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This is to certify that the

thesis entitled
AN INDEX OF THE

NATIONAL ASSOCIATION OF TEACHERS
OF SINGING BULLETIN 1945-1954
presented by

GERTRUDE ANN HUISMAN HUIZENGA

has been accepted towards fulfillment
of the requirements for ‘

211... D..___ degree in Jam—M '

Date lli’l/ KS")

 

‘r ., ,u _ .5- .—~.. #7 ,7_ ,7,

rv... Ira \. .

 

Copyright by
GERTRUDE ANN HUISMAN HUIZENGA
1979

 

AN INDEX OF THE
NATIONAL ASSOCIATION OF TEACHERS OF SINGING BULLETIN
1945-1954

By

Gertrude Ann Huisman Huizenga

A DISSERTATION

Submitted to
Michigan State University
in partial fulfillment of the requirements
for the degree of

DOCTOR OF PHILOSOPHY

Department of Music

1979

ABSTRACT
AN INDEX OF THE

NATIONAL ASSOCIATION OF TEACHERS OF SINGING BULLETIN
1945-1954

By

Gertrude Ann Huisman Huizenga

The National Association of Teachers of SinginggBulletin, the

 

official magazine of the National Association of Teachers of Singing,
Incorporated, was first published in 1944. From that time until the

year 1955, the contents of The Bulletin were not indexed either in The

 

Bulletin itself or in any other scholarly index. In 1955 The Bulletin

 

first was indexed in The Music Index. In 1966 The Music Article Guide

 

 

also included The Bulletin in the periodicals which it covered. In

 

1969 the International Repertory of Music Literature Abstracts first

 

included abstracts of articles in The Bulletin.

 

Many libraries hold copies of the early years of The Bulletin

 

(Volumes 1 through 10, 1945-1954) which are not indexed anywhere. Fur-
thermore, these same early volumes have been reissued in two bound vol—
umes by Johnson Reprint Corporation of New York and London and are cur-
rently available to the public.

It was to make the contents of these volumes more readily acces-
sible to scholars and teachers of singing that this dissertation was
written. It is an index covering Volume 1 (October 1944) through Vol—
ume X No. 4 (November 1954). The index has been divided into two parts,

the first of which is an index of authors of articles contained in The

Gertrude Ann Huisman Huizenga

Bulletin. The second part is a subject index of the articles in The
Bulletin. Such things as membership lists, directory lists of chapters,
chapter notes, competition notices, etc. are not included. Editorials,
reports on workshops and conventions, and letters to the editor are in-
cluded only if they appear to be of universal rather than dated or local
interest. The subject index is not limited to key words in the titles,
but includes key concepts, persons and/or topics mentioned in the arti-
cles as well. Both indexes are arranged in alphabetical order and fre-

quent use is made of cross-referencing.

ACKNOWLEDGMENTS

A word of thanks is in order to Mr. Gene Greenwell, who first

called to my attention the need for an index to the early volumes of

The National Association of Teachers of SinginggBulletin, and to Dr.
Edgar L. Kirk, my faculty advisor, for his support and assistance dur-
ing the writing of this dissertation. I also wish to acknowledge my
deep gratitude to my good friend, Dr. Beverly Jane Klooster, for her
invaluable encouragement and help throughout the duration of the project.
Finally, I wish to thank my husband Everett L. Huizenga for his encour-
agement and support which enabled me to bring this project to a success-

ful conclusion.

ii

Introduction .
Author Index .
Subject Index

Bibliography .

TABLE OF CONTENTS

iii

Page

18

87

INTRODUCTION

The National Association of Teachers of Singing was organized in

Cincinnati, Ohio, in March of 1944. The first issue of The National

 

Association of Teachers of Singinngulletin, termed the Official Maga-

 

zine of the National Association of Teachers of Singing, Inc., was pub—
lished in October of that year. From the time of the first issue until

the year 1955, the contents of The Bulletin were not indexed either in

 

The Bulletin itself or in any scholarly index. In 1955 The Music Index

 

 

first included The Bulletin among the periodicals which it indexed, and

 

The Bulletin has been included there to the present time. Since 1966,

 

when the first issue of The Music Article Guide appeared, The Bulletin

 

 

also has been included in that index. Finally, in 1969 RILM (Inter—

 

national Repertory of Music Literature) Abstracts first included ab—

 

stracts from articles in The Bulletin.

 

Many libraries hold copies of the early years of The N.A.T.S.

 

Bulletin (Volumes 1 through 10, 1945-1954) which are not indexed any-
where. Furthermore, these same early volumes have been reissued in two
bound volumes by the Johnson Reprint Corporation of New York and London
with the permission of The National Association of Teachers of Singing,
and are currently available to the public.

Since no index of these early years of The N.A.T.S. Bulletin is

 

available, the material contained in them is largely lost to scholars.
It was to make the contents of these volumes more readily accessible

to scholars and to teachers of singing, who have added the reprints of

early Bulletins to their libraries, that this dissertation was written.
It is an index covering Volume I (October 1944) through Volume X

No. 4 (November 1954) of The N.A.T.S. Bulletin. The index has been di-

 

vided into two parts, the first of which is an index of authors of ar-

ticles contained in The Bulletin. The second part is a subject index

 

of the articles in the journal and the death notices of National Asso-
ciation of Teachers of Singing members. Such things as membership
lists, directory lists of chapters, chapter notes, competition notices,
.353. are not included. Editorials, reports on workshops and conven-
tions, and letters to the editor are included only if they appear to be
of universal rather than dated or local interest. The subject index is
not limited to key words in the titles, but includes key concepts, per-
sons and/or topics mentioned in the articles as well. Following are
several examples:
Tibbett, Lawrence

Vibrato rate of

"The Physiology of Vibrato.’ Westermann, Kenneth N.
IX, No. 3 (Jan.-Feb. 1953), p. 18.

Vocal cords
Motion pictures of
"Falsetto—The Key to the High Voice." Noss, William E.
V, No. 3 (Jan.-Feb. 1949), p. 5.
Vocal pedagogy
Tongue action, exercises for
"Tongue Action and Diction." MacCollin, Paul. IV,
No. 4. (Feb.-March 1948), p. 3.
Wind instruments
Effects of study on vocal production
"The Effects of Wind Instrument Training Upon Vocal
Production." Charles, Henry. III, No. l (Sept.-0ct. 1946),
p. 3.

For the author index, authors are listed in alphabetical order.
Where no author is given, the article is listed under "anonymous." If

the author was given in the journal as N.A.T.S. Editor or any of several

‘_m -5-

N.A.T.S. committees, these are listed as author(s). Following the au-
thor's name, the title of the article, the volume number, date and page
of the journal are given in that order. Following are examples:
Anonymous. "What the Vocal Teacher Expects of the Pupil."

VII, No. l (Sept.-Oct. 1950), p. 9.
Arkebauer, George Gerhard. "Phonetics," V, No. 3

(Jan.-Feb. 1949), p. 6.
Armet, Hollace E. "American Song Literature — The beginnings of

American Song," VII, No. 5 (April-May 1951), p. 12.

For the subject index, the major subject categories are listed in
alphabetical order. The articles under a subject heading are listed in

alphabetical order according to title, following the practice of The

Music Index. Also following the practice of The Music Index, articles

 

 

' and "the" are ignored in the process of alphabetizing the

such as "a,'
entries. Following the title, the author, volume, number, date and
page(s) are listed in that order. Where subheadings make the nature of
an entry clearer, such subheadings are also listed in alphabetical order.
Cross-references are used where deemed appropriate. Following are sev—
eral examples:
Vocal pedagogy
Scientific approach to
"Empirical Method Versus the Scientific."
Wollman, Anna M. IX, No. 4 (March—April 1953), p. 20.
"The Key to Coordination." Lester, John. VIII, No. 2
(Nov.-Dec. 1951), p. 4.
"Standardization of Voice Studio Terminology."
Hobart, Henry. VII, No. 3 (Jan. 1951), p. 9.
"Teaching Objectives." Taylor, Bernard, VIII, No. l
(Sept.-Oct. 1951), p. 6.
Since singing, the voice, vocal pedagogy etc. are the main inter—
ests of the journal, a great many entries could be made under such sub-

ject headings. If there are extensive entries which may be clearer if

entered with subheadings, the category may be listed independently

rather than under the heading of "Singing." An example of such a cate-
gory is "Breathing." Such entries are then cross-referenced under

"Singing, breathing" with the note: "See Breathing."

AUTHOR INDEX

 

Adler, Kurt Herbert. "Vocal Studies and an Operatic Career," VII,
No. 6 (June-July 1951), p. 7.

Alberti, Mme. Helen. "Facts Concerning the Art of Bel Canto or the
Basis of Bel Canto," IV, No. 2 (Nov.-Dec. 1947), p. 4.

Allers, Franz. "Our Young Singers and the Theatre," VIII, No. l
(Sept.-Oct. 1951), p. 7.

Alter, Martha. "The Song: Problems of Composer and Performer Today,"
VII, No. 5 (April-May 1951), p. 4.

Angell, Warren M. "Vocal Musicianship," VI, No. 3
(Dec. 1949-Jan. 1950), p. 8.

Anonymous. (See also Spectator and N.A.T.S. Editor(s) and Committee(s).
Anonymous. "The Barber and his Singing." VI, No. 1 (Sept. 1949), p. 7.

Anonymous. "Choral Singing and the Vocal Teacher," IV, No. 5
(April-May 1948), p. 4.

Anonymous. "Ethics," IX, No. 2 (Nov.-Dec. 1952), p. 18.
Anonymous. "A Grave Warning," V, No. 3 (Jan.-Feb. 1949), p. 4.
Anonymous. "John Alden Carpenter," VII, No. 5 (April-May 1951), p. 6.

Anonymous. "More About Charles Tomlinson Griffes," X, No. 2
(Nov.-Dec. 1953), p. 23.

Anonymous. "Singing--l6th Century," V, No. l (Sept.-Oct. 1948), p. 6.

Anonymous. "What the Pupil Expects of the Vocal Teacher," VII, No. l
(Sept.-Oct. 1950), p. 9.

Anonymous. "What the Vocal Teacher Expects of the Pupil," VII, No. 1
(Sept.-Oct. 1950), p. 9.

Arkebauer, George Gerhard. "Phonetics," V, No. 3 (Jan.-Feb. 1949),
p. 6.

Armet, Hollace E. "American Song Literature - The beginnings of
American Song," VII, No. 5 (April-May 1951), p. 12.

Baer, Hermanus. "Establishing Basic Conditions for Singing Through
Body Position," IV, No. 5 (April-May 1948), p. 3.

Bagley, Silvia R. "About Unclassifiable Voices," III, No. 6
(June-July 1947), p. 2.

Bartholomew, Marshall. ”Remarks on the Adolescent Male Voice," II,
No. 4 (May—June 1946), p. 1.

Bartholomew, Marshall. "Yale Glee Club 1949 Concert Tour in Europe,"
VI, No. 3 (Dec. 1949—Jan. 1950), p. 6.

Beier, Carl. "The Singer and Television." VIII, No. 5 (May—June 1952),
P. 2.

Bennett, Oscar. (Resumé by Theo. G. Stelzer.) "The Singing You,"
VI, No. 3 (Dec. 1949-Jan. 1950), p. 8.

Borchers, Orville J. "The Phenomenon of Vocal Tone Quality," VIII,
No. 2 (Nov.-Dec. 1951), p. 15.

Bowen, George Oscar. "Experiences and an Experiment with Boys Voices,"
VIII, No. 1 (Sept.-Oct. 1951), p. 15.

Bowen, George Oscar. "Voice Pupils and Musicianship," IV, No. 3
(Jan. 1948), p. 3.

Brewer, David W., M.D. "Medical Aspects of Voice Therapy," IX, No. 4.
(March—April 1953), p. 7.

Bright, Lee. "Vocal Education in a Midwest City," V, No. 4
(March-April 1949), p. 6.

Brody, Viola A. and Kenneth N. Westerman. "An Emergent Concept of the
Singing Act," VIII, No. 2 (Nov.—Dec. 1951), p. 7.

Bronson, Bernhardt. "Realistic Psychology," V, No. 3 (Jan.-Feb. 1949),
p. 2.

Brown, Oren Lathrop. "Principles of Voice Therapy as Applied to
Teaching," IX, No. 5 (May-June 1953), p. 16.

Buck, Dudley. "Some Thoughts for the Singer - An Attempt to Clarify
Erroneous Terminology," VIII, No. 5 (May-June 1952), p. 14.

Byrd, William. "Preface to Psalmes, Sonnets, and Songs Sadnes and
Pietie made into musicke of five parts, V. No. 1 (Sept.-Oct. 1948),
p. 7.

 

 

Carson, Leon. ”American Art Song Recordings," VII, No. 2 (Nov.-Dec.
1950), p. 6.

Carson, Leon. "American Song Literature - The Awakening and Developing
of National Song Consciousness (1850-1925)," VII, No. 5
(April-May 1951), p. 15.

Carson, Leon. "Native Song," I, No. 2 (Jan. 1945), p. 3.

Carson, Leon. "Our Music Education and the Folk Song," VIII, No. 3
(Jan.—Feb. 1952), p. 22.

Carson, Leon. "Status of American Song." VI, No. 6 (June—July 1950),
p. 4.

Carson, Leon. "Wanted ~ More Oratorio Records," V, No. 5
(May—June 1949), p. 4.

Chamlee, Ruth Miller. ”The Challenge to the Voice Teacher of Today,"
IV, No. 2 (Nov.-Dec. 1947), p. 2.

Charles, Henry. "The Effects of Wind Instrument Training upon Vocal
Production," III, No. l (Sept.-Oct. 1946), p. 3.

Chicago Singing Teachers Guild. "Concerning the Straight Tone,”
I, No. 4 (June 1945), p. 4.

Coffin, Berton. "The Sacred Solo, its Significant Composers and
Trends," VIII, No. 4 (March-April 1952), p. 2.

Coladarci, Arthur P. "The Psychology of Personality and the Teacher
of Voice,‘' VII, No. 4 (Feb.-Mar. 1951), p. 8.

Composers—Authors Guild, The. "Leaders Accountable for America's
Music Future," III, No. 3 (Jan.-Feb. 1947), p. 1.

Cox, Ernest L. "Visual Aids in the Teaching of Voice," VI, No. 1
(Sept. 1949), p. 7. '

Crawford, Hadley R. "Thoughts on Muscular Coordination," VIII, No. 1
(Sept.—Oct. 1951), p. 14.

Crittenden, Ray. "Are Your Voice Pupils Musicians?" III, No. 2
(Nov.-Dec. 1946), p. 3.

Curtis, Vera. "Psychological and Practical Preparation for an
Operatic Career," VIII, No. 2 (Nov.-Dec. 1951), p. 8.

Daghlian, G. K. "Song and its Acoustics," VIII, No. 2 (Nov.-Dec. 1951),
p. 6.

Dalton, Sydney. "Translations and Singing in English," X, No. 2
(Nov.-Dec. 1953), p. 16.

De Bidoli, Mme. Emi. l'Old Methods of Voice Teaching Versus New Ones,"
III, No. 4 (March—April 1947), p. 3.

De Young, Richard. "The Benefits of National Association Membership,"
VIII, No. 5 (May-June 1952), p. 16.

De Young, Richard. "The President's Letter," V, No. 2
(Nov.-Dec. 1948), p. 2.

De Young, Richard. "Refreshment vs. Stagnation," VII, No. 4
(Feb.—March 1951), p. 7.

De Young, Richard. "Some Practical Aspects of Educational Psychology,"
IX, No. 3 (Jan.-Feb. 1953), p. 7.

De Young, Richard. "Voice Pedagogy, Scientific or Empirical,” X,
No. 4 (May 1954), p. 18.

Diercks, Louis H. "Teaching Solo—singing Competencies in the Choral
Group," VII, No. 6 (June—July 1951), p. 10.

Diercks, Louis H. "Voice Training for Solo Work vs. Choral Work,"
V, No. 1 (Sept.-Oct. 1948), p. 5.

Douglass, Ruth. "Christmas Carols," X, No. 2 (Nov.—Dec. 1953), p. 4.

Douglass, Ruth. "Diversity and Unity," V, No. 1 (Sept.-Oct. 1948),
p. 4.

Douglass, Ruth. ”Echoes of EurOpean Festivals," VIII, No. 3
(Jan.-Feb. 1952), p. 4.

Douglass, Ruth. "Studio and Chorus," VII, No. 6 (June-July 1951), p. 4.

Douglass, Ruth. "Systematic Teacher Training is Lacking," IV, No. 1
(Sept.-Oct. 1947), p. 1.

Dunkley, Ferdinand. "Nature's Law of Voice - Correct Pitch Control,"
III, No. 2 (Nov.-Dec. 1946), p. 3.

Durgin, Cyrus. "Singing in its Elementary and other Aspects," IX,
No. 3 (Jan.-Feb. 1953), p. 19.

Elbin, Paul N. "Vocal Teaching Requires Expert," IX, No. 2
(Nov.-Dec. 1952), p. 18.

Fletcher, A. J. "Grass Roots Opera in America - Some Questions and
Answers," VIII, No. 5 (May-June 1952), p. 18.

Fletcher, A. J. "To the Voice Teachers of America,” VIII, No. 3
(Jan.—Feb. 1952), p. 18.

Fox, William H. "Some Psychological Principles Involved in the
Teaching of Singing," VII, No. 1 (Sept.-Oct. 1950), p. 8.

Fulton, Eugene. "Role of the Private Teacher of Singing," VII, No. 4
(Feb.-March 1951), p. 9.

Gardini, Mme. Nelli. "Voice Foundation," IV, No. l (Sept.-Oct. 1947),
p. 3.

Gardini, Mme. Nelli. "Will Scientific Knowledge Make us Better Teachers
of Singing," VI, No. 6 (June-July 1950), p. 2.

Garlinghouse, Burton. "Post-war Teaching," III, No. 3 (Jan.—Feb. 1947),
p. 3.

Garlinghouse, Burton. "Rhythm and Relaxation in Breathing," VII, No. 4
(Feb.-March 1951), p. 2.

Geist, Melvin H. "The Relation of Musicianship to Vocal Technique,"
VI, No. 1 (Sept. 1949), p. 2.

Gerdine, Dr. Leigh. "I Take Pleasure in Singing, Sir," X, No. 3
(Jan.—Feb. 1954), p. 7.

Gerry, Arthur. "The Case for the Municipal Support of Music and Drama,"
VIII, No. 2 (Nov.-Dec. 1951), p. 13.

Gerry, Arthur. "The Importance of Technique," V, No. 1 (Sept.-Oct.
1948), p. 6.

Gerry, Arthur. "Pathways to Vocal Pedagogy," VI, No. 2 (Oct.-Nov.
1949), p. 20

Golde, Walter. "Cultivated Spontaneity - A principle of Tone Produc-
tion in Singing," VIII, No. 4 (March-April 1952), p. 12.

Gould, Herbert. "Phonation," V, No. 5 (May-June 1949), p. 6.
Green, Spencer. "Diction," IV, No. 6 (June-July 1948), p. 2.

Greenfield, Alfred. "Comments on Oratorio," VIII, No. 4 (March—April
1952), p. 15.

Griffith, James Francis. "Time An Important Consideration in Vocal
Training," VIII, No. 4 (March-April 1952), p. 8.

Guarino, Anthony. "Present Day Teacher Reviews Lamperti," VIII,
No. 2 (Nov.-Dec. 1951), p. 21.

Gutekunst, Carl. "Quality in Singing," IX, No. 2 (Nov.—Dec. 1952),
p. 14.

Hamlin, Anna M. "What About Today's Vocal Technique," IX, No. 1
(Sept.—Oct. 1952), p. 16.

Hardy, Lee. "Phrasing," V. No. 4 (March—April 1949), p. 5.

10

Hardy, Lee. "Thoughts on Memorizing," VII, No. 6 (June-July 1951),
p. 16.

Hardy, Lee. "Why not 3 Logical Terminology in Music?" VI, No. 2
(Oct.-Nov. 1949), p. 7.

Harian, H. Grady. "Current Standards for the Voice Major in Music
Education," VI, No. 4 (Feb.-March 1950), p. 7.

Haywood, Frederick. "Charles Tomlinson Griffes (1884-1920)," X,
No. 1 (Sept.-Oct. 1953), p. 8.

Henderson, Sister Sabina Mary. "Cantate Domini," VIII, No. 2
(Nov.-Dec. 1951), p. 19.

Heyne, William. "Is Choral Experience Essential to the Training of
the Serious Voice Student?" VIII, No. 3 (Jan.—Feb. 1952), p. 14.

Hill, Robert Payson. ”Responsibilities of the Coach on Song Literature
Toward Teacher and Singer," IX, No. 5 (May-June 1953), p. 7.

Hobart, Henry. "Standardization of Voice Studio Terminology," VII,
No. 3 (Jan. 1951), p. 9.

Holst, Harold. "Artistic Interpretation in Singing," IV, No. 4
(Feb.-March 1948), p. 6.

Hosmer, Helen M. "Down to Earth with Ideals," X, No. 4 (May 1954),
p. 13.

Huls, Helen Steen. "A Nationwide Survey on High School Music," IX,
No. 5 (May—June 1953), p. 19.

Huls, Helen Steen. "The Saint Louis Convention," X, No. 3
(Jan.-Feb. 1954), p. 2.

Huls, Helen Steen. "Secondary School Music — A Resumé of the Field
Survey," IX, No. 3 (Jan.—Feb. 1953), p. 6.

Jagel, Frederick. "The Young American Singer and Grand Opera," X,
No. l (Sept.-Oct. 1953), p. 4.

Jones, Ifor. "Choir Singing Today," IX, No. 2 (Nov.-Dec. 1952), p. 7.

Jones, William E. "Leaves from my Notebook," III, No. 6 (June-July
1947), p. 3.

Key, Pierre. "Sane Thoughts," from This Business of Singing, VII,
No. 2 (Nov.-Dec. 1950), p. 2.

 

Larson, C. Robert. "What N.A.T.S. Can Mean to the Non-Member Sub-
scriber," IX, No. 5 (May-June 1953), p. 23.

11

Leslie, Grace. "American Song Literature - Contemporary Song,"
VII, No. 5 (April-May 1951), p. 22.

Leslie, Grace. -"The National Study Group Plan - A Review," IX,
No. 4 (March—April 1953), p. 19.

Leslie, Grace. "The National Study Group Plan," X, No. 2 (Nov.-Dec.
1953), p. 18.

Lester, John. "Hygienics of the Voice," VI, No. 5 (April-May 1950),
p. 6.

Lester, John. "The Key to Coordination," VIII, No. 2 (Nov.—Dec. 1951),'
p. 4.

Lindquest, Allan Rogers. "The Hidden Factor," IV, No. 5 (April—May
1948), p. 2.

Lindquest, Allan Rogers. "Security in Singing," V, No. 4
(March-April 1949), p. 2.

Long, Newell H. "Some Things a Voice Teacher Should Know About Sound,"
IX, No. 4 (March—April 1953), p. 6.

Luckstone, Harold C. "The French Art Song - An Analysis," X, No. 4
(May 1954), p. 6.

Luckstone, Harold C. "The French Impressionistic Song," VII, No. 2
(Nov.-Dec. 1950), p. 4.

Luckstone, Harold C. "Vocal Repertoire,” V, No. 2 (Nov.—Dec. 1948),
p. 10.

Lukken, Albert. "A Plea for Simplicity in Singing,” II, No. 2
(Dec. 1945), p. 3.

MacCollin, Paul. "Tongue Action and Diction," IV, No. 4, (Feb.-March
1948), p. 3.

MacKenzie, Mignon Bollman. "Challenge Vocal Students with Teaching,"
VI, No. 6 (June-July 1950), p. 6.

MacRae, Tolbert. "Breathing and its Effect on Singing," IV, No. 4
(Feb.-March 1948), p. 2.

Mayfield, Alpha Corinne. "The Voice Student as a Music Educator,"
VII, No. 6 (June-July 1951), p. 8.

McArthur, Edwin. "Take a Good Look!" X, No. 4 (May 1954), p. 16.

