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Title: 1934 Packard ambulance, parked in front of Knickerbocker Hospital
Date: 1934
Collection: Making of Modern Michigan
Description: 8x10 black and white Packard Co. file photograph of a 1934 Packard nine-tenths left side view, parked on street in front of Knickerbocker Hospital, 70 Convent Ave., male driver at wheel, male in rear. Inscribed on photo back: Packard 1102 eight, eleventh series, 8-cylinder, 120-horsepower, ambulance.

Title: "Deeper than average" leaf mulch test plot being mowed by a rotary mower at the Toro Research Center, in Minnesota, in 1954
Creator: Watson, James, 1920-2013
Date: 1954-11-10
Collection: Dr. James R. Watson, Jr. Image Archive
Description: Raised view of a "deeper than average" leaf cover research plot being mowed by an operator pushing a rotary mower, angled up, the Toro Research Center in Minnesota, in 1954, as part of a leaf mulch study. Plot has containment sideboards due to the heavy leaf cover. Other plots, without boards or visible leaf cover, beyond as well as a fence around the plot area. Gas can in foreground.

Title: "LA GRAN CEGUEDAD DE ESTA MISERABLE GENTE : " VIOLENCIA CULTURAL Y NEGOCIACIONES DISCURSIVAS EN EL MANUSCRITO DE HUAROCHIRI (c. 1608)
Creator: Berrios-Campos, Claudia
Date: 2021
Collection: Electronic Theses & Dissertations
Description: Esta tesis examina el manuscrito quechua del siglo XVII conocido como Manuscrito de Huarochirí como un ejemplo de una violenta zona de contacto en la cual las creencias y conocimientos culturales, ideológicos y religiosos europeos confrontaron los modos indígenas de pensar, conocer y preservar de la memoria y las historias locales y globales. En este contexto, observo los intentos europeos de controlar las creencias y las respuestas indígenas (asimilación, negociación, resistencia) a las...
Show moreEsta tesis examina el manuscrito quechua del siglo XVII conocido como Manuscrito de Huarochirí como un ejemplo de una violenta zona de contacto en la cual las creencias y conocimientos culturales, ideológicos y religiosos europeos confrontaron los modos indígenas de pensar, conocer y preservar de la memoria y las historias locales y globales. En este contexto, observo los intentos europeos de controlar las creencias y las respuestas indígenas (asimilación, negociación, resistencia) a las imposiciones españolas cristianas e imperiales. De esta manera, los colonizadores españoles y extirpadores de idolatrías lideraron una guerra con el propósito de alcanzar un poder simbólico mientras agentes indígenas tales como curacas, interpretes, escribas y secretarios intentaban mantener vivo el saber indígena. A través de una investigación interdisciplinaria entre la historia social, la lingüística, el pensamiento político, los estudios religiosos y un enfoque decolonial, esta tesis traza la colonización europea a través del desarrollo de la extirpación de idolatrías en el Arzobispado de Lima durante los primeros cincuenta años del siglo XVII como un proceso que buscó controlar los sistemas de creencias andinos y sus discursos. Esta colonización trasatlántica de imágenes, símbolos y prácticas intentó deshacerse de la gnoseología indígena y los principios sociales nativos, tales como la reciprocidad, el tinkuy (encuentro, confluencia) o el pachakutiy (la inversión del mundo). De esta manera, manifestaciones de esta guerra de símbolos alcanzaron el poder imperial más allá del Atlántico, pero no fueron percibidas como amenazas inmediatas. Sin embargo, la cuestión de la recepción de estas ideas, así como la idea de una gnoseología andina, todavía queda por ser estudiada. Específicamente, estudio ejemplos textuales de una violencia cultural, ideológica y simbólica hacia los modos indígenas de conocimiento y saber. El pensamiento y el conocimiento indígena se encuentra arraigado en estas historias y tradiciones, las cuales han sido leídas en el pasado como un discurso mítico. Mi investigación confronta la naturaleza problemática de esta lectura a través de un enfoque decolonial que considera las dinámicas discursivas y culturales entre las comunidades indígenas y los colonizadores europeos como un producto de la colonialidad del saber impuesta por el proceso de colonización del continente americano. Presto atención a estas dinámicas culturales como procesos de negociación discursivos con el objetivo de adquirir un poder simbólico que permitirá a los sujetos indígenas colonizados subsistir y resistir en un contexto (post)colonial. Mi tesis abre la puerta a la mirada imperial enfrentada a la diversidad en las formas indígenas de entender el mundo.
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Title: "Man muss die Menschheit lieben" : Georg Büchner und J.M.R. Lenz : ein Beitrag zur Rezeptionsgeschichte
Creator: Burke, Ilse H.
Date: 1986
Collection: Electronic Theses & Dissertations

Title: 1 de maig : trenouem les cadenes
Date: 1980/1989
Collection: Leftist Political Posters Collection
Description: Poster shows a black and white montage of about a dozen street protests in support of the Red Army Faction. Faces of seven RAF members appear at top right of poster. A large red star, symbolizing the group, appears in the center. Ink is black and red.

