JCHN DRE’DEN'S CGNfie‘ERSQON TO CAWQLECISM Thesis far H19 Degree of M. A. MICHZGAN STATE COLLEGE Heavier Man’s Brow 1949 ”an n! .‘h—u: m:—.— .‘w. WIIIIIHIIHHIIIUIHHUllllllllllllllilllllllliIlllilHllHl 3 1293 018413 JOHN DRYDZN'S CONVERSION TO CATHOLICISM by Eleanor Earle Brow A THESIS Submitted to the Graduate School of Michigan State College of Agriculture and.Applied Science in partial fulfillment of the requirements for the degree of MAS“ER OF ARTS Department or Englidb 1949 Part II III VI Content Introduction 1. Biographical Sketch 2. Criticism Political and Philosophical Thought Historical Background 1. Status of Nonconformiete 2. Restoration 3. James II 'Religio Leici" ”The Kind and the Panther" 10 First Part 2. Second Part 3. Third Part Dryden'e Character and the Conclusion 1. Dryden'e Character 2. Conclusion 31 563 54 66 74 '77 Preface The purpose of this dissertation is to examine the circumstances under which Dryden's conversion was made, in order to come to acme def- inite conclusion as to the motives which prompted him, and the sincerity of the experience which prompted his conversion to the Catholic Church. This will involve a study of Dryden'e politico-religious poems, "Re- ligio Laici.” and "The Hind and the Panther.” For an interpretation of these two crieisl poems is an essential part of any attempt to discover the nature and value of Dryden'e religious thought. The subject of Dryden's religious sincerity has been studied by many writers and scholars to date, and this paper undertakes, as a ne- cessary preliminary. a detailed outline of their*vorks. .Among the early critics I have referred to Johnson, Scott, Hecaulay, Christie, Saintsbury and Verrel: and among the later critics to hark‘van Devon and L.I. Bred- vold. I am particularly indebted to L.I. Bredvold's Intellectual Milieu of John Dgzden for information concerning Dryden's political.and philosoph- ical thought. From the Restoration forward, Dryden moved steadily in one direction. and that was towards authoritarianism in politics and religion. There— fore, this study of his conversion is concerned with.those political and philosophical ideas which led him to seek an infallible church. I wish to make grateful acknowledgment to the graduate faculty of the English Deparmment, and in particular to Dr. Anders Orbeck and Dr. A.J.M. Smith. for their kind assistance in the preparation and final presenta- tion of this thesis. E. M. B. kest Lansing, Michigan April 30, 1949 I Introduction 1. John Dryden became Catholic in 1686. He was severely criticised by his contemporaries, and since that time he has had many critics who have accused him of insincerity. His religious ideas are important in con- sidering his poetry; for the value of a poem like "The Hind and the Pan- ther" is lessened if the author was writing without sincere conviction. In tracing the poet's ideas which led to his conversion, it is probably best to begin with his childhood and Puritan surroundings. Dryden was born in 1631 at Aldwinkle in Northamptonshire. His mo- ther's family, the Pickerings, had been staunch Puritans from the time of James I, as were his father's family. We have no information concerning Dryden'e childhood, either from himself or others. I The first records of his education are as a King‘s scholar at west- minster under Richard Busby. Although Busby was a Royslist, he was re— tained as headmaster of Westminster during the Commonwealth because of his excellent qualities as a teacher.1 Dryden received his foundation in the classics from Busby, and he always wrote of this teacher with kindly re- spect.2 In 1650 Dryden entered Cambridge where he remained until 1657. Here he continued his study of the classics, particularly the Roman classics, which he had begun at Westminster. We have little information regarding his 1. George Saintsbury, Dryden (London, l930), pp. 1-5. 2. Scott—Seintsbury. The Works of John Dryden (Edinburgh, 1882), Vol. XVIII. pp. 99.102. ‘ university life, but Churton Collins had this to say of Dryden's academ- ie life: Like Milton before, and like Gray, Wordsworth, and Coleridge after him, he appears to have had no respect for his teachers, and to have taken his education into his own hands.1 In 1657 Dryden went to London where he was in the service of his coup sin, Sir Gilbert Pickering. Sir Gilbert Pickering (1613-1668) had been in the Short Parliament of 1640, and throughout the Long Parliament he repre- sented the county of Berthampton. It was said that he was a zealous Pur— itan having been a Presbyterian, an Independent, e Brownist and