Search results
Pages
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Title
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香港抗爭地圖
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Shows Hong Kong divided in five districts and lists protests happened in those areas from June through mid September 2019.
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Title
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香港人還拖
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster cites a quote from the film "V for Vendetta" and includes its symbol, i.e. a circled "V".
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Title
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願榮光歸香港
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Chinese lyrics of the protest song "Glory to Hong Kong" with graphics about the protest movement.
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Title
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警黑
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows image of the Commissioner of Police Stephen Lo Wai Chung in blue. Title is in front of his face. The eyes of the officer are repeated above the main image. English text is along the left side of the poster and describes specific encounters with the police during the 2019 Hong Kong protests.
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Title
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警告自由種, 速離否則反抗
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows a montage of black and yellow warnig flags similar to those used by the police but with protesters' messages.
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Title
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死仆街
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows three images of Junius Ho in red behind title. On the left is the date and "To Hong Kong government." In the upper right corner is the text "#NO CHINA EXTRADITION."
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Title
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暴政兇警殺人如麻, 党倒人亡血債血償
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Title
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寧化飛灰, 不作浮塵
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Sticker shows an image of a protester wearing a black t-shirt, a black face mask, and a yellow hard hat with text printed on it.
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Title
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守護孩子
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows an image of a vest worn by volunteers who watch over young protesters during demonstrations and clashes. The phrase "We are all yellow object" printed inside a small square at the center of the poster refers to Hong Kong Police calling a volunteer, who allegedly was kicked by riot police when under arrest, "yellow object."
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Title
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堅持到煲底
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Sticker shows an image of two protesters in black t-shirts and yellow hard hats smiling and holding up their black face masks.
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Title
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反抗!
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows a left hand holding the phrase "反抗!" with Chinese and English slogans of the protest movement printed at the bottom.
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Title
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加油、反抗、報仇
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows three banners with Chinese characters laid out in a Z shape; Chinese and English slogans of the protest movement printed at the bottom.
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Title
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公義
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Title
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光復香港, 時代革命
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows the slogan of the protest movement in Chinese and English in black with a yellow background.
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Title
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光復香港, 時代革命
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows the slogan of the protest movement in Chinese and English in white with a black background.
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Title
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五大訴求, 缺一不可
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows the slogan of the protest movement in Chinese and English in black with a yellow background.
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Title
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五大訴求, 缺一不可
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Sticker shows an image of a protester wearing a black t-shirt, a black face mask, and a yellow hard hat with text printed on it.
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Title
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五大訴求, 缺一不可
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Date
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2019
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Collection
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Hong Kong Anti-Extradition Bill Protests Collection
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Description
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Poster shows the slogan of the protest movement in Chinese and English in white with a black background.
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Title
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“WE ARE THE BAD POOR” : GENRE AND WHITE TRASH IDENTITY IN GRIT LIT
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Creator
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Ploskonka, Mitchell
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Date
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2021
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Collection
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Electronic Theses & Dissertations
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Description
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This project explores the Southern white trash’s fraught relationship with difference through Grit Lit—literature by and about the white trash. In a historical moment where poor whites have been (sometimes rightfully) scapegoated as key cogs in Trump’s demagoguery characterized by hateful speech and reactionary rhetoric, Grit Lit is a coming-to-terms with its whiteness and trashiness. It is an ongoing search for a usable, unshameful identity amidst a centuries-old construction of the white...
Show moreThis project explores the Southern white trash’s fraught relationship with difference through Grit Lit—literature by and about the white trash. In a historical moment where poor whites have been (sometimes rightfully) scapegoated as key cogs in Trump’s demagoguery characterized by hateful speech and reactionary rhetoric, Grit Lit is a coming-to-terms with its whiteness and trashiness. It is an ongoing search for a usable, unshameful identity amidst a centuries-old construction of the white trash as racially, economically, and regionally as waste people. As this project articulates, to reckon with an inherently liminal and marginalized community, one long associated with (again, sometimes rightfully) assumptions of racism, homophobia, xenophobia, and misogyny, Grit Lit is only able to come to that identity through a sometimes painful acknowledgment of difference. One key way Grit Lit accomplishes this is through its experimentations with and reconceptualizations of genre. Beginning with Harry Crews and progressing chronologically to the present (through Larry Brown, Dorothy Allison, Rick Bragg, and Tom Franklin, among others), foundational Grit Lit authors, are studied in relation to their generic choices (ranging from autobiographical realism and literary naturalism to revisionist westerns and detective fiction) and their impact on the literature’s identity politics (including race, gender, sexuality, and disability). As the “Rough South” aesthetic continues to expand beyond the South and into new mediums—comics, television, film—a theoretical basis for understanding white trash identity from the inside provides much-needed (and perhaps unlikely) allyship in a cultural moment marked by racial and social injustice.
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