McLean, Cameron. "Causes for Confusion in the Teaching of Singing,"
VII, No. 6 (June—July 1951), p. 15.

12

Molitore, Edward. "This Air We Sing With." III, No. 6
(June-July 1947), p. 5.

Morgan, Russel V. "Competitive Auditions for High School Vocalists,"
III, No. 5 (May 1947), p. 1.

Mowe, Homer G. "Methodology and Terminology," IX, No. l
(Sept.-Oct. 1952), p. 14.

N.A.T.S. Advisory Committee on Vocal Education. "Fundamental Require—
ments for Teachers of Singing," V, No. 1 (Sept.-Oct. 1948), p. 1.

N.A.T.S. Advisory Committee on Vocal Education. "Second Supplementary
Report of the Advisory Committee on Vocal Education, Covering
Proposed Curriculum for the Training of Teachers of Singing in
Universities and Schools of Music," VII, No. 1 (Sept.-Oct. 1950),
insert after page 6.

N.A.T.S. Committee on Basic Fundamental Requirements for Teachers of
Singing. "Basic Fundamental Requirements for Teachers of Singing,"
IV, No. 4 (Feb.—March 1948), p. 1.

N.A.T.S. Committee on Practice Regulations. "Report of the Committee
on Practice Regulations," IV, No. 6 (June-July 1948), p. 6.

N.A.T.S. Committee on Public School Vocal Affairs. (Helen Steen Huls,
chairman). "Preliminary Report," VII, No. 6 (June-July 1951),
p. 13.

N.A.T.S. Editorial Committee. "Training the Vocal Instrument," II,
No. 2 (Dec. 1945), p. 1.

N.A.T.S. Editorial Committee. "Vocal Teacher in Relation to the General
Musical and Cultural Education of the Student," IV, No. 5 (April-
May 1948), p. 1.

N.A.T.S. Editor. "Hugo Wolf (1860-1903)," IX, No. 4 (March—April
1953), p. 11.

N.A.T.S. Editor. "Industrial Music," V, No. 2 (Nov.-Dec. 1948), p. 7.

N.A.T.S. Editor. "Music in Therapy." III, No. 3 (Jan.—Feb. 1947),
p. 4.

N.A.T.S. Editor. "Regulating the Vocal Teacher," IV, No. 6 (June-July
1948), p. 4.

N.A.T.S. Editor. "The Theatre and Singing," IX, No. 3 (Jan.—Feb. 1953),
p. 13.

N.A.T.S. Vocal Education Committee. "Report to the Membership of the
National Association and Educators," VIII, No. 5 (May-June 1952),
p. 22.

13

Newton, George. "On Imaginative Singing," VII, No. 2 (Nov.-Dec. 1950),
p. 5. '

Newton, George. "Qualifications and Shortcomings of Church Soloists,"
VIII, No. 4 (March—April 1952), p. 14.

Nicholas, Louis. "Choosing Solos for the Worship Service," IX, No. 4
(March-April 1953), p. 12.

Nicholas, Marjorie R. "Aural and Visual Imagery in Music Reading," X,
No. 4 (May 1954), p. 7.

Noss, wm. E. "Falsetto — The Key to the High Voice," V, No. 3 (Jan.-
Feb. 1949), p. 5.

Oncley, Paul. "What Acoustics Means to the Teacher of Singing,” VIII,
No. 1 (Sept.-Oct. 1951), p. 8.

Pazmor, Radiana. "Song Recitals in English?" IX, No. 2 (Nov.-Dec. 1952),
p. 4.

Pearson, Charles. "Our Responsibility in Song Now as Always,” VII,
No. 3 (Jan. 1951), p. 4.

Peterson, Paul W. "General Survey of Final Semester Voice Examination
Requirements," IX, No. 4 (March-April 1953), p. 21.

Peterson, Paul W. "Problems of Choral Blend," VIII, No. 5 (May-June
1952), p. 2.

Pierce, Anne E. "Voice Classes in High Schools,” III, No. 5 (May 1947),
p. 5.

Raymond, Rita. "Honolulu Vignettes," V, No. 2 (Nov.—Dec. 1948), p. 9.

Rice, Melanie Gutman. "Interpretation," V, No. 2 (Nov.—Dec. 1948),
p. 6.

Rice, William C. "Contemporary Singing is Declining — Or Is It?"
VIII, No. 4 (March—April 1952), p. 19.

Ringel, Harvey. "Consonantal Deterrence," V, No. 2 (Nov.—Dec. 1948),
p. 8.

Ringel, Harvey. "Vowel Vanish - A Vocal Deterrent," V, No. 1
(Sept.-Oct. 1947), p. 3.

Rogers, Francis. "The Poetry of Song," VII, No. 1 (Sept.-Oct. 1950),
p. 10.

Rogers, Francis. "Singing in English," X, No. 1 (Sept.—Oct. 1953),
p. 13.

14

Ross, Miss Betty. "Music and Television," VII, No. 3 (Jan. 1951), p. 11.
Ross, William E. "Voice Teaching," II, No. 1 (Oct. 1945), p. 3.

Samuel, John 0. "Training the Young Voice," VII, No. 2 (Nov.—Dec. 1950),
p. 8.

Schmidt, Reinhold. "Bricks Without Straw," X, No. 3 (Jan.-Feb. 1954),
p. 6.

Schofield, Edgar. "Choral Training for the Vocalist," VIII, No. 5
(May-June 1952), p. 19.

Seashore, Carl E. "How Do We Adjust the Vibrato Performance?" VIII,
No. 4 (March—April 1952), p. 10. (Excerpt from The Psychology of
Music.)

 

Seitz, Harry W. "Problems of the Choral Singer and Conductor," VIII,
No. 5 (May-June 1952), p. 12.

Selfridge, Cecil Blanchard. "Lieder for Men," IX, No. 3 (Jan.-Feb.
1953), p. 16.

Selfridge, Cecil Blanchard. "The Songs of Peter Warlock,” X, No. 3
(Jan.-Feb. 1954), p. 18.

Sharnova, Sonia. "Breath Control-Foundation of Singing and Acting
Technique,” VI, No. 2 (Oct.—Nov. 1949), p. 6.

Sharnova, Sonia. "Diction," 111, No. 6 (June—July 1947), p. 4.

Sherman, John K. "Grump Recalls Old Feud Between Voice Teachers,"
III, No. 6 (June—July 1947), p. 6.

Shor, Dr. Joel. "Psychological Principles in the Teaching of Singing,"
VII, No. 3 (Jan. 1951), p. 5.

Sonnack, Paul G. "The Meaning of the Church Year," VIII, No. 4
(March-April 1952), p. 4.

Spectator, The. "Do You Know Boston-N.A.T.S. Convention City of 1952?"
IX, No. 2 (Nov.—Dec. 1952), p. 6.

Spectator, The. "Yesterday and Today," VII, No. 6 (June-July 1951),
p. 21.

Spectator, The. "Yesterday and Today," VIII, No. 2 (Nov.-Dec. 1951),
p. 17.

Stelzer, Theo. G. "Hints to the Hinterland," VII, No. 5 (April—May
1951), p. 10.

15

Stephens, Percy Rector. ”Fundamentals that Govern Singing," II, No. 4
(May-June 1946), p. 3.

Stewart, Cecil. "Concomitant Learning for Teacher and Pupil," VI,
No. 4 (Feb.-March 1950), p. 6.

Stroup, Maxine. "The Summer Workshop — An Inspirational Institution,"
IX, No. 4 (March-April 1953), p. 21.

Sturani, Cesare. "Impressions of Italy and its Music Today," VIII,
No. 4 (March-April 1952), p. 22.

Swing, Dolf. "Your Pupil and His Artistic Development," IX, No. 5
(May-June 1953), p. 6. ’

Tanner, Earle. "Should We Teach Present Day Methods of Singing Popular
Songs?" VIII, No. 3 (Jan.-Feb. 1952), p. 22.

Taylor, Bernard. "Teaching Objectives," VIII, No. 1 (Sept.-Oct. 1951),
p. 6.

Theman, Karl. "A Musical Approach to Singing," IV, No. 4 (Feb.-March
1948), p. 5.

Thomas, John Charles. "John Charles Thomas Speaks," VII, No. 5
(April-May 1951), p. 8.

Thomson, Virgil. "Singing English," IX, No. 5 (May—June 1953), p. 17.

Thomson, Virgil. ‘"Too Many Languages," VI, No. 5 (April-May 1950),
p. 2.

Thut, John. "Fourth National UNESCO Convention," X, No. 3 (Jan.-Feb.
1954), P. 21.

Toren, E. Clifford. "Music in the Postwar World," III, No. 5
(May 1947), p. 3.

Treash, Leonard. "The Importance of Vowel Sounds and Their Modifica-
tion in Producing Good Tone," IV, No. 2 (Nov.—Dec. 1947), p. 3.

Treash, Leonard. "Vocal Workmanship," V, No. 2 (Nov.-Dec. 1948), p. 4.

Veld, Henry. ”The Effects of Choral Singing on the Solo Voice," IV,
No. 5 (April—May 1948), p. 5.

Vennard, William. "The Voice Clinic," IX, No. 2 (Nov.-Dec. 1952),
p. 15.

Wadsworth, F. Handel. ”Light Opera as a Training Ground for Young
Singers," III, No. 5 (May 1947), p. 4.

16
Walls, Robert B. "Music of the People," VII, No. 2 (Nov.-Dec. 1950),
p. 10.

Walls, Robert B. "Tremolo," IV, No. 6 (June-July 1948), p. l.

Westerman, Kenneth N. and Viola A. Brody. "An Emergent Concept of the
Singing Act," VIII, No. 2 (Nov.—Dec. 1951), p. 7.

Westerman, Kenneth N. "The Framework for Developing the Coordinating
Muscle Actions of Singing," VI, No. 5 (April-May 1950), p. 2.

Westerman, Kenneth N. "The Physiology of Vibrato," IX, No. 3 ,
(Jan.-Feb. 1953), p. 14.

Westerman, Kenneth N. "Resonation," V, No. 5 (May—June 1949), p. 2.

Wheeler, William. "Controlled Spontaneity in Singing," X, No. 4
(May 1954), p. 8.

Wheeler, William. "Diction — What it is," VII, No. 5 (April—May 1951),
p. 7.

Wheeler, William. "The Problem of Pressures," III, No. 1 (Sept.-Oct.
1946), p. 1.

Wheeler, William. "Voice Classification," VI, No. 3 (Dec. 1949-
Jan. 1950), p. 10.

Wilcox, John C. "Cordial Greetings,” I, No. 1 (Oct. 1944), p. 3.

Wilcox, John C. "Can We Reconcile Pedagogic Paradoxes?" II, No. 1
(Oct. 1945), p. 1.

Wilkerson, Frederick D. "American Song Literature - Introductory
Remarks of the Presiding Chairman," VII, No. 5 (April-May 1951),
p. 12.

Williams, Gratis. "From Speech to Song," X, No. 2 (Nov.-Dec. 1953),
p. 8.

Williams, Justin. "Some Notes on Oratorio," IX, No. 5 (May—June 1953),
p. 12.

Wilson, Arthur. "Musical Pitch and the Musician of Today," X, No. 2
(Nov.-Dec. 1953), p. 6.

Wollmann, Anna M. "Empirical Method versus the Scientific," IX, No. 4
(March-April 1953), p. 21.

Woodruff, Harvey L. "The Choral Conductor," X, No. 1 (Sept.-Oct. 1953),
p. 14.

17

York, wynn. "Dialects and English Pronunciation in Singing," VII,
No. 4 (Feb.-March 1951), p. 4.

York, wynn. "Vocal Technique in the Sight-singing Class," IX, No. 1
(Sept.-Oct. 1952), p. 4.

SUBJECT INDEX

 

 

 

Accompanists
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2
(Nov.-Dec. 1951), p. 6.
Acoustics
"Some Things a Voice Teacher Should Know About Sound."
Long, Newell H. IX, No. 4 (March-April 1953), p. 6.
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2
(Nov.-Dec. 1951), p. 6.
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.-Oct. 1951),p. 8, 19.
Of vocal tone quality
"The Phenomenon of Vocal Tone Quality." Borchers, Orville J.
VIII, No. 2 (Nov.—Dec. 1951), p. 15.
Recommended reference readings in
"Fundamental Requirements for Teachers of Singing."
Supplementary Report of the N.A.T.S. Advisory Committee on
Vocal Education. V, No. 1 (Sept.-Oct. 1948), p. 8.
Related to singing
"The Saint Louis Convention.‘
(Jan.-Feb. 1954), p. 2.

Huls, Helen Steen. X, No. 3

Acting
."Breath Control - Foundation of Singing and Acting Technique."
Sharnova, Sonia. VI, No. 2 (Oct.-Nov. 1949), p. 6.
Adler, Peter Herman
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
Advent
"The Meaning of the Church Year." Sonnack, Paul G. VIII, No. 4
(March-April 1952), p. 4.
American Academy of Teachers of Singing
"Some Notes on Oratorio." Williams, Justin. IX, No. 5
(May-June 1953), p. 12.
American Music. (See Music, American)
American Song
"American Song Literature - Introductory Remarks of the Presiding
Chairman." Wilkerson, Frederick D. VII, No. 5 (April-May
1951), p. 12.
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 15.
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 12.
"American Song Literature - Contemporary Song." Leslie, Grace,
VII, No. 5 (April-May 1951), p. 22.
"Charles Tomlinson Griffes 1884-1920)." Haywood, Frederick.
X, No. 1 (Sept.-Oct. 1953), p. 8.
"Native Song, A Thumbnail Sketch." Carson, Leon. 1, No. 2
(Jan. 1945), p. 3.
"Status of American Song." Carson, Leon. VI, No. 5 (June-July
1950), p. 4.
"Yesterday and Today." The Spectator. VII, No. 6 (June-July
1951), P. 21.

18

19

American Song--continued
Indian influence on
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 20.
"Native Song, A Thumbnail Sketch." Carson, Leon. I, No. 2
(Jan. 1945), p. 3. ‘
Instrumental style in
"Status of American Song." Carson, Leon. VI, No. 6 (June—July
1950), P. 5.
Negro Spirituals
"Native Song, A Thumbnail Sketch." Carson, Leon. 1, No. 2
(Jan. 1945), p. 3.
Recording of
"American Art Song Recordings." Carson, Leon. VII, No. 2
(Nov.-Dec. 1950), p. 6.
Anatomy
Knowledge of, important to vocal teacher
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-Oct.
1951), P. 19.
Ancient instruments
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.-Feb. 1954), p. 2.
Antes, John
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 15.
Aria
"Some Notes on Oratorio."
(May-June 1953), p. 12.
Aronson, Milton
”Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.
Art Song (See Song.)
Articulation. (See Singing, articulation;
Singing, pronunciation, and Diction.)
Artistic Expression
Effect of psychological well-being on
"From Speech to Song." Williams, Cratis. X, No. 2
(Nov.-Dec. 1953), p. 8.
Artist—Singer
As teacher
"Some Practical aspects of Educational Psychology."
De Young, Richard. IX, No. 3 (Jan.-Feb. 1953), p. 7.

Williams, Justin. IX, No. 5

Arts
Government support of
"The Case for the Municipal Support of Music and Drama."
Gerry, Arthur. VIII, No. 2 (Nov.-Dec. 1951), p. 13.
Arytenoid band
"Phonation." Gould, Herbert. V, No. 5 (May-June 1949), p. 6.
Auditions
"Competitive Auditions for High School Vocalists."
Morgan, Russel V. III, No. 5 (May 1947), p. 1.

20

Auditions--continued
"Light Opera as a Training Ground for Young Singers."
wadsworth, F. Handel. III, No. 5 (May 1947), p. 4.
"Our Young Singers and the Theatre." Allers, Franz. VIII, No. 1
(Sept.-Oct. 1951), p. 7.
Aural imagery
In music reading
"Aural and Visual Imagery in Music Reading." Nichols, Marjorie R.
X, No. 4 (May.1954), p. 7.
Bach, J. S.
Cantatas of
"Choosing Solos for the Worship Service." Nichols, Louis. IX,
No. 4 (March-April 1953), p. 15.
"Some Notes on Oratorio." Williams, Justin. IX, No. 5
(May-June 1953), p. 12.
Bachner, Louis
"Establishing Basic Conditions for Singing Through Body Position."
Baer, Hermanus. IV, No. 5 (April—May 1948), p. 8.
Baker, Dr. Theodore
"Translations and Singing in English." Dalton, Sydney. X, No. 2
(Nov.—Dec. 1953), p. 16.
Ballad
In folk music
"From Speech to Song." Williams, Cratis. X, No. 2 (Nov.-Dec.
1953), p. 22.
Type of French Art Song
"The French Art Song - An Analysis." Luckstone, Harold C.
X, No. 4 (May 1954), p. 19.
Bartholomew, Marshall
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.
Bartholomew, Wilmer T.
"The Key to Coordination." Lester, John. VIII, No. 2
(Nov.-Dec. 1951), p. 4.
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.-Feb. 1954), p. 4.
"Teaching Objectives." Taylor, Bernard. VIII, No. 1
(Sept.-Oct. 1951), p. 19. .
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.-Oct. 1951), p. 8.
Bartlett, Homer N.
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon. VII,
No. 5 (April-May 1951), p. 16.
Beach, Mrs. H. H. A.
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon. VII,
No. 5 (April-May 1951), p. 18.
Beats
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell, H. IX, No. 4 (March-April 1953), p. 16.

21

Beaumont and Fletcher
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard.
X, No. 3 (Jan.-Feb. 1954), p. 18.
Bel canto (See also Singing, bel canto and Vocal pedagogy,
bel canto.)
Type of French Art Song
"The French Art Song - An Analysis." Luckstone, Harold C.
X, No. 4 (May 1954), p. 6.
Berg, Alban
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X, No. 3
(Jan.-Feb. 1954), p. 7.
Billings, William
"American Song Literature — The Beginnings of American Song.’
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 14.
Bing, Rudolph
"Song Recitals in English?" Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 16.
"To the Voice Teachers of America." Fletcher, A. J. VIII,
No. 3 (Jan.-Feb. 1952), p. 18.
Blﬁhmel
Piston valves
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Nov.-Dec. 1953), p. 7.
Bob Jones College
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
Book Review
Brodnitz, Friederich 8. Keep Your Voice Healthy.
(Reviewed by Leon Carson) X, No. 4 (May 1954), p. 23.
Books
Bibliography of Books by Members of N.A.T.S.
IV, No. 4 (Feb.—March 1948), p. 4.
IV, No. 6 (June-July 1948), p. 7.
VII, No. 2 (Nov.-Dec. 1950), p. 7.
VIII, No. 5 (May—June 1952), p. 23.
Bibliography of Books on Physiology, Psychology and Acoustics.
"Fundamental Requirements for Teachers of Singing.
N. A. T. S. Advisory Committee on Vocal Education.
V, No. 1 (Sept. -Oct. 1948), p. 8.
Bordogni
"Bricks Without Straw." Schmidt, Reinhold. X, No. 3
(Jan.-Feb. 1954), p. 6.
Boston, Massachusetts
"Do You Know Boston - N.A.T.S. Convention City of 1952?"
The Spectator. IX, No. 2 (Nov.-Dec. 1952), p. 6.
Boys' voices (See Voice, boys'.)
Brahms, Johannes
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3.
(Jan.-Feb. 1953), p. 16.
Brant, Dr. Gillis
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March-April 1949), p. 2.

 

22

Brass instruments. (See Musical instruments, historical notes on brass
instruments.)
Bratt School. (See Vocal Pedagogy, Swedish pedagogy at the Bratt School.)
Breath control (See also Breath pressure, Breath support and Breathing).
"Breath Control - Foundation of Singing and Acting Technique."
Sharnova, Sonia. VI, No. 2 (Oct.-Nov. 1949), p. 6.
"Breathing and its Effect on Singing." Mac Rae, Tolbert. IV,
No. 4 (Feb.-March 1948), p. 2.
"Facts Concerning the Art of Bel Canto or the Basis of Bel Canto."
Alberti, Mme. Helen. IV, No. 2 (Nov.-Dec. 1947), p. 4.
"Leaves from my Notebook." Jones, William E. III, No. 6
(June-July 1947), p. 3.
"Our Readers Write." Stout, Barret. IV, No. 1 (Sept.-Oct.
1947), p. 5.
"The Problem of Pressures." Wheeler, William. III, No. 1
(Sept.-Oct. 1946), p. 1.
"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
II, No. 2 (Dec. 1945), p. 1.
"Tremolo." Walls, Robert B. IV, No. 6 (June-July 1948), p. 5.
"Vocal Technique in the Sight-Singing Class." York, wynn. IX,
No. 1 (Sept.-Oct. 1952), p. 4.
Breath pressure (See also Breath control, Breath support, and Breathing.)
Excessive
"Thoughts on Muscular Coordination." Crawford, Hadley R. VIII
No. 1 (Sept.-Oct. 1951), p. 23.
Breath support
"The Problem of Pressures." Wheeler, William. III, No. 1
(Sept.-Oct. 1946), p. 1.
Breathing (See also Vocal Pedagogy, breathing.) \
"Breathing and its Effect on Singing." Mac Rae, Tolbert. IV,
No. 4 (Feb.-March 1948), p. 2.
”Cultivated Spontaneity - A Principle of Tone Production in
Singing." Golde, Walter. VIII, No. 4 (March-April 1952),
p. 12.
”The Effects of Wind Instrument Training upon Vocal Production."
Charles, Henry. III, No. 1 (Sept.-Oct. 1946), p. 3.
"Old Methods of Voice Training Versus New Ones." De Bidoli,
Mme. Emi. III, No. 4 (March-April 1947), p. 3.
"Our Readers Write." Wilcox, John C. IV, No. 1 (Sept.-Oct.
1947), p. 5.
"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.
"Present Day Teacher Reviews Lamperti." Guarino, Anthony. VIII,
No. 2 (Nov.-Dec. 1951), p. 21.
"Principles of Voice Therapy as Applied to Teaching." Brown,
Oren Lathrop. IX, No. 5 (May—June 1953), p. 16.
"Rhythm and Relaxation in Breathing." Garlinghouse, Burton.
VII, No. 4 (Feb.-March 1951), p. 2.
"The Singing You." Bennett, Oscar. (A Resumé by Theo. G.
Stelzer.) VI, No. 3 (Dec. 1949-Jan. 1950), p. 8.

23

Breathing--continued
"Thoughts on Muscular Coordination." Crawford, Hadley R.
VIII, No. 1 (Sept.-Oct. 1951), p. 14.
"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
11, No. 2 (Dec. 1945), p. 1.
"Will Scientific Knowledge Make us Better Teachers of Singing."
Gardini, Nelli. VI, No. 6 (June-July 1950), p. 2.
Dangers of holding back
"Rhythm and Relaxation in Breathing." Garlinghouse, Burton.
VII, No. 4 (Feb.-March 1951), p. 2.
Diaphragm use in
"This Air We Sing With.” Molitore, Edward. III, No. 6
(June-July 1947), p. 5.
Exercises for
"Breath Control — Foundation of Singing and Acting Technique."
Sharnova, Sonia. VI, No. 2 (Oct.-Nov. 1949), p. 6.
"Rhythm and Relaxation in Breathing." Garlinghouse, Burton.
VII, No. 4 (Feb.—March 1951), p. 2.
Exhalation in .
"Breath Control - Foundation of Singing and Acting Technique."
Sharnova, Sonia. VI, No. 2 (Oct.-Nov. 1949), p. 6.
Improper
"Leaves From My Notebook." Jones, William E. 111, No. 6
(June-July 1947), p. 3.
Indirect control of
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March-April 1949), p. 2.
Inhalation .
"Breath Control — Foundation of Singing and Acting Technique."
Sharnova, Sonia. VI, No. 2 (Oct.-Nov. 1949), p. 6.
"Our Readers Write." (Letter to the Editor by Bronson,
Bernhardt.) III, No. 3 (Jan.-Feb. 1947), p. 3.
”Phonation." Gould, Herbert. V, No. 5 (May-June 1949), p. 6.
"Rhythm and Relaxation in Breathing." Garlinghouse, Burton.
VII, No. 4 (Feb.-March 1951), p. 2.
"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
II, No. 2 (Dec. 1945), p. 1.
Messa di voce, and
"A Musical Approach to Singing." Theman, Karl. IV, No. 4
(Feb.-March 1948), p. 5.
Physiology of
"Our Readers Write." (Letter to the Editor by Stout, Barret.)
IV, No. 1 (Sept.-Oct. 1947), p. 5.
"Our Readers Write." (Letter to the editor by Wilcox, John C.)
IV, No. 1 (Sept.-Oct. 1947), p. 6.
"Rhythm and Relaxation in Breathing." Garlinghouse, Burton.
VII, No. 4 (Feb.-March 1951), p. 2.
"This Air We Sing With." Molitore, Edward. III, No. 6
(June-July 1947), p. 5.
Scientific study of
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.-Feb. 1954), p. 14.

