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"All the forms today are merely parades and arrangements" : the relationship between the music and film of "Le Ballet Mécanique" and their influence on time

"All the forms today are merely parades and arrangements" : the relationship between the music and film of "Le Ballet Mécanique" and their influence on time

Baumgart, Emily Michelle

Text (2015)

Part of Electronic Theses & Dissertations

Frederic Rzewski's "North American Ballads" : looking back to the radical politics of 1930s America

Frederic Rzewski's "North American Ballads" : looking back to the radical politics of 1930s America

Hershberger, Monica Alice

Text (2011)

Part of Electronic Theses & Dissertations

The dissident dame : alternative feminist methodologies and the music of Ethel Smyth

The dissident dame : alternative feminist methodologies and the music of Ethel Smyth

Nelson, Trevor Rand

Text (2016)

Part of Electronic Theses & Dissertations

Who tells your story? : intersections of power, domesticity, and sexuality relating to rap and song in the musical Hamilton

Who tells your story? : intersections of power, domesticity, and sexuality relating to rap and song in the musical Hamilton

Harvey, Tia Marie

Text (2019)

Part of Electronic Theses & Dissertations

"Longing eyes" Two erotic devotions in Henry Playford's Harmonia Sacra, 1688, 1693

"Longing eyes" Two erotic devotions in Henry Playford's Harmonia Sacra, 1688, 1693

Bonczyk, Patrick David-Jung

Text (2014)

Part of Electronic Theses & Dissertations

Stifled Mystery

Stifled Mystery

Text (2011)

Part of Electronic Theses & Dissertations

Avant-garde grit : John Cale and experimental techniques in popular music

Avant-garde grit : John Cale and experimental techniques in popular music

Text (2012)

Part of Electronic Theses & Dissertations

Keeping the Tradition Alive : Irish Traditional Music Sessions During COVID-19

Keeping the Tradition Alive : Irish Traditional Music Sessions During COVID-19

Text (2021)

Part of Electronic Theses & Dissertations

THE POETIC-MUSICAL INTERTEXTUAL RHETORIC OF THE POLISH BRETHREN’S LITURGY

THE POETIC-MUSICAL INTERTEXTUAL RHETORIC OF THE POLISH BRETHREN’S LITURGY

Wieczorek Villas Boas, Felipe Pedro

Text (2022)

Part of Electronic Theses & Dissertations

"Let Them Eat Cake" : Sofia Coppola's Marie Antoinette (2006) as a Musical Vehicle of Eighteenth-Century Gender and Colonial Identity

"Let Them Eat Cake" : Sofia Coppola's Marie Antoinette (2006) as a Musical Vehicle of Eighteenth-Century Gender and Colonial Identity

Roberts, Christine

Text (2023)

Part of Electronic Theses & Dissertations