finally an Anabaptist. [Apparently Pickering was enthusiastic in his service to the Commonwealth. He eat as one of the Judges in the trial of Charles I, but he did not sign the death warrant. He was a member of five councils of state and of an army council, besides being a member of three Commonwealth Parliaments. In 1655 he was appointed to a committee for the advancement of trade, and in 1657 he was made lord chamberlein to Cromwell. It was when he received the office of lord chamberlein that John Dryden probably served as his secretary.8 Thus Shsdwell in ”The Medal of John Bayes" taunted Dryden because of his Puritan connections: The next step of advancement you began, was being clerk toI Noll's lord ohamberlain, e sequestrator and committee man, Sir Gilbert was not in a position to do much for his relative even if he had wished to, for Cromwell died in 1658, and the Commonwealth had not long to live. Dryden commemorated Cromwell's death by writing the "Stanzas l. Churton Collins, The Satiras of Dryden 1L0ndon, 1956), p. xi. 2. Leslie Stephan, Dictionary of National Biography, V01. XIV, p. 242. 30 SOOtt'lsaintabury. I. P. 34. 220 Cite on the Death of Cmellfl’ This was his first important work as a poet. Shortly afterwards he wrote "Astraea Rodin" to celebrate Charles' restor- etion. After 1661 Dryden did hack work for herringmsn, the bookseller. Then he aquired the patronage of Sir Robert Howard whose sister he mar- ried in 1663. He was elected to the Royal society in 1662, and wrote his ”Epistle to Dr. Walter Charleton' for the occasion:1 However, after 1661, Dryden's main source of income was the theatre. He and Sir Robert Howard collaborated in several plays, one of the best being The Indian Queen presented in 1664. The Ind ian Queen was followed by The Indian Emporer which was one of Dryden's first plays to attain popular approval. The theatres were closed during the year of 1666 as London suffered the great fire and England was engaged in a war with Hol- land. Dryden ccmnemorated the events of that year with the poem 'Annus kirebilie.'2 In 1668 Dryden wrote his ”Essay of Dramatic Poesy" which did much to raise his reputation as a writer. About this same time Dryden formed an agreement with the King's Theatre in {which he agreed to write three plays a year. This contract kept him applied to writing plays until 1682.3 In 1670 Dryden received the post of Poet Laureate. He was now a part of the count circle, having for his friends such nobles as Dorset, 1. Saintsbury, Drzden, cit., p. 28. 2. Ibid., pp. ze-cs. 3. Ibid., pp. 38-67. Etherage, Kulgrave and incheater.1 The political excitement stirred up by the Papist Blot occured in 1678. In the tour following years Shaftesbury had incited the Exclusion measume. Dryden turned from drama to begin writing his important satires. In November of 1681 fiAbaalnm and thitOphel' anpeared championing the ning'a cause against the Exclusionists. After Shartesbury's aquittal Dryden continued the attack with "The medal.“ Then in 1682 the second part of "Absalom and.Aah1tophel"appoared, and several weeks later, "Re- ligio Laioi.' From "Religio.baici' it is a short step to "The Hind and the Panther." These last three poems have a combined political-religious importanfie in Dryden’s thought.2 1. Ibid., p. as. 2. Ibid.. pp. 73-93. III | III .‘I I. all" II ‘I III II ‘hl.’ 2. Before tracing the development of Dryden's thought in relation to his conversion, it is necessary to review the early and modern criticism of his conversion. This subject, Dryden's conversion, has been treated by writers with viewpoints ranging from harsh reproach to sympathetic apology. The early criticisms based upon political prejudices were of- ten inclined to degrade the writer. Kodern scholarship with the aid of hindsight does Dryden more Justice. Dr. Johnson's ”Life of Dryden," was written in 1779. In it John- son made allowance for the poet's religious sincerity, but he passed over the apostacy as not having too much importance. Johnson sew noth- ing discrediteble in Dryden'e apparent political changes. us noted that if Dryden changed his political beliefs, he changed with the nation.1 Johnson, for whom Catholicism had no attraction, seems to have felt that Dryden was a target for ambitious priests. Not having any definite religious convictions, and being constantly applied in more worldly pur- suits, the post was ill equipped to contend with the skillful Jesuits.2 Undoubtedly Catholic prOpagsnda was well organised and wide—spread at the accession of James II. Yet Johnson recognised that any convension at that advantageous time was subject to questioning, but a man's sincere ity was not necessarily to be cppugned for that reason. besides, Johnson was not inclined to pass Judgement on this point: I am willing to believe that Dryden, having employed his his mind, active as it was, upon different studies, and 1. A. nines, JohnsonLSeleot Works (Oxford, 1885). pp. 2-5. 