Title: 12th St. Christian Reformed Church Men's Society
Date: 1920/1930
Collection: Making of Modern Michigan
Description: 12th Street Christian Reformed Church Men's Society

Title: 13avo Convencion-Tejas 1996
Date: 1996
Collection: Midwest Chicano Latino Activism Collection (MICHILAC)
Description: 13th Convention pin. Red with white center, black union eagle & Mexican flag in color. Text: Luchar es poder, poder es Luchar (Fighting is Power/Power is Fight)

Title: 14 jaar isolatie-folter in de BRD : sinds 4.12.84 zijn de gevangenen uit de RAF en het verzet in Hongerstaking! : zij eisen samenvoeging van alle revolutionaire gevangenen in grote groepen, afschaffing van de isolatie-folter, opheffing van het verbod o...
Date: 1984/198x
Collection: Leftist Political Posters Collection
Description: Poster shows two side-by-side images in the center. The one to the left shows a group of masked, helmeted protestors dressed in black and carrying a banner that reads "Kampf der NATO-Kriegspolitik." Two other banners are in the back of that picture and the text is not clear except "Anti-NATO ..." The image to the right is the organizational logo for the "Red Army Faction" (popularly known as the "Baader Meinhoff gang"). The logo is a five-point red star with a black sub-machine gun across it...
Show morePoster shows two side-by-side images in the center. The one to the left shows a group of masked, helmeted protestors dressed in black and carrying a banner that reads "Kampf der NATO-Kriegspolitik." Two other banners are in the back of that picture and the text is not clear except "Anti-NATO ..." The image to the right is the organizational logo for the "Red Army Faction" (popularly known as the "Baader Meinhoff gang"). The logo is a five-point red star with a black sub-machine gun across it and the upper case letters RAF on top of the gun. The poster is an expression of sympathy for the Germans on a hunger strike to protest the conditions of isolation and torture they endured while incarcerated in West Germany. There is a list of demands that include: housing the prisoners together, the end of isolation and torture, and lifting the prohibition on communication. Ink is black and red.
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Title: 14th Street Christian Reformed Church
Date: 1900/1910
Collection: Making of Modern Michigan
Description: 14th Street Christian Reformed Church

Title: 1874 vessel used on the Grand River
Date: 1880/1890
Collection: Making of Modern Michigan
Description: W. H. Barrett steamboat used on the Grand River

Title: 1890's Midway, tents & Games
Date: 1895~
Collection: Making of Modern Michigan
Description: Tourists stroll the Silver Beach Boardwalk, passing by an area of games and other amusements.

Title: 1899 Packard
Date: 1949
Collection: Making of Modern Michigan
Description: 7x9 black and white photograph of 1899 Packard.

Title: 1899 Packard Model A
Date: 1899~
Collection: Making of Modern Michigan
Description: 8x10 black and white photograph of 1899 Packard Model A on brick-paved street with 2 dogs, buildings in background. Inscribed on photo back: 1-cylinder, 9-horsepower 71.5-inch wheelbase, 4 passenger dos-a-dos roadster.

Title: 1899 Packard Model A
Date: 19xx
Collection: Making of Modern Michigan
Description: 8x10 black and white photograph from glass negative of 1899 Packard Number One with driver. Inscribed on photo back: completed and first road tested Nov. 6, 1899, Warren Ohio; Model A, 1-cylinder, 9-horsepower, 71.5-inch wheelbase, 2-person roadster. Body by Morgan & Williams, carriage manufacturer. Driver Henry Joy? Photograph taken some years after car's completion, note holes in the dash, etc., lack of such original equipment as dos-a-dos seat mounted on rear deck, lights & skirt below...
Show more8x10 black and white photograph from glass negative of 1899 Packard Number One with driver. Inscribed on photo back: completed and first road tested Nov. 6, 1899, Warren Ohio; Model A, 1-cylinder, 9-horsepower, 71.5-inch wheelbase, 2-person roadster. Body by Morgan & Williams, carriage manufacturer. Driver Henry Joy? Photograph taken some years after car's completion, note holes in the dash, etc., lack of such original equipment as dos-a-dos seat mounted on rear deck, lights & skirt below driver's seat. This is the car given to Lehigh University.
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Title: 1899 Packard Model A in factory
Date: 1899~
Collection: Making of Modern Michigan
Description: 8x10 photograph of 1899 Packard Model A taken inside factory or machine shop.

