masxs I \ i ‘ LIBRARY Michigan State 1 University 1 fi This is to certify that the dissertation entitled MUSIC THERAPY CLINICAL SUPERVISION: THE EFFECT OF PLANNING AND EVALUATING SUPERVISION SESSIONS ON SATISFACTION WITH SUPERVISOR SKILLS presented by Barbara Cobb Memory has been accepted towards fulfillment of the requirements for PhD degree in Music Education/Therapy Major professor Dr. Melanie Stuart Date July 25, 1984 MSU Ls an Affirmative Action/Equal Opportunity Institution 0-12771 IVIESI_J RETURNING MATERIALS: Place in book drop to LIBRARIES remove this checkout from —_ your record. FINES wiH be charged if book is returned after the date stamped beiow. MUSIC THERAPY CLINICAL SUPERVISION: THE EFFECT OF PLANNING AND EVALUATING SUPERVISION SESSIONS ON SATISFACTION WITH SUPERVISOR SKILLS BY Barbara Cobb Memory A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY School of Music 1984 “I? N‘m < “"- ", m1» hfifl'n;: .-. ‘-\-. my; ,r 3.00! v" a.» ~ ym .e»... . « ;.- _‘ ,(f‘iu {- nu music the: ~,; ~ I _m£‘tiv3 with ~', n,» “:uug map © Copyright by you ”are Lmniv-m QQBB MEMORY 1984 'i I ”at-enter auu 5 Wm." ‘ r to planned t'h' "Locum” and 2.31: - O u‘qfiir If IMim hit): tilt; a 3x3. * ~ .7. 1 '4 .; ,.. . . chitin has ““63243‘1 “- ' t», '4‘ .~ .a‘ . « x. counselor, and Q um A air? v..-. f- . «is 't' ' "‘ a “a W G‘Urefi’» ?<)l UQW'M‘H 3*. .4; 19"‘133 'r":' ..""" i~ » {up-time. level). Matterhcx’i mum tax-ind- ”A. Pen-on Can-nurse. ca‘ltacuau. 1*th . autistic-u. no 5.1th new in ”if” . '. a? I. a . . ( v.9; ABSTRACT . r ‘b' MUSIC THERAPY CLINICAL SUPERVISION: “N THE EFFECT OF PLANNING AND EVALUATING SUPERVISION opox'eaESSIONS ON SATISFACTION WITH SUPERVISOR SKILLS ’b‘ttk;5” L. ‘ BY é rand n1r1~ . .1 Barbara Cobb Memory 0 .. EC‘r Se; .' - , Skill Int," 9‘ .- y. '. I' I! U‘ Will music therapy students and clinical supervisors be t ' . 811' u . ‘ ’7 J lure satisfied with supervision as a result of planning and 4 the In [evaluating supervision sessions? Supervisory pairs from the ' 8AL18f-” 4‘: ‘ Richigan State University Music Therapy Clinic were assigned ‘h hjaypt' -:}to experimental and comparison groups. Experimental group mpgrvisors planned the content and process of supervision {le‘ . J: L sicns: students and supervisors evaluated supervision Satisfaction with the supervisor's use of specified n' ' rvisory skills was measured for overall and subscale “a v2 '3‘ ‘t 113 (teacher, counselor, and consultant skills). A trait “ba_-“n 7- 1‘“ gel oo-variate was measured for students (skill level) and ' r09; w» "x sore (experience level). Statistical analyses includ— geway ANOVA, Pearson Correlation Coefficients, T-Tests, Irriptive statistics. No significant differences in .zftion were found for the experimental and comparison V'apdtherefore an ANCOVA was eliminated. Supervisors pg: were significantly more satisfied with all ikiflgkill areas at posttest than at pretest when H ;tions were not considered. SuperViBotQ Ligézggégfiag ' , ,2 25:.-; '. .7 1 Barbara Cobb Memory reported significant gains for student clinical skills at posttest in the areas of session management, personal skills, and musicianship, but students reported no significant gains for self-evaluation of skills in any of the five subscale skill areas. High and low experience level supervisors reported no significantly different satisfaction at posttest, although the low experience level supervisors reported a higher mean satisfaction and higher standard deviation than did the high experience level supervisors. No significant correlations were found for student skill level and student satisfaction with supervision or for the supervisors' and students' evaluations of student clinical skills. An interactive model of music therapy clinical supervi- sion, a comprehensive review of supervision literature, a discussion of findings, and recommendations for further research were presented. ACKNL-W.!'r;(MFIR'I ,1 ' ".Ild Iike to express 9; ap reczaLlr' :. Jen; '» .2. helped me an ' '29: my wear- 1’ 3"» ‘ _ I e. .2. 2r: .5.- ~ CI 0! this aft-=3] lTridjn'r. f_': 7' 1'15 the, Dr. "I: 1am -: '5. Pita; ; . 2‘: C --5 4,; J‘_i!.~:‘t It. TheodoraTflOMABhCLINTONfCOBBY* A:I 'n : ~qd Wv Ianua, to: {weir mnepeandzrr nz‘ a»:;:'as :. "1‘ like L JELIBAIEEHSROGBRS 9033:. W . . l :‘as. :'£‘:':'31., Dyers, and Ms. W . \-..- ’40: ‘iz-J . :1;,,_ -,‘ '-.. A. r-u-c’t 3‘90! thF'lI inequity 'ss 2'," ‘~ ”FJ'W 3.35;, '..'.".L1q’u spacial thanks go to Fri}. Path .-1!:'_ :32: ’r 6.1.: Gollseunc and ‘xliru; 'he "41)";1‘ :' an it cooperation in pertzcipctih, :u ‘ 3: v‘v‘: . ~ts and BupfltVLdflti c; .S‘ :52 QuJVJ 71.14;; Milflbcrt Unksfer, Hr. hogs! anohssiey. and an. ‘ lisflnsc-ospeeially helpful in [2V1ccikq the tent in HM“ .. “may t. Mlmfis 2mm.“ hum «new In to: the «at “3qu m. ms. at as. x 1“! .‘ I “ ' \‘un, up . ACKNOWLEDGMENTS .,‘ £18&CX? a haul would like to express my appreciation to many people ‘lfioihave helped me during my years of doctoral work and the -p&lparation of this study. I thank the members of my doctor- 31 committee, Dr. Melanie H. Stuart, Professor Robert F. flukafen, Dr. Theodore 0. Johnson, Dr. Dale Bartlett, and Mr. dbleph Hanna, for their cooperation and assistance. .‘ EemuxI would like to thank Mrs. Ruth Parry, Mrs. Fran Hebden, ‘ki:lae lusan Byers, and Ms. Alice Moreno, Music Department - igicrataries, for their helpfulness in so many ways through '7¢¢J~:xoars. -Special thanks go to Mrs. Ruth Parry for her I ‘ ’3‘»; if;z;_stance in collecting and coding the various tests used in hilifrfltudY;*i‘, A .v; y- W1. tgihetonfltheir cooperation in participating in this study, I ln‘thecstudents and supervisors of the MSU Music Therapy 5: p £7 alt. Robert Unkefer, Mr. Roger Smeltekop, and Ms. -I'TN _,51168mithswere especially helpful in reviewing the test ”.;‘r-tlfiandoconducting the.experiment. ‘ P IoasaMurphy, Dr. Louise Sause, Dr. Joyce Wunderlich, and Wham .Erbes . .loyaJSeveral people gave unstintingly of their time, exper- gags, support, and encouragement. Dr. Melanie Stuart, my . ff fdfiélortation advisor, encouraged me to pursue with vigor and dihigh standard of scholarship my chosen topic. She clari- Iied murky issues, gave extremely helpful suggestions, asked "{ provocative questions, and allowed me to work in my own ' style. Ber professionalism, dedication, and good humor in - advising me will not be forgotten. Mrs. Virginia Cobb Bement and Mr. Michael Benjamin 75ement, my sister and brother-in-law, typed this manuscript rpand all its revisions. They permitted me to meet every .fgtdgadline through their patience, diligence, and painstaking ‘ :Vgttention to detail. Mike improved the model of the supervi- ‘J I1Qn system and made the final drawing for the dissertation. o'- , a; iflgir contribution to this project, as well as their assis- :1 4. figsuce and enthusiasm during our East Lansing years, made EhIao times pleasant as well as productive. . ‘_ My special thanks go to Professor Robert Unkefer, my rt 30:, colleague, mentor, and friend. Mr. Unkefer's jIl and professional qualities exemplify what is best .t noble in higher education and music therapy. His {fig teacher, supervisor, therapist, and administrator .n‘ o f,‘ 7i§ndard.for me and hundreds of his former students who fit. . r ,.;.t {I- And finally, my heartfelt thanks go to my parents, Thomas Clinton Cobb and Elizabeth Rogers Cobb, whose love and loyalty are steadfast. By their example, they taught me the joys of learning and teaching, and to seek diligently worth- while things. It is to them that I dedicate this dissertation. So! Bring on the music and push back the chairs! Let every song be joyful and every breath a prayer- We've got love running over and still more to share This is the day, this is the day! -Carol Johnson TABLE OF CONTENTS ‘ v _}-_u ~‘ Page €pr“! 'CONTENTS I I I I I I I I I I I I I I I I I I V v ‘0‘ h 7 [WT on; 'TABLES I I I I I I I I I I I I I I I I I I I I viii I) ' .E'um OF FIGURES I I I I I I I I I I I I I I I I I I I I ix t -£‘¢nsPTER 4 r. f‘ x . INTROD UCT I ON I I I I I I I I I I I I I I I I T Background of the Study. 0 h‘H Practicum Internship Supervision Model. . . . . . . . . . . . . . . . . 3 Supervision defined Supervision model described . Client variables affecting supervision Clinical setting variables f' Evaluating supervision effectiveness _ Purpose of the Study . . . . . . . . . . . . . . . 10 ‘ "‘ Importance of the Study. . . . . . . . . . . . . . 11 Allied health fields Music therapy profession 4 Need for the Study . . . . . . . . . . . . . . . . 15 ‘1 Assumptions of the Study . . . . . . . . . . . . . 17 , Limitations of the Study . . . . . . . . . . . . . 18 .f4’ Experimental Hypotheses. . . . . . . . . . . . . . 19 *4 RELATED LITERATURE . . . . . . . . . . . . . . . . 20 OVerview of the Chapter. . . . . . . . . . . . . 20 SVL Supervision approaches Supervisor variables Music therapy student variables 2, Supervisory relationship variables -_fSuperviSion Approaches . . . . . . . . . . . . . . 22 Historical Overview of Supervision. 22 Dynamic theory Facilitative theory .-Behaviora1 theory . , "Eclectic theory 3F turf: .Summary of supervision theories "f jfisflpervision as Instruction, Counseling, or p-iepeHConsultation. . . . . . . . . . . . . . . . 27 rimf‘ludels of Supervision . . . . . . . . . . 29 _\ Hu«ixC0unselor Complexity Model ‘ . ;'_Sa~% Multiple Model .‘ - , ‘iaifi “w .1.:Pser supervision Model . . : ~ - 1'~ iif"[ 1. ‘ clinical Supervision Model | 7 1 “_.* ‘...L l‘.1-- ‘xBup first , p-- visor HILe)1unJu laden V.” VHF D Page Discrimination Model of Supervision. . . . . . . . 36 Choice of supervision content Choice of supervision process Role Relationships in Supervision. . . . . . . . . 40 Supervisor Variables . . . . . . . . . . . . . . . 51 Supervisor Style. . . . . . . . . . . . . . . 51 Didactic and experiential styles Individual style Supervisor Experience Level . . . . . . . . . 58 Effect of supervisor experience upon planning Supervisor Skills . . . . . . . . . 62 Supervisor Music Therapy Clinical Super— vision Skills . . . . . . . 67 Supervisor Perceptions of Behaviors Music Therapy Student Variables. . . . . . . . . . 70 Student Cognitive Characteristics . . . . . . 70 Conceptual level of student Stage of conceptual system functioning Student Psychological Attributes. . . . . . 78 Psychological differentiation and reaction to feedback External and internal locus of control Trainee anxiety about evaluation Previous Experiences of the Student Approaches to Trainee Evaluation. . . . . . . 86 Supervisor Evaluations and Self— Evaluations Clinical Skills of the Student. . . . . . . . 89 Supervisory Relationship Variables . . . . . . . . 94 Supervision Content and Process . . . . . . . 94 Process Variables Supervision as an Interpersonal Influence Process . . . . . . . . . . . . . . . . . . 99 Supervision Satisfaction. . . . . . . . . . . 101 Interpersonal Compatibility . . . . . . . . . 104 III. PROCEDURES . . . . . . . . . . 108 Design, Hypotheses, Related Questions, and Statistical Analyses . . . . . . . . . . . . . . 108 Subjects . . . . . . . . . . . 113 Independent and Dependent Variables. . . . . . . . 115 Treatment variable > Music therapy student trait variable Supervisor trait variable Data Collection Instruments. . . . . . . . . . 115 Supervision Satisfaction Form (SSF) Music Therapy Student Evaluation Form (MTSEF) .Supervisor Experience Index (SE1) vi Experimental Procedures Forms. . . . . . . . . Supervision Planning Aid (SPA) Supervision Session Evaluation Form (SSEF) Instructions to Participants . . . . . . Assignment to Experimental and Comparison Groups Assurance of Confidentiality . . . . . . . . Experimental Timetable . . . . . . . . . . Computation of Scores and Variables. . . . . . . IV. PRESENTATION AND ANALYSIS OF DATA. . . . . . . Findings of Statistical Analyses for Hypotheses and Questions. . . . . . Descriptive Statistics for Data Collection Instruments. . . . . . . . . . . . . . . . . . SEI SSF MTSEF V. SUMMARY OF RESULTS, CONCLUSIONS, AND RECOMMENDATIONS. . . . . . . . . . . . . . . APPENDICES A. Supervision Satisfaction Form (SSF) . . . . B. Names of the variables measured by the SSF . . . . . . . . . . . . . . . . . . C. Music Therapy Student Evaluation Form (MTSEF) D. Names of the variables measured by the MTSEF. E. Supervisor Experience Index (SEI) . . . . . F. Names of the variables measured by the SEI. G. Scoring System for the SEI. . . . . . . . . H. Supervision Planning Aid (SPA). . . . . . . I. Supervision Session Evaluation Form (SSEF). J. List of Abbreviations . . . . . . . . . . . K. Assignment to Groups by Group . . . . . . . L.z Assignment to Groups by Supervisor. . . . . M. Assignment to Groups by Student . . . . . . N. Names of Computed Variables . . . . . . . . anmCE S I I I I I I I I I I I I I I I I I I I I I I vii Page 119 121 123 124 125 126 128 128 153 183 194 198 200 204 207 208 209 211 213 214 215 216 217 218 219 Table Table Table Table Table Table Table Table Table Table Table Table Table Table Table Table Table Table Table Table LIST OF TABLES Page Three Supervisory Role Relationships. . . . . 41 Supervisor Skills for Music Therapy Clinical Supervision . . . . . . . . . . . . . . . . . 71 Music Therapy Student Clinical Skills . . . . 90 ANOVA Results for Hypothesis #1 . . . . . . . 130 ANOVA Results for Hypothesis #2 . . . . . . . 132 CONDESCRIPTIVE Results for Question #3. . . . 133 ANOVA Results for Question #3 . . . . . . . . 135 T-Test Results for Question #4 (a). 137 T-Test Results for Question #4 (b). . . . . . 139 T-Test Results for Question #5. . . . . . . . 141 T-Test Results for Question #6. . . . . . . . 144 T-Test Results for Question #7 (a). . . . . . 146 T-Test Results for Question #7 (b). . . . . . 148 ANOVA Results for Question #8 . . . . . . . . 150 PEARSON CORRELATION Results for Question #9 . . . . . . . . . . . . . . . . . 152 PEARSON CORRELATION Results for Question #10. . . . . . . . . . . . . . . . . 154 PEARSON CORRELATION Results for Question #11. . . . . . . . . . . . . . . . . 155 SEI Item Scores for Three Groups of Supervisors. . . . . . . . . . . . . . . . 157 SSF Descriptive Statistics (by item number). . . . . . . . . . . . . . . 159 MTSEF Descriptive Statistics (by item number). . . . . . . . . . . . . . . 168 viii ‘ ..... 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INTRODUCTION Background of the Study Supervision is an integral part of the education of music therapists. Supervision during clinical training provides guided experience in working with clients, and is common in the preparation of most helping professionals, including occupational therapists, dance therapists, thera- peutic recreation workers, social workers, counselors, and clinical psychologists. Supervision of music therapy stu- dents occurs in two phases of clinical training: practicum and internship. Practicum. The practicum is a part-time clinical assignment concurrent with college coursework, usually lasting a semester or less. Academic faculty may supervise practicum students directly or may delegate supervision to other personnel; practices vary from college to college depending upon the number of faculty and students in the music therapy program, the proximity of clinical agencies, the availability of agency supervisors, and the philosophy of the academic program. There are several approaches to supervision of prac- ticum students. Perhaps the most common is the placement of Itudents in area agencies under the supervision of an appro- priate-professional agency employee, with periodic visits and campus-based supervision by the music therapy faculty. Another approach is the campus-based music therapy clinic, where clients come to the clinic for music therapy services which are provided by practicum students under the supervi- sion of faculty and graduate student registered music thera- pists (RMTs). A third approach is the use of advanced undergraduates as "proctors" in agencies that have had practicum programs for a period of time, supplemented by group supervision on campus. A fourth approach is the reviewing of videotaped agency-based sessions by the student and faculty supervisor. Internship. Supervision of interns is regulated by the profession's two accrediting organizations, the National Association for Music Therapy, Inc. (NAMT) (which grants the Registration credential), and the American Association for Music Therapy, Inc. (AAMT) (which grants the Certification credential). These organizations have fundamentally differ- ent views of the nature of internship. The NAMT is the older and larger professional organiza- tion, and its Clinical Training Committee is responsible for Establishing guidelines for internships and supervision. A fUIl-time placement in an approved health or education agency which lasts six months or 1040 hours and which follows all Coursework is required. The agency must meet stringent requirements for NAMT approval, including the employment of a full-time Registered Music Therapist (RMT). The RMT must Pnfiavide a minimum of one hour a week of individual A . supervision which is based on direct observation of music therapy sessions conducted by the student. The agency supervisor and the college faculty member confer regarding the student's progress, but the agency supervisor is respon- sible for student evaluation and overall clinical training (Clinical Training Guidelines, NAMT, 1983). The AAMT was organized to meet the needs of urban music therapists in the Northeast. The position of AAMT leaders on clinical training is that individual schools should retain the right to design internships according to the needs of individual students, and that supervision should remain the responsibil- ity of the academic music therapy faculty. As a result, AAMT internships are of varying durations, may be concurrent with college coursework, and may be in agencies which do not employ music therapists (University Curriculum Guidelines, AAMT, 1976). Supgrvision Model Supervision defined. A dictionary definition of super- vision is "to direct and inspect the performance of workers or work; to oversee; to superintend" (American Heritage Pictionary, 1971, p. 1292). Supervision in the training of fnture health professionals involves protection of both the client's welfare and of the reputation of the profession, as ‘"311 as essential to the growth of the student's skills. Supervision is a part of overall training where experi- ‘ufifles can be planned to meet the individual needs of A students. "Supervision is a complex process that involves elements of modeling, counseling, teaching, reinforcement, coaching, and empathy" (Wedeking & Scott, 1976, p. 259). Supervision excludes primarily didactic classroom teaching and excludes entirely personal discussions as would occur in experiential groups and personal therapy (Lambert, in Hess, 1966, pp. 423-424). Supervision may be regarded as "meta—helping", a helper assisting a helper to be more effective in treatment of clients. Supervision in the current context refers to the direct monitoring of counseling. . . the process of supervision of counselors that is specifically geared to enhancing the concurrent helping effec- tiveness of the person supervised. . . those face-to-face meetings between supervisor and counselor that focus on the counselor's attitudes, understandings, skills, and behavior. (Gurk & Wicas, 1979, p. 402) Supervision may occur in small groups, but most often is conducted as a one-to-one, supervisor and student conversa— ‘tion. ‘The supervisor usually bases comments on observation of the student's sessions with clients, and on the student's Written work. Discussion may focus on issues pertaining to the therapeutic process, the student's clinical experiences, and/or the client's responses in therapy. Supervision model described. Supervision involves Peeple, relationships among people, and the enviromnent. These components may be viewed as a seven-part interactive sYStem, including the music therapy student who provides ‘leflic therapy services, the supervisor who oversees service .1" * ->.1v- .. I L - delivery, the client or client group receiving music therapy services, the supervisory relationship, the therapeutic relationship, the relationship between the supervisor and the client, and the environments in which therapy and supervision occur (Memory, 1983). Figure 1 portrays the music therapy supervision system. THERAPEUTIC RELATIONSHIP MUSIC THERAPY CLIENT(S) SESSION unmmnmmmmunm mummmmnmnumu CLINICAL ‘ ' SETTING SUPERVISION SUPERVISORY SESSION RELATIONSHIP RELATIONSHIP observes SUPERVISOR Figure 1. Model of the music therapy supervision system. . ‘Each component of the seven-part interactive system is unique in any clinical training situation, and each part influences the other parts. The variables influencing supervision effectiveness that arise from the client or client group and from the clinical setting (environment) will be summarized briefly here. The variables influencing supervision effectiveness that arise from the music therapy student, the supervisor, and the supervisory relationship are the subject of this study and will be described in detail in Chapter II, Related Literature. Client variables affecting supervision. Clients receiv— ing music therapy services vary greatly according to the nature of the problem or handicapping condition. Handicap- ping conditions for which the music therapist is trained to design and provide treatment include mental impairments, leerning disabilities, behavioral or emotional disorders, hearing or vision impairment, physical or other chronic hIIlth impairments, substance abuse, terminal illness, psychiatric disorders, and problems of aging. The NAMT rIguires that students have practicum experiences with at lIIIttthree client populations prior to internship (NAMT Education Committee Curriculum