2. Ibid., pp. 36-37. filled it, cepecious as it was, with other*materisls, came unprovided to the controversy, and wanted rather skill to discover the right than virtue to maintain it. But enquiries into the heart are not for man; we must now leave him to his Judge.1 Johnson disregarded the concomitant hardships of Dryden's faith af- ter the deposition of James II as proof of the poet's sincerity. Inured to a precarious financial status himself, Johnson felt that Dryden was too fond of causelsse complaints. After all, at the loss of the laureate, Dryden was supposed to have received a compensation ofiirloo a year fran Lord Dorset. He should have been grateful for that, for while playing the sycophsnt to James, he received only a miserly compensation.2 Scott's life of Dryden was published in 1808. Scott was a literary man and a Tory, and because of this Macaulay, later, accused Scott of being biased in favor of Dryden.3 In regard to Dryden's political align- ments, Scott felt that Dryden might have been influenced by literary am- bitions. hith the restoration he had an spportunity to use his poetical talents in a way which would have been impossible while under the patron- age of his Puritan relatives and the Commonwealth. In order to gain pro- minence any writer had to be among the courtly circle, so Dryden found it prepitious to become a mentor of that group.4 Although Drydon’s activity and temperament were not compatible with religious speculation, Scott felt that disappointment and age may have, 1. Ibid., p. 57. 2. 11110... p. 42. 3. Macaulay, History of England (London, 1946), Vol. I, p. 658. 4. Scott-Saintsbury, I, pp. 42-48. however, prompted such thoughts; for 'Religio Leisi," as he says, ”evin- can that, previous to composing that poem, the author had bestowed seri- ous consideration upon the important subjects of which it treats."1 Scott also saw the political tendency of the poem which was evident in the defence of the state church against the anarchy of the sectsries.2 Scott summed up his defense of Dryden's conversion in this why: Dryden did not, therefore, except in outward profession, abandon the church of England for that of Rome, but was con- verted to the Catholic faith from a state of infidelity, or rather of Pyrrhonism ... Dryden'e sincere squiescence in the abstrusc points of Christianity did not long precede his a- daption of Roman faith. Bredvold has pointed out that Scott in speaking of ryrrhonism or philoso- phicel skepticism, failed to distinguish it from religious skepticism or freethinking. Dryden's skepticism led him to seek authority in religion, and therefore was anti-rstionalistic, but not freethinking.4 Finally Scott believed that Dryden could have reguined his post as Laureate under Uilliem if he had been willing to recent. Later Christie Opposed this view, but Scott pointed out that many Tory nobles end Lord Dorset among the hhigs, were friends of Dryden, showing that his religion had not ostracized him. Furthermore, it must be remembered that religi~ ous apostecy in Dryden's circle wee commonplace, and probably in most cases it was regarded as expedient.5 1. 1939... P. 257. 2. gig... pp. 257-258. 3. 359... p. 263. 4. L.I. Brsdvold, Intellectual milieu of John Dryden (Ann Arbor, 1954), p. 121. 5. Scott-Saintsbury, I, p. 263. Lord Eacauley, writing in 1848, had nothing good to say of Dryden's character and conversion.1 But macsuley's views of Dryden, end on Dry- den's age, are always reflected upon a thiggish glass, consequently the appearance of many seventeenth century theological and political ideas are unattractive. Dryden'e literary servility, a regrettable condition of that period, influenced the poet's political and theological decisions. Reseuley, believing that all men are formed by their age, considered Dry- den as a most notorious and completed product of the seventeenth century: Amidst the crowd of authors. who, during the earlier years of Charles the Second, counted notoriety by every species of absurdity and effectntion, he speedily become conspicuous ... on no men did the age exercise so much influence.2 From masculey's Viewpoint, Dryden appears to have been a helpless victim in the maéistram or seventeenth