24

Breathing—-continued
Schools of thought concerning
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.-Feb. 1954), p. 14.
Teaching methods for
"Methodology and Terminology." Mowe, Homer G. IX, No. l
(Sept.-Oct. 1952), p. 14.
Timing for relaxation of tensions
"Rhythm and Relaxation in Breathing." Garlinghouse, Burton.
VII, No. 4 (Feb.-March 1951), p. 5.
Visual aids for teaching
"Visual Aids in the Teaching of Voice." Cox, Ernest L. VI,
No. 1 (Sept. 1949), p. 7.
Broschi, Carlo
"The Physiology of Vibrato.‘
(Jan.-Feb. 1953), p. 14.
Buck, Dudley
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April—May 1951), p. 16.
Byrd, William
"Preface to Psalmes,Sonnets, and Songs of Sadnes and Pietie
made into musicke of five Parts (1558). V, No. 1 (Sept.-Oct.
1948), p. 7.
Preface to "Psalmes, Sonnets, and Songs of Sadness and of Piety,"
quoted.
"The Poetry of Song." Rogers, Francis. VII,‘No. 1 (Sept.-Oct.
1950), p. 10.
Reasons for learning to sing
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X, No. 3
(Jan.—Feb. 1954), p. 8.
Cadman, Charles Wakefield
"American Song Literature — The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 20.
Campion, Thomas
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard.
X, No. 3 (Jan.-Feb. 1954), p. 18.
Cancer of the larynx
"Medical Aspects of Voice Therapy." Brewer, David W., M. D.
IX, No. 4 (March-April 1953), p. 8.
Cantatas
"Some Notes on Oratorio." Williams, Justin. IX, No. 5
(May-June 1953), p. 12.
Carpenter, John Alden
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 20.
Biography of
"John Alden Carpenter." Anonymous. VII, No. 5 (April-May 1951),
p. 6.

' Westerman, Kenneth N. IX, No. 3

25

Carpenter, John A1den—-continued
Songs of
"John Alden Carpenter." Anonymous. VII, No. 5 (April-May 1951),
p. 23.
Carr, Benjamin
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 14, 15.
Castrati singers
"The Physiology of Vibrato.I
(Jan.—Feb. 1953), p. 14.
"What About Today's Vocal Technique?" Hamlin, Anna M. IX,
No. 1 (Sept.-Oct. 1952), p. 16.
Chadwick, George Whitefield
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850—1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 16.
Children (See also Voice, boys.)
Training voices of
"Training the Young Voice." Samuel, John O. VII, No. 2
(Nov.-Dec. 1950), p. 8.
Choir (See also choral singing.)
Audition criteria for
"The Choral Conductor." Woodruff, Harvey L. X, No. 1
(Sept.-Oct. 1953), p. 14.
Membership selection criteria
"The Choral Conductor." Woodruff, Harvey L. X, No. l
(Sept.-Oct. 1953), p. 14.
Choral blend (See Choral singing, blend.)
Choral conducting (See also Choral conductors and Conducting.)
"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.-Dec. 1952),
p. 7.
Characteristics of effective
"The Effects of Choral Singing on the Solo Voice." Veld, Henry.
IV, No. 5 (April-May 1948), p. 5.
Principles for
"The Choral Conductor." Woodruff, Harvey L. X, No. 1
(Sept.-Oct. 1953), p. 16.
Choral conductors
"The Choral Conductor." Woodruff, Harvey L. X, No. 1
(Sept.-Oct. 1953), p. 14.
As teachers of singing
"Teaching Solo-singing Competencies in the Choral Group."
Diercks, Louis H. VII, No. 6 (June-July 1951), p. 10.
Attitudes of, toward voice
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.
Deficiencies as voice teachers
"Some Practical Aspects of Educational Psychology." De Young,
Richard. IX, No. 3 (Jan.-Feb. 1953), p. 8.
Lacking in vocal training
"Choral Training for the Vocalist." Schofield, Edgar. VIII,
No. 5 (May-June 1952), p. 19.

I

Westerman, Kenneth N. IX, No. 3

26

Choral conductors—-continued
Need for vocal training
"The Effects of Choral Singing on the Solo Voice." Veld, Henry.
IV, No. 5 (April—May 1948), p. 5.
Problems of
"Problems of the Choral Singer and Conductor." Seitz, Harry W.
VIII, No. 5 (May—June 1952), p. 12.
Skills needed by
"Problems of the Choral Singer and Conductor." Seitz, Harry W.
VIII, No. 5 (May-June 1952), p. 12.
Survey of school choral directors
"Secondary School Music - A Resume of the Field Survey."
Huls, Helen Steen. IX, No. 3 (Jan.-Feb. 1953), p. 6.
Choral director (See Choral conductor.)
Choral music
"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.-Dec. 1952),
p. 7.
Quality literature encouraged
"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.-Dec. 1952),
p. 19.
Taste in
"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.-Dec. 1952),
p. 7.

Choral rehearsal

Dangers to solo voice
"Choral Training for the Vocalist." Schofield, Edgar. VIII,
No. 5 (May-June 1952), p. 19.

Choral repertoire (See "Music Review," a column found on page 22 of
every issue after IX, No. 1 (Sept.-Oct. 1952), p. 22, when it made
its first appearance.)

Choral singers
Prerequisites for

"The Choral Conductor." Woodruff, Harvey L. X, No. 1
(Sept.-Oct. 1953), p. 16.
Problems of
"Problems of Choral Singer and Conductor." Seitz, Harry W.
VIII, No. 5 (May—June 1952), p. 12.
Choral singing
"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.-Dec. 1952),
p. 7.
Advantages of, for vocal development
"Teaching Solo-singing Competencies in the Choral Group."
Diercks, Louis H. VII, No. 6 (June-July 1951), p. 10.
Application of vocal pedagogy to choral singing
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4
(May 1954), p. 13.
Attitudes of voice teachers toward
"Choral Singing and the Vocal Teacher." Anonymous. IV, No. 5
(April-May 1948), p. 4.
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.

27

Choral singing—-continued
Balance in
"Problems of the Choral Singer and Conductor." Seitz, Harry W.
VIII, No. 5 (May-June 1952), p. 12.
”The Choral Conductor." Woodruff, Harvey L. X, No. 1
(Sept.—Oct. 1953), p. 16.
Benefits to vocal students
"Choral Singing and the Vocal Teacher." Anonymous. IV, No. 5
(April—May 1948), p. 4.
"The Effects of Choral Singing on the $010 Voice." Veld, Henry.
IV, No. 5 (April-May 1948), p. 5.
Blend in
"Problems of Choral Blend." Peterson, Paul W. VIII, No. 5
(May—June 1952), p. 2.
Breathing exercises for .
"Down to Earth with Ideals.” Hosmer, Helen M. X, No. 4
(May 1954), p. 13.
Dangers of
"Choral Training for the Vocalist." Schofield, Edgar. VIII,
No. 5 (May-June 1952), p. 19.
Dynamics in
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4 (May
1954), p. 13.
Effects of, on the solo voice
"The Effects of Choral Singing on the Solo Voice." Veld, Henry.
IV, No. 5 (April—May 1948), p. 5.
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June—July
1951), p. 4.
Essential to vocal training
"Is Choral Experience Essential to the Training of the Serious
Voice Student?" Heyne, William. VIII, No. 3 (Jan.-Feb. 1952),
p. 14.
Fatigue in
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.
Flaws common in
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4
(May 1954), p. 21.
Forcing in
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.
Homogeneous sound in
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.
Intonation problems in
"Voice Training for Solo WOrk Versus Choral Work." Diercks,
Louis H. V, No. 1 (Sept.-Oct. 1948), p. 5.
Relationship of vocal teachers to
"Choral Singing and the Vocal Teacher." N.A.T.S. Editorial
Committee. IV, No. 5 (April—May 1948), p. 4.
Solo singers in
"Chorus and Studio." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.

28

Choral singing--continued
Straight tone in
"The Choral Conductor." Woodruff, Harvey L. X, No. 1
(Sept.-Oct. 1953), p. 14.
"Concerning the Straight Tone." Chicago Singing Teachers Guild.
1, No. 4 (June 1945), p. 4.
Tessitura for young singers in
"The Effects of Choral Singing on the Solo Voice." Veld, Henry.
IV, No. 5 (April-May 1948), p. 5.
Tone in
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4 (May
1954), p. 13.
Vibrato in
"The Choral Conductor." Woodruff, Harvey L. X, No. 1 (Sept.-
Oct. 1953), p. 14.
Virtuoso choir in high school, value of
"Voice Pupils and Musicianship." Bowen, George Oscar. IV,
No. 3 (Jan. 1948), p. 3.
Vocal line in, exercises for achievement of
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4
(May 1954), p. 13.
Vowel sounds in, exercises for purity of
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4
(May 1954), p. 21.
Chotzinoff, Samuel
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954),
p. 16.
Christmas
"The Meaning of the Church Year." Sonnack, Paul G. VIII, No. 4
(March—April 1952), p. 4.
Christmas carols
"Christmas Carolsﬂ' Douglass, Ruth. X, No. 2 (Nov.-Dec. 1953),
p. 4.
Christmas customs, medieval
"Christmas Carols." Douglass, Ruth. X, No. 2 (Nov.-Dec. 1953),
p. 4.
Church
"Cantate Domini.” Henderson, Sister Sabina Mary. VIII, No. 2
(Nov.—Dec. 1951), p. 19.
Church music (See also Sacred music.)
"The Sacred Solo, its Significant Composers and Trends."
Coffin, Berton. VIII, No. 4. (March-April 1952), p. 2.
Imagery in
"Qualifications and Shortcomings of Church Soloists." Newton,
George. VIII, No. 4 (March-April 1952), p. 14.
Church soloist
"Qualifications and Shortcomings of Church Soloists." Newton,
George. VIII, No. 4 (March-April 1952), p. 14.
Church Year (See Liturgical year.)

29

Concert halls
Acoustics of
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2
(Nov.-Dec. 1951), p. 6, 18.
Concone
"Bricks Without Straw." Schmidt, Reinhold. X, No. 3
(Jan.—Feb. 1954), p. 6.
Conducting (See also Choral conducting.)
Technique
"Vocal Technique in the Sight—singing Class." York, Wynn.
IX, No. 1 (Sept.-Oct. 1952), p. 4.
Gordon, Norman
"Grass Roots Opera in America - Some Questions and Answers."
Fletcher, A. J. VIII, No. 5 (May-June 1952), p. 18.
Cosmopolitanism
In French Song
"The French Art Song - An Analysis." Luckstone, Harold C.
X, No. 4 (May 1954), p. 6.
Coward, Dr. Henry
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June—July
1951), p. 4.
Crist, Bainbridge
"American Song Literature - The Awakening and Developing of
National Song Consciousness (l850-l925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 20.
Crycothyroid band
"Phonation." Gould, Herbert. V, No. 5 (May—June 1949), p. 6.
"Cymboline d'amour"
"American Song Literature — The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 15.
Davidson, Archibald
"Studio and Chorus.‘
1951), p. 4.
Delius, Frederick
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard.
X, No. 3 (Jan.—Feb. 1954), p. 18, 19.
de Luca, Giuseppi
"Psychological and Practical Preparation for an Operatic
Career." Curtis, Vera. VIII, No. 2 (Nov.-Dec. 1951),
p. 22, 23.
DeReszke, Jean
"Vocal Technique in the Sight—Singing Class.” York, Wynn.
IX, No. 1 (Sept.-Oct. 1952), p. 4.
Diction (See also Singing, pronunciation.)
"Diction." Green, Spencer. IV, No. 6 (June—July 1948), p. 2.
"Diction." Sharnova, Sonia. III, No. 6 (June-July 1947),
p. 4.
"Diction - What it is." Wheeler, William. VII, No. 5
(April-May 1951), p. 7.
"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
11, No. 2 (Dec. 1945), p. 1.

' Douglass, Ruth. VII, No. 6 (June-July

3O

Diction--continued
Acoustics and
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.-Oct. 1951), p. 9.
Artistic performance and
"Diction." Sharnova, Sonia. III, No. 6 (June-July 1947), p. 4.
Consonants
"Consonantal Deterrence." Ringel, Harvey. V, No. 2 (Nov.-
Dec. 1948), p. 8.
"Principles of Voice Therapy as Applied to Teaching."
Brown, Oren Lathrop. IX, No. 5 (May—June 1953), p. 16, 21.
Defined
"Consonantal Deterrence." Ringel, Harvey. V, No. 2
(Nov.-Dec. 1948), p. 8.
Dipthongs .
"Phonetics." Arkebauer, George Gerhard. V, No. 3 (Jan.—Feb.
1949), p. 6.
"Singing English." Thomson, Virgil. IX, No. 5 (May-June 1953),
p. 17.
"Vowel Vanish - A Vocal Deterrent." Ringel, Harvey. IV, No. 1
(Sept.—Oct. 1947), p. 3.
Elision
"Singing in English." Rogers, Francis. X, No. l (Sept.—Oct.
1953), p. 21.
English
"Singing English." Thomson Virgil. IX, No. 5 (May-June 1953),
p. 17.
"Singing in English." Rogers, Francis. X, No. 1 (Sept.-Oct.
1953), p. 13.
Enunciation
"Diction - What it is." Wheeler, William. VII, No. 5
(April—May 1951), p. 7.
"Phonetics." Arkebauer, George Gerhard. V, No. 3 (Jan.—Feb.
1949), p. 6.
Enunciation and interpretation
"Your Pupil and his Artistic Development." Swing, Dolf. IX,
No. 5 (May-June 1953), p. 15.
Enunciation defined
"Consonantal Deterrence." Ringel, Harvey. V, No. 2
(Nov.—Dec. 1948), p. 8.
"Singing in English." Rogers, Francis. X, No. 1 (Sept.-Oct.
1953), P. 13.
Exaggeration necessary
"Diction." Green, Spencer. IV, No. 6 (June-July 1948), p. 2.
"Diction." Sharnova, Sonia. 111, No. 6 (June-July 1947), p. 4.
In foreign languages
"Diction." Sharnova, Sonia. III, No. 6 (June-July 1947), p. 4.
"Song Recitals in English?" Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 4.
"Loose jaw," value of
"Consonantal Deterrence." Ringel, Harvey. V, No. 2
(Nov.-Dec. 1948), p. 10.

31

Diction--continued
Muscle tension and
"Diction." Sharnova, Sonia. III, No. 6 (June-July 1947), p. 4.
Rigid jaw and
"Consonantal Deterrence." Ringel, Harvey. V, No. 2 (Nov.-Dec.
1948), p. 8.
Sibilents
"Singing in English." Rogers, Francis. X, No. l (Sept.-Oct.
1953), P. 13.
Tongue action and
"Tongue Action and Diction." McCollin, Paul. IV, No. 4
(Feb.-March 1948), p. 3.
Vowels (See also Singing, vowels and Vowels)
"Methodology and Terminology." Mowe, Homer G. IX, No. 1
(Sept.-Oct. 1952), p. 14, 15.
"Phonetics." Arkebauer, George. V, No. 3 (Jan.-Feb. 1949), p. 6.
"Principles of Voice Therapy as Applied to Teaching." Brown,
Oren Lathrop. IX, No. 5 (May-June 1953), p. 16, 21.
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.—Feb. 1954), p. 2.
"Singing English." Thomson, Virgil. IX, No. 5 (May-June 1953),
p. 17.
"Vowel Vanish - A Vocal Deterrent." Ringel, Harvey. IV, No. 1
(Sept.-Oct. 1947), p. 3.
Difference tone
"Some Things a Voice Teacher Should Know About Sound." LOng,
Newell H. IX, No. 4 (March-April 1953), p. 16.
Dow Chemical Company
"Industrial Music." N.A.T.S. Editor. V, No. 2 (Nov.—Dec. 1948),
p. 7.
Drake Test of Musical Talent
"The Choral Conductor." Woodruff, Harvey L. X, No. 1
(Sept.-Oct. 1953), p. 16.
Drama
"The Case for the Municipal Support of Music and Drama."
Gerry, Arthur. VIII, No. 2 (Nov.-Dec. 1951), p. 13.
Dunn, James P.
"American Song Literature — The Awakening and Developing of
National Song Consciousness (l850-l925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 16.
Dvorak, Antonin .
"Choosing Solos for the Worship Service." Nicholas, Louis.
IX, No. 4 (March—April 1952), p. 12.
Dwight's Journal
"Yesterday and Today." Spectator, The. VII, No. 6 (June—July
1951), p. 21.
Easter cycle
"The Meaning of the Church Year." Sonnack, Paul G. VIII,
No. 4 (March-April 1952), p. 4, 18.
Ebert, Dr. Carl
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954),
p. 16.

32

Edinburgh Festival
"Echoes of European Festivals.‘
(Jan.-Feb. 1952), p. 4.
Edison, Thomas A.
Study on vibrato
"The physiology of Vibrato.
(Jan.-Feb. 1953), p. 14.
Educational Psychology
"Some Practical Aspects of Educationaersychology."
De Young, Richard. IX, No. 3 (Jan.-Feb. 1953), p. 7.
Electronic instruments
"1 Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X, No. 3
(Jan.-Feb. 1954), p. 7.
Electronic recording
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.-Feb. 1954), p. 16.
Ellis, Dr. Alexander J.
History of pitch changes
"Musical Pitch and the Musician of Today." Wilson, Arthur.
X, No. 2 (Nov.-Dec. 1953), p. 6.

Douglass, Ruth. VIII, No. 3

H

Westerman, Kenneth N. IX, No. 3

English
Pronunciation in singing
"Dialects and English Pronunciation in Singing." York, wynn.
VII, No. 4 (Feb.-March 1951), p. 11.
"Singing English." Thomson, Virgil. IX, No. 5 (May-June 1953),
p. 17.
Suitability for singing
"Translations and Singing in English." Dalton, Sydney. X,
No. 2 (Nov.—Dec. 1953), p. 16.
Enunciation (See Diction and Singing, pronunciation.)
Epiphany
"The Meaning of the Church Year." Sonnack, Paul G. VIII, No. 4
(March-April 1952), p. 4.
Ethics
"Ethics." Editorial. IX, No. 2 (Nov.-Dec. 1952), p. 21.
Europe
"Yale Glee Club 1949 Concert Tour of Europe." Bartholomew,
Marshall. VI, No. 3 (Dec. 1949-Jan.l950), p. 6.
Falsetto
"Falsetto — The Key to the High Voice." Noss, William E.
V, No. 3 (Jan.-Feb. 1949), p. 5.
False vocal chords
"Medical Aspects of Voice Therapy." Brewer, David, M.D. IX,
No. 4 (March—April 1953), P. 7.
Fauré, Gabriel
"The French Impressionistic Song." Luckstone, Harold D.
VII, No. 2 (Nov.-Dec. 1950), p. 4.
Fermin, Adelin
"John Charles Thomas Speaks." Thomas, John Charles. VII,
No. 5 (April—May 1951), p. 8.

33

Ferri, Baldassare
"The Physiology of Vibrato." Westerman, Kenneth N. IX, No. 3
(Jan.-Feb. 1953), p. 14.
Folk festivals
"Our Music Education and the Folk Song." Carson, Leon. VIII,
No. 3 (Jan.-Feb. 1952), p. 23.
Folk singers
Legacy to vocal pedagogy
"From Speech to Song." Williams, Cratis. X, No. 2 (Nov.-Dec.
1953), p. 8.
Folk song
"Music of the People." Walls, Robert B. VII, No. 2 (Nov.-Dec.
1950), p. 10.
"Our Music Education and the Folk Song.’
No. 3 (Jan.-Feb. 1952), p. 23.
Characteristics of
"Music of the People." walls, Robert B. VII, No. 2 (Nov.-Dec.
1950), p. 10.
Contributions of, to singer's art
"Music of the People." walls, Robert B. VII, No. 2 (Nov.-Dec.
1950), p. 10.
Foote, Arthur William
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April—May 1951), p. 16.
Ford, Thomas
"The Songs of Peter warlock." Selfridge, Cecil Blanchard.
X, No. 3 (Jan.-Feb. 1954), p. 18.
Formant resonance (See Vowel formants.)
French Song
"The French Art Song - An Analysis." Luckstone, Harold C.
X, No. 4 (May 1954), p. 19.
"The French Impressionistic Song." Luckstone, Harold C. VII,
No. 2 (Nov.-Dec. 1950), p. 4.
Frequency (See also Sound and Acoustics.)
"Some Things a Voice Teacher Should Know About Sound."
Long, Newell H. IX, No. 4 (March-April 1953), p. 6.
Fulbright Scholarships Announcement
"Fulbright Scholarships." VII, No. 5 (April-May 1951), p. 23.
Fundamental
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.-Oct. 1951), p. 8.
Garcia, Pauline
"Old Methods of Voice Training Versus New Ones.” DeBidoli,
Mme. Emi. III, No. 4 (March-April 1947), p. 3.
Gautier, Mme. Eva
"More About Charles Tomlinson Griffes." Anonymous. X, No. 2
(Nov.-Dec. 1953), p. 23.
German Song (See Lieder.)
Gilbert and Sullivan
"Light Opera as a Training Ground for Young Singers."
Wadsworth, F. Handel. III, No. 5 (May 1947), p. 4.

' Carson, Leon. VIII,

34

Glass Harmonium
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 12.
Glottal stroke
"Diction." Green, Spencer. IV, No. 6 (June-July 1948), p. 2.
Glottis
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March-April 1949), p. 2.
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.—Oct. 1951), p. 23.
Goldowsky, Boris '
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
Gram, Hans
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April—May 1951), p. 14.
Grand Opera (See opera.)
Grass Roots Opera Company
"Grass Roots Opera in America - Some Questions and Answers."
Fletcher, A. J. VIII, No. 5 (May-June 1952), p. 18.
"To the Voice Teachers of America." Fletcher, A. J. VIII,
No. 3 (Jan.—Feb. 1952), p. 18.
Gregorian chant (See also Plain-song.)
"Cantate Domini." Henderson, Sister Sabina Mary. VIII, No. 2
(Nov.-Dec. 1951), p. 19.
Griffes, Charles Tomlinson
"American Song Literature - The Awakening and Developing of
National Song Consciousness (l850-l925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 20.
"Charles Tomlinson Griffes (1884—1920)." Haywood, Frederick.
X, No. l (Sept.-Oct. 1953), p. 8.
"More About Charles Tomlinson Griffes." Anonymous. X, No. 2
(Nov.-Dec. 1953), p. 23.
Gurney, Ivor
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard. X,
No. 3 (Jan.-Feb. 1954), p. 18.
Hadley, Henry
"American Song Literature — The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 18.
Hagemen, Richard
"American Song Literature — The Awakening and Developing of
National Song Consciousness (l850-l925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 20.
Handel
Pitch of tuning fork owned by
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Nov.-Dec. 1953), p. 6.
Harmonic series (See also harmonics, overtones and overtone structure.)
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March—April 1953), p. 6.

