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LIBRARY Michigan State University This is to certify that the thesis entitled BREAD LINES presented by Rod Murphy (Gerard Robert Murphy) has been accepted towards fulfillment of the requirements for Master's English degree in W Major professor Date S/lq /%$ 0-7639 MS U is an Affirmative Action/Equal Opportunity Institution MSU LIBRARIES .—:~—. - RETURNING MATERIALS: Place in book drop to remove this checkout from your record. FINES wiIl be charged if book is returned after the date stamped below. BREAD LINES By Rod Murphy (Gerard Robert Murphy) A THESIS Submitted to Michigan State University in partial fulfillment'of the requirements for the degree of MASTER OF ARTS Department of English 1988 ABSTRACT BREAD LINES By Rod Murphy (Gerard Robert Murphy) This collection of poems has been compiled from work done in various writing workshOps over the course of the previous two years. The influence of Diane‘wakoski is to be seen in the free verse approach to modern topics. Recurring topics in this volume include nuclear disarmament, child-rearing, European travel, Catholicism and the American Midwest. DEDICATION To Diane Wakoski , in deepest gratitude ; To the Crawleys , for their constancy; To Kathy, Cara and Neil with all my love. ACKNWLENEMENTS "Else." was first published in 22°. Burning World. “Ute Through the Window,” ”Accepting the weight." “Time at My Aunt Sandy's." "Letter to Gorbachev“ and "Boogie in Bougival' were first published in issues of 1h: 35 Cedar Review. “March Playground” was first published in 3113 Musing. 'At the Post Office“ and 'Deep Office Judith'I were first published in '_I‘_hg Voice 9; Satan Branch Zifi. TABLE OF CONTENTS Bread Lines, 1 Swan's Neck, 3 Time at My Aunt Sandy's, h When Dad Got Transferred, 5 Ollie North Wires Bill Casey for Instructions, 9 Picking up a Six of Frankenmuth Dark at the Albion Drug, 10 Surf Song, 13 Off the Interstate, 1h Deep Office Judith, 15 Love Meditations of the Auxiliary BishOp, 16 For the Lady in the Gold Jewelry Ad, 18 The New Car Blues, 19 Monika, 21 Mary and Her Stockboy, 2h Genealogy on Wheels, 25 One More Dinner, 2? Delivering Beer, 28 Getting What I Give, 29 Once a Supernova, 30 Joined at the Ankle, 31 Kissing on the Streets of Hamtramck, 35 Don't Bother with the Blinds, 36 No One Tells Me a Thing, 38 Robin's Gold, 39 March Playground, #2 Claggart in the Rockweed, #3 The Bishop's Diary, an Chance Meeting, 45 Love is a Red, Red Trans Am, 1&6 Temptation in the Desert, #7 Station Wagon Math, 50 At the Post Office: Tour 1, Clerkside, 52 The Truth About Eyebrows, 5h Jersey Dawn, 56 Playing Piece, 57 It's Only, 58 Ute Through the Window, 60 On Discovering You Hard at'Work at a Table in the Library, 62 The Second Course in Biblical Aerobics, 6h Update, 68 Letter to Gorbachev, 69 Still at the Breast, 71 vi Accepting the Weight, 72 Detroit: I Crouch and Wait, 73 Drawing Away, 7h Lamb's Way, 76 L'northodox Price, 77 Death Pleasure, 78 If Food Is Love, 80 Elsa, 83 almost too slight, 86 Boogie in Bougival, 88 Inhale Through Your Teeth As You Swallow, 9O Hearing It on the Radio, 92 Obits on File at the Wildlife Desk, 95 Cleaning By Room, 97 Homemade Baking Powder, 98 Cave With Stone, 101 Birth Rite, 104 Margaret, 105 All the Bells, 107 vii mmz‘l'henurplvrourefEm-epe 'Ein Mensch, der kein Bret isst, der ist verloren, sag ich dir.‘ --He1nrich 3611 In Copenhagen's pedestrian acne, snhrrebred, rich as ulnnt rubbed with linseed oil, canbebrokenapartinthehmdsand eaten as a talisman against the August chill. Pebbled through with grain and dinpled along its crust, the leaf will get us through the Tiveli Gardens, perhaps out to the Mermaid where geese will henk impatiently for crumbs. Our morning in St. Male will coincide with low tide alaig the Brittarw coast ardtheweeklybakingefpaindeeanpagne, an enemous wheel of peasant bread we can eat with fresh tomatoes, sprigs of basil and mineral water. From the cliffs Just west of town, we will look for the Jersey islands and watch the bread and the beach recede. After we walk the ramparts of Rethenburg ob der Tanber we will be sampling califlower salad, lentil soup and vollkornbret M the pensien's private bakery. Each slice is dark and heavy as mahogany, a residue of treacle rests beneath the butter, and if you ask for more, our host will flourish small baskets lined with linen napkins and.urge you to take them to your rooms. Our day starts in Florence with hard rolls, the crust still dusty with flour. The rolls, the Florentines assure us, help to clean your teeth. Here, too, you will want to ask for more, one for your purse or'your pocket. The ascent up the Duane is too much without hard rolls. Our last city, Antwerp, is a haven for these in the group who appreciate the aesthetics of lace cookies- but here, too, there will be bread, pale Rubenesque leaves of plump raisin bread tapped with a thin veneer of dribbled icing. When thinly sliced each leaf is an exhibition of golden, unseat and currant raisins. Double shots of Armagnac in our tea, we will linger over the last slice of bread. Swan's Neck From the berm circling aw daughter's soccer field I see them, Four men and a boom-bout on the asphalt court going two on two. The r a: b radio coaching on the sidelines one guy