century Toryism and literary patronage. tmceuley stated bluntly that Dryden wee wholly unprepared to dispute on political and theological questions, thereby removing any responsible value to his decisions on these subjects! According to Enceulay, then, Dryden’s conversion was prompted only because of an added pension of 100 a year from James. "Finding that, if he continued to cell himself a Protestant, his ser- vices would be overlooked, he declared himself a lepist."3 Th1! is the frankest, boldest and most berefsced statement impugn- ing Dryden's good faith that any historian or critic hes dared to make. Later authorities proved that Dryden never received an emolument upon his conversion, but that this was merely a renewal of his former pension l. Hecauley, History of England, Vol 1.02: cit., p. 658. 2. Lady Trevolyen, miscellaneous horks of Lord Msceulay, Vol. I,(Kew York, 1880), p. 132. 3. Macaulay, op. cit., p. 658. II!I!J1IIIIII|IIIIIIIIII‘IIIIIUII"!‘ illlll and a payment of pensions in arrear. Indeed the work of modern critics and historians has been concerned with absolving Dryden of this charge. After macaulay's criticism of Dryden came W.D. Christie's edition of the poems. This was introduced by a memoir, and was published in 1870. Christie, like haceulay, was a Whig and biased in his interpreta- tion or Dryden's political views: he could see no consistency in Dry- den's political alignments. He was also partial in his praise of Shaftes- bury; and his sympathies were with.Shsftesbury at the outset, rather than with Dryden. Christie‘s attack on Dryden's character was Victorian in the worst sense of that word. The imputed wickedness of the poet, based upon such flimsy evidence as Drydenfis having tee with.a certain actress, caused Christie to remark that "Dryden was a libertine,"1 These attacks on Drydenfis character were Justly rebuffed by professor Seintsbury, and are entirely irrelevant in deducing the poet's religious sincerity.2 Christie, to acme extent, did recognize the unity of political and theological ideas, admitting that it was not unusual for the author of fiAbsalom and Achitophel' to later'writc 'Religio Lsici.‘3 Yet while so- cepting Dryden's independent spirit, he felt that Dryden.wrote "Absalom and Achitophel'I in order to recompense for his anti-papist play, The Spen- ish Friar, and to procure further aid from the hing, thus enabling him to devote time to an epic poem.4 In the latter attempt, if such it was, 1. Ibid., p. xxiv. 2. Saintsbury, szden, op. cit., pp. 178-181. 3. Christie. 02: Cit.. p. L11. 4. Ibido. PP. Hill-n17. 10 he never succeeded. Christie readily conceded that Dryden would never have changed his religion for a mere pension ofafileO a year from James II, but he adds, "Dryden's life was a perpetual struggle for income; and his character and career do not Oppose the notion which the time of his conversion sug- gests, that his becoming a Roman Catholic was in a great measure a move- ment of calculated expediency."1 He explained Drydenfls later constancy by denying e possibility of recantation, saying that if Dryden had re- nounced his faith he could never have recovered the Lsureeteship, as he would have been totally dishonored.2 Saintsbury, who published his life of Dryden in 1900, was, unlike Christie, a Tory. Therefore his politica1.notions were not so foreign to a sympathetic study of Drydenfs political ideas, and his discussion of the conversion is much more impartial. He recognised the philosoyhical skepticism and the desire for the stability of an infallible church in 'Religio Luci."3 however, Saints- bury failed to see the impossibility of separating religious and politi- cal motives. If he had, he would not have said this concerning "Religio Laici": The poem therefore, as it seems to me, must be regarded as a genuine production, expressing the author's first thoughts on e subject which had Just presented itself to him as interesting and important.‘ 1. Ibid., p. Lwiii. 2. Ibid., p. xxiv. 3. Saintsbury, Men, op. cit., p. 101. 4. Ibid.. Pp. 92-93. 