35

Harmonics (See also Overtone structure and overtones.)
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.-Oct. 1951), p. 8.
Barrel, Mack
"Singing English." Thomson, Virgil. IX, No. 5 (May—June 1953),
p. 17.
Hawaii
"Honolulu Vignettes." Raymond, Rita. V, No. 2 (Nov.-Dec. 1948),
p. 9.
Head voice
Overemphasis on use of, by children
"Training the Young Voice." Samuel, John O. VII, No. 2
(Nov.-Dec. 1950), p. 8.
Health
"Hygienics of the Voice." Lester, John. VI, No. 5 (April-May
1950), p. 6.
Heinrich, Father
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April—May 1951), p. 15.
Henderson, William J.
"Translations and Singing in English." Dalton, Sydney. X,
No. 2 (Nov.-Dec. 1953), p. 16.
On messa di voce
"A Musical Approach to Singing." Theman, Karl. IV, No. 4
(Feb.-March 1948), p. 5.
Hensheimer, H. W.
"To the Voice Teachers of America." Fletcher, A. J. VIII,
No. 3 (Jan.-Feb. 1952), p. 18.
Heseltine, Peter (See Warlock, Peter.)
High School Music
"A Nationwide Survey on High School Music.’
IX, No. 5 (May—June 1953), p. 19.
Hirsch, Dr. Ira J.
"The Saint Louis Convention.” Huls, Helen Steen. IX, No. 3
(Jan.-Feb. 1954), p. 2.
Holden, Oliver
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April—May 1951), p. 14, 15.
Holyoke, Samuel
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April—May 1951), p. 14.
Hook, James
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 14.
Hopkinson, Francis
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 12, 14.
Horsman,.Edward
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 20.

Huls, Helen Steen.

36

Howells, Herbert
"Echoes of European Festivals." Douglass, Ruth. VIII, No. 3
(Jan.-Feb. 1952), p. 4.
Humming
"Falsetto — The Key to the High Voice.” Noss, William E. V,
No. 3 (Jan.-Feb. 1949), p. 5.
"Vocal Technique in the Sight-singing Class." York, wynn. IX,
No. l (Sept.-Oct. 1952), p. 4.
Imagery
"Aural and Visual Imagery in Music Reading." Nichols, Marjorie
R. X, No. 4 (May 1954), p. 7.
Impressionism
"The French Art Song - An Analysis." Luckstone, Harold C. X,
No. 4 (May 1954), p. 6.
"The French Impressionistic Song." Luckstone, Harold C. VII,
No. 2 (Nov.-Dec. 1950), p. 4.
Industrial music
"Industrial Music." N.A.T.S. Editor. V, No. 2 (Nov.-Dec. 1948),
p. 7.
Institute of Opera
"Grass Roots Opera in America - Some Questions and Answers."
Fletcher, A. J. VIII, No. 5 (May-June 1952), p. 18.
Instrumentalists
"Responsibilities of the Coach on Song Literature Toward
Teacher and Singer." Hill, Robert Payson. IX, No. 5
(May—June 1953), p. 14.
Instruments (See Musical instruments.)
Interference
Opposite of resonance
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March—April 1953), p. 6.
International phonetic alphabet
"Dialects and English Pronunciation in Singing." York, Wynn.
VII, No. 4 (Feb.—March 1951), p. 11.
"Song Recitals in English?" Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 16.
Ireland, John
”The Songs of Peter Warlock." Selfridge, Cecil Blanchard.
X, No. 3 (Jan.—Feb. 1954), p. 19.
Italian Songs
Compared to French
"The French Art Song - An Analysis." Luckstone, Harold C. X,
No. 4 (May 1954), p. 6.
Italy
"Impressions of Italy and its Music, Today." Sturani, Cesare.
VIII, No. 4 (March-April 1952), p. 22.
Ives, Charles
”The Song: Problems of Composer and Performer Today." Alter,
Martha. VII, No. 5 (ApriléMay 1951), p. 4.

37

Johnson, Thor
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X,
No. 3 (Jan.-Feb. 1954), p. 7.
Jullien
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 15.
Kirsten, Dorothy
"Should We Teach Present Day Methods of Singing P0pu1ar Songs?"
Tanner, Earle. VIII, No. 3 (Jan.—Feb. 1952), p. 22.
Kramer, A. Walter
"American Song Literature — The Awakening and Developing of
National Song Consciousness (l850-1925)." Carson, Leon.
VII, No. 5 (April—May 1951), p. 22.
Lamperti, Francesco
"Present Day Teacher Reviews Lamperti." Guarino, Anthony.
VIII, No. 2 (Nov.-Dec. 1951), p. 21.
Language
Development of
"Methodology and Terminology." Mowe, Homer G. IX, No. 1
(Sept.-Oct. 1952), p. 15.
Lanza, Mario
"Should We Teach Present Day Methods of Singing Popular Songs?"
Tanner, Earle. VIII, No. 3 (Jan.-Feb. 1952), p. 22.
Laryngeal muscles
"Some Thoughts for the Singer — An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p. 14.
Laryngitis
”The Importance of Vowel Sounds and their Modification in
Producing Good Tone." Treash, Leonard. IV, No. 2 (Nov.—
Dec. 1947), p. 3.
Larynx
"Falsetto - The Key to the High Voice." Noss, William E. V,
No. 3 (Jan.—Feb. 1949), p. 5.
"Hygienics of the Voice." Lester, John. VI, No. 5 (April-May
1950), p. 6.
"Principles of Voice Therapy as Applied to Teaching.” Brown,
Oren Lathrop. IX, No. 5 (May-June 1953), p. 16.
Cancer of
"Medical Aspects of Voice Therapy." Brewer, David W., M. D.
IX, No. 4 (March-April 1953), p. 8.
Functions of
"Medical Aspects of Voice Therapy." Brewer, David W., M. D.
IX, No. 4 (March-April 1953), p. 7.
Position and pitch
"Resonation." Westerman, Kenneth N. V, No. 5 (May—June 1949),
p. 2.
Position during singing
"Fundamentals that Govern Singing." Stephens, Percy Rector.
II, No. 4 (May-June 1946), p. 3.
"Phonation." Gould, Herbert. V, No. 5 (May-June 1949), p. 6.

38

Larynx--continued
Position during singing_—continued ‘
"Thoughts on Muscular Coordination." Crawford, Hadley R. VIII,
No. l (Sept.-Oct. 1951), p. 14, 23.
La Scala
"Impressions of Italy and its Music, Today." Sturani, Cesare.
VIII, No. 4 (March-April 1952), p. 22.
Learning
Conditioning in, Definition of, Drill in, Error correction, Fatigue
curve in, Loss of, Memorizing
"Some Psychological Principles Involved in the Teaching of
Singing." Fox, William H. VII, No. 1 (Sept.-Oct. 1950),
p. 8, 9.
Memorizing songs
"Singing in English." Rogers, Francis. X, No. 1 (Sept.-Oct.
1953), p. 21.
Motivational devices, Stimulus and response in, Theories, Transfer
of
"Some Psychological Principles Involved in the Teaching of
Singing." Fox, William H. VII, No. l (Sept.-Oct. 1950),
p. 8. '
Lent
"The Meaning of the Church Year." Sonnack, Paul G. VIII, No. 4
(March—April 1952), p. 4.
Leukoplakia
"Medical Aspects of Voice Therapy." Brewer, David W. M. D.
IX, No. 4 (March-April 1953), p. 8.
Lieder
"Hugo Wolf (1860-1903)." Editorial. IX, No. 4 (March-April
1953), p. 11.
"Song Recitals in English?" Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 4.
Compared to French song
"The French Art Song - An Analysis." Luckstone, Harold C.
X, No. 4 (May 1954), p. 6.
For men
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), p. 16. '
For women
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), p. 16.
Translations into English advocated
"Translations and Singing in English." Dalton, Sydney. X,
No. 2 (Nov.-Dec. 1953), p. 17.
Liszt, Franz
Originator of memorized performance
"Thoughts on Memorizing." Hardy, Lee. VII, No. 6 (June-July
1951), p. 16.
Liturgical Year
"The Meaning of the Church Year." Sonnack, Paul G. VIII,
No. 4 (March-April 1952), p. 4.

39

Liturgy
"Cantate Domini." Henderson, Sister Sabina Mary. VIII, No. 2
(Nov.-Dec. 1951), p. 19.
Loeffler, Charles Martin
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 20.
Lyon, James
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 14.
MacDowell, Edward
"American Song Literature - The Awakening and Developing of
National Song Consciousness (l850-l925)." Carson, Leon.
VII, No. 5 (April—May 1951), p. 18.
Mahler, Gustav
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), p. 16.
Malotte, Albert Hay
"Choosing Solos for the WOrship Service." Nicholas, Louis. IX,
No. 4 (March-April 1953), p. 12.
Manet
"The French Impressionistic Song." Luckstone, Harold C. VII,
No. 2 (Nov.-Dec. 1950), p. 4.
Marchesi
"Bricks Without Straw." Schmidt, Reinhold. X, No. 3 (Jan.-Feb.
1954), p. 6.
Mason, Lowell
"Voice Classes in High Schools.‘
(May 1947), p. 5.
Memorization
Value of, for song performance
"Thoughts on Memorizing." Hardy, Lee. VII, No. 6 (June-July
1951), p. 16.
Memorizing (See also Learning, memorizing.)
Of songs
"Singing in English." Rogers, Francis. X, No. l (Sept.-Oct.
1953), p. 21.
"Thoughts on Memorizing." Hardy, Lee. VII, No. 6 (June-July
1951), p. 16.
Mendelssohn
On oratorio performance
"Comments on Oratorio." Greenfield, Alfred. VIII, No. 4
(March-April 1952), p. 15.
Messa di voce
"A Musical Approach to Singing." Theman, Karl. IV, No. 4
(Feb.-March 1948), p. 5.
Metropolitan Opera Company (See New York Metropolitan Opera Company.)
Miracle play (See Mystery play.)
Mbnotone
"Experiences and an Experiment with Boys' Voices.‘ Bowen,
George Oscar. VIII, No. 1 (Sept.-Oct. 1951), p. 15.

' Pierce, Anna E. 111, No. 5

40

Monteux, Pierre
"Mbre About Charles Tomlinson Griffes." Anonymous. X, No. 2
(Nov.—Dec. 1953), p. 23.
"Vocal Studies and an Operatic Career." Adler, Kurt Herbert.
VII, No. 6 (June-July 1951), P. 7.
Moore, Thomas
"The Songs of Peter warlock." Selfridge, Cecil Blanchard. X,
No. 3 (Jan.-Feb. 1954), p. 19.
Moral Rearmament Chorus
"Echoes of European Festivals." Douglass, Ruth. VIII, No. 3
(Jan.-Feb. 1952), p. 4.
Moussorgsky, Modest
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), p. 16.
Influence on Warlock
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard.
X, No. 3 (Jan.—Feb. 1954), p. 19.
Movies
Dubbing of voices in
"The Singer and Television." Beier, Carl. VIII, No. 5
(May-June 1952), p. 2. '
Muscle coordination (See also Singing, Muscle actions in)
"Thoughts on Muscular Coordination." Crawford, Hadley R. VIII,
No. 1 (Sept.-Oct. 1951), p. 14.
Muscle tension and diction
"Diction." Sharnova, Sonia. III, No. 6 (June-July 1947), p. 4.
Music (See also Song.)
American (See also American Song.)
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April—May 1951), p. 14.
"Leaders Accountable for America's Music Future."
The Composers-Authors Guild. III, No. 3 (Jan.-Feb. 1947),
p. 1.
"Yesterday and Today." The Spectator. VII, No. 6 (June—July
1951), p. 21.
American popular
"Leaders Accountable for America's Music Future." The
Composers-Author's Guild. III, No. 3 (Jan.-Feb. 1947), p. 4.
As science
"Why Not a Logical Terminology in Music?" Hardy, Lee. VI,
No. 2 (Oct.-Nov. 1949), p. 7.
Effect of technology on
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X,
No. 3 (Jan.-Feb. 1954), p. 8.
Effect on listener and performer
"Nature's Law of Voice - Correct Pitch Control." Dunkley,
Ferdinand. III, No. 2 (Nov.-Dec. 1946), p. 3.
Elective in high school curriculum
"Voice Pupils and Musicianship." Bowen, George Oscar. IV,
No. 3 (Jan. 1948), p. 3.

41

Music--continued
Electronic (See Electronic Music.)
Careers in
"The Voice Student as a Music Educator." Mayfield, Alpha
Corinne. VII, No. 6 (June—July 1951), p. 8.
French
"The French Art Song — An Analysis." Luckstone, Harold C. X,
No. 4 (May 1954), p. 19.
Government support for
"The Case for the Municipal Support of Music and Drama."
Gerry, Arthur. VIII, No. 2 (Nov.-Dec. 1951), p. 13.
Greek
"Contemporary Singing is Declining - Or Is It?" Rice, William C.
VIII, No. 4 (March-April 1952), p. 19.
High school (See Music Education, High School Music.)
Influence for good on young people
"Music in the Postwar World." Toren, E. Clifford. 111, No. 5
(May 1947), p. 3.
Italian
"Impressions of Italy and its Music, Today." Sturani, Cesare.
VIII, No. 4 (March-April 1952), p. 22.
Performance standards influenced by electronic media
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X,
No. 3 (Jan.-Feb. 1954), p. 7.
Physics and acoustics of
"Fundamental Requirements for Teachers of Singing." N.A.T.S.
Advisory Committee on Vocal Education. V, No. l (Sept.-Oct.
1948), p. 1.
Popular
"Should We Teach Present Day Methods of Singing Popular Songs?"
Tanner, Earle. VIII, No. 3 (Jan.-Feb. 1952), p. 22.
Role of in post war world
"Music in the Postwar World." Toren, E. Clifford. III, No. 5
(May 1947), p. 3.
Sacred (See Sacred Music.)
Terminology of
"Why Not a Logical Terminology in Music?" Hardy, Lee. VI, No.2
(Oct.-Nov. 1949), p. 7.
Twentieth Century
"1 Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X, No. 3
(Jan.—Feb. 1954), p. 7, 8.
Twentieth century French I
"The French Art Song - An Analysis." Luckstone, Harold C. X,
No. 4 (May 1954), p. 19. -
Value of, in human culture
"Music in the Postwar World." Toren, E. Clifford. III, No. 5
(May 1947), p. 3.
Vehicle of human expression
"Music in the Postwar World." Toren, E. Clifford. III, No. 5
(May 1947), p. 3.

42

Music critics
"Quality in Singing." Gutekunst, Carl. IX, No. 2 (Nov.-Dec.
1952), p. 14.
"Singing in its Elementary and Other Aspects.’
IX, No. 3 (Jan.-Feb. 1953), p. 23.
Music education (See also Music educators.)
"Our Music Education and the Folk Song." Carson, Leon. VIII,
No. 3 (Jan.-Feb. 1952), p. 23.
"Report to the Membership of the National Association of
Educators." Vocal Education Committee of the National Associa-
tion of Teachers of Singing. VIII, No. 5 (May-June 1952),
p. 22.
Elementary school music program
"Aural and Visual Imagery in Music Reading." Nichols, Marjorie
R. X, No. 4 (May 1954), p. 7.
High school music
"A Nationwide Survey on High School Music.” Huls, Helen Steen.
IX, No. 5 (May-June 1953), p. 19.
"Secondary School Music - A Resumé of the Field Survey."
Huls, Helen Steen. IX, No. 3 (Jan.-Feb. 1953), p. 6.
Responsibility to raise cultural standards
"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.-Dec. 1952),
p. 19.
Subject matter as important as pedagogy in
"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.-Dec. 1952),
p. 19.
Music educators (See also Music teachers.)
Importance of good training for
"Problems of the Choral Singer and Conductor." Seitz, Harry w.
VIII, No. 5 (May-June 1952), p. 12.
Opinions of
"A Nationwide Survey on High School Music." Huls, Helen Steen.
IX, No. 5 (May-June 1953), p. 19.
Preparation as teachers of voice
"Voice Classes in High Schools." Pierce, Anne E. III, No. 5
(May 1947), p. 5.
Responsibility of
"The Voice Student as a Music Educator." Mayfield, Alpha Corinne.
VII, No. 6 (June-July 1951), p. 8.
Stressing of vocal skills needed
"Voice Classes in High Schools." Pierce, Anne E. III, No. 5
(May 1947), p. 5.
Music Educators National Council
"Current Standards for the Voice Major in Music Education."
Harlan, H. Grady. VI, No. 4 (Feb.—March 1950), p. 7.
Music Festivals
"Echoes of European Festivals." Douglass, Ruth. VIII, No. 3.
(Jan.-Feb. 1952), p. 4.
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954),
p. 16.

' Durgin, Cyrus.

43

Music History
Nineteenth century American
"Yesterday and Today." The Spectator. VII, No. 6 (June-July
1951), p. 21.
Music publishers
Early American
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 14.
Music reading (See also Sight singing.)
"Aural and Visual Imagery in Music Reading." Nichols, Marjorie
R. X, No. 4 (May 1954), p. 7.
"Problems of the Choral Singer and Conductor." Seitz, Harry W.
VIII, No. 5 (May—June 1952), p. 12.
"Vocal Technique in the Sight—Singing C1ass.'
IX, No. l (Sept.-Oct. 1952), p. 4.
"Voice Pupils and Musicianship." Bowen, George Oscar. IV,
No. 3 (Jan. 1948), p. 3.
Music review (See the following volumes and entries.)

1

York, Wynn.

IX, No. 1 (Sept.-Oct. 1952), p. 22.
IX, No. 2 (Nov.—Dec. 1952), p. 22.
IX, No. 3 (Jan.-Feb. 1953), p. 22.
IX, No. 4 (March-April 1953), p. 22.
IX, No. 5 (May-June 1953), p. 22.

X, No. l (Sept.-Oct. 1953), p. 22.
X, No. 2 (Nov.-Dec. 1953), p. 22.
X, No. 3 (Jan.-Feb. 1954), p. 22.
X, No. 4 (May 1954), p. 22.

Music teachers (See also Music educators.)
Licensing and taxing of
"A Grave Warning." Anonymous. V, No. 3 (Jan.—Feb. 1949), p. 4.
"Regulating the Vocal Teacher." N.A.T.S. Editor. IV, No. 6
(June-July 1948), p. 4.
Training of
"Current Standards for the Voice Major in Music Education."
Harlan, H. Grady. VI, No. 4 (Feb.-March 1950), p. 7.
Music theory
Integrated course in writing, ear training and performance
"Vocal Musicianship." Angell, Warren M. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 9.
Music therapy
"Music in Therapy." Anonymous. 111, No. 3 (Jan.—Feb. 1947),
p. 4.
Musical comedy
"Our Young Singers and the Theatre." Allers, Franz. VIII, No.
(Sept.-Oct. 1951), p. 7.
Musical instruments (See also Ancient instruments.)
Historical development of
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Nov.-Dec. 1953), p. 14.
Historical notes on brass instruments
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Nov.-Dec. 1953), p. 7.

44

Musical keys
Psychological effects of

"Yesterday and Today." The Spectator. VIII, No. 2 (Nov.-Dec.

1951), p. 17.
Musical talent

"Bricks Without Straw." Schmidt, Reinhold. X, No. 3 (Jan.-Feb.
1954), P. 6.

"Singing in its Elementary and Other Aspects." Durgin, Cyrus.
IX, No. 3 (Jan.-Feb. 1953), p. 19.

Musical taste

"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.—Dec. 1952),
p. 7.

"Leaders Accountable for America's Future." The Composers-
Authors Guild. III, No. 3 (Jan.-Feb. 1947), p. 1.

U.S.A., Dominated by tradition of Foreign music

"Leaders Accountable for America's Music Future." The

Composers—Authors Guild. III, No. 3 (Jan.-Feb. 1947), p. 1.
Musicians

"Music in the Postwar World.” Toren, E. Clifford. III, No. 5

(May 1947), p. 3.
Musicianship

"Is Choral Experience Essential to the Training of the Serious
Voice Student?" Heyne, William. VIII, No. 3 (Jan.-Feb.
1952), p. 14.

Defined

"The Relation of Musicianship to Vocal Technique." Geist,
Melvin H. VI, No. 1 (Sept. 1949), p. 2.

"Responsibilities of the Coach on Song Literature toward
Teacher and Singer." Hill, Robert Payson. IX, No. 5
(May-June 1953), p. 7.

Lack of as hindrance to performance

"The Relation of Musicianship to Vocal Technique." Geist,
Melvin H. VI, No. 1 (Sept. 1949), p. 2.

Necessity for voice students

"Voice Pupils and Musicianship.‘
No. 3 (Jan. 1948), p. 3.

Relationship to vocal technique

"The Relation of Musicianship to Vocal Technique." Geist,

Melvin H. VI, No. 1 (Sept. 1949), p. 2.
Myer, Edmund J.
Breathing exercises by

"Rhythm and Relaxation in Breathing." Garlinghouse, Burton.

VII, No. 4 (Feb.-March 1951), p. 2.
Mystery plays

"Christmas Carols." Douglass, Ruth. X, No. 2 (Nov.—Dec. 1953),
p. 4.

National Association of American Composers

"Problems of the Choral Singer and Conductor." Seitz, Harry w.
VIII, No. 5 (May-June 1952), p. 12.

' Bowen, George Oscar. IV,

45

National Association of Schools of Music
Practice requirements recommended by
"Report of the Committee on Practice Regulations." N.A.T.S.
Committee on Practice Regulations. IV, No. 6 (June—July
1948), p. 6.
Standards for education of public school music teachers
"Current Standards for the Voice Major in Music Education."
Harlan, H. Grady. VI, No. 4 (Feb.—March 1950), p. 7.
National Association of Teachers of Singing
Benefits of membership
"The Benefits of National Association Membership." De Young,
Richard. VIII, No. 5 (May—June 1952), p. 16.
"Bulletin" and non-member subscribers
"What N.A.T.S. Can Mean to the Non-Member Subscriber." Larson,
C. Robert. IX, No. 5 (May-June 1953), p. 23.
Bylaws
I, No. 1 (Oct. 1944), p. 4.
Bylaws amendment
II, No. 3 (March—April 1946), p. 2.
V, No. 3 (Jan.-Feb. 1949), p. 4.
IX, No. 2 (Nov.-Dec. 1952), p. 24.
X, No. l (Sept.-Oct. 1953), p. 24.
Bylaws amendment pr0posed
II, No. 2 (Dec. 1945), p. 2.
V, No. 2 (Nov.-Dec. 1948), p. 11.
Code of Ethics
VII, No. 6 (June-July 1951), p. 23.
Goals of
"American Song Literature. . . Introductory Remarks of the
Presiding Chairman." Wilkerson, Frederick D. VII, No. 5
(April-May 1951), p. 12.
Members who are authors (with books listed)
IV, No. 4 (Feb.-March 1948), p. 4.
VIII, No. 5 (May-June 1952), p. 23.
Membership eligibility
I, No. 3 (April 1945), p. 4.
National Study Group Plan
"The National Study Group Plan - A Review." Leslie, Grace.
IX, No. 4 (March-April 1953), p. 19.
"The National Study Group Plan." Leslie, Grace. X, No. 2
(Nov.-Dec. 1953), p. 18.
Obituaries
Althouse, Paul Shearer. X, No. 3 (Jan.-Feb. 1954), p. 24.
Atkinson, Lucy. II, No. 4 (May-June 1946), p. 2.
Bachner, Louis. 11, No. 3 (March-April 1946), p. 2.
Bassian, Mme. Alexia. IV, No. 5 (April-May 1948).p. 8.
Beach, Mrs. H. H. A. I, No. 2 (Jan. 1945), p. l.
Bevani, Coe-Martin. X, No. 4 (May 1954), p. 24.
Boice, Susan S. II, No. 3 (March-April 1946), p. 2.
Borbridge, Beatrice. VI, No. 4 (Feb.-March 1950), p. 5.
Breedy, Paul J. II, No. 2 (Dec. 1945), p. 2.
Bronson, Bernhardt. X, No. 3 (Jan.—Feb. 1954), p. 24.

