CREATEVE THESIS
REWRETE .. == a AT LAST, OLYMPUS! ,

ANEW MUSECAL E3R03UCEE¢ UNBE LR
NE E: ELAYW‘Q‘GBTS’ THEATRE
JUNE INS. 3970

Thesis for the Degree of M. A.
MECRIEGAN STATE UNIVERSITY

MECHAEL DAVED CHAMPAGNE

1972

LIBRARY

Michigan State
University

     
    

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ABSERAGIT

CREATIVE THESIS
mam-«W.
A REV MUSICAL
PRODUCED UNDER NEW PLAYWRIGHIS' THEATRE.
JUNE 1-6. 1970

11y

Iichael David Champagne

the purpose of this thesis is to present the
final refine-ent and revision of an original musical.
W. presented under lichigan State's
new Playwrights' theatre during June 1-6. 1970.
under the guidance of the Theatre Depart-ent.

the following neterial is the result of an actual
production situation in which the author functioned as
both director and producer. and the resulting
revisions were developed in accordance with the findings
and criticises of the thesis committee..

The script and score presented on the following
pages are an indication of the value of total

involvement in the theatre experience. Such revision

lichael David Champagne

can be handled only through a complete understanding
of the total creative process of theatre which can be
gained only through a working situation in which the
individual actively participates and coordinates the

major facets of theatrical productionl

CREATIVE THESIS

REWRITE---AT LASTL,OLYMPUS!,

 

A NEW MUSICAL
PRUDUCED UNDER NEW PLAYHHIGHTS' THEATRE,

JUNE 1+6, 1970

BY

Michael David Champagne

A THESIS

Submitted to
Michigan State University
in partial fulfillment of the requirements

for the degree of

MASTER OF ARTS

Department of Theatre

1972

TABLE OF CONTENTS

INTRODUCTIONIOOOOOOIOOOO0.00.00...OOOOOOOOOIIOOIOOOOOOO].

ACTISCENE ICC...OOOOOOOOOOOOOOOOOOOOOOO000.00.000.0012
Containing the introduction of all the characters

and the setting of the general situation.

ACTISCENE IIOOOOOOOOOOOOOOOOOOIOOIOOOOOOOOOOOOOOOOOOLI’S
Containing the central conflict or action of the

play, the rejuvenation of Olympus.

ACT II SCENE ICCOOOOOIOIOOOOOOOCIOCOOOCOCCO00.000.000.69
Episodes showing each god dealing with the problems

of progress.
ACT II SCENE IIOIIOOOIOOOOOIOOOOOOOO00.00000000000000097

SCORE“...OCOCOOIOOOOOOOOOOOOIOOOOO00.0.000000000000000117

ii

I N T R 0 D U C T I OIN

The material contained in the following pages re-
presents nine.months of active creative production in
which the author functioned both as producer and
director of the script and score contained in Parts
I and II respectively.

lany changes have resulted since the production
of W. and while the script retains the
basic goals of the author's intent. its content
varies greatly with the script used in production
during June 1-6. 1970. under New Playwrights' Theatre
at lichigan State University. The score contained in Part
11 remains unchanged since production: however. the order
of presentation of some of the musical nunbers has
been altered.and.in sose cases. the number of verses has
been cut down to provide a smoother flow in the
continuity of the show. In reading the thesis the
reader should consult the script hhre contained to
observe these sequence and lyric changes.

Because W is a creative thesis
involving a live production situation it is impossible
to present in written form all of the facets involved in
such a production. Furthermore. it was the opinion of

the thesis committee that more of the results of

production could be represented by a revision of the
original script than in a presentation of prompt

books and author's notes. Iherefore it is the purpose
of Parts I and II of this thesis to demonstrate the
refined and revised script. and the purpose of the
introduction is to discuss the relative advantages and
disadvantages of author-direction and the total theatre
experience.

Originally in writing AT L582. QLYMPUSI it was my
intention simply to create a conventional musical comedy
with the intention of learning that writing media and
exploring my competence in comic writing. In producing
the final script I decided the ideal exocrience not only
from the writer's standpoint but also from the standpoint
of theatrical understanding was to produce a workable
version of the script and to function as the director
in such a production. In this way as a writer I would
be faced immediately by any writing flaw detrimental
to staging the piece. and as a director I would have to
come to grips with whatever limitations of interpretation
are implied in the script. However schizophrenic the
arrangement might seem it does carry with it immediate
confrontation with personal creative limitations and
provides an excellent. if somewhat harsh. learning
experience for the individual.

Furthermore. and most important. functioning as

producer. director and writer places the individual at
the head of every major division of the production.
and thus. the responsibility for success or failure
rests entirely upon him. Though the burden is indeed
weighty. the necessity of learning the functions

of all facets of theatrical production teaches one both
the problems and possibilities in the interaction
between the production departments and the elaborate
set of priorities implied by a pressing schedule and
the various demands of the contributing artists

in all areas of the theatrical project. This total
involvement. I have come to beliefe. is essential to a
theatre education and should be a requirement of all
serious students of professional theatre.

In staging W it was possible for me
to break the functions of producer. director. and
writer into related but separate departments.

rirst. it is the major responsibility of the
producer to ”produce“ the material to be staged.

This means that he must find a new piece of material.
promote it. and find the financial backing needed to
stage the piece for public entertainment. Implied in
his promotion is the attempt to attract the maximum
amount of attention to his new material with an

eye to securing the largest possible profit from
production. and to control the cost of production within
comfortable bounds which enables the piece to be staged

adequately but not at the total disregard of the
backers whose money makes the entire production
possible.

In my own producer situation I was faced with
a need to produce a piece of material with only two
interested ”backers". The New Playwrights' Theatre
and myself. New Playwrights' Theatre provided the theatre.
basic departmental supplies such as paper and dupli-
cating facilities for scripts, and ten percent
royalties for the authors plus a sixty dollar eXpense
account. From my own resources I drew approximately
two-hundred fifty dollars to cover further production'
costs such as materials for costumes and sets.
publicity. and recreation for the company artists.

Due to the nature of The New Playwright's
Theatre's grant. it was not possible to charge an
admission higher than fifty cents per person. House
capacity was one-hundred seventy-five. and the gross
receipts over a six-performance run totalled exactly
three-hundred dollars. Actual production costs
discounting company recreation (absorbed in my own
eXpenses) and royalty fees came to approximately
two-hundred dollars. making a rough profit for the show
of one-hundred dollars.

Since the function of the producer is closely

ralated to the business side of theatre. it can be
said that the production was success monetarily.
Hence. my function as producer was efficiently
carried out. Given the money and materials available
a thirty-three percent profit was realized. healthy
by any business standards.

The prime function of the director is to
translate the author's work from paper into live
action which is coherent and pleasing in some way
within the framework set by the playwright. Here self—
analysis becomes more subjective and less governed by
facts and figures, nor can one depend upon the Opinions
of critics who are apt to see ones work in the light
of opening night before further polishing and
refining have been applied. This is particularly
important with a new piece of material by a new
playwright. How, then. does one attempt to judge
one's own direction objectively?

The most important element of the director's
function is that he reSpects the author's work and
confines his interpretation within the given
framework. By framework I mean those circumstances,
basic character types and major themes implied,
directly eXpressed. or possibly extractable from

the script to be dealt with. If a director adheres to

the framework of the play, he has satisfied the demands
of the author and held the integrity of the play.

Since I fulfilled the functions of both
director and author, there can be little discussion
of difficulty in fulfilling this element of directorial
function. No other director could have been more
aware of the author's intentions than I was with this show.
There were. however, differences in interpretation
between the ideas I held as author with reSpect to
casting some of the characters. and the general
blocking of the show did not always coincide with my
original mental blocking of the script due to the
talent available and the structural demands of the
stage to be used reSpectively. These differences were
related to director's license and in no way indicated
a conflict between my ideas as writer and my ideas as
director.

This still leaves the question of how one adequately
judges one's success as director in reference to the
rest of the director's function.‘i.g. artistic merit.
First. it is necessary to evaluate the actual production
situation to understand the reasons for particular
kinds of staging.

"Olympus" was staged at Michigan State's Arena
Theatre located in the basement of the Auditorium Building.

The playing area is a square affording approximately

seven-hundred twenty square feet of playing Space and
virtually no acoustical aids to eliminate the strong
echo from the low ceiling and cement floors.

The talent available was undergraduate primarily
from the freshman and sophomore theatre majors. There
were various deficiencies in eXperience with many cast
members. particularly in familiarity with music. Much
of the director's task in staging a musical comedy under
these circumstances is to teach the technical style
of the musical as well as the need for precise. clear
delivery of lyrics eSpecially with such difficult
lyrics.

Furthermore. with reSpect to the playing area. another
major problem involved arranging the blocking to
permit clear sight lines in a small Space for twenty-two
actors. all of whom take stage simultaneously at
various points in the show.

In terms of blocking I realized that it would not
be possible to play "Olympus" in the round due to the
size of the stage and the small rake in the house.

To allow a blind side to play against. I changed the
arena into a three-quarter thrust by placing the set

over one of the audience quarter sections. This afforded
more playing Space. clearer sight lines. and. yet.
preserved the feeling of intimacy which makes "Olympus"

far more enjoyable.

Though this tactic was an improvement over the
basic theatre setup. it did not provide me with enough
depth with which to vary the floor patterns.

Lateral and arch lines sweeping out to the remaining
three quarters of the house became repetitious and
sometimes wearing. Often the blocking became confused
because not enough depth existed between actors in

the foreground and those in the back. Choreography was
hampered by lack of dimension. and during :many of

the production numbers insufficient room caused the
dancers to bunch and bump into each other. As director
it was my responsibility to observe this problem

and change the arrangement of the house further to
permit sufficient playing room.

Due to the acoustical problem it was not possible
to use more than piano and percussion in orchestration.
Again this was a serious error in directorial calcu-
lation. The lack of additional instrumentation did
not present the music in its best light. In addition.
the poor acoustics made most of the singing inaudible
even against the softly played segments of the score.
Since the lyrics of the songs are difficult and involve
multiple word puns it was essential for the audience
to hear them. Again it was my reSponsibility to either
adjust the acoustics of the house or to stage the show
in a different theatre.

With regard to casting the show, while it is true

that the cast was limited in eXperience. much of the
casting leaned more favorably in the direction of
acting eXperience and strength rather than musical
knowledge. Casting should have stressed both facets.
The result of such casting was that much of the
musical value was lost in poor technical delivery of
songs.

In Spite of these serious errors in directorial
judgement. "Olympus" maintained its vitality in per-
formance. became more polished. and actors grew more
acquainted with the roles and the possibilities
each afforded. In criticism it must be said that
the production was flawed from the standpoint of
direction. but not sufficiently to totally obliterate
the value of the performances and material of the
script and score.

The third and most difficult facet of production
to discuss is writing. A writer writing about himself
is very apt to talk about what he intended instead
of what he actually accomplished. In dramaturgy it
is the prime function of the playwright to select
his topic. in this case the American System of values
as opposed to those of the Victorian Era. and develOp
a script which is logical. coherent. and,one would
hOpe. entertaining,since the prime force of musical comedy
is entertainment.

The most serious criticism I could make concerning

10

the show is that it is "packed.” In attempting to
learn the art of musical comedy writing and deal
with the various elements of comedy dealt with in
Isrgson's 2!. m. I succumbed to a typical temptation
of many young writers. that of trying all elements
of comedy within the context of a very small period
of playing time. Iith the advent of ”Laugh In” and
earlier 'fiellsapeppin': this ”packed“ style of comedy
writing has become a form in American Comedy. but
in ”Olympus” I was attempting to deal with a very
established form of writing. The fact that my choice
of comic devices became ”packed" indicates a basic
lack of restraint inherent in my personal writing
style. luch of the serious commentary of the satire was
lost in ”bits“ and clowning. and visually the piece
became too busy to focus on important stage action
or the richness of the satiric lines. lajor themes
tended to blend into the sheer entertainment of the
script and often into themselves which tended to
water them down.

hcause of the problems discussed above and
particularly because of the flaws in the writing style
of the original script of W. it
was decided by the thesis committee that the direction
of this thesis should return to the inherent problems
11! the script and deal with their correction.