11 Saintsbury regarded Dryden, first and last as a man of letters, and as such it was only to be expected that he remained loyal to a court which promised patronage. With Macaulay, Saintsbury saw Dryden strong- ly influenced by his age, and subject to public taste; but those were un- conscious factors and no points for stricture.1 As it was obvious by Saintsbury'e time that Dryden had never made any substantial financial gains by his conversion, this motive could be discarded.2 To Saintsbury, the political.views of ”Absalom and Achitophsl" and the religious insecurity of ”Religio Laici,‘ lead up to, and prepared the mind for "The Kind and the Panther." Dryden's subsequent firm adherence to the Catholic faith in face of hardships was good proof of his religious sincerity.3 h.w. Verrall delivered his Cambridge lectures on Dryden in 1911. as was distinguished as a student of the classics, his preference beinngrcek drama. he had also served as critic and contributor to'The Classical BE? 1133; and other scholarly journals. Verrall was an eager student of the classical period in English literature, and Dryden as a translator of Vir- gil interested him. Verrsll was a pioneer in the close analysis of the text as prelimin- ary to any critical conclusion, and that detailed study of the texts of Dryden's poems led him, in the first place, to take a more favorable view of Dryden's political and religious ideas. Verrall refuted Eacaulay's 10 Ibide. PP. 102'"le 2. Ride. p. 1040 3. Ibid., p. 106. 12 charge that Dryden was a literary slave to the court. However, Verrall insisted that Dryden held no definite principles in regard to religion, politics or even criticism.1 Verrell was dissatisfied with the super- ficial and biased attack of Macaulay. It was not that he was convinced of Dryden's sincerity, or even of his deep interest in religious matters, but he believed that Dryden's clear, logical and practical mind which con— cerned itself with politics and the theory of authority in the state was consistent, end if it changed it showed a logical and orderly development. Thus Verrall did not concern himself much with Dryden's sincerity, but be regarded all his work as essentially occesional. "But Dryden, we must not forget, is always apt to Speak for the oc- casion, and his sentiments however strongly expressed often represent but a momentsry feeling?2 In spite of the above statement, Verrull felt that from 1680 on, Dry- den moved steadily towards Catholicism, and that even though he knew lit- tle about religion, he considered it important after the political events of 1680.3 Even in ”Absalom and Achit0ph61* Verrell believed that Dryden showed himself as a half-hearted Anglican for in that poem. he evinced his distrust of reason and his entirely political approach to the religious problem.4 This attitude of Verrall's points the may to the attitude of modern l.{A.W. Verrell, Lectures on Dryden (Cambridge, 1914). Pp. 17-18. 2. $9.53.." PP. 27-28. 3. w” p. 22. 4. Ibid., p. 151. 13 critics such as Ven Doren end bredvold. However this new attitude towards Dryden is not confined to one or more isolated, if brilliant scholars and critics. It is the reflection of a revolution in taste. In the thirty years that have passed since the work of the lest cri- tic we have reviewed, a change has come over the critical temper of the age, and modern criticism, both in its general attitude and its scholarly equip- ment,hes been prepared to take a more sympethetic and more scholarly view of Dryden’s career. The Romantic and Victorian critics, on the whole, discredited the eighteenth century, and particularly Dryden, refusing to acknowledge his work as true poetry. Naturally this type of criticism lowered sporecie- tion of Dryden, and not until recent times has his value been rediscovered. Indeed, the form, regularity and clarity of the correct neo-clsssicists has at last found appreciation in the twentieth century. The admirers of Dry- den and rote no longer feel alienated from sound taste as they did when the Romantics end Victorians dominated poetic criticism. n.s. Crete has said that the cluseicists are no longer on the defensive: It is not they but the surviving disciples of hordsworth and Matthew Arnold who are out of harmony with the movement of modern criticism and taste.1 One of the foreiost advocates in Dryden's cause has been T.S. Eliot. He explained Dryden's neglect us a result of nineteenth century criticism which thought of poetry es en illusive eonethil; coming under nrnold's def- inition of "conceived and composed in the soul." Those who held this limi- ted conception of poetry regarded Dryden es prosaic.2 l. R.S. Crone, A Collection of English Poems, 1660-1800 (New‘York, 1952), Introduction, pp. V6VI. F‘— 2. T.S. Eliot, homage to John Dryden (London, 1997), pp. 13-23. 