Requirements, 1980). The ilpIctuof the handicapping condition of the client on super- ttltelnneeds is considerable; for example, a client who sofiutnessan'alternate communication system such as 51‘ language, a Bliss board, or Braille may be impossible to treat without a supervisor with skills in that communication system. The goals and objectives of therapy, which usually derive from the nature of the handicapping condition, are also variables which influence the supervision process. The acronym CAMEOS is used in the field of music therapy to represent the six problem areas for which music offers therapeutic benefits. CAMEOS stands for problems, needs, goals, or objectives in the following six areas of function- ing: communication, academic (or cognitive) skills, motor functioning, emotions, on-task behaviors (concentration), and social skills. The supervision needs of a student whose treatment goals lie in the area of emotional growth may differ considerably from the supervision needs of a student whose goals lie in the area of motor functioning. Organismic and acquired traits of the client also affect the student's supervision needs. The client's personality, age, gender, and cultural background often determine the selection of music activities, materials, and interventions used by the music therapist. The client's music skills, interests, and preferences are also important considerations in treatment planning and implementation. The supervisor's task may vary greatly depending on the individual client's unique personality and make-up. Lastly, the provision of individual or group music therapy, which results from the individual client's needs and agency resources, affects the student's supervision needs. The ability to observe and respond to multiple client behav— iors and events may be the primary focus of supervision for students who conduct group therapy rather than individual therapy. Clinical setting variables. Variables within the clinical setting which affect supervision include scheduling patterns, the case loads of supervisor and therapist, the frequency and duration of therapy and supervision sessions, the average length of client treatment, the relative stabili- ty of treatment group membership, and the conditions of follow-up care. The particular client population(s) served by the health or education agency also determine supervision needs; for example, bedside care of terminally ill or burn patients requires music therapy approaches radically differ- ent from classroom work with learning disabled children. ~Additionally, some settings require that the therapist function entirely with portable music instruments; some settings allow the therapist a room with piano, wall space for visual aids, etc. Music therapists have assumed responsibilities within some clinical settings beyond the traditional direct services role. rSeveral trends have supported this broadening of duties: emphasis on professionalism, accountability, and autonomy in professions which historically have been adjunc- tive to physicians; the identification of huge numbers of eligible and needy clients; and the decreasing per-client funds available. Such responsibilities would fall to a senior staff person, and, when assumed by music therapy staff, that person would logically be the supervisor. Additional responsibilities such as those listed above may contribute to a student's learning, but may also interfere with the supervisor's availability for supervision activities. Evaluating supervision effectiveness. Hess (1966) stated that the myth of uniformity of supervision must be debunked. He suggested that there is no one theory, model, or approach to supervision, but rather diverse models, changing concepts, and many correct practices. Supervision must not be viewed as one unchanging process, but rather as an interpersonal, situation-specific set of processes. Supervision is "a heterogeneous set of conditions that are distorted when treated as a unitary variable" (pp. 3-25). The multi-variate nature of supervision, as reflected in the number of factors influencing each component of the seven-part interactive system of supervision, makes con- trolled research into one isolated variable of dubious value at this stage of research in supervision. To gain the greatest amount of data, given the present state of knowl- edge, supervision should then be studied from various vantage-points, using various data-collection tools. Just as there are many ways of teaching, there are many ways of supervising. It appears that there can be no "pre- scription' for "good" supervision because each situation 10 requires individualized supervision decisions. The individu— al needs of each student, in combination with the treatment needs of various clients and in combination with the supervi- sion styles of individual supervisors preclude simple formu- las for improving supervision. One approach to evaluating the effectiveness of supervi- sion is to determine to what degree it is judged helpful by the student and supervisor in meeting the student's needs for clinical training. Satisfaction with the supervisor's use of supervisory skills in providing helpful supervision is the variable of interest in this study. Purpose of the Study This study was designed to investigate satisfaction with supervision as reported by students and supervisors engaged in actual clinical training and supervision. A systematic procedure of planning and evaluating supervision sessions was developed which took into account the individualized and flexible nature of effective supervision. The primary purpose of the study was to determine whether or not the experimental condition, planning and evaluating supervision sessions, would result in significant- ly greater satisfaction with supervision than would the comparison condition, in which the planning and evaluation procedure was not used. The use of an actual clinical training and supervision letting permitted the inherent complexities of the . Li». A 11 supervision process to exert their appropriate role and impact. The variable of satisfaction with supervision was thus studied within a design that retained the individual needs, strengths, and characteristics of each part of the seven-part interactive supervisory system. In addition to examining the efficacy of the treatment condition, the study explored the impact of two other vari— ables, the skill level of the music therapy student (MTS) and the experience level of the supervisor (SUP). The skill level of the MTS was identified as an impor- tant variable affecting the content and process of supervi- sion. The study explored possible relationships between evaluation of skill level and satisfaction with supervision. The experience level of the SUP was identified as an important variable affecting content and process of supervi- sion also. The study explored possible relationships between amount of experience relevant to supervision (experience level) and satisfaction with supervision. Additionally, analyses of results from pretest to posttest were conducted for satisfaction and evaluation of student skills as reported by both students and supervisors. Importance of the Study Allied health fields. Supervision is a topic of great concern in the helping professions, as evidenced by extensive research employing descriptive, philosophical, historical, (and experimental modes of inquiry. 12 Hansen, Pound, and Petro (1976) reviewed 29 supervision articles published in a counseling journal and identified the major focus of supervision research as the training of core conditions of facilitative communication. They suggested three categories of research interests and presented conclu- sions drawn from articles in each category. (1) The role of the supervisor was represented by articles concerning the supervisory relationship and supervisor behaviors. They concluded that didactic approaches have been more effective than experiential approaches. (2) Training procedures used in supervision were represented by articles on training in communication and in the use of audio and video techniques. They concluded that supervisors who directly or indirectly modeled facilitative behavior were more effective than those who did not model, and that audiotape procedures were as effective as videotape. (3) Rating systems used in practicum, including evaluation systems, were a frequent topic of interest. It was concluded that little information had been generated about specific mechanisms involved in bringing about change through supervision, and called for experimental research (Hansen, Pound, & Petro, 1976). Hansen and Warner (1971) published a 10-year review of findings of practicum supervision research which covered 25 articles, and concluded that "what is needed is an end to description and a move toward solid experimental investiga— tion' (p. 271). 1‘ 13 Music therapy profession. Concern for improving super- vision practices has been voiced by all constituencies within music therapy: students, who complain of inadequate or incompetent supervision; supervisors, who complain of lack of training and resources; academic faculty, who mediate dis- putes between interns and agency supervisors; and profession— al leaders, who see supervision as a point of major difference between the two professional organizations, NAMT and AAMT. Several NAMT conference workshops have focused on supervision issues (Patti Doyle, Marcia Wunderlich, Roy Grant, and Yvonne Soto have conducted workshop sessions for supervisors). The 1982 National Conference in Baltimore devoted two presentations to the Clinical Training Commit- tee's discussions of new guidelines for internships. Dr. Grant and Ms. Wunderlich, former Chairpersons of the Clinical Training Committee, reported in telephone conversations and personal correspondence (May,1982) that the following needs are of highest priority to the Committee: (a) supervisor competencies defined, (b) training and support services for novice and experienced supervisors made available through workshops and graduate courses, (c) a means of screening and approving supervisors identified, (d) need for student evaluations and on-site evaluations of clinical training programs instituted to ensure quality control. ‘--Dr. Wanda Lathom, NAMT President in 1979-1980, proposed that a taskforce for supervision concerns be established that _A 14 would create a network of workshop leaders for training supervisors. A proposal that supervisors be certified and be required to take courses in supervision-related topics on a continuing basis in order to retain certification was made by a former chairperson of the Clinical Training Committee, Dr. Roy Grant, RMT (Clinical Training Committee Notes, 1978). Regional representatives to the Committee responded to his proposals with various alternative suggestions for screening supervisors, citing the impracticality of course requirements at the current time. Differences in the philosophy of clinical training and supervision of the two professional organizations, NAMT and AAMT, is the subject of continued discussion and disagree- ment. Panels of leaders from the two organizations at NAMT conferences have stated that this difference is a major obstacle in the merger of the two groups (New Orleans and Baltimore Conferences, 1983 & 1982). There is, also, evidence that music therapy students lack understanding of the supervision process. Students who complain of unfair evaluation practices frequently mention poor supervisory relationships and inadequate supervision as contributing to the poor evaluations they receive. The need for training students in supervision issues appears to be an outcome of students' awareness of a right to helpful supervision. 15 Need for the Study There is a paucity of theoretical and data-based re- search in music therapy supervision; two studies represent the scope and nature of inquiry. Southard's (1973) description of a seminar series concerning music therapy and occupational therapy practicum student training programs is representative of early articles calling for research. In the seminar series, clinical administrators identified differences in philosophy between the two professions in the areas of structuring trainees' time, goals of training, role relationships, research tech- niques, and evaluation of trainees. The other type of inquiry in music therapy supervision literature is represented by a controlled study of feedback on practicum students' acquisition of competencies. Anderson (1982) studied the effect of feedback versus no feedback on three student skills: pacing, using directions and prompts/cues, and providing the client an opportunity to respond with the desired non-music behavior. She found no significant differences between two groups of students based on reception or timing of feedback. The complexity of the supervision system requires a research methodology that has validity for practice. The current study contributes to an understanding of supervision in several ways: (a) it lays a foundation for a research lIthodology by using supervisor-student dyads as the unit of atfldy; (b) it points the direction for future research by r——_——'—‘ 16 identifying in a comprehensive literature review the perti- nent variables affecting the supervision process; (c) it uses a treatment procedure which is pan-theoretical and applicable to supervisor and student training needs; (d) it employs data collection instruments that can be used in clinical and research efforts; and (e) it focuses on three important variables of the supervisor and student. This study is exploratory in nature because no previous published studies in music therapy used subjects participat- ing in actual clinical training and supervision activities. It establishes a method and a database for future, more atomistic studies. The exploratory identification of rela- tionships among the variables is needed before causative links among variables can be studied in controlled laboratory research. Any research using analogue studies would be premature, and lack external validity. The experimental isolation of variables of supervision content or process would likely lead to so many unexamined factors and artifi- cial experimental tasks that external validity would be highly questionable (Goldman, 1976). The present study was conducted in a "real-life" setting in order to increase its validity in terms of understanding a complex process. The findings and the data-gathering instru- ments of this study addressed several needs in music therapy .identified by professional leaders (Dr. Roy Grant 5 Ms. "Murcia Wunderlich, Chairpersons of NAMT Clinical Training Committee, 1983), particularly: 17 1. Student skills were categorized and stated as positive behaviors in five areas: session management skills, personal skills, conceptualization skills, musicianship skills, and clinical procedures skills. 2. Supervisor skills were categorized and stated as positive behaviors in three areas: supervisor—teacher skills, supervisor-counselor skills, and supervisor-consultant skills. 3. The treatment procedures were created for maximal usefulness in training supervisors and students in supervi- sion decision-making strategy which could be taught readily in workshop or course format. The student skills assessment tool is useful for both practicum students and interns, and takes into account varying philosophies and approaches in common practice among music therapists. The study contributes to improved communication between agency-based and campus-based supervisors who need clear role definition and mutual expectations in order to meet students' clinical training needs. Assumptions of the Study It is assumed in this study that supervisors strive to provide quality supervision and that they are motivated to improve their skills. No measures were taken to compare skill levels of supervisors apart from perceptions of overall competence. 18 It is assumed that supervision skills are learned and are capable of being improved through study, practice, self-monitoring, experience, and feedback. These resources are available to clinical supervisors for whom other profes- sional colleagues or training courses may not be available. Supervisors are assumed to vary in competency levels in the three areas of skills, and it is assumed that the self-report and student-report measures are sufficient and valid for assessing the satisfaction variable. The measures were confidential and intended to be as non-threatening as possible to supervisors and students, increasing the likeli- hood that reports were honest. It is assumed that supervisors were capable of ignoring the treatment procedures when they supervised in the compari- son condition, that is, that they could block out any plan- ning of role-relationships and content priorities when supervising students in the comparison group. Limitations of the Study The study incorporated a small sample, due to the researcher's decision to study supervisory pairs who had established a supervisory relationship over a period of months. Because of the sample size, findings must be inter- preted cautiously. This study addressed the supervisory relationship, which can be influenced by factors other than those studied. thraneous variables such as social influence, hidden 19 agendas, liking, and degree of commitment to the supervision process could not be measured or controlled in this study. Experimental Hypotheses Two hypotheses were tested in the experimental aspect of this study. 1. Did music therapy students (MTS) in the experimental group report greater or lesser satisfaction with supervision than MTS in the comparison group? It was hypothesized that the experimental treatment would have a positive effect on the dependent variable. 2. Did supervisors in the experimental condition report significantly greater or lesser satisfaction with supervision than when they supervised using the comparison conditions? It was hypothesized that the experimentalotreatment would have a positive effect on the dependent variable. Additional questions related to the data collection instruments and relationships among variables were also addressed, as described in Chapter 3, Procedures. II. RELATED LITERATURE Overview of thnghapter This chapter presents research findings related to three parts of the seven—part interactive music therapy supervision model: the supervisor, the music therapy student, and the supervisory relationship. The literature suggests that many factors within each part have importance in the supervision process. Therefore the related literature will be presented in four sections in order to explicate these areas as fully as possible: (a) literature pertaining to supervision approach- es, including the theoretical model upon which the supervi- sion treatment condition in this study was based; (b) literature pertaining to the supervisor, including supervisor experience level; (c) literature pertaining to the music therapy student, including music therapy student skill level; and (d) variables in the supervisory relationship, including satisfaction with supervision. Supervision approaches. Literature pertaining to supervision approaches provided the rationale for the super- vision planning and evaluation treatment in this experiment. The findings of related studies will be presented in four sections: (a) historical overview of supervision, including dynamic theory, facilitative theory, behavioral theory, and 20 eclectic theory; (b) supervision as instruction, counseling, or consultation; (c) models of supervision, including the clinical supervision model, the peer supervision model, the multiple supervision model, the counselor complexity model, and the discrimination model; and (d) role relationships in music therapy clinical supervision. Supervisor variables. Literature pertaining to the supervisor supports the choice of supervisor experience level as a variable of interest for this study. The findings of related studies will be presented in four sections: (a) supervisor style, including didactic, experiential, and other styles; (b) supervisor experience level; (c) supervisor skills, and (d) supervisor music therapy clinical supervision skills. Music therapy student variables. Literature pertaining to the music therapy student supports the choice of student skill level as a variable of interest for this study. The findings will be presented in four sections: (a) student cognitive attributes, (b) student psychological attributes, (c) approaches to student evaluation, and (d) clinical skills of the student. §ppervisory relatiquhip variablgg. Literature pertain- ing to variables within the supervisory relationship (between the supervisor and student) supports the choice of satisfac- tion with the use of supervision skills as a variable for this experiment. The literature review will be presented in four sections: (a) supervision content and process, (b) A 22 supervision as an interpersonal influence process, (c) supervision satisfaction, and (d) interpersonal compatibility. Material in the literature review which is quoted directly is indicated by either quotation marks or by inden- tation and single—spacing. Material which is summarized or paraphrased is indicated by page referencing within parentheses. Supervision Approaches Historical Overview of Sgpervisiop Leddick and Bernard (1980) reviewed the history of supervision and described three major periods: (a) amorphous beginnings in psychoanalytic practice (1925-1950); (b) polarized period in which experiential, facilitative ap- proaches co-existed with behavioral approaches (1960-1970); and (c) an eclectic, collaborative, skills-training period (1970 to the present). An overview of Leddick and Bernard's history will provide the foundation for understanding