46

N.A.T.S.--continued
Obituaries--continued

Burroughs, Jane Johnson. IX, No. 3 (Jan.-Feb. 1953), p. 17.
Cassady, Miss Harriet. IV, No. 5 (April—May 1948), p. 8.
Cianfoni, Cesar. VI, No. 4 (Feb.-March 1950), p. 5.
Clauss, Juanita Kilbourn. IX, No. 4 (March-April 1953), p. 24.
Coleman, Margaret. X, No. 1 (Sept.-Oct. 1953), p. 24.
Crittenden, Dr. Ray. VI, No. 1 (Sept. 1949), p. 8.
Cuthbert, Frank. V, No. 3 (Jan.-Feb. 1949), p. 3.
Daniell, Madge. VI, No. 5 (April-May 1950), p. 5.
De Sellem, Miss Elaine. I, No. 2 (Jan. 1945), p. 2.
Diefenthaeler, Fleetwood A. VIII, No. 5 (May-June 1952), p. 25.
Dobkin, Dmitry. X, No. 3 (Jan.-Feb. 1954), p. 24.
Ellis, Fred G. VIII, No. 2 (Nov.-Dec. 1951), p. 25.
Evans, Evan. X, No. 3 (Jan.—Feb. 1954), p. 24.
Evans, Henry Thomas. III, No. 4 (March-April 1947), p. 2.
Fergusson, Mr. George. III, No. 5 (May 1947), p. 2.
Fox, Bertram J. II, No. 3 (March-April 1946), p. 2.
Gandell, Mr. Shirley M. K. III, No. l (Sept.-Oct. 1946), p. 2.
Gardner, Gail. V, No. 5 (May-June 1949), p. 7.
Garrett, Edward. VII, No. 4 (Feb.-March 1951), p. 11.
Grasso, Francesco. IX, No. 5 (May-June 1953), p. 22.
Griffith, Blanche N. X, No. 3 (Jan.-Feb. 1954), p. 24.
Harris, Anna Graham. X, No. l (Sept.—Oct. 1953), p. 24.
Haskell, Blanche. VIII, No. 2 (Nov.-Dec. 1951), p. 25.
Henke, Margaret. X, No. 4 (May 1954), p. 24.
Hoffman, Mr. John A. III, No. 2 (Nov.—Dec. 1946), p. 2.
Hoskins, Jessie. X, No. l (Sept.-Oct. 1953), p. 24.
Jackson, Archibald. II, No. 3 (March—April 1946), p. 2.
Johnson, Hardesty. VIII, No. 5 (May-June 1952), p. 25.
Jolliffe, R. Norman. V, No. 5 (May-June 1949), p. 7.
Kiesewetter, Walter. V, No. 3 (Jan.-Feb. 1949), p. 3.
Kingsbury, Ethelwynne. IV, No. 1 (Sept.-Oct. 1947), p. 2.
La Forge, Frank. IX, No. 5 (May-June 1953), p. 23, 24.
Liggett, Mary D. VIII, No. 2 (Nov.-Dec. 1951), p. 25.
MacConachie, Margaret Ellen. III, No. 6 (June-July 1947), p. 3.
Maden, Mabel. X, No. 3 (Jan.-Feb. 1954), p. 24.
Maine, Oliv. IX, No. 4 (March-April 1953), p. 24.
Malone, Mary Cornelia. VI, No. 5 (April-May 1950), p. 5.
Meltzer, Edward. VI, No. 5 (April-May 1950), p. 4.
Miller, De Witt P. IV, No. 2 (Nov.-Dec. 1947), p. 2.
Nichols, Mr. John w. III, No, 5 (May 1947), p. 2.
Nilssen, Sigurd. VII, No. 5 (April-May 1951), p. 23.
Prahl, Victor. X, No. 1 (Sept.-Oct. 1953), p. 24.
Reed, Graham. IX, No. 2 (Nov.-Dec. 1952), p. 16, p. 24.
Roderick, Charles Howard. IX, No. 3 (Jan.—Feb. 1953), p. 17.
Rogers, Francis. VII, No. 6 (June-July 1951), p. 18, and 20.
Rousseau, Louis. VI, No. 3 (Dec. 1949-Jan. 1950), p. 12.
Sanchez, Carlos N. VIII, No. 5 (May-June 1952), p. 24.
Schultz, Harry E. X, No. 2 (Nov.-Dec. 1953), p. 24.
Spencer, Janet. V, No. 3 (Jan.-Feb. 1949), p. 3.
Stewart, Blair. IV, No. 2 (Nov.-Dec. 1947), p. 2.

47

N.A.T.S.--continued
Obituaries--continued
Tobin, Hazel F. X, No. 3 (Jan.-Feb. 1954), p. 24.
Torrens, Mrs. L. A. III, No. 1 (Sept.-Oct. 1946), p. 2.
Unruh, David P. VII, No. 3 (Jan.1951), p. 6.
Vaughn, Mme. Bertha. III, No. l (Sept.-Oct. 1946), p. 2.
Wedemeyer, Otto. X, No. 1 (Sept.-Oct. 1953), p. 24.
Weis, Ezra H. F. V, No. 3 (Jan.-Feb. 1949), p. 3.
Wilcox, John C. IV, No. 3 (Jan. 1948), p. 2. (Biographical
article on p. l).
Wirthlin, Miss Rosalie. IV, No. 6 (June-July 1948), p. 8.
Woodside, James. I, No. 4 (June 1945), p. 2.
Worth, Mr. Ernest H. III, No. 3 (Jan.-Feb. 1947), p. 2.
National Association of Teachers of Singing--continued
Objectives of
"The President's Letter." De Young, Richard. V, No. 2
(Nov.—Dec. 1948), p. 2.
Purposes of
"The Benefits of National Association Membership." De Young,
Richard. VIII, No. 5 (May-June 1952), p. 16.
"Singing in its Elementary and Other Aspects." Durgin, Cyrus.
IX, No. 3 (Jan.-Feb. 1953), p. 23.
Requirements for membership
"Cordial Greetings to All Members of N.A.T.S." Wilcox, John C.
I, No. 1 (Oct. 1944), p. 1.
Saint Louis Convention
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.-Feb. 1954), p. 2.
Summer workshop program
"The Summer Workshop — An Inspirational Institution." Stroup,
Maxine. IX, No. 4 (March—April 1953), p. 23.
Value of, for non-member subscriber
"What N.A.T.S. Can Mean to the Non-Member Subscriber."
Larson, C. Robert. IX, No. 5 (May-June 1953), p. 23.
Voice clinics
"The Voice Clinic." Vennard, William. IX, No. 2 (Nov.-Dec.
1952), p. 15.
National Broadcasting Company Opera Theater
"Take A Good Look!" McArthur, Edwin. X, No. 4 (May 1954),
p. 16.
National Federation of Music Clubs
"To the Voice Teachers of America." Fletcher, A. J. VIII, No. 3
(Jan.-Feb. 1952), p. 18.
National Music Council, The
"Post-war Music Program of the National Music Council."
Anonymous. II, No. 3 (March-April 1946), p. 4.
Native Song (See American Song.)
Natural voice
"The Key to Coordination." Lester, John. VIII, No. 2
(Nov.-Dec. 1951), p. 4.

48

Nevin, Ethelbert
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925), Carson, Leon. VII,
No. 5 (April-May 1951), p. 18.
New England Opera Company
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
New York City Center Opera Company
"Take A Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. 1 (Sept.-Oct. 1953), p. 4.
New York Metropolitan Opera
"Take a Good Look!" ‘McArthur, Edwin. X, No. 4 (May 1954), p. 16.
"The Voice Student as a Music Educator." Mayfield, Alpha
Corinne. VII, No. 6 (June—July 1951), p. 8.
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. l (Sept.-Oct. 1953), p. 4.
Niles, John Jacob
"From Speech to Song.‘
1953), p. 8.
Nodes (See Vocal Nodules.)
O'Hara, Geoffrey
"Choosing Solos for the Worship Service." Nicholas, Louis. IX,
No. 4 (March-April 1953), p. 12.
Opera (See also New York City Center Opera and New York Metropolitan
Opera.)
American
"American Song Literature — The Beginnings of American Song."
Armet, Hollace E. VIII, No. 5 (April—May 1951), p. 15.
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 16.
"To the Voice Teachers of America." Fletcher, A. J. VIII,
No. 3 (Jan.-Feb. 1952), p. 18.
American Singers in
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. l (Sept.-Oct. 1953), p. 4.
Italian .
"Impressions of Italy and its Music, Today." Sturani, Cesare.
VIII, No. 4 (March-April 1952), p. 22.
Italian Government support of ‘
"Impressions of Italy and its Music, Today." Sturani, Cesare.
VIII, No. 4 (March-April 1952), p. 22.
Lack of opportunity for young singers in
"Our Young Singers and the Theatre." Allers, Franz. VIII, No. l
(Sept.-Oct. 1951), p. 7.
Opportunities for singing in U.S.A.
"Take A Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
Translations into English
"Song Recitals in English?” Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 4.

' Williams, Cratis. X, No. 2 (Nov.-Dec.

49

Opera (See also New York City Center Opera and New York Metropolitan
Opera.)--continued
Translations into English-~continued
"Translations and Singing in English." Dalton, Sydney. X,
No. 2 (Nov.-Dec. 1953), p. 21.
"Yesterday and Today." The Spectator. VII, No. 6 (June-July
1951), p. 21.
Vocal study and
"Vocal Studies and an Operatic Career." Adler, Kurt Herbert.
VII, No. 6 (June-July 1951), p. 7.
Opera performance
Auditions for
"Vocal Studies and an Operatic Career." Adler, Kurt Herbert.
VII, No. 6 (June-July 1951), p. 7.
"Psychological and Practical Preparation for an Operatic Career."
Curtis, Vera. VIII, No. 2 (Nov.-Dec. 1951), p. 8.
Qualifications for
"Vocal Studies and an Operatic Career." Adler, Kurt Herbert.
VII, No. 6 (June-July 1951), p. 7.
Opera Workshops
"Grass Roots Opera in America - Some Questions and Answers."
Fletcher, A. J. VIII, No. 5 (May-June 1952), p. 18.
"To the Voice Teachers of America." Fletcher, A. J. VIII,
No. 3 (Jan.-Feb. 1952), p. 18, 19.
Operatic career
Experience necessary for
"To the Voice Teachers of America." Fletcher, A. J. VIII, No. 3
(Jan.-Feb. 1952), p. 18.
Language study for
"The Young American Singer and Grand Opera.” Jagel, Frederick.
X, No. l (Sept.-Oct. 1953), p. 4.
Training for
"Psychological and Practical Preparation for an Operatic Career."
Curtis, Vera. VIII, No. 2 (Nov.—Dec. 1951), p. 8.
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. 1 (Sept.-Oct. 1953), p. 4.
Operatic roles
Approach to learning
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. l (Sept.-Oct. 1953), p. 4.
Operetta
"Light Opera as a Training Ground for Young Singers.” Wadsworth,
F. Handel. III, No. 5 (May 1947), p. 4.
Oratorio
"Comments on Oratorio." Greenfield, Alfred. VIII, No. 4
(March-April 1952), p. 15.
"Some Notes on Oratorio." Williams, Justin. IX, No. 5 (May-
June 1953), p. 12.
Orchestras
"The Case for the Municipal Support of Music and Drama."
Gerry, Arthur. VIII, No. 2 (Nov.-Dec. 1951), p. 13.

50

Overtone structure (See also harmonic series, harmonics and overtones.)
"The Phenomenon of Vocal Tone Quality." Borchers, Orville J.
VIII, No. 2 (Nov.-Dec. 1951), p. 15, 24.
Overtones (See also harmonic series, harmonics and overtone structure.)
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2
(Nov.-Dec. 1951), p. 18.
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. l (Sept.-Oct. 1951), p. 8.
Pacchiarotti
"Singing in English." Rogers, Francis. X, No. 1 (Sept.-Oct.
1953), p. 13.
Paget, Sir Richard
"Singing in English." Rogers, Francis. X, No. l (Sept.-Oct.
1953), P. 13.
Paine, John Knowles
"American Song Literature - The Awakening and Deve10ping of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 16.
Painting
"The French Impressionistic Song." Luckstone, Harold C. VII,
No. 2 (Nov.-Dec. 1950), p. 4.
Partials (See harmonic series, harmonics, overtones and overtone
structure.)
Passion settings
"Some Notes on Oratorio.‘
(May-June 1953), p. 12.
Pastoral
Type of French song
"The French Art Song - An Analysis." Luckstone, Harold C.
X, No. 4 (May 1954), p. 19.
Pease, Alfred H.
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850—1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 16.
Pentecost
"The Meaning of the Church Year." Sonnack, Paul G. VIII, No. 4
(March-April 1952), p. 18.
Perfect Voice Institute, The
"Tongue Action and Diction." MacCollin, Paul. IV, No. 4
(Feb.—March 1948), p. 3.
Personality
"The Psychology of Personality and the Teacher of Voice."
Coladarci, Arthur P. VII, No. 4 (Feb.-March 1951), p. 8.
Pfitzner, Hans
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), P. 16.
Phillip, John
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard. X,
No. 3 (Jan.-Feb. 1954), p. 19.
Phonation (See Singing, phonation.)

Williams, Justin. IX, No. 5

51

Phonograph recordings
Oratorio, the scarcity of
"Wanted - More Oratorio Records." Carson, Leon. V, No. 5
(May—June 1949), p. 4.
Physiology
"Phonation." Gould, Herbert. V, No. 5 (May-June 1949), p. 6.
"Teaching Objectives." Taylor, Bernard. VIII, No. l
(Sept.-Oct. 1951), p. 19.
"Vocal Teaching Requires Expert." Elbin, Paul N. IX, No. 2
(Nov.-Dec. 1952), p. 18.
Recommended reference readings on
"Fundamental Requirements for Teachers of Singing." Supplementary
Report of the Advisory Committee on Vocal Education. V, No. 1
(Sept.—Oct. 1948), p. 8.
Pitch
History of
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Sept.-Oct. 1953), p. 6.
Plainsong (See also Gregorian Chant.)
"Some Notes on Oratorio." Williams, Justin. IX, No. 5
(May-June 1953), p. 12.
Plymouth Center of Art and Music
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. l (Sept.-Oct. 1953), P. 4.
Poets
French symbolists
"The French Impressionistic Song." Luckstone, Harold C. VII,
No. 2 (Nov.-Dec. 1950), p. 4.
Popular song
"Should We Teach Present Day Methods of Singing Popular Songs?"
Tanner, Earle. VIII, No. 3 (Jan.-Feb. 1952), p. 22.
Posture (See Singing, posture.)
Practice (See Singing, practice.)
Pronunciation (See Diction. See also Singing, pronunciation.)
Psalms

"Cantate Domini." Henderson, Sister Sabina Mary. VIII, No. 2
(Nov.-Dec. 1951), p. 19.
Psychology

Knowledge of, important to vocal teachers
"Fundamental Requirements for Teachers of Singing: Lecture
Outlines for Extension Courses in Vocal Pedagogy, Series
Two--Orientation Lectures on Psychology for Voice Teachers."
N.A.T.S. Advisory Committee on Vocal Education. V, No. l
(Sept.-Oct. 1948), p. 2.
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1951), p. 19.
Recommended reference readings in
"Fundamental Requirements for Teachers of Singing: Lecture
Outlines for Extension Courses in Vocal Pedagogy, Series
Two-—Orientation Lectures on Psychology for Voice Teachers."
N.A.T.S. Advisory Committee on Vocal Education. V, No. 1
(Sept.—Oct. 1948), p. 8.

52

Psychology of personality
"The Psychology of Personality and the Teacher of Voice."
Coladarci, Arthur P. VII, No. 4 (Feb.-March 1951), p. 8.
Public School Music (See also Music Education and Music Educators.)
"Preliminary Report." N.A.T.S. Committee on Public School Vocal
Affairs, Helen Steen Huls, Chairman. VII, No. 6 (June-July
1951), p. 13.
"Secondary School Music - A Resumé of the Field Survey." Huls,
Helen Steen. IX, No. 3 (Jan.-Feb. 1953), p. 6.
"Voice Pupils and Musicianship." Bowen, George Oscar. IV,
No. 3 (Jan. 1948), p. 3.
Radio
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2
(Nov.-Dec. 1951), p. 18.
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
"Vocal Musicianship." Angell, Warren M. VI, No. 3 (Dec.l949 -
Jan. 1950), p. 9.
Recitative
"Some Notes on Oratorio." Williams, Justin. IX, No. 5 (May-
June 1953), p. 12.
Recreation Music (See Industrial music.)
Reinagle, Alexander
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 15.
Resonance (See also Singing, resonance.)
"The Phenomenon of Vocal Tone Quality." Borchers, Orville J.
VIII, No. 2 (Nov.-Dec. 1951), p. 15.
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March-April 1953), p. 6.
Reverberation
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2 (Nov.-
Dec. 1951), p. 6.
Rhythm
Memory of patterns
"Aural and Visual Imagery in Music Reading." Nichols, Marjorie
R. X, No. 4 (May 1954), p. 21.
Rimsky-Korsakoff
On wind instruments
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Nov.-Dec. 1953), p. 6.
Rogers, Clara Kathleen
"American Song Literature - The Awakening and Developing of
National Song Consciousness (l850-l925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 16.
Rogers, Francis
"Choosing Solos for the Worship Service." Nicholas, Louis. IX,
No. 4 (March-April 1953), p. 12.
Ross, William
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.-Feb. 1954), p. 4, l4.

53

Rubato
Type of French Art Song
"The French Art Song - An Analysis." Luckstone, Harold C. X,
No. 4 (May 1954), p. 6.
Russell, G. Oscar
Vowels, early work on
"Resonation." Westerman, Kenneth N. V, No. 5 (May-June 1949),
p. 8.
Russian song
In translation
"Translations and Singing in English." Dalton, Sydney. X, No. 2
(Nov.-Dec. 1953), p. 21.
"The Sackbut" (a music magazine)
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard. X,
No. 3 (Jan.-Feb. 1954), p. 18.
Sacred Music (See also Church Music.)
"Cantate Domini." Henderson, Sister Sabina Mary. VIII, No. 2
(Nov.—Dec. 1951), p. 19.
"Choosing Solos for the Worship Service." Nicholas, Louis.
IX, No. 4 (March-April 1953), p. 12.
"The Sacred Solo, its Significant Composers and Trends." Coffin,
Berton. VIII, No. 4 (March—April 1952), p. 2.
Style of singing
"Qualifications and Shortcomings of Church Soloists.‘
George. VIII, No. 4 (March-April 1952), p. 14.
Saint Francis of Assisi
"Christmas Carols.’
p. 4.
St. Louis, Missouri
Convention site for N.A.T.S.
"With an Eye to Saint Louis." The Spectator. X, No. 1 (Sept.-
Oct. 1953), p. 2.
Salmond, Felix
"Responsibilities of the Coach on Song Literature Toward Teacher
and Singer." Hill, Robert Payson. IX, No. 5 (May-June 1953),
p. 7.
San Francisco Opera Company
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954),
p. 16.
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. 1 (Sept.-Oct. 1953), p. 4.
Sax, Antoine
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Nov.-Dec. 1953), p. 14.
Sax, Charles
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Nov.-Dec. 1953), p. 14.
Schbnberg, Arnold
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X,
No. 3 (Jan.-Feb. 1954), p. 7.
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), p. 16.

' Newton,

Douglass, Ruth. X, No. 2 (Nov.-Dec. 1953),

 

54

School Music (See Music Education.)
Schubert, Franz
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), p. 16.
Schumann, Robert
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), p. 16.
Schﬁtz, Heinrich
"Some Notes on Oratorio.‘
June 1953), p. 12.
Scriba, Ludwig
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.-Feb. 1953), p. 16.
Seashore, Carl
"The Physiology of Vibrato." Westerman, Kenneth N. IX, No. 3
(Jan.-Feb. 1953), p. 14.
"What Acoustics Means to the Teacher of Singing." VIII, No. 1
(Sept.-Oct. 1951), p. 23.
Seashore, Harold C.
"Teaching Objectives.” Taylor, Bernard. VIII, No. 1
(Sept.-Oct. 1951), p. 19.
Secord and work on larynx action
"Resonation." Westerman, Kenneth N. V, No. 5 (May-June 1949),
p. 2.
Shakespeare, William
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard. X,
No. 3 (Jan.-Feb. 1954), p. 18, 19.
Shanks, Edward
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard. X,
No. 3 (Jan.—Feb. 1954), p. 19.
Sharp, Cecil
"Music of the People." Walls, Robert B. VII, No. 2 (Nov.-Dec.
1950), p. 10.
Shaw, Robert
"Vocal Musicianship." Angell, Warren M. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 9.
Shield, William
"American Song Literature — The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 14.
Sight reading (See Music reading and Sight singing.)
Sight singing
"General Survey of Final Semester Voice Examination Requirements.‘
Peterson, Paul W. IX, No. 4 (March—April 1953), p. 21.
"Problems of the Choral Singer and Conductor." Seitz, Harry W.
VIII, No. 5 (May-June 1952), p. 12.
"Vocal Technique in the Sight-Singing Class.‘
No. l (Sept.—Oct. 1952), p. 4.

Williams, Justin. IX, No. 5 (May-

York, wynn. IX,

Singers
Amateur
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.

55

Singers--continued
American
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
American compared with Italian
"Impressions of Italy and its Music, Today." Sturani, Cesare.
VIII, No. 4 (March-April 1952), p. 22.
American in grand opera
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. l (Sept.-Oct. 1953), p. 4.
As musicians
"Singing in its Elementary and Other Aspects." Durgin, Cyrus.
IX, No. 3 (Jan.-Feb. 1953), p. 19.
Choral (See choral singers.)
Developing emotional security in
"The Challenge to the Voice Teacher of Today." Chamlee, Ruth
Miller. IV, No. 2 (Nov.-Dec. 1947), p. 2.
Ear training for
"Vocal Musicianship." Angell, Warren M. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 9.
European and American compared
"Translations and Singing in English." Dalton, Sydney. X, No. 2
(Nov.-Dec. 1953), p. 16, 17.
Foreign languages for
"Too Many Languages." Thomson, Virgil. VI, No. 5 (April-May
1950), p. 2. '
Italian, native gifts of
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March-April 1949), P. 2.
Musicianship of
"Vocal Musicianship." Angell, Warren M. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 9.
Performance opportunities for
"Vocal Education in a Midwest City." Bright, Lee. V, No. 4
(March—April 1949), p. 6.
Physical exercises for
"Vocal Workmanship." Treash, Leonard. V, No. 2 (Nov.-Dec. 1948),
p. 4.
Piano playing skills for
"Vocal Musicianship." Angell, Warren M. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 9.
Requirements for excellence in
"Some Practical Aspects of Educational Psychology." De Young,
Richard. IX, No. 3 (Jan.-Feb. 1953), p. 7.
Solo versus choral
"Voice Training for Solo Work Versus Choral Work." Diercks,
Louis H. V, No. l (Sept.-Oct. 1948), p. 5.
Training requisite for professional
"Pathways to Vocal Pedagogy." Gerry, Arthur. VI, No. 2
(Oct.-Nov. 1949), p. 2.
Traits necessary for
"Singing in its Elementary and Other Aspects.‘
IX, No. 3 (Jan.-Feb. 1953), p. 19.

' Durgin, Cyrus.