Q

11

In conclusion it must be said that while
W was not a complete success artistically.
it cannot be denied that such a total theatre
experience is perhaps the most valuable teaching device
available to the student of professional theatre.

The responsibilities of such a project are great.
and the results artistically may not be optimum.
but the exposure to all the mechanics of production
provides the most comprehensive understanding of

the theatrical medium affordable anywhere;

S US
ACT I SCENE I
(The scene takesqiace in the legendary home of
the gods perched remotely on Iount Olympus. 0 of US
is a stone throne set on angled marble stairs. Just
downstage of center is a marble altar stone. At the
curtain. a low. sweet. sleepy tune. the IOTIF. is
being played on a lyre. ZEUS is asleep on the altar
stone. He is sixty-five to seventy. choleric. and
snoring loudly. After a moment APHRODITE enters.
She too is fat and sixty-five to seventy. She is out of
breath and excited.)

AEHBQDIIEJ
2303.....ZEUSl ZEUS! WAKE UP!
fi§§§s
(He rolls over.) lha.....huh?
APHROD TE:

Strangers! Some mortals approachingl.....Wake up!

Z§n§3
lortals?.....0h. yes. thosel.....That's nice.
ABHEQQIIE'
.....but what are we going to do?
ZEH§$

n07. seeenOthingseeee

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13

Nothing?

Z_Ej_y_S_a
fee.....That seems to be the best solution. don't you
think?

A HR D 8

Oh. no you don'ti.....This is no time to sleep. Get
up! (She pushes him off the altar stone.)

LEE:
See here! (Recovering his feet.) What do you mean
rushing in here like that and.....and.....de....de-
sleeping the King of the Gods like that? Are you mad?

.....:Are...you...are you...

am-
Are you finished? This is no time for pompoeityl
ma
Pomposityi why I ought to...
Wt
lHAT!
§§fl§s
Ihmh?
W!
Ihat‘I. . . . .Iou ought to what?
gm.

(Plastered) 'hy.....Why.....I ought tOeeeeeflhOV you

your place! The insolence of bursting in here.....

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APHRUDITE:
Oh, come off it! Insolence my Grecian Urn! And as far
as what you ought to..... well, you ought to be thinking
of something showy to impress these mortals. They're
just outside the gates! Do you realize it's been two-
thousand years since mortals have entered this temple?
And, if you ask me, we had best be rather impressive
if we want to gain their reSpect.

§§g§s

I don't want their reSpect! Those fickle, weak-minded
Christians! Who needs them turning to that newcomer.....

APHRODITE:
I can't understand this unrelenting hatred you have for
mortals all because a handful of them turned to a new God.
You know not all mortals are Christians; some of them

are other things.

ZEUS:

 

I refuse to take chances. Mortals or Christians.....
they're all alike. I turned my back on them centuries ago,
and I'm not about to go running back to them. HOW CAN

YOU EXPECT ME TO LOWER THE OLYMPIAN DIGNITY BY

ASSOCIATING WITH CHRISTIANS? (Confidentially) Do you know
what they talk of in their temples?..... Brotherhood.....
love.....charity.....COMPASSION! What kind of a

religion is that I ask you? It's

 

,un
e...‘

15

ridiculous! Denies the basic corruption inherent in the
beast. man. No I don‘t want their respect. Those
simpering wine sippers! Those.....those loose boweled
doves!
CHRISQIAflgxx
§§Q§y
Christianity. pure insanity.
You can't trust peeple who pray
Those loving Christians and their sweetly
sanctified way.
HR IT 0
It's so plain to see. you’ve sudh vanity
Your logic's led you astray
to hate poor Christians and their sweetly
sanctified way.
§§§§3:
Christianity's bound in vanity
lmmortality's play.
Those loving Christians and their sweetly
, sanctified way.

when your conscience is troubled

You'll find your guilt will be doubled

Human nature is filthy and disgusting
expecially in peeple.

Religion shelters the mystics

And breeds materialistics.

Charity is a virtue that will beggar you

16

quickly
(but helps you sleep well.)
Christianity's such profanity
A lie the clever make pay
Those loving Christians and their sweetly
sanctified way.

Holy Piety. Virtue.

Words that aim to pervert you.

Christianityl'

Christianity offers such a wealth of unthinkable
torture.

Inquisition and killing make believers more
willing.

Bloody martyrdom teaches of the love and

redemption in the Scripture.

Christianity's inhumanity

I guess they're funny that way

Those loving Christians and their sweetly
sanctified way.

Daily fasting and scourging

Tame the flesh when it's urging.

Christianity prompts you with such subtle
intellectual reason.

Bear your burden don't stumble

Be proud you're a Christian and humble.

17
Love thy neighbor on one day for the rest of
the week is Open season.
To cure neurotic affliction
Christians have crucifixion
Pain and suffering's such a comfort
When you inherit your error.
Should you slide in regression
You can make your confession
That's when clergymen purge you of

Sins and corruption. Holy Terror!

Christianity. pure insanity
You can't trust people who pray
Those loving Christians and their sweetly

sanctified way. way. way. way. way!

ZEUS!

Who needs them?

APHRODITE;
We do! Listen. Zeus. you can't wallow in the past like
this anymore! It's time you faced some things.....

§§§§s

What do you mean?

APHRODITE:
Really. Zeus! Look around you! Look at this place!
It's a motheaten ruin.....and so are we.....

ZEUS!

Why I.....

18

APHRUDITE!
Be still and listen! What do you think has haopened to
us after two-thousand years of vegetating? Haven't
you noticed what it's done to us? We're falling apart.
There's no one to believe in us any longer. and without
someone to believe in us I'm afraid we're more done with
the world than you know. Our powers are shamefully low.....
Zeus! This may be our last chance! We've got to win
these mortals' reSpect.....(Zeus pouts.) All right!
Act like an old boob with a diaper rash. but don't
be surprised if the rest of us stage a coup d'etat!

Z§Q§x

A what!?

APHRODITE!
A coup d'etat. an uprising!

me:
Oh! For a moment I thought you were stoOping to the
obscene.
(Enter MERCURY. He is older than the other two.

About eighty. He is skinny. arthritic. semi-blind.
enud partially deaf. He is nearly dead for breath.)

MERCURY:
Zeus!.....pant. pant. pant.....Zeus!.....(He has an
attack and goes rigid.)

APHRUUITE:
Goodness! (She rushes over to help him to the altar stone.)

You (Bould give me a hand. you know!

19

§§fl§a
0h. all right! And you want the mortals' respect!
Who would respect a mess like this!
W!
He wouldn't be like this if he had someone to believe
in him! And be quiet; he'll hear you!

my

( They set him on the altar stone.)

m:
Strangers.....st.....strangers! Mortals are outside the
gates! cough. cough.

§§§§a
It's all right you old.....

WI

Zeus!

ZEQS!

Pellow.....I've been told.

IERCUqu
Ihat?.....I'm Just as good as anyone here! cough. cough.
(He stands. goes rigid. and falls back on the altar stone.)
Just a little out of breath is all. Who said I'm old?
(He looks right at Zeus.) Where's Zeus?

Z§fl§5
I'm right here!
D T 3

It's all right. I've told him! ZEUS KNOWS ALREADY!

,m
.1.

 

'0... .

20

MERCURY:
That's right! I must go and make ready! (He starts off
in the wrong direction.).....Aphrodite?.....
APHRODITE!
(She turns him in the right direction.) Through there.
MERCURY:
Ah. yes.....pant. pant. (To Zeus.) If you see Zeus.
you must tell him!.....He must be told. zsumUsUsususususS:
(Exit.)
APHRCDITE:
There! Do you see?

(Suddenly without a warning a vast chorus of Graces
codes wafting from each end of the stage in the midst of
a choral ode straight out of some tragedy. URANIA leads
them.)

URANIA!
(As the Graces move back and forth across the stage
in a constant strophe and anti-strOphe to her narration and
nearly trample Zeus.) Hear. gentle people. a tale of the
Great Gods above who.....
§§Q§x
(Dodging one of the strephes.) Do be careful!
APHRODITE!
(Also dodging.) I told you so!
§§g§s
(Stubbornly.) Well. they're not that bad. (He is
knocked off his feet.) BY ALL THE IMMORTAL DUVBS 0F

LP.

21

ILLYSIUI!.....(Catching himself.) They are.....conscien-

cious!

APHROD TE!
(She rushes over and helps him up.) Oh. face up to it!
They're dreadful! They've gotten so stale that they don't

even listen to themselves anymore. Watch.....

25m.»
Pity the plight of two true lovers.....
9.3m:
Who pity the plight.
Who pity the plight.
AEHRODITE:

(Calling it out like a square dance call.) Two wet

pigeons fly at night.
RAN A:

TWO WET PIGEONS FLY AT NIGHT..

fiRQCES:
Two wet pigeons..
Two wet pigeons.
SEA—NIL!

Ah. yes. gentle peOple. two wet pigeons fly at ni.....

Hm?.....What?.....Oh. Aphrodite! I was just practicing

for the mortals! Did you hear the good news? Imagine!

Iortals coming here! I just thought we had best be

ready for them. Arts and letters and all that. Why I.....
Wt

I'm sure it's all very nice. Urania. but I'm afraid it's

22

all terribly premature. Zeus isn't going to let them
in!

EEEELA'
What!
we:
“hat!
What!
HBAEIAI

‘11 right. cut it. girls!.....Now what 18 this about

these mortals?

£§E§s
We are not going to allow Christians in this temple!
HBAEIAI
(to Aphrodite.) They're Christians?
W:
Rb doesn't know!
DBAEIA'
You mean he's keeping them out on pure suspicion!
£5d9§§t
0n pure suspicion.
0n pure suspicion.
DBAEIA!
0h. shut up. girls.....
§§n§t

See here. I seem to recall your vow to forget that mortals

23

ever existed after Christianity. In fact. you said you
were even considering retracting the art of writing
from their knowledge entirely..

EBAEIAI-
0h.....that.....Well. when I said forever I didn't
know it would take as long as this.

§§g§m
There you are.
EBAEIA'
(To Aphrodite.) He's afraid.
fi§y§e
What!
I E:
Do you think so?.
mum-s

What other reason could there be. How could he hope to
impress the mortals as much as us when he's gotten
so.....so.....senile!

§§E§s
Senile! WHY YOU.....

(Enter HERMES. He carries several mildewed
scrolls under his arm. He is distracted. absent-minded.
and rambling.)

flfifllfifi'
What is all this noise? (He sees Zeus in the midst
of his tantrum.).....0h. old Blood and Thunder is at

‘ I
O
t e
. t
O
0 seed. 0....
I
Is... .‘ .
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24

it again is he?

BEAM!
Mortals are on their way here and he won't let them
enter the temple.

W!
What? Why that's beyond comprehension. it's.....it's
past all reason. It's asinine.....It's the stupidest
thing I ever heard of! My. my. mortals. you say?

ZEQ§0
I RULE HERE! I WILL NOT HAVE CHRISTIAHS IN THIS TEMPLE!

We have been peaceful and content here for two-thousand
years.....

my
Has it been that long? I suppose I do become too
engrossed in my reading.....Well. no matter.....As
my dear friend. Aristotle. always said. ”There is not
time. only change.".....or was that Plato?

§§g§s

Am I talking to the pillars? Does no one listen to me?
No one respects my authority any longer!

m:

No.....no. It was Aristotle.- Oh. my. he was a card!
§§§§n
I'LL FRY HIS SHADE IN HADES IF YOU DuN'T CEASE THIS
ENDLESS JABBERING!
was:

No need to shout) I'm not deaf! Anger is but an emotion.

25

and the time philosopher king is above all that.
That's Plato.- He was a mortal. and a good deal more
pleasant than you! (To Urania.) How did he ever
get anywhere with a temper like that?

MIL!
He inherited the job.

(Enter MARS in full armor. He is shrunken. skinny
and wild with straggly red hair. He drags a huge
broadsword behind him.)

MEL!
Yaaaaaaaaaaaiiiiiiiiii! cough. cough. Where are they?
I'll show them how we meet transgressors! I'll cut
off their heads! I'll break their arms and legs
separately! I'll slicd them into tidbits for my dogs.....
‘§§2§u
Iars.....
'!A§§5
I'll cut off their toes and make them eat them.....I'll
dye their hair red with their own blood.....

§§Q§3
IARS!

M81!
Eh?.....What?.....Where are they?

£311.11!
Where are who?

lflfi§e

The strangers. Mercury said there were strangers nearby.

26

Hfidflld!
Zone is afraid they are Christians.
§§A§§§!
Afraid they are Christians! Afraid! Afraid!
ZEQ§I
(To Urania.) Will you kindly muzzle these?
mam
Quiet. girls.....(To Iars.) Zeus isn't going to let the
mortals in; he's afraid of them because they might be

Christians..
Hfifllfii!
He seems to think we might be corrupted.
IE§§!

(Running up to Zeus.) I promise you won't! I'll
protect you! If they so much as utter one of their
benedictions. I'll cut them in two!
Zfifl§m
Who's going to help you lift the sword?
. lfi§§u
0h!.....0h! Did you hear that? Did you.....(He bursts
into tears and cries on Aphrodite's shoulder.) Oh.
it just isn't fair!
AM!
There. there.....If you're not careful you'll rust.....
Really. Zeus!
(Enter APOLLO And EROS.. Apollo plays fervently on
his lyre humming softly in a cracked. wheezing. old

voice. Eros floats in ahead of him in complete abandon.

27

He clutches a wilted rose to his breast and recites his
erotic poem in an ecstasy of oblivion.)

§§Q§a

Oh. my love. my love!

You are all to me.

Ah. my love. my love!

Your lips. your hips

Bach perfect breast

Your wanton eyes that shine!

Ah. my love. my love

You are all to me!

This ear is yours

This soul is yours.

Say all you have is mine!

Ah. my love. my love!

You are all to me!

fleet me in the grassy cove

0r under yonder tree!

But meet me. meet me!

Ah. my love. my love.

Oh. my love. my love.

Oh. my love. my love.

ly love!
we!
I think I should sit down. (He sits on the throne.)
W

(Quietly.) I seem to remember some of the poems you used

28

to write for me! (To Eros.) Lovely! Simply lovely!
§3Q§s
(He rises.) Thank you. Aphrodite. I've got some
delicious ideas for these mortals! I was thinking of
a nice quiet sit-down orgy for thirty or forty. What do
you think? I could wear my purple toga. And perhaps as
the evening wears on.....one of the women.....Well.
it's been so long. but some things are easy to remember.....
APOLLO:
Cough.
EROS:

 

Do you think it would presumptuous of me to seduce one of
them before dinner?
APHRODITE:
Well. I.....
APOLLO!
That's right! Go on and make your plans for the mortals.
but try and entertain them without me and my music.
APHRODITE:
Well.....Apollo. of course we'll need you.....
APOLLO:
Well. you just can't have me or my music! I won't
come! No one appreciates me anymore.
URANIA:

(To the other Graces.) Here we go again!

29

Mr
Play until your fingers cache. try to bring some cheer
into this mausoleum. sing until you can hardly speak.....

W!

.....Wrack your soul for some little shred of artistic
inspiration. some little tune to make this world a
better place to live in. to lighten the spirit.....

was
(Alone as Apollo glares at her.).....Give your heart
freely to the bourgeois tastes of an inconsiderate mob.
and all for what? What? Very nic.....(She suddenly
becomes aware of her solo.)

W!
What are you doing without your plow hitched behind you.
you old water ox?

MIA!
(Sweetly.) I'm enjoying the show. do go on.

m:
Well. you Just try. you just do your strophes and your
whatever-you-call-‘ems without my music!

MA!"
Is that what you call it?

ABM!
You just see_if you can find any better than me.....You

just see!

30

QRANIAs
How many minutes do I have?.....Anyway. save your tin

ear. Zeus isn't going to let them in here.

ERQS:
What? Not come! But I was counting on it! Aphrodite.

what am I going to do. It's been so long!

QEHRQDITEs
I expect you'll just have to do without. We all will

until Zeus gets over this ridiculous prejudice against

Christians!
w:
Hm! You mean fear!
§§fl§s

I PEAR NO MORTAL! (He throws a thunderbolt.)

CHRISTIANITY (REPRISE)

Zflflfis
Christianity. pure insanity
You can't trust people who pray
Those loving Christians and their sweetly

sanctified way.

QHDRUS!
It's so plain to see you've such vanity

Your logic's led you astray
To hate poor Christians and their sweetly

31

sanctified way.

N
to

Christian Doctrin's so pleasing

You'll find it morally squeezing.

Christianity may not broaden but it makes life
seem longer.

Don't worry if you just can't win.

Anything pleasant is pure sin.

There's no question of ethics for there's
only a choice of wrong or

wronger.
QHQRQSr

What you're saying is just inanity

You want it all your own way.

These loving Christians and their sweetly
sanctified way.

Holy Biety. Virtue!

§§Q§5

Words that aim to pervert you.

Christianity offers such a wealth of unthinkable
torture.

Inquisition and killing make believers more
willing.

Bloody martyrdom teaches of the love and

redemption in the Scripture.

32

Christianity. pure insanity
You can't trust peeple who pray.
Those loving Christians and their sweetly

sanctified way. way. way. way. way!

(Mercury enters leading in the mortals. They are
an American family on tour in Greece. Heading the family
is ELIAS PEAK. a man of fifty. trim. proSperous. crass.
a real go-getter. Next is his wife. PHOEBE. well-dressed.
and always wearing a blonde wig. With them are their
three children: OSCAR. or rather. E=MCZ. as he is
known in protest circles. FAUN. a lovely sixteen-year-old
girl. and HOMER. a rather fat. freckled little boy of ten.
who wears black horn-rimmed glasses. The Gods and
Goddesses are so busy arguing that they don't notice

the family.)
ELIAS:

 

(From offstage.) UP! UP! UP! C'mon! We're almost
to the top! (Now they enter.) All right. gang. take
a breather.
MERCURY!
If you would just wait. I'll try to find Zeus and the
others. It can't take long. They're usually about.
you know. (He starts out in the direction they have just
come. but Elias turns him in the opposite direction.)

Uh.....yeS.....yeS.....‘thank you.....ZeuS.....ZEUS!

Lam

 

33

FAUN!

 

This is a funny place for a rest home!

PHOEBE:
It's probably one of those eXpensive resorts for
rich EurOpeans with American foreign aid to Spend.
Elias. I do wish you'd paid that guide! I heard thunder
a few minutes ago. I think it's going to rain!

Lane:

I didn't make President of Ads Promotion,Inc.. by
paying a bunch of flunkies to do something I could do
myself! I made it to the t0p by drive. ambition.

personality.....

And Mom's money.

ELIAS:

 

And Mbm's money..... That'll be enough out of you!
Where's the reapect you owe me as your father. you little.....
W
Find out if these peeple have a phone so that we can
get someone to take us off this crummy mountain.
22in!
I can take us back!
PHOEBE:
I want to get back to the hotel in time for the late show!

Doris Day's on tonight.

ELIAS!

 

Where's your sense of culture? Don't you like all

these magnificent old ruins and statues.....

3h

PHOEBE!

W811, yes.....
ELIAS:

 

Besides I paid $2.000 for this family to get some
culture. and. damn it. I'm going to get my money's
worth.

HOMER!

 

When it comes to culture. the both of you are utter
philistines.
PHOEBE:

Thank you. dear. You see! Homer thinks Doris Day is
culture too! New find out if they have a phone. dear.
was
(He moves closer to the arguing group of gods.)

Excuse me.....Pardon me.....HEY!
Suddenly the gods freeze in their tracks. They
realize that while they have been arguing the strangers
have arrived and entered the temple.)
amass

Uh.....Perdoney-moi. signior. a donde.....uh.....a

guide? (Pause.) I don't think they understand Greek.

mass:

Try English. All educated foreigners Speak English.
ass;

(He finally recovers himself.) What do you wish here?
aims:

(He is delighted. To Phoebe.) You were right!

35

(To Zeus.) Well. you see. I'm Elias Peak. Ads Promotion
6b.. Inc.. Whirlwind. Connecticut. This is my wife.
Phoebe. my daughter. Faun. and my two sons. Oscar and Homer.....

Em
My name is E-mcz.

MAE!
Don't pay any attention. That's his protest name.
Well. we were wondering if we could use.....

‘;§!§!
How dare you enter the Olympian temple. mortal!

rues:
Well. I'm sorry to disturb you but.....

§§fl§l
Other mortals have died for presumptions far less than
this! On your knees and make reverence to this glorious
company.

W!

Zeus.....

§§§§3
Silence! I'll show these mortals how to respect the
Gods of Olympus!

zgnn.
Oh. wow!

ELIE!
Now. just a damn minute! I don't know who you think you
are. but we don't kneel to anybody! Furthermore.

I'm no mortal. I'm an American.

000'.

)0".

{.2

U)

k.

‘

*4

I.”

36

(Zeus throws a thunderbolt. The gods freeze in their
tracks terrified while the family is completely oblivious.)
ELIAS!

Hey. you were right. It does sound like rain.

m:
SILENCE UNTIL I GIVE YOU LEAVE T0 SPEAK. MORTAL!

‘fl§§!§§1
Why do you always have to overdo a good thing!

ZEUS:
I know what I'm doing!

mes-
Look. you old nut. all I want to do is use your phone and
get out of here!

ZEEE!
SI.....

AEHRQDITEI
SHUT UP!

§§fl§g

(He is flabbergasted.) Aphrodite!

AEHBQQIIE!
It's been two-thousand years. and I'm not about to see
you ruining our one chance to regain our stature in
the world with cheap histrionics!.....Won't you please
stay awhile? You are welcome here as our first mortal
guests to Olympus for centuries.

was:
Elias. what's she talking about?

37

APHRQDITE!

I am Aphrodite. Goddess of Love. These are the great

gods of the past.

ELIAS!
Oh. come on!
‘!A§§j
Oh. we are. truly!
m:
Go ahead. Zeus. show them. Throw another thunderbolt.
§§Q§a
Ho.
42mm:

Zeus. this is no time to pout! Throw a thunderbolt for
the people.
§§§§I
no.
MIA!
Hm! He probably can't.
(To prove her wrong Zeus winds up and throws three
more booming thunderbolts.)
was:
Phoebe. did you remember to pack that rain gear?
It sounds like a cloudburst!.....Now if you people would
Just let us use your phone.
MIA!

(To Zeus.) So our powers don't need a boost. huh?

‘8
.4

So we don't need mortals? They didn't even flinch!
APHRODITE:
Hermes. you try to convince them. (She pushes him out
front.)
HERMES:
Well. I.....It's been so long since my last argument.....
Let's see. I could use a little mathematical logic
on them.....Perhaps Pythagoras.....maybe a little Euclid.....
APHRODITE:
Just talk to them. Hermes.
HERMES:
You mean straight out? Without proofs. illustrations.....
hypotheses? (She nods yes.) Oh?.....(He turns to the
family.) Well.....
IMAGINE.....WHAT?
Imagine if you will
A high and windy hill
That looks upon the sea
With dour majesty.
And now the clouds come clinging close
As black as sulphur smoke
The scene is somber and morose.
And there! Up high! In flowing cloak
.....Is me!
What am I doing there?.....Oh. yes!

eeeeeIS he:

39

He lifts his mighty hand

And sweeps it o're the land.
(He pulls Zeus's arm.) Sorry!

Ten-thousand people bow

And there it comes right now!
What?.....0h. yes. of course.....

A golden chariot sw00ps down

And bears him to the sun.

The stars weave him a silver gown

The sight invokes oblivion!

Imagine. if you will

Such pleasure it could kill!
Uh.....

Such pleasure it could fill.
Fill!

The lusty brimming cup.

A feast for love to sup!

A feast!...ha. ha. a FEAST.....That's good!

Each lip a cherry ripe and red
Her neck a honey comb.
Each breast a loaf of fresh baked bread.
Uh.....Excuse me. my dear.....
Her tail a pleasure dome.

Oh! I am sorry!

#0

She makes each lover's nest
Serene and even bles'd.

Each kiss becomes a pray'r

blown sweetly on the air.

Her beauty was the flaming Spark.
It truly did inSpire

Brave Paris on his lover's lark.
It lit Troy's fun'ral pyre.

Now that was quite a story! You see.....Huh?.....Oh!

Imagine. if you please

The poet's gentle ease.

To fashion diamond rhyme
With meter keeping rhythm.

Rhythm?.....With meter keeping.....With meter keeping.....

The color of the artist's brush

Retells a country scene.

He paints the fields all green and lush.....
Ah.....He paints the fields all green and lush.....

'til he runs out of green!

These sweet and lovely things
Have motivated kings.
Have built great monuments
InSpired accidents.
Uh.....that's wrong.....m-many great discoveries.....

that's what I mean ----- yes....&

#1

They've fostered great philosOphy
Elevated thought.
Have been the cause of all beauty

O're which mankind has fought.

Imagine. if you can

The puniness of man.

Compared to our proud stance.
Imagine that perchance.

See us bronze in gleaming sunlight
Young and strong and bright.
Walking proud amidst the clouds.
Just imagine. if you might.

We were the noble breed until
Until.....until.....oh. yes.....

The time grew on and on

Just imagine if you will.
Where have the centuries all gone? My. my.....

two-thousand years! It doesn't seem possible!

mm:
Elias. I think they're serious!
M!
We are.
lfi§§3

Yes! Please. you must believe in us!

IO... ‘

#2

ZEUS:

 

Enough of this pandering! Remember your positions!
Has the dignity of Olympus come to this? (He turns to
the family.) Before we deign to talk another moment.
we must know.....Are you Christians?

E;
Shi-i-i-i-i-i-t!

ma!
Christians?.....0f course not! Well. that is we are.
but not exactly.....We're Freemartins.. See!

Z§Q§:
Would you mind repeating that.....

ELIAS:
Well. we're Freemartins.....We believe in anything.

2§2§§§5

I assure you we're very devout! E is an atheist.

E}
I believe in nothing.

EHQEEE:

Yes. dear. as long as you really believe in it!

AEEBQQIIE!
(To Zeus.) Now are you satisfied?

was

I don't know.....I mean.....

EflQEBE:
Elias. I think we'd better move along. I don't think

.esse

“3

these people are going to help us.....(whispering to

the family) and I don't think they're all quite there.
mares:

Wait a minute.father. I've been taking all this in.

and I believe them.

AEEBQQIIE!
Zeus. did you hear that?
ELIA§!
(To Homer.) What are you talking about?
HQEEE!

Well. it's really rather simple. Judging the Ancient
Greeks in terms of Anthropological Psychology there
was no accounting for the Golden Age of Greece unless
you attribute this flowering of the human mind to Divine
Inspiration. Furthermore. the Ancient Greeks were
incapable of such a vast elemental theology without
some foundation in sensory eXperience.
me!-
You mean these old dingbats are really gods and goddesses?
£59255!
Wait 'til I tell the Crawfords we met real gods and
goddesses! I must get a picture. Tell them to bunch to-
gether. dear. Faun. you and Homer crouch down in front.
HR D TE:
0h. Zeus. don't you feel younger already?

(Enter Mercury.)

ERC URI :
Zeus!.....ZEUEUEUEUEUEUEUEUEUS!

EEC KQUI e

M!

ACT I SCENE II

(The scene is the same as the first except that
now there is a long. low banquet table set downstage.
It is covered with trays of melon-like fruit and gold
cups. The gods recline stiffly while the family
sit Indian-fashion during the feasting. At the rise
of the curtain the scene is a bustle of activity
with Elias dominating the conversation. Some
of the Graces serve under the direction of Urania.
They Spill wine and drOp pieces of fruit constantly.)

ELIE!
(The general noise dims.) Nice place you've got here.
Reminds me of the Museum of Natural History back home.
PHOEBE:

Elias. please!

ELIAS:

 

Huh?.....oh.....uh. sure was nice of you to take us in
like this. What with night coming on and all.
Can't understand why it doesn't rain though.r Could've
sworn it sounded like it. Do you get much rainfall up
here?

URANIA:

(Snidely.) Not recently!

#6

ELIAS:
Say this isn't bad. What is it?

QRANIA:

Ambrosia.
ELLA-53.!
Oh. yeah? Not bad.
(One of the Graces spills wine on him.)

GEACE _I_:
Ch. I beg your pardon! Here. (She tries to clean his
JECKOte )

was:
(He just sits there.) Think nothing of it!

9.3.4.92:
(She drops some fruit on him while trying to clean off
his jacket.) Oh. I am sorry!

m!
That's all right! Look. Grace. sweetheart. why don't
you go and.....serve someone else.

$9.123!

Oh. Elias. this melon is simply divine.....0h. divine.....
ha. ha! Divine. of course.....ha. ha!

ELIAS:
Well. I'm finished.e What's the next course?

AEHRQDITE:

next course?

47

E AS:
Yeah. you know. the part that comes after the appetizers.
roast or steak of something like that.
W!

Well. we never eat flesh.

miss
Oh. seafood. good! What is it? Maine Lobster?

Ipswich Clams.....Louisiana Shrimp?

W!
Oh. no! We couldn't bear to eat those poor little
creatures! It would be hideous. Ungodly!

was!
my dear. you can't mean that you eat just this melon!
W!
Well.....yes. We've never felt the need of anything else.
M!

If you'll pardon me. dear. no wonder you're so.....well.
....plump! This must be loaded with calories!
Why. you can almost smell the carbohydrates and fats
just pouring out!
ZEQS:
How dare you? Aphrodite is the epitome of woman!
arm!
I'm afraid we haven't looked like that for quite some
time.....Oh. my dear. you really must do something!
§§2§j

This is outrageous! It's.....

U8

HERMES:

Oh. stOp flustering. Listen to what they have to say.

ELIAS:

You see. Zeus. baby. you're behind the times! Youth!

that's the key! Look young. be young. That's our

“The more the paunch. the less the punch!"

YOUTH

 

Oh. Youth! That's the key!
Age is not traumatic. it's impossibility!
Each wrinkle's not just aging. it's a very mortal

Sine

Now if you're not young at heart. it's time
to turn it in.
And if you should survive to a hundred and five.
Look at all they've contrived just to keep you
alive.
Who says the greatest gift of life is wise

seniority?

Oh. Youth! That's the prize!

It's not the Spirit from within: it's what you
advertise.

If your soul is wrinkled and your weight
begins to shift.

It's time to think of diets and some Spiritual

“9

lift.

Don't you fret if your face looks like fine
filigree.

You're quite safe now that they've got
plastic surgery.

Maturity is a syndrome any shrink can analyze.

Oh. yeah. now. Youth! It's a must.

Haul your wreck upon its feet and scrape away
the rust.

Engage in every heavy Sport with zest and
youthful will.

You might be dead within a week but age is
sure to kill.

Though you long to decline in an old rocking
chair.

If you do. You're ignored like you're not even
there.

Vigor is our only coin. our purse. in Youth

we trust.

All right. now. Youth! That's the key!

It doesn't matter if you're tired if you've got
vitality.

Within the card-game they call life. sex-appeal's
the trump.

A hormone shot before the match will get you
o're the hump.

50

Just as long as you've got your testosterone.

Then there's not any thought of your being
alone.

Though past the prime there isn't any need to

face reality.

Now let's try Youth! I confess!

Eternal youth's a burden. but then so is
happiness.

I'd rather be a younger self than a sage.
decrepit. wise.

I may be dumb and insincere. but who wants
baggy eyes?

I will fight every year with false tooth and
nails.

With my eyes on my waist. my feet firmly on scales.

Outside I'll be pure Springtime. within an

ancient mess.

PHOEBE:
(To Aphrodite) I have a marvelous set of exercises!
I'll show them to you.....And I think a cottage cheese
diet or perhaps on of those low-fat cut-downs.....
Oh. yes. we could trim you down.

APHRODITE:

well, I don't see Whyeeees
PHOEBE!

You do believe in dignity. don't you? In human nobility.

OOeesUheeeesand diVine nObilitY?

51

APHRODITE!
Well. of course!
If you're fat. you've got no dignity! You've got no
image.

ZEUS:

 

What are you saying? We Egg dignity and nobility!
(Phoebe and Elias look at each other and burst out
laughing.)
ZEUS:

 

(He is hardly able to control himself.) Say. you
really do have a sense of humor.

PHOEBE:
That's very nice. dear. but I'm serious.

ails:

You see. everybody has an image. That's what gives him
his standing in the world. If you want the right image.
you've got to work at it. You've got to get with it.
stay on it.....groove! It doesn't matter what you
really are. You can be corrupt. even demonic. but if
your image is good. you've got it made. Why. that's the
foundation of business.

ZEUS:

 

What happened to your Christian way? What happened to
all that talk of brotherhood and truth?

52

ELQAS:
That is the Christian way! You donft think we allow

religion to interferegwith business. Nosiree. separation
of church and state. belief and business! We fought for
that in.....in.....well. some of our best wars were
based on that principle!

APHRQDITE:
(Delighted.) Zeus. they're just as Pagan today as they
were two-thousand years ago. Isn't that encouraging!

EHQEBE:
Oh. no. dear! Please! You shouldn't insult a person's
religion like that. Pagan!

QPHRQDITE:
But isn't that the same as.....

mean
Oh. no! Freemartin Philosophy as written by our
founder. Grace lontalla Blythedollar. says: “Blessed
are those who hold the right image. for they are the
encouragers in belief.“ Now it doesn't matter what you
really are. underneath. I mean. but as long as you
hold up the right image you're giving someone something
to believe in.

ELIAS!-

(To Zeus.) snake done wonders with the children in
religious education.

imam:
Does this way work?

53

ELIAS:

 

Work? It's sure fire! Look.you present a happy.
successful. intelligent. fulfilled image and people
will sell each other just for a nod of approval from
you. Promote yourself as thg authority on happiness.
and success and power are yours forever.

ZEUS:
But suppose no one believes you.

aims:
Don't be silly. everyone will believe you. You just
have to believe it yourself. You can't go half-hearted
in the image racket. Once you pick your image.....
that's it. You've got to follow it through. You do
that and there isn't a soul who will dare to diSpute
with you. They'll grovel to be in your company.
It sounds dangerous.....very serious!

ELIAS!
Isn't anything worthwhile?

HERMES:
Tell us what has happened among you mortals over the
past two-thousand years?
PHOEBE:

Well. I haven't kept up too well. It's about all I
can do to get through my McCall's. Homer could tell you:

he read most of the Harvard Historical Library last

54

year just before he began intermediate nuclear physics.

or some such thing.....

HOMER ,.

 

Advanced Aerodynamics.

PHOEBE:
Yes. of course. dear. Actually I can't keep up with him.
He's one of those child prodigies.....We've tried to
hold him back. believe me. We even sent him to public
school. but he just won't be average. It's very
embarrassing!

uses
You said you were American. What's that?
(E rises as if in a trance and sings.)

THE COLOR IS

OOOOOOOOOOOOH. Red. White. Blue. BLACK!

We're black to the core of our souls.

And nothing can quell the flames of our hell.
We're black to the core of our souls!

Black! Black! Black!

We smell of putrid decay.

Our legend is doom and gathering gloom

That only our blood can pay.

Black! Black! Black!
We're sick and so close to death.
And madly we rave as we roll in our grave

Heaving our last stinking breath.

55

Black! Black! Black!

Black is the justice of law.

Chaos and sin is the bag we are in
And we act like we ain't got a flaw.

Kill! Kill! Kill!

To protest! It's our right to insist!

That our only true joy. expertise to destroy
Be no longer allowed to persist.

Bleed! Bleed! Bleed!

The infection we sire lives on.

We avow to desist. but the evils resist.

And will until everyone's gone.

Peace! Peace! Peace!

It's a word that can't grow too big.

And I won't end my plea until I'm sure that we

Have killed each deplored Fascist pig!

For love! Love! Love!

Is the cure for the world's social ills.

And I'll force down this good in the name
brotherhood

'Til the rat-race bends to my will.

(Repeat the first verse.)

(There is an awkward silence.)

 

1. )

(”I

00;

35a!

30“-

W.‘

56

AM!
Well.....

M!
.....Yes. indeed.....

was

You needn't be embarrassed. Just ignore him. He

goes away after awhile.

ems-
He's got a generation gap.

ZEQ§:
Generation gap?

ELIAS!

Yes. you know! That's when the older generation feeds.
clothes. and supports the younger. and in return the
younger generation is kind enough to show us what rotten
bastards we all are. I think it's called having ideals.
isn't it?
El
OOOOOOOOOH. Black!
m!
Shut up. dear. Your father is explaining what an
ingrate you are.
m:
an, yes. I believe Socrates has something to say about
that. . . . . (He reaches for his scrolls .)
some!

soerates. who's he?

’4

a; x

57

HERMES:.
Why. Socrates!.....Why.....'hy. he's one of the greatest

philosophers who ever lived!
names
Yes. I know! But whoyig he?
W!
He's.....he's Socrates!.....His philosophy represents
a life.....a way of life.....
MB!
You don't believe all that pseudo-intellectual claptrap
do you?
HERMES:
Believe in it? It's a golden.....it's.....It's
OMER:
It's passe! All that nonsense about reality versus
ideals! It means nothing to peeple of today. Ideals
don't exist. They're clever inventions of the aristocracy
to keep the bourgeoisie striving for a perfection
they will never know. Life is not perfectable.
Reality is the only existence. Now time. Anything I
do not experience does not exist. The limit of my
mind is the himit of my senses. You should read

Sartre and Camus.....There's a philoscphy!

HERMES:
Sartre.....Camus? THIS IS MONBTROUS! HOW CAN YOU SAY

THESE THINGS?
EEEAS!

Vellcomo to the generation gap!

APHR D

Please. calm yourself!

58

E:

ZEUS:

 

Anyone can see you are hardly a phiIOSOpher king!

(Hermes is on the verge of a cerebral hemorrhage.)

QEHRQDITE:

I think we should have some entertainment!

(Without a cue or a care for their duties. the

Graces begin their strophe and Urania begins her story.

Apollo nearly kills himself on his lyre getting into place.)

ELIAS!
lore wine.
EHOEBE:
Do you think you should.
dear?
ELJA§J
Are you insinuating that
I get high?
:42!“
She's telling you outright!
are:

Some reapect I get from
my own family! What was
it Shakespeare said? How
sharper than a serpents
tail the tooth of a

thankless child!

SIR—AER!
Behold!

sagas:
Behold!
Behold!

LRAEIA!

Hear a tale of the Gods
above
Who pity the plight of
Two True love.....ers.
Pyramus and Thisbe in
Babylon lived close.
So close one wall formed
their houses both.
But as it chanced a tiny
chink

Was for the two a lovers'

C O

PHOEBE:

(To Faun.) I do hepe this

won't take long. I want

to get back to the hotel!
ELIAS!

We can't get back now!

It's pitch black out!

We'd never find our way!
W!

I'll miss the late show!

was:
Well. you'll just have to.
OE :
I can't!.....couldn't
we try? I'll go myself
and you can stay here.
use!
I'm not having you wander-
ing around on a mountainw
you might kill yourself.
and the key to our safety
deposit box is in your name.
And I'm not letting this
A
It's

family break up.
family is sacred.

bound by sharing and love!

59

link

Binding them together fast.

Every morning just as the
last

Shadow of the moon was
past.

To the chink would they
steal

Exchanging love's vows with
zeal!

And so they passed their
loving way

.....From day to day.....

Until resolved they thought
to meet

By the Tomb of Ninus by the
moon.

And with kisses each other
to greet.

So Thisbe went before her
Pyramus.

And there a lion raging thus

Frightened her away..

But by the way she dropped

Her veil and Pyramus

strayed

EAQN:
YECH!

PHOEBE:
Oh!

ELIAS:

 

What's the matter now?
PHOEBE:
I've dropped an earring.
Help me find it.
(They search under
the table.)
PHOEBE:

Homer. help your father

and I.
HOMER:
Very well.
EAUN:
Is that it?
was:
Where?
Eflgfl:
There.

PHOEBE:
No. that's your father's

tie-clip.

60

By chance not long after by
the Spot

Thinking his love eaten by
the beast

Plunged a dagger in his
breast

In the way of grief.

Alas!

GRACES:
ALAS!
ALAS!

URANIA:

Poor Thisbe came again by
the leaf

Of the mulberry where
Pyramus lay.

And took her death that
bloody way.

And so the Gods.

The Great. Great Ccds.....
GRACES:

THE GREAT GODS!

THE GREAT GODS!
URANIA:

In memory today

Allow the mulberry a red

61

ELIQS: blood hue
What's that doing down here? To show the world how sorry
gggggg: .....They were!
Well. dear. I'm sure I don't
know!
PHOEBE:
Here it is!
(The family arrive back at their places just as the

Graces finish their poem.)

more!
Oh. splendid! Splendid!
was:
Fine work! Fine!
m-

Did you hear that guitar? Simply marvelous! And
my favorite story. Thymus and Frisbe!

was!
You know. Zeus. baby. I'm surprised it's so quiet around
here. I've been doing a little reading. and from
the books I've looked at. you peOple used to be
quite the sports. You know.....the month long.....
parties. and the drinking.....

2525.
my father means all those orgies and that free sex.

was:

Faun!

62

ZAUN:
Really. mother. I do know what it's all about.

EEQEEE!

I know you do. dear. but you don't have to let
everyone else know you know. (To Aphrodite.)
Honestly. it's no fun trying to create the right image
when your own children refuse to accept the basic
principles of deceit.

ZEUS:
IF YOU THINK WE WERE DEBAUCHED. SLOBBERING HEDONISTS.....

PHRODITE:

You'd be absolutely right.

§§y§g
Aphrodite!

APHRQDITE:
Will you please keep still? I'm not ashamed of it and

neither should you be! You see. it's been some time
since we've.....romped. We've grown tired over the
centuries. and now that no one believes in us any

longer. I'm afraid we've lost most of our power. I

guess you'd say that our image has slipped quite a little!

miss!
Boy. I'll say!
atm-
Elias. please!
me!

What'd I do now?

63

AEHRQDITEs
I expect that within a century or two we'll.....just

disappear. (She looks at the rest who lower their

eyes sadly.)

AEHRODLEQ'S MOT]:

The day will come when we are gone.
An antique pantomime.

Pretty players dressed in dawn
Singing songs in rhyme.

Of lovers in the eve of summer

Of days and dreams all gold and green
When cascade kisses silver shim-er
Dance the crimson silken sheen.

Dance the crimson silken sheen.

The day will come when we are gone.
A frieze of crumbled stone
flarble children playing on

Perfect and alone.

Limestained tears amid the laughter
Ringing pure against the breeze.
And every grain of sand can shatter
Timeless statues' flawless ease.

Timeless statues' flawless ease.

Our silhouettes are finely drawn

R.-

. «is
. . an
e v (a! '

330d

3 flat

Black against the darkened stair.
The day will come when we are gone.
No one will know. no one will care.

No one will know. no one will care.

ZEUS:
DISAPPEAR?.....DISAPPEAR!.....NEYER!
APHROD 8
Il- afraid we shall whether you wail against it or not.
Zeus!
flgRMESs
(Sigh.) Oh. well. it was nice. wasn't it.....
fl§§§a
And I was just thinking of all those glorious battles.....
0h! (He bursts into tears.)
2323.122:
0h. Elias! I can't stand it! Can't we do something

for them? There must be something we can do!

was:
I don't know. Phoebe! Once your image has slipped.....
H E e
Elias. do something!
Mi!

All right! All right! God. you've got lungs of steel!
(“9 thinks.) Let:8 803.....y98.....y68.....(Looking arounde)
600d air.....nice View.....re8tfu31.....Yea.h! It.8

a natural!

65

HR D118!
Does that mean we have some chance for an image?
£2525!
It means that my father's commercial mind smells a
profit. Whether it means you have a chance or not
depends on what he can get out of it.
ms.
Book! Can't you shut up for once? A man can't even
do something nice for someone else without some

cynic criticizing.

m:
(He just rattles this out.) Ten-percent of the net plus
twenty-percent.

mean
Twenty-five-percent and it's a deall.....(Caught.) AH!

am:-

You see? Philanthropy is not one of father's better
fronts. Anyway. take it: it's a good deal for a promo-
man. I skunked him.

EflOEBE!
Elias. Homer's right. for once be truly Christians

help them first and think about cheating them later.
Now what are we going to do for them?
§L1A§t
Well. I was just thinking with the right promotion.
my promotion. that is. this place could really catch on

66

as a resort area, I mean. Nice view, good air,
and it's the only place around. We could overcharge
anc cut service to a ridiculous minimum.....maybe a
restaurant.....yeah, that's good! We'd be a natural
for snob appeal!

APHRODITE:
I don't understand. What does all this mean to us?

allies:

Look. today without the right image you're nothing.
No image. no status. So we'll give you an image.

young. vibrant.....SEXY!

 

APHRODITE!
0H!
ggg§s
(He.moans.)
ELIAS:

 

We'll bill this place as the biggest resort since
Miami Beach. .....DINE WITH THE GUDS.....In a matter
of weeks this place will be swarming with thousands of
social conscious libertines anxious to relive the
glorious days of Dirty old Greece! It'll be fantastic!
§§g§z

WHAT DO YOU MEAN? WE DON'T WANT THOUSANDS OF MURTALS
HERE!.....I will not allow this!

APHRUDITE:

Listen. Zeus. this may be our last chance. We can't

6?

outrun time at our age!.....Do you want to disappear.....

to melt into the mists of time as if you'd never

existed?
§§2§5
Nb.....but all those mortals!
W:

We can learn to cope with them! Why do you think
we exist? If we have no purpose. we have no life:
it's as simple as that! Our purpose is to rule man.
.....(Tb Elias.) We will rule?

ELIAésr
Aphrodite. sweetheart. we'll have you on top of the
world in no time. no time at all.....all of you.....
young again. strong.....purposeful.....

am:
And rich.

mt
bes.....we'll talk about business matters later.....
Think of yourselves cavorting about. back in the saddle
again. as it were.

8183

All right. now Youth! That's the key!

It doesn't matter if you're tired if you've
got vitality.

Within the card-game they call life. sex-

3....

\

68

appeal's the trump.

A hormone shot before the match will get you
o're the hump.

Just as long as you've got your testosterone

Then there's not any thought of your being
alone.

Though past the prime there isn't any need to
face reality.

Now let's try Youth! I confess!

Eternal youthfs a burden. but then so is
happiness.

I'd rather be a younger self than a sage.
decrepit..wise.

I may be dumb and insincere. but who wants
baggy eyes?

I will fight every year with false tooth and
nails

With my eyes on my waist. my feet firmly on
scales.

Uutside I'll be pure springtime. within an

ancient mess.

W

 

ACT II SCENE I
(The scene is the same as in the first act.
‘At the rise of the curtain there is no one on stage.
After a very brief moment Phoebe's voice can be heard
offstage as she calls out exercises for Aphrodite.)
PHOEBE!
One two. one two. one two. one two. one two. one two.
(She and Aphrodite enter. They are both dressed in
warm-up clothes. Aphrodite is jogging with great
difficulty.) one two. one two. one two.....AT EASE!
Very good, dear. you've worked up a lovely sweat!
APHRODITE:
Is this absolutely necessary? Puff. Puff.
PHOEBE}
No. my dear. Not if you don't mind looking like some
sway-bosomed earth mother. not if you don't mind
lumbering about like some pathetic tub.....no. not
at all.
APHRODITE!
(She begins to run in place.) one two. one two. one two.....
w:

That's right. dear. image.....always the image.

70

thatfs the most important thing to remember.
AEHRQDITEI
I am sorry about Zeus' attitude.....one two. one two.
one two.....He just won't get used to you mortals.
I'm afraid he's living in the past. He seems to think
that the only way to attain the right image is through
the old way.....you know. thunderbolts. glowering and
sacrificial altars. He just won't learn that to earn
the right image sometimes one must.....what was it
you said?
EHOEBEQ
Accept the absurdities of conformity. Oh. don't worry.
dear. We can handle him.....higher with those legs.
AEHRQDITge
0h. yes.....(She tries harder.) Handle him? Ha.
that would be the trick of the ages! I've been trying to
influence him for sons. and. believe me nothing works.....

Just between the two of us. I even tried a little.....

charm.....once!

new:
You didn't!

W:

Yes.....It was so embarrassing.....By the time we
got around to the pith of the matter we had both for-
gotten our objectives. Itzs been longer than I thought!

Ole

O

C...
to

71

PHOEBE!
One two. one two. one two.....Oh. my dear. you're so
naive! We're not doing all this work for you to
waste your new-found sex-appeal on Zeus!

APHRODITE!
No?

PHOEBE!
Why. no. dear! One of the basic principles of having
an image for a woman is not to waste it on those who
won't appreciate it. It's for the public. No woman tries
to charm her husband. What would be the point of that?
She's already got him. and any attempt to charm him
would only come across in the eyes of the rest of the
world as a need for reassurance. No. charm. being in
shape is for the sake of politics not vanity. Oh.
my dear. if you truly want to influence Zeus. you've got
to use tactics; you've got to Shake highimage up a little.
.....A little faster. dear you're slowing down.....

APHRODITE:
Tactics?

PHOEBE!
Certainly! When you want something done by your man
you needn't plead or browbeat. You simply indicate you
know better by subtly proving to him that he's totally

ineffeCtualeeeeo

72

THE WOMAN'S ROLE

A man is such a delicate thing.

He's such a thing to cherish.
Without a woman's iron wing

The helpless thing would perish.
When he comes home at the end of day
To rest and find content.

That's the time you make your play

And tell him he's incompetent.

Breathe deeply. dear!

Man's penchant to philoSOphize
Turns him dull and peaceful.
There's nothing left to criticize
He's sickeningly joyful.

Marriage becomes tedium

Totally without

The pleasures ofl correcting him

The clumsy. overbearing lout.
A little faster. dear. you're slowing down.

A woman needs a man's neglect
For all her plans to flower
To undercut her man's reSpect

To steal his finest hour.

lid

oh,

oh,

The

Because(1)
on. but(2)
0h. yes(3)
The louse(

73

After all. she's due her share
She councils and deters.
His best ideas are onlyyfair.

What's his is here. what's hers is hers.

Who wants a perfect. loving mate
Relaxed and oh. so charming.
Perfection breeds a burning hate.
It's frustrating and alarming.

If you want to keep your man.
Shatter him with doubt.

Don't let him do more than you can.

He'll quickly learn to do without.

A woman's role is quite a chore

That can't be overrated.

She drives his wits 'til they are sore.
Yet she seems understated.

She stands behind her man's success.
She helps in every plan.

She saves him from each dreadful mess

'til he forgets that he's a man.

5)

01“..

U
“3|

IV

(:3
'1
’n’

7b

Hecahse(5)

She loves him.

God. she loves him!

lore than he'll ever know.
She loves him deeply

And so completely

She'll never let him go.

APHRQDITE!
I think I'm going to die!
BEQEEEI
0h. go ahead and rest dear.
AEEBQQIEE!
(She lies on the altar stone.) Thank you!
H E 3

0h. here they both come. our strong. stubborn men!.....

Just watch me. dear!

(Enter Elias followed by Zeus. Elias carries
a very long list of items and matters of business to

be taken up.)

was
Liquor. groceries. advertisements.....entertainment.....

Oh. that reminds me. Paun's been working with the
Graces all morning: they're pretty bad. you know.

0"!

0.01

75

ZEUS!

What do you mean? They are the patronesses of art and
beauty.
ELLE!
Yeah. yeah. I know. I know. but look. Zeus. baby.
they've been off the boards for a couple of sons.
Even the slickest agent in the business couldn't build
an image for those girls......Well. we'll just have to
do with themlI suppose until we can get some regular
chorus girls in from Vegas. You know. a little
boob for the rubes. ha! ha!.....Hey! laybe we can
bill them as a novelty strip tease!.....Do you think
we can coax the old gals to take a little off?
(He makes a note of this idea.) I sent Mercury out for
the kitchen equipment. How long.....
m:
Elias.....
ama-
.....Do you think it ought to take him? I've got
another list of stuff.
259323.:-
Elias.....
ELIE:
What is it. Phoebe? Can't you see I'm busy?
H E 3
Well. I'm sorry to bother you. dear. but I just thought
you might like to know that all this is going to fail.

'00.

q.‘

ac!

Me!

Q“,
J,._

‘h.
'~.

76

ELIAS!

 

Not right. now sweetheart. I.....What?

PHOEBE:
All this is going to fail. In fact. it's going to
disgrace you miserably.

ELIAS!

 

Fail? Fail? How can you say that? Fail? It won't
fail! It can't fail! It's brilliant.....Why is it
going to fail?

PHOEBE!
Well. dear. you're going about it all the wrong way.
You have no system. no organization. no.....no cool.

was

Don't be ridiculous. I never have any organization.
just red tape. Besides. I've never failed at anything
in my life! I.....I can't fail! It-it would ruin
me! I'd lose my image! Fail? Oh. that's impossible.
unheard of! What should I do? Tell me!

PHOEBE!
You'll think of something. dear.e You always do:
I have faith in you. (She crosses back to Aphrodite

triumphantly.)
ELIAS!

 

You do? (To Zeus.) Did you hear that? That's my
wife talking.....That's what a man needs! Someone to

believe in him. to give him courage to fight his way

a.’

Li.
Ill

1
I!)

H
\A-
i

I‘m
I

77

through. A man can face anything. even failure. as long
as there's someone beside him to believe in him.
With a strong woman beside him. a man can face any
disaster. If his friends desert him. she's beside him.
helping. If he loses his will to live. she's beside
him. helping. If he gives up every vestige of hOpe.
and with the last courage of his being. he puts
a bullet in his head. he can die happily. because
she's beside him. helping! (He kisses her on the
forehead.) Thank you. my dear. (To Zeus.) Now.
I was thinking that we could use that big torch
outside for a barbecue pit: it's just the right size!
was»
Not the divine flame of hOpe!
was:
Now take it easy! (They exit.)
APHRODITE!
Wasn't that just a bit unkind?
PHOEBE:
Oh. no! He needed that. A little reassurance.
After all. what would he do without me? I remember
our wedding....."'till death do us part." Well.
come along. dear. There's so much to do! One two.
one two. one two. one two.....(They exit.)
(Immediately the Graces strOphe in led by Faun with

Apollo following all. The Graces are still in formation

534

(To

78

but they are shaking fitfully. trying to learn the
modern dance steps Faun is teaching them. Apollo
tries to get in on the action.)
Eggg;
Ladies. ladies. please! We haven't got much time.
(She sees Urania and is astonished.) What are you
doing?
M9
(She is dancing up a storm.) Why. I'm dancing the way
you showed us. How's this? (She tries some bumps
and grinds.)
2m: -
Y-yeah. yeah.....that's something like it.....keep
trying. (To herself.) Why me?
item:
(To Urania.) Hm! You look like a Harpie in heat!
AN 3
Watch it. sourtone!
was:
How could I miss it?
{Ayn}
No. no. ladies! I don't think you get the point.
Try to think of this as seduction set to music.
9.13mi:
REALLY?
2m

Sure!.....Easy!.....Just easy! (She shows them.)

is?

I .

it
3|

79

GRACESZURANTQI

Easy!

APOLLO!
Hard! Very. very hard!

fiéflfl;
(Not hearing him.) No.....Look3 yourre trying to
be graceful.
MAJ
(She is pleased.) You noticed!
EAHEI
Well. don't.

QRQNIA!
I don't think I understand.

FAQN!
You can't be graceful and artistic if you want to be

a successful entertainer. The public wants to be

turned on.
URAN I

Turned on?
Egggs

Sure. e e e eThink abOUt iteoeee

S T PLEAS

Shakespeare wrote some charming plays. could
polish up a sonnet.

But he knew poised and polished ways could

80

never get 'em on it!

Now. CleOpatra couldn't miss sweet Antony's
vibration.

To captivate her Tony's eye she bared her
aSpiration.

Threw caution over her left hip.

Invited him on board her ship

And so she entertained him with a little

tit-ilation.

She knew that you should:

Play your part for all it's got.
Keep your material good and hot.
Use your talent with a gentle ease
And you'll be sure.

Yeah. you'll be sure.

And you'll be sure to please.

When cruising up her runway stage a stripper
knows the score.

She is there to cultivate. uplift. improve
rapport.

She grinds out entertainment cool

As any classic writing school

Just ask the men who watch her strip if

they're uplifted more.

81

They want her just to:

Play her part for all it's got.
Keep her material good and hot.
Use her talent a gentle ease
And she'll be sure

Yeah. she'll be sure.

And she'll be sure to please.

And on the modern stage you must show them
all you've got.

Employ a free and easy tongue 'Trippingly
o're smut."

Pry loose from inhibition's waste.

Throw off the pall they call good taste.

Art and beauty's just a front for being in

I. rut.

Verse.

Mt
my dear. my dear. my dear. my dear. do you mean that all

your entertainment is like that?

EAQN!
Oh. yes. every bit of it. The only thing that really

sells is sex! Sex. Sex. Sex.
gRANIA!
Good!

um:
All right. ladies. now try it again. and this time try

82

to feel the beat.
em:
You'd better write it down in Braille for them!
MIA!
Look. you lost chord. why don't you just wrap one of
those strings around your.....
{Alla
All right. ladies. you can rest for five minutes.
We'll meet in the courtyard in five minutes.
URANIQ!
.....and sing all your songs in soprano! You anemic little

tWit!

AZQLLQ'
Ha! Ursa Iajor has a sensitive spot!
zggg.
All right you two! San it. or you're out of the show!
‘EQLLQZQRANIAc
Oh. but.....
£5!!!

We've lost at least half of our rehearsal time while
you two bickered. Business is business.....Either
you let me do my job and help you or I'll have you
both thrown out on your ears!

am.-
(To Urania.) She'd have better luck if they let

you land on your largest target area.

C O

O...

83

ggANIAo
Ok. girls. take a fiver!.....Now you little quarter

note!
(She chases him out. Enter Eros carefully plumed

in his finest toga.)

55$!

cough. Cough. How do you do. my lovely?
zgyg;

Oh. hi.
as.

Well.....I see that you've been working very hard.
You must be very tired.

mm
No. I'm fine!

§§Q§g
Oh.....you are!.....Well. you it's not good for you
to overwork. It tends to dull one the more pleasant
business of living.

m:-
Oh?

§§Q§5
Certainly. One should never forget the Golden lean.
Never too much of anything. (To himself.).....0r too
little.....Ah. yes. my little temple dove. the Golden
lean is only one of many philosophical truths you
should both know and practice. I'll wager that there's

'0

8h

a lot you don't know. Why don‘t you restawhile in

the garden with me and we'll discuss it.....
TANGO EROTIQUE

I know a little place out in the garden
Where we could just go to sit and drift.
I'd listen to how hard I know you've worked then

Perhaps I might give you a little lift.
No thanks. I'm relaxed right here.

Just think of lying underneath a palm tree.

Indulging in each whimsical caprice.

I know that there is much you could learn from
me.

Out there we both could have a little peace.

No thanks.

The perfume of sweet smelling grass
Is perfect to rest any.....lass.
You might find distraction

From our interaction

How quickly the time would pass.
I'm sorry. but I don't have time.

I'd tell you of the secrets of the ages.

85

How lyric is the songbird's throbbing throat.
We might discover history's hidden pages.

But first we ought to see that they are wrote.
We'd study up all night until the dawn.

weld know all things in nature that are true.
I can't think what I'd rather work upon

Than nature with a lovely thing like you.

I'd tutor your greatest arrear.

You'll lean something that's sure. my dear.
We won't put it down

'til we earn reknown

As scholars quite cavalier.
Maybe one of my brothers would be interested.

Some rest would stimulate imagination.

I'm sure that horizontally you'd find

I've got some new ideas about creation

I think will fertilize a youthful mind.
We'll work to cure you of misapprehensions.
Your mental inhibitions to allay.

I feel I can relieve you of your tensions.

And help your moral fiber to defray.

I'll help you more than you can know
As my vehemence starts to grow.

I'll work to impress you

Until you confess you

Can see some improvement show.

86

I don't think so.

No?

No.

Brother:

what?

Please don't confuse my rusty adulation.

It's been so long I've had a chance to teach.
I'm certain I could win your admiration

If only you would let me try to reach.

I'm most concerned to be your teaching

fellow.
To help you to conclude apprenticeship.
A master learns to cram when he grows mellow

Before his pedagogics start to slip.

I'd like to regain my position
And prime my declined erudition.
My outline's defined

To withstand the grind.

And be your prepared disquisition.

FAUN!

 

You sure are rusty!

EROS:

FAUN!

 

Well. you're trying to seduce me. but you're so obvious!

EROS:

0h!.....Perish the thought!.....I mean.....

 

87

FAUN!

 

Don't be embarrassed. I think it's cute! But you're
really out of practice. I don't know why you old
guys just don't come right out and ask. With all that
eXperience you'd think that would be the most
natural approach instead of all the funny deception.
If you want a good lay. just ask!

EROS!
Well.....Could I.....I mean.....Oh. dash it all.
I can't just ask like that. It's all so cold! So

harsh!

FAUN!

 

Honesty may be harsh as you say. but at least it's not

(Bonfusing. Anyway. don't worry; I wouldn't dream of it!
Efig§s

But you told me to ask!

FAUN!

 

Truat's because I didn't want to inhibit you. I mean.
jusst because you're so dreadfully old doesn't mean
y‘>ufire dead.....yet. Not really that is. But don't
trlink.you can just prey upon teenage girls like we
Wetre all a bunch of Lolitas or something. No.

I load an old lover once: what a washout! He'd just
get revved up when his motor would konk out.

‘Jh. he tried to keep me interested. but I just couldn't

ITlaintain a relationship on an entirely aesthetic

88

plane. I think you're cute and all that. but I don't

want to embarrass you when it comes down to delivery.

I don't think you could cut it. and that would

totally blow your mind being the God of Love and all

that. You just cling to your memories like a good boy.....

I've got to get going. I've got to pasture the cows.

Thanks for the offer just the same. You're cute!
2%

Waitl.....I didn't get a chance to try to.....wait.....

cute!."It doesn't mean you're dead.....yet!".....

I think I'd better lie down. I'm not well at all.....

(He wanders off.)
(Enter Humer and Hermes. Hermes is very upset.)

HERMES 3

See here! I exist!

 

HOW do you know?

HERMEd:
We11.....1 know.....You're there and I'm here and.....
and I know!

HOMER:

 

wi‘thout your five senses. you know. Remember Socrates.
was

(if course without my senses!

Du

Yo

Yo
So

on

89

£253.51
All right! (He sits on the altar stone.) You prove
to me you exist. You may not touch me. (He blocks his
eyes and ears.)
HERMES!
(A little shaken he tries.) Uh.....hello.....hello!
Look! I exist! (He snaps his fingers in front of
Homer's face.) Hold on now! I exist!.....see.....
LOOK AT IE. PLEASE! Pleaeaeaeaeaeaeaeaeaeaeaeasel All
right! I don't exist. but please look at me!
PLEASE.....PLEA.....
was:
Whatts the matter?
moss:
Please. please. don't do that any more. I can't bear it!

I felt..."
HOMER!

Precisely!
HERMES!
I See it all now. Just don't close yourself off like
1“Int again!
some:

30!: see? You don't exist unless I choose to recognize
you. It's a much more potent philosophy than your
socrates!

HERMES!
Oh. it's horrible. horrible! How can you live with

90

such power? It's.....inhuman!

HO R!
On the contrary. it's very human. Our entire society
is built upon it. If I wish to be rid of someone.
I merely unrecognize him. He may not actually
disappear. but if I don't recognize him. he doesn't
exist. and that makes me feel better.

EELS!

How do you people live with everyone disexisting
everyone else?

was:
Very comfortably. thank you. We've been doing it for
years. and we've arrived at a state of delightful.

Peaceful non-existence!

HERMES!
(He thinks.) Hm. . . . .This is very interesting. . . . .

And all these centuries I've allowed myself to be
diEItracted by petty disputes and inane frolics.
W!

Bx‘c tly e -
R S!

How very interesting! I should like to hear more
about yourpphilosophy. (They exit.)

(Enter Zeus carrying a large pile of papers.

H3 is confused. He sits for a moment on the altar

3tone . )

.....

91

l§§§!
(Haventers.) YAAAAAAAAIIIIIIIIII! ZEUS! ZEUS!
§§Q§!
Uh.....what is it?
. !A§§}

Zeus. you've got to help me! Everywhere I go he's

right there leering and pointing his finger at me!
YOU'VE GOT TO MAKE HIM STOP!
ZEUS!

Stop jabbering like a ninny and tell me. Who is

pointing what finger and running after you?
EARS!

The young mortal with the beard. No sooner than he

arrived here he began tm follow me. Now he's got a

lign and he's picketing me! He blames me for all the

1Wouble in the world. He says that after the cabaret
13 a success. he's going to give my name to the
l’oB.I.. whatever that is. and they'll hunt me down.

I didn't do anything! TELL HI! I DIDN'T DO ANYTHIWG!

I'VE BEEN HERE ALL THIS TIME POLISHING MY ARMOR.

'HAT Al I GOING To DO? THE THINGS HE SAID I DID!

YOU'VE GO TO HELP IE!.....OH. HERE HE COMES AGAIN!
(“are runs away with E crossing the stage in hot

Pursuit. )

92

ELIAS !

 

(He enters.) Oh! Here you are! Where have you been?
Do you have those reservation for the Moose Convention?
w!

(Looking through his papers.) I didn't know we were

starting a see as well.....

ELITE:

NO. “as "OOIOeeeeeit.l a lodge.....Y'know like I.
club......All right. they're kind of like a zoo.
but their money is good. and as far as I'm concerned

all men on expense accounts are created equal.

(Enter Aphrodite in the first stages of makeup and

in a dressing gown.)

AEHRODIE !

0“. Zeus. look! Isn't this wonderful!.....I'm
going to be the hostess!

ZEQS!
"lat“...have you done?
W!
Look. it comes off!
LEE!
Ah!
W!

It's all right. You see? You wear it like a hat.
It's called a wig.

.‘h_
ll!

[1

93

was
Wait until you see her all done! False hair. nails.....
eyelashes. She'll have such a good image! You won't

know her!

ZEUS!

 

I'm not sure I'll want to.
PHOEBE!
Come along. dear. There's still alot to do! We musn't

waste time!

ELIAS!

 

Yeah. c'mon. Zeus. baby. Let's get a move on.
EEE§z
Would you both please excuse us for a minute. I'd
like to talk to Aphrodite alone.....And don't call
me baby!
ELIAS!

 

(As they exit.) Boy. is he getting touchy!
PHOEBE!

Well. dear. sometimes it's tough to adjust to

progress in so short a time.....(They exit.)
APHRODITE!

Well. dear.....(She sits on the altar stone.) what is it?
EEEE!
.0091 "t call me dear!.....I can't abide it! It makes

M011 Esound like that mortal.

APHRODITE!~

All right. deeeeeZCflSeeeeeWhat do you want?
ZEUS!

I've been thinking. Aphrodite. Is it all worth it?
APHRODITE!

Is what worth it?
ZEUS!

 

All this! Rushing around like....like half-crazed
mortals!.....Building a confounded image!.....order
blanks. tax forms......and here's something called
a sanitation certificate!.....Furthermore we're about
to be stampeded by a herd of loose!

A HR D E!)

What?
ZEUS!

 

It's some kind of society or other..... What does it all
mean? I just don't understand.....

2 03' SO U

I just don't understand.

Where have men lost the land?

Is there nothing left to wonder at anymore?

How the valleys are lost

For the mountains are dust.

And the green earth's become a shadow of
life's lore.

What has happened to time?

.OIJ

95

Now it burns me like lime.

There's no moment left to talk to by the shore.

I just don't understand.

It is not as I planned.

Does the dawn become a shrieking bird of
prey?

Will the days pass like this

Without night's gentle kiss

Or will they cruelly freeze and sneak
away?

Have we really lost much!

We must feel but not touch.

And love is something easy we can say.

No. I don't understand.‘

Peeling leaves me like sand.

And what is left resounding is my fear.

Oh. but I must go on

Though the magic is gone

And the glitter of the stars has grown
unclear.

Yes. I must fight to live.

I have something to give.

Can I give it up as if I had never been here?

ZEQS!
I) <‘-<>n't know.....laybe we should fade away.....If we've

 

Ob!

96

served our purpose. why go on?

APHRODITE!
Zeus.....do you remember when we were young? Do
you remember how sweet every day was filled with
purpose and meaning. I don't know that we belong
anrmore any better than you do. but don't you think
that we owe ourselves the chance to see? Perhaps
we might just have something to give the world even
if it's just a memory of what we once knew. I don't
want to fade away. not just yet. and I don't want to
see you fade.....You're still every bit of the godhead
you once were.....to me anyway.....Zeus?

ass:

.....I wonder where we are going to lodge all these.....
Moose?

BLACKOUT

ACT II SCENE II

( The scene is the same. but now the temple is
transformed into a nightclub. Tacky drapery and plastic
flowers are everywhere. At the curtain the scene is

a bustle of last minute preparation.)

ELIAS!

 

WHERE'S MERCURY?
URANIA!

(She and the other Graces are dancing.) C'mon girls.
shake! Put some sex in it!.....(To Apollo.) Will
you try to stay on pitch. you little nit?

APOLLO!
Gladly! You find it and I'll stay on it!
Let's see.....Oh. don't forget to order more liquor
before the end of the week. That trek up the mountain
is bound to make our guests thirsty.

EEEE!
Check!.....You see?.....I said check! (He eXpects some
concession for his performance. but receives none.)

EL—IAét

Does everyone know what they're going to do?

98

 

I-I think so.

 

Well. I should hOpe so! I.....we Spent a lot of effort
to build an image for this place. I don't want this
Opening Spoiled!
URANIA!
Apollo. please! At least keep the same tempo!
APOLLO!
I don'tsee.why. it'd be the only constant in the act!
URANIA!
Shut up. you little tin-ear. and play it right!
EEEE!
I wish this weren't happening!
Elsie:

Now that's no attitude!
ZEUS!

 

Yes it is. it just happens to be a negative one!
ELIAS:

Listen. Zeus. baby.....This is all your thing!
EEEE!

(He moans.)

ELIAS!

 

You just stick with it and you've got it made! Why.
you'll go straight to the top.....BUT you have go to

have the right attitude.....Success! That's what counts!

99

WHERE'S IERCURY? (Mercury enters pulling a huge
cart of equipment covered over by a tarp.) Well.
it's about time! Where in the hell have you been?
mass
Pant. Pant.
ma:
We've been waiting hours for you! What do you
think this is?
MEECURX!
Pant. Pant.
ELIAS: :
Oh. Well. did you get everything? The dishwasher.
stove. utensils. silverware. extra plates.....

IERQURX!

Pant. Pant.

me
Good! At least you did that right! Now take that stuff
out to the kitchen and get it installed! AND DON'T
DILLYDALLY AROUND!

amt
(In silent appeal to Zeus.) Pant. Pant.
EEEE}:
I know! I know!
ELIE!

"Olleeeee?

100

(Hercury teeters out to the kitchen. Aphrodite enters
humming the WWOIAN'S ROLE.” She floats down to Elias
and Zeus then stops and curtsies. She is a fat

replica of Phoebe.)

AEEBQQIIEI
la la la la la la la de de de de de de da da da da.....

How do you like it?
E AS!

Well! Don't you look nice!
AEHRODITE!
Really?
ELIA§5
As pretty as a full page spread!

EEHRQDITE!
(To Zeus.) Did you hear that?

was
.....Y-yes.....(Aside to Elias.) Is she finished?

ELIAS:

Of course she is. What's wrong?

EEQS!
Is that what you call an image?

ELIAS!
Yeah.....Something wrong with it?

ZEQS!

Oh. no.....no.....I guess not. It's just that she looks

exactly like.....

1

101

 

ELIAS!
Phoebe?

EEE§!
Yes.

ELIAS!

 

You're right. but what do you eXpect in just a few weeks?
Creating an image is hard enough without having to
be original as well!

APHRODITE!
Well. Zeus!.....How do you like me?

'£§Q§!

Well.....you.....very.....

URANIAr

(She just notices her.’ Aphrodite! You look absolutely

stunning!
EEEE!

THAT'S IT!
URANIA!

Wait 'til you get a load of our act! (She takes her
upstage to the Graces.) Ready. girls?
APOLLO!

Ready? They've been overripe for centuries!

(Enter Mars mOpping the floor. He pushes Zeus out

of the way.)

MARS!

Excuse me. please.....No. over there.I haven't done

102

this yet.
ZE t

EARS! What are you doing?

was:
Oh. you mean with this?

EEEE!
Yes. with that?

EEEE!
I've reformedu

EE__3
Reformed?

EEEE!

Yes. I see it all now. .....War! Destruction.
pillage. slaughter. RAPE. RUIN AND REVENGE! (He
bursts into tears.) I can't live with all that on
my conscience! Oh. I didn't mean it! Honestly.
I never realized! Oh!
EEEE!
I haven't the slightest idea what you're talking about!
gyggg.
It's quite simple really. I've finally decided that
the mortal was right! And now I've decided to atone
for what I've done by rendering peaceful service
throughout the rest of eternity! Don't mind me.....
Just pretend that I never existed. (He bursts into

tears again.) I'm happy.....very. very HAPPY!

103

 

ELIAS!
Hey. you missed a Spot.
Where?

ELIAS!

 

Over there e e e e eThat' 3 its

APHRODITE!

 

Zeus! You should see what the Graces are doing!
ZEUS!
I don't think I could stand any more surprises!

(Enter Hermes. He is reading intently.)

ELIAS!

 

Well. it's about time! Hey. why aren't you dressed?

C'mon. shake a leg! Time isn't going to wait for you.
APHRODITE!

(Fluttering over to him.) How do you like it. Hermes.....

Hermes?

ELIAS!

 

Aphrodite. sweetheart. if you don't mind. business
before pleasure.

APHHODITE!

Yes. yes. of course.

ELIAS!

 

C'mon. boy. let's get going.....EROS.....Where's

Eros?

104

APHRODITE!
He was out in the courtyard the last time I saw him.
Urania. how does this look? (She shows Urania a

very elaborate curtsey.)

ELIAS!

 

Well. someone go out and see if he's ready. Mars.

you gOe

(Mars exits.)

URA N IA !
Is this all right? (She shows him a little improvisation

to her routine.)

ELIAS!

 

Very nice. Very nice. Aphrodite. sweetheart. save it

for the public. Don't waste your energy now.
APHRODITE!

Oh. of course. Do you think I'll create a good image

for the mortals?

 

You'll knock 'em dead!
APOLLO!
All she has to do is wound them. These old vultures

can take care of the rest!

URANIA!

If you don't shut up I'll.....

(Enter Eros helped by Mars.)

105

OOOOOOOOOH!
What's the matter with you? Why aren't you ready?
You're supposed to be the host!
EEQE!
I can't go through with it!
ELIE!
Don't be silly. of course you can.
EEQE!
No. no I can't! I just don't have it in me anymore.
E_LIA_3.*
What are you talking about?
EEQE!
I'm a sick. tired old god. I just want to be left
by the fire to fade quietly away. Just give me
a good book and.....an apple.
Lisa:
I thought you were all excited about all those
pretty young virgins that would be coming here.
EEQ§!
Just the ravings of the very old.....Don't you see?
My.....image has slipped.....quite badly. I could
never.....OOOOOOOH!
ELIAS!

 

What makes you think you're too old? Only yesterday

you were trying to decide whether you should.....

106

I know that! But I didn't realize how far gone I am.
I'm 933g. but I'm not capable.
Cute. huh?.....Listen. you can't listen to the young
about the problems of the old. They'll have you buried
by forty! If you want a young image. you've got
to think and act young. Don't rush the apple
and the good book. C'mon. now. pull yourself together.
Remember. what you lack in.....shall we say zeal.....
you make up for in sheer know-how!

gee:

Really?
ELIAS!

 

Would I con you?.....(To the Graces.) GirIS. girls!
Don't break anything. remember the show! You back there.
show a little more leg. God knows you've got enough!

All right. gang! Gather round. Now I know you've

worked hard these past few days. so I won't bore

you by going over ground you already know. You've

been great! Oh. I know we've run into

a few snags here and there. but. by and large. we've come

through this thing clean.....

JUST BE YOURSELF THE WAY I SHOWED YOU

 

Now the doors will Open wide

107

Two-thousand years will sweep aside.
Once more mankind will rush inside

So take your places. grin with pride!

And just be yourselves the way I showed you.
And everything will come off fine.
You've been well-trained in your Special value.
Just give 'em a smile and they'll be waitin'
in line.
Your training's been careful and what's so
nice is,
You can hold your own with no identity crisis.
So just be yourselves the way I showed you.

And nothing can stOp you now.

Don't forget your duties! be kind and polite.
And you'll have them eating in the palm of your
hand.
You've got the makings now don't get uptight.
You're the only depot to supply the demand.
We've been so cautious to mold your ego.
No one could see the scars because they're
too small to Show.
Now you can be yourselves the way I showed you.

And nothing much could stop you now.

CHORUS!

And you just be yourself the way he Showed you.

 

CHORUS!

 

CHORUS!

108

And everything will come off fine.

You've been well-trained in your Special
value

Just give 'em a smile and they'll be waitin'
in line.

Our training's been careful and what's so nice
is

We can hold our own with no identity
crisis.

So just be yourself the way he showed you

And nothing can stOp us now.

Just be yourselves. It's no great trouble.
It's nothing much to understand.

Your Sincere efforts make profits double.

And we're the only depot to supply the demand.

Once you're more clever you'll raise the prices.

And we can hold our own with no identity crisis.

TOGETHER!

CHORUS!

 

CHORUS!

 

CHORUS!

EOGETHER!

109

Just be yourself the way I showed you and

nothing can step you now!

So you just be yourself the way he showed you.

You've been well-trained in your Special value.

Just give 'em a smile and they'll be waitin'

in line.

Our training's been careful and what's so

nice is

We can hold our own with no identity crisis.

So just be yourself the way he showed you

And nothing can stOp us now.

So you just be yourself the way he showed you

110

Remember you've got some hidden value.

Just be yourself and

Everything will come off fine!

ELIAS!
OK. gang! Now go to it and win! Remember nothing was
over gained by quitting.

(Enter Phoebe and the family packed and ready

to leave. )

Is everything packed?

m:
Yes. dear. I took care of everything.
ZEQS!

Where are you going?

may
Hole.

1

ZEUS!

 

You can't leave now! What'll happen?

ELIAS!

“hat do you mean? You can't expect us to support you
forever. We're not the American Government! After
all. we arranged everything for you. put everything
toEsther. and all you have to do is run it! Why.

you've got the best of Modern Western Cultural Training.
We've rebuilt your image. Don't worry. we'll be back

every three months to check the books and collect our ten

111

percent.

EE§§!
Nb.

ELLIS:

What do you mean. no? Surely you don't begrudge us our
tenxpercent!

EEEE!
You are not leaving here like this.....baby! You've
been telling me how important that confounded image is!
Well. I haven't been sleeping! All right! All right!
I GIVE IN! I CAPITULATE!.....You leave here. and you
get nothing!

ELIAS:
WHAT?

§E2§!:
It's no use putting up a fuss. I checked. and we have
no contract giving you anything! According to your
own laws you get nothing unless‘; choose to give it to
you!

m!
I'm afraid he's got you. father! (To Zeus.) Congratula-
tions!

ELIAS!
Shut up. you little monster! You don't think you're
going to get away with this. do you? I'll have you in

court.....I'll.....I'll.....

112

ZEQE!

(He throws a tremendous thunderbolt. and. for once.
cowers Elias.) SILENCE!.....(He is pleased with
himself.) Well.....that was pretty good! If you
wish. I'll give you a discount rate on your reservations
in view of your assistance with this project!

Elas-
DISCOUNT!.....I don't believe it.....I've created a
monster!

.HQHEBJ
Oh. don't take it so hard. father. You can deduct
this whole vacation as a business trip. It'll save
you two-thousand dollars.

ELIAS:
(He is stunned.) But.....but.....I don't get anything.....
I built that image.....I-I

O E;
Homer's right. dear. Be philosophical about all this.
After all you were a tremendous success! Look at all
you've done for them. Think of it as an act of
philanthropy! (To Aphrodite.) Remember. dear. tactics!

ABHBQQIIE'
Oh. yes. tactics!
Lamas:

Are you sure you know the way back. dear?

113

ELLES!
Way7.....'ay?.....Uh.....yeah. yeah. sure I know the

way. I just don't understand what went wrong!
moses:
Well. come along. dear. We must get back before nightfall.
Bye. all. We'll see you next vacation. I'm sure
once Elias recovers from his nervous breakdown he'll
want to take care of your offer of discount. Well.....

Meeeeeon'arde Up! Up! Up!
(The family exits.)

(Suddenly from offstage there is the sound

of a dishwasher running amuck.)

MERCURI!
YAAAAAAAAAAIIIIIIIIIII! ZEUS! ZEUS! ONE OF THE

MACHINES IS COME ALIVE! ZEUS! ZEUEUEUEUEUEUEUS! (He runs
across the stage in terror.)

APEEODITE!
Oh. dear!

ZEQS!

It sounds serious. Mars. you'd better go down and

quiet that thing!
HERS!

Not me! I've reformed. Remember?

§§!§'

Well. someone has to go!

114

APHRODITE!
Maybe it will quiet down if we give it some time. dear.
EEEE!
Yes. yes. Just to make sure we'll give it a lot of time!
APOLLO!
TFHAT DOES IT! NO MORE! IF YOU WANT MUSIC YOU CAN
HUM! (He storms out.)

ZEUS!

 

‘Urania. what's the matter?

URANIA!
0h. nothing! I just told him he'd play better if
lie made a fist!

ZEUS!

 

Why did you tell him that?
URANIA!

\Ne-don't need him! Right. girls!

 

GRACES!
RIGHT!

ZEUS!
(He moans .)

EROS!

 

ZGHJS, don't make me go through with it!
EEEE!

What's the matter with you now?
EEEE!

I'rn too old for all this!:I just can't am/more!

115

ZEQS!
The mortal told you.....
EROS!

 

I know. but he was just trying to make me feel better!
.....I think I'll go lie down! I'm very tired.
LEE-
I think I'm going mad.....Hermes! What are you doing
dressed like that? You're supposed to be head waiter.
Now hurry up and get dressed. Remember our image!
M!
I don't see you! I don't hear you! you don't exist.
EEEE!
What? Now see here!.....HERMES! Look at me.....
Hermes! HERNEEEEEEEEEEES!
APEEQQITE!

Zeus... ee

ZEUS!

 

Not now Aphrodite! Can't you see I'm trying to
get things ready?

W!
I just thought you might like to know that all this is

going to fail.
ZEUS!

Well. I haven't got time.....fail? What do you mean fail?
W.-

Well. you've got no system. no organization....no cool!

116

ZEUS!

 

What do you mean fail? I can't fail. Not after all
this! What should I do? Tell me!

HR D TE!
You'll think of something. dear. I have faith in you.

EEQCKQQT

(Curtain call on gUST PE YOURSELF THE WAX I
SHQWED my.)

 

(us! We Ovedme, _ SLEEZY M071?

117

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