16 Hazlitt, whom Eliot reproved for his rush Judgement of Dryden, had criticised Dryden with the romantic idea of a poet in mind: The poet of nature is one who, from the elements of beauty of power, and of passion in his own: bre:_.st, sy‘1prithizes with whatever is beautiful, and grand, and impassioned in nature, in its sinrle majesty, in its inmsdinte (pgeal to the Smnuei, to the thoughts and hearts of ell men; so that the poet of na- ture, by the truth, and depth, and hermOty of his mind, may be said to hold communion with the very soul of nature. however a poet to Dryden was one who to his natural endowments, of a large invention, a ripe judgenent, and a strong memory, has joined the knowledge of the liberal arts and sciences, and particularly moral philos- Ophy, the mathematics, geography, and history, and with all these qualifications, is a born poet; knows and can practise the variet' of numbers, and is master of the lungunge in which he writes. The difference in standards is obvious, and anyone sttanpting to judge Dryden by Hsglittfls criteria will fail to appreciate hin. Dryb den was not only a master of satire and heroic couplet, but he made the English language useful and clear. Dryden's writing covered a wide range, drama, satire, essay, and translation. is Mark Van Doren has pointed out, poets ranging from nests and Byron down to Edgar Allen Poe have expressed their indebtedness to Dryden.3 Besides this difference in literary criticism in the nineteenth cen- tury, another drawback to understanding Dryden had been an ignorance of his age, or his "climate of opinion." modern scholarship has advanced in this field, and through careful research has given us the historical, po- litical and philOSOphical background of the eighteenth century. L.I. Bred- 1. William Healitt, Lectures on the English.roets (Oxford, 1930), p. 106. 2. W.P. Ker, Essays, Vol. 11 (Oxford, 1900), p. 56. 3. Mark Van boron, John Dryden (New York, 1946), pp. 233-266. 17 vold's study of Dryden is an excellent example of this scientific scholars ship, and will be reviewed later. Kirk Von Doren's study of Dryden is illustrative of the new liter- ary criticism, which based unon broader levels, seeks to bring Dryden to a full appreciation in the twentieth century. Hark Ven.Doron's study of Dryden's convernion is concerned with the mind and learning of the poet. VhizDoren believes that Dryden nus mell- reud in various fields, 2nd that although he res not a thorcnrh scholar, he possessed on intellectual curiosity which was never inective. But pleasure for hin mennt the satisfying of intellectual curi- osity as well as it meant diversion; from the beginning, there can be no doubt, he was pleased to Iond widely end are avid of information. After leaving hestminster School where he received a decent founda- tion in the classics, Dryden Intered Cambridge, then under Commonwealth guidance, It was there, says Van Doren, that he furthered his argumen- tation, and began to read Descartes and Hobbes.2 Dryden was devoted to the Latin classics - Virgil, Lucretius, Ovid, Juvensl and Persius were his companions in "male virtue." His writing:and thought were "tempered" say Van Doren, "with a rare Augustan awe," there- fore, ”Declsrations of Indulgence and Test Acts were intrusive trifles, and the necessity of choosing between a James and a i'illiam but a dwarfish di- lemma." Dryden practised scholastic discourse; he possessed a mind that was attracted to ratioetnation as is evinced in his many plays and satires. It P . Ibid., p. 4. I‘D . Ibid 5.1b1do, DD. 10-11. , p. 8. 18 use the form that he perfected not the content. Dryden become familiar with the new science and philosophy; but as Van Doren points out he had 1 little competence in critiCnl evaluation of ideas. The influence of Hobbes wzs widespread, especially after the Restoration. Dryden knew Hobbes' mechanism and the dogmatic materialism of Lucretius; and Van Do- ren thinks that he was attracted to them by disposition rather than.by doctrine. he sums it up thus: do woe by disoosition rsther than by doctrine a skeptic ... he never altogether cepitulsted to any system of politics or morals or aesthetics. so was born and died with an Glynnion indifference to principles. thnobbee and Lucretius both made powerful, permanent impressions upon his imeninetion. It was Hobbes who inspired his deep distrust of human beings in the nose and his lifelong intolerance of movements that threstened to disturb the peace.“ Dryden was consistent in his fesr of democracy or any kind of innovation, despising any individual, priest or politician, who made such endeavors}5 no for the controversial poems, Van Doren thinks that they were oc- casional, but not trumped up for the moment. The pressing political and theological problems of the day were a normal stimulus to a men who was so much a pert of histime.4 Van Doren sees him as a party writer aligned to the court, but lacking any hard convictions on either church or smote. he frequently emphasizes Dryden's leek of conviction end fear of distur- hence: Such principles as he did possess were not so much principles as nrejudices, ell of which csn be summedrup by saying that he hated and feared disturbance of any kind.0 1. Ibido. DU. 11'12. 8. Ride. PP. 11‘12. s. gpid., p. 16. 4. Ibid.. p. 141. 5. Ibid., p. 143. 19 he came it must he admitted st once, without conspicuous principles of his own conserning church or stete.‘ Nor is it to be believed that he ever possessed a set of nicely distinguished, carefully nondercd noliticnl liens. 2 In answering changes brought sizinet Dryden's religious anosteny and tollticxl meanflcrings, vnn Doren conclnflee thnt there is little need for iiscouposure so Dryion never hold any orinciples thvt he would have died for, and he nGVer mode a pretense of so-doing. The better View seems latterly to be thct there is little rea- son to be sorrowful over the behavior of a canny man of let- ers who never at any tine proton-24 to he ecuipned with prin- ciples worth dying or becoming a pauper i‘or.3 8L1. Bredvold'e Intellectual Milieu of John DIY¢§§,WHS published in 1934, end is probably the most thorough work of its kind on Dryden, re- lating the poet's thought to his age. He studies the poet's thought from the standpoint of phiIOSOphical skepticism and political conservatism in the seventeenth century. The philosophical skepticism so prevalent in the seventeenth century was founded upon the philosophy of the ancient Greek, iyrrho, who had reached this period through the writings of sextus Empiricus. This phil- osophy, especially as used by Dryden, was essentially anti-rationalistic. It did not entail religious unbelief, but on the contrary, since it abol- ished faith in msnfls reason it led to a reliance upon religious authority and conformity to national law.4 1. r0 id. ’ p. 142. 2. Ibid. . pp. 142-143. 3. Ibid. . P. 255. 4. Bredvold, Intellectual Kiliue of John‘Dryden,.22. cit., pp. 16-46. 20 Montaigne was one of the most important sixteenth century exponents of this fideism or philosOphicsl skepticism. Apparently Dryden was well read in sonteigne; he referred to him several times in terms such as the "honest sontsigne.'1 Montaingo’sukpology for Raymond sebondflenjoyed a widespread popularity in England and France. The result of this essay was to destroy faith in men's intellect snd reason, and to base religious certainty solely upon faith and revelation. Montaigne's utter deprecia- tion of reason led him to a state of doubt: Appearances are everywhere equalzlt is equally possible to take either side; mething seems true that may not seem untrue.2 However this state of doubt led Hontligne to a strong religious belief. nis explanation of ryrrhoniom is also an expression of his religious faith: It presents man noted and empty confessing his natural week- ness and ready to receive from on high some power not his own ... suporessing his own Judgement to leave more room for faith; neither disbelieving nor setting up any teaching contrary to the common Observances; humble, obedient, docile, zealous, a sworn enemy to heresy and consequently free from the vain and irreligioue beliefs introduced by the false sects. he is a blank tablet prepared to take from the fi er of God such forms as he shall be pleased to engrave upon it. This was the argument used by seventeenth century Jesuits in counteracting Protestantism. Dryden used this argument against the Delete in 'Religio Lsici,“ thus aligning himself with the Roman Catholic apologists. The Roman church never sanctioned anti-rationalism, yet nevertheless, as Bre- vold noted, it use the Catholics more than any other group who made use of fidGiSflo4 1. Works, V, Preface to All for Love, p. 555,Scott~Saintsbury, 2. J.H. Robertson, Essays of Montaigne (London, 1927), vol. I, p. bOl. 3. Ibid... p. 502. 4. BrOdVOId. 