56

Singing (See also choral singing and vocal pedagogy.)
"Singing in its Elementary and Other Aspects." Durgin, Cyrus.
IX, No. 3 (Jan.-Feb. 1953), p. 19.
Amateur, encouraged
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 17.
Articulation (See also Diction and Singing, pronunciation.)
"Consonantal Deterrence." Ringel, Harvey. V, No. 2 (Nov.-Dec.
1948), p. 8.
"Diction - What it is." Wheeler, William. VII, No. 5 (April-
May 1951), p. 7.
"An Emergent Concept of the Singing Act." Brody, Viola A. and
Kenneth N. Westerman. VIII, No. 2 (Nov.-Dec. 1951), p. 7, 22.
"The Framework for Developing the Coordinating Muscle Actions
of Singing." Westerman, Kenneth N. VI, No. 5 (April-May
1950), p. 7.
"Singing in English." Rogers, Francis. X, No. l (Sept.-Oct.
1953), p. 13.
Balance in
"Causes for Confusion in the Teaching of Singing." MCLean,
Cameron. VII, No. 6 (June-July 1951), p. 15.
Bel canto (See also Bel canto and Vocal pedagogy, bel canto.)
"Facts Concerning the Art of Bel Canto or the Basis of Bel
Canto." Alberti, Mme. Helen. IV, No. 2 (Nov.-Dec. 1947),
p. 4.
"Old Methods of Voice Training Versus New Ones." De Bidoli,
Mme. Emi. III, No. 4 (March-April 1947), p. 3.
"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.
"Present Day Teacher Reviews Lamperti." Guarino, Anthony. VIII,
No. 2 (Nov.-Dec. 1951), p. 21.
"Problems of Choral Blend." Peterson, Paul w. VIII, No. 5
(May—June 1952), p. 2.
"Singing in English." Rogers, Francis. X, No. 1 (Sept.-Oct.
1953), p. 13.
"Will Scientific Knowledge Make us Better Teachers of Singing?"
Gardini, Nelli. VI, No. 6 (June-July 1950), p. 2.
Body position (See Singing, posture.)
Body rigidity in
"The Effects of Wind Instrument Training upon Vocal Production."
Charles, Henry. 111, No. 1 (Sept.-Oct. 1946), p. 3.
Breath control (See Breath control, Breath support and Breathing.)
Breathing (See Breathing, Breath control and Breath support.)
Breathy tone in,
"Resonation." Westerman, Kenneth N. V, No. 5 (May-June 1949),
p. 2.
"Vocal Technique in the Sight-singing Class." York, wynn. IX,
No. l (Sept.-Oct. 1952), p. 4.
Chin position in
"Present Day Teacher Reviews Lamperti." Guarino, Anthony. VIII,
No. 2 (Nov.-Dec. 1951), p. 21.
Choral (See Choral singing.)

 

57

Singing--continued
Control and spontaneity in
"Controlled Spontaneity in Singing." Wheeler, William. X,
No. 4 (May 1954), p. 8.
Control of, by the mind
"The Singing You." Bennett, Oscar. (Resumé by Theodore G.
Stelzer.) VI, No. 3 (Dec. 1949-Jan.1950), p. 8.
Decline of
"Contemporary Singing is Declining--Or Is It?" Rice, William C.
VIII, No. 4 (March-April 1952), p. 19.
Defined
"Leaves From My Notebook." Jones, William E. (June-July 1947),
p. 3.
"Singing in its Elementary and Other Aspects.‘
IX, No. 3 (Jan.-Feb. 1953), p. 19.
"Translations and Singing in English." Dalton, Sydney. X, No. 2
(Nov.-Dec. 1953), p. 16.
Deve10pmental growth and
"An Emergent Concept of the Singing Act.” Brody, Viola A. and
Kenneth N. Westerman. VIII, No. 2 (Nov.-Dec. 1951), p. 7.
Diction (See Diction and Singing, pronunciation.)
Ear-vocal reflex in
"Realistic Psychology." Bronson, Bernhardt. V, No. 3 (Jan.-Feb.
1949), p. 2. '
Effect of health on
"From Speech to Song." Williams, Cratis. X, No. 2 (Nov.—Dec.
1953), p. 8.
Effect of mental health on
"From Speech to Song." Williams, Cratis. X, No. 2 (Nov.—Dec.
1953), p. 8.
Effect of stress on
"The Psychology of Personality and the Teacher of Voice."
Coladarci, Arthur P. VII, No. 4 (Feb.-March 1951), p. 8.
Electrical amplification of
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2 (Nov.—
Dec. 1951), p. 18.
Endurance through gradual practice
"Hygienics of the Voice." Lester, John. VI, No. 5 (April—May
1950), p. 6.
English pronunciation in
"Dialects and English Pronunciation in Singing." York, Wynn.
VII, No. 4 (Feb.-March 1951), p. 4.
"Singing English." Thomson, Virgil. IX, No. 5 (May-June 1953),
p. 17.
"Singing in English." Rogers, Francis. X, No. l (Sept.-Oct.
1953), p. 13.
English translations for better interpretation
"Translations and Singing in English." Dalton, Sydney. X,
No. 2 (Nov.-Dec. 1953), p. 16.
Excellence in ,
"Methodology and Terminology." Mowe, Homer G. IX, No. 1
(Sept.-Oct. 1952), p. 14.

Durgin, Cyrus.

 

58

Singing--continued
Exercise and
"Hygienics of the Voice." Lester, John. VI, No. 5 (April—May
1950), p. 6.
Expression of emotion in
"The Key to Coordination." Lester, John. VIII, No. 2 (Nov-Dec.
1951), p. 5.
"The Poetry of Song." Rogers, Francis. VII, No. 1 (Sept.-Oct.
1950), P. 10.
Facial expression and
"Present Day Teacher Reviews Lamperti." Guarino, Anthony. VIII,
No. 2 (Nov.-Dec. 1951), p. 21.
Falsetto
"Falsetto - The Key to the High Voice." Noss, William E. V,
No. 3 (Jan.-Feb. 1949), p. 5.
Fear, effects of on
"The Singing You." Bennet, Oscar. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 9.
Fear of voice injury and
"Hygienics of the Voice." Lester, John. VI, No. 5 (April-May
1950), p. 6.
Focused vibration in
"Leaves From My Notebook." Jones, William E. III, No. 6
(June-July 1947), p. 3.
Foreign languages
"Too many Languages." Thomson, Virgil. VI, No. 5 (April-May
1950), p. 2.
"Your Pupil and his Artistic Development." Swing, Dolf. IX,
No. 5 (May-June 1953), p. 15.
Fundamentals of
"Fundamentals that Govern Singing." Stephens, Percy Rector.
II, No. 4 (May-June 1946), p. 3.
Future of professional careers in
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 17.
Glottis and
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March-April 1949), p. 2.
Head cavities as resonators in
"Some Thoughts for the Singer — An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p. 14. .
Head tones
"Some Thoughts for the Singer - An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May—June 1952),
p. 14.
Health and
"Hygienics of the Voice." Lester, John. VI, No. 5 (April-May
1950), p. 6.
"Tremolo." Walls, Robert B. IV, No. 6 (June—July 1948), p. 5.
"Vocal Workmanship." Treash, Leonard. V, No. 2 (Nov.-Dec.
1948), p. 4.

 

59

Singing--continued
Humanistic aspect of
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X,
No. 3 (Jan.—Feb. 1954), p. 7.
Imagination in
”Controlled Spontaneity in Singing." Wheeler, William. X,
No. 4 (May 1954), P. 8.
Intonation (See also Singing, off pitch.)
"Musical Pitch and the Musician of Today.’
No. 2 (Nov.-Dec. 1953), p. 6.
"Problems of the Choral Singer and Conductor." Seitz, Harry W.
VIII, No. 5 (May—June 1952), p. 12.
Italian language
"Singing in English." Rogers, Francis. X, No. l (Sept.—Oct.
1953), p. 13.
Italian school of (See also Singing, bel canto.)
"Pathways to Vocal Pedagogy." Gerry, Arthur. VI, No. 2
(Oct.—Nov. 1949), p. 2.
Legato
"Phonation." Gould, Herbert. V, No. 5 (May-June 1949), p. 6.
Mental attitude, effect of on
"Hygienics of the Voice." Lester, John. VI, No. 5 (April—May
1950), p. 6.
Middle voice, importance of
"Vocal Workmanship." Treash, Leonard. V, No. 2 (Nov.-Dec. 1948),
p. 4.
Mood interpretation in
"Vocal Technique in the Sight—singing Class." York, Wynn, IX,
No. 1 (Sept.—Oct. 1952), p. 24.
Mouth as resonator for
"Some Thoughts for the Singer - An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p.
Muffled tone in
”Consonantal Deterrence." Ringel, Harvey. V, No. 2 (Nov.—Dec.
1948), p. 8.
Muscle actions in
"An Emergent Concept of the Singing Act." Brody, Viola and
Kenneth N. Westerman. VIII, No. 2 (Nov.—Dec. 1951), p. 22.
"The Framework for Developing the Coordinated Muscle Actions
of Singing." Westerman, Kenneth N. VI, No. 5 (April—May
1950), p. 2.
"The Key to Coordination.'
Dee. 1951), p. 4.
"Thoughts on Muscular Coordination." Crawford, Hadley R.
VIII, No. 1 (Sept.—Oct. 1951), p. 14.
Muscle tension and timbre
"Resonation." Westerman, Kenneth N. V, No. 5 (May—June 1949),
p. 2.
Muscle tension caused by speech patterns
"Realistic Psychology." Bronson, Bernhardt. V, No. 3
(Jan.-Feb. 1949), p. 2.

' Wilson, Arthur. X,

l

Lester, John. VIII, No. 2 (Nov.—

 

6O

Singing--continued
Musical approach to
"A Musical Approach to Singing." Theman, Karl. IV, No. 4
(Feb.-March 1948), p. 5.
Nasal resonance in
"Resonation." Westerman, Kenneth. V, No. 5 (May-June 1949),
p. 2.
"Some Thoughts for the Singer — An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p. 14.
Natural law for
"Nature's Law of Voice - Correct Pitch Control." Dunkley,
Ferdinand. III, No. 2 (Nov.-Dec. 1946), p. 3.
"Rhythm and Relaxation in Breathing." Garlinghouse, Burton.
VII, No. 4 (Feb.-March 1951), p. 2.
Non—metropolitan areas and Opportunities for
"Hints for the Hinterland." Stelzer, Theo. G. VII, No. 5
(April-May 1951), p. 10.
Off-pitch (See also Singing, intonation.)
"Cultivated Spontaneity - A Principle of Tone Production in
Singing." Golde, Walter. VIII, No. 4 (March-April 1952),
p. 18.
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March-April 1953), p. 16.
"Standardization of Voice Studio Terminology." Hobart, Henry.
VII, No. 3 (Jan. 1951), p. 9.
"Vocal Technique in the Sight-singing Class.‘
No. l (Sept.—Oct. 1952), p. 4.
Open Throat in
"Breathing and its Effect on Singing." MacRae, Tolbert. IV,
No. 4 (Feb.-March 1948), p. 2.
"Cultivated Spontaneity - A Principle of Tone Production in
Singing." Golde, Walter. VIII, No. 4 (March-April 1952),
p. 12.
"Some Thoughts for the Singer - An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p. 14.
Out of doors
"Song and its Acoustics.” Daghlian, G. K. VIII, No. 2 (Nov.—
Dec. 1951), p. 6.
Out of—tune (See Singing, off-pitch.)
Parlando
"Your Pupil and his Artistic Development." Swing, Dolf. IX,
No. 5 (May-June 1953), p. 6.
Parlando style for folk songs
"Music of the People." Walls, Robert B. VII, No. 2 (Nov.-Dec.
1950), p. 10.
Pedagogy (See Vocal pedagogy.)
Pharaynx as resonator for
"Some Thoughts for the Singer - An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p. 14.

York, Wynn. IX,

61

Singing——continued
Phonation
"An Emergent Concept of the Singing Act." Brody, Viola and
Kenneth N. Westerman. VIII, No. 2 (Nov.—Dec. 1951), p. 7, 22.
"The Framework for Developing the Coordinating Muscle Actions
of Singing." Westerman, Kenneth N. VI, No. 5 (April-May
1950), p. 7.
"Fundamentals that Govern Singing." Stephens, Percy Rector. II,
No. 4 (May—June 1946), p. 3.
"Phonation." Gould, Herbert. V, No. 5 (May—June 1949), p. 6.
"Principles of Voice Therapy as Applied to Teaching." Brown,
Oren Lathrop. IX, No. 5 (May—June 1953), p. 16, 21.
"Thoughts on Muscular Coordination." Crawford, Hadley R. VIII,
No. 1 (Sept.—Oct. 1951), p. 14, 23.
Phonation and emotional tensions
"Medical Aspects of Voice Therapy.”
IX, No. 4 (March—April 1953), p. 7.
Phonetics in
"Phonetics." Arkebauer, George Gerhard.
1949), p. 6.
Physiology of (See Physiology.)
Pleasures of
"I Take Pleasure in Singing, Sir."
(Jan.—Feb. 1954), p. 7.

Posture for
"Breath Control — Foundation of Singing and Acting Technique.‘

Sharnova, Sonia. VI, No. 2 (Oct.-Nov. 1949), p. 6.

"Breathing and its Effect on Singing." MacRae, Tolbert. IV,
No. 4 (Feb.—March 1948), p. 2.

"The Challenge to the Voice Teacher of Today."
Miller. IV, No. 2 (Nov.—Dec. 1947), p. 2.

"Down to Earth with Ideals." Hosmer, Helen M.
1954), p. 13.

”Establishing Basic Conditions for Singing Through Body Position."
Baer, Hermanus. IV, No. 5 (April—May 1947), p. 3.

"The Framework for Developing the Coordinating Muscle Actions of
Singing." Westerman, Kenneth N. VI, No. 5 (April—May 1950),
p. 7.

”Fundamentals that Govern Singing."

Brewer, David W., M.D.

V, No. 3 (Jan.-Feb.

Gerdine, Dr. Leigh. X, No. 3

Chamlee, Ruth

X, No. 4 (May

Stephens, Percy Rector. II,

No. 4 (May—June 1946), p. 3.
"Methodology and Terminology." Mowe, Homer G. IX, No. l
(Sept.—Oct. 1952), p. 14.
' De Bidoli,

"01d Methods of Voice Training Versus New Ones.’
Mme. Emi. III, No. 4 (March-April 1947), p. 3.

”Our Readers Write." Wilcox, John C. IV, No. l (Sept.-Oct.
1947), p. 5.

"Principles of Voice Therapy as Applied to Teaching." Brown,
Oren Lathrop. IX, No. 5 (May-June 1953), p. 16.

"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
11, No. 2 (Dec. 1945), p. 1.

"Vocal Technique in the Sight—singing Glass."
NO. l (Sept.—Oct. 1952), p. 4.

York, Wynn. IX,

., Amber??? 1

62

Singing--continued
Posture and Articulation
"An Emergent Concept of the Singing Act." Brody, Viola A. and
Kenneth N. Westerman. VIII, No. 2 (Nov.-Dec. 1951), p. 7.
Posture and respiration
"An Emergent Concept of the Singing Act." Brody, Viola A. and
Kenneth N. Westerman. VIII, No. 2 (Nov.-Dec. 1951), p. 7.
Posture and Security in
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March-April 1949), p. 2.
Posture, exercises for
"Visual Aids in the Teaching of Voice." Cox, Ernest L. V1, No. 1
(Sept. 1949), P- 7.
Posture, results of
"Establishing Basic Conditions for Singing Through Body Position."
Baer, Hermanus. IV, No. 5 (April-May 1948), p. 6.
Potential for, as universal phenomenon
"An Emergent Concept of the Singing Act." Brody, Viola A. and
Kenneth N. Westerman. VIII, No. 2 (Nov.-Dec. 1951), p. 7.
"Experiences and an Experiment with Boys' Voices." Bowen,
George Oscar. VIII, No. l (Sept.-Oct. 1951), p. 15.
Practice
"Reports of the Committee on Practice Regulations." N.A.T.S.
Committee on Practice Regulations. IV, No. 6 (June-July 1948),
p. 6.
Practice, purposes of
"Thoughts on Muscular Coordination." Crawford, Hadley R. VIII,
No. l (Sept.-Oct. 1951), p. 14.
Practice, with metronome
"Vocal Workmanship." Treash, Leonard. V, No. 2 (Nov.-Dec. 1948),
p. 4.
Projection
"Your Pupil and his Artistic Development." Swing, Dolf. IX,
No. 5 (May—June 1953), p. 15.
Pronunciation (See also Diction.)
"Dialects and English Pronunciation in Singing." York, Wynn.
VII, No. 4 (Feb.-March 1951), p. 4.
"Diction - What it is." Wheeler, William. VII, No. 5 (April-
May 1951), p. 7.
"Phonetics." Arkebauer, George Gerhard. V, No. 3 (Jan.-Feb.
1949), p. 6.
Pronunciation, defined
"Consonantal Deterrence." Ringel, Harvey. V, No. 2 (Nov.-
Dec. 1948), p. 8.
"Singing in English." Rogers, Francis. X, No. l (Sept.-Oct.
1953), p. 13.
Pronunciation and articulation
"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
II, No. 2 (Dec. 1945), p. 1.
Pronunciation of American language
"Dialects and English Pronunciation in Singing." York, Wynn.
VII, No. 4 (Feb.-March 1951), p. 4.

63

Singing-—continued
Pronunciation--continued
Pronunciation of consonants
"Phonetics." Arkebauer, George Gerhard. V, No. 3 (Jan.-Feb.
1949), p. 6.
Quality lacking in 20th century
"Quality in Singing." Gutekunst, Carl. IX, No. 2 (Nov.—Dec.
1952), p. 14.
Relaxation of unnecessary tension in
”Principles of Voice Therapy as Applied to Teaching." Brown,
Oren Lathrop. IX, No. 5 (May-June 1953), p. 16.
Repertoire
"Vocal Repertoire." Luckstone, Harold C. V, No. 2 (Nov.-Dec.
1948), p. 10.
Resonance
"An Emergent Concept of the Singing Act." Brody, Viola A. and
Kenneth N. Westerman. VIII, No. 2 (Nov.-Dec. 1951), p. 7, 22.
"Resonation." Westerman, Kenneth N. V, No. 5 (May-June 1949),
. 2.
Resonance and tonal quality
”Our Readers Write." Bronson, Bernhardt. III, No. 3 (Jan.-Feb.
1947), p. 3.
Resonance, Three types of
"Falsetto — The Key to the High Voice." Noss, William E. V,
No. 3 (Jan.—Feb. 1949), p. 5.
Resonators used in
"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
11, No. 2 (Dec. 1945), p. 1.
Respiration (See also Breath control and breathing.)
"An Emergent Concept of the Singing Act." Brody, Viola A. and
Kenneth N. Westerman. VIII, No. 2 (Nov.-Dec. 1951), p. 7.
"The Framework for Developing the Coordinating Muscle Actions of
Singing." Westerman, Kenneth N. VI, No. 5 (April-May 1950),

p. 7.
Rigidity versus tension
"Fundamentals that Govern Singing." Stephens, Percy Rector.

II, No. 4 (May-June 1946), p. 3.
Scale evenness
"The Importance of Technique." Gerry, Arthur. V, No. 1 (Sept.—
Oct. 1948), p. 6.
Scientific research related to
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.—Feb. 1954), p. 2.
Security in
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March—April 1949), p. 2.
Skull as reflector of sound in
"Leaves From My Notebook." Jones, William E. III, No. 6 (June-
July 1947), p. 3.
Spontaneity in
"Controlled Spontaneity in Singing." Wheeler, William. X, No. 4,
(May 1954), p. 8.

Aﬁﬂkvrxnim

64

Singing-—continued
Spontaneity in—-continued
"Cultivated Spontaneity - A Principle of Tone Production in
Singing." Golde, Walter. VIII, No. 4 (March-April 1952),
p. 12.
Staccato
"Phonation." Gould, Herbert. V, No. 5 (May-June 1949), p. 6.
Staccato, remedy for breathy tone in
"Vocal Technique in the Sight-singing Class." York, wynn.
IX, No. l (Sept.—Oct. 1952), p. 4.
Straight tone and choral singing
"Choral Singing and the Vocal Teacher." Anonymous. IV, No. 5
(April-May 1948), p. 4.
Straight tone, causes of
"The Physiology of Vibrato.‘
(Jan.-Feb. 1953), p. 18.
Straight tone, disapproved of
"Concerning the Straight Tone." Chicago Singing Teachers Guild.
1, No. 4 (June 1945), p. 4.
Study and teaching (See Vocal pedagogy, Vocal student and
Vocal teacher.)
Sustained Speech and
"Cultivated Spontaneity - A Principle of Tone Production in
Singing." Golde, Walter. VIII, No. 4 (March—April 1952),
p. 12.
"Fundamentals that Govern Singing." Stephens, Percy Rector.
II, No. 4 (May-June 1946), p. 3.
"Phonetics." Arkebauer, George Gerhard. V, No. 3 (Jan.-Feb.
1949), p. 6.
"Problems of Choral Blend." Peterson, Paul W. VIII, No. 5
(May-June 1952), p. 2.
Technique
"Your Pupil and his Artistic Development." Swing, Dolf. IX,
No. 5 (May—June 1953), p. 6.
Technique described
"Bricks Without Straw." Schmidt, Reinhold. X, No. 3 (Jan.—
Feb. 1954), p. 6.
Techniques needed for modern music
"What About Today's Vocal Technique?" Hamlin, Anna M. IX, No. 1
(Sept.-Oct. 1952), p. 16.
Tensions, improper muscle
"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
II, No. 2 (Dec. 1945), p. l.
Throaty tone
"The Importance of Vowel Sounds and their Modification in
Producing Good Tone." Treash, Leonard. IV, No. 2 (Nov.-Dec.
1947), p. 3.
Tightness of tone
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4 (May
1954), p. 21.

' Westermann, Kenneth N. IX, No. 3

65

Singing--continued
Time needed for developing skills in (See also Vocal Pedagogy,
time as important factor in)
"What about Today's Vocal Technique?" Hamlin, Anna M. IX,
No. 1 (Sept.-Oct. 1952), p. 16.
Tonal beauty lacking in 20th Century
"Quality in Singing." Gutekunst, Carl. IX, No. 2 (Nov.-Dec.
1952), p. 14.
Tone placement (See also Vocal pedagogy, tone placement)
"Empirical Method versus the Scientific." Wollman, Anna M.
IX, No. 4 (March-April 1953), p. 20.
"Some Things A Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March-April 1953), p. 6.
"Some Thoughts for the Singer — An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p. 14.
Tone placement, in masque
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4 (May
1954), p. 13.
Tone production
"A Principle of Tone Production in Singing." Golde, Walter.
VIII, No. 4 (March-April 1952), p. 12.
Tone quality
"The Importance of Vowel Sounds and their Modification in
Producing Good Tone." Treash, Leonard. IV, No. 2 (Nov.-Dec.
1947), p. 3.
"Quality in Singing." Gutekunst, Carl. IX, No. 2 (Nov.-Dec.
1952), p. 14.
Thoughts on Muscular Coordination." Crawford, Hadley R. VIII,
No. 1 (Sept.-Oct. 1951), p. 14.
Tongue action
"Tongue Action and Diction." MacCollin, Paul. IV, No. 4
(Feb.-March 1948), p. 3.
Tongue position
"The Effects of Wind Instrument Training Upon Vocal Production."
Charles, Henry. III, No. 1 (Sept.-Oct. 1946), p. 3.
"Old Methods of Voice Training Versus New Ones." De Bidoli,
Mme. Emi. III, No. 4 (March—April 1947), p. 3.
"Phonation." Gould, Herbert. V, No. 5 (May-June 1949), p. 6.
"Realistic Psychology." Bronson, Bernhardt. V, No. 3 (Jan.-Feb.
1949), p. 2.
Tremolo
"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.
"Tremolo." Walls, Robert B. IV, No. 6 (June—July 1948), p. 1.
Value for personal development
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X, No. 3
(Jan.-Feb. 1954), p. 8.
Versus speaking
"Singing English." Thomson, Virgil. IX, No. 5 (May-June 1953),
p. 17.

66

Singing--continued
Vibrato in

"Breathing and its Effect on Singing." MacRae, Tolbert. IV,
No. 4 (Feb.—March 1948), p. 2.

"The Framework for Developing the Coordinated Muscle Actions of
Singing." Westerman, Kenneth N. VI, No. 5 (April-May 1950),
p. 2.

"How Do We Adjust the Vibrato Performance?" Seashore, Carl E.
VIII, No. 4 (March-April 1952), p. 10.

"The Phenomenon of Vocal Tone Quality." Borchers, Orville J.
VIII, No. 2 (Nov.-Dec. 1951), p. 15.

"The Physiology of Vibrato." Westerman, Kenneth N. IX, No. 3
(Jan.—Feb. 1953), p. 14.

"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.

"Tremolo." Walls, Robert B. IV, No. 6 (June-July 1948), p. 1.

"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.-Oct. 1951), p. 23.

