estimates were provided by these swport services at Michigan State University. (See Appendices H and I for a documentation 53 TABLE 3.2.--Production Cost Summary for Labor and Materials Required in the Production of Illustrations for the Expensive and Inexpensive Versions of the Program. Item Expensive Program. Inexpensive Program Labor Illustrator $ 900.00 Illustrator $ 48.30 Photographer 32.50 Photographer 17.50 Student 727.50 TIBBUTUU' $ 65.80 Materials $ 826.75 $ 69.40 TOTAL $2486.75 $135.20 of labor and.material cost for both programs.) When compared to rates charged outside the university, the cost of producing instruc- tional materials within the university can be considered conservative. Cognitive Instrumentation Based on the objectives developed for the program.on canine heartworm.disease (see Appendix E), a 34 item.quiz was assembled by a veterinary parasitologist. TWO tenth term.students assisted in the initial construction of the instrument. They viewed the program and then attempted to answer the quiz. Their comments and suggestions for change were helpful in constructing the initial instrument. The original revisions resulted in a 34 item constructed response quiz. The validity of this instrument was tested with 25 tenth term students since second term students were unavailable at the time. The answers, which consisted of either a single word or a short phrase, were scored by a veterinary parisitologist. The results were then submitted to the University Evaluation Services for analysis. 54 On the basis of calculations of their index of discrimination and index of difficulty scores, nine of the original 20 questions were revised and three eliminated. The veterinary parisitologist and the coordinator of the program then worked on the final revision of the c0gnitive test which contained a total of 19 items and 31 blanks. Students were requested to respond with either a single word or a short phrase to complete the sentence in the space provided. (See Appendix B for a copy of the final instrument.) Based on revisions made during the pre-testing and the develop- ment of the cognitive measuring instrument by an expert in the study of canine heartworms, the instrument was considered valid although no validity measure was obtained. Content on the slide-tape program and the information required to complete the cognitive measuring instru- ment were closely examined to determine content validity. .All of the infermation required to answer the questions was feund on the slide- tape program. Attitudinal Instrumentation One of the most widely used methods of measuring affect is the semantic differential. This instrument allows the researcher to pre- sent a variety of attitude objects. .A series of scales, bound by bipolar adjectives, are employed and the subject reacts to the attitudinal object on this set of standards. The popularity of the semantic differential is partly explained by Darnell (1964) in the following manner: 55 One of the strong advantages that the SD (semantic differential) has over other comparable instruments is the speed.with which it generates data. It can be administered to groups of subjects limited in number only by convenience (p. 4). The criterion instrument used for measuring attitude in this study was 3 Semantic Differential. The scales used were selected intuitively to simulate an evaluative response from lists developed by Osgood. Three tenth term students provided feedback on the suitability of the bipolar adjectives selected to evaluate the pro- gram. Based on their response four of the adjectives were replaced. (See Appendix C for a copy of the final instrument.) The procedures fellowed are described below and were drawn from a dissertation by Bellman (1972). 1. Twenty scales were selected from Osgood's list and written in polar position as given by Osgood. The scales were numbered for purposes of random drawing. Individual slips were prepared for numbers 1 to 20. The numbers were drawn to determine their order of presentation according to the following decision rules: .A coin was flipped to see if the first draw should be "+" or "-” in polarity where "+" polarity is the order given by Osgood and "-" polarity was considered to be the reverse. .After appropriate instructions were developed, an example was given fellowed by the 20 ordered scales as determined in number 4. Additional Infermation Questionnaire .A questionnaire was constructed to gather additional informa- tion for comparative purposes. The first question was designed to compare whether students liked or disliked the program with the 56 results of the semantic differential. Questions 2 and 3 asked if subjects had any difficulty seeing or hearing the program and if they had previously seen the program.on canine heartworm disease. The last question was open-ended and asked for general comments on the program‘viewed. The Experimental Design_ The experimental design for the present research incorporates two treatment groups and a control group. The second term veterinary class, consisting of 111 students, acted as subjects for the experi- ment. The subjects were divided into three groups of 37, 36 and 38 respectively. A.cognitive test instrument was designed to measure short-term factual recall of information presented on the slide-tape program.on canine heartworm disease. Experimental group number one viewed the expensive version of the program while experimental group number two viewed the inexpensive version of the program. The control group was not exposed to either version of the program. .All three groups completed the cognitive test instrument. Since there was reason to suspect that the subjects had some prior information regard— ing canine heartworm disease, it was considered important to determine how much information the subjects had prior to exposure to the program. The control group served this function. In addition to the cognitive instrument the two experimental groups also completed an attitudinal instrument designed to measure student attitude toward the slide-tape program viewed. .A general information questionnaire designed to gather general information was also completed by the two experimental groups. ‘57 Due to non-random assignment to groups, possible differences ‘were tested by an analysis of variance using first term.grade point average as a measure. It was postulated that this grade point average would be the best indicator of future student success. An "F" test was selected to test for significant differences among group mean scores. An alpha level of .05 and a two tailed test were selected for rejecting the null hypothesis. The specific null hypothesis tested was: There is no difference in first term grade point average among the three sample groups. TABLE 3.3.--Ana1ysis of variance for Determining First Term Grade Point Average Group Differences. Sources df MS F P Treatment between groups 2 .8476 3.8478 P<.0244 Treatment within groups 108 .2203 F = 3.15 at alpha .05 The null hypothesis that there was no difference among the treatment groups based.on first term grade point average was rejected. An estimate of contrasts was then perfOrmed at the 95% confidence interval to explore for differences between specific groups. An indication of the possible difference between the groUp means was obtained by computing a confidence interval as described by Kirk (1968). The confidence interval provides the estimated range of values with a given probability (l-alpha) of including the true difference between 58 the population.means. If a confidence interval does not include zero, the hypothesis that the two population means are equal is rejected. According to Kirk (1968), confidence interval estimation permits an experimenter to reach the same kind of decision as when significant tests are used. In addition, confidence interval pro- cedures permit an experimenter to consider all possible null hypotheses simultaneously. TABLE 3.4.--Least Square Estimate of Contrasts to Determine Group Differences in First Term.Grade Point Average Between the Expensive and Inexpensive Treatment Groups. 6 i t/z 5.8. 51 is Expensive vs. Inexpensive C.I. = -.08 i (2.0) (.11) C.I. = (~.301