goes up double pumps his jumper his arm in the afternoon sun like a swan's neck on water. m AT MY AUNT SANDY'S I. Late September, 1962 It's just Aunt Sandy and I with Uncle Joe gone to Newark each day for work. Her freckled hands smell of Jergen's lotion when she folds her kleenes: into squares to put under her china coffee cup. She dries the bathroom sink with a towel each time the water is run. At lunchtime she makes breast of turkey suidwiches , lets me make chocolate milk, fills out w plate with orange slices and shortbread cookies . I an nine years old in Avon-by-the-Sea, New Jersey andwhenwewalkupll‘ourthStreettothe ocean thebeachlookstomelikennraunt without her make-up on. All the sturdy umbrellas are gone, the canvas windscreens with their salt-crusted stakes have been rolled away. Adele, Gordon and all the bridge players have moved their game indoors. The lifeguards are back at Montclair Stats. My sister has gone home to Pittsburgh without me because aw elbow is still shattered packed in plaster and itching. For the first time in aw six sunmers here I have stayed on past Labor Day- two extra weeks of mending at my Aunt Sandy's where coffee percolates every morning, where the meals are all on time, where every bed gets made. Late afternoonwhenwewalkalongtheboardwalk past the closed salt water taffy stand, mly the old men with hair coming out of their ears and noses are still interested in the ocean. II. Early November, 1985 Uncle Joe hugs my wife, picks up our two children. We were here just last summer. Today we arrive before the other out-of-towners. Aunt Sandy had wanted an extra month at the shore, had stayed in Avon late into October. I can remember the look of Avon without the tourists, but I cannot picture Aunt Sandy like this. A stroke, an aneurysm, death. In the morning, while an uncle showers upstairs, I make coffee in her kitchen: scoop aounds from a yellow and black can, plug in her electric ceffeepot and wait for it to perk. ‘When Dad Got Transferred Down the Liberty Tubes we went away from Pittsburgh and Sister Ligouri and the grass playground and the school carnival to unknown Detroit. At Queen of Martyrs thick, dust-infected glass and pane on pane of one closed window, and then another: the scent of pink-white magnolias shut out, every hint of spring kept outside. ' Stand and recite, please. Memorize for tomorrow. Diagram, record, copy. Outline--complete sentence outlines. The definition of a preposition, please. Sit up straight. No talking. And Sister George Ellen, thirty years older than Sister Ligouri, kept miSpronouncing my name. How'was Dad to know? 0ne.American city as much like anothe -- every Howard Johnson has a blue roof every schoolteacher a gentle heart. ‘We suffered in silence and skinned our knees running on blacktop. Those straight rows and aisles were to be mirrored meticulously on our aisles of ”i's' and “0's"-- a good hand the foundation of a clear life, an organized desk the paradigm for a godly home. On the very edge of adolescence we were set boy against girl each computation a competition, the room itself divided into long skirts and shiny trousers. No visitors. In quarantine we learned to puppet answers to despise James‘whitcomb Riley to parse a complexpcomplex construct to write on desks for want of any other avenue of self-expression. My sister and I remembered Sister Ligouri teaching us to square dance, and here learned to stare dark holes into the tops of our desks. OLLIE NORTH WIRES BILL CASEY FOR INSTRUCTIONS: variations on a theme I still don't know the zip code. Zip! I don't know the still code. Still the zip-ml don't code the know. Don't I? Zip still: Code the know: Code the zip. Know? Still the I. Zip the code still, don't I know. Zip know the still, don't I? Code? The code? I don't. Still. Know the-- Code still. I, the zip, don't know. The know code? I still don't zip. 10 Picking up a Six of Frankenmuth Dark at the Albion Drug Down hard on the counter I deposit my paycheck beers. Brown as toasted cinnamon the stuff gurgles at the neck while I unbutton the flap of my shirt pocket to fullble with the loose bills. This tall cashier in a brown vest, the one with flounder cheeks and Jumpy eyebrows, has begun to recognize me. "You coming to the Street Fest? . The Jayoees set up a big tent right out front here every year." He knows enough not to ask for aw phone number or for wicker breadbaskets full of homemade muffins or for a seersucker suit worn behind the lemonade stand or for raffle tickets in their tight coils. Just yet. I'm one of the newer ones in the pond and he knows just how much line to give me. This guy knows, I'm sure of it new, that I've yet to put up drapes in the living room, that I'm working second shift for Westinghouse that aw license tabs expired last month. 