Vibrato and blend

"Concerning the Straight Tone." Chicago Singing Teachers Guild.
1, No. 1 (June 1945), p. 4.

Vowel, as tonal vehicle (See also Diction, vowels.)

"The Importance of Vowel Sounds and their Modification in
Producing Good Tone." Treash, Leonard. IV, No. 2 (Nov.-Dec.
1947), p. 3.

Vowel formants (See Vowel formants.)
Vowel formation (See also Diction, vowels, and Vowels)

"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.

"Thoughts on Muscular Coordination." Crawford, Hadley R. VIII,
No. 1 (Sept.-Oct. 1951), p. 14. '

"Training the Vocal Instrument." N.A.T.S. Editorial Committee.
11, No. 2 (Dec. 1945), p. l.

Vowel modification

"Falsetto — The Key to the High Voice." Noss, William E. V,
No. 3 (Jan.-Feb. 1949), p. 5, 7.

"The Importance of Vowel Sounds and their Modification in Produc-
ing Good Tone." Treash, Leonard. IV, No. 2 (Nov.-Dec.
1947), p. 3.

"Singing in English." Rogers, Francis. X, No. l (Sept.—Oct.
1953), p. 21.

"Some Things a Voice Teacher Should Know About Sound." Long,
NewellIL. IX, No. 4 (March-April 1953), p. 16.

"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. l (Sept.-Oct. 1951), p. 9.

Vowels and sustained vocal line

"Thoughts on Muscular Coordination." Crawford, Hadley R. VIII,

No. 1 (Sept.-Oct. 1951), p. 23.
Vowels, brightness and darkness of
"The Importance of Vowel Sounds and their Modification in Produc—

ing Good Tone." Treash, Leonard. IV, No. 2 (Nov.-Dec. 1947),
p. 3.

67

Singing-—continued
Vowels, formed in the throat
"Tongue Action and Diction." MacCollin, Paul. IV, No. 4
(Feb.-March 1948), p. 3.
Vowels, four basic
"Phonetics." Arkebauer, George Gerhard. V, No. 3 (Jan.-Feb.
1949), P. 6.
Yawn related to
"Cultivated Spontaneity - A Principle of Tone Production in
Singing." Golde, Walter. VIII, No. 4 (March-April 1952),
p. 12.
Society for the Preservation and Encouragement of Barber Shop Quartet
Singing in America
"The Barber and His Singing." Anonymous. VI, No. 1 (Sept.
1949), P. 7.
Solfeggio
"Aural and Visual Imagery in Music Reading." Nichols, Marjorie
R. x, No. 4 (May 1954), p. 7.
Song
Acoustics and
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2 (Nov.-
Dec. 1951), p. 6.
American (See American Song.)
Defined
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2 (Nov.-
Dec. 1951), p. 6.
English translation of
"Song Recitals in English?" Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 4.
"Translations and Singing in English." Dalton, Sydney. X,
No. 2 (Nov.-Dec. 1953), p. 16.
Folk (See Folk song.)
Foreign language
"Song Recitals in English?" Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 16.
France (See French song.)
German (See Lieder.)
Italy (See Italian song.)
Popular (See Popular song.)
Russia (See Russian song.)
Sacred (See Sacred music.)
Study by analysis
"Vocal Workmanship." Treash, Leonard. V, No. 2 (Nov.—Dec.
1948), p. 4.
Translation inadequacies
"Song Recitals in English?" Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 4.
Twentieth Century
"The Song: Problems of Composer and Performer Today." Alter,
Martha. VII, No. 5 (April-May 1951), p. 4.
U.S.A. (See American Song and Music, American.)

68

Song--continued
Value of
"Our Responsibility in Song Now as Always." Pearson, Charles.
VII, No. 3 (Jan. 1951), p. 4.
Song composers
Problems of
"Problems of Composer and Performer Today." Alter, Martha. VII,
No. 5 (April-May 1951), p. 4.
Song composition
Restrictions of text
"The Song: Problems of Composer and Performer Today." Alter,
Martha. VII, No. 5 (April-May 1951), p. 4.
Song interpretation
"Artistic Interpretation in Singing." Holst, Harold. IV, No. 4
(Feb.-March 1948), p. 6.
"Interpretation." Rice, Melanie Gutman. V, No. 2 (Nov.-Dec.
1948), p. 6.
"Translations and Singing in English." Dalton, Sydney. X,
No. 2 (Nov.-Dec. 1953), p. 16.
"Your Pupil and his Artistic Development.” Swing, Dolf. IX,
No. 5 (May-June 1953), p. 6.
Feeling necessary for
"Artistic Interpretation in Singing." Holst, Harold. IV, No. 4
(Feb.-March 1948), p. 6.
Honesty and truth in
"On Imaginative Singing." Newton, George. VII, No. 2 (Nov.-
Dec. 1950), p. 5.
Imagination in
"Controlled Spontaneity." Wheeler, William. X, No. 4 (May 1954),
p. 19.
"On Imaginative Singing." Newton, George. VII, No. 2 (Nov.-
Dec. 1950), p. 5.
Musicological knowledge important for
"On Imaginative Singing." Newton, George. VII, No. 2 (Nov.-
Dec. 1950), p. 5.
Phrasing and
"Phrasing." Hardy, Lee. V, No. 4 (March-April 1949), p. 5.
Problems of
"The Song: Problems of Composer and Performer Today." Alter,
Martha. VII, No. 5 (April-May 1951), p. 4.
Role playing in
"On Imaginative Singing." Newton, George. VII, No. 2 (Nov.-
Dec. 1950), p. 5.
Stanislavsky's ideas applied to
"Artistic Interpretation in Singing." Holst, Harold. IV,
No. 4 (Feb.-March 1948), p. 6.
Study of history important for
"On Imaginative Singing." Newton, George. VII, No. 2 (Nov.-
Dec. 1950), p. 5.
Text understanding and
"Phrasing." Hardy, Lee. V, No. 4 (March—April 1949), p. 5.

69

Song interpretation-—continued
Text understanding and--continued
"The Poetry of Song." Rogers, Francis. VII, No. 1 (Sept.-
Oct. 1950), p. 10.
"Too Many Languages." Thomson, Virgil. VI, No. 5 (April-May
1950), p. 2.
Song literature
"Responsibilities of the Coach on Song Literature Toward Teacher
and Singer." Hill, Robert Payson. IX, No. 5 (May-June 1953),
p. 7.
Song memorization (See Memorization and Memorizing.)
Song recitalists
"Song Recitals in English?" Pazmor, Radiana. IX, No. 2
(Nov.-Dec. 1952), p. 4.
Song repertoire
For review of music, see "Music Review,‘ a column found on
page 22 of every issue after IX, No. 1 (Sept.—Oct. 1952),
when it made its first appearance.

Sound
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March-April 1953), p. 6.
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2
(Nov.-Dec. 1951), p. 18.
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.—Oct. 1951), p. 8.
Defined
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.—
Oct. 1951), p. 19.
Electronic transmission of
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2
(Nov.-Dec. 1951), p. 18.
Reflection of ,
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March-April 1953), p. 6.
Speech
Phonetics
"Phonetics." Arkebauer, George Gerhard. V, No. 3 (Jan.-Feb.
1949), P. 6.
Relationship to song
"From Speech to Song." Williams, Cratis. X, No. 2 (Nov.-Dec.
1953), p. 8.
Stage Fright
"A Musical Approach to Singing." Theman, Karl. IV, No. 4
(Feb.—March 1948), p. 5.
Stanislavsky
Ideas of, applied to song interpretation
"Artistic Interpretation in Singing." Holst, Harold. IV,
No. 4 (Feb.-March 1948), p. 6.
Symbolists (See Poets, French symbolists.)
Symphony orchestras
"Take A Good Look!" McArthur, Edwin. X, No. 4 (May 1954),
p. 16.

70

Tanglewood
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. l (Sept.-Oct. 1953), p. 4.
Tape Recorders
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X, No. 3
(Jan.-Feb. 1954), p. 8.
Taste (See Musical taste.)
Taylor, Raynor
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 14.
Television
"Choir Singing Today." Jones, Ifor. IX, No. 2 (Nov.-Dec. 1952),
p. 7.
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
Auditions, suggestions for
"Music and Television." Ross, Miss Betty. VII, No. 3
(Jan. 1951), p. 11.
Live performance on
"The Singer and Television." Beier, Carl. VIII, No. 5
(May—June 1952), p. 2.
Theatre
Auditions for singing parts
"Theatre and Singing." Editorial. IX, No. 3 (Jan.-Feb. 1953),
p. 13.
Singers in
"Our Young Singers and the Theatre." Allers, Franz. VIII,
No. 1 (Sept.—Oct. 1951), p. 7.
Training necessary for
"Our Young Singers and the Theatre." Allers, Franz. VIII,
No. 1 (Sept.-Oct. 1951), p. 7.
Therapy (See Music Therapy.)
Thomson, Virgil
Quoted on choral singing
"Choral Training for the Vocalist." Schofield, Edgar. VIII,
No. 5 (May-June 1952), p. 19.
Three Choirs Festival
"Echoes of European Festivals." Douglass, Ruth. VIII, No. 3
(Jan.-Feb. 1952), p. 4.
Tibbett, Lawrence
Vibrato rate of
"The Physiology of Vibrato." Westerman, Kenneth N. IX, No. 3
(Jan.-Feb. 1953), p. 18.
Timbre (See Tone quality and Singing, tone quality.)
Tonal memory
"Aural and Visual Imagery in Music Reading." Nichols, Marjorie
R. X, No. 4 (May 1954), p. 7.
Test of musicality
"The Choral Conductor." Woodruff, Harvey L. X, No. 1 (Sept.-
Oct. 1953), p. 16.
Tone Placement (See Vocal pedagogy, tone placement. See also
Singing, tone placement and Voice placement.)

 

 

 

 

 

 

 

71

Tone Quality (See also Singing, tone quality.)
"The Phenomenon of Vocal Tone Quality." Borchers, Orville J.
VIII, No. 2 (Nov.-Dec. 1951), p. 15.
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March-April 1953), p. 6.
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2 (Nov.-
Dec. 1951), p. 18.
Tremolo (See Singing, tremolo and Singing, vibrato in.)
Trinity Season
"The Meaning of the Church Year." Sonnack, Paul G. VIII, No. 4
(March-April 1952), p. 18.
Truman, Harry S.
"The Case for the Municipal Support of Music and Drama."
Gerry, Arthur. VIII, No. 2 (Nov.-Dec. 1951), p. 13.
Trumpet
Historical notes on
"Musical Pitch and the Musician of Today." Wilson, Arthur. X,
No. 2 (Nov.-Dec. 1953), p. 7.
Tuckey, William
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 15.
Tulsa Boy Singers
"Experiences and an Experiment with Boys' Voices."
Bowen, George Oscar. VIII, No. l (Sept.-Oct. 1951), p. 15.
”The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.—Feb. 1954), p. 16.
Tuning fork
Handel's and Mozart's A fork
"Musical Pitch and the Musician of Today." Wilson, Arthur.
X, No. 2 (Nov.-Dec. 1953), p. 6.
Ultra—Romantic
Type of French Song
"The French Art Song — An Analysis.‘
No. 4 (May 1954), p. 6.
United Nations
UNESCO, Fourth National convention
"Fourth National UNESCO Convention." Thut, John. X, No. 3
(Jan.-Feb. 1954), p. 21.
University of North Carolina
"Grass Roots Opera in America - Some Questions and Answers."
Fletcher, A. J. VIII, No. 5 (May-June 1952), p. 18.
"To the Voice Teachers of America." Fletcher, A. J. VIII,
No. 3 (Jan.-Feb. 1952), p. 18.
Verlaine, Paul
"The French Impressionistic Song." Luckstone, Harold C.
VII, No. 2 (Nov.-Dec. 1950), p. 4.
Vibrato (See Singing, vibrato.)
Victor, H. B.
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April—May 1951), p. 15.

' Luckstone, Harold. X,

72

Visual aids (See Vocal Pedagogy, visual aids.)
Visual imagery
"Aural and Visual Imagery in Music Reading." Nichols, Marjorie
R. X, No. 4 (May 1954), p. 7.
Vocal abuse
"Medical Aspects of Voice Therapy." Brewer, David W., M. D.
IX, No. 4 (March-April 1953), p. 7.
"Principles of Voice Therapy as Applied to Teaching." Brown,
Oren Lathrop. IX, No. 5 (May—June 1953), p. 16.
Vocal coach
"Some Practical Aspects of Educational Psychology." De Young,
Richard. IX, No. 3 (Jan.—Feb. 1953), p. 7.
Of popular song
"Should We Teach Present Day Methods of Singing Popular Songs?"
Tanner, Earle. VIII, No. 3 (Jan.—Feb. 1952), p. 22.
Responsibilities of
"Responsibilities of the Coach on Song Literature toward Teacher
and Singer." Hill, Robert Payson. IX, No. 5 (May-June 1953)
p. 7, 14.
Vocal cords
”Principles of Voice Therapy as Applied to Teaching." Brown,
Owen Lathrop. IX, No. 5 (May-June 1953), p. 16.
Motion pictures of
"Falsetto — The Key to the High Voice." Noss, William E. V,
No. 3 (Jan.-Feb. 1949), p. 5.
Vocal diseases
"Medical Aspects of Voice Therapy." Brewer, David W., M.D.
IX, No. 4 (March-April 1953), p. 7.
Vocal fatigue
"Hygienics of the Voice.‘
1950), p. 6.
Vocal juries (See Vocal pedagogy, College curriculum for.)
Vocal nodules
"Medical Aspects of Voice Therapy." Brewer, David W. M.D. IX,
No. 4 (March—April 1953), p. 7.
Vocal ornamentation
"Some Notes on Oratorio." Williams, Justin. IX, No. 5 (May—
June 1953), p. 12.
Vocal pedagogy (See also various aspects of the vocal art. e.g.
Breath control, Breathing, and Singing.)
"Challenge Vocal Students with Teaching." Mac Kenzie, Mignon
Bollman. VI, No. 6 (June—July 1950), p. 6.
”Vocal Teaching Requires Expert." Elbin, Paul N. IX, No. 2
(Nov.—Dec. 1952), p. 18.
"Voice Teaching." Ross, William E. II, No. 1 (Oct. 1945), p. 3.
Application to choral singing
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4
(May 1954), p. 13.
Approaches described
”Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1951), p. 6.

' Lester, John. VI, No. 5 (April-May

73

Vocal pedagogy--continued
Authoritarianism in, dangers of

"Concomitant Learning for Teacher and Pupil." Stewart, Cecil.

VI, No. 4 (Feb.-March 1950), p. 6.
Anatomy study important to

"Empirical Method Versus the Scientific." Wollman, Anna M.
IX, No. 4 (March-April 1953), p. 20.

Bel canto method (See also Singing, bel canto and Bel canto.)

"Empirical Method Versus the Scientific." WOllman, Anna M.
IX, No. 4 (March-April 1953), p. 20.

"Methodology and Terminology." Mowe, Homer G. IX, No. l
(Sept.—Oct. 1952), p. 14.

"Will Scientific Knowledge Make us Better Teachers of Singing?"
Gardini, Nelli. VI, No. 6 (June—July 1950), p. 2.

Bel canto method, decline of

"American Song Literature . . . Introductory Remarks of the
Presiding Chairman." Wilkerson, Frederick D. VII, No. 5
(April-May 1951), p. 12.

Bel canto method versus the scientific approach

"Facts Concerning the Art of Bel Canto or the Basis of Bel Canto."

Alberti, Mme. Helen. IV, No. 2 (Nov.-Dec. 1947), p. 4.
Books cited

"Contemporary Singing is Declining--Or is It?" Rice, William C.
VIII, No. 4 (March—April 1952), p. 19.

Breathing (See also Breath Control, and Breathing.) .

"Standardization of Voice Studio Terminology." Hobart, Henry
VII, No. 3 (Jan. 1951), p. 9.

Chanting as method to improve singing

"Consonantal Deterrence." Ringel, Harvey. V, No. 2 (Nov.-Dec.
1948), p. 8.

Chewing syllables as cause of faulty diction

"Consonantal Deterrence." Ringel, Harvey. V, No. 2 (Nov.-Dec.
1948), p. 8.

Children's voices (See also Voice, boys'.)

"Training the Young Voice." Samuel, John O. VII, No. 2
(Nov.-Dec. 1950), p. 8.

Choral training essential to

"Is Choral Experience Essential to the Training of the Serious
Voice Student?" Heyne, William. VIII, No. 3 (Jan.-Feb. 1952),
p. 14.

Class instruction

"Hints to the Hinterland." Stelzer, Theo. G. VII, No. 5
(April-May 1951), p. 10.

"Hygienics of the Voice." Lester, John. VI, No. 5 (April-May
1950), P. 6.

"Preliminary Report." N.A.T.S. Committee on Public School Vocal
Affairs (Helen Steen Huls, Chairman). VII, No. 6 (June-July
1951), p. 13.

"Some Practical Aspects of Educational Psychology." De Young,
Richard. IX, No. 3 (Jan.—Feb. 1953), p. 17.

74

Vocal pedagogy—-continued
Class instruction-~continued
"Voice Classes in High Schools." Pierce, Ann E. III, No. 5
(May 1947), p. 5.
College curriculum for
"General Survey of Final Semester Voice Examination Requirements."
Peterson, Paul w. IX, No. 4 (March-April 1953), p. 21.
Complexity of
"Vocal Teaching Requires Expert." Elbin, Paul N. IX, No. 2
(Nov.-Dec. 1952), p. 18.
Conflicting Ideas in
"Can We Reconcile Pedagogic Paradoxes?" Wilcox, John C. II,
No. 1 (Oct. 1945),.p. 1.
"Vocal Interpretation in the Sight-singing C1ass.'
IX, No. l (Sept.-Oct. 1952), p. 24.
Conscious control of voice rejected
"Nature's Law of Voice - Correct Pitch Control." Dunkley,
Ferdinand. III, No. 2 (Nov.-Dec. 1946), p. 3, 4.
Curriculum proposed for training of voice teachers
"Second Supplementary Report of the Advisory Committee on Vocal
Education, Covering Proposed Curriculum for the Training of
Teachers of Singing in Universities and Schools of Music."
N.A.T.S. Advisory Committee on Vocal Education. VII, No. l
(Sept.-Oct. 1950), insert after p. 6.
Dangers of technical approach
"The Key to Coordination." Lester, John. VIII, No. 2 (Nov.-Dec.
1951), p. 4.
Demonstration lessons
"The Voice Clinic.” Vennard, William. IX, No. 2 (Nov.-Dec.
1952), p. 23.
Direct approach versus empirical and scientific
"Standardization of Voice Studio Terminology." Hobart, Henry.
VII, No. 3 (Jan. 1951), p. 9.
Diversity and unity in
"Diversity and Unity." Douglass, Ruth. V, No. l (Sept.-Oct.
1948), p. 4.
Ear important tool in
"The Key to Coordination." Lester, John. VIII, No. 2 (Nov.-
Dec. 1951), p. 4.
Emotional development of vocal students, a goal of
"The Challenge to the Voice Teacher of Today." Chamlee, Ruth
Miller. IV, No. 2 (Nov.—Dec. 1947), p. 2.
Empirical approach to
"Causes for Confusion in the Teaching of Singing." McLean,
Cameron. VII, No. 6 (June-July 1951), p. 15.
"Empirical Method Versus the Scientific." w01lmann, Anna M.
IX, No. 4 (March-April 1953), p. 20.
"Standardization of Voice Studio Terminology." Hobart, Henry.
VII, No. 3 (Jan. 1951), p. 9.
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1951), p. 6.

York, Wynn.

75

Vocal pedagogy-~continued
Expert teachers required
"Vocal Teaching Requires Expert." Elbin, Paul N. IX, No. 2
(Nov.—Dec. 1952), p. 18.
Fallacies in
"Some Thoughts for the Singer - An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p. 14. ‘
Foreign language songs, required in college curriculum
"General Survey of Final Semester Voice Examination Requirements."
Peterson, Paul w. IX, No. 4 (March-April 1953), p. 21.
Goals (See Vocal pedagogy, objectives.)
Humming as tool
"Old Methods of Voice Training Versus New Ones." De Bidoli,
Mme. Emi. III, No. 4 (March-April 1947), p. 3.
Imagery in
"The Key to Coordination." Lester, John. VIII, No. 2 (Nov.-
Dec. 1951), p. 4.
"Standardization of Voice Studio Terminology." Hobart, Henry.
VII, No. 3 (Jan. 1951), p. 9. .
"Voice Teaching." Ross, William E. II, No. 1 (Oct. 1945), p. 3.
"Vowel Vanish - A Vocal Deterrent." Ringel, Harvey. IV, No. l
(Sept.-Oct. 1947), p. 3.
Imitation used in
"The Key to Coordination." Lester, John. VIII, No. 2 (Nov.-
Dec. 1951), p. 4.
Italian pure vowels as tool for tone development
"The Importance of Vowel Sounds and their Modification in
Producing Good Tone." Treash, Leonard. IV, No. 2 (Nov.-
Dec. 1947), p. 3.
Italian school
"Pathways to Vocal Pedagogy." Gerry, Arthur. VI, No. 2
(Oct.-Nov. 1949), p. 2.
Mechanistic approach
"Teaching Objectives.‘
Oct. 1951), p. 6.
Methodology
"Methodology and Terminology." Mowe, Homer G. IX, No. l
(Sept.-Oct. 1952), p. 14.
Methods .
"Old Methods of Voice Teaching Versus New Ones." De Bidoli,
Mme. Emi. III, No. 4 (March-April 1947), p. 3.
"Pathways to Vocal Pedagogy." Gerry, Arthur. VI, No. 2
(Oct.-Nov. 1949), p. 2.
Musicianship, teaching of
"Vocal Musicianship." Angell, Warren M. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 9.
"Ng" as tool for good tone production
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March-April 1949), p. 2.

Taylor, Bernard. VIII, No. 1 (Sept.-

76

Vocal pedagogy--continued
Objectives of
"Post-war Teaching." Garlinghouse, Burton. III, No. 3 (Jan.-
Feb. 1947), p. 3.
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1951), p. 6.
Open mind in, value of
"Concomitant Learning for Teacher and Pupil." Stewart, Cecil.
VI, No. 4 (Feb.-March 1950), p. 6.
Panel discussions on
"The Voice Clinic." Vennard, William. IX, No. 2 (Nov.-Dec.
1952), p. 23.
Perseverance in, value of
"Concomitant Learning for Teacher and Pupil." Stewart, Cecil.
VI, No. 4 (Feb.—March 1950), p. 6.
Placement of tone (See Singing, tone placement and Vocal pedagogy,
tone placement.)
Posture as key to
"Standardization of Voice Studio Terminology." Hobart, Henry.
VII, No. 3 (Jan. 1951), p. 9.
Posture, methods of teaching
"Methodology and Terminology." Mowe, Homer G. IX, No. l
(Sept.-Oct. 1952), p. 14.
Post-war teaching
"Post-war Teaching." Garlinghouse, Burton. III, No. 3 (Jan.-
Feb. 1947), p. 3.
Practice time
"Pathways to Vocal Pedagogy." Gerry, Arthur. VI, No. 2
(Oct.-Nov. 1949), p. 2.
Practice with mirror
"Present Day Teacher Reviews Lamperti." Guarino, Anthony. VIII,
No. 2 (Nov.—Dec. 1951), p. 21.
Pseudo-science in
"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.
Psychology and (See also Psychology.)
"The Hidden Factor." Lindquest, Allan Rogers. IV, No. 5
(April-May 1948), p. 2.
"Psychological Principles in the Teaching of Singing." Shor,
Dr. Joel. VII, No. 3 (Jan. 1951), p. 5.
"Realistic Psychology." Bronson, Bernhardt. V, No. 3
(Jan.—Feb. 1949), p. 2.
"Some Practical Aspects of Educational Psychology.‘
Richard. IX, No. 3 (Jan.-Feb. 1953), p. 7.
"Some Psychological Principles Involved in the Teaching of
Singing." Fox, William H. VII, No. 1 (Sept.-Oct. 1950),
p. 8.
Psychological-technical approach
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1950), p. 6.