Title: 1899 Packard Model A roadster with 1913 Packard 48 touring car, on street with passengers
Date: 1913
Collection: Making of Modern Michigan
Description: 7.5x9.5 black and white Packard Co. file photograph of a 1899 Packard Model A with male driver, male passenger holding a sign that reads 'The first Packard built in 1899,' and a 1913 Packard 48 on street with other cars behind, top folded, male driver, five female passengers, two male passengers. Inscribed on photo back: Packard Model A 1-cylinder, 9-horsepower, 71.5-inch wheelbase, 2-person roadster, Packard 48, 6-cylinder, 48-horsepower ALAM rating, 82-horsepower at 1720 r.p.m., 139-inch...
Show more7.5x9.5 black and white Packard Co. file photograph of a 1899 Packard Model A with male driver, male passenger holding a sign that reads 'The first Packard built in 1899,' and a 1913 Packard 48 on street with other cars behind, top folded, male driver, five female passengers, two male passengers. Inscribed on photo back: Packard Model A 1-cylinder, 9-horsepower, 71.5-inch wheelbase, 2-person roadster, Packard 48, 6-cylinder, 48-horsepower ALAM rating, 82-horsepower at 1720 r.p.m., 139-inch wheelbase, 7-person touring car, fitted with standard top, storm-tilt windshield, D on monogram panel.
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Title: 1899 Packard Model A, car number four or number five
Date: 1899
Collection: Making of Modern Michigan
Description: 8x10 black and white photograph from glass negative of 1899 Packard Number Four or Packard Number Five on country road. Inscribed on photo back: Model A, 1-cylinder, 9-horsepower, 71.5-inch wheelbase, 2-person roadster, fitted with a 2-person dos-a-dos seat mounted on rear deck. Body by Morgan & Williams, Warren, Ohio. Car has H-gate shift box. Cars Number Four and Number Five were almost identical. The latter was sold on Feb. 3, 1900 to George D. Kirkham, a Warren, Ohio businessman residing...
Show more8x10 black and white photograph from glass negative of 1899 Packard Number Four or Packard Number Five on country road. Inscribed on photo back: Model A, 1-cylinder, 9-horsepower, 71.5-inch wheelbase, 2-person roadster, fitted with a 2-person dos-a-dos seat mounted on rear deck. Body by Morgan & Williams, Warren, Ohio. Car has H-gate shift box. Cars Number Four and Number Five were almost identical. The latter was sold on Feb. 3, 1900 to George D. Kirkham, a Warren, Ohio businessman residing on Park Ave., one block south of Packard Works.
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Title: 1899 Packard hoisted above Detroit skyline
Date: 1949
Collection: Making of Modern Michigan
Description: 8x10 black and white Packard Co. file photograph of the 1899 Packard loaded on lift, sign reads 'Display and Exhibit specialties Company 14300 Woodward, Townsend 8-3282,' three male workers in foreground, city skyline in background. Inscribed on photo back: 1949 dealers show, Packard Golden Anniversary, Hotel Statler, Detroit, Michigan.

Title: 1899 Packard number one
Date: 1912~
Collection: Making of Modern Michigan
Description: 8x10 black and white photograph from negative of Packard Number One from rear showing woman driver in fur coat, hat and gloves, waving and Packard sign on rear of auto. Inscribed on photo back: car completed Nov. 6, 1899, Warren Ohio; Model A, 1-cylinder, 9-horsepower, 71.5-inch wheelbase, 2-person roadster; body by Morgan & Williams, carriage manufacturer, Warren, Ohio. Car appears in same condition as one appearing in Motor Age magazine ca. April 1912.

Title: 1899 Packard on display at Lehigh University
Date: 1934
Collection: Making of Modern Michigan
Description: 8x10 black and white Packard Co. file photograph of Packard Model A Number One in its permanent home in the lobby of the James Ward Packard Laboratory of Electrical and Mechanical Engineering at Lehigh University. Inscribed on photo back: car completed and road tested on Nov. 6, 1899 in Warren Ohio; 1-cylinder, 9-horsepower, 71.5-inch wheelbase, 2-person roadster, originally fitted with a dos-a-dos seat on rear deck. Body by Morgan & Williams, carriage manufacturer, Warren, Ohio.

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