the diversity of supervision approaches currently practiced in the helping professions. Each of the major periods contributed theoreti- cal positions which will be summarized briefly. Dynamic theory. Supervision may be traced to amorphous beginnings in the training of psychoanalysts, the first 'helping professionals." The novice analyst underwent a personal analysis with a master therapist, in which personal, A 23 affective issues were discussed. The trainee's supervisor was a different master therapist, who oversaw the trainee's work with clients in an authoritarian, directive, didactic manner. The supervisor functioned as an instructor and evaluator, leaving personal, affective issues for the train- ee's analyst. Leddick and Bernard reported that Eckstein and Wallerstein (1959) had presented the first detailed model in which supervision during the analytic period was compared to the stages of a chess-game. The "opening" consisted of supervisor and student "eyeing" each other for signs of expertise and weakness. The "mid—game" consisted of working through interpersonal conflicts. The "end—game" began when the supervisor listened quietly, seeing that the student was gaining a professional level of insight. Leddick and Bernard concluded that this comparison with analytic therapy had little impact on the future development of supervision. Epsilitative theory. Leddick and Bernard stated that, from the 19303 through the 19505, new theories were presented for therapy that were in reaction against the authoritarian nature of analytic theory and practice. New disciplines and helping professions emerged and competed with psychoanalysis for reputation and status, including psychology, counseling, and social work. A polarized situation resulted in the field of therapy, with facilitative and behavioral theories of therapy co-existing. Supervision of Students in the new helping professions was affected directly by the theory of A 24 therapy that was used, and the supervisor was regarded variously as teacher or as counselor, with contrasting purposes, methods, and desired outcomes. Facilitative theory is based on the client-centered, experiential, non-directive therapy pioneered by Dr. Carl Rogers, a counseling psychologist, and operationalized by Carkhuff (1966). Rogers (1957) postulated that the necessary and sufficient conditions for therapeutic growth were embod- ied in the concepts of empathy, warmth, genuineness, con- creteness, unconditional positive regard, and congruence. Pierce and Schauble (1970) described the core of facili- tative conditions, which are briefly summarized as follows. Empathy is the ability to understand accurately another person's deepest feelings. Genuineness is the quality of being freely and deeply oneself in a nonexploitive relation- ship. Concreteness is the ability to guide discussion directly and completely to specific feelings and experiences. Positive regard is the expression of caring deeply and recognizing the potential of another person as a creative human being. Rogers' theory was operationalized by his followers Carkhuff and Traux (1967) for the purpose of training coun- selors competent to offer those necessary and sufficient conditions for therapeutic growth to clients. The facilita- tive conditions are crucial concepts in experiential or counseling-type supervision, and present one end of the supervision polarity. 25 The supervisory relationship was regarded as another instance of the counseling relationship, with the student as client and the supervisor as therapist. Supervision was conducted in a student-centered, experiential manner. The supervisor's task was similar to the therapist's--to model effective therapist behaviors by offering the "core" condi— tions (empathy, warmth, concreteness, genuineness, uncondi— tional positive regard, and congruence). The supervisor was supposed to be an excellent therapist, and the student was supposed to be sensitive enough to perceive and acquire the same qualities through a process of modeling the supervisor. Behavioral theory. The other end of the polarized world of therapy and supervision was behavioral theory, which emerged concurrently with facilitative theory in reaction against the unverifiable claims and limited applicability of psychoanalysis. The supervisor inherited the instructive, didactic, and evaluative position of the analytic supervisor, but introduced the element of reinforcing desired trainee behaviors and skills. The specific tasks of the supervisor were ambiguous, but, through training modalities such as apprenticeship, continuing seminar, and intensive institute, the didactic supervision model was conducted. The supervisor thus acted as trainer and instructor; the student acted as apprentice and learner. Eclectic theory. Leddick and Bernard (1980) stated tht the current phase of supervision represents an eclectic, 26 collaborative resolution of the facilitative-behavioral polarity. By 1966, the field of supervision had three major models: dynamic, facilitative, and behavioral. With such rapid expansion, the field was chaotic, highly competitive, and polarized. The growth of the field of cognitive psychology provided an impetus for the collaboration of the three models. Behavioral in genesis, cognitive psychology focused on internal processes which represented a shift away from radical behaviorism (Mahoney, 1974). Wachtel (1977) observed that dynamically oriented therapists had begun to recognize the use of behavioral techniques, and behavior therapists became more attuned to dynamic factors. (Leddick & Bernard, 1980, p. 190) Leddick and Bernard (1980) described the current phase of supervision as a period of models, rather than theories. Skills training approaches were used which focused less on theory than on student outcomes and training methods. An eclectic mix of didactic and experiential training approaches characterize several skills training approaches used in supervision. Leddick and Bernard (1980) questioned whether modern skills training approaches are new at all, or rather, systematized paradigms of old, unquestioned assumptions about supervision. A particularly successful skills training approach is Kagen's (1975) Interpersonal Process Recall (IPR), which uses videotaped simulations of helping encounters to teach stu- dents to become aware of feelings experienced during such interactions: IPR courses are available to music therapy and other students at Michigan State University, where the model was pioneered, and are recognized nationally as models of skill development for facilitative counselors. A 27 Summary of supervision thgories. The research concern- ing supervision derives from various positions on the super- visor's role, purpose, competencies, and methods. Controversies concerning modeling by the supervisor, didactic methods, and personal growth as a desired student outcome remain unsettled, and most models of supervision recognize the value and necessity of drawing on several models of supervision in meeting divergent needs of students. Thus the supervisor may choose to function as teacher, as model therapist, or as supportive colleague, as students' needs require. Sppervisiop as InstructioerCounseling, or Consultation Gurk and Wicas (1979) described and compared various approaches to supervision of counselors, including the counseling model (derived from facilitative theory), the instruction model (derived from analytic and behavioral theories), and inclusive views (corresponding with eclectic theory), and presented their own consultation "metamodel." Gurk and Wicas (1979) suggested that the choice of a model of supervision was influenced by six factors: (a) the definition and goals of counseling (in this case, music therapy); (b) the underlying theory of learning and change, (c) the role of the counselor (music therapist), (d) the role of the client, (e) the relationship of supervision to prac- tice; and (f) the goals and definition of training. They posited that, in order to be an effective supervisor, a 28 conceptual model of goals, roles, process, and values that guide consistent practice is prerequisite (Gurk & Wicas, 1979, p. 402). Gurk and Wicas (1979) suggested that reasons for choos- ing one or another model of supervision were the supervisor's style preferences and comfort and the requirements of the organization. They characterized the counseling and instruction models as a dichotomy, with polarized positions on many issues. Inclusive models which include both approaches offer a wider scope and greater validity. Their consultation metamodel is offered then as including the approaches of counseling, instruction, and consultation. "An effective model should also be useful to supervisors in identifying choice points and decision-making criteria within the supervisory process" (Gurk & Wicas, 1979, p. 404). Gurk and Wicas (1979) identified the differences among the instruction, counseling, and consultation approaches to supervison on the following issues: (a) the roles and relationship of supervisor and trainee, (b) the goals of training, (c) the focus of supervision sessions, (d) the theory of personal change, (e) applicable settings or situa— tions, (f) philosophical roots, (9) evaluation and index of learning, (h) training modalities and vehicles for supervi- sion, (1) outcomes of supervision, (j) personality charac- teristics of counselors as an outcome or goal of supervision; 29 (k) supervision climate; and (l) criticisms of both approaches. Mpggls of Supervision The current phase of supervision was described as an age of models, rather than theories (Leddick & Bernard, 1980). Several models of supervision will be described briefly in order to indicate the diversity of scope and format of available models. The Discrimination Model of Supervision (Bernard, 1979) will be explained in greater depth, because it is the basis of the supervision planning and evaluation procedure tested in this experiment. Counselor Complexity Model of Supervisiqp. The Counsel- or Complexity Model of supervision was proposed by Stoltenberg (1981) for training counselors. This model views the counselor training process as a sequence of identifiable stages through which a trainee progresses; it is a develop- mental approach to supervision. The Counselor Complexity Model is an integration of two theories: Hogan's (1964) Four Levels of Trainees and Hunt's (1971) Conceptual Systems Theory. Hogan's supervision approach defined four stages of trainees ranging from the apprentice through the master-of-the-trade. Each stage of counselor development was accompanied by an appropriate learning environment and recommended methods of supervision to optimize development at each level. .4":- 30 The apprentice was dependent on the supervisor, inse— cure, and had little insight; the master-of-the-trade was insightful, had personal autonomy, and was aware of his or her own limitations. The trainee's development had a timetable influenced by idiosyncratic characteristics of the trainee and the training environment. Hunt (1971) posited a conceptual systems theory of five levels with optimum environments for each level. The speed with which a trainee progresses through these stages is largely dependent on the skills and attributes of the trainee and the environments provided through supervision. Two specific skill areas are important for such effective supervision: discrimination and creating environments. (Stoltenberg, 1981, p. 63) The five levels represent different cognitive and personality stages of students. Stoltenberg (1981) wrote, "this paints a picture of the developing individual as a person who needs a changing environment over the course of development to encourage movement toward more complex stages" (p. 60). The Counselor Complexity Model is described in four levels from entry level counselor through the advanced master counselor stage. The trainee is viewed not just as a counselor lacking specific skills but as an individual who is embarking on a course of devleopment that will culminate in the emergence of a counselor identity. This end point constitutes the integration of skills, theory, and a more complete awareness of oneself and others. This process is placed in a developmental framework that takes into account the different motivations, needs, and potential resis- tances of counselors at different levels or stages of development. The premise is that there are qualitative differences in addition to, and not 31 accounted for by, mere quantitative differences in skill level and the knowledge of theories. (Stoltenberg, 1981, p. 59) Four stages of counselor development and their associat- ed optimal supervision environments are described in terms of counselor characteristics of the stage. According to this model, the supervisor's task is two—fold: to discriminate the developmental level of the trainee and then to create the appropriate learning environ- ment for maximum development at that level. The supervisor must then be skilled in discriminating trainee needs and in creating environments. .Stoltenberg (1981) listed the following discrimination abilities as important to supervision: (a) the ability to discriminate among the possible environments that may be created in supervision; (b) the ability to discriminate between supervisee behaviors and recognize the needs as well as the strengths of the trainee; (c) the ability to recognize defensive behavior in the trainee as well as behaviors marking a development from one level to another; (d) the ability to recognize idiosyncratic style of a trainee's counseling approach; (e) the ability to discriminate the type of supervision that will be the most appropriate; and (f) the ability to discriminate the type of clients that will be the most appropriate (pp. 63-64). An essential discrimination ability, according to Stoltenberg (1981), is the ability to recognize the accessi- bility characteristics of the trainee, which are listed in M 32 four categories. (1) The trainee's cognitive orientation (the conceptual level of the trainee). (2) The trainee's motivational orientation, which determines the appropriate type of feedback and rewards (i.e., an inner-directed trainee would respond best to self—defined feedback; an other- directed trainee would respond best to supervisor-defined feedback.) (3) The trainee's value orientation, which affects the types of objectives for training that the trainee would support. (4) The trainee's sensory orientation, (i.e., whether the trainee learns best by seeing the counseling process displayed or by hearing the supervisor's explanations of the counseling process) (p. 64). Stoltenberg (1981) defined two skills critical in creating environments. (1) Since a variety of environments is necessary to aid the trainee, the supervisor should be able to work comfortably at creating the appropriate environ- ment for the specific needs of the trainee. (2) Supervisors should be able to alter their approach to suit the accessi- bility characteristics of the trainee; skill in moving from one environment to another as the needs of the trainee change is necessary (p. 64). Like most stage theories, the counselor complexity model assumes that transitions exist between the stages. Multiple Model. The multiple model of supervison (Dole, 1973) was proposed for the training of psychologists, and rests on the observation that trainees are influenced by people other than supervisors during clinical training, and 33 that each of three types of preparation has distinguishing characteristics. The multiple model discards the assumption of one correct practice, one theory, one model. It prepares the beginner to cope with the chaos and disagreement he will face throughout his profes- sional life. In the absence of much research evidence about the supervisory function either in psychology or in other professions, arguments between exponents of different philosophies of supervision frequently seem to represent little more than arguments between experts with different belief systems. (Dole, 1973, p. 7) Dole identified sources of influence by situs in the preparation of professional psychologists. In the field placement (hospital, clinic, school, industry, etc.), Dole identified the field supervisor, the administrator of the agency, fellow interns and psychologists, and clients or patients as valuable sources of influence on the trainee. On the campus (classroom, library, and lab), sources of influ- ence may be the thesis director, advisor, instructor, campus supervisor, professor, department chairperson, and dean. Other persons in the field and on campus also exert influence in training, such as allied health professionals, the public, and students in other disciplines. Dole differentiated the types of preparation for clini- cal practice that are afforded by practice, research, and scholarship. (Dole supported the supervisor's encouragement of trainee use of these additional human resources during supervision times. Peer Supervision Model. Another model which de-empbasizes the primary importance of the ”expert 34 clinician" supervisor is the peer supervision model (Wagner and Smith, 1979). Noting that "new professionals rarely turned to colleagues for help, but returned to teachers," Wagner and Smith suggested that the peer supervision approach was valuable in achieving several outcomes: (a) increasing student responsibility for self-assessment and peer assess- ment; (b) increasing independence and interdependence among students for professional and personal growth; (c) developing an emotional support system among the practitioner's col- leagues rather than encouraging dependence upon the universi- ty supervisor (p. 288). They stated that the peer supervision model may be evaluated by examining students' behaviors in relationship to goals of supervision, as summa- rized below. Primary goal 1 is basic skill building, including attending behaviors, listening behaviors, respond- ing behaviors, and action behaviors. Primary goal 2 is intervention skill building, including conceptualizing cases, defining priori- ties for the working relationship, choosing tasks that will help clients accomplish their priorities, assessing therapeutic movement, identifying blocks to progress, and developing a repertoire of change strategies. Primary goal 3 is developing a role that is consis- tent with their person and functions as counselors, including defining one's personality assets and limitations, clarifying one's interpersonal style of relating, selecting change strategies that can be effectively implemented, and adopting or devel- oping a theoretical orientation consistent with personal beliefs and values. Secondary goal 1 is helping students ask for and use assistance from peers and authorities, includ- ing assessing when a problem cannot be managed independently, defining who can help, submitting work for observation, and maintaining openness to feedback and suggestions. Secondary goal 2 is helping students give assis- tance to peers and authorities who are experiencing professional or personal problems, including responding to a direct or indirect request for assistance, recognizing and using oneself as manager of the helping process, and using one's professional armamentarium of skills and change strategies. Secondary goal 3 is helping students process relationship issues that interfere with counseling or supervisory sessions, including recognizing interpersonal issues that interfere with progress, initiating discussion about relationship issues, and accepting responsibility for their contribution to the problem, initiating behavior and thinking to resolve interpersonal conflicts. Secondary goal 4 is helping students seek therapy when recurring personal problems interfere with their work, including identifying specific issues and, initiating therapy as a personal choice. (Wagner & Smith, 1979, p. 290) Clinical Sgpervision Model. The clinical supervision model has generated extensive research and practice among professional educators. Clinical supervision may be distinguished from classical (traditional or general) supervision practices in that it is concerned not with administrative or evaluation tasks that occur outside the classroom, but with issues of concern to teachers in classroom work. Clinical supervision is a model which uses a cooperative effort between a teacher and a supervisor to improve teaching performance through a series of six repeated steps: (a) preconference, (b) planning, (c) observation, (d) analysis, 36 (e) planning for tomorrow, and (f) post-morten steps (Clap- per, 1981, pp. 6-9). Clinical supervision was proposed as a way to give non—normative, non-evaluative, observable data to the teacher who is receiving supervision, and is closely akin to the consultant model described earlier. Reavis (1977) conducted an observational study of clinical and traditional supervision and found that clinical supervision generated more verbal exchanges that correlated with teacher effectiveness and resulted in better teacher attitudes toward supervision. Clinical supervision is aimed at enhancing the develop- ment of a democratic, participatory relationship between supervisor and teacher. Literature in supervision for over 20 years has promoted the concept of a democratic, non-threatening relationship between supervisor and teacher. The professional literature notwithstand- ing, research has revealed the prevailing teacher image of a supervisor as either threatening and authoritarian or a nonentity and out of touch with classroom reality. (Reavis, 1977, p. 311) Reavis (1977) found that clinical supervision was signifi- cantly better on "Accepts or uses teacher's ideas" (p. 313). No categories of observation favored traditional style supervision. Teacher attitudes favored clinical supervision in the areas of communication, teacher's self-perception, helpfulness, conferences, observations, and suggestions. Discrimination Model of Supervision Dr. Janine Bernard's Discrimination Model of Supervision (1979) provided the theoretical underpinnings of this re- search study. The Discrimination Model provides an approach u 3 'V _. , :I IV: A 37 to studying the cognitive processes of the supervisor as well as a method of training supervisors in strategies and problem-solving techniques of supervision. The Discrimina- tion Model posits that the competent supervisor adapts the content and process of supervision to meet the individual needs of trainees. Each supervision contact reflects the carefully planned selection of areas of discussion to be approached from one of three defined role relationships. The three role relationships are teacher-student, counselor- client, and consultant-colleague. It is called the Discrimi- nation Model because "a dominant characteristic is the identification and action upon choice points in the process" (p. 60). The task of the supervisor is two—fold: to choose the content of discussion and to choose the role relationship appropriate for discussion of the content. The supervisor discriminates the content of supervision based on comparison of observed trainee performance with established trainee competencies. Then the supervisor discriminates the process (or role relationship) of supervision based on an assessment of the trainee's learning style and preferences for interactions. Choice of supervision content. Bernard (1979) suggested that the competencies of the helping professional be defined in terms of skills and functions. For counselors, the skill areas included process skills, conceptualization skills, personalization skills, and self-organization skills. This 38 concept was adapted for the current study for use with music therapy students, and skill areas included: session manage- ment skills, personal skills, conceptualization skills, musicianship skills, and clinic procedures skills. Choice of supervision process. Bernard (1979) suggested that supervisors must develop a repertoire of supervisory behaviors from which to select systematically an appropriate focus for a particular student in a particular situation and a particular point in therapy with a client or client group. Behaviors associated with each of the three role relation- ships were identified, and each relationship was viewed as valid and appropriate when chosen by a supervisor to achieve a desired outcome. The Discrimination Model contrasts with previous theo- ries in which the supervisor operates from one predominating role relationship or from one narrow view of the goal of supervision. Previously polarized approaches of instruction and counseling are here combined with consulting as a reper- toire of choices available to supervisors. Selection based on trainee needs rather than the habitual style of the supervisor is suggested. It is important that this approach or role be as deliberate a choice made by the supervisor as is the choice of instructional matter. It is equally important that the supervisor be trained to recog- nize and make these choices based on a sound rationale rather than random selection of personal preference. . . With a discrimination model for supervision, supervisors are asked to add to their idiosyncratic strengths, becoming comfortable with contrasting 39 roles and using the data at hand to select the most appropriate role for a supervision contact. . . Supervision calls for a range of approaches and attention to a range of counselor functions. The particular counseling function and the counsel- or's idiosyncratic difficulty with that function should be the determining factors in selecting the appropriate supervisory role. Given these premis- es, it follows that the supervisor needs (a) a range of role alternatives, (b) a framework in which to fit counseling functions, and (c) guide— lines for determining supervision goals and ap- proaches. (Bernard, 1979, pp. 63-67) Bernard presents four advantages of the Discrimination Model. (1) There can be clearer communication when both supervisor and trainee know the role relationships. Although more time may be needed in teaching, less time will be needed in consulting. (2) More apparent instructional agendas result. (3) Greater ease in dealing with problematic rela- tionships is possible. (4) The process can translate present performance into a grade. The Discrimination Model is situation-specific. There are, in the counseling version, nine choices to be made in each session, based on three role relationship possibilities and the three areas of counselor competencies. The Discrimination Model offers a method for training supervisors. Bernard describes the use of vidotaped vi- gnettes, role-playing, and group discussion of supervision sessions. The Discrimination Model spawned several research studies in clarifying role-related behaviors. Stenack and Dye (1982) sought to determine if a clear distinction existed 40 among the three supervision roles in order to validate Bernard's Discrimination Model. They sought to establish behavioral correlates for discriminating among supervisor roles of teacher, counselor, and consultant. They found that the teacher and counselor roles were clearly distinct, that the consultant role overlapped with the other two roles in several behavioral correlates, and that certain supervisor behaviors were role-free. They concluded that "the roles cannot be clearly defined in terms of specific behaviors alone. Other descriptive elements include supervisor goals, control, and focus of the interaction" (p. 303). Table 1 presents Stenack and Dye's (1982) he descrip- tions of the three roles on four dimensions. Role Relationships in Music Therapy Clinical Supervision The following comparisons of supervisor approaches are highlighted according to various dimensions, and are adopted from the work of previously cited researchers in supervision (Bernard, 1979; Clapper, 1981; Gurk & Wicas, 1979: Stenack & Dye, 1980). The comparisons are phrased in terms of supervi- sor behaviors or intentions, for the purpose of highlighting the differences of the three role relationships of supervisor-teacher, supervisor-counselor, and supervisor- consultant. These three role relationships are an integral part of the treatment procedure of this experiment. The statements may be interpreted as competencies of the effective supervisor, in so far as the ability to meet 41 TABLE 1 Three Supervisory Role Relationships (Stenack & Dye, 1982, p. 302) ROLE A. ROLE A. B. C. l: TEACHER Focus of the interaction is on the supervisee as a counselor. Intention or goal of the supervisor is to instruct. Specific activities in the teacher role include: 1. Evaluate observed counseling session interactions. 2. Identify appropriate interventions. 3. Teach, demonstrate and/or model intervention techniques. 4. Explain the rationale behind specific strategies and/or interventions. 5. Interpret significant events in the counseling session. In order to describe the appropriate style or method of delivery for the teacher role, the concept of overt control of the interaction can best be utilized. In most supervision sessions, especially in situations where a close supervision relationship has not yet been established, covert control of the interaction rests with the supervisor. In the case of the teacher role, the supervisor also retains overt control of the inter- action. The teacher-supervisor remains in charge, determines the direction of interaction and functions as advisor/expert. 2: COUNSELOR Focus of the interaction is on the supervisee as a person. Intention or goal of the supervisor is to facilitate supervisee self-growth as a counselor. Specific activities involved in the counselor role include: 1. Explore supervisee feelings during the counseling and/or supervision session. 2. Explore supervisee feelings concerning specific techniques and/or interventions. 3. Facilitate supervisee self-exploration of confi- dences and/or worries in the counseling session. 4. Help the supervisee define personal competencies and areas for growth. 5. Provide opportunities for supervisees to process their own affect and/or defenses. The counselor-supervisor functions in much the same capacity as a counselor with a client. The same coun- seling skills are involved. The major difference ROLE A. 42 Table 1 (cont'd.) between a counselor-supervisor and a counselor is that the goal of the supervision process is related to supervisee functioning as a counselor. The supervisee does not become a client. Within the limitations of counseling specific limitations, however, the counselor-supervisor does utilize many of the counseling behaviors. 3: CONSULTANT Focus of the interaction is on the client of the supervisee. Intention or goal of the supervisor is to generate data. Specific activities involved in the consultant role include: 1. Provide alternative interventions and/or conceptu- alizations for supervisee use. 2. Encourage supervisee brainstorming of strategies and/or interventions. 3. Encourage supervisee discussion of client problems, motivations, etc. 4. Solicit and attempt to satisfy supervisee needs during the supervision session. 5. Allow the supervisee to structure the supervision session. The appropriate style or method of delivery for the consultant role can best be described by referring to the concept of overt control of the interaction intro- duced above. In the consultant role, the supervisor allows the supervisee to exert overt control of the interaction. The consultant-supervisor provides alter- natives and options instead of answers as in the teacher role. The consultant-supervisor also encourages supervisee choice and responsibility. 43 different students' needs may require the supervisor to function in all three role relationships at various times. The supervisor - music therapy student role relationship. The teacher-supervisor (SUP) offers a teacher-learner, expert-apprentice relationship to the music therapy student (MTS). The SUP is an authority figure in the relationship; the MTS is a learner. The counselor-supervisor (SUP) offers a warm, open, helper-helpee relationship to the MTS. The SUP acts as a facilitator of MTS personal growth; the MTS is a "client" seeking personal growth. The consultant-supervisor (SUP) offers a collegial, task-oriented relationship to the MTS. The SUP and MTS are colleagues in a democratic relationship. The goals of supervision. The teacher-supervisor (SUP) strives to develop a "good" music therapist by assisting the MTS in acquiring the necessary knowledge and skills. The SUP protects the profession and the public by screening out MTSs who lack the necessary knowledge and skills. The counselor-supervisor (SUP) strives to develop a "confident" music therapist by assisting the MTS in acquiring a self-concept as an effective helping professional. The SUP assists the MTS in deciding whether music therapy is a wise career choice. The consultant-supervisor (SUP) strives to develOp a "helpful" music therapist by assisting the MTS in making clinical decisions resulting in therapeutic progress for the 44 MTS's client(s). The SUP models peer-support, networking, and the continuing self-improvement that contribute to satisfaction in a career choice (and avoidance of burn-out). The focus of supervision. The teacher-supervisor focuses supervision sessions on the MTS's performance (skills) during the music therapy session. The counselor-supervisor focuses supervision sessions on the MTS's feelings, thoughts, and experiences related to clinical or supervisory issues. The consultant-supervisor focuses supervision sessions on the MTS's client, especially the client's responses during the music therapy session. Evaluation. The teacher-supervisor evaluates the MTS's skills in relation to professional norms and informs the MTS of his/her status. The counselor-supervisor functions without judging the MTS, believing the evaluation of personal growth or self-concept to be impractical, impossible, or unethical. Evaluation may be suspended either to reduce MTS's anxiety or to improve the supervisory relationship. The consultant-supervisor encourages the MTS to evaluate his/her own skills as far as necessary to identify his/her own supervisory needs. The SUP may evaluate the MTS's client's responses during music therapy sessions. Feedback from supervisor. The teacher-supervisor gives normative and evaluative feedback to the MTS, (i.e., gives positive and negative feedback based on the SUP's perceptions 45 of the MTS's performance (skills) in relation to professional standards of practice). The counselor-supervisor (SUP) gives subjective feed- back, (i.e., feedback in terms of the SUP's feeling-responses to observations of the MTS in music therapy sessions). The SUP gives feedback only when asked by the MTS, and strives to make feedback congruent with the MTS's expectations for feedback. The consultant-supervisor (SUP) gives data-based, non-normative, non-evaluative feedback, (i.e., objective feedback). Target behaviors to be observed for supervisory feedback are mutually determined in advance by MTS and SUP. Approach to music therapy techniques. The teacher- supervisor demonstrates techniques, role-plays interactions, and instructs the MTS by explaining, reviewing, rewarding successive approximations, and providing sequential program- matic experiences for the MTS. The counselor-supervisor supports the MTS's efforts when trying new techniques by reassuring the MTS that new behav- iors often feel awkward at first, by encouraging the MTS to develop his/her own style, and by reflecting the MTS's feelings when assessing personal strengths and weaknesses. The consultant-supervisor (SUP) acts as an expert in problem-solving rather than as an expert in music therapy techniques. The SUP assists the MTS by using a problem-solving strategy including problem identification, 46 prioritizing needs, brain-storming solutions, Viewing consequences, and selecting strategies. Area of supervisor's expertise. The teacher-supervisor acts as an expert music therapy clinician. The counselor-supervisor acts as an expert counselor, using facilitative verbal interactions. The consultant-supervisor acts as an expert problem- solver, and needs only entry-level clinical music therapy skills. Supervision assignments. The teacher—supervisor assigns readings, observations, or projects for the MTS according to a pre-planned curriculum or as needed by the individual MTS. The counselor-supervisor makes no extra-clinical assign- ments, but does refer the MTS to research literature or materials upon request. Such concurrent experiences as individual therapy, group growth workshops, and values clarification exercises may be suggested. The consultant-supervisor makes no extra-clinical assignments. Approach to MTS personal problems. The teacher- supervisor encourages the MTS to seek therapy when recurrent personal problems interfere with work. The counselor-supervisor assists the MTS with personal problems that interfere with work. The consultant-supervisor describes ways in which the client and/or the SUP is affected by the MTS personal problem. 47 Frame of reference in supervision. The teacher- supervisor uses professional vocabulary, discusses issues from his or her own "professional" frame of reference, and strives to inculcate in the MTS a professional identity based on norms and expectations. The counselor-supervisor uses the MTS's vocabulary, discusses issues from the MTS's point of View (frame of reference) as learned by interacting with the MTS, and strives to have the MTS integrate his/her personal experi- ences with a professional identity. The consultant-supervisor attempts to suspend profes- sional and personal frame of reference by focusing on the client. The task at hand during supervision is the client's present problem rather than the MTS's needs. Approach to case conceptualization. The teacher- supervisor gives his/her own case conceptualization directly. The counselor-supervisor witholds his/her case conceptu- alization and indirectly draws out the MTS's case conceptual- ization through open-ended questioning. The consultant-supervisor either shares or witholds personal case conceptualization, based on the MTS's expressed needs. Self-disclosure during supervision. The teacher- supervisor avoids disclosing personal feelings, values, and experiences except for the purpose of illustrating an instructional point. 48 The counselor-supervisor shares personal feelings, values, and experiences in an effort to improve the supervi- sory relationship and to decrease MTS anxiety which inter- feres with work. The consultant-supervisor may or may not self-disclose as needed by the task at hand. Verbal interaction pattern. The teacher-supervisor engages in direct, one-way communication that is character- ized by personal opinions, suggestions, advice, praise, criticism, interruptions, and information-giving. The counselor-supervisor engages in indirect, facilita- tive communication characterized by listening, reflecting the MTS's communications, clarifying MTS's statements, and support-inducing communications (self-disclosure, identifica- tion with the MTS, etc.) The consultant-supervisor engages in direct and indirect two-way conversation with the MTS. The task at hand deter- mines the type and frequency of verbal patterns. Compliance with clinical procedures. The teacher- supervisor monitors MTS compliance with clinical procedures by keeping records of MTS work, receiving and processing MTS-generated written work, making corrections, and giving feedback to the MTS regarding compliance. The counselor-supervisor avoids monitoring MTS compli- ance with clinical procedures unless asked to by the MTS. Corrections to written work are given only when requested. The SUP signs MTS written work with minimal changes. 49 The consultant-supervisor is disinterested in monitoring MTS compliance with clinical procedures because, as an equal, the responsibility and consequences for failure to comply rest entirely with the MTS. The SUP provides guidelines for MTS to improve own work when asked. Relationship of theory to practice in clinical training. The teacher-supervisor assumes that a cause—and-effect relationship exists between therapist intervention and client change. The MTS as strategist and initiator thus must practice interventions prior to much theoretical preparation or adherence. The counselor-supervisor assumes that outcomes are intangible, and that theoretical preparation and commitment must precede clinical contact. The consultant-supervisor works from an atheoretical point of View; theoretical positions are considered irrele- vant to client progress in therapy. Source of structure during supervision. The teacher— supervisor initiates supervision content and assumes responsibility for structuring the supervision session. Periods of silence are uncommon. The counselor-supervisor responds to MTS-initiated supervision content and avoids structuring the supervision session. Periods of silence are not avoided. The consultant-supervisor regards supervision sessions as goal-oriented (to solve a mutually-agreed-upon task), and 50 shares responsibility for structuring the supervision session equally with the MTS. Scheduling supervision. The teacher-supervisor encour- ages regularly scheduled supervision meetings which last a predetermined amount of time. The counselor-supervisor encourages regularly scheduled supervision meetings which last the amount of time needed to process the MTS's feelings, thoughts, and questions. The consultant-supervisor encourages supervision meet- ings to be requested by the MTS when and if needed to accom- plish the MTS's objectives and lasting the amount of time needed. The importance of MTS personality characteristics. The teacher-supervisor presumes that music therapy competencies are acquired through pedagogy, programmatic methods (curricu- lum), and reinforcement within a supportive environment. Personality characteristics are considered off-limits to supervision. The counselor-supervisor presumes that certain personal— ity characteristics affect the acquisition of music therapy competencies, and strives to acquaint the MTS with the personality correlates of effective therapists (tolerance of ambiguity, a moderate amount of anxiety, sensitivity to the expectations of others, patience, non-aggressive interperson- al relationships, open-mindedness, and a perspective about the prognosis for change in others). 51 The consultant-supervisor assumes that the MTS has made optimum adaptation of personality characteristics in relation to the requirements of his/her clinical responsibilities. Discussion of personality characteristics is considered unproductive in that supervision serves to accomplish client-centered gains. Supervisor Variables The variables within the supervisor that will be re- viewed in this section include: (a) supervisor style, (b) supervisor experience level, (c) supervisor skills, and (d) supervisor music therapy clinical supervision skills. The purposes of this section are to identify the vari- ables within supervisors that might affect supervision effectiveness, to list supervisor skills, and to suggest a method for evaluating supervision. Supervisor Style Didactic and experiential supervisor styles. A number of studies investigated didactic and experiential supervisor style on various measures of trainee outcomes. Payne and Gralinski (1968) studied counselor trainees' perceptions of supervisor style in simulated supervision sessions using two supervisory conditions--counseling type and techniques type supervision (experiential and didactic) p. 559). Didactic style was described as stressing feedback, 52 evaluation, and techniques even though those aspects aroused anxiety in trainees. Experiential style was described as a counseling ap- proach that stressed the importance of a feeling of security, freedom from threat, and an opportunity for self-development. Payne and Gralinski found that: Although subjects supervised by an emphasis on techniques rated themselves less relaxed and less confident about the meaning of empathy than those with an emphasis on counseling, their performance on the criterion of empathy was higher. . . No differences were found for reactions to supervi- sion. . . Counselors did not perceive (techniques condition supervisors) as more critical, less empathic, nor more tension-inducing. . ." Empathy of supervisors did not appreciably affect counsel- ing perception. (Payne & Gralinski, 1968, pp. 557-561) The counseling type of supervision style was described as modeled after a non-directive counseling relationship, characterized by: (a) an attempt to establish an empathic relationship in order to model empathic behavior; (b) a focus on the trainee's frame of reference; (0) responding to the counselor trainee's feelings about the task, feelings toward the client, and reactions and assessment of own performance; (d) avoidance of negative evaluation; and (e) avoidance of direct suggestions for improvement. The techniques type of supervision style was described as (a) also offering a high level of empathy, and working for a positive interpersonal relationship; (b) discussing the trainee's effectiveness in offering empathy; (c) discussing the trainee's techniques in counseling; (d) giving examples 53 of responses which would have been more empathic than the ones given by their counselors (Payne & Gralinski, 1968, p. 559). The Empathy Scale used by Payne and Gralinski (1968) was based on earlier scales of rapport by Traux (1961) and Barrett-Lennard (1962), and asked for a response on a seven-point Likert Scale ranging from lowest (this person is usually unaware of what you are feeling), middle position (this person is aware of your feelings but not entirely "with" you) to highest position (this person is completely attuned to you and reflects your feelings in words or ac- tions)" (Payne & Gralinski, 1968, p. 559). Birk (1972) compared the effects of experiential and didactic supervision styles on student counselors' acquisi- tion of empathic responding skills. She questioned whether trainees' preference for a supervision method would affect learning. Birk's (1972) didactic supervisors (a) provided a structured approach; (b) specified those remarks of the trainee which appropriately communicated empathic understand- ing; (c) suggested responses that could have been more effective; (d) questioned the trainee to test the trainee's reucognition of appropriate and inappropriate responses made v umouumom um coauommmaumm unoccum hammock cams: cancaum> 2 2858? you 338m §oz< ¢ mqmds 131 because SUP #4 participated only in the experimental group and thus was excluded from this analysis. Table 5 indicates the results of this statistical analysis. An F ratio of .142 and an F probability of .7157 indi- cate no significant differences between groups at the .10 level. The experimental group supervisors had a slightly lower mean (6.8982 to 7.0459) and notably higher standard deviation (.6924 to .5358) than the comparison group supervi- sors. Minimum and maximum reported scores for each group were similar (minimum reported scores were 6.3214 and 6.2679; maximum reported scores were 7.7857 and 7.5897 for experi- mental group and comparison group respectively). Question #3. Question #3 asked whether supervisors as a group, (i.e., irrespective of treatment condition), reported significantly greater or lesser satisfaction with supervision at the posttest than at the pretest (as measured by the SSF-SUP). This question was studied using two different statisti- cal approaches: (a) a condescriptive analysis of means and variances, and (b) a one-way ANOVA. The SPSS Condescriptive Program was used to analyze differences in pretest and posttest scores of supervisors' satisfaction. Table 6 indicates the findings of this analysis. The researcher calculated the average satisfaction score for each supervisor at pretest and at posttest and entered these data for analysis. A sample size of 10 was used, with 132 mmmm.h ou HHHa.a on mama.n on some new .ucH .uaoo momm.w nomM.o mmmo.m .uUm mm moma. mmmm. ". uncommon um coauomLmHumm soma>uwd=m cancfium> ms mammnsodsm not msssmmm <>oz< m mamda 133 TABLE 6 Condescriptive Results for Question #3 Variable: mean: variance: minimum: C.V. pct: std. err.: kurtosis maximum: .95 C.I: std. dev.: skewness sum to valid cases: missing cases: Supervisors Pretest Supervisors Posttest Satisfaction Satisfaction (v225) 5.870 .416 4.889 10.986 .204 -l.585 6.625 5.408 .645 -.192 58.697 6.331 10 (v225p) 6.972 .347 6.268 8.446 .186 -1.964 7.786 6.551 .589 .029 69.720 7.393 10 134 five in each group. (SUP #4 was not represented in the comparison condition and therefore the score in the treatment group was eliminated.) There were differences in the means, standard devia- tions, and minimum and maximum reported scores for satisfac- tion of supervisors at the posttest as compared with the pretest. The mean increased from a pretest level of 5.870 to a posttest level of 6.972. The standard deviation decreased from .645 on the pretest to .589 at posttest. The minimum reported score increased substantially (4.889 at pretest and 6.268 at posttest), as did the maximum score (6.625 at pretest and 7.786 at posttest). Question #3 (b) was answered similarly when analyzed using the one-way ANOVA procedure. Ten pretest and 10 posttest cases were used (the five supervisors' scores from both treatment conditions were combined and considered as one group; SUP #4 again was excluded). Table 7 indicates the complete results of this analysis. Supervisors reported significantly greater satisfaction at the posttest than at the pretest when treatment condition was not considered. An F ratio of 15.936 yielded an F probability of .0009 which was statistically significant well beyond the .10 level. Question #4. Question #4 asked whether supervisors would report significantly greater or lesser satisfaction with supervision subscale skills at the posttest than at the pretest. This question was studied with the use of two 1L35 anom.o on mmmm.h ou onm.w ou some new .saa .ucoo homo.m momm.m «m0¢.m .uom mm nmmn.n nmmh.n ommo.m assess: mmwm.¢ mnom.o mmmm.¢ essa2flz mooo. .nosm mcma. Noma. mMON. uouum unoccmum mmm.mH chasm a «mam. mmmm. meow. mamm. unno.o moummmm com: me cosummso not mussmwm «>024 n mqmde m0m¢.® Omnm.w nmmm.m com: «mmm.ma hmmw.0 unho.m moummmm to sum lemmaamom can amassed. macho AQm->V umwuumom um cofiuocmmaumm .muoma>umd:m Om OH OH ucsou 0H ma " 136 statistical techniques: (a) supervisor reports of both conditions combined and considered as a group (N = 24), and (b) supervisors considered as individuals (N = 6). Subscale scores were calculated by the use of the SPSS "Compute" facility, which accounted for not applicable/not observed and missing responses (which resulted in differing numbers of items answered). Variables used were V183 and v18sp (teacher skills); V195 and v19sp (counselor skills); VZOS and V20sp (consultant skills); and v21s and V21sp (supervisor overall competence). A sample size of 24 was used, with six supervisors represented in both conditions, each with 12 average scores at pretest, and 12 average scores at posttest. The average pretest and average posttest scores were calculated for each supervisor in each condition and then a series of four T-Tests was performed for the pre-post pairs. Table 8 indicates the results of these analyses. The correlation of pretest and posttest scores was positive for each of the four subscales (.409, .400, .396, and .645), which indicated that the paired T-Test procedure was appropriate. A two-tailed test of probability was used because a direction of inequality of means was not predicted. Supervisors' satisfaction subscale scores were statisti- cally significantly different from pretest to posttest when scores from the experimental and comparison conditions were combined and treated as one group. The T values of all four subscales were statistically significantly different at 137 mam. ~¢o.a mmoH.h QmHN> 000. mm mo.¢- Hoo. mam. em mam. omH.H swam.o msm> wocmuodsou Hamuo>o mms. mam. mmmo.a amo~> Hoo. mm om.m- mmo. mam. am amm. ooH.H omoa.o mo~> msasxm snmssamcou Hon. mam. mmom.a dmms> Hoe. mm mm.m- mmo. cos. an mmm. ass.a asam.o mms> ma adv—m HOHOmGSOU was. 4mm. omma.m dams» ooo. mm 44.4- 540. mos. am mam. amo.s omma.m mms> msasxm umnomoa .DOhnH EOUOOHL dem> . Doum .HMOU HOHHM coHuwH>0Q com: mwmwu ngz Hams-” a Hama-~ numoamnm osmecmsm to uwnasz maansso> moouooa m mqm<9 ummuumom ou umouwum scum COALUMLmHumm .mHOmH>uodsm "as. an cOAumoso now muHsmom undone 138 posttest at well beyond the .10 level (two-tailed probabili- ties for the subscales were .000, .001, .001, and .000). The means increased from pretest to posttest for all four subscales (5.7690 to 6.7250; 6.5417 to 7.5083; 6.1626 to 7.0923; and 6.3167 to 7.1083). The standard deviations decreased from pretest to posttest for all four subscales (1.037 to .894; 1.167 to .983; 1.160 to .896; and 1.190 to 1.042). These findings indicate that supervisors were more satisfied with supervision at the posttest for all four subscales. The second statistical approach to Question #4 involved the use of supervisors as individuals (N = 6) to discover whether supervisors as individuals reported significantly greater or lesser satisfaction with supervision subscale skills at the posttest than at the pretest. Each supervisor's pretest scores from both conditions were averaged and then compared for significant differences using a T-Test for each of the four supervisor subscale skills. The variables used were the same as for the analysis in Question #4 (a). Table 9 indicates the complete findings for the subscale T-Tests. Again, the correlation of pretest and posttest scores was positive for each of the four subscales (.793, .724, .714, and .650), which indicated that the paired T-Test procedure was appropriate. Results were somewhat similar to the previous analysis. The T value of only the first subscale, supervisor-teacher 139 mam. moo. oom~.a amsm> amm. m mm.s- mos. one. o awn. om~.H «was.o ma~> mucouoqsou HHmuw>o mma. mmo.H oama.a amo~> has. n HS.H- Has. «an. o mam. was.” mamm.m mo~> msssxm ucmussmaoo ohm. som. Homa.a amma> mms. m om.H- mod. «me. s has. Ham.s mmoo.a mma> mHHHXm HOHOdeOU ems. moo.H «Hmo.a Emma» mac. n ~m.m- coo. mas. 8 mos. ~m¢.H oama.o was» msasxm sarcoma . noun Eovmwhh ODHM> . noum .HHOU MOHHm Gofiumdwma G602 QOQU MOS—52 Hams-~ so a Hame-m osmoamum unmeasum to Lorenz manusuu> moouooo ummuumom ou amoumum scum coHuomLmHumm .muomfi>umdsm m mqmdh "lac as cosumwso you mussmmm ammu-a 140 skill, was statistically significantly different at posttest (two-tailed probability of .068). The three other subscale probabilities did not reach the .10 significance level (.132, .167, and .227). The means and standard deviations, however, yielded results quite similar to the previous approach to analysis. The means of all four subscales increased from pretest to posttest (6.1940 to 7.0614; 7.0089 to 7.7861; 6.6349 to 7.4246; and 6.7144 to 7.2806). Likewise, the standard deviations for all four subscales decreased from pretest to posttest (1.492 to 1.069; 1.511 to .907; 1.698 to 1.059; and 1.290 to .608). This supports the conclusion that supervi— sors' satisfaction increased from pretest to posttest for the four subscale skill areas. Question #5. Question #5 asked whether music therapy students reported significantly greater or lesser satisfac- tion with supervision subscale skills (as measured by the SSF-MTS) at the posttest than at the pretest. Student reports from both groups were combined and considered as one group (N = 24). A series of four T-Tests was conducted for each of the four supervisor subscale areas. Twelve students from the experimental group and 12 students from the comparison group were combined to create a group of 24, and pretest and posttest subscale scores were compared for significant differences. Table 10 indicates complete findings of this analysis. Variables used were v135 and v13sp (teacher skills), v14s and v14sp (counselor 141 «as. mmm.H mamm.a amms> amo. Na Ho.~- mos. «em. mm mam. mmv.H «omn.o mma> wocwuwdsou Hamuw>o mum. ems.” Hm¢H.s amma> «mo. mm Hm.H- was. saw. «m mom. mam.H mmo¢.o mms> msssxm unanssmaoo mos. Ham.s oomo.a amaa> oHo. mm om.~- mac. was. ¢~ mos. mmm.~ swam.m m¢H> mHHfiu—m HOHOmGfiOU mam. aam.s swam.o dwma» mmo. mm ~o.~- sac. has. am mom. oom.H «vam.o mma> massxm sarcoma . Doum Eocwwhh m: Hm> . Doug . MHOU MOHHN GOHHMH>OQ now: no mMU Hons—92 Hama-m so a Hsma-~ osmosmsm eumocmsm to umnsuz manosum> mwoumoo unmanned cu umwumnm scum cowuomLmHucm .mucocsum anemone cams: 0H mqm mom. «N on. moo. mom. mm amm. oms.H mmaa.o mm> mwusomuoum UHGHHU oos. ooo. soo~.s goo» mos. NN mm. ooo. Nos. mm mam. mmm.a mmom.a mo> ossmcmsosmoz oms. moo. omoo.a omm> omo. om oo.- oao. omo. Hm was. mos. omsm.a mm> soHuouHHosudoocou mos. one. ammo.s am~> Hmo. oN No. cos. mom. HN omm. moo.H osoo.s mm» msssxm Hoaomuom mos. mos. asom.a am~> ooo. mm om. odd. amm. mm was. moo.a o~o4.a ma» maaaxm ucoswomsmz scammwm .QOMA Eocwwuh OSHM> .Qoum .HHOU uouum GOHHMLSOQ G602 mmmflu uwnfidz Hame-~ so a Hamanm osmoaMSm osmoaosm so umnazz manosuo> mowuooo umouumom cu amououm scum maaaxm oamomnsm we ceaucsam>ouwaom ucoosum xdmuons vamp: Ha mgm mam. mm oo.- ohm. mos. om mos. omo. Hama.o was» msssxm Hamum>o oms. ohm. omoo.o omos> ooo. mm om.o- ooo. Hoo. on man. mam. ooao.o moss anomooHuHmzz ooo. oaH.H momm.o omo> ooo. mm 55.- omm. mom. om ooo. ooo.” mamo.a mm> coHuoNHHmsudoocou mom. H-.H moo~.o moo» moo. mm o~.m- moo. ooo. om omm. omH.H amoo.s no» msasxm Hmoomswm mom. mH~.H msmo.o ama> ooo. mm mo.m- ooo. ooa. om omm. aHH.H omms.a ms> mHHHo—m uchwOMCMZ Godmmwm . noum Eocwmhh wzam> . DORA . HHOU HOHHM no.“ uwH>wQ G002 mm mMU Mme—52 Hmoa-~ a Hamanm unmeasum osmocmum do umossz manmsuo> mwouooo amouumom o» amououm souw maafixm mamomnsw ucmcsum summons cams: mo coHuosam>m .muoma>uoasm \ NH mqm<8 "Amy he sofiuwwso now muflsmom bumble 147 Significant differences at the .10 level were found for T values of three of the subscales using a two-tailed proba- bility (session management, .000; personal skills, .003; and musicianship, .000). The two other scales did not approach the .10 significance level (conceptualization, .450 and overall skills, .528). The means improved for all subscales from pretest to posttest (7.1934 to 8.0513; 7.4897 to 8.2083; 7.9315 to 8.3542; 6.9760 to 8.0455; and 8.7371 to 8.8773). The stan- dard deviations were inconsistent across subscales: two scales showed slight increases (session management, .228 to .249; and personal skills, .236 to .249). Three scales showed decreases in standard deviations from pretest to posttest (conceptualization, .548 to .240; musicianship, .975 to .970; and overall skills, .890 to .787). The second approach (#7 b) to data analysis involved the use of the supervisor's responses when taken as individuals, (i.e., where an average subscale score was calculated by the researcher for each supervisor pretest and each supervisor posttest). A T-Test then was performed on each pre-post pair (N = 6) with the use of the same variables as in Question #7 (a). Table 13 indicates the complete findings of these analyses. Again, the correlations for pretest and posttest scores were positive for all five subscales (.916, .773, .569, .892, and .278), indicating that the paired T-Test procedure was appropriate. 1x48 mom. son. osoo.m amss> one. m mm.- ooo. ohm. o omm. mmo. o-m.o mHH> msssxm snoum>o moo. ooH.H ooam.o omos> moo. m ms.o- ado. moo. o on. oo~.H oaom.a mos> assmamsosmsz moo. aoH.H mmom.o omo> mod. n oa.H- mmm. ooo. o omm. osm.H oosa.a mm> coflumNHHmsudoucou omm. oaH.H omoo.o amo> ooa. m ma.H- «so. mas. o oam. oom.H ommo.~ mo> ma 3.3m Hmcomumm mmm. mom.s oomm.o dms> Hmo. m Nm.m- oso. oao. o ooo. ~om.~ soon.» ma» mHHme ucmsoomcoz coammwm . noum EOUOOHM ODHM> . Doum .HHOU Nahum QOHumM>OQ now: mOmMU HOB—52 same.” so a Hama-m osmoomum osmoqoum oo umaasz manusum> moouooo uncommon ou amououm soum maafixm mamomnsm accosum summons cams: mo soHuc=Hm>m .muomfi>uod=m Ma mqmuodsm oocmHuodxm 30H can cocoHumdxm nono macaw mm umouumom um coHuomLmHumm .muomH>uodsm anmHuc> umwuumom um Ho>oq cocoHquxm mm coHuomLmHumm .muomH>qu=m "ma cOHumoso now muHsmom «>024 «H MHmuodsm oomH>Lodsm ochomma mosum ucosondsm ucossoHdsm ouoom nomH>uod=m mam mcuwusH mucoosum oHEHHOU comatose osHuuuumm Ham Ham ssoHuomum osHunHHsm HHmuo>o muomH>umdsm mo mdsouu cough sow mwuoom ewuH Hmm mH mqmda 158 The minimum and maximum reported scores were: high group, 23 - 30; low group, 4 - 12. The Supervision Satisfaction Form (SSF). Both the SSF and the MTSEF were analyzed by item in order to gain addi- tional understanding of the evaluation tools and results. Various descriptive statistics were assessed to gain data with which to make recommendations and to shed light on the subscales and individual items. An SPSS Frequencies program for categorical variables was run for the 28 items of the SSF and for the 53 items of the MTSEF to assess the means, medians, modes, standard deviations, ranges, minimum and maximum reported scores, and the number of respondents who answered or omitted each item. Each item was measured on a scale from one to ten, with an option of Not applicable/Not observed provided. (The SSF contained 28 items and was given to students and supervisors at pretest and posttest. Thus there were 112 variables generated (28 x 4).) Table 19 indicates the complete find- ings of the analysis of the SSF, grouped by item with pretest and postest scores of students and supervisors provided. The SSF produced relatively homogeneous scores (contrib- uting, along with the high pretest scores, to reduced likeli- hood of significant differences with treatment). 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H«N.N Nmm.0 ¢¢0.N w« m« m« 0« N« N« N« N« 0« 0« 0« 0« m« m« 0« m« Honssz swuH vm«> 00«> 0NH> 00H> mm«> mo«> NNH> m¢H> «m«> ¢0«> 0NH> 0¢H> Hm«> m0«> 0NH> NvH> nonssz 03822, 800m 900m mmm mmm 8000 900m mmm mmm 900m 900m mmm mmm 800m 800m mmm mmm mam we: now we: mam mam mam we: mam we: mam was mam was ummusmom no unwound bemusedmmm 164 The means of students' and supervisors' responses were consistently high for SSF items. For students' responses at pretest, the lowest mean was 5.414 (item #3, referring to research) and the highest mean was 7.067 (#28, helpfulness). For students' responses at posttest, the lowest mean was 6.667 (#3, referring to research) and the highest mean was 8.070 (#15, communicating respect). For supervisors' responses at pretest, the lowest mean was 4.171 (#3, referring to research) and the highest mean was 7.190 (#15, communicating respect). For supervisors' responses at posttest, the lowest mean was 4.525 (#3, refer- ring to research) and the highest mean was 7.841 (#15, communicating respect). Thus students and supervisors shared common items three out of four times for means, and the means were in the middle of the lO-point scale. The lowest reported mean at pretest was 4.171 (#3, SUP, referring to research). The highest reported mean at pretest was 7.190 (#15, SUP, communicating respect). The lowest reported mean at posttest was 4.525 (#3, SUP, referring to research). The highest reported mean at posttest was 8.070 (#15, MTS, communicating respect). There were only three SSF items for which the means and medians of students and supervisors were more than 1.0 different at pretest and posttest. In all three items, the students were more satisfied than the supervisors. Those 165 items were #3 (referring to research), #9 (making correc- tions), and #18 (giving feedback). There were three items on which the means and medians of students and supervisors differed by more than 1.0 at pretest only. In those three items, students were more satisfied than supervisors. Those items were #2 (demonstrating and instructing), #8 (monitoring compliance), and #20 (using problem-solving). There were no posttest items where the means and medians of students and supervisors differed by more than 1.0. No SSF items had a mode of 10, which was the highest possible score, but there were five items which had a mode of nine. All five items were supervisors' responses at posttest: #5 (structuring), #10 (evaluating), #12 (non- evaluating), #19 (responding), and #21 (flexible content). There were only three SSF items where the modes of students and supervisors differed by more than two points. Students were again more satisfied than supervisors for all three items. The items were #3 (referring to research, posttest), #8 (monitoring compliance, pretest), and #18 (giving feed- back, posttest). The students' scores resulted in wider ranges than the supervisors'. There were seven items for which students' ranges were four or five points greater than supervisors' ranges (on a 10-point scale): #5 (structuring, MTS range 9, SUP range = 5); #7 (professional vocabulary, 9 and 5); #14 (questioning, 9 and 5); #15 (communicating respect, 8 and 4); 166 #19 (responding, 9 and 5); #20 (problem-solving, 8 and 4); and #21 (flexible content, 9 and 4). All seven items were at posttest; the largest range was five. The minimum reported scores were similar for students and supervisors for SSF items. In the 12 cases where there were two or more points difference in reported minimum scores, supervisors' scores were higher. There were two items where both pretest and posttest items revealed more than two points difference in reported minimum scores: #14 (questioning, 4 and 1 for SUP and MTS respectively at pretest and 5 and 1 at posttest) and #19 (responding, 4 and l for SUP and MTS at pretest and posttest). The ten posttest items were #5 (structuring, 4 and 1); #7 (professional vocabulary, 4 and l); #11 (experiential content, 4 and 1); #15 (communi- cating respect, 5 and 2); #20 (problem-solving, 5 and 2); #21 (flexible content, 5 and 1); #22 (administrative problems, 4 and 1); and #26 (using time, 4 and 1). All variables had a maximum reported score of either nine or ten (out of a possible ten points). The highest reported minimum score was five, which in all the nine cases were supervisors' scores. The one pretest item was #10 (evaluating), and the eight posttest items were #6 (feed- back), #10 (evaluating); #13 (facilitative communication), #14 (questioning), #15 (communicating respect), #17 (colle- gial relationship), #20 (problem-solving), and #21 (flexible content). There were 27 items with a minimum score of one reported. 167 Standard deviations for SSF items were fairly consistent for students and supervisors at pretest and posttest. Two items had standard deviations of less than 1.0: #10 (evalu- ating, SUP, pretest) and #15 (communicating respect, SUP, posttest). The SSF items with the largest standard devia- tions were both for students' pretest scores: #3 (referring to research, 2.693) and #12 (non-evaluating, 2.419). There were three items for which 30 or more respondents marked not applicable/not observed or marked no answer: #3 (referring to research, MTS, pretest, 34 "missing cases"); #18 (feedback, SUP, posttest, 30 "missing cases"); and #22 (administrative problems, MTS, pretest, 30 "missing cases"). There were 18 items which were almost always rated on the ten-point scale by respondents (i.e., items which yielded the highest number of "valid cases"). All those items were students' pretest responses (V124, V126, V129, V130, V133 - V139, V141 - V143, V146, V147, V149, and V150), and they were evenly distributed across the teacher, counselor, consultant, and overall competence subscales. The Music Therapy Student Evaluation Form (MTSEF). An SPSS Frequencies program for categorical variables was run for the 53 items of the MTSEF, and the mean, median, mode, standard deviation, range, minimum score, maximum score, and number of responses (i.e., number of valid and missing cases) for each of the items were determined. Table 20 indicates the complete findings of that analysis, grouped by item with 168 H« H« «« 0H mH H« «« mH mH H« v« 0H mH H« «« NH mH H« «« 0H mommo mchmHz v0 «0 H0 no 00 «¢ H0 ¢¢ vv «0 mm 00 «v «0 Ho 00 00 «0 H0 00 momcu cHHm> 0H m 0H 0H 0H m 0H 0H 0H m 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H ssstwz sschHz anmv 0000 MMQ'I-n Vfi'md' «mmN “10050 00mm 55mm @060 050m Nmm.H N00.H mmn.H 00¢.H ¢Hm.H N«H.H m«0.H «mm.H mm«.H N00.H 0««.H «mm.H 0N«.H NHH.H m¢«.H 0¢M.H 00H.H m¢«.H ««m.H 00m.H omcmm sodoms>mo peaceabm N000: N00000: (\hmm oooocom 0H 00 OH woos 00«.0 m00.N 00«.N mNm.N m00.0 000.N m«0.N «mH.N 000.0 000.N N«N.N N00.N m0m.m 0mm.N mmm.0 m0«.0 N0m.m 00H.0 0m«.0 m«m.m Gchwz is sues soc mossmssasm m>HooHsommo mmmsz om mqm Hmom mam mm~> 900m we: ¢N> mam mam Hm> mmm we: Hmm> amom mom wmm> 900m my: MN> mam mam o«> mmm we: mo~> amom mam Nm~> amom was «N> mmm mam mH> mam we: mmm> 900m mam 0m«> smom mam HN> mam mam mH> mam we: mm~> amom mam mmm> 900m ma: 05> mmm mam NH> mam my: mHHme ucwsommcmz conmom umnssz uncommom mHnoHum> no unwound unwocOQmom 169 0H m« m« 0H 0H «« «« 0« 0H «« «« NH 0H m« m« m« m« 0« HM m« mommu uchmHz 00 00 co mo ¢¢ Ho Hv mv v0 H0 H0 0v ow 00 00 mm 00 mm «m «m momou cHHm> 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H m 0H 0H NMQ’Q‘ 0000 Q'Q'Q'Q Q'Q'Q'V NMQ‘V’ esstcz sschHz (\(‘lfio \OIDQ'Q' \OKOl-flfl' 001-00 0Nm0 0m«.H 00H.H 0N0.H ««0.H mHH.H vN0.H @00.H m0m.H 0HH.H 0¢0.H MH¢.H 00«.H 00¢.H mm¢.H me.H 0N0.H «0N.H HHO.H N00.H m0w.H omcmm cOHuwH>w0 unaccoum mNmoo (\hmm Nmoom \Ohmh N000 woo: 00m.N NH¢.N 000.N 000.N mmm.m 00N.N 0H0.N 00v.N m0«.0 000.N 000.0 Nm«.N 000.N NOH.N MNN.0 0«H.N 000.N NH¢.N 000.0 00m.0 cmHooz H.0.ucoov 0« oana 0M0.N mNH.N 0«¢.N ¢v0.N N««.0 H00.N «MN.N 000.N mHm.0 0mm.N mv0.0 H0«.N 00v.N 0«m.0 mNN.0 000.0 00m.N 000.0 00H.0 000.0 0H 0H 0H 0H aoaocoao mamas (\th 0000 Homes: amoH Nmm> 900m mam oon> amom mam mn> mam mam 0m> mmm max 0mm> amom mam mom> awed max mN> mmm mam mm> mam ma: mmm> amen mam ~o~> amom we: NN> mam mam ¢m> mmm we: om~> 900m mam Ho~> 900m ma: 0N> mmm mam m~> mam we: mmm> smog mam oom> amen max mN> mam mam ~«> mum we: umnssz uncommom anuHum> no amoumum unconcemmm 170 «m Hv 0o «0 0H H« m« 0H 0« Hm Hm m« vm 0v mm om mH H« «« NH mommu ochmHz Hm «« NH H« 00 «0 0m 00 NM «m «m mm m« m« v« 0« «v «0 H0 00 mommu 0HHo> 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H m 0H 0H NHQ'I-n 0000 Q'Q'ln‘O Nfl'lnfi' 0000 esstmz sschHz 0001:- 0mmN IDOQ'Q' BWQ‘O ‘OIOQ'Q' mmN.H «m«.H mmm.H mom.H «0«.H mmH.H «NN.H mmc.H 00¢.H v««.H ¢«m.H 0NN.H «N0.H Hm«.H ¢m0.H Nvm.H 00H.H 0HH.H 0N0.H 000.H wmccm COHUQH>8 ounoomom mhl‘m whhl‘ 0001" 0000 000N one: 000.N 000.N 00N.0 000.N «00.N mm«.N 00«.N 000.N 0N0.N 000.0 000.N HNO.N 000.N 00N.0 000.0 m00.0 m«m.N 000.0 00H.N 000.0 ccHUwS ..c.ucoo. 0« oana emH.N N««.N 0HH.N N00.0 000.N ¢H«.N 0Hm.N ¢v«.N 000.N mHN.0 00«.N N¢m.0 000.N mMN.0 mm0.0 «NH.0 000.0 0H0.N H¢M.N 0MH.0 0H 0H 0H 0H 0H 0H 0H 0H MH MH MH «H «H «H «H «H HH HH HH HH uwnssz amuH «0m> mv«> 00> Hm> H0m> 0¢«> 00> 0m> 00m> Nv«> «0> m«> mm«> 0v«> H0> 0«> 0m«> m¢«> 00> N«> nonssz «335; 900m 9000 mmm 800m 800m mmm mmm 900m 9000 mmm mmm 900m 9000 mmm mmm 900m 800m mmm mmm mam mom mam mam mam mam mam was mam we: mam we: mam max umouumom no ammuoum accusedmom 171 0H 0« «« NH 0H v« «« NH 0H 0« «« NH 0« m« 0« NH mm mm «m 00 mommu ochmHz vv mm Hv 00 «0 00 Ho 00 00 00 H0 00 mo 00 00 0v 0« 0« m 0H mommu 0HHM> 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H m 0H 0H 0H m 0H m ssstcz sseHcHz Q‘fi'd‘m Q'MQ'ID 0000 «r000 d'HMKO 00mm 0000 0000 0000 “3010* 000.H NOH.H N0«.H 00H.H 00¢.H 00m. Nmm.H N0«.H 000.H 00H.H 0H0.H 0«¢.H 0«v.H 00H.H Hm¢.H mm¢.H 00«.H 00«.H mm0.« 000.H omcmm aossms>mo ouuoamum 0H 000N Ch 0H N-\o P~l\ r~r~ woo: N00.0 000.N «0«.0 0H0.0 0N0.0 0«0.0 0m0.0 000.0 0N0.0 000.N 000.N 0«0.0 0NH.N 00«.N 000.N N00.N 0H«.0 NNO.N m«0.N 0«H.N cmHomz A.U.ucoov 0« cHnd8 00«.0 H«0.N 000.0 ««0.0 00«.0 0N0.N 000.0 000.0 N««.0 N00.N 0«0.N NHN.N mN«.N 00H.N vHH.N 00«.N 00«.0 00«.N N00.0 000.0 0« 0« 0« 0« 0H 0H 0H 0H 0H 0H 0H 0H NH NH NH NH 0H 0H 0H 0H uwbssz souH N0m> ¢m«> 00> 0m> 00m> mm«> 00> 00> 00m> «m«> N0> 00> «00> H0«> 00> mm> mom> 00«> 00> «m> sonssz mHnnHuu> 8000 000 8000 082 000 000 000 08! 8000 000 8000 082 000 000 000 082 8000 000 8000 08: 000 000 000 082 8000 000 8000 082 000 000 000 08: mHHme Hccomuw0 8000 000 8000 08: 000 000 000 082 umwuumo0 no umouou0 ucwoco0mo0 172 0H «N «N 0H 0H ¢N NN NH 0H 0« «N NH 0H «N «N NH 0H 0M MM MN mommo ochmHz «0 am He no «0 0M H0 00 00 0M H0 0v «0 0M H0 00 00 MM 0M 00 mwmoo OHHM> 0H m 0H 0H 0H m 0H 0H 0H m 0H 0H 0H m 0H 0H 0H 0 0H 0H MQ'Q'O M000 MQ‘Q'IO VQ'OI‘ Nd'fl'ln ssstmz eschHz N‘DmQ' N000 ROI-DID 00MM WWI-DID 0N0.H 0N0. 000.H 0NH.H «NM.H MH«.H MNO.H 00N.H N00.H MNO.H 000.H 000.H NOH.H 00H.H H00.H N00.H 0MM.H 000.H 0N¢.H «m0.H wwcmm cosums>mo osmoomum 0H QQNOS 00 OH O‘QDQO‘ 000N 0002 0N0.0 00N.N 000.0 00N.N 0MH.0 «00.0 00N.N 000.N 0HM.0 NNm.N NNN.0 00«.0 MMM.0 0N0.N 000.N 00«.0 NOH.0 00N.N 0HN.N 000.0 cchwz H.O.ucouv 0N ano8 MNN.0 0HN.N 00M.0 MMN.N MN0.0 000.0 000.N «00.0 0MH.0 H«0.N MN0.0 MHO.N MNN.0 000.N NMm.N H00.N MN0.0 000.N MMH.N 000.N 0N 0N 0N m« «N «N ¢« ¢« MN MN MN MN «N «N «N «N HN HN HN HN umnssz saga NHM> 00N> 00> H¢> HHM> 00N> M0> 00> 0HM> NON> N0> 0M> 00M> 00N> Hm> 0M> 00M> 00N> 00> NM> umnspz «33.3, 8000 8000 000 8000 8000 000 000 8000 8000 000 8000 8000 000 8000 8000 000 000 000 08: 000 000 000 082 000 000 088 000 000 08: 000 082 000 08: unwoum00 no ummu0u0 ucoucOQmmm 173 0H 0N MN NH HN 0N 0M «N 0H mN NN 0H HN NN NN MN HN NN «N NN mwmmu oaHmmHz «« 0M 0« 0« N« 0M MM 0M «« 0M H« m« N« 0M H« 0« N« 0M mm H« mwmmu 3 Hw> 0H 0H 0H 0H 0H m 0H 0H 0H m 0H 0H 0H m 0H 0H 0H m 0H 0H en «3.4 U1 cw Q'r4 a) r4‘« Faun ‘« «1‘9 «3 mlen asefixmz asaacfiz 000m 0000 00«0 N000 I‘mhln «HM.H 000. HH«.H H00.H 0NH.H 000.H mmm.H 0HN.N 0MN.H mN«.H «0N.H MMO.H ««H.H 0«0.H 0NN.H 000.H 0«N.H «MM.H 0H«.H 0M0.H mmcmm aofiumfi>mo cuucamum Fwd)” Ql‘l‘O‘ 0000 QQQQ “)QO moo: 00N.0 HHO.N 000.0 NNN.N 00M.0 00N.N M00.N M00.0 00«.0 00N.N mNM.N «««.N 00M.0 NOM.N «N0.N 00H.N 00N.0 MMO.N 000.N N00.N cchwz H.0.ucoov 0N mHnd8 00N.0 Mmm.N 000.N mM«.N NON.0 0N0.N N«N.N «Nm.m NNN.0 00H.N M0«.N ««0.N 00N.0 000.N 00N.N 000.0 000.0 HOM.N NNO.N NHM.N 0M 0M 0M 0M 0N 0N 0N mN 0N 0N 0N 0N NN NN NN NN 0N 0N 0N 0N umnasz EmuH NHM> 8000 000 «0N> 8000 08: mm> mam m=0 0«> 00m 08: 0HM> 800m 000 m0N> 800m 08: 0m> 00m mam m«> mam 082 0HM> 800m 000 NON> 800m 08: Nm> mmm mam ««> mam 08: «HM> 8000 A00 HON> 800m 08: 0m> mam m00 m«> mmm 08: MHM> 800m mam 00m: 800m 082 mm> mmm 000 N«> mam 082 mHHme coHuMNHHmsuawocou uwnasz ammuumom «HauHHu> uo amououm uamUQOQmmm ]I74 MN 0N 0N NN NM 0N 0« mM 0H mN NN NH 0H «N NN NH 0H «N NN NH mwmmu mchmH2 0« 0M NM H« HM «M 0H 0N «« 0M H« 0« «« mm H« 0« «« mm H« 0« mwmwu 0HHM> 0H m 0H 0H 0H m 0H 0H 0H m 0H 0H 0H 0 0H 0H 0H m 0H 0H MG'WO (Viv-IMO MQ'Q'Q' Q'fl'lnd' MG'SOkO Esame2 adchH2 hVOMQ' (\ChKOQ' BQWO \DQQ'kD h‘OMQ‘ wmnmm 0MM.H 00H.H 000.H m«m.H 000.H 00«.H «0M.H N0«.N 000.H 0N0.H NNH.N H00.H 000.H 000. 0N0.H 0NN.H ««0.H 0N0. HHO.H N«N.H coHumH>m0 ouuocmum 0000 QQQQ 0N00 QCDCDO‘ 000m wnoz 000.N 0MN.N N00.N N00.N N«0.N 0NH.N 000.N M«0.N mN«.0 0H0.N 00N.N 00M.N HH0.0 mNN.N 000.N 0N0.N HHN.0 H«0.N 000.N MMO.N :chmz H.c.uaouv 0N and8 0N0.N HN«.N NmN.N «M0.N N00.N «0N.0 0NN.N «00.0 NM«.0 000.N 00M.N NNO.N 00«.0 000.N NMO.N 000.N m«m.0 0HN.N 0N0.N N0«.N 0M 0M 0M 0M «M «M «M «M MM MM MM MM NM NM NM NM HM HM HM HM uwnasz EmUH NNM> 800m 800 m0N> 800m 082 «oH> mam mam Hm> mam m8: HNm> 8008 000 mom> 800m 082 MOH> 0mm 0:0 00> mmm 082 mafifixm magmamfiofimsz on> 8000 mam NON> 800m 082 NoH> 00m mam m«> 0mm 082 mHm> 8000 000 00N> 8000 082 HoH> mam mam 0«> 00m 082 0HM> 8000 000 m0N> 8000 082 00H> mum 8:0 N«> mam 082 809.52 umwuumom wHQuHHM> Ho ”~00...me uawUGOQmmm 175 0N HM MM 0N 0N mN 0M 0N NM HM M« 0M HM 0M 0« NM MM 0N 0M HM mwmmu oaHmmH2 0M NM 0M NM 0M 0M 0N mM 0N NM 0N NN NM NN MN HM 0M «M 0N NM mwmmu 0HHM> 0H 0H 0H 0H m 0H 0H adstmz astcH2 Q'HNO Q‘HNID NQ‘G'Q 140$“) «H00 00N« 00N« 000« O‘Q‘WQ‘ 00«0 NMm. 00N.H NON.H 0««.N mMO.H 00«.H ««0.H N00.N «00.H 00N.H 00N.H 00«.H N00. 0N0.H MON.H 0«m.H 00«.H MMH.H 000.H 0N0.H meM8 GOHumH>w0 oumonaum 0000 QNQQ 000m O‘NQQ CDQQQ 0002 «mN.0 00N.N MMO.N 0NH.0 000.0 NHm.N NOH.0 MHM.0 0M0.0 M0m.N 000.N NmN.N 000.N mN«.N NH«.N N«0.N NHO.N 000.N 000.N 000.N cmHuwz H.U.ucoov 0N wHQm8 «HM.0 00«.N MMm.N 0MH.N N0«.0 HHN.N «0m.N «HN.N 0«0.N HON.N 000.0 MMM.N 000.N M0m.0 N00.N 0M0.0 NON.N H««.N 000.0 HMO.N 0« 0« 0« 0« 0M 0M 0M 0M 0M 0M 0M 0M NM NM NM NM 0M 0M 0M 0M uwnasz emuH NNM> «NN> 00H> 00> 0Nm> MNN> 00H> 00> mNM> NNN> NOH> «0> «NM> HNN> 00H> M0> MNM> 0NN> 00H> N0> nomad: mHanHm> 8008 8008 888 888 8008 8008 888 888 8008 8008 888 888 8008 8008 888 888 8008 8008 888 888 800 800 082 800 800 082 800 800 082 800 082 800 082 800 082 800 082 umwuumO8 no ammuou8 unmoc08mm8 176 0H HN «N NH mH HN MN mH N« N« 0« 0« 0M 0M 0« 0M HM HM 0M «M mmmou uaHmmH2 «« N« am 0« «« N« 0« «« 0H HN 0H «H 0N NN 0H NN NM NM 0N 0N mwmmu UHHM> 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H 0H asstM2 aschH2 Nil-ONO MHNQ MHQ'Q' mth Q'Q'NI-n $0th \OO‘WG N000 l-an-nm 000m 0«0. 00H.H 000.H 00M.H MOH.H M«m.H M00.N 0HN.N «0N.H HHN.H HmN.N mNN.H 00M.H 00N.H 000.H 000.H 00H.H N00.H 000.H MON.H umGM8 cofiund>ma oumoauum OH 0000 NONE (1)th woo2 0N0.0 N«H.0 0NH.m «HN.0 000.0 0M0.0 000.0 00N.N 000.0 0N0.N 00N.N MM0.0 M0m.N HHH.N 000.N M«H.N 000.N 0N0.N 000.N 0NN.N amHowz H.o.uaoov 0N 0Hn08 MN0.0 N00.N m«m.0 «NH.0 0M0.0 NON.N MNM.0 00N.N 0NH.0 N00.0 MM0.0 «HN.0 0NN.N «0N.0 MMM.N 0N0.0 0N0.N «00.N 000.0 «H«.N m« m« m« m« «« «« «« «« M« m« M« M« N« N« N« N« H« H« H« H« uwnasz BouH NMM> 8008 800 mNN> 8008 082 «HH> 888 800 H0> 888 082 HMM> 8008 800 0NN> 8008 082 MHH> 888 800 00> 888 082 mmuznooou8 oHcHHu 0MM> 8008 8:0 NNN> 8008 082 NHH> 888 800 mm> 888 082 mNM> 8008 800 0NN> 8008 082 HHH> 888 800 00> 888 082 0NM> 8008 800 0NN> 8008 082 0HH> 888 8:0 N0> 888 082 “023:2 umwuu008 mHnoHuw> no ammumu8 uawca08mm8 177 0H HN MN 0H HN 0N HM 0N 0H MN 0N HN 0H HN mN 0H 0H HN MN NH mummu uaHmez «« N« 0« m« N« «M NM NM «« 0« «M N« «« N« 0M 0« «« N« 0« 0« mmmwu 0HHw> 0H 0H 0H 0H LOCDQ'I" 0H 0H 0H 0H Infilnl‘ 0H 0H 0H 0H MQ'Q'N 0H 0H 0H 0H Q'Q'd'h 0H m 0H 0H Q'Q'V'Q asstm2 adchH2 000M 500"! thnM IONWM \DQIOQ' wmQM8 0H0. 0N0.H «00. «NN.H 000. 0M0.H 000. 0N«.H m0N. 0H«.H 0«0.H H«m.H m0N. 00M.H 0M0.H «MN.H N«0.H 00M.H «N«.H Hmm.H COfiuMH>OQ nuancmgm 0H 0H 0H 0H 0H 0H 0mNm 0002 M«m.m 0M«.0 Hmm.m 000.0 0M0.0 00H.0 000.0 000.0 ««0.0 000.0 NOH.0 «00.N 000.0 N«H.0 N00.0 000.N M00.0 NNO.N N00.0 MM0.0 cmHowz H.U.ucoov 0N and8 «0M.m NmM.0 0N0.0 ««0.0 000.0 0HH.0 MHM.0 00«.0 «00.0 00N.N N«0.0 N0«.N mmN.0 000.N 0N0.0 00N.N NNN.0 mN«.N 000.0 0«0.N 00 00 00 00 m« m« m« m« 0« 0« 0« 0« N« N« N« N« 0« 0« 0« 0« amnesz souH NMM> «0N> 0HH> 00> 0MM> MON> 0HH> 00> mMM> NON> NHH> «0> «MM> HON> 0HH> M0> MMM> 00N> 0HH> N0> uwnadz mHndHHd> 8008 8008 888 888 8008 8008 888 888 8008 8008 888 888 8008 8008 888 888 8008 8008 888 888 800 082 800 082 800 800 082 800 800 800 082 800 082 800 082 800 082 ummuum08 no umwuou8 unaccoqmmm 178 ON HN MN NH H« 0N m« NN MN MN 0N NN mmmmu mchmHz m« N« 0« 0« NN NM «H H« 0« 0« NM H« mommu 0HHw> 0H 0H 0H 0H ¢\D\O\D 0H 0H 0H 0H Inf—‘0“) 0H 0H 0H 0H «munH Edstm2 ESEHCH2 « 000.H m « 0Nm. m « mHM.H 0H 0 HMO.H 0 m mm0.H 0H « N«m. 0 m N00.N 0H m 00N.H 0H m N«0.H m m NOH.H 0 m «0M.H 0H 0 MNN.H 0 meM8 coHuwH>m0 moo2 cumccmum 0HN.0 MN«.0 0N0.0 NOM.0 MM0.0 NON.0 0N0.0 000.0 000.0 NOM.0 0N0.0 NOH.0 cmfinmz H.0.ucouv 0N wHQM8 000.0 «HN.0 000.0 N00.0 NOH.0 0HN.0 M«H.0 NON.0 0N0.0 mNN.0 MN0.0 0N0.N M0 M0 M0 M0 N0 N0 N0 N0 H0 H0 H0 H0 umnapz amuH 0«M> NON> NNH> 00> mMM> 00N> HNH> 00> 0MM> 00N> 0NH> N0> uwnasz Bani; 8008 800 8008 082 888 800 888 082 8008 800 8008 082 888 800 888 082 8008 800 8008 082 888 800 888 082 umwuumO8 uo ammumu8 uGUQQO8mM8 179 pretest and posttest scores of students and supervisors provided. The MTSEF produced relatively homogeneous scores. The lowest and highest means for student pretest responses to the MTSEF were for items #12 (timing out, 6.171) and #50 (room order, 8.844). For supervisor pretest responses, the lowest and highest means were for items #6 (assessing progress, 6.188) and #50 (room order, 9.525). The range of means for posttest scores was similarly narrow. For posttest student responses the lowest and highest means were for items #42 (improvisation, 6.704) and #50 (room order, 8.357). The lowest and highest means of supervisor responses were for items #15 (client homework, 7.194) and #45 (written format, 9.023). There was one item in which both the mean and the median were more than one point different for student and supervisor responses at pretest and posttest, #29 (updating goals). The supervisors' ratings of this student skill were higher than the students' self-evaluation. Twelve items revealed more than one point difference in means and medians for students and supervisors at either the pretest or the posttest; supervisors' responses were again higher in all items. The pretest items for which the means and medians of the supervi- sors' evaluation of clinical skills was greater than the student's self-evaluations were items #44 (timely written work), #48 (charting), and #51 (1:1 supervision). The posttest items in this category were items #1 (timing), #4 180 (pacing), #24 (clear messages), #25 (professional behavior), #27 (objectives), #28 (assessment criteria), #46 (written work accuracy), and #50 (room order). There was one item, #25 (professional behavior), for which the modes of the students' and supervisors' scores were more than two points different, with student mode lower (modes of 7 and 10 respectively for students and supervisors). The highest possible score was 10, and 20 items yielded a mode of 10. Only four items were for students' responses; and those were all at pretest: items #1 (timing out), #49 (contacting others), #50 (room order), and #52 (group super- vision). For supervisors' high-mode items, only three were at posttest: items #31 (timing), #50 (room order), and #52 (group supervision). The remaining 13 high-mode supervisors' responses were at pretest: items #18 (consistent interac- tion), #20 (communicating respect), #23 (genuineness), #25 (professional behavior), #44 (timely written work), #45 (written format), #47 (accurate records), #48 (charting), #49 (contacting others), #50 (room order), #51 (1:1 supervision), #52 (group supervision), and #53 (improvement). These high-mode items were primarily in the clinic procedures subscale skill area. There were four MTSEF items for which the ranges of scores reported by students and supervisors differed by four or five points (no items differed in range by more than five points). The items were #16 (separation, student range = 5 181 and supervisor range = 9); #40 (movement and dance, 9 and 4); and #52 (group supervision, 5 and 9) at pretest. The post- test item was #51 (1:1 supervision, 5 and 9). Only item #40 (movement and dance) had a greater range for students than for supervisors. The following data analyses will be described more briefly and by referencing variable numbers because of the large numbers of items within the categories. There were 10 variables with standard deviations greater than 2.2: v45, V50, v55, v56, v60, v85, V102, v112, v113, and v121. There were 16 variables with standard deviations less than 1.0: V118, v119, v253, V259, v264, v265, v266, v287, v286, V324, V327, V332, V334, V335, v336, and v337. There were six items where the minimum score reported by students was at least three points greater than the minimum socre reported by supervisors: v32 - v85 (4 and 1 were the minimum scores reported for students and supervisors respec- tively); v52 - v105 (4 and 1); V53 - v106 (4 and 1); v54 - le7 (4 and 1); v68 - v121 (5 and 1); and v285 - v338 (5 and 1). On the other hand, there were seven items where the minimum score reported by supervisors was at least four points greater than the minimum score reported by students: v261 - V314 (1 and 5 minimums for students and supervisors respectively); v262 - V315 (1 and 5); v263 - V316 (1 and 5); V271 - V324 (2 and 6); v56 - V109 (1 and 6); v276 - v329 (2 and 6); and v277 - V330 (2 and 6). 182 There were nine MTSEF items for which 45 or more respondents marked not applicable/not observed or omitted an answer: v84 (46 "missing cases"); v32 (48); V85 (54); V103 (45); V111 (45); v59 (49); v112 (48); V330 (47); and v121 (49). There were 17 items for which the highest number of respondents marked ratings from one to ten (i.e., the lowest number of N/A or omitted responses): v18, v24, v27, V33, V34, v35, v36, V38, V39, v40, v46 - V49, v61, V62 and V69. No items yielded more than 46 "valid cases". Other statistical analyses reported earlier referred to directions of the subscale skill areas, and the conclusions of those trends will be mentioned here. The means of stu- dents' responses decreased from pretest to posttest for all subscale skills except conceptualization. The standard deviations decreased from pretest to posttest for all sub- scale skills evaluated by students, indicating that the self-evaluations were more consistently clustered at a lower level. On three subscales (session management, personal skills, and musicianship) students rated themselves higher than their supervisors rated them at the pretest. On the posttest, however, students rated themselves lower than their supervi- sors rated them on all five subscales. These conclusions and results are discussed more fully in Chapter 5. V. SUMMARY OF RESULTS, CONCLUSIONS, AND RECOMMENDATIONS The present study of satisfaction with the use of supervisor skills in providing helpful supervision was conducted using music therapy students and supervisors engaged in clinical training activities. An experimental procedure was designed which was based on the Discrimination Model of Supervision for counselors of Bernard (1979). The procedure consisted of planning and evaluating supervision sessions with the use of the Supervision Planning Aid (SPA) and the Supervision Session Evaluation Form (SSEF). Supervisory pairs, or dyads, were selected from MSU Music Therapy Clinic personnel who had on-going, established patterns of supervision. Twelve dyads were in the eXperi- mental group; twelve dyads were in the comparison group. A trait level co-variate was measured for students (clinical skill levels for overall subscales of the Music Therapy Student Evaluation Form) and for supervisors (high or low experience level as measured by the Supervisor Experience Index). Statistical analyses included one-way analysis of variance for treatment effects and interactions, Pearson Correlation Coefficients for relationships among variables, and descriptive statistics to reveal response patterns and 183 184 phenomena related to the data collection instruments. The co-variate analyses were omitted because significant differ- ences between groups were not detected without the use of the co-variates. This study of supervision has accomplished several aims. 1. The experiment is the first in the field of music therapy clinical supervision which permits the natural complexity of the supervision experience to be maintained. The use of actual supervisory dyads was important in an exploratory study such as this because the experimental procedure being tested was specifically designed to allow for the indivi- dualized and flexible nature of effective supervision. 2. The study lays the groundwork for future, more atomistic studies of music therapy clinical supervision through its comprehensive review of theoretical and empiri- cal studies in the literature of related helping profes- sions. The model of music therapy clinical supervision which was offered as a part of this study may serve to generate other research methodologies and designs. The literature review served to integrate and synthesize studies in supervi- sion for the use of music therapists. 3. Several procedures in clinical supervision were used in this study which may be useful in the training and support of music therapy students and supervisors. The SPA, SSEF, MTSEF, and SSF are useful tools with which to clarify goals of clinical training, assess the quality of performance of students and supervisors, and teach 185 supervision issues in workshops and courses. The written materials of this study are applicable to the widely varying philosophies, client needs, and treatment settings in music therapy. 4. The sample size was considerably smaller than expected due to the loss of two supervisors and 10 super- visory pairs during the experiment. The results have there- fore been interpreted cautiously. However, the specific findings of the study contribute to an increased under- standing of the factors of satisfaction, subscale skill areas, student skills, and supervisor experience level. Those findings will be summarized briefly. Hypothesis #1 and Hypothesis #2. Neither students nor supervisors reported statistically significant differences in satisfaction with supervision as a result of the experimental treatment. It is possible that the following factors, operating either singly or in combination, contrib- uted to the lack of significant differences between groups: (a) treatment procedure, (b) data collection instruments, (c) student maturation, and (d) timing. The treatment procedure (planning and evaluating super— vision sessions) may have been too weak. Supervisors were not given guidelines for the amount of time to spend plan- ning, and it is possible that the SPA format allowed a superficial or perfunctory planning effort. Also, supervi- sors were not able to see the results of the students' evaluations of supervision sessions; if immediate feedback 186 from those evaluations had been accessible, supervisors might have altered future planning decisions. It is possible that the planning and evaluation procedure did not have a direct effect on the actual behaviors of supervisors or students during supervision. Behavioral observation studies would yield interesting data on this possibility. It is possible that supervisors did not receive thorough enough training in the use of the SPA and SSEF procedures. Additional opportunity to practice using the procedures may have been helpful. The Supervision Satisfaction Form may not have been sufficiently sensitive to assess differences in satisfaction. The lower end of the lO-point scale was not used nearly as often as the upper end. The means of the experimental group students and the comparison group students were almost the same (7.0010 and 7.2012). The findings may have been affect- ed by a particularly dissatisfied experimental group student; the minimum reported scores of students in the experimental and comparison groups were 2.8889 and 5.1786 respectively. The data revealed that the means of students were similar but the standard deviation of the experimental groups was considerably larger (2.0810 and 1.6333). That amount of scattering of scores in the experimental group took its toll in the available Sample size. Supervisor satisfaction results were also quite similar for both treatment and comparison conditions for means and minimum and maximum reported scores. The data showed that 187 the mean of the experimental group supervisors was slightly lower than the mean of the comparison group (6.8982 and 7.0459) and that the standard deviation was higher for the experimental group (.6924 and .5358). The experimental treatment addressed responses within the affective domain (attitudes and satisfaction). Such affective dimensions are known to change more slowly than behaviors in the cognitive or psychomotor domains, and it is possible that satisfaction with supervision and the supervi- sory relationship may best be studied in a longitudinal manner. It is also possible that students at the beginning point of professional life cannot yet discriminate the supervisors' use of the various supervisory skills sufficiently to make a difference on the SSF. Students may have been sufficiently satisfied with supervision at the beginning of the experiment, precluding room for large improvement in satis- faction. Or, perhaps students in the experimental group who were routinely shown the SPA and routinely completed the SSEF reported comparatively less satisfaction than they would have otherwise reported because of raised expectations or standards. The duration of the experimental treatment may have been too brief to result in significantly changed satisfaction levels. Had an entire term of using the SPA and SSEF for supervision been possible, perhaps the students and supervi— sors would have learned how to benefit more from the 188 procedures. It is possible that the timing of the experiment (Spring Term) caused the comparison group to inflate their satisfaction with supervision. That is, they may have wished to View their experiences together as satis- factory knowing that, at the end of a year of clinical training, little time was left to alter the course of the supervisory relationship. The trait-treatment element of the design (i.e., using supervisors in both the experimental and comparison condi- tions) did not in actuality result in contaminated groups as evidenced by the T-Test results. The scores revealed that the groups functioned independently, and that the concept of the supervisory dyad as the proper unit of analysis was valid for this investigation. The findings for the questions related to subscale responses and relationships among variables will be summarized briefly according to the question numbers as formulated in earlier chapters. Question #3. Supervisors reported significantly in- creased satisfaction at posttest irrespective of treatment condition. Both statistical analyses (i.e., Condescriptive and one-way ANOVA) revealed that the supervisors' mean satisfaction increased from pretest to posttest (from 5.8697 to 6.9720) (when treatment and comparison groups were com- bined and treated as one group). The pretest minimum report- ed score of supervisors (4.8889) increased substantially at posttest (6.2679), while the standard deviation decreased 189 (from .6448 at pretest to .5888 at posttest), indicating a clustering at the higher level. Question #4. Supervisors reported significantly im- proved satisfaction on all subscale supervisor skills from pretest to posttest irrespective of treatment condition (and with the use of the scores from all supervisors combined). When the average scores of each supervisor were paired for comparisons, only the teacher subscale yielded significant improvement in satisfaction from pretest to posttest. Descriptive statistics supported the increase of the other three subscales, however. The means of all subscale skills increased from pretest to posttest. Question #5. Students reported significantly greater satisfaction with supervisor use of skills on four subscales at posttest (for all 24 students as a group). The T value for the counselor skills scale resulted in a probability of .010, which was substantially lower than the probability of the other three subscales (.055, .084, and.057). (All of the subscales, however, reached the .10 significance level). Standard deviations remained similar for all scales from pretest to posttest. Question #6. Students reported no statistically signif- icant difference in clinical skills from pretest to posttest for any of the five subscales. Only the conceptualization subscale showed an increase in the mean, and that increase was slight. Perhaps the increased awareness and maturity of students in self-evaluations accounted for this result. 190 Perhaps "termination anxiety" (commonly found among students about to graduate and be judged by professional standards) affected students' self-evaluations. On the other hand, the lower self-evaluations may reflect lowered anxiety levels, which permit more accurate, less defensive self-reflection and self-disclosure. Question #7. Supervisors, however, reported signifi- cantly improved clinical skills for students for session management, personal skills, and musicianship (using supervi- sor reports from both groups combined). When individual supervisor's scores were averaged and paired, only session management and musicianship skills reached significance at the .10 level for improvement from pretest to posttest. On the three scales mentioned above, students rated themselves higher than their supervisors rated them at the pretest. On the posttest, however, students rated themselves lower than their supervisors rated them (indeed, lower on all five subscales). The MTSEF was used for evaluation purposes not only for this study, but for the Music Therapy Clinic. It is possible that its usage for student feedback inflated the supervisors' scores or deflated the students' scores, and made them more homogeneous. Perhaps a measure of student skills by supervi- sors which was not also intended to be used as feedback and evaluation of students engaged in actual clinical training would have yielded different scores. 191 Qgestion #8. High and low experience level supervisors reported no significantly different satisfaction at posttest, although the low experience level supervisors reported a higher mean satisfaction, higher standard deviation, and higher maximum score than did the high experience level supervisors. The mean satisfaction of low experience supervisors was higher than the mean satisfaction of high experience supervi- sors (7.4420 and 6.4387), which could suggest that low experience level supervisors have a less professional frame of reference or were more defensive about self-evaluation. On the other hand, perhaps they experienced "easier" supervisees. The low experience level supervisors had a larger standard deviation (1.5398 and .2792) and a larger standard error (.8890 and .1612) than the high experience level supervisors. The low and high experience level super- visors also varied on maximum reported scores (9.1429 and 6.7541). Questions #9, #10, and #11. The correlation of student skill level as measured by the MTSEF-SUP and student satisfaction as measured by the SSF-MTS almost reached significance. There was no significant correlation of students' self-evaluation of skill level and their satisfac- tion with supervision. And finally, student self-evaluation of skills was not correlated significantly with the supervi- sors' evaluation of student skills. 192 Recommendations The high mortality of subjects caused difficulty in this study, but a data-base has been generated for future studies. The assumptions underlying this study may now be examined in light of the analyses of the data collection instruments. Future studies should perhaps select supervisory dyads with low levels of expressed satisfaction in one or more supervi- sion subscale skill areas. Future studies to examine the efficacy of planning and evaluation of supervision sessions may draw on the supervision model and the subscale skill areas to isolate variables for controlled studies. The experimental procedures of the SPA and SSEF and the measurement of the co-variates were implemented successfully and warrant additional experimental inquiry. Based on the findings of this study, the following recommendations for further research are suggested. This study, which was exploratory in nature and focused on in 3319 rather than analogue or simulated experimental tasks, should be replicated. Replication studies would be valuable using the following adaptations of design: (a) using a measurement of student skill level that is not intended to provide feedback to the student, (b) extending the training period during which supervisors and students using the SPA and SSEF procedures can experiment with and seek clarification on the options and mechanics, (c) using a longer experimental period to strengthen the treatment, and (d) using a larger sample size. A larger sample size would permit controlling 193 extraneous factors, the probable use of the co-variate, and the use of completely independent groups for evaluating the treatment effect. It is recommended that studies be conducted which extend this research. Such studies could (a) take behavioral observations of supervision content and process in relation- ship to expectations and plans, (b) investigate choices and cognitive process variables of the SPA, (c) assess pretest and posttest expectations, (d) assess the reliability and validity of the various data collection instruments using a national sample; (e) determine the sources of data and perceptions supervisors use in making supervision decisions, (f) test the differential effects of the SPA procedure on experienced and inexperienced supervisors, and practicum students and interns, (g) validate the compilation of super- visor competencies; and (h) validate the compilation of student clinical skills. The issues addressed in this study may be useful in meeting needs in the field of music therapy for workshop presentations and for preparation of a handbook for supervi- sors. Certification of supervisors and/or continuing educa- tion requirements for supervisors may be mandated soon and thus create a need and market for such a handbook. It is hoped that the issues addressed in this study will serve to enhance the understanding and effectiveness of supervision for students and supervisors. APPENDICES APPENDIX A Supervision Satisfaction Form (SSF) 1594 APPENDIX A Supervision Satisfaction Form (SSF) SUPERVISION SAIISFACTION Purpose: This Supervision Satisfaction Form is part of a doctoral research project aimed at improving music therapy clinical supervision. The supervisory relationship between a super— visor and a music therapy student is unique, and is influ- enced by many factors. The evaluation of the supervision that has already occurred is the first step in this research project, and all responses by students and supervisors will be kept strictly CONFIDENTIAL. CONPIDENTIALITY will be ensured by a coding system in which Hrs. Ruth Parry. Hr. Unkefer's secretary. will be the only person knowing the identities of the members of each supervisory pair. She will retain the only'copy of the "dyad" members and will reveal to the researcher (and to noone else) the pairs pertaining to a given supervisor. Even the researcher will not know which responses belong to which student. Directions: Please complete the Supervision Satisfaction Form for each supervisor-music therapy student pair in which you are a member. Answer all questions with the one best answer, and do not identify by name either member of the dyad on the attached pages. hrs. Parry will write the dyad number and circle the appropriate coding information using this page. She will then tear off this page so that all responses are known only by dyad number. Please return this stapled package to Mrs. Parry when you are finished. Please note that the first three sections of the form ask you to rate how satisfied you are with the supervisor's use of a specific skill. If the skill was not observed at all. mark the box under "Not applicable/not observed." If the supervisor lacked the skill and could not apply it, or had the skill yet did not use it to your satisfaction, mark an appropriately low box. If the supervisor possessed the skill and used it to the extent you found helpful. mark an appropriately high box. The final section of the form asks you to rate your opinion of the supervisor's overall competence in meeting supervision needs. Please mark the boxes corresponding to the actual supervision that you received from the supervisor. IT IS CRUCIAL THAT YOU BE ABSOLUTELY HONEST IN RArIxc SUPERVISION. RESPONSES IN rnE MIDDLE or THE SCALES INDICATE SATISFACTION era SUPERVISION; THEY ARE 391 "POOR GRADES." I am willing to participate in this research project. I understand that all information will be held completely confidential. and that only the research assistant will know the identity of individuals in supervisory dyads. Student Supervisor 195 APPENDIX A, continued SUPERVISION SATISFACTION This supervision satisfaction form is part of a doctoral research project aimed .at improving music therapy clinical supervision. All responses by snidents and supervisors will be kept strictly confidential. Please do not sign your name to the attached form: a dyad number will be assigned to it. Please complete a supervision satisfaction form for each clinical assignment for which you have received supervision. Please complete and return this stapled package to Mrs. Parry by Friday. May 13. ' Thank you very much far assisting in this project. Student Supervisor Client(s) I. l. 10. II. ll. 12. 13. 14. [Se 196 APPENDIX A, continued SUPERVISION SATISFACTION DYAD ! HTS SUP nggf POST BO" SNIISFIED ARE YOU WITH THE SUPERVISOR'S USE OF THE FOLLOUING SKILLS IN PROVIDING YOU WITH HELPFUL SUPERVISION? Sgpervisor "Teggher” Skills Pocused the content of supervision sessions on the student's skills and behaviors which were observed during music therapy sessions. . . . . . Demonstrated techniques, role-played interactions. and instructed student in music therapy techniques. Referred student to research, assigned readings or observations related to clinical work. . . . Shared own case conceptualization and made direct suggestions for the student's use in therapy. . Structured the supervision session by initiating discussion topics and refocusing discussion. . Gave positive and negative feedback to student based on observation of student during therapy ses- sions and professional standards. . . . Used professional vocabulary and frame of reference. Monitored student compliance with clinical proce- dures and kept accurate records of student's work. Made suggestions and/or corrections on student's written work. . . . . . . . . Evaluated student skills fairly and according to clinic procedures. . . . . . . . . Supervisor "Counselor" Skills Focused the content of supervision sessions on the student's feelings. thoughts, and experiences relating to clinical issues. . . . . Functioned without Judging the student's perfor— nance in order to facilitate the student's personal growth. Offered an open. helping relationship. Supported the student's efforts. reassured and encouraged the student. and used facilitative communication techniques in supervision. . . Used questioning. clarification of student communi- \ O H .fl‘U PC. .0 H6 u>—-o >4 .0 «Obs-0‘0 ‘B’e‘ud‘ *0 NOCUUOF‘OCO'UU a. dflunuuwflfl BABE-SUHUO'H‘UU COCIJDHOHIOU vi “UVG‘O. uuuuiucu HOG: £00. 68‘ I58 325.1007! I 0 , [3 00000011000 , U UUUUUUUUDU , U UUUUDUUUUU , [1 [1000000000 , E) 00001300000 ,1] UUUUUUDUUD ,U UUUUUUUUUU ,U UDDUUUUUUD _U UUUUUUDUDU .D UUUUUUUDUU ,D UDUUUUUUUU ,U UUUUDUDUUU ,U UUUUUUUUUU cation. and self-disclosure as supervision techniques . J U D U U U D D U D U Communicated caring. respect for the student's potential. and respect for the student's viewpoints. .3 [13131385801111 DYAD I 1197 APPENDIX A, continued 151's SUP PRE POST .4 now SATISFIED ARE YOU WITH THE SUPERVISOR'S USE OF I!!! FOLLOWING SKILLS IN PROVIDING of applicable] ‘U I" I! 0 .-o c >- s. e o ’- fl '3 ‘0 >~‘U -| ‘0 «0 YOU um 3mm summsmm : “3:322 3.23:: ‘8 :3 ‘3 S '1; 3 “a; 2 “.3 B 3 .. u I: 2 I: 3 3 2': 8 2 III 3 " N nascent-Joann . upervisor Consultant Skills 2 g a 0 "IS‘: a. 9 am: 2 16. Focused the content of supervision sessions on the " client's needs and responses in therapy sessions. U U U D U U D U U U B 1?. Gave student maximum freedom and autonomy by offering a collegial, democratic relationship. . U U U D an H U U U D 18. Gave data-based feedback on client or student tunnhhflnsflmrumuu. . . . [IDUUUUUUUDU l9. Responded to student concerns and questions directly: encouraged student to express supervision preferences. U D U D U U U U D U U 20. Used problem-solving techniques (problem identifica- tion, prioritizing, brain-storming, viewing conse- quences, and strategy selection) in supervision. .13 U U g a a U U D U U 21. Negotiated content and approach to supervision with g- -1 student on a flexible, on-going basis. . . . .U U U B ‘J U L4 U U U U 22. Dealt with administrative problems promptly and - efiuunn. . . . . . . . . . .[JflnnggUEDBU 23. Has available and dependable for supervision sessions. U U U U L- U D U D U U \ 2 I ‘3‘; "i 1 |>~ a g HOV COMPETENT OVERALL DO YOU BELIEVE THE :3 g '3 :2“ g 3: g"; g .0 : ggEEVISOR 5A8 BEEN IN THE l-‘OLLOVING Egg 3‘ ‘35 £5 73!}; gig: é ' sassiiésiééi IV. Overall Competegce of Sgpervisor z -.: :: uni 6 0 o 8 5:0 9) 24. Competence in meeting the student's individual r190 —- -1 needs for supervision. - . . . . . . . . U U U D L- U U B U U L) 25. Competence in developing a positive supervisory - r1 . relationship with the student. . . . . . . a U U U HE). D U U E U 26. Competence in using supervision time wisely. . . U U U a a U a D U a D 27. Competence in influencing the student's personal and r; 'T —-71 F7 professional growth in a positive manner. . . . a U a L- g g g 11:11 I-I u t". 28. Competence in providing good or helpful supervision. C] U B E 8. L: U 5- D U L! APPENDIX B Names of the Variables measured by the SSF 198 APPENDIX B Names of the variables measured by the SSF Variable Pretest Posttest V138 V13Sp V14s v14sp vlSs vlSsp V16s V165p V17s V17sp v185 V18sp V19s Vl9sp V208 V205p V21s Vlep V22s V22sp V123 V179 V124 V180 V125 V181 V126 V182 V127 V183 V128 V184 V129 V185 V130 V186 V131 V187 V132 V188 V133 V189 V134 V190 V135 V191 V136 V192 V137 V193 V138 V194 V139 V195 V140 V196 V141 V197 V142 V198 V143 V199 V144 V200 V145 v201 V146 V202 V147 V203 V148 V204 V149 V205 V150 V206 V151 V207 V152 V208 V153 V209 V154 V210 V155 V211 V156 V212 V157 V213 V158 V214 V159 v215 Variable Name SSF-MTS SSF-MTS SSF-MTS SSF-MTS SSF-MTS SSF-SUP SSF-SUP SSF-SUP SSF-SUP SSF-SUP SSF-MTS SSF-SUP Supervisor—teacher skills score Supervisor-counselor skills score Supervisor-consultant skills score Overall competence Overall satisfaction Supervisor-teacher skills score Supervisor-counselor skills score Supervisor-consultant skills score Overall competence Overall satisfaction item #1 score #2 #3 #4 #5 #6 #7 #8 #9 #10 #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 #26 #27 #28 item #1 score #2 Variable Pretest Posttest V160 V216 V161 V217 V162 V218 V163 V219 V164 V220 V165 V221 V166 v222 V167 V223 V168 v224 V169 V225 vl70 v226 V171 V227 V172 V228 V173 V229 V174 V230 V175 V231 V176 V232 V177 V233 V178 v234 V V V V 199 Appendix B (cont'd.) Variable Name SSF-SUP item #10 score #11 #12 #13 #14 #15 #16 #17 #18 #19 #20 #21 #22 #23 #24 #25 #26 #27 #28 SUP's average pre-test satisfaction SUP's average satisfaction score, experimental group, post-test SUP's average satisfaction score, comparison group, posttest SUP's average satisfaction score, both experimental and comparison groups combined, posttest APPENDIX C Music Therapy Student Evaluation Form (MTSEF) ZCH) APPENDIX C ' InsIc ramp! STUDENT EVALUATION roan Michigan State University - Husic Therapy Clinic STUDENT CLIENT (Circle one: Self—eval Supervisor-eval) 1. Session Management Skills 1. Begins and ends sessions on time. . . 2. Arranges people. furniture and instruments to suit the needs of participants and activities. . 3. Sequences activities logically and makes smooth transitions between activities. . 6. Presents activities at the pace needed by the client(s) to remain interested and challenged. 5. Adapts activities flexibly and spontaneously to meet the ongoing needs of the client(s). . 6. Assists client(s) in assessing client(s)' strengths and progress toward objectives. . . 7. Communicates the purpose of activities in terms the client(s) can understand. 8. Explains and demonstrates activities clearly. 9. Reviews past experiences and work adequately. 10. uses effective questioning and elicitation. ll. Uses verbal and nonverbal positive reinforcement to increase the frequency of desired responses. 12. Utes ignoring and time-out from positive rein— forcement to discourage undesired responses. 13. Sets firm limits when necessary. 14. Models. shapes. and cues desired responses. and rewards successive approximations toward the goal. [5. Generalizes clinic experiences to other s improve- ed E. ISatisfactory IExcellent Innsatisfactory El UUUDDUUUUU D DUDUUUUUUU D DUUUUDUUUU U [1000000000 E) DUUUUUUUUU U UUUUUUUUUU U UUUUUDDUUU D UUUUDUUUUD D DUDDDUUUDD U UUDUUUDUUU U UUUUDDUUUU Cl [3000000000 E) DUDUUUDUUB U UUUUDDUUUU by assigning relevant homework to clientutufuou. U U U U D D U E D D D 16. Prepares client(s) for separation or termination. U UUUUUUEUDU mu APPENDIX C, continued Se 1! >6 I as be 0 A‘UO ’ ’e tau 0 be U>U h 0 C.I:-Q & H g 2:“: 3. 3 w nun-H 'H —' CO“ I I H a and 3 O as“. OCH 0 II. Personal sun. .85 “’8 .53 “L 1 I7. 18. 19. 20. 21. 22. ‘23. . 24. 25. III. 26. 27. 28. 29. 30. 31. 32. 33. lesponds to unexpected Client behaviors in a resourceful and creative manner. . . . . Utes a consistent and appropriate style of inter- acting with client(s); avoids using authoritarian style as primary role relationship. . . . Develops a positive relationship with client(s). . Communicates caring. respect for client(s)' potential. and appropriate warmth to client(s). Exchanges appropriate personal information with client(s): uses self-disclosure to enhance the therapeutic relationship. . . . . . Uses humor and/or enthusiasm to engage the cli- ent(s) and/or to enhance rapport. . Uses own personal style to advantage; acts genu- inely. not mechanically during sessions. . Gives clear and consistent messages. verbal and . nonverbal. regarding pxpectations of client(s). Models behaviors and feelings appropriate to the music therapy session; behaves professionally. Cogggptualization Skills "rites goals based on assessment of client(s)' functioning in one or more areas appropriate to music therapy. . . . . . . Writes objectives that are attainable within the available treatment time. . . . . . writes assessment criteria that are observable. measurable. specific. relevant. and stated in positive terms. . . . . . . Updates client(s)' goals and objectives as required by ongoing assessment. . . . Plans acrivities which elicit desired responses directly related to client(s)' objectives. Plans activities suited to the age. interests. and skills of client(s). . . . Plans activities that are adaptable to varied levels of client responses and part of long- range plan. . . . . . . . writes evaluation statements that are based on ob- served behavior which is directly related to cli- ent(s)' objectives: clearly indicates subjective impressions and interpretations. . El UUUUUUDUUU U nuuunuuggu I] UTUD' DUDUDD . )3 00110080000 . l3 DDDDDUDDUU l3 DDDDDUDDGD , D DUDDDDDDUD , D DUUDDDDDUU , [3 [1000000081] E] DDUUDDUDDU E] 00110000000 0 UDDDUDUDDU C] DUUDUDDDUD D BUDDDDUDUD D UDBUEBDEC‘D Dr. H EEG. D I.) [-1 r:1 L-) r" '-.l'"""."‘ “P“ UlJLUZSUu_ :1 [Tl E3 202 APPENDIX C, continued K I h 0 rd he 0 AVG > ’e IOU O be 099 I- O «In. C. U U neous a u g 6.0- v0 I . nun-um he up .08 I O a- Q '04-!" g C “32 35: ° Iv. theicianship sun; 3 c: z a 0 8 d Effectively uses the following modalities as activities and/or accompaniments: 38 man . . . . J . . . . . .IJUUUUUUUUUU 35. yo... . . . . . . °. . . D UUUUUUUUUU 36. Guitar or autoharp . . . . . . . . U UUUUUUUUUU 37. Percussion . . . . . . . . . . U DDUDUUDDUU 38. Hellet instruments . . . . . . . . U UUUUDUUDUU 39. Recordings or tapes . . . . . . . . U UUUUUUUDUU ‘0. Hovement and dance . . . . . . . . D UDUUUDDUUU Al. Echo structure . . . . . . . . . E] UDUUUUUUUU 62. Improvisation . . . . . . . . . D DUUUUUUDUU 43. Instruental arrangments . . . . . . U UUUUUUUDUU V. Cligic Procedures “- Submits written work at the agreed-upon time. . U DUUUUUUUUU ‘5. Uses the prescribed format for written work. . U UUUUUUUUUU 53:13:: $3:.é‘.§:::.f"f“f“f“°f". . U 0000000000 47. Keeps accurate records of clinical work. . . D U U U U U a D D U U 48. Maintains client(s)' charts according to clinic U D U U D D U U D U U procedures. 49. Contacts appropriate persons inediately when ses- sions must be postponed or client fails to appear: follows through with revised plans. . . U UBDDUUUUDD SO. Leaves therapy room(s) in proper order when done. D UUUUUUUDUU 51. Schedules. attends. and actively participates in -- individual supervision sessions. . . . U UDUUUDUUUU 52. 3:32? and actively participates in.group super- U EDUUE‘UUUDU 53. Assesses own clinical skills. sets personal goals. and uses own initiative and suggestions of others 31 to improve clinical work. . ‘- (”I D 'UU’JUUUDU (Over. please) 203 APPENDIX C, continued COHHENIS: I have read this evaluation: Music Therapy Student Date Supervisor Date APPENDIX D Names of the Variables Measured by the MTSEF Variable Pretest Posttest vls vlsp V25 VZsp v3s V3sp V4s V4sp VSs VSSp V6s V6sp V7s V7sp V88 V88p V9s V9sp v10s Vlosp vlls vllsp V12s V125p V17 V235 v18 V236 V19 V237 v20 V238 V21 V239 V22 V240 V23 V241 V24 V242 V25 V243 V26 V244 V27 V245 V28 V246 v29 V247 V30 V248 V31 V249 V32 V250 V33 V251 V34 V252 V35 V253 V36 V254 V37 V255 V38 V256 V39 V257 V40 V258 v41 V259 V42 V260 V43 V261 V44 V262 V45 V263 V46 V264 V47 V265 V48 V266 V49 V267 V50 V268 V51 V269 204 APPENDIX D Names of the Variables measured by the MTSEF Variable Name MTSEF-MTS MTSEF-MTS MTSEF-MTS MTSEF-MTS MTSEF-MTS MTSEF-MTS MTSEF-SUP MTSEF-SUP MTSEF-SUP MTSEF-SUP MTSEF-SUP MTSEF-SUP MTSEF-MTS session management skills personal skills score conceptualization score musicianship score clinic procedures score overall skills score session management skills personal skills score conceptualization score musicianship score clinic procedures score overall skills score item #1 score #2 #3 #4 #5 205 Appendix D (cont'd.) Variable Variable Pretest Posttest Name V52 V270 MTSEF-MTS item #36 score V53 V271 #37 V54 V272 #38 V55 V273 #39 V56 V274 #40 V57 V275 #41 V58 V276 #42 V59 V277 #43 V60 V278 #44 V61 V279 #45 V62 V280 #46 V63 V281 #47 V64 V282 #48 V65 V283 #49 V66 V284 #50 v67 V285 #51 V68 V286 #52 V69 V287 #53 V70 v288 MTSEF—SUP item #1 score V71 V289 #2 V72 V290 #3 V73 V291 #4 V74 V292 #5 V75 V293 #6 V76 V294 #7 V77 V295 #8 V78 v296 #9 V79 V297 #10 V80 V298 #11 V81 V299 #12 V82 V300 #13 V83 V301 #14 V84 V302 #15 V85 V303 #16 V86 V304 #17 V87 V305 #18 V88 V306 #19 V89 V307 #20 V90 V308 #21 V91 V309 #22 V92 V310 #23 V93 V311 #24 V94 V312 #25 V95 V313 #26 V96 V314 #27 V97 V315 #28 V98 V316 #29 V99 V317 #30 V100 V318 #31 Appendix D Variable Pretest Posttest V101 V319 V102 V320 V103 V321 V104 V322 V105 V323 V106 V324 V107 V325 V108 V326 V109 V327 V110 V328 V111 V329 V112 V330 V113 V331 V114 V332 V115 V333 V116 V334 V117 V335 V118 V336 V119 V337 V120 V338 V121 V339 V122 V340 206 (cont'd. ) Variable Name MTSEF-SUP item #32 score #33 #34 #35 #36 #37 #38 #39 #40 #41 #42 #43 #44 #45 #46 #47 #48 #49 #50 #51 #52 #53 APPENDIX E Supervisor Experience Index (SEI) 207 APPENDIX E SUPERVISOR EXPERIENCE INDEX Directions: Please provide the following information including this 2. 3. academic year. Thank you for your cooperation. now many years have you been employed full-time as a clinical music therapist? years or years 8 months How many years have you been employed part-time or volunteered I your services as a clinical music therapist (do not include any years reported in question ll)? years or years 6 months How many years have you spent in graduate school full-time or.. part-time studying music therapy-related subjects (do not include any years reported in questions fl or #2 above)? years or years 5 months How many years have you been employed teaching music therapy in a college setting either full-time or part-time (do not include any years reported in questions #1. '2. or #3 above)? years or years & months Approximately how many music therapy practicum students have you supervised in clinical training? practicum students Approximately how many music therapy interns have you supervised in clinical training? interns Please list any additional experiences you have had which you believe contributed substantially to your expertise as a supervisor. APPENDIX F Names of Variables Measured by the SEI 208 APPENDIX F Names of variables measured by the SEI. Variable Variable Number Name V10 SEI #1 (years employed full-time) V11 SEI #2 (years employed part-time or volunteer) V12 SEI #3 (years in graduate school) V13 SEI #4 (years teaching music therapy) V14 SEI #5 (number of practicum students supervised) v15 SEI #6 (number of interns supervised) V16 SEI score (overall score) APPENDIX G Scoring System for the Supervisor Experience Index 209 APPENDIX G Scoring System for the Supervisor Experience Index Variable Number V10 v11 V12 V13 V14 V15 Item Number 1 Scoring System 0 UTAWNl-I O U'lnhWND—I O U'lbUJNl—l O U'lubWND-l U'lubWNI-J O O (UNI—l zero years full—time employment as a clinical Music Therapist less than one year one year to less than two years two years to less than four years four years to less than six years six years or more zero years part-time employment or volunteer clinical Music Therapist less than one year one year to less than two years two years to less than four years four years to less than six years six years or more zero years part-time or full-time graduate study of Music Therapy- related subjects less than one year one year to less than two years two years to less than three years three years to less than four years four years or more zero years college teaching of Music Therapy (full or part—time) less than one year one year to less than two years two years to less than four years four years to less than ten years ten or more years zero practicum students super- vised in clinical training one to three four to seven eight to ten 11 - 20 21 or more practicum students interns supervised in clinical training one to two three to five six to eight 210 Appendix G (cont'd.) Variable Item Number Number Scoring System V15 6 4 = interns supervised in clinical training 5 = 13 or more interns V16 SEI overall score (total of points accumulated in 6 SEI items) APPENDIX H Supervision Planning Aid (SPA) 211 APPENDIX H Supervision Planning Aid (SPA) SUPERVISION PLANNING AID Purpose: This Supervision Planning Aid is part of an experiment in supervision research. It is an attempt to study the effects of a three-part "treatment" in which the supervisor plans a tentative agenda for the next supervision session with a music therapy practicum student. The agenda consists of prioritizing topics of discussion. choosing the role-relationship within which the supervisor wishes to function in order to best discuss the topic. sharing and. if desired. changing that agenda in conjunction with the student's desires. and then evalua- ting the supervision session (both supervisor and student individually and confidentially). CONFIDENTIALITY of responses will be ensured by a coding system in which “re Hrs. Ruth Parry. Hr. Unkefer's secretary. will receive. store. and assign a dyad number to all forms. Noone. including the researcher. other than Hrs. Parry. will have access to responses of students or supervisors other than to know which responses belong to which super- visor. Directions: Please complete the Supervision Planning Aid some time prior to the expected time of all supervision sessions following the beginning of this experiment. Complete the form by choosing 3 or more topics of discussion and. for each. a preferred role relationship. Put the numbers 1. 2. and 3 in the appropriate boxes on the form to indicate first priority. second priority. and third priority. etc. for each topic of discussion. Other topics may emerge. and supervision should be conducted without additional reference to this form other than for a reminder if desired. Please show the form to the student upon beginning supervision. and negotiate changes in the agenda if desired. Please have the student initial the form at the bottom to indicate compliance with these directions. Immediately following supervision. please give the student a copy of the Supervision Session Evaluation Form with the request to complete it and turn it in to Mrs. Parry. Please do the same yourself. (Base your decisions on content-focus on any of the following: the last observed music therapy session conducted by the student; overall needs of the student; or future session planning needs of the student. Base your decisions on approach or role-relationship on the personal or expressed preferences of either you or your student in light of what approach will be most helpful to the student at that particular time.) CNOICES OP CONTENT/FOCUS OF NEXT SUPERVISION SESSION! SUPERVISOR APPENDIX H , 212 SUPERVISION PLANNING AID STUDENT continued DATE _. CHOICES OP ROLE RELATION- .SNIPS: TEACHER-STUDENT (instructing. explaining. evaluating) COUNSELORPCLIENT (encouragment. reassurance. empathic response) CONSULTANT-COLLEAGUE (problem-solving. responding to student initiated structure) Therapeutic interventions Q Nuaicianship/ techniques Activities] pacing Client needsl responses Verbal interactions Relationship with client Peelings/ Reactions Goals/ objectives Session evals/ Client chart Clinic procedures Scheduling concerns Supervision needs/goals Other (Specify:) I have seen this Supervision Planning Aid: Music Therapy StudenErS Initials Date APPENDIX I Supervision Session Evaluation Form (SSEF) 213 APPENDIX I (SSEF) . SUPERVISION SESSION EVALUATION PORN (Form To be Completed by Husic Therapy Student) DYAD # SESSION 0 DATE & TIME OF SESSION H O H I: 0 now SATISFIED ARE YOU mm THE SUPERVISION E 3 .. '3 3'3 5‘ 3 v E SESSION IN “RICH YOU JUST PARTICIPATED? u c g c r; 3 g 3; .g 3 I m 3 m H 0 F‘ U) 0 U HONSATISI-‘IEDAREYOUWITE... “333333333 O G! O a Q) G O Q X X :2 ate at; mid aid 0 l. The overall helpfulness of this session to you D D U U U and your work with your client. . . . . . 2. ‘lhe supervisor's use of time during this session . . U D U U U 3. The content (or topics of discussion) of the session . g g B B 8 la. The supervisor's personal approach (role relationship). PLEASE DO NOT IDENTIFY YOURSELF OR YOUR SUPERVISOR BY NAME ON THIS FORM. PLEASE TURN THIS FORM IN TO MRS. PARRY WHO WILL ASSIGN THE DYAD NUMBER. (cut along this line) SUPERVISION SESSION EVALUATION PORN (Form To Be Completed by Supervisor) DYAD # SESSION I DATE 8 TIME OF SESSION :8 NOV SATISFIED ARE YOU WITH THE SUPERVISION '3 B!“ '3 3731733 .3 7c: SESSION VHICH YOU JUST CONDUCTED? u :‘g :g'; :1; C .3 3 now SATISFIEDAREYOU VII-N . . . 2§|§~35§§§§‘§3 samzussass l. :2; overall helpfulness of this session to your student D D U [:1 U your student 3 work with client(s). . . . 2. Your use of time during the supervision session . . U U D U D 3. The content (or topics of discussion) of the session . U U U D U 4. Your personal approach (or role relationships) with a U U D U the student . . . . . . . . . . . PLEASE DO NOT IDENTIFY YOURSELF 0R YOUR STUDENT BY NAME ON THIS FORM. PLEASE TURN THIS FORM IN TO MRS. PARRY WHO WILL ASSICN THE DYAD NUMBER. APPENDIX J List of Abbreviations AAMT - BLRI - CERS - MTS - MTSEF - MTSEF-MTS MTSEF-SUP NAMT - RMT - SEI - SSEF - SSF - SSF-MTS SSF-SUP SUP - 214 APPENDIX J List of Abbreviations American Association for Music Therapy, Inc. Barrett-Lennard Relationship Inventory Counselor Effectiveness Rating Scale Music Therapy Student Music Therapy Student Evaluation Form Music Therapy Student Evaluation Form, completed by the music therapy student Music Therapy Student Evaluation Form, completed by the supervisor National Association for Music Registered Music Therapist Supervisor Experience Index Supervision Session Evaluation Supervision Satisfaction Form Supervision Satisfaction Form, music therapy student Supervision Satisfaction Form, supervisor Supervisor Therapy, Inc. Form completed by the completed by the APPENDIX K Assignment to Groups by Group 215 APPENDIX K Assignment to Groups by Group Experimental Group Dyads Comparison Group Dyads Dyad # SUP # MTS # Dyad # SUP # MTS # 01 2 06 02 3 14 08 2 04 03 2 03 09 6 08 04 1 02 12 2 12 05 1 05 14 3 O9 06 1 O7 15 1 01 11 5 02 19 6 O4 13 5 07 22 6 10 18 2 11 24 5 13 20 6 14 28 5 01 25 2 15 29 3 06 26 3 11 48 4 16 27 6 02 Group with Pretest Group with Posttest Data only Data only Dyad # SUP # MTS # Dyad # SUP # MTS # 07 7 14 49 2 07 16 7 O7 50 l 01 17 1 O4 51 4 05 21 7 08 52 1 13 23 7 13 53 2 O3 30 7 O9 54 1 14 31 2 19 55 6 15 33 18 56 5 08 34 4 17 57 l 12 35 8 O9 58 1 11 36 8 18 59 2 10 39 8 12 60 l 08 4O 2 18 61 1 13 41 5 17 62 5 12 42 8 11 63 1 15 43 8 15 64 6 09 44 2 17 46 2 09 Dyads in Group Supervision 47 6 20 Dyad # SUP # MTS # 32 l 01 37 1 11 38 1 02 45 1 12 APPENDIX L Assignment to Group by Supervisor 216 APPENDIX L Assignment to Group by Supervisor Experimental Group Dyads Comparison Group Dyads SUP # MTS # Dyad # SUP # MTS # Dyad # 1 1 15 l 2 04 2 4 08 1 5 05 2 6 01 1 7 O6 2 12 12 2 3 O3 3 6 29 2 11 18 3 9 14 2 15 25 4 16 48 3 11 26 5 1 28 3 14 02 5 13 24 5 2 11 6 4 19 5 7 13 6 8 O9 6 2 27 6 10 22 6 14 20 Group with Posttest Group with Pretest Data Only Data Only SUP # MTS # Dyad # SUP # MTS # Dyad # 1 01 50 1 04 17 1 08 6O 2 09 46 1 11 58 2 19 31 1 13 61 2 17 44 1 13 52 2 18 40 1 14 54 4 17 34 1 12 57 5 17 41 l 15 63 6 20 47 2 03 53 7 09 30 2 07 49 7 O7 16 2 10 59 7 13 23 4 05 51 7 14 07 5 08 56 7 08 21 5 12 62 8 09 35 6 O9 64 8 11 42 6 15 55 8 12 39 8 15 43 8 18 36 8 18 33 Dyads in Group Supervision SUP # MTS # Dyad # 1 01 32 1 11 37 1 2 38 1 12 45 APPENDIX M Assignment to Groups by Student MTS # 217 APPENDIX M Assignment to Groups by Student SUP # 01 01 01 01 02 02 02 02 03 03 04 04 04 06 06 05 05 O7 07 07 07 08 08 08 08 09 09 09 09 09 10 10 11 ll 11 11 11 12 12 12 12 13 13 13 13 l—‘l—‘QU‘IUII-‘CDNHl—‘mWNNO‘smN(DNJWHWONQNNJHLflohl-‘wNONNl-‘NNONHHWi—‘l—‘l-‘(fl DYAD # 28 15 32 50 11 04 38 27 O3 53 17 08 19 01 29 05 51 13 06 16 49 21 O9 56 6O 14 30 35 46 64 22 59 18 26 42 58 37 12 39 57 62 24 23 52 61 MTS # 14 14 14 14 15 15 15 15 16 17 17 17 18 18 18 19 20 DYAD # U) C "U 4:: 07 02 20 54 25 55 43 63 38 41 34 44 33 36 4O 31 47 mNNm'QNobLflbHCDOSNl-‘ONWNI APPENDIX N Names of Computed Variables Variables Pretest Posttest V16 vls vlsp V28 VZSp V35 V3sp V4s V4sp V58 V5sp V6s V6sp V7s V7sp v8s VBSp V9s V9sp V108 Vlosp vlls vllsp V128 V125p V13s V13sp Vl4s V14sp V158 vlSsp V16s V16sp V17s V17sp V18s V18sp V19s V19sp V208 V205p v21s V21sp V225 V225p V V V V 218 APPENDIX N Names of Computed Variables Variable Name SEI score MTSEF-MTS MTSEF-MTS MTSEF-MTS MTSEF-MTS MTSEF-MTS MTSEF-MTS MTSEF-SUP MTSEF-SUP MTSEF-SUP MTSEF-SUP MTSEF-SUP MTSEF-SUP session management skill personal skill conceptualization skill musicianship skill clinical procedures skill overall skills session management skill personal skill conceptualization skill musicianship skill clinic procedures skil overall skills SSF-MTS teacher skills SSF-MTS counselor skills SSF-MTS consultant skills SSF-MTS overall competence SSF-MTS overall skills SSF-SUP teacher skills SSF-SUP counselor skills SSF-SUP consultant skills SSF-SUP overall competence SSF-SUP overall skills Supervisor's average posttest satisfaction score experimental group Supervisor's average posttest satisfaction score, comparison group Supervisor's average posttest satisfaction score, both groups combined Supervisor's average pretest satisfaction score, both groups combined REFERENCES REFERENCES Alley, J. 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