' De Young,

77

Vocal pedagogy--continued
Repertoire appropriate to student development
"Bricks Without Straw." Schmidt, Reinhold. X, No. 3 (Jan.-Feb.
1954), p. 13.
"Vocal Repertoire." Luckstone, Harold C. V, No. 2 (Nov.-Dec.
1948), p. 10.
Rudiments of music for voice students, important to
"Are Your Voice Pupils Musicians?" Crittenden, Ray. III, No. 2
(Nov.-Dec. 1946), p. 3.
Scientific approach to
"Empirical Method Versus the Scientific." Wollman, Anna M. IX,
No. 4 (March-April 1953), p. 20.
"The Key to Coordination." Lester, John. VIII, No. 2 (Nov.-
Dec. 1951), p. 4.
"Standardization of Voice Studio Terminology." Hobart, Henry.
VII, No. 3 (Jan. 1951), p. 9.
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1951), p. 6.
"Voice Pedagogy, Scientific or Empirical." De Young, Richard.
X, No. 4 (May 1954), p. 18.
"Voice Teaching." Ross, William E. II, No. 1 (Oct. 1945), p. 3.
Scientific approach rejected
"Causes for Confusion in the Teaching of Singing." McLean,
Cameron. VII, No. 6 (June-July 1951), p. 15.
Scientific fields valuable to
"Systematic Teacher Training is Lacking." Douglass, Ruth.
IV, No. 1 (Sept.—Oct. 1947), p. 1.
Scientific findings versus imagery
”Can We Reconcile Pedagogic Paradoxes?" Wilcox, John C. II,
No. 1 (Oct. 1945), p. 1.
Scientific knowledge, effect on
"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1951), p. 19.
”Will Scientific Knowledge Make Us Better Teachers of Singing?"
Gardini, Nelli. VI, No. 6 (June-July 1950), p. 2.
Sensation and, imagery versus scientific approach
"Voice Teaching." Ross, William E. II, No. 1 (Oct. 1945), p. 3.
Singer—teacher versus scientist teacher
"Voice Teaching." Ross, William E. II, No. 1 (Oct. 1945), p. 3.
Slow development of vocal skills (See Vocal Pedagogy, Time as
important factor in.)
"Smiling tone"
"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.
Standardized teaching vocabulary needed in
"Can We Reconcile Pedagogic Paradoxes?" Wilcox, John C. II,
No. 1 (Oct. 1945), p. 1.
Studio recitals and
"Some Practical Aspects of Educational Psychology." De Young,
Richard. IX, No. 3 (Jan.-Feb. 1953), p. 17.

78

Vocal pedagogy--continued
Swedish Pedagogy at the Bratt School
"Standardization of Voice Studio Terminology." Hobart, Henry.
VII, No. 3 (Jan. 1951), p. 9.
Teaching approaches evaluated
"Causes for Confusion in the Teaching of Singing." McLean,
Cameron. VII, No. 6 (June—July 1951), p. 15.
Teaching of
"Challenge Vocal Students with Teaching." MacKenzie, Mignon
Bollman. VI, No. 6 (June-July 1950), p. 6.
Technical approach
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1951), p. 6.
Terminology
"Methodology and Terminology." Mowe, Homer G. IX, No. l
(Sept.-Oct. 1952), p. 14.
"The Saint Louis Convention.’
(Jan.-Feb. 1954), p. 4.
"Some Thoughts for the Singer - An Attempt to Clarify Erroneous
Terminology." Buck, Dudley. VIII, No. 5 (May-June 1952),
p. 14.
"Standardization of Voice Studio Terminology." Hobart, Henry.
VII, No. 3 (Jan. 1951), p. 9.
Time as important factor in
"Old Methods of Voice Training Versus New Ones." De Bidoli,
Mme. Emi. III, No. 4 (March-April 1947), p. 3.
"Pathways to Vocal Pedagogy." Gerry, Arthur. VI, No. 2 (Oct.-
Nov. 1949), p. 2.
"Psychological and Practical Preparation for an Operatic Career.
Curtis, Vera. VIII, No. 2 (Nov.-Dec. 1951), p. 8.
"Quality in Singing." Gutekunst, Carl. IX, No. 2 (Nov.-Dec.
1952), p. 20.
"Systematic Teacher Training is Lacking." Douglass, Ruth. IV,
No. l (Sept.-Oct. 1947), p. 2.
"Time an Important Consideration in Vocal Training." Griffith,
James Francis. VIII, No. 4 (March—April 1952), p. 8.
Tone, methods used to develop
"Methodology and Terminology." Mowe, Homer G., IX, No. l
(Sept.-Oct. 1952), p. 14, 15.
Tone placement (See also Singing, tone placement and Voice Place-
ment.)
Tone placement
"Present Day Teacher Reviews Lamperti." Guarino, Anthony. VIII,
No. 2 (Nov.-Dec. 1951), p. 21.
Tone placement, concept criticized
"Causes for Confusion in the Teaching of Singing." McLean,
Cameron. VII, No. 6 (June-July 1951), p. 15.
"A Plea for Simplicity in Singing." Lukken, Albert. II, No. 2
(Dec. 1945), p. 3.
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.-
Oct. 1951), p. 6.

' Huls, Helen Steen. X, No. 3

79

Vocal pedagogy--continued
Tongue action, exercises for

"Tongue Action and Diction." MacCollin, Paul. IV, No. 4

(Feb.-March 1948), p. 3.
Training for solo versus choral work

"Voice Training for Solo WOrk Versus Choral Work." Diercks,

Louis H. V, No. l (Sept.-Oct. 1948), p. 5.
Visual Aids for

"Visual Aids in the Teaching of Voice." Cox, Earnest L. VI,
No. 1 (Sept. 1949), p. 7.

Vocal Education Committee of N.A.T.S.

"Report to the Membership of the National Association of Teachers
of Singing and Educators." Vocal Education Committee of the
National Association of Teachers of Singing. VIII, No. 5
(May-June 1952), p. 22.

Voice therapy and

"Principles of Voice Therapy as Applied to Teaching." Brown,

Oren Lathrop. IX, No. 5 (May—June 1953), p. 16.
Vowels, Italian advocated for study

"Old Methods of Voice Training Versus New Ones." De Bidoli,

Mme. Emi. III, No. 4 (March-April 1947), p. 3.
Vocal student
Artistic development of

"Your Pupil and his Artistic Development." Swing, Dolf. IX,

No. 5 (May-June 1953), p. 6.
As music educator

"The Voice Student as a Music Educator." Mayfield, Alpha Corinne.

VII, No. 6 (June-July 1951), p. 8.
Attitude of and learning

"Psychological Principles in the Teaching of Singing." Shor,

Dr. Joel. VII, No. 3 (Jan. 1951), p. 5.
Effects of psychological condition, on singing

"The Hidden Factor." Lindquest, Allan Rogers. IV, No. 5

(April-May 1948), p.2.
Expectations of

"What the Pupil Expects of the Vocal Teacher." Anonymous. VII,

No. l (Sept.-Oct. 1950), p. 9.
Reasons for study

"Role of the Private Teacher of Singing." Fulton, Eugene. VII,

No. 4 (Feb.-March 1951), p. 9.
Self-image of

"The Hidden Factor." Lindquest, Alan Rogers. IV, No. 5 (April—
May 1948), p. 2.

"The Psychology of Personality and the Teacher of Voice."
Coladarci, Arthur P. VII, No. 4 (Feb.-March 1951), p. 8.

Study areas important to

"The Vocal Teacher in Relation to the General Musical and
Cultural Education of the Student." N.A.T.S. Editorial
Committee. IV, No. 5 (April-May 1948), p. l, 7.

80

Vocal student—-continued
Supplemental training, where available

"The Vocal Teacher in Relation to the General Musical and
Cultural Education of the Student." N.A.T.S. Editorial
Committee. IV, No. 5 (April-May 1948), p. 1.

Vocal studies
Operatic career and

"Vocal Studies and an Operatic Career." Adler, Kurt Herbert.

VII, No. 6 (June-July 1951), p. 7.
Vocal teachers (See also N.A.T.S.)

"Some Things a Voice Teacher Should Know About Sound." Long,

Newell H. IX, No. 4 (March-April 1953), p. 6.
Artist-singer as

"Some Practical Aspects of Educational Psychology." De Young

Richard. IX, No. 3 (Jan.—Feb. 1953), p. 7.
Artist-teachers and lack of teaching skills

"Systematic Teacher Training is Lacking." Douglass, Ruth.

IV, No. 1 (Sept.-Oct. 1947), p. l.
Attitude of, toward choral directors

"Voice Training for Solo Work Versus Choral Work." Diercks,

Louis H. V, No. l (Sept.-Oct. 1948), p. 5.
Attitude of, toward choral singing

"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.

Attitude of, toward vocal coaches

"Responsibilities of the Coach on Song Literature Toward Teacher
and Singer." Hill, Robert Payson. IX, No. 5 (May—June 1953),
p. 14.

Charlatanism among

"John Charles Thomas Speaks." Thomas, John Charles. VII,

No. 5 (April-May 1951), p. 8.
Curriculum for

"Basic Fundamental Requirements for Teachers of Singing."
N.A.T.S. Committee on Basic Fundamental Requirements for
Teachers of Singing. IV, No. 4 (Feb.-March 1948), p. 1.

"Some Practical Aspects of Educational Psychology." De Young,
Richard. IX, No. 3 (Jan.-Feb. 1953), p. 7.

Expectations of

"What the Vocal Teacher Expects of the Pupil." Anonymous.

VII, No. l (Sept.-Oct. 1950), p. 9.
Extension program for .

"Basic Fundamental Requirements for Teachers of Singing."
N.A.T.S. Committee on Basic Fundamental Requirements for
Teachers of Singing. IV, No. 4 (Feb.-March 1948), p. 7.

"Fundamental Requirements for Teachers of Singing." N.A.T.S.
Advisory Committee on Vocal Education. V, No. 1 (Sept.-
Oct. 1948), p. 1.

Language study

"Song Recitals in English?" Pazmor, Radiana. IX, No. 2 (Nov.-

Dec. 1952), p. 16.

81

Vocal teachers-—continued
Learning from students
"Concomitant Learning for Teacher and Pupil." Stewart, Cecil.
VI, No. 4 (Feb.-March 1950), p. 6.
Licensing of
"Regulating the Vocal Teacher." N.A.T.S. Editor. IV, No. 6
(June-July 1948), p. 4.
Problems of novice
"Some Practical Aspects of Educational Psychology.’
Richard. IX, No. 3 (Jan.—Feb. 1953), p. 7.
Psychology of personality and
"The Psychology of Personality and the Teacher of Voice."
Coladarci, Arthur P. VII, No. 4 (Feb.-March 1951), p. 8.
Qualities necessary for
"Will Scientific Knowledge Make Us Better Teachers of Singing?"
Gardini, Nelli. VI, No. 6 (June-July 1950), p. 2.
Regulation of
"Regulating the Vocal Teacher." N.A.T.S. Editor. IV, No. 6
(June-July 1948), p. 4.
Requirements for
"Vocal Teaching Requires Expert." Elbin, Paul N. IX, No. 2
(Nov.-Dec. 1952), p. 18.
Responsibilities of
"I Take Pleasure in Singing, Sir." Gerdine, Dr. Leigh. X, No. 3
(Jan.-Feb. 1954), p. 8.
”Our Responsibility in Song Now as Always." Pearson, Charles,
VII, No. 3 (Jan. 1951), p. 4.
"Quality Singing." Gutekunst, Carl. IX, No. 2 (Nov.-Dec.
1952), p. 14.
"Singing in its Elementary and Other Aspects." Durgin, Cyrus.
IX, No. 3 (Jan.-Feb. 1953), p. 19.
"Thoughts on Muscular Coordination." Crawford, Hadley R. VIII,
No. 1 (Sept.-Oct. 1951), p. 14.
"Vocal Studies and an Operatic Career." Adler, Kurt Herbert.
VII, No. 6 (June-July 1951), p. 7.
Scientific knowledge needed by
"Teaching Objectives." Taylor, Bernard. VIII, No. 1 (Sept.—
Oct. 1951), p. 19. _
"Voice Pedagogy, Scientific or Empirical." De Young, Richard.
X, No. 4 (May 1954), p. 18.
Selection of
"Sane Thoughts" from This Business of Singing.‘ Key, Pierre.
VII, No. 2 (Nov.-Dec. 1950), p. 2.
Singing ability advocated for
"Bricks Without Straw." Schmidt, Reinhold. X, No. 3 (Jan.-
Feb. 1954), p. 6.
Skills needed by
"Refreshment vs. Stagnation." De Young, Richard. VII, No. 4
(Feb.-March 1951), p. 7.
Survey of
"Secondary School Music - A Resumé of the Field Survey." Huls,
Helen Steen. IX, No. 3 (Jan.-Feb. 1953), p. 6.

' De Young,

82

Vocal teachers--continued
Training of
"Role of the Private Teacher of Singing." Fulton, Eugene.
VII, No. 4 (Feb.-March 1951), p. 9.
"Some Practical Aspects of Educational Psychology." De Young,
Richard. IX, No. 3 (Jan.-Feb. 1953), p. 7.
"Systematic Teacher Training is Lacking." Douglass, Ruth. IV,
No. l (Sept.-Oct. 1947), p. l.
Workshops as aid to renewal of teaching skills
"Refreshment vs. Stagnation." De Young, Richard. VII, No. 4
(Feb.-March 1951), p. 7.
Young singers encouraged to become
"Challenge Vocal Students with Teaching." MacKenzie, Mignon
Bollman. VI, No. 6 (June-July 1950), p.°6.
Vocal teaching (See Vocal Pedagogy.)
Vocal technique
"The Importance of Technique." Gerry, Arthur. V, No. 1
(Sept.-Oct. 1948), p. 6.
"What About Today's Vocal Technique?" Hamlin, Anna M. IX,
No. 1 (Sept.-Oct. 1952), p. 16.
Relationship to musicianship
"The Relation of Musicianship to Vocal Technique." Geist,
Melvin H. VI, No. 1 (Sept. 1949), p. 2.
Time necessary for developing
"Pathways to Vocal Pedagogy." Gerry, Arthur. VI, No. 2 (Oct.-
Nov. 1949), p. 2.
Vocal therapy (See Voice therapy.)
Vocal tract
Anatomy and physiology, lecture outline
"Fundamental Requirements for Teachers of Singing." N.A.T.S
Advisory Committee on Vocal Education. V, No. 1 (Sept.-
Oct. 1948), p. 2.
Vocalises
"Down to Earth with Ideals." Hosmer, Helen M. X, No. 4
(May 1954), p. 13.
Voce di Mista
"Facts Concerning the Art of Bel Canto or the Basis of Bel
Canto." Alberti, Mme. Helen. IV, No. 2 (Nov.—Dec. 1947),
p. 4.

 

Voice
Adolescent male
"Remarks on the Adolescent Male Voice." Bartholomew, Marshall.
II, No. 4 (May-June 1946), p. 1.
As organ of speech
"Realistic Psychology." Bronson, Bernhardt. V, No. 3 (Jan.-
Feb. 1949), p. 2.
As special gift
"Song and its Acoustics." Daghlian, G. K. VIII, No. 2 (Nov.-
Dec. 1951), p. 6.
Boys'
"Experiences and an Experiment with Boys' Voices." Bowen,
George Oscar. VIII, No. l (Sept.-Oct. 1951), p. 15.

83

Voice—-continued
Boys' soprano, effect of extensive singing on mature voice
"Remarks on the Adolescent Male Voice." Bartholomew, Marshall.
II, No. 4 (May-June 1946), p. 1.
Building of
"Vocal Teaching Requires Expert." Elbin, Paul N. IX, No. 2
(Nov.-Dec. 1952), p. 18.
Change at adolescence
"Experiences and an Experiment with Boys' Voices." Bowen, George
Oscar. VIII, No. l (Sept.-Oct. 1951), p. 15.
Classification of
"About Unclassifiable Voices." Bagley, Silvia R. 111, No. 6
(June-July 1947), p. 2.
"The Choral Conductor." Woodruff, Harvey L. X, No. 1 (Sept.-
Oct. 1953), p. 14.
"Principles of Voice Therapy as Applied to Teaching." Brown,
Oren Lathrop. IX, No. 5 (May-June 1953), p. 16,
"Voice Classification." Wheeler, William. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 10.
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. l (Sept.-Oct. 1951), p. 8, 9.
Compared to instruments
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June-July
1951), p. 22.
Complex nature of
"Studio and Chorus.” Douglass, Ruth. VII, No. 6 (June-July
1951), p. 4.
Examination requirements
"General Survey of Final Semester Voice Examination Requirements.‘
Peterson, Paul w. IX, No. 4 (March-April 1953), p. 21.
Foundation of
"Voice Foundation." Gardini, Mme. Nelli. IV, No. 1 (Sept.-
Oct. 1947), p. 3.
Harmonic structure of
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. l (Sept.-Oct. 1951), p. 8.
Head (See Head voice.)
Huskiness in, as evidence of dysphonic plica laryngeus
"Medical Aspects of Voice Therapy." Brewer, David W., M.D..
IX, No. 4 (March-April 1953), p. 8.
Hygienics of
"Hygienics of the Voice." Lester, John. VI, No. 5 (April-
May 1950), p. 6.
Juries (See Voice, examination requirements.)
Middle range of
"Leaves From.My Notebook." Jones, William E. III, No. 6
(June-July 1947), p. 3.
"Voice Classification." Wheeler, William. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 10.
Pedagogy (See Vocal Pedagogy.)

84

Voice—-continued
Placement (See also Singing, tone placement and Vocal Pedagogy,
tone placement.)
"The Young American Singer and Grand Opera." Jagel, Frederick.
X, No. l (Sept.-Oct. 1953), p. 4.
Pupils (See Vocal students.)
Registers
"Leaves From My Notebook." Jones, William E. III, No. 6
(June-July 1947), p. 3.
"Old Methods of Voice Training Versus New Ones." DeBidoli,
Mme. Emi. 111, No. 4 (March-April 1947), p. 3.
"Voice Foundation." Gardini, Mme. Nelli. IV, No. l (Sept.-Oct.
1947), p. 3. ,
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.-Oct. 1951), p. 8.
Registers, minimizing differences in
"Phonation." Gould, Herbert. V, No. 5 (May-June 1949), p. 6.
Registers, said to be nonexistent
"Facts Concerning the Art of Bel Canto or the Basis of Bel
Canto." Alberti, Mme. Helen. IV, No. 2 (Nov.-Dec. 1947), p. 4.
Resonance in
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. 1 (Sept.-Oct. 1951), p. 8.
Timbre (See Vowel formants.)
Voice Student (See Vocal Student.)
Voice Teacher (See Vocal Teacher.)
Voice Therapy
"Medical Aspects of Voice Therapy." Brewer, David W., M.D. IX,
No. 4 (March—April 1953), p. 7.
"Principles of Voice Therapy as Applied to Teaching." Brown,‘
Oren Lathrop. IX, No. 5 (May-June 1953), p. 16.
Voice Training (See Vocal Pedagogy.)
Von Hausegger, Siegmund
"Lieder for Men." Selfridge, Cecil Blanchard. IX, No. 3
(Jan.—Feb. 1953), p. 16.
Vowel formants
"The Phenomenon of Vocal Tone Quality.” Borchers, Orville J.
VIII, No. 2 (Nov.-Dec. 1951), p. 15.
"Resonation." Westerman, Kenneth N. V, No. 5 (May-June 1949),
p. 2.
"Security in Singing." Lindquest, Allan Rogers. V, No. 4
(March—April 1949), p. 2.
"Some Things a Voice Teacher Should Know About Sound." Long,
Newell H. IX, No. 4 (March-April 1953), p. 16.
"What Acoustics Means to the Teacher of Singing." Oncley, Paul.
VIII, No. l (Sept.-Oct. 1951), p. 8.
Vowels (See also various subheadings on vowels under Singing, and
Diction, vowels.)
Pure
"Problems of Choral Blend." Peterson, Paul w. VIII, No. 5
(May-June 1952), p. 2.

85

Vowels--continued
Uniformity of, in choral work
"Problems of Choral Blend." Peterson, Paul W. VIII, No. 5
(May-June 1952), p. 2.
United with pitches
"Vowel Vanish - A Vocal Deterrent." Ringel, Harvey. IV, No. l
(Sept.-Oct. 1947), p. 3.
Wagner, Charles L.
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954),
p. 16.
Wagner, Richard
On vocal pedagogy
"Voice Foundation." Gardini, Mme. Nelli. IV, No. 1 (Sept.-Oct.
1947), p. 3.
Waring, Fred
"Vocal Musicianship." Angell, Warren M. VI, No. 3 (Dec. 1949-
Jan. 1950), p. 9.
Warlock, Peter
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard. X,
No. 3 (Jan.-Feb. 1954), p. 18.
Warren, Samuel P.
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 16.
Washington, George
"American Song Literature - The Beginnings of American Song.
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 15.
Watts, Wintter
"American Song Literature - The Awakening and Developing of
National Song Consciousness (l850-l925)." Carson, Leon.
VII, No. 5 (April—May 1951), p. 20.
Weill, Kurt
"Take a Good Look!" McArthur, Edwin. X, No. 4 (May 1954), p. 16.
Westerman, Kenneth N.
"The Saint Louis Convention." Huls, Helen Steen. X, No. 3
(Jan.-Feb. 1954), p. 2.
"Studio and Chorus." Douglass, Ruth. VII, No. 6 (June—July
1951), p. 4, 22.
Westminster Abbey
"Echoes of European Festivals." Douglass, Ruth. VIII, No. 3
(Jan.-Feb. 1952), p. 4.
Whitsunday
"The Meaning of the Church Year." Sonnack, Paul G. VIII, No. 4
(March-April 1952), p. 18.
Wilcox, John C.
Biographical sketch
"John C. Wilcox Dies in Denver." Anonymous. IV, No. 3
(Jan. 1948), p. l.
Willcocks, David
"Echoes of EurOpean Festivals." Douglass, Ruth. VIII, No. 3
(Jan.-Feb. 1952), p. 4.

86

Willis, Richard Storrs
"American Song Literature - The Awakening and Developing of
National Song Consciousness (1850-1925)." Carson, Leon. VII,
No. 5 (April-May 1951), p. 16.
Wind Instruments
Effects of study, on vocal production
"The Effects of Wind Instrument Training Upon Vocal Production."
Charles, Henry. III, No. l (Sept.-Oct. 1946), p. 3.
Wolf, Hugo
"Hugo Wolf (1860—1903)." Editorial. IX, No. 4 (March-April
1953), p. 11.
"Lieder for Men.” Selfridge, Cecil Blanchard. IX, No. 3 (Jan.—
Feb. 1953), P. 16.
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard.
X, No. 3 (Jan.-Feb. 1954), p. 18, 19.
Women Composers
Beach, Mrs. H. H. A.
"American Song Literature.- The Awakening and Developing of
National Song Consciousness (l850-l925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 18.
Rogers, Clara Kathleen
"American Song Literature — The Awakening and Developing of
National Song Consciousness (1850—1925)." Carson, Leon.
VII, No. 5 (April-May 1951), p. 16.
Woodwind instruments
Intonation of
"Musical Pitch and the Musician of Today." Wilson, Arthur.
X, No. 2 (Nov.-Dec. 1953), p. 7.
Worchester Cathedral
"Echoes of European Festivals.’
(Jan.-Feb. 1952), p. 4.
Wyatt, Sir Thomas
"The Songs of Peter Warlock." Selfridge, Cecil Blanchard.
X, No. 3 (Jan.-Feb. 1954), p. 18.
Yale University
Glee Club
"Yale Glee Club 1949 Concert Tour in Europe." Bartholomew,
Marshall. VI, No. 3 (Dec. 1949-Jan. 1950), p. 6.
Young, William
"American Song Literature - The Beginnings of American Song."
Armet, Hollace E. VII, No. 5 (April-May 1951), p. 15.

' Douglass, Ruth. VIII, No. 3

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“‘tWithin