11 I touch a plastic silo of pretzel sticks next to the register and consider two for a nickel, but they have no smell like the twisted, hot ones my mouth remembers so instead I turn to go, change in my fist, no salt on my tongue. In an oversized blue and green canvas slicker, her back to me, bent over the plywood magazine rack a teen-aged girl jerks as I walk up behind her toward the side exit. Her head.flips to the left and I watch her try to Jam.a magazine back into its slot. She fingers a nearby sack of red licorice chunks, shifts her weight from.foot to feet, then stumbles against a display of sewing notions. Together we notice how the pages of the magazine have been bent back to leave visible the full color preeming of a bronze Adonis' naked self, his smile self-conscious, his penis a bookmark of distinction. Setting down my beers I take in no hands three bright-yellow rubber balls from a chickenawire basket of the things and. I begin to juggle: patterns, showers, circles. 12 Deciding against attempting five , I catch the lidless eyes of the cashier, wink at the off-balance girl. "Street Fest," I say, I'Saturday night." I press the door's bronze tongue and step outside. I have given them something to talk about. 13 Surf Song Take me back down to the sounding surf to the surly, pounding sea Let me go riding the crest of a wave and I'll cry aloud I am free. 1h Off the Interstate Stopping at the Sportsman's Lounge we found live country bands lime-green restrooms and dime-store vodka with a twist. Sitting there at the knotty pine bar, our faces trapped like dumb game frozen in the headlights of a smoked glass mirror, you read out loud the poster tacked on the wall: "God, guns and guts made America free. At any cost, defend all three." Later, in the dark, away fromlhome, beneath scratchy sheets you said quite Phinly. “touch me," and I, awake, full of a week's longing, moved to defend you from.oneoming traffic. 15 K Deep Office Judith Squats in her front office bunker, ‘Wiggles her toes inside tarpaper pumps, Buzzes on and on about the Ethics of the damned. Clutches a manual of ceremony In her splayed hands, Grooms herself in a spandex pantsuit, Marshalls handmaidens to her left and right, Vermouth like venom.under all of their tongues. Cackles over interooms to the rank and file, Gathers paper in shreds and stacks, provisions For the siege: our local Furor. 16 Love Meditations of the Auxiliary'Bishop In the Darryl His cassock Comment And then he The sealing On the gold Tells my All they To Following my I am led 37:13-15 For'my And for seven I struggle My beads and The coming of A half crouch My'twin Sacristy Adjusts Until I Favorably Smiles. wax EnveIOpe Fingers Need Kn”. Breviary To Siraeh And pray Feet watchmen. With Await Sleep in Beside Bed The police With news that Has been found A bath house Downon Only Darryl no Of those at Knows that I had Father Bob he Quickly be 17 Call Father Bob Dead in Stabbing Canal Street. Acolyte The funeral Informed Must Reassigned. 18 For the Lady in the Gold Jewelry Ad Tonier , tawnier dearer by far than bronze goddesses purer than mountain water in the Dolomites cleaner than the clanging bank vault niftier, swiftier sure to please in strands across the knees in baubles meant to please in drops of gold gold gold you are more than quick silver . 19 The New Car Blues (to be accompanied by hub cap and keys) They cone in blues and reds, they come in greens and greys. We gonna get ourselves a new car one of these old days-- and I got the new car blues yeah , I got the new car blues Iain'treadytogiveupouroldcar got a case of them new car blues. Now Papa he been saving and Mama been working too, say we need a station wagon, nothing else is gmna do.- now I got them new car blues coming down with them new car blues I like sleeping in our old car can't sleep away these new car blues. My Mama say be quiet Papa, he getting mad. They say we gotta get a new car cause our old one run so bad-- 20 don't I got the new car blues me and m sister got the new car blues don't wanna give up our old car so we crying the new car blues This here wagon sure look flashy and the air conditioning's fine. We got power locks and windows, Mama say it the tap of the line... gotta start rethinking the new car blues ain't sobadhavinganewcartouse we sure did love our old car but now I'm losing those new car blues. 21 Monika Monika worked the front lines at the Hauptbahnhof, Munich's main train station. She ladled goulash to customers, handed them platters of horseradish, cheese and pretzels that I had made up in the back. ‘Whenever I came with.water to refill the steam.tables, she would.step aside and twirl her right index finger through the caviar-black luxuries of her hair. 'When business slackened or when trains were late, Monika would bend over the washing station to disinfect the quarter-liter glasses we used for beer. Standing like that, her hands working the suds, dipping the glasses into an iodine solution, her head bowed over her chore, Monika was my Europe 22 and w Realpolitik and my history of art. Monika was all I wanted to know about Albrecht Derer's aesthetic. The Isar blue of Monika's eyes was all I wanted to learn about Kandinsky. The darkness of Monika's hair was all the foreboding I wanted to have about the Reichstag fire and its pull of smoke. When she stood like that washing beer glasses , I could see the exposed nape of Monika's neck with its tim', dark mole and I could feel w thumbs and m lips worshipping that open expanse of skin. When she lifted a soapy hand to draw back a wisp of hair 23 that had fallen across her neck, Monika was w own Panzer division drawing back across an unstained Belgian field. 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