9E. Cit.. p. 75. According to Bredvold, Dryden was not an original thinker, but he studied the idees of his age, and gradually developed consistent politi- cal and religious stands. His conversion to Catholicism was a natural outgrowth of fideism and Toryism. Bredvold considered that Dryden reach- ed the culmination of his thought in 1682 with "Absalom and.Achitophel' and "Religio Lsici.' ”Religio Lsici' and "The Kind and the Panther" are so closely allied in their philosOphy that the earlier poem might be re. garded as a sort of prelude or introduction to the later; both are basically skeptical and fideistic.1 After examining all the critics, early and modern ones turn with re- newed interest end even.with a sense of relief to the writings of Dryden himself. A fresh look at Dryden's own writing will throw light on the pro- blem, and reveal the consistency of his thought, showing how his natural skepticism.end political conservatism were prerequisites to his acceptance of Catholicism. Political thought in Dryden and in the men of his age could not be separated from religious thought. Even Dryden's earliest, and apparently purely political poems are based upon assumptions of a religious sort and make allusions to theological and religious concepts. 1. Ibido. Po 1210 22 II Dryden'e Political and Philosophical Thought If Dryden'e eerly poems are based upon religious assumpt ions, in s study of hie thought it is fitting to begin with “Sterner-13 on Cram-111." and ”Astreee Redux.‘ “The first was written for the leader of the Common- wealth, the second for the restored king, yet they are really not incon- eistent. Both poems praise one thing: A strong leader, an authority that can maintain peace. Cromwell was praised as a strong leader. but hie po- litical doctrines are never mentioned. As Scott has said, Dryden treated Cromwell with.e "einguler and happy delicacy.”1 Dryden did not touch up- on the civil war or any of the methods by which Cromwell had attained his power, but he did compliment the effects of that power. In this early po- em Dryden expressed the desirability of public peace above all other good. He repeated this idea frequently in hie later works. Peace was the Prize of all his T011 and Care, Whichuwer had benieh'd and did now restore: (Stanzee on Cromwell, 11. 61-62) Nb civil Broile have since his Death arose, But Feetione now, by Rab it. does obey; (Stangse on Cromwell, 11. 141-142) Sir Walter Raleigh has said that "Dryden believed in authority in religion, and monarchy in the State, even when the monarch'e name was Cromwell.*2 Dryden with the nation rejoiced at Charlee' metomtion. He undoubt- edly had reasons other than politice1.for Joining the Roysliet ranks. Dry- den was above all things e men of letters, and as Charles II end his court 1e Scott-Seintsbury, I. p. 60 2. 1Welter Raleigh, Some Authors (Oxford, 1923), p. 166. 23 offered opportunities for literary pursuits which the Commonwealth had denied, this was an added reason for writing EAstraee Redun"1 Dryden probably never sympathised with.the Puritan belief in which he was reared._ Even in 'Astreea Reduxfl Dryden associated Puritan.dissent and political unrest. For his long absence Church and State did groan; madness the Pulpit. Testion seiz’d the Throne: . (semen Radar. 11. 21-22) It is more likely that Dryden experienced a strong reaction against his Puritan background. Sir Walter Raleigh has suggested that this was the case, as s study of the history of Puritan dissension in the seventeenth century was 'enough.to make an anarchist sick of freedom."2 It may have been this early reaction against Puritsnism which started Dryden in the g1- recticn towards conservatism and authority. The ideas behind the political poems give evidence or a skeptical point of view, part of which was rooted in Drydenfis personality and exper- ience, and which'wae nourished by his reading and conversational familiar- ity with.the works of Hobbes.3 The critic will find Hobbes'I philosophy of great importance in treet- ing Dryden'e skepticism. Hobbee' skeptical and sephisticeted defence of euthority sss'well-efiited to the eclectic aristocrats of Charles Il'e court, and Dryden became familiar with it early in his career, for it was congenial l. Scott-Seintebury, p. 42. 2. Walter 38131811. 22s Cite. Do 165. 3. Besides evidence in Dryden‘e plays of Hobbee' philosophy. his mention of Hobbes in essays, shows that he had read Hebbes. See his 'Preface to the Fables" in W.P3 Ker’e Essays, V01. II. p. 252. However this essay was ‘sritten in 1700, and we have no earlier evidence of Drydenfie attitude to- wards HObe‘e 24 to his own tanperament as well as to that of the age. Although Hobbes. philosophy destroyed rationalism and often led to free-thinking, Hobbes. himself, swmitted to the state church. He. like Hontaigne, sought sanc- tbn in conforming to traditional law and religious authority. To Hobbes, religion was essentially an instrument. subservient to government.1 Dry- d‘en’e treatment of the church in 'Religic Laiei' was in agreement with the ideas of Hobbes. Courthope has pointed out that Dryden was concerned with the polio tical consequences of religion; and fr