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- Title
- "Readin' sistahs after school : counterstories from an all black girl book club"
- Creator
- Carey, Carleen
- Date
- 2015
- Collection
- Electronic Theses & Dissertations
- Description
-
This study uses ethnographic tools to analyze one after-school Black girl book club. It addressesthe question, “How do the students construct raced and gendered identities as they engage withtexts?” While some studies highlight the need for teachers to employ culturally relevantcurricula, more studies are required to illuminate how students themselves define which texts areculturally sustaining. Drawing on Gee’s model of discourse as type of toolkit, this studyinvestigates the stories...
Show moreThis study uses ethnographic tools to analyze one after-school Black girl book club. It addressesthe question, “How do the students construct raced and gendered identities as they engage withtexts?” While some studies highlight the need for teachers to employ culturally relevantcurricula, more studies are required to illuminate how students themselves define which texts areculturally sustaining. Drawing on Gee’s model of discourse as type of toolkit, this studyinvestigates the stories narrated by six female African American1 seventh-graders over the courseof one school year in a large Midwestern city. Using critical discourse analysis, this studyillustrates how written and oral story-telling can support students’ critical literacy development.This dissertation expands the literature on identity and literacy. It expands our knowledge aboutan oral narrative in conversational response to text, thus uncovering the potential of narrative andconversational response to text as a tool for both young adult identity development and teachereducation, especially among young women of color studying English in urban settings.
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- Title
- "Step up little homie, got something to say" : a study of hip-hop pedagogy in an out of school program
- Creator
- Newby, Ashley Luetisha
- Date
- 2016
- Collection
- Electronic Theses & Dissertations
- Description
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Much of the existing Hip-Hop Pedagogy research focuses on the inclusion of Hip-Hop in formal classroom spaces, and the role that Hip-Hop culture plays in the lives of Black and Brown youth specifically. By investigating a Hip-Hop Academy that teaches Hip-Hop culture rather than merely using it as a bridge between academic goals and student realities, this project seeks to add to the existing literature on Hip-Hop Pedagogy in education. Through the use of observations and interviews over the...
Show moreMuch of the existing Hip-Hop Pedagogy research focuses on the inclusion of Hip-Hop in formal classroom spaces, and the role that Hip-Hop culture plays in the lives of Black and Brown youth specifically. By investigating a Hip-Hop Academy that teaches Hip-Hop culture rather than merely using it as a bridge between academic goals and student realities, this project seeks to add to the existing literature on Hip-Hop Pedagogy in education. Through the use of observations and interviews over the course of a school year, the voices of the participants at the Hip-Hop Academy are placed central and the ways that they conceptualize and navigate their Hip-Hop and Academic identities are explored. This study investigates how students who are being explicitly taught Hip-Hop see the connections between the culture and their academic lives in their own words. The research questions for this study are (1) What is the nature of a space grounded in Hip-Hop culture and constructed through critical theory? (2) What is the nature of student reflection on the world? And (3) What does student participation in spaces like the Hip-Hop Academy reveal about how students want to learn? Through the use of observations, ethnographic field notes, and individual interviews, the voices of the students at the Academy are centered in this study, and the voices of the instructors are incorporated in ways that both answer the research questions, and reveal the ways that the students view their academic and Hip-Hop identities operating in conjunction with one another. The findings reveal that not only does Hip-Hop Pedagogy resonate with student populations that are marginalized, but that it also resonates with some of the most privileged identities in ways that allows all students to recognize and use their voices to express who their multiple identities in ways that are empowering. Furthermore, the students in this study see the skills that they learn through the Hip-Hop Academy as applicable to the other areas of their lives in ways that reveal a student-identified difference between “knowledge” and “education.” The findings of this study reveal that students are not seeing their Hip-Hop goals as in opposition to their academic and career goals, rather they are using the skills that developed through Hip-Hop culture to pursue both Hip-Hop and academic goals simultaneously in ways that compliment each other. This offers implications not only for the power behind honoring student voices through Hip-Hop, but also for how our classrooms and learning spaces can be structured in ways that both make students want to be there and feel comfortable asserting their own voices.
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- Title
- "S.W.A.G. = Style With a Goal" : exploring fashion/style as a critical literacy of Black youth in urban schools
- Creator
- Hayes, Sherrae M.
- Date
- 2015
- Collection
- Electronic Theses & Dissertations
- Description
-
This study is a multi-method, qualitative project using Youth Participatory Action Research through ethnographic design to examine the uses of fashion/style by Black youth as a form of critical literacy. Taking place in the setting of an urban, public, Midwestern middle school, the work outlines the ways these students communicated through their fashion sense and thus made sense of their identities and the identities of others as messages critically coded and decoded daily. This work examines...
Show moreThis study is a multi-method, qualitative project using Youth Participatory Action Research through ethnographic design to examine the uses of fashion/style by Black youth as a form of critical literacy. Taking place in the setting of an urban, public, Midwestern middle school, the work outlines the ways these students communicated through their fashion sense and thus made sense of their identities and the identities of others as messages critically coded and decoded daily. This work examines current texts/theories surrounding characteristics of uniform policy, critical literacy, and identity development through fashion/style. Ultimately, through this study’s action-orientation, this work highlights how students participated in student-led development of a uniform/dress code policy that incorporated their own critical fashion literacies. Critical Fashion Literacy, a particular form of critical literacy this work seeks to contribute to literacy studies at large, is centered upon the notion of how we each possibly read and write messages and meanings through fashion/style daily. Essentially, this study works to center youth voices with a potential impact on possibilities for their future as change agents in education in their own right – moving beyond fashion statements to the statements they are making through fashion.
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- Title
- "Stop killing my vibe" : a critical language pedagogy for speakers of African American Language
- Creator
- Baker-Bell, April
- Date
- 2014
- Collection
- Electronic Theses & Dissertations
- Description
-
Black and Brown students face an abysmal threat not only in classrooms but in the world because of how they have been trained to understand themselves in and through their language. Within communities and schools, students who communicate in African American Language (AAL) encounter negative messages that suggest that their language is deficient, inferior, wrong, and unintelligent. This study reveals the consequences AAL-speaking students faced when using their language in academic and non...
Show moreBlack and Brown students face an abysmal threat not only in classrooms but in the world because of how they have been trained to understand themselves in and through their language. Within communities and schools, students who communicate in African American Language (AAL) encounter negative messages that suggest that their language is deficient, inferior, wrong, and unintelligent. This study reveals the consequences AAL-speaking students faced when using their language in academic and non-academic contexts. It also reveals how these students responded to a critical language pedagogical innovation. In particular, I explored how AAL-speaking students in two ninth grade English Language Arts classrooms understood themselves linguistically across multiple contexts and to determine if their engagement with a Critical Language Pedagogy (CLP) could transform their unfavorable attitudes toward AAL. Based on findings from this study, I drew the following conclusions: (1) the students understood AAL to be a linguistic resource with associated consequences in their everyday lives, (2) the students resisted and held negative attitudes toward AAL before the CLP innovation, and (3) the students' responses following their engagement with the CLP suggested that the innovation impacted